420 Warhol Style #2 Print Limited Edition Hand-Pulled 6 Color Serigraph on 300gsm White Vellum Coventry Rag Paper by Risk Graffiti Street Artist Modern Pop Art. Six Color Silkscreen Special Edition from Risk Rock Studios for 420 - Done Warhol Style! Serigraph - Edition of 20 - Signed and Numbered White Vellum Coventry RAG 300 GSM Paper Size: 20x20 Inches

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420 Warhol Style #1 Print Limited Edition Hand-Pulled 6 Color Serigraph Print on 300gsm White Vellum Coventry Rag Paper by Risk Graffiti Street Artist Modern Pop Art. Number 1 of 20. Six Color Silkscreen Special Edition from Risk Rock Studios for 420 - Done Warhol Style! Serigraph - Edition of 20 - Signed and Numbered White Vellum Coventry RAG 300 GSM Paper Size: 20x20 Inches

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Coco Chanel Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof Signed & Marked AP Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in Riskoleum: Fashion Meets Graffiti in a Limited Edition Tribute The Coco Chanel Riskoleum limited edition print by graffiti pioneer Kelly Graval, known as Risk, captures the energy of fashion and street culture in one striking composition. Created as a special commission for LA Fashion Week 2017, the piece merges the high-fashion elegance of Chanel with the gritty authenticity of spray can iconography. Measuring 18 by 14 inches and printed on Coventry Rag archival paper, this artist proof giclée is hand-signed and marked AP, reflecting the collectible nature of both the subject and the medium. In classic Risk style, it transforms a utilitarian object—the spray can—into a canvas for fashion commentary. Risk’s Signature Fusion of Color and Culture Risk emerged from the graffiti scene in Los Angeles during the 1980s and became a central figure in bringing graffiti from the streets into galleries. His work often plays with the aesthetics of branding, color theory, and popular symbolism. The Riskoleum series, a parody of commercial paint brands, is one of his most recognizable contributions to the crossover of Street Pop Art & Graffiti Artwork into the mainstream art world. With the Coco Chanel edition, Risk injects luxury into this urban framework, blending the iconic elegance of Chanel with the rawness of aerosol culture. The spray can becomes a metaphor for self-expression, empowerment, and redefinition of style. The Dialogue Between Fashion and Graffiti The artwork does more than just feature the Chanel name. It represents how graffiti artists have reimagined traditional fashion tropes through the lens of street culture. The stencil-style layering, color fields, and spray techniques used in the Riskoleum format contrast sharply with the legacy of haute couture. Yet, it is precisely this tension that gives the work its power. The overlay of Coco Chanel’s influence on a street tool of expression invites reflection on how style evolves from both sidewalk and runway. Risk shows that graffiti and high fashion are not opposites, but collaborators in a new visual era. A Celebrated Edition for Collectors and Culture Enthusiasts As an artist proof from a limited run, this Coco Chanel Riskoleum print stands as both a critique and celebration. Commissioned for a prominent fashion event, it connects the world of design with the rebellious edge of graffiti. Printed on Coventry Rag paper using archival inks, the giclée process gives depth and longevity to the piece, while preserving the vibrant layers that Risk is known for. The work is not just a visual pun—it is a statement about individuality, beauty, and the power of art to cross cultural boundaries. Risk continues to shape the conversation around Street Pop Art & Graffiti Artwork, proving once again that style can be both sprayed and sewn.

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Mark Twain Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof. Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Donatella Versace Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof. Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in

