Original Artwork

Gustav Original Ink Hand Mini Drawing on Fine Art Paper by modern trending street art artist Nicole Gustafsson. 2013 Signed Original Drawing 5x5

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Sheer Art Attack Ink Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Ink Drawing Artwork Size 15x17 "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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A Night On The Town Original One of a Kind Acrylic Painting Artwork on 270gsm Acrylic Canvas Stock by Popular Street Graffiti Artist Aaron Craig- Pop Mash. 2021 Signed Original Acrylic Painting Artwork Size 21x29 Artwork Specifications Artwork dimensions: 54cm x 74cm (21” x 29”) Medium: Acrylic paint on 270gsm acrylic canvas stock Signed and blind stamped by Aaron Craig

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On a Heartbeat Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 30x30 Street Stop Sign Immersed in various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”. This journal was a haven of his thoughts that he could refer back to whenever necessary.

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My Shadows Got My Back Original One of a Kind Mixed Media Spray Paint &b Acrylic Painting Artwork on Canvas by Popular Street Graffiti Artist Chris RWK. 2022 Signed Original 24x30 Canvas Painting A child of the 80s, Chris’ world was often completely flooded with the imagery and ideas presented by his television, his comic books, and the music and movies of the time. Immersed in these various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”.

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War By Numbers VSE- OG Colorway Variable Stencil Edition Acrylic Artwork on Hand Deckled Fine Art Paper by Street Artists Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey. 2022 War By Numbers VSE- OG Colorway 20x26.5 inches. Signed & Numbered Ultra Rare Edition of 14. Variable Stencil Edition (VSE) on Paper. Signed by Shepard Fairey, Hecho Con Ganas publishing chop in the lower-left corner. "Created during the Iraq war, but the quest for peace requires perpetual vigilance, and the current invasion of Ukraine is a reminder of the brutality of war. The “War By Numbers” image is a statement about not becoming desensitized by war to the extent that it becomes as banal as a paint-by-numbers image. The “Peace Elephant” is an appeal to our sense of Karma and harmony with the world around us." - Shepard Fairey A profound intersection of artistry and activism emerges in "War By Numbers VSE- OG Colorway," an emblematic piece presented by the collaborative brilliance of Shepard Fairey, Ernesto Yerena Montejano, Hecho Con Ganas, and Obey. Showcased on meticulously hand-deckled fine art paper, this 20x26.5 inch artwork not only exemplifies the prowess of its creators but also delves deeply into the social and political fabric of contemporary global scenarios. Dated 2022, this piece holds the distinction of being an ultra-rare Variable Stencil Edition (VSE) on paper, with only 14 such editions in existence, each one thoughtfully signed and numbered. Notably, the presence of the Hecho Con Ganas publishing chop in the lower-left corner augments its authenticity and intrinsic value. While the artwork itself is a marvel of color interplay and design, its underlying message is both timeless and urgent. Shepard Fairey's own words elucidate the motivation behind its creation, highlighting its inception during the Iraq war. Yet, its resonance extends beyond that particular conflict. The piece emerges as an enduring reminder of the costs of warfare, particularly with the poignant backdrop of the recent Ukraine invasion. Fairey astutely draws attention to the dangers of becoming inured to the horrors of conflict, suggesting that society must never allow war's devastation to become as commonplace and mundane as a paint-by-numbers image. This sentiment is further emphasized by the inclusion of the "Peace Elephant," symbolizing the universal aspiration for harmony and an appeal to humanity's collective conscience. In the vast realm of pop art, street art, and graffiti, "War By Numbers" stands as a testament to art's ability to transcend aesthetic appeal, challenging viewers to confront and engage with the world's most pressing issues.

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What Drones? Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of HPM Stencil 5 Artwork Size 48x30 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship since their meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works that reference Pop Art, Graffiti, and the corporate world they rebel against. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Wolverine Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Polikarpov-Gill Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 14x11.5 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Longear Tiger P-40 Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art for sale. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 17x16 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Enjoy Mixed Media On Cradled Wood Panel Original Painting by Denial Graffiti Street Artist Modern Pop Art. Ready To hang. "Recently this piece was not allowed into a show I had wanted it to be in. In Dubai, they have strict rules on obscenity and vulgarity. I had been wanting to paint this piece for a long time and was looking for just the right image to use as a base in it. I finally found it amongst the bowels of the internet. This painting is a visualization of an amazing Bill Hicks joke from his stand-up routine. In his stand up Bill goes into great detail about the evils of advertising when left unchallenged and unchecked. He imagines and describes an ad in the not-so-distant future that one day may exist. This painting is of that ad. Bill Hicks was a fucking genius and I only hope I did his work the justice it deserves. He was so inspirational in forming my current mindset, a true artist and rebel. I take inspiration from different artists in different ways. I like to visualize things like songs or speech or comedy and play with the different elements I come up with. I have a very playful mind." - Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Brew Collection Original Painting Acrylic on Wood by Jesse Kassel Graffiti Street Artist Modern Pop Art. Brew Collection Original Wood Acrylic Painting by Jesse Kassel "I created this body of work this past summer (2013) for the Red Bull House of Art. Which is an Artist Residency that provides studio space and exhibit space for Detroit artists. This body of work was inspired by the after-hours environment as well as the landscape here in Detroit. This city is a gold mine for aging liquor store signs, and other hand-painted signs. There is a folk-art quality to the entire city and I wanted to bring that into a more specific subject. This piece is a collection of vintage beer cans that I like." - Jesse Kassel

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Star Spangled Shark Toof- Silver Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Old Souls 01 Original Hand-Painted Original on Laser Cut Wood Panel ready to hang by Malt Graffiti Street Artist Modern Pop Art. "Doing the woodcuts, I really dug them and how rad they looked. I just thought it'd be cool to take what I am doing on canvas and transfer it over. Each piece was done in early to mid-September 2014 using laser cut wood with acrylic and spray paint. They took a little over a week to finish. This is my first series of cutouts. I've been wanting to do this for a while, but haven't had the opportunity until now, so I'm stoked!" - Malt

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Goldeneye Original Painting Acrylic on Canvas Mounted on Panel by Jordan Mendenhall Graffiti Street Artist Modern Pop Art. 2014 Signed Custom Gold Framed Orginal Painting Artwork Size 23x9 "I’ve always loved Zelda games and other video game classics. Even watching people play video games was magical to me when I was growing up. My older brothers did most of the playing because I was no good, but the games were magical. You could live, adventure, race, fight and make friends in these alternate worlds. I guess that’s why I love video games and art so much till this day. You get to create worlds and live in them and escape from reality. Real-life is stressful and sometimes is too much. I love to escape through my art and video games." - Jordan Mendenhall

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Homer Original Painting Pasca and Ink on Watercolor Paper by Artist Jon Burgerman Modern Pop Art. 2014 Signed Original One of a Kind Watercolor Painting Size 22.5x29.5 "Jon Burgerman makes vibrant, neo-primitive scrawls of shapes and color. He's pushed his monster-like characters into compositions where cartoon-like forms are crammed on top of each until they create a screaming mass of energy. Intensely prolific, he has pushed the character obsession of the late 90s into a far more interesting and strong direction. Think Walt Disney at an Incan monument on mescaline." - Francesca Gavin, Visual Arts Editor Dazed & Confused and author of Street Renegades and 100 New Artists published by Laurence King.

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Nature Original Painting Pasca on Watercolor Paper by Jon Burgerman Graffiti Street Artist Modern Pop Art. 2014 Original Drawing on Paper by Artist Jon Burgerman Artwork Size 9x12 "Jon Burgerman makes vibrant, neo-primitive scrawls of shapes and color. He's pushed his monster-like characters into compositions where cartoon-like forms are crammed on top of each until they create a screaming mass of energy. Intensely prolific, he has pushed the character obsession of the late 90s into a far more interesting and strong direction. Think Walt Disney at an Incan monument on mescaline." - Francesca Gavin, Visual Arts Editor Dazed & Confused and author of Street Renegades and 100 New Artists published by Laurence King.

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Science Original Painting Pasca on Watercolor Paper by Jon Burgerman Graffiti Street Artist Modern Pop Art. 2014 Original Drawing on Paper by Artist Jon Burgerman Artwork Size 9x12 "Jon Burgerman makes vibrant, neo-primitive scrawls of shapes and color. He's pushed his monster-like characters into compositions where cartoon-like forms are crammed on top of each until they create a screaming mass of energy. Intensely prolific, he has pushed the character obsession of the late 90s into a far more interesting and strong direction. Think Walt Disney at an Incan monument on mescaline." - Francesca Gavin, Visual Arts Editor Dazed & Confused and author of Street Renegades and 100 New Artists published by Laurence King.

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Star Spangled Shark Toof- Orange Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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In Bloom I Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by ARTIST graffiti street Meggs modern pop art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed Australian artist David “Meggs” Hooke for his solo exhibition Spoiled Rotten. The exhibition of over 40 new paintings and multiples explores the wondrous decay of social morality stemming from modern society’s obsession with pop culture and overindulgent materialism, and continues Meggs’ perpetual fascination with dualism and finding beauty in tragedy.“Detroit is a city of duality more so than many other cities I have been to. I sought to incorporate this by using objects and surfaces that imply decay, in what I consider to be a beautiful way. Old wooden materials and signs with layers of paint tell a story of their own. Although the colors and textures are aesthetically beautiful, I think it’s about giving these materials a new life, a second purpose.” - Meggs

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Orange Umber #1 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she won't give it up! The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Orange Umber #2 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she wont give it up!The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Torn Up Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by Meggs Graffiti Street Artist Modern Pop Art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed

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Detroit Tag Series- 6 Original Painting Aerosol & Krink Marker on Canvas by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Original Aerosol & Krink on Stretched Canvas Size: 20 x 12 x 1.5 Inches Release: November 16, 2010 Run of 1 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," -Cope2 Exploring Cope2's 'Detroit Tag Series- 6' Cope2, born Fernando Carlo, is a name that resonates with authority in graffiti and street art. His 'Detroit Tag Series- 6' is a powerful original painting that combines the raw energy of aerosol art with the precision of Krink markers on canvas. This piece, created in 2010, is a testament to his versatility and evolution as an artist who has been influential in the scene for over three decades. The Evolutionary Path of Cope2's Artistry Cope2's journey as an artist has seen him transition from the streets of the Bronx, where he earned his stripes as a graffiti writer, to the galleries that now house his canvas work. 'Detroit Tag Series- 6' reflects this journey, showcasing a mature style without losing the spontaneity and vigor of his early work. The piece, with dimensions of 20 x 12 x 1.5 inches, is a singular expression within a limited run, emphasizing Cope2's commitment to creating unique works that are personal and reflect his roots in street culture. Cope2 captures the essence of Detroit's urban landscape in this series through his iconic tag style. The bold, sweeping curves and sharp lines rendered in black against a striking red background indicate his confident hand, honed by years of practice. The use of Krink markers, known for their vibrant ink and durability, allows Cope2 to bring the immediacy and authenticity of street tagging to the canvas. Cope2's 'Versatile' Exhibition: A Display of Artistic Range The 'Detroit Tag Series- 6' was a highlight of Cope2's exhibition titled 'Versatile,' which showcased the breadth of his artistic repertoire. In his own words, the show was an opportunity to present the evolution of his style and his progression as an artist. Cope2's ability to navigate between the street and the studio, to exhibit the rawness of graffiti alongside the refinement of mixed media paintings, speaks to his adaptive approach to art-making. His work not only captures the essence of street pop art but also pushes its boundaries, inviting viewers to experience the dynamic nature of graffiti in new contexts. The exhibition was a narrative of growth, a visual documentation of Cope2's transition from street legend to a respected figure in contemporary art. 'Detroit Tag Series- 6' stands as a proud testament to the original spirit of street art while signaling Cope2's ongoing exploration of form, color, and medium. The Enduring Legacy of Cope2 in Street Art Cope2's impact on street pop art and graffiti artwork is indelible. 'Detroit Tag Series- 6' is a canvas and a chronicle of an artist's life-long dedication to his craft. Through this work and others like it, Cope2 demonstrates that graffiti is not a static art form but a living, evolving practice that continues to challenge and redefine artistic expression. As a pivotal figure in the graffiti world, Cope2's contributions extend beyond his artworks. He has inspired generations of artists to pick up the can and the marker, to make their mark on the world, and to express their voices in bold and unapologetic ways. Cope2 remains a vital presence in the art community; his work bridges the past and future of street art. His legacy is one of transformation, a reminder that art is constantly in motion, seeking new surfaces to conquer and stories to tell.

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20TwentyMinutes #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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Detroit Minute #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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Shark Head- Red Fluorescent Hand-Painted & Screen Printed Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 4 Artwork on Wood Size 10x16 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Quinqueflor Mordida #11 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Quinqueflor Mordida #09 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Quinqueflor Mordida #04 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Sexphyllum Classicum #14 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Sexphyllum Classicum #03 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Diaspora Ono Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew Elliot O'Donnell, famously known as Askew One, is a self-taught artist born in Auckland, New Zealand in 1979. He has gained worldwide recognition in the street art community for his exceptional blend of graffiti and contemporary urban art. Askew One's pieces feature vivid colors, abstract designs, and complex patterns that delve into topics related to his Irish and Maori roots, as well as identity and culture. One of his stunning works of art is the Diaspora Ono Original Enamel Acrylic Painting. This visually striking piece is abstract, exploring the same themes as his other works. With a blend of graffiti and contemporary urban art styles, Askew One's Diaspora Ono Original Enamel Acrylic Painting is a must-see for any art enthusiast.

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Paths We Pave Original Painting Spray Paint & Acrylic on Cradled Wood by Malt Graffiti Street Artist Modern Pop Art. 2011 Signed Paths We Pave Original Spray Paint Acrylic Painting by Malt Malt is a self-taught artist, living and working in Metro Detroit. Blending graffiti and aerosol techniques with his signature acrylic style, the latest work from Malt takes an abstract spin on traditional landscapes and the characters that inhabit the psychedelic backdrops. The juxtaposition of forest birds, trees, life/death, growth/decay, strength/weakness is what keeps things fresh and habitually interesting in Malt's work.

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Thoughtcrime Ant Limited Edition Hand-Painted Embellished Paint, Stencil, Acrylic on Wood by Bask Graffiti Street Artist Modern Pop Art. "These pieces are a continuation of my Thoughtcrime series. The Ant image is painted on a series of weathered panels. This set was completed within the past month. It’s hard to say how long they took to create because salvaging the panels from a variety of places over a long time is just as much of a part the art as laying down the paint on top of them. Each piece has it’s own history embedded onto itself.Each piece is hand crafted and each panel has been painted and processed by me. I like the idea of small production works that let people get a original piece of art for the cost of some prints these days.I have been saving these panels for a while and finally it was time to cut them down and make some art out of them. Paintings of the same stenciled image but each looking 100% original to itself. Each piece has it’s own distinct character and personality while keeping the repetition of the Thoughtcrime." - BASK

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Arrow Pulse Spring Original Hand-Painted Multiple Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow. I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Contact Study 7 Original Painting/Drawing Acrylic & Colored Pencil on 100lb Bristol Board Paper by Taylor White Graffiti Street Artist Modern Pop Art. "I started studying a form of modern dance called Contact Improvisation, and that study has opened me up to a new set of curiosities which I’ve been able to explore both physically in space, and visually on the page. It became about the point of surrender, of the sacrifice of the ego and all its trappings. To 'dance' on paper has been entirely mind-opening and I’ve tackled it with a renewed spirit. I’ve been playing with the use of fluorescents to give more of a vibrant mood to the images. I had a lot of fun playing around with the blues and reds in this piece, the push and pull of light and shadow and using vibrance and color to direct focus around the planes of the piece." - Taylor White

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Malt & Mark 02 Original Painting Mixed Media, Acrylic, Spray Paint on Fine Art Paper by Malt x Mark Penxa Graffiti Street Artist Modern Pop Art. Custom Red Frame “We started this series in July of last year. I think that’s when we first met and talked about collaborating together. It wasn’t until last month that we finished the sculpture pieces. Even after the public showing this idea just kept on growing.” - Mark Penxa“The first go, we both poured in all our energy into creating the work and by the deadline we both felt like we had many more ideas to explore. So enter the “Endangered Species” series.” - Malt

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Shark- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Shark Icon- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Pop Graff Original Painting Acrylic, Spray Paint Mixed Media on Canvas Gallery Wrap by Sen2 Graffiti Street Artist Modern Pop Art. "Having developed my style over the course of thirty years, I often use vibrant colors and funky lettering to capture the viewer's attention in an instant. While my graffiti is generally limited to the street, I decided to showcase three original canvases exclusively for 1xRUN.As an artist, I have deep and passionate respect for the forefathers of the Pop Art Movement. Some of my greatest influence has come from Andy Warhol and Roy Lichtenstein. They planted the seeds in the latter part of the 20th century which changed people's perception of art. It's remarkable when a handful of individuals can spawn a revolution that will continue for many years to come, well into the 21st century. They created a paradigm shift in how art was to be interpreted and became the legendary masters." - Sen2

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Star-Spangled Illusion Original Painting Spray Paint, Aerosol & Acrylic on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 18x20.75 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embleshed Artwork Size 24x36 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship after meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works referencing Pop Art, Graffiti, and the corporate world they rebel against. In the world of Denial, memory is essential because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Salvage Can 11 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla Eddie Colla's Innovation in Street Art Eddie Colla's "Salvage Can 11" stands as a powerful statement within the realm of street pop art and graffiti artwork, an original painting on a spray paint can that marries mixed media techniques with the subversive energy of street art. The work is part of a series created in 2018 during a residency in China, a period that Colla describes as marked by an unexpected hiatus, waiting for art supplies, which led to the innovative use of discarded materials to create something unforeseen yet profound. Colla's "Salvage Can 11" is a testament to the spontaneous and adaptive spirit that often drives street art. Faced with a delay in his usual creative process, Colla turned to the empty spray cans available at his residency, transforming them from tools into canvases. This act of reclamation gave new life to the used cans and challenged the perception of value and utility in art materials. The resulting artwork—a signed original piece—is a mixed-media sculpture that encapsulates the essence of graffiti artwork: raw, immediate, and deeply personal. Visual Dynamics of "Salvage Can 11" The visual impact of "Salvage Can 11" is immediate and visceral. The imagery on the can is haunting, with the figure's features suggesting a blend of humanity and mask-like anonymity—a common theme in Colla's work, which often comments on identity and the individual's place within society. Using acrylic and spray paint adds texture and depth, with the stark black and purple hues commanding attention and drawing the viewer into a contemplative dialogue with the piece. Cultural Significance of Eddie Colla's Work Eddie Colla's contribution to street art extends beyond his murals and public installations. He bridges the gap between the street and the collector's space by bringing his art to a tangible, holdable medium like a spray paint can. "Salvage Can 11" embodies the transient nature of street art, while its existence as a preserved object challenges the ephemerality traditionally associated with the form. Colla's work is a reminder that street art is not confined to public spaces but is a dynamic art form that can inhabit and adapt to any context. The Resonance of the "Salvage Can" Series in Art Collecting The "Salvage Can" series holds a special place in the art collection. Each can, signed and dated by Colla, is not just an artwork but a historical piece that carries the story of its creation. Collectors of street pop art and graffiti artwork are often drawn to pieces with a narrative, and "Salvage Can 11" offers just that—a story of innovation, adaptation, and the creative process that unfolded in an artist's residency across the globe. "Salvage Can 11" is a mixed-media sculpture encapsulating Eddie Colla's innovative spirit and stature as a graffiti legend. The work is symbolic of the creativity that flourishes within the constraints of street art, highlighting Colla's ability to craft compelling narratives from unexpected circumstances. It is a prime example of how street pop art can transcend traditional boundaries and redefine what a canvas can be, inviting a broader audience to engage with the street art movement in new and meaningful ways.

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Salvage Can 10 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla. Eddie Colla's Artistic Practice Eddie Colla's "Salvage Can 10" is a compelling piece that reflects the artist's adaptive creativity and resourcefulness, elements that are often at the core of street pop art and graffiti artwork. Created during a residency in China in 2018, this work is part of a series made from used spray paint cans, an example of the artist's ingenuity in repurposing materials at hand to make art. Standing at 3x8 inches, each original mixed media sculpture speaks to the improvisational spirit of street art and the artist's personal narrative. The "Salvage Can" series emerged from waiting for art supplies, showcasing Colla's ability to innovate with available resources. This circumstance led to the transformation of discarded spray cans into a medium for artistic expression. Colla's approach involved using spray paint and acrylics to craft a mixed-media sculpture that conveys a street-wise aesthetic and intricate detail. The fact that each can is signed and dated on the bottom adds authenticity and offers a tangible connection to the artist's engagement with his work. Symbolism and Technique in "Salvage Can 10" Colla's "Salvage Can 10" stands out for its haunting imagery, displaying a contemplative and intense figure. Using a spray can as a canvas is deeply symbolic within the context of graffiti art, signifying both the tool of the trade and the transient nature of the art form itself. The choice to repurpose used cans highlights themes of sustainability and the reclamation of materials, which aligns with the broader ethos of street art's ability to transform and reinvigorate urban environments. Impact on Street Art and Graffiti Culture Eddie Colla is recognized as a significant figure in the street art movement, and his "Salvage Can" series contributes to the rich tapestry of graffiti artwork. By taking an object that is so integral to the creation of street art and making it the subject of the art itself, Colla blurs the lines between tool and artwork, creator and creation. His work serves as a visual statement within the art community and as a physical artifact that embodies the process and environment in which street art is created. Collectibility of Eddie Colla's "Salvage Can" Series For collectors, each "Salvage Can" piece represents a unique slice of Eddie Colla's artistic journey. The series' creation story—borne out of a need to create with limited resources—resonates with the narrative of many street artists who often work with what they have available. This backstory, coupled with the intimate scale of the work, makes each piece desirable for those seeking to own a part of the improvisational and spontaneous energy that defines much of street pop art and graffiti artwork. "Salvage Can 10" encapsulates Eddie Colla's innovative spirit and ability to make profound statements through street art. His choice to work with used spray paint cans during an artist residency illustrates the authentic and impromptu essence that street art is known for. Each signed and original mixed media sculpture from this series is a testament to Colla's role as a graffiti legend and a creative force in contemporary art.

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Salvage Can 3 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla. Eddie Colla's Creative Philosophy "Salvage Can 3" by Eddie Colla is a striking mixed-media sculpture that exemplifies the innovative nature of street pop art and graffiti artwork. Created in 2018 as part of a series during a residency in China, this artwork represents a unique fusion of spontaneity and intentionality that defines Colla's approach to art. Utilizing discarded spray paint cans as his canvas, Colla transformed these objects into thought-provoking artworks, each signed and dated, capturing his signature style and commentary on contemporary issues. In the "Salvage Can" series, Eddie Colla embraced the unexpected interlude in his creative process to produce a series that reflects a core principle of street art: the ability to create with whatever materials. "Salvage Can 3" manifests Colla's resourcefulness and artistic agility. This series speaks to the essence of street art's improvisational nature, with Colla repurposing the used spray cans from his residency to craft pieces that stand as a testament to the transformative power of art. Artistic Expression in "Salvage Can 3" The visual language of "Salvage Can 3" communicates a poignant narrative. The figure depicted on the can, partially obscured by what appears to be a mask, invites viewers to ponder themes of identity, concealment, and the human condition in the modern world. Using spray paint and acrylic, traditional mediums in graffiti artwork, on an unconventional substrate highlights Colla's skills in mixed media and his ability to push the boundaries of street pop art. Cultural Impact of Eddie Colla's Work Eddie Colla is not merely a street artist but a cultural commentator whose works resonate with a global audience. "Salvage Can 3," like the rest of the series, is more than an object of visual intrigue; it is a commentary on the times and an expression of individuality amidst collective narratives. Colla's work is renowned for its critical engagement with socio-political themes, and this piece is no exception. It is a cultural artifact that challenges viewers to question and reflect, embodying the rebellious spirit that often characterizes graffiti art. Significance in the Art Market The collectible nature of "Salvage Can 3" lies in its unique origin story and the reputation of Eddie Colla as a graffiti legend. Each can be individual, marked by Colla's hand and signature, and carries the story of its creation—making it a coveted item for street art collectors. These pieces occupy a special place in the art market, bridging the gap between temporary street murals and enduring art collectibles. "Salvage Can 3" is not just a mixed media sculpture; it is a piece of the ongoing narrative of street pop art and its evolution in the contemporary art scene. "Salvage Can 3" profoundly reflects Eddie Colla's ability to capture the ethos of street pop art and graffiti artwork within a singular object. Through his innovative use of materials and poignant visual storytelling, Colla continues to influence and define the street art genre. This work stands as a reminder of the power of art to adapt and thrive, even in unexpected places and forms, resonating with a universal audience and cementing Colla's status as a pivotal figure in the world of art.

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