Pinocchio & Jiminy Cricket Disney Companion Ultra Rare Authentic 2010 Limited Edition Painted Vinyl Art Toy Figure Sculpture Collectible Artwork by Artist Kaws- Brian Donnelly x OriginalFake. 2010 Limited Edition of 500 Chhum Companion Painted Vinyl Size 10.25 X 5 X 4.5 IN Printed On Foot. Appears New/Like New In Opened Box, Extremely Fine Example, Box in Like New Condition. Stamp Perfect. Pictures Of Actual Example. Authenticated With Seals and Unique Tracking Serial Number Included. Notice The Fine Details, Those Don't Exist In The Fakes. It also Has an Official Hologram Seal Affixed to the box, Which The Fakes Don't Ever Have. Interior Plastic Packaging Colored Consistent With Age. Original Verified Pinocchio & Jiminy Cricket Companion. The Fusion of Street Pop Art and Graffiti Artwork in the Pinocchio & Jiminy Cricket Disney Companion The Pinocchio & Jiminy Cricket Disney Companion is a striking example of how street pop art and graffiti artwork have merged with mainstream culture. Created in 2010, this limited edition art toy figure sculpture is a collaboration between KAWS, the pseudonym for American artist Brian Donnelly, and OriginalFake. KAWS is renowned for his influence in the street art scene, where he started as a graffiti artist before transitioning to his unique style of art that often reimagines popular characters from popular culture. This particular piece features the beloved Disney characters Pinocchio and Jiminy Cricket, reinterpreted through the distinctive lens of KAWS. The sculpture is made from painted vinyl, a modern and robust medium, reflecting the artist's street art roots. Measuring 10.25 x 5 x 4.5 inches, this sculpture is a substantial piece that captures the attention with its bold design and intricate detailing. Rarity and Collectibility of the Sculpture Only 500 of these sculptures were made as a limited edition release, making it a highly sought-after collectible. Each figure is marked with a unique tracking serial number, ensuring its authenticity and rarity. The fact that it appears new or like new, even in an opened box, speaks to the quality and durability of the piece. Additionally, the box is in like-new condition, complete with a perfect stamp and an official hologram seal, distinguishing it from counterfeit versions. The interior plastic packaging, colored consistent with age, adds to the authenticity and preservation of the sculpture. These features, including the unique serial number and hologram seal, are critical in collectibles, where authenticity is paramount. Artistic Significance and Detailing The attention to detail in this sculpture is noteworthy. It showcases KAWS's signature style, which is characterized by a clever blend of art and design. The figures of Pinocchio and Jiminy Cricket are rendered with both familiarity and a novel twist, embodying the essence of street pop art and graffiti artwork. This blend of classic Disney iconography with the edgy, provocative style of KAWS creates a unique piece that appeals to art collectors and pop culture fans. The fine details in the sculpture are what set it apart from imitations. These nuances not only reflect the artistic skill of KAWS but also add depth and context to the piece, making it a remarkable example of modern art. The color scheme, the textural details, and the overall presentation of the figures are meticulously crafted, highlighting the artist's commitment to quality and artistic expression. In summary, the Pinocchio & Jiminy Cricket Disney Companion by KAWS x OriginalFake is a remarkable piece that embodies the essence of street pop art and graffiti artwork. Its rarity, attention to detail, and unique fusion of mainstream culture with underground art make it a valuable and significant collectible. As an embodiment of modern artistic expression, it holds a special place in art and popular culture.

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Glo Dino OG Vinyl Sculpture by Max Elbo x Glo Gang x Mula Limited Edition Modern Pop Graffiti Street Art Artwork. 2023 Stamped & Limited Edition of 100 Artwork Sculpture Size 3x6 New In Custom Box Elbo is a well-known glass artist creating intricate, hand-blown pieces for years. His work often incorporates his love for dinosaurs, and his signature character, the "Dino," has become a recognizable symbol in the glass art community. Elbo's designs are admired for their attention to detail, craftsmanship, and artistic vision. Glo Gang is a music and fashion collective that rapper Chief Keef and his associates formed. The group has gained significant attention in the entertainment industry and has become known for its distinctive style and branding. Glo Gang often collaborates with artists, designers, and other creatives, resulting in unique and exciting projects that cross the boundaries of music, fashion, and art. Mula is a talented designer and artist known for contributing to urban streetwear and collectible art. With a flair for the unconventional, Mula's work often features bold colors, striking designs, and a playful edge. The Glo Dino OG Vinyl Sculpture perfectly fuses these three creative entities. By combining Elbo's beloved Dino design with the unmistakable styling of Glo Gang and Mula, this vinyl sculpture is a unique and eye-catching piece that will surely be a sought-after collector's item. The vibrant colors and intricate details make it a standout addition to any vinyl art or streetwear memorabilia collection.

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Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

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Supreme Chucky Doll Limited Edition Cloth Art Toy Collectible Artwork by street graffiti artist Supreme. The Supreme Chucky Doll, potentially the brand's spookiest accessory ever, dropped on December 17th, 2020, as a part of their FW20 Week 17 release. This Supreme doll marks the third cuddleable toy that the brand has released in the last few years. This Supreme Chucky Doll is as close to the real character as it gets and features the ability to talk as well as a plastic knife. With a branded pair of overalls and a t-shirt, your Supreme Chucky Doll can be just as fly as you are.

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MothMan x Nai Palm Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. MothMan x Nai Palm by Lauren YS: Surreal Storytelling in Street Pop Art & Graffiti Artwork MothMan x Nai Palm is a limited edition archival pigment print created by American artist Lauren YS and released on April 19, 2021. Measuring 7.5 x 7.5 inches, the artwork is printed on perforated blotter paper, signed, numbered, and accompanied by a certificate of authenticity. Each sheet was hand-perforated by Zane Kesey, further tying the piece to the rich heritage of blotter art as a medium of psychedelic visual culture. Known for her bold, hallucinatory imagery and narrative-driven surrealism, Lauren YS uses this format to celebrate personal identity, fantasy, and the spirit of creative rebellion through characters rooted in music and mythology. The composition of MothMan x Nai Palm features two costumed figures — one representing a vibrantly colored, anthropomorphic moth creature and the other a twin version of Nai Palm, the vocalist of the Australian band Hiatus Kaiyote. These figures float against a luminous lime green and yellow psychedelic background that mimics topographic patterns often associated with visual distortions during LSD experiences. With sharp linework and fluorescent hues, the characters burst from the surface, radiating a sense of joy, mystery, and cosmic playfulness. The moth figure, a recurring symbol in Lauren YS’s work, suggests transformation and curiosity, while the masked Nai Palm twins with their bat wings and electric guitar nod to theatricality, duality, and sound as power. Pop Culture Deconstruction through Fantastical Iconography Lauren YS has become a prominent figure in the movement where street aesthetics meet contemporary psychedelia. Her use of blotter paper as a print surface for MothMan x Nai Palm bridges her studio practice and her background in muralism, zine art, and lowbrow illustration. This piece merges musical tribute with psychedelic mythology, functioning both as a visual homage and a commentary on perception, identity, and the fluidity of creative personas. The vibrancy of the colors and exaggerated forms are not just stylistic choices but are also visual techniques designed to simulate the sensory overload and symbolic awareness common in psychedelic states. The use of perforated blotter paper is historically significant. In the 1960s and beyond, artists printed designs on blotter sheets to pair visual art with the LSD experience. By adopting this same format, Lauren YS places her work in conversation with the radical traditions of street activism and experimental consciousness. MothMan x Nai Palm becomes not just an artwork but a symbolic artifact of psychedelic pop culture, bringing a music-influenced visual narrative to a format long associated with spiritual and mental awakening. Female Agency and Hybrid Forms in Contemporary Psychedelic Art A key element of this piece is its exploration of gender, identity, and performative transformation. The twin figures of Nai Palm, adorned in matching bat costumes and wielding a glowing green guitar, assert themselves with style and confidence, echoing the flamboyant autonomy of performers and mythic shapeshifters. The presence of duality within a single personality — a frequent theme in Lauren YS’s work — becomes a reflection on inner multiplicity, creative personas, and the self’s ability to adapt. The moth character adds another layer of symbolism. Known for its nocturnal presence and delicate beauty, the moth is an ideal figure for representing unseen truth, sensuality, and exploration beyond surface appearances. The composition, while fantastical and playful, carries the weight of deeply personal and symbolic content. These characters embody the fusion of power and softness, echoing the sentiments of Street Pop Art & Graffiti Artwork, where empowerment, fantasy, and rebellion merge through color and line. The intensity of the background pattern and the intentional exaggeration of the figures bring the print into alignment with public street aesthetics, where immediacy and boldness are essential. Lauren YS and the New Generation of Blotter-Based Street Pop Art Lauren YS’s decision to collaborate with Zane Kesey for this limited blotter edition reinforces the print's connection to psychedelic cultural history. The visual storytelling in MothMan x Nai Palm goes beyond surface appeal to become a portal into a world where art functions as mythology. Her aesthetic is both whimsical and politically charged, combining feminine power, queerness, and speculative fantasy into a format long celebrated for its resistance to conformity. This piece represents the new wave of Street Pop Art & Graffiti Artwork that reclaims unconventional surfaces, celebrates experimental identity, and resists traditional boundaries between fine art, fan culture, and spiritual symbolism. MothMan x Nai Palm is not simply about music or fantasy. It is about how characters, color, and format can transform a small square of paper into a shared visual hallucination, echoing through art history and the streets alike.

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George Washington One Dollar Bill Original One of a Kind Oil Painting on Canvas by Steve Kaufman SAK modern pop artist. 2002 Signed Original Custom Framed & Stretched Canvas Original Artwork Size 27x44

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San Francisco Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

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Robot #4 Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Vision Behind Robot Silkscreen Print by Zane Thomas Robot, a limited edition 5-color hand-pulled silkscreen print by Zane Thomas, is a striking example of street pop art and graffiti artwork. Created in 2013 as part of a signed and numbered edition of 50, this piece embodies Thomas’s ability to blend structured design elements with the raw energy of urban art. Measuring 8.5 x 11 inches, the artwork showcases his precision in layering multiple colors through silkscreen printing, a process that enhances depth, texture, and vibrancy. The robotic theme speaks to contemporary ideas of technology, automation, and the evolving relationship between humans and machines, making this piece both visually compelling and conceptually relevant. The Role of Robotics in Street Pop Art and Graffiti Artwork The depiction of robots in street pop art and graffiti artwork often reflects cultural discussions about innovation, artificial intelligence, and industrialization. In the case of Robot by Zane Thomas, the composition likely references these themes while incorporating bold graphic elements that make it stand out within the street art movement. The mechanical aesthetic, combined with a dynamic use of color, positions the piece within a broader narrative that explores the intersection of technology and creativity. The clean yet expressive linework suggests an appreciation for both precision and spontaneity, a balance that is essential in modern urban art. Silkscreen Printing and Its Impact on the Artwork Silkscreen printing is an integral part of the artistic process in Robot, allowing for a controlled yet experimental application of color and form. The five-color layering technique enhances contrast and depth, giving the print a rich visual presence. Hand-pulled silkscreens have long been associated with street pop art and graffiti artwork due to their ability to produce multiple yet distinct variations of an image. Each print in the edition carries slight variations that make it unique, reinforcing the idea that urban art is about craftsmanship and authenticity rather than mass production. The Cultural Significance of Robot by Zane Thomas Robot serves as a reflection of contemporary anxieties and fascinations with artificial intelligence and mechanization. By incorporating robotic imagery into a hand-crafted medium like silkscreen printing, Zane Thomas bridges the gap between technological progress and traditional artistic techniques. This contrast highlights the ongoing dialogue between digital and analog processes in art, mirroring broader societal shifts. The piece remains relevant in discussions about the role of technology in everyday life while maintaining the aesthetic appeal of street pop art and graffiti artwork. As a limited-edition print, it holds value for collectors who appreciate the fusion of futuristic themes with the raw energy of hand-pulled printing techniques.

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Psychedelic Andre- ‘92 Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

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Otto Dino Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Max Elbo x GZ1. 2022 Hand-Numbered Box Limited Edition of 250. This 10-inch vinyl toy is a collaboration between artists GZ1 and ELBO. Limited to 250 pieces total, "Otto Dino" is the third GZ1 x ELBO collaborative collection character. Each box is hand-numbered by the artist. The Creative Fusion of Max Elbo and GZ1 in Otto Dino Vinyl Art Toy "Otto Dino," a limited edition vinyl art toy, represents a unique collaboration between the modern pop culture artist Max Elbo and GZ1, crystallizing the intersection of Street Pop Art and graffiti Artwork with collectible design. Launched in 2022, this 10-inch art piece encapsulates the essence of street art's accessibility and pop art's mass appeal within contemporary collectibles. Limited to 250 pieces, "Otto Dino" is a standout third character in the GZ1 x ELBO collaborative collection, each unit being hand-numbered by the artists themselves. This collectible art toy's vibrant colors and whimsical design underscore the playful yet provocative spirit inherent in many street and pop art movements. "Otto Dino" fuses the rebellious energy of graffiti with the polished aesthetic of vinyl toys, crafting a three-dimensional character that doubles as a piece of interactive artwork. Such collectibles have become a medium in their own right, through which artists can reach a broader audience, transcending traditional gallery spaces and embedding themselves into the fabric of daily life. Max Elbo's Artistic Vision in the Collectible Arena Max Elbo's artistic vision translates seamlessly from large-scale murals to the intimate scale of "Otto Dino," showcasing his versatility and commitment to bringing art into the personal space of collectors. Much like his street art, this vinyl toy is replete with details and nuances that invite close examination and reflect Elbo's iconic style. By collaborating with GZ1, Elbo ventures into a new mode of creative expression that resonates with the tactile and playful nature of Street Pop Art and graffiti Artwork. Each "Otto Dino" is a tangible expression of Elbo's art, bringing the same level of craftsmanship and artistic integrity to the collectible as one would expect from his murals. The hand-numbering of each box adds a personal touch reminiscent of the signature tags found in street art and further elevates the collectible's status as a limited edition artwork. This practice not only enhances the value of each piece but also forges a direct connection between the artist and the collector, a valued aspect in the world of art collectibles. The Rising Trend of Art Toys in Street Pop Culture The emergence of art toys like "Otto Dino" as a significant trend in the street pop culture scene indicates the evolving landscape of art consumption and appreciation. These collectibles allow artists to expand their reach and explore new artistic directions while engaging with a community of collectors who value the intersection of art and play. The limited edition nature of such toys creates a sense of urgency and exclusivity, qualities that have long been associated with the acquisition of art. In the broader context of Street Pop Art and graffiti Artwork, art toys represent the democratization of art ownership. Pieces like "Otto Dino" allow for a more personal and interactive art experience, breaking down barriers between the artist and the audience. They celebrate the fusion of aesthetic pleasure and collectible appeal, embodying the essence of street and pop art movements that have always sought to make art a part of everyday life. Impact and Legacy of Otto Dino in Modern Art Collectibles "Otto Dino" stands as a testament to the potential of collaborations between artists like Max Elbo and GZ1 in pushing the boundaries of what is considered collectible art. The impact of such works is far-reaching, influencing not just the art toy market but also the perceptions of what street and pop art can be. The legacy of "Otto Dino" will be measured in its aesthetic value or collectibility and its ability to inspire future collaborations and innovations within the Street Pop Art and graffiti Artwork community. The success of "Otto Dino" and its contribution to the modern art collectible scene reaffirms the importance of accessibility and interactivity in contemporary art. As collectors continue to seek out unique and meaningful pieces, the role of art toys in the artistic landscape will undoubtedly grow, with artists like Max Elbo and GZ1 at the forefront of this dynamic intersection between artistry, collectibility, and cultural commentary. "Otto Dino" is not just an object of desire for collectors; it is a piece of cultural currency, a symbol of the playful yet profound impact of modern street and pop art.

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Ms. Rainbow Flower- SP 13-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. SP State Artist Proof 2020 Signed SP Edition of 25 Rare Takashi Murakami TM/KK Ms. Rainbow Flower Silkscreen Print Artwork 19.68x19.68in 50x50cm The Allure of Limited Editions in Street Pop Art: Takashi Murakami's Ms. Rainbow Flower Takashi Murakami's "Ms. Rainbow Flower- SP 13-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper" vividly represents the symbiotic relationship between street pop art and limited edition prints. Takashi Murakami, a stalwart in the pop art movement, extends his canvas to street art, blurring the lines between commercial and high art. This piece, an Artist Proof (AP) from 2020, stands as a testament to Murakami's unique style that combines traditional Japanese aesthetics with contemporary pop culture, creating a colorful and optimistic depiction that resonates with pop art's ethos and street art's rawness. The work is part of an exclusive SP (Special Proof) edition of 25, highlighting the art market's rarity and desirability of limited editions. Artist Proofs are traditionally the first prints pulled from a run, kept aside due to their special status, and often marked by the artist's hand. Murakami's signature on "Ms. Rainbow Flower" authenticates the print and signifies its importance as a direct offspring of the artist's creative process. Each of the 13 colors is pulled by hand, a meticulous and labor-intensive process, which ensures that every print is imbued with a sense of individuality despite being part of a series. Takashi Murakami and His Influence on Modern Pop and Street Art Murakami's influence on modern pop and street art is substantial, with his art often characterized by its bright, explosive colors and incorporation of motifs from traditional and popular Japanese culture. His creation, "Ms. Rainbow Flower," with its cheerful persona and psychedelic hues, exemplifies 'Superflat'—a post-modern art movement pioneered by Murakami that flattens the image and merges the boundaries between different artistic genres. This particular piece, with its hand-pulled silkscreen technique, also pays homage to the methods of street art and graffiti, where the hand of the artist is central to the work's authenticity. At 19.68x19.68 inches (50x50cm), this silkscreen print is a collectible size, making it accessible to art enthusiasts and serious collectors. The edition size of 25 reinforces its rarity and elevates its status within the sphere of street pop art and graffiti artwork. Collectors of Murakami's work appreciate the visual appeal and the underlying commentary that the artist often embeds within his creations. Murakami's "Ms. Rainbow Flower" is not merely a decorative piece; it carries the weight of cultural symbols and the playfulness of pop art, infused with the artist's philosophical questions about the art world and its intersection with commerce. The Role of Limited Editions in Street Pop Art and Graffiti Artwork Limited edition prints like "Ms. Rainbow Flower" are crucial in disseminating street pop and graffiti artwork. They allow these traditionally ephemeral art forms to be preserved and appreciated over time. In the case of "Ms. Rainbow Flower," the limited edition run is particularly significant, as it represents a moment in Murakami's artistic journey, capturing the essence of his style during the year 2020. Owning such a piece means participating in the history of street pop art as it evolves from the streets and into the galleries and homes of art lovers. The Artist Proof status of this print positions it as a bridge between Murakami's archive and the public sphere. It underscores the intimate relationship between the artist and his work, offering insight into his process and the development of the final edition. For the artist, these proofs can function as a creative playground where they can experiment before the last series is completed. For the collector, they provide a piece of the artist's legacy, enriched with the potential of increased value over time due to their scarcity and the prestige associated with limited editions. In summary, Takashi Murakami's "Ms. Rainbow Flower- SP" is more than a mere representation of street pop art and graffiti artwork; it is a cultural artifact that encapsulates the spirit of its time and the artistic vision of one of contemporary art's most influential figures. Its existence as a limited edition print emphasizes the importance of rarity and artist interaction in art, offering collectors a chance to own a part of Murakami's expansive and colorful universe.

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Homer Original Painting Pasca and Ink on Watercolor Paper by Artist Jon Burgerman Modern Pop Art. 2014 Signed Original One of a Kind Watercolor Painting Size 22.5x29.5 "Jon Burgerman makes vibrant, neo-primitive scrawls of shapes and color. He's pushed his monster-like characters into compositions where cartoon-like forms are crammed on top of each until they create a screaming mass of energy. Intensely prolific, he has pushed the character obsession of the late 90s into a far more interesting and strong direction. Think Walt Disney at an Incan monument on mescaline." - Francesca Gavin, Visual Arts Editor Dazed & Confused and author of Street Renegades and 100 New Artists published by Laurence King.

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Ben Baller Crowbar Limited Edition Aluminium Diecast Designer Art Object Collectible Artwork by Artist Designer Ben Baller. 2021 Limited Edition Aluminium Diecast Crowbar Gold Tinted Object Art Size 14" x 1.5" x 0.2" Luxury Gold Crowbar by Ben Baller New In Box The Fusion of Street Pop Art & Graffiti Artwork in Ben Baller's Limited Edition Crowbar Street Pop Art and Graffiti Artwork represent vibrant and often rebellious forms of artistic expression, prominently displayed in urban landscapes and sought after by contemporary collectors. Ben Baller, a renowned artist and designer, has entered this domain with his limited edition Gold Tinted Aluminium Diecast Crowbar. This object seamlessly blends practical function with the allure of luxury. Crafted with precision, this collectible item is more than just a tool; it's a statement piece that speaks to the culture of luxury within street art. The crowbar, sized 14 inches by 1.5 inches by 0.2 inches, is a quintessential example of how everyday objects are reimagined through an artistic lens. The gold tint adds a touch of luxury and transforms the crowbar into a desirable art object, challenging the viewer's perception of value and utility. Ben Baller's crowbar was released in 2021 and has become a coveted item for art lovers and street art collectors. The choice of material—aluminum diecast—is significant; it denotes industrial strength and durability while also allowing for a high level of detail and a smooth finish that complements the gold tint. Symbolism and Aesthetic in Ben Baller's Artistic Endeavor The crowbar's presentation, new in the box, is reminiscent of a product launch, creating a sense of anticipation and newness often associated with the release of limited edition streetwear or sneakers. However, by presenting a tool traditionally associated with manual labor and break-ins, Baller subverts expectations and elevates the crowbar to the status of art. This piece by Ben Baller exists not merely as a standalone object but as a commentary on the intersection of street culture and luxury. It touches on themes prevalent in Street Pop Art and Graffiti Artwork, such as consumerism, wealth, and the reappropriation of everyday items into objects of desire. By coating a rough and rugged tool in a luxurious gold tint, Ben Baller invites reflection on the contrasts between high and low culture, between the street and the elite. This crowbar, while no longer suited for its original purpose, becomes symbolic of the transformative power of art. It explores how context and presentation can redefine an object's intrinsic value and meaning. Collectibility and Cultural Impact of Ben Baller's Crowbar The limited edition nature of this artwork amplifies its allure, as scarcity often does in the art world. Collectors are drawn to the physical beauty of the piece and the cultural capital it represents. Owning a Ben Baller crowbar is akin to possessing a fragment of the zeitgeist—a tangible connection to the pulse of contemporary Street Pop Art. The cultural impact of such pieces is significant, often transcending the art world and permeating into fashion, music, and lifestyle. Ben Baller's crowbar bridges these worlds, crafted by an artist whose name is synonymous with blurred boundaries between art and life. In the grander narrative of Street Pop Art, Ben Baller's crowbar is a powerful addition. It's an artwork that demands attention, provokes thought, and embodies the spirit of a movement that continues to challenge and reshape our understanding of art and its place in society. In its golden splendor, the crowbar is not just an object but a cultural artifact, a slice of history, and a nod to the ongoing dialogue between street culture and the sanctified halls of art galleries.

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STA Camo Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Bape- A Bathing Ape. 2021 Limited Edition Deck New

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Baby Milo X Hajime Sorayama- Gold 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Bape- A Bathing Ape. 2022 A Bathing Ape BAPE x Hajime Sorayama Rare Bearbrick Collectible New In Box

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Smiley Grin Piggy Bank Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. 2010 Signed Limited Edition Vinyl 3 7/10 × 3 9/10 in 9.5 × 10 cm. Ron English- POPaganda's 2010 solo show at Status Factory NYC, Made by Monsters. Open/Loose in Perfect Condition

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Frida- Lakers Foil 4-Color Hand-Pulled Limited Edition Silkscreen Print on Holographic Foil Fine Art Paper by Brian Ewing Rare Street Art Famous Pop Artwork Artist. 2021 Foil Lakers Edition of 15 Signed and Numbered

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4th of July MC Supersized Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by street graffiti artist Ron English- POPaganda. 2019 Ron English- POPaganda, 8 Inches Tall, Signed By Ron English- POPaganda, SFBI. Displayed With Box

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Ramona Red SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2021 Limited Edition of 1444 Nozzle, removable cap & that OG RATTLE, 1444 made 2021

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VOLTEQ 20 Inch Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by street graffiti Quiccs. 2022 Voltron Themed TEQ63 Dunny Standing 20 Inches Tall, Limited Edition of 500. Kidrobot has once again teamed up with artist Quiccs to bring to life the fusion of TEQ and Dunny in an epic creation. Introducing the VOLTEQ Dunny 20” Vinyl Art Figure by Philippines-based illustrator, toy designer, and graffiti artist Quiccs. This giant 20” Dunny is a mecha-inspired statement piece based on the artist’s TEQ63 character, a post-apocalyptic hero living in a dystopian society.

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Another Day In the Coal Mine Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled Navigating the intersections of pop art, street art, and graffiti art, Shepard Fairey's "Another Day In the Coal Mine" emerges as an evocative piece that resonates deeply with contemporary themes and societal introspections. This large format artwork is a manifestation of Fairey's unparalleled skill, a hand-pulled 4-color serigraph print that captivates with its intricate design and vivid colors, all meticulously rendered on custom cotton Coventry rag paper. The composition presents a harmonious blend of patterns, ranging from the radiant sun-like designs to the serene floral motifs, juxtaposed against stark industrial imagery. The title, "Another Day In the Coal Mine," subtly hints at the labor-intensive, often unrewarding tasks that many endure in their daily lives. Yet, amidst this seemingly bleak narrative, the vibrant bird on the bottom right stands as a beacon of hope, a symbol of resilience and perseverance. Crafted in 2023, each of these limited pieces, measuring 45x26, has been hand deckled, adding an authentic touch to the artwork's overall aesthetic. With only 100 prints in circulation, each signed and numbered by Shepard Fairey, the exclusivity of the piece is undeniable. Embedded within its fabric is the unmistakable Obey publishing chop, discreetly positioned in the lower left corner. Beyond its visual appeal, the artwork carries a deeper purpose. Fairey, in his continuous commitment to environmental advocacy, pledges the proceeds from this piece to Greenpeace. As a testament to the power of art, "Another Day In the Coal Mine" not only engages viewers visually but also drives action for a more sustainable future.

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HR Giger Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Once Upon A Time No More 2 Artwork Lenticular Giclee Limited Edition Print on Lenticular Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. 2021 Signed & Numbered COA Lenticular Artwork Size 21x27. The image changes according to the direction of view. Chicago Dior, Nike Shoes. Pop culture, graffiti, and street art have been playing an instrumental role in the contemporary art scene, presenting unique takes on traditional motifs and embracing the amalgamation of different artistic forms. Mimi Yoon, a celebrated artist in this sphere, has achieved commendable success with her artwork titled "Once Upon A Time No More 2". This creation stands as a testament to her ingenious approach, seamlessly merging classic fairy tale imagery with modern cultural symbols. Rendered as a giclee print, a method renowned for its ability to reproduce color accurately and with high-resolution detail, the artwork is presented on lenticular fine art paper. This particular choice of medium is what sets "Once Upon A Time No More 2" apart. Lenticular printing is a technology that employs lenticular lenses to produce images with an illusion of depth or the ability to change when viewed from different angles. This dynamic visual effect means that the image morphs depending on the viewer's perspective, offering a multifaceted and interactive experience. Mimi Yoon's decision to use this technique infuses an element of dynamism and modernity into her artwork, allowing the narrative to evolve with the observer's movement. The subject matter of the artwork is both captivating and thought-provoking. It portrays a reimagined Cinderella, juxtaposed with the iconic Nike shoes from Chicago Dior, challenging the traditional Cinderella narrative where glass slippers play a pivotal role. This deliberate blend of a fairy tale princess with contemporary streetwear reflects a cultural shift, suggesting a modernized fairy tale where brand logos and urban style have a significant place. The presence of the bird and mouse, familiar figures from the Cinderella story, further intertwines the old with the new, cementing Yoon's narrative of a modern-day fairy tale. The year 2021 marked a milestone for "Once Upon A Time No More 2", as it was released as a limited edition piece. Each print carries the signature of Mimi Yoon, ensuring authenticity and a personal touch from the artist herself. Further enhancing its exclusivity, the artwork is accompanied by a Signed & Numbered Certificate of Authenticity. With dimensions of 21x27 inches, it's poised to be a statement piece, capturing attention and evoking discussions. Mimi Yoon's "Once Upon A Time No More 2" is more than just an artwork; it is a reflection on contemporary society's interplay with age-old tales. By positioning Cinderella in Nike shoes, Yoon not only challenges but also refreshes the narrative, making it relevant to today's audience. As a representation in the broader context of pop art, graffiti, and street art, this piece exemplifies how artists like Yoon are rewriting norms and pushing boundaries. It serves as a reminder that art is ever-evolving, constantly influenced by societal shifts, technological advancements, and the artist's own perspectives. Through "Once Upon A Time No More 2", Mimi Yoon invites observers to witness and engage with a fairy tale that is firmly rooted in today's zeitgeist.

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Mad Happy Monk Grin- Orange Limited Edition Blacklight Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Ron English- POPaganda. 2019 Signed Limited Edition New In Box. Blacklight orange colorway of the Mad Happy Monk is 8 inches tall. Hand-signed by Ron

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Jurassic Park- Velociraptor 4-Color Hand-Pulled Limited Edition Silkscreen Print on Silver Curious Metallics Lustre Paper by DKNG Rare Street Art Famous Pop Artwork Artist. "Jurassic Park: Velociraptor" is a 24” x 18” four-color screen print on Curious Metallics Lustre paper with an artist edition of 60 prints.

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Eye Heart NY 2-Color Hand-Pulled Limited Edition Risograph Print on Fine Art Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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Mercury Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Freddy Mercury from the rock band Queen.

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Neon MC Supersized Grin Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Neon MC Supersized Grin' by Ron English- POPaganda, 2020 Collab. with toymaker Made by Monsters. 10 x 7" x 5" Inches Collectible soft vinyl art figure. Limited Edition NTWRK Exclusive colorway.

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Collateral Damage Circles Original Painting Mixed-Media Spray Paint, Sand. Glitter, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage Circles, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper, Glitter, Sand Coarse Gritty Texture Grabs The Light) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

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Cornetto Trilogy- Hot Fuzz Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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Camo Pink & Yellow Medium M-2C-M1 Silkscreen Print by Invader Hand-Pulled on Somerset Satin Cotton Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 28.35x24.02 Silkscreen Print of Artist Invader's Famous Space Invaders Glitch Stylized Art in Pink & Yellow. NVDR3-6 Invader's Camo Pink & Yellow Medium M-2C-M1 Silkscreen Print The Camo Pink & Yellow Medium M-2C-M1 silkscreen print by Invader stands as a bold example of Street Pop Art & Graffiti Artwork that fuses digital nostalgia with contemporary fine art aesthetics. Released in 2024 as a signed and numbered limited edition of 100, this artwork draws upon the French artist's long-standing fascination with retro gaming, pixel art, and guerilla installation tactics. Printed on premium Somerset Satin Cotton Fine Art Paper using hand-pulled silkscreen methods, this edition measures 28.35 by 24.02 inches, offering collectors a vibrant and highly stylized composition. The Visual Power of Color and Pixelation Rendered in clashing neon pink and acid yellow, the M-2C-M1 silkscreen print distills the iconography of Invader's global Space Invaders project into a camouflaged digital tapestry. At first glance, the composition may seem like a disordered array of pixel blocks, but deeper inspection reveals the signature forms of an 8-bit alien buried in the chaos. The colors are deliberately chosen for visual dissonance, creating a pulsating optical experience that references both camouflage patterning and screen glitch aesthetics. This duality plays into Invader's ongoing commentary on visibility, surveillance, and anonymity—core themes in his urban art interventions. Conceptual Layering and Street Art Foundations As a pioneer of global street interventions, Invader—born in France as Franck Slama—has embedded thousands of mosaic Space Invaders in cities worldwide since the 1990s. While these works often exist at street level and are subject to weathering or removal, prints like the Camo Pink & Yellow Medium M-2C-M1 allow for permanence and museum-level preservation. Yet the silkscreen medium preserves the DIY ethos of the artist’s original practice. The geometry in this piece evokes his analog mosaic approach while emphasizing the systematic repetition and coding that define much of his digital-meets-physical output. The artwork's coding-style title M-2C-M1 hints at his classification system for organizing and archiving his global installations, adding an archival dimension to its aesthetic experience. Position Within Street Pop Art & Graffiti Artwork Invader’s work, including this print, occupies a definitive place within the evolution of Street Pop Art & Graffiti Artwork. He merges the mischievous transience of graffiti with the pixel-perfect precision of digital design. Unlike traditional graffiti rooted in letters and tags, Invader introduces game culture and technological critique into the street narrative. By abstracting his alien into camouflage and glitch formats, he blurs lines between resistance and assimilation—an aesthetic metaphor for how subversive art can both infiltrate and adapt to institutional spaces. The result is not just a collectible silkscreen, but a dynamic statement on modern visual culture, surveillance, and the role of play in public space. This edition offers not only a snapshot of Invader's continued evolution as a contemporary artist but also a rare opportunity for collectors to engage with a piece that translates the energy of street placement into a refined, tactile artifact.

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Shoot Now Ask Questions Later Blotter Paper Archival Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper, a type of thick absorbent paper, is traditionally used in fields like chemistry for drying samples or in the art world for watercolor painting. However, it has found a unique niche in the world of graffiti and street art for the creation of "blotter art", which is often associated with psychedelic art due to its historical use as a medium for distributing LSD. Experience the convergence of fine art and counterculture with our Fine Art Archival Prints on Perforated Blotter LSD Paper. These prints, a nod to the psychedelic era, are designed to deliver stunning visual impact. They are printed on high-quality blotter paper, which was traditionally used for LSD tabs, but now repurposed for this unique art form. Each piece is a work of masterful creativity, providing an experience that is both aesthetically pleasing and culturally significant. Printed with archival inks to ensure longevity, these prints are not only collectibles but also lasting symbols of a vibrant subculture.

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Baby Huey- Blue Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. It’s all about that fade baby! Pretty hard to step into your Dad’s shoes, even if you have teeny tiny little feet, but a real playa has to try. Relish the opportunity to possess a little whiny evil dictator all your own, this 8″ figure comes in Supervillain Blue from the twisted mind of Frank Kozik!

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MC Supersized- Black Light Magic Yellow Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by Artist Ron English- POPaganda Modern Pop Artwork. 2017 New In Box Limited Edition Size 11 1/5 × 9 2/5 × 5 7/10 in

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End War- Ukraine Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Nick Zaremba, Street Pop Art Graffiti Legend. 2022 Signed 17x8 Limited Edition Artwork "I choose the WCK organization to donate to because they are on the ground in dangerous environments providing healing and nourishment through warm plates of food and clean drink to people experiencing harsh adversities. As a person interested in cooking, I know a good meal can improve one's optimism to make it onward during tough times." - Nick

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C/S III 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P3 Unveiling the Essence of C/S III by OG Slick and Chaz Bojorquez C/S III emerges as a distinct piece in the collaborative series by OG Slick and Chaz Bojorquez, two luminaries in street pop art and graffiti artwork. This 9-color hand-pulled limited edition silkscreen print, set on a 250gsm Stonehenge White Fine Art Paper, embodies the spirit of Los Angeles' street art scene. 2016 marked the inception of this rare artwork, with each piece meticulously signed by OG Slick and Chaz Bojorquez and numbered P3 in a series limited to 150 editions. The painting serves as a visual spectacle and a narrative vessel, carrying the legacy of street art's evolution within its layers. OG Slick's hand in the collaboration is evident in the playful yet assertive cartoonish hands and the spray can that dominates the foreground of C/S III. This imagery, often associated with the rebellious nature of street art, becomes a symbol of the artist's roots in the graffiti movement and his adeptness at capturing the urban landscape's pulse. Slick's approach to street art embraces the pop culture influences of his time, reflecting a deep connection with the younger demographics and street art lovers who find familiarity in his visual language. Chaz Bojorquez's Contribution to the Visual Dialogue of C/S III Chaz Bojorquez contributes to C/S III with his iconic calligraphic touch, a feature that has become synonymous with his name. His style, deeply influenced by the Cholo graffiti culture, brings an intricate and flowing contrast to the stark boldness of Slick's figures. The backdrop of the print is a canvas of Bojorquez's signature lettering, which creates a visual depth and speaks to the historical roots of graffiti as a form of street-level communication. Bojorquez's work transcends the aesthetic, engaging with themes of cultural identity and social commentary and celebrating the often-underrepresented communities that form the backbone of urban street culture. The distressed pearl white finish of the print adds a layer of complexity, introducing a sense of age and resilience that mirrors the often-temporal nature of street art. This finish, combined with the premium Stonehenge White Fine Art Paper, imbues the piece with a sense of permanence and sophistication, allowing it to occupy a space that bridges the gap between ephemeral street expressions and enduring art collectibles. The Cultural Relevance of C/S III in Street and Pop Art C/S III holds a place of cultural relevance in street and pop art. As a limited edition piece, it reflects a moment in time when the raw energy of graffiti and the boldness of pop art converged through the hands of OG Slick and Chaz Bojorquez. The collaboration is a testament to the transformative power of street art, showcasing its ability to evolve while honoring its roots. Collectors and enthusiasts of the genre cherish the piece for its artistic merit and its representation of the dialogue between different eras and styles within street art. The impact of C/S III extends beyond its visual appeal, challenging traditional perceptions of art and its place within society. Through their joint efforts, OG Slick and Chaz Bojorquez invite audiences to explore the narratives embedded within urban landscapes, using the language of street pop art to communicate stories that are often overlooked. The limited edition nature of the print, its meticulous craftsmanship, and the prestige of the artists' signatures come together to cement C/S III as a significant work within contemporary art history. Legacy of C/S III and Its Artists The legacy of C/S III lies in its representation of a dynamic and ever-changing art form that remains intrinsically linked to the streets from which it originates. The collaboration between OG Slick and Chaz Bojorquez is a powerful reminder of street art's potential to influence and inspire. As a piece of rare street art, C/S III carries with it the stories, struggles, and triumphs of the communities that have shaped the genre, ensuring that the voices of the streets continue to echo within the halls of fine art.

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Garden of Infinite Possibilities Hand-Pulled 15-Color Silkscreen Print on Mirri Sparkle Silver Paper by Desirable Artist Dabs Myla Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Hand Deckled Artwork Size 18x25 Garden of Infinite Possibilities, 2022 15-Color Screen Print on Mirri Sparkle Silver Paper 18 x 25 in (45.72 x 63.5 cm) Deckled Edge Edition of 100 Signed, Numbered and Embossed by the Artists

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Bartman x Simpsons 1000% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures

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The Phase Train MTA Subway Train Car AP Art Toy by Sket One Limited Edition Metal Sculpture Collectible Artwork by Pop Street Artist. AP Artist Proof 2022 Signed & Marked AP Limited Edition of 10AP Artwork Size 7x1 New In Box Exclusivity and Design of The Phase Train AP Edition The Phase Train MTA Subway Train Car AP Art Toy by Sket One emerges as a prestigious and highly coveted object within pop art and street art. This Artist Proof (AP) 2022 edition is a testament to Sket One's innovative vision, offering a limited edition run of only 10 AP pieces, each marked with the artist's signature, and serving as a tangible intersection of metal sculpture art and urban street culture. The exclusivity of the AP edition of The Phase Train lies in its limited quantity and its designation as an artist proof, a term traditionally reserved for prints or works directly off the press that is used for quality checking before the entire run is produced. Collectors often highly prized these pieces for their rarity and closeness to the artist's original intent. Sized at 7x1 inches and presented new in the box, The Phase Train AP edition is a collectible that resonates with the essence of Street Pop Art and graffiti Artwork, combining the tactile sensation of a die-cast sculpture with the visual impact of street art. Cultural Significance of Sket One's Art Toy Sket One's collaboration with Hip-Hop Toys and Definitive Projects for The Phase Train signifies a harmonious blend of various facets of street culture, from the underground graffiti artistry to the mainstream appeal of hip-hop. The result is a die-cast NYC MTA subway car steeped in the streets' authenticity and refined into a first-edition collectible with a special status among art toys. The Phase Train AP edition represents more than an art toy; it is a cultural artifact that captures the evolution of graffiti art from its illicit beginnings to its present status as a respected artistic practice. The subway car, a symbol of New York City's bustling life and a historical canvas for graffiti artists, is transformed under Sket One's deft touch into a miniature street art gallery, encapsulating the rebellious and creative spirit that fuels the genre. Artistic Merit and Collectibility The artistic merit of Sket One's Phase Train AP edition is inherent in the detailed work that adorns the miniature subway car, reflecting a deep understanding of the aesthetic and thematic elements that define Street Pop Art and graffiti Artwork. As a collectible, the AP edition holds a significant allure, marked by the personal touch of the artist's signature and the prestige of owning a piece of a minimal series. In the landscape of contemporary art, The Phase Train MTA Subway Train Car AP Art Toy by Sket One is not merely a representation of street culture but an embodiment of it. It stands as a testament to the enduring appeal of street-inspired art and its successful foray into the domain of collectible sculptures, bridging the gap between underground artistry and mainstream art appreciation.

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Iron Man 3- Box Office Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Bask street artist modern pop art. "Last June, a friend called me saying that Robert Downey Jr. and the production team wanted to use one of my paintings, When It Rains It Pours, in the next Iron Man film. So I created it to their size specification of 5ft wide and 13ft tall and the piece was put into Iron Man Tony Starks' home in the film. Then they asked me if I’d be interested in doing more work for the Mandarin’s lair a few months later when they were shooting in Miami. I of course said yes, and ended up doing 13 more massive paintings and some set design for them along with the Iron Man mask you see here. They asked me to create a design for the wrap of the film last year. They made shirts and postcards for the set department with that image. So while this doesn't appear in the film it was definitely a big part of the project." - BASK

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Entitled- Coral Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 Minor Handling Creases Colour Story alternate of the Painting "Entiltled" Small run | Limited edition of 50 only Signed and numbered by the artist Embossed with Alex Garant exclusive stamp Matte finish 16x20" Paper thickness: 10.3 mil Paper weight: 192 g/m² White border with signature and edition number

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Caught Fire Yellow Pink B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

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Elegant Universe AR Archival Print by Ramon Maiden x Handiedan AR Augmented Reality Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered AR Augmented Reality Print Limited Edition of 100 Artwork Size 16x20 Archival Pigment Fine Art. AR Augmented Reality Uses the Artivive App. Contemporary Art and Technological Synthesis The "Elegant Universe AR Archival Print" is a captivating fusion of modern artistry and technological innovation, symbolic of the dynamic synergy between street pop art and graffiti artwork. It represents a limited edition series crafted by the collaborative efforts of Ramon Maiden and Handiedan, two contemporary artists who have garnered attention in pop graffiti and street art. This print is more than a static image; it incorporates augmented reality (AR), allowing it to transcend the traditional boundaries of canvas and paper to engage with viewers in a multidimensional space. This limited edition of 100 pieces, each signed and numbered by the artists, underscores the exclusivity and collectible nature of the work. Measuring 16x20 inches, the print is produced on 290gsm Moab Entrada fine art paper, reflecting the importance of quality and longevity in archival artworks. The artists have employed archival pigment in the creation process, which ensures that the colors and details remain vibrant and intact over time, a testament to their dedication to excellence. The artwork is steeped in the aesthetic traditions of street pop art and graffiti, genres known for their vibrant, often provocative, visual language that communicates directly with the public. These art forms typically emerge from urban environments. A rebellious edge characterizes them, constantly pushing against established norms and championing a more democratized cultural expression. By translating this ethos into a limited edition print, Ramon Maiden and Handiedan have bridged the street's spontaneity with the gallery's exclusivity. Augmented Reality as an Artistic Medium What sets the "Elegant Universe AR Archival Print" apart is its integration of AR technology, which activates a layer of digital interaction when viewed through a specific app or device. This immersive experience allows the artwork to exist in physical and virtual realms, offering a contemporary twist to the viewing experience. The AR component adds a dimension of interactivity and aligns with the ever-evolving narrative of street art, which has always been about accessibility and pushing the envelope regarding how and where art can be encountered. Ramon Maiden, known for his intricate designs that often recontextualize historical imagery with modern motifs, has brought his distinctive touch to the collaboration. Handiedan, whose work typically incorporates complex collages with vintage aesthetic elements, complements Maiden's style with her layered compositions. Together, they create a piece rich in detail and symbolism, with each component carefully placed to contribute to a larger, harmonious narrative. Implications for Modern Art Collectors Collectors of modern artwork are drawn to pieces like the "Elegant Universe AR Archival Print," not just for their aesthetic appeal but also for their innovative use of technology and limited availability. As art evolves with technological advancements, works incorporating elements like AR are becoming increasingly significant. They represent a new frontier for collectors interested in the intersection of art, technology, and culture. In summary, the "Elegant Universe AR Archival Print" by Ramon Maiden x Handiedan represents a milestone in fusing traditional artistic techniques with cutting-edge technology. This limited edition print embodies the spirit of street pop art and graffiti artwork. At the same time, its AR feature invites us to explore how art can extend beyond the physical world to offer a multisensory experience. It is a testament to the art world's transformative power of collaboration and innovation.

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The Fall Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. The Fall by Cristiano Suarez Paying Homage to Spider-Man and Batman From DC & Marvel Comics Movies, TV, Games, Comics. Screen Print Size: 18" x 24" City: Maceio, Brasil

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Iron Maiden- Piece of Mind Limited Edition Silkscreen Skateboard deck art by street pop culture artists ZERO x Iron Maiden.

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Bloom 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican-American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 200 Size 18x24 Ernesto Yerena Montejano's creation, "Bloom," is an exquisite four-color hand-pulled silkscreen print that exudes the vivacity and boldness characteristic of Mexican-American pop artwork. Released in 2019, this piece forms part of a limited edition collection, with only 200 signed and numbered prints, reinforcing its exclusivity and appeal among art collectors. Measuring 18x24 inches, each print is crafted on fine art paper, a testament to Yerena's dedication to quality and his adherence to the time-honored traditions of printmaking. Yerena, under his studio name Hecho Con Ganas, presents a symmetrical composition reminiscent of traditional folk art patterns, infusing them with a modern aesthetic that is both striking and familiar. The intricate design of "Bloom" indicates the natural world's splendor. Yet, it's stylized to resonate with the urban and contemporary flair associated with street art. The layers of color and pattern work harmoniously to captivate the viewer's eye, creating a rhythmic dance that contemplates the interconnectedness of culture, identity, and nature. The convergence of street art techniques and pop art imagery in "Bloom" highlights Yerena's capacity to navigate between worlds, merging grassroots activism with mainstream artistry. His work does not merely hang on the walls of galleries; it also resonates with the vibrant energy found on city streets, where public art serves as a beacon of community and individual expression. Each piece in this limited edition series offers an immersive visual experience, inviting onlookers to delve into a dialogue about the interplay between artistic innovation and cultural heritage. With "Bloom," Yerena Montejano celebrates the flourishing of diversity within art forms, as each print from the series contributes to the narrative of Mexican-American art within the broader context of pop and street art movements.

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C/S II 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P2 The Fusion of Styles in C/S II by OG Slick and Chaz Bojorquez The collaboration between OG Slick and Chaz Bojorquez on the C/S II silkscreen print represents a significant moment in street pop art and graffiti artwork. This piece, created in 2016, is a fine example of how two artists can merge their distinctive styles to create a unique work that reflects their individual artistic identities. The 9-color hand-pulled limited edition distressed pearl white finish silkscreen print on 250gsm Stonehenge White Fine Art Paper is a testament to the meticulous craftsmanship and artistic vision shared by the two legends of the street art scene. OG Slick, an artist with a background deeply rooted in the Los Angeles graffiti movement, brings his iconic imagery and urban sensibilities to the piece. Known for his bold and often subversive visual language, Slick’s contribution to C/S II is immediately apparent in the stylized cartoon hands and contemporary iconography that speaks to street culture's commercial and gritty aspects. His work has often been characterized by a playfulness that belies a more profound commentary on social and cultural issues. This is evident in how he manipulates familiar symbols and characters to challenge viewers’ perceptions. Chaz Bojorquez's Signature Style in C/S II Chaz Bojorquez’s influence in the piece is equally profound. His signature style, which draws from the Cholo graffiti tradition and his sophisticated understanding of typography, complements Slick’s more whimsical elements with a sense of gravity and history. The calligraphic strokes and the intricate lettering in the background of C/S II are unmistakably Bojorquez’s, showcasing his mastery over form and ability to convey a rich cultural narrative through his art. His work captures the essence of a subculture that has often been marginalized, elevating it to a level of fine art that demands recognition and respect. The collaboration between these two artists on C/S II is a dialogue between different eras and styles within the street art genre. While OG Slick’s work is often seen as a bridge between the early days of street art and the modern aesthetic, Bojorquez represents the soulful, enduring aspects of graffiti art woven into the cultural fabric of urban life. Together, their work on this print creates a complex interplay of color, form, and symbolism that celebrates street art’s past and a bold statement about its future. Cultural Significance of the Limited Edition C/S II Print The cultural significance of the C/S II print lies in its embodiment of the spirit of street pop art and graffiti artwork. Limited to an edition of 150, each print is signed by OG Slick and Chaz Bojorquez, making it a rare and collectible piece that holds great value for street art lovers. The decision to limit the edition not only underscores the value of the artwork but also speaks to the ethos of street art, where the fleeting nature of the medium often means that works can be temporary and transient. By capturing this transient essence in a tangible form, OG Slick and Bojorquez have created a lasting artifact of street culture. The piece is particularly notable for its distressed pearl white finish, which adds texture and depth to the print. This finish gives the artwork a tactile quality that invites closer inspection and suggests a history behind the image as if it has been weathered by time and the elements – a nod to the real-world conditions of street art. The use of Stonehenge White Fine Art Paper further elevates the piece, marrying the raw energy of graffiti with the refinement of fine art printing techniques. Impact and Legacy of C/S II in Street Art and Pop Culture The impact and legacy of C/S II in street art and pop culture are significant. By bringing together two influential artists from different generations, the print bridges the early days of Los Angeles graffiti and the contemporary street art scene. It reflects the genre's evolution, showing how it can be a personal means of expression and a sophisticated art form. The print’s aesthetic, marked by the interplay of Bojorquez’s calligraphic skill and Slick’s graphic sensibility, exemplifies the potential of street art to engage with broader artistic movements and to be recognized in the wider context of pop art. As a piece of street pop and graffiti artwork, C/S II is a powerful example of the genre’s ability to adapt and grow while retaining its core principles. It is a reminder of the enduring influence of artists like OG Slick and Chaz Bojorquez, who continue to shape and inspire the trajectory of street art. Through works like this, they ensure that the streets' vibrant energy, defiance, and creativity remain a vital part of our cultural landscape.

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