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I am dancing Between Angels/ Love Stories B-Side HPM 24-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink, and Spraypaint⁠ on Deckled 310 gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Dancing Between Angels / Love Stories B-Side⁠ 28 x 40 inches⁠ Hand-Painted Varied Edition of 22⁠ 
Acrylic, Silkscreen Ink and Spraypaint⁠ Coventry Rag 320gsm ⁠ Signed, Stamped and Embossed
⁠ "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles". This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Along with its proximity to the Cathedral and the angels that grace its walls. Bubbles sort of fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile Artistic Narratives in Motion: The Tale of "Dancing Between Angels/Love Stories B-Side" by Faile "Dancing Between Angels/Love Stories B-Side," a compelling artwork by the artist collective Faile, is a testament to the intricate layering and storytelling inherent in street pop art & graffiti artwork. This limited edition piece, a hand-painted varied edition of 22, is a 24-color hand-pulled silkscreen print embellished with acrylic, silkscreen ink, and spray paint on deckled 310 gsm Coventry Rag paper. Spanning 28 x 40 inches, each print is signed, stamped, and embossed and carries a unique narrative that intertwines historical references with a modern artistic lexicon. "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles." This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Its proximity to the Cathedral and the angels grace its walls. Bubbles fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile. Deconstructing Historical Illusions: Faile's Interpretive Canvas The narrative behind "Dancing Between Angels/Love Stories B-Side" draws from a rich tapestry of historical and artistic references. Inspired by a poem, the title alludes to the deceptive pastoral landscapes presented to Marie Antoinette upon her arrival in Strasbourg, designed to create an illusion of welcome and grandeur. Faile extends this metaphor to explore the concepts of perception and self within the framework of pop and street art. The work visually explores tearing away layers of pretense, a spirited dance between reality and artifice. The piece also pays homage to De Stijl, a Dutch artistic movement emphasizing abstraction and geometric forms. The sharp angles and rectilinear lines characteristic of De Stijl are present in the artwork, juxtaposed with the organic forms of bubbles and the fluidity of the central figure. This contrast is a deliberate nod to movement and dynamism, challenging the rigidity of De Stijl with the fleeting dance of bubbles through space. Movement and Metaphor: Faile's Fusion of Dance and Art At the heart of Faile's creation is the depiction of a female figure caught tearing through the facades surrounding her. This act is literal and symbolic, a dance of liberation that reveals the layers beneath the surface. The figure's upward reach and poised legs evoke a sense of balletic grace, suggesting that tearing away deception is as elegant as forceful. The angels and architectural elements referenced in the artwork serve to anchor the piece within a broader historical narrative, connecting the transient nature of street art with the permanence of cultural heritage. Including these elements creates a dialogue between the past and the present, infusing the work with a sense of timelessness. Visual Poetry: The Rhythmic Allure of Faile's Work "Dancing Between Angels/Love Stories B-Side" is, in essence, a visual poem that speaks to the heart of street pop art & graffiti artwork. It is a dance of colors and forms, a rhythmic composition that transcends the confines of its medium. Faile's work captures the spirit of pop art's dialogue with popular culture, blending it with the subversive edge of street art to create something wholly new and deeply resonant. Each print of this limited edition is a narrative fragment, inviting viewers to engage with the artwork on multiple levels. The dance depicted in the print is not just physical; it is an emotional and psychological journey, a dance of the soul that mirrors the complexity and vibrancy of the human experience. In the diverse world of street pop art & graffiti artwork, "Dancing Between Angels/Love Stories B-Side" by Faile is a powerful expression of the genre's capacity for storytelling and emotional depth. It stands as a reminder that art can be a vehicle for examining our perceptions, tearing away the layers that obscure truth, and celebrating the liberating power of dance and movement.

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Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr Hand-Pulled on Deckled Mohawk Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 40 Artwork Size 18x24  Silkscreen Print Stylized Vick Panda Rabbit holding a Pointman Sci Fi Creature in Red, Black & White. Verdy x Futura 2000: A Dynamic Dialogue in Street Pop Art & Graffiti Artwork The 2025 limited edition silkscreen print titled Untitled Pointman & Vick is a highly collectible collaboration between two titans of Street Pop Art & Graffiti Artwork—Verdy and Leonard McGurr, also known as Futura 2000. This hand-pulled 18x24 inch artwork, limited to only 40 signed and numbered editions, brings together two iconic characters born from very different visual traditions: Verdy’s Vick, a panda-rabbit hybrid pulsing with urban cuteness and punk energy, and Futura’s Pointman, an angular, sci-fi inspired alien form that has long represented the artist’s abstract evolution of graffiti since the 1980s. The synergy of these two figures positioned together on a stark white canvas creates a striking and unmistakable visual statement. Character Fusion: From Tokyo Subculture to NYC Futurism Verdy’s Vick, a staple of Japanese youth culture and streetwear, is rendered with bold lines, minimalism, and emotional defiance. Often seen in his works tied to Girls Don’t Cry and Wasted Youth, the Vick figure represents innocence crossed with resistance, captured here with expressive posture and his recognizable spiked hair and long ears. In this piece, Vick stands confidently while clutching Futura’s Pointman—a creature that has become emblematic of space-age graffiti abstraction. The Pointman figure, often portrayed as detached and observing, now appears anthropomorphized yet held in a position of connection, suggesting creative control, reverence, or even confrontation. Leonard McGurr, born in the United States, redefined graffiti art with his experimental use of shapes, negative space, and conceptual narrative. His Pointman character broke away from traditional lettering and tags, opting instead for a visual language that combined comic book energy, cosmic theory, and social metaphor. This character now enters Verdy’s minimalist playground, blurring lines between eras and aesthetics. Minimalist Form with Maximum Impact Printed in red, black, and white, the silkscreen’s visual economy amplifies the tension and harmony between the two characters. The limited palette makes the composition pop with clarity, a visual nod to both vintage animation and punk zine graphics. Each line is deliberate. Each shape speaks volumes. The exaggerated proportions and surreal character styling are a testament to both artists’ skill in balancing humor, symbolism, and subculture in visual form. The work functions as a mirror of mutual respect between two worlds—Verdy’s Japanese design-driven storytelling and Futura’s American avant-garde rebellion. A Collectible Print for the Global Art Vanguard As a signed and numbered edition of just 40, this 18x24 inch silkscreen print is a rare artifact that ties two global artistic forces into a single unified piece. It represents more than just collaboration—it embodies cross-generational momentum in street pop and graffiti art. Fans and collectors of either artist will immediately recognize the cultural and historical significance embedded in the composition. Verdy and Futura 2000 have together constructed a moment that celebrates character-based iconography as legitimate, emotional, and deeply impactful contemporary art. This print is not just a visual work—it is a document of two worlds shaking hands through their art.

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Box Cutter Clownz 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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Mom Can Do It 14 Color Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 82 Artwork Size 22x30 Silkscreen Print. Mr Brainwash honors the strength of women with a bold new print, Mom Can Do It. Featuring the legendary Rosie the Riveter, this piece reimagines the 1940s icon as a timeless symbol of resilience. Whether it’s your mother, partner, friend, or yourself—her spirit lives in every one of us. Mother's Day Release. Never Give Up Follow Your Dreams. Mr Brainwash Celebrates Feminine Power with Mom Can Do It Mr Brainwash, born Thierry Guetta in France, continues to merge visual nostalgia and vibrant cultural messaging in his latest silkscreen work titled Mom Can Do It. This limited edition hand-pulled print pays tribute to women with a modern revival of Rosie the Riveter, the iconic symbol of empowerment from the 1940s. Executed on deckled edge fine art paper, this 2025 edition is limited to 82 signed and numbered works, each measuring 22 by 30 inches. It combines silkscreen printing with layered imagery and expressive graffiti-styled messages to channel the artist’s unmistakable visual language. Rosie Reimagined Through Street Pop Art & Graffiti Artwork In this artwork, Mr Brainwash reclaims Rosie the Riveter not only as a wartime labor icon but as a persistent cultural voice that continues to empower modern women. Her rolled sleeve and resolute pose are accentuated by the bright graffiti phrases that surround her—Follow Your Dreams, Never Give Up, and Life Is Beautiful—all recurring messages throughout Mr Brainwash’s creative career. The bright pink, blue, and yellow palette commands attention and contrasts with Rosie's classic red polka-dotted headscarf and bold blue shirt. Layers of tags, affirmations, and street visuals wrap the figure in contemporary meaning, grounding the vintage motif in today’s cultural landscape. Legacy of Pop Culture in Contemporary Street Expression Thierry Guetta’s ability to remix pop iconography with urban art techniques has kept his work at the forefront of Street Pop Art & Graffiti Artwork. Mom Can Do It stands as a bridge between eras, using vintage Americana as a framework to discuss current social values. It elevates Rosie beyond history, emphasizing her role in shaping present-day conversations about resilience, identity, and female agency. The tattoo on her arm reading Love echoes Mr Brainwash’s recurring themes of compassion and personal strength, amplified through his bold hand-sprayed elements and visual energy. Limited Edition Print with Lasting Social Pulse Each edition of Mom Can Do It is a testament to the persistence of strong women across generations. This 2025 release not only embodies Mr Brainwash’s dynamic fusion of classic advertising aesthetics and street culture but also invites viewers to reflect on their own strength and individuality. Signed and numbered by the artist, this silkscreen print is both a vibrant collectible and a meaningful statement, underscoring the ongoing relevance of Street Pop Art & Graffiti Artwork in the dialogue of cultural empowerment.

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Campaign Ad 666 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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Burning The Dead Red Silkscreen Print by Cleon Peterson Hand-Pulled on 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2016 Signed & Numbered Limited Edition of 150 Artwork Size 43.5x17 Hand Deckled Silkscreen Print "Burning The Dead Red" is a powerful silkscreen print by artist Cleon Peterson, known for his distinctive approach to street pop art and graffiti artwork. This piece, released in 2016, is a limited edition artwork with only 150 signed and numbered pieces in circulation. Crafted on 290gsm Coventry Rag fine art paper, it measures 43.5x17 inches and features hand-deckled edges contributing to its unique aesthetic. The print depicts a scene of figures engaged in what appears to be a ceremonial act, set against a stark, contrasting red backdrop. The artwork's bold lines and dynamic composition are emblematic of Peterson's style, which often explores themes of chaos, disorder, and the struggle for power within societal structures. As a visual narrative, "Burning The Dead Red" challenges viewers to confront the darker aspects of human nature and the complexities of social hierarchies. This piece is a testament to Peterson's ability to harness street art's raw, expressive energy and translate it into finely crafted silkscreen prints that resonate with contemporary socio-political discourse.

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Lady Shiva Original One of a Kind Mixed Media Paint & Markers Painting Artwork on Hand Deckled Handmade Art Paper by Popular Street Graffiti Artist Lady Pink. 2019 illustration paint markers, on handmade paper. 6 x 18 inches in size. Signed & Dated

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Wavelengths Sunrise PP Printer Proof HPM Hand Embellished Print Silkscreen Print by Erik Otto Hand-Pulled 4-Color Screen Print on Deckled 335gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & Marked PP HPM Hand Embellished Print Limited Edition Run Artwork Size 16x20 Erik Otto's "Wavelengths Sunrise": A Harmonious Blend of Artistic Disciplines Erik Otto's "Wavelengths Sunrise" is a striking example of the convergence of pop street artwork, graffiti, and delicate art sensibilities. Released as a Printer's Proof (PP) in 2019, this hand-embellished silkscreen print is part of a limited edition series that captures the essence of contemporary art's diverse expressions. The hand-pulled print features a four-color screen process on deckled 335gsm Coventry Rag fine art paper. The artwork size is 16x20 inches, a dimension that allows the intricate patterns and vibrant colors to stand out, engaging the viewer in a visual dialogue. This PP HPM (Hand-Painted Multiple) print is a testament to Otto's craftsmanship and attention to detail. Each print in the series is signed and marked by the artist, indicating its status as a unique work within the edition. Hand embellishment means that while the prints are part of a series, each piece contains individual strokes of the artist's brush, adding a layer of exclusivity and personal touch that collectors and enthusiasts highly value. Integrating Fine Art Techniques with Street Art Aesthetics The "Wavelengths Sunrise" print illustrates Otto's ability to blend the precision of fine art printmaking with the spontaneity and boldness characteristic of street pop art and graffiti. The deckled edges of the Coventry Rag paper contribute to the print's tactile quality, imbuing the work with an organic feel that contrasts with the meticulous screen printing process. The choice of paper is crucial, as Coventry Rag is known for its durability and luxurious texture, making it an excellent medium for silkscreen printing. Otto's choice of a four-color screen print process allows for the layering of colors, creating a depth and complexity that mimics the dynamism of a sunrise. The process also nods to the origins of pop art and its embrace of mass production techniques, yet Otto's hand embellishments ensure that each print remains a singular piece of art. The result is a harmonious balance between uniformity and individuality, mass production, and artisanal creation. The Visual Language of "Wavelengths Sunrise" in the Art World "Wavelengths Sunrise" speaks the visual language of motion and rhythm through its concentric patterns and waves, a motif that resonates with street art's fluidity and ever-changing nature. The work's title itself suggests a natural phenomenon that is both constant and variable, much like the street art scene that continually evolves and adapts to the cultural zeitgeist. Otto's print captures this essence, inviting contemplation on the cyclical patterns in nature, art, and urban life. In summary, Erik Otto's "Wavelengths Sunrise" stands as a captivating piece within pop street artwork and graffiti. As a limited edition PP HPM print, it bridges the gap between street art's immediacy and fine art printmaking's calculated finesse. Otto's work reflects the current state of street pop art, where traditional boundaries are redefined, and new forms of artistic expression emerge. His contribution to the art world with "Wavelengths Sunrise" is a vibrant testament to the potential of modern art to innovate and inspire across various platforms and audiences.

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River of Blood Gold Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Deckled Coventry Rag Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print of 3 Nude Stylized Women Depressed or Sad or in Confusion in a River. Diving deep into the modern dimensions of artistry, Cleon Peterson's "River of Blood Gold" captures raw emotion with eloquence and profundity. This meticulously hand-pulled 2-color silkscreen print, set on the rich texture of deckled Coventry Rag fine art paper, speaks to the confluence of visceral human experiences and abstract artistic expression. Through the haunting portrayal of three nude, stylized women seemingly immersed in feelings of despair, sadness, or confusion, Peterson manages to convey a narrative that resonates with the chaos and introspection often inherent in the human experience. Rendered 18x24 inches, the artwork's striking monochromatic scheme is punctuated with intricate details, bringing forth an evocative depth. Each figure's posture and expression beckon the viewer to introspect, contemplate, and find a personal connection, thereby transcending the boundaries of mere observation. As they lay amidst the mysterious river, their presence becomes a potent symbol of vulnerability, inner turmoil, and the omnipresence of emotions in our lives. Peterson's piece, a signed and numbered limited edition of only 100, embodies the essence of pop, street, and graffiti art. It exemplifies the artist's ability to harness conventional artistic forms and infuse them with layers of meaning, inviting appreciation and deep contemplation. "River of Blood Gold" stands as a testament to Peterson's prowess, his understanding of human nuances, and his undying commitment to pushing the boundaries of visual storytelling.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Protect Our Oceans- XL HPM Hand Embleshed Artwork Limited Edition Giclee Print on Deckled 310gsm Canson Aquarelle Art Paper by Urban Modern Artist Dragon76. 2022 Signed & Numbered Limited Edition of 26 Artwork Size 52x27- Stock Photo PangeaSeed Foundation 52 x 27 inches Fine-art Giclée print on Canson Aquarelle 310gsm fine art paper Limited edition of 26 Uniquely hand-embellished Signed + Numbered Printed with ♥ by Static Medium

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Turtle Island Ganas Collage Original One of a Kind Sprayed Paint Stencil Painting Artwork on Cotton Rag Art Paper by Street Art Pop Culture Artist Ernesto Yerena Montejano- Hecho Con Ganas. 2022 Signed Original Spray Paint Painting Size 20.5"x26.5" Hand Spray Painted Stencils on 100% Cotton Rag Paper Hand Deckled Edges Signed and Numbered by Ernesto Yerena Montejano 1-Off The Artistic Expression of "Turtle Island Ganas Collage" by Ernesto Yerena Montejano Ernesto Yerena Montejano is an artist deeply rooted in the cultural crossroads of street pop art and graffiti artwork. His piece, "Turtle Island Ganas Collage," is a vibrant celebration of cultural identity, resilience, and the spirit of resistance. This original one-of-a-kind sprayed paint stencil painting on cotton rag art paper encapsulates the ethos of Montejano's artistic vision—Hecho Con Ganas, or "made with effort and desire." Signed by the artist, this 20.5"x 26.5" artwork reflects Montejano's commitment to creating pieces that are not only visually captivating but also imbued with social and political commentary. Symbolism and Technique in Montejano's Work In "Turtle Island Ganas Collage," Montejano employs the turtle, a creature revered in many indigenous cultures for carrying the world on its back, as a central figure symbolizing the earth and the interconnectedness of life. The term "Turtle Island" is a name for the North American continent used by several Native American tribes, and its inclusion in the title ties the piece to themes of heritage and land. Montejano's choice of materials—100% cotton rag paper with hand-deckled edges—complements the organic subject matter, grounding the piece in tradition and craftsmanship. The hand-sprayed stencils create a sharp contrast characteristic of graffiti art, while the intricate details and layering echo the complexities of pop art imagery. Ernesto Yerena Montejano's Contribution to Street Pop Art Montejano, a Mexican-American artist, contributes to the rich tapestry of street pop art through works like "Turtle Island Ganas Collage," which speak to identity, community, and activism issues. His work often reflects the experiences of the borderlands between the United States and Mexico, serving as a visual commentary on the socio-political landscape. By integrating motifs from indigenous and Chicano culture, Montejano bridges the past with the present, creating a dialogue between historical narratives and contemporary issues. His artwork transcends the traditional boundaries of street art, offering a narrative that is both universal and deeply personal. Through his art, Montejano invites viewers to engage in broader conversations about social justice, heritage, and the human condition, solidifying his place in the pantheon of street pop art and graffiti artists.

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TRUTH- What Have We Lost Hand-Pulled 2-Color Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Wasteland Bone Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 22x22 22 x 22 inch, hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 100.

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Sloth Hand-Pulled 11-Color Silkscreen Print With 24k Gold Leaf on Hand-Deckled 310gsm Tub Sized Somerset Satin Fine Art Paper by Artist Insane51 Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 23.62x23.62. Appears differently through anaglyphic red and blue light filters. The world of contemporary art, particularly within the realms of pop art, street art, and graffiti, is ever-evolving, consistently pushing boundaries and challenging conventions. Within this dynamic landscape, the "Sloth Silkscreen Print" by Insane51 emerges as a distinctive work that encapsulates the essence of modern artistic expression. Meticulously crafted, the artwork stands as a testament to the prowess and ingenuity of Insane51, an artist renowned for his unique approach and groundbreaking techniques. At the heart of this creation lies the medium of silkscreen printing, a technique that has been synonymous with pop art since its inception. Insane51 harnesses this method, layering colors and patterns to birth a piece that resonates with depth and complexity. The intricate juxtaposition of hues, from the arresting reds and blues to the deeper, shadowy undertones, forms an image that is as captivating as it is thought-provoking. The central figure, a hauntingly ethereal face surrounded by surreal elements, draws the viewer into a narrative that bridges the gap between the tangible and the abstract. In its entirety, the "Sloth Silkscreen Print" is more than just an art piece; it is a reflection of the zeitgeist of urban contemporary art. It echoes the voices of streets, alleys, and urban landscapes, capturing the spirit and energy that drives the world of street art and graffiti. Insane51, with this masterpiece, offers art enthusiasts and critics alike a glimpse into the future of art, where tradition melds seamlessly with innovation, and where the canvas becomes a portal to alternate dimensions of thought and interpretation.

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New York City Archival Pigment Fine Art Limited Edition Print on 290gsm Fine Art Paper by Artist Stom500, Pop Art Artist. 2022 Signed & Numbered Hand Deckled Limited Edition of 40 Artwork Size 18x22.5 #40 of 40

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Love is the Answer Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 16x21. Famous Theoretical Physicist Albert Einstein Holding a Sign Reading "Love is the Answer" with Tons of Colorful Spray Paint & Paint Hand-Embellished. Love is the Answer: A Portrayal of Genius in Street Pop Art In the eclectic and vibrant contemporary art world, "Love is the Answer" emerges as a profound statement piece crafted by the renowned street artist Mr. Brainwash, known off the canvas as Thierry Guetta. This mixed media screen print on deckled fine art paper is a limited edition piece that seamlessly melds the realms of pop and street art with the iconic image of Albert Einstein. Crafted in 2015, "Love is the Answer" is a unique original hand-painted multiple (HPM) with a silkscreen print foundation, over which Mr. Brainwash has applied spray paint and acrylic paint by hand. This hand-embellishment process ensures that each piece within the series is a one-of-a-kind work of art imbued with its individuality and character. The artwork dimensions are a substantial 16x21 inches, giving the piece a presence that captivates the viewer and invites contemplation. The subject of the artwork is the famous theoretical physicist Albert Einstein, who is depicted holding a sign that reads "Love is the Answer." This message, combined with the visual cacophony of vibrant spray paint, creates a juxtaposition that is at once striking and thought-provoking. The image of Einstein, synonymous with intelligence and insight, coupled with a simplistic yet universal message about love, prompts a dialogue about the complexities of the human condition and the simplicity of its resolution through love. Signature Style of Mr. Brainwash Mr. Brainwash is pivotal in bringing the street art aesthetic into the gallery space. His work often incorporates figures of historical and cultural significance, placing them within a contemporary context that is both accessible and critically engaging. In "Love is the Answer," the artist's signature style is evident: a base of monochromatic tones accentuated with explosions of color, symbolizing the chaos and vibrancy of life. Like much of Mr. Brainwash's work, this piece is more than a simple depiction; it is an interactive experience. The splatters and drips of paint do not merely adorn the paper; they disrupt and engage with the image of Einstein, suggesting that even amidst the calculated precision of science, there is room for the spontaneity and passion of art. Love is the Answer Unique HPM  Cultural Impact and Collectibility As a collectible artwork, "Love is the Answer" holds a special allure. Mr. Brainwash signs it, and it comes with a Certificate of Authenticity, which adds to its desirability as a piece of art history. The mixed media elements and the limited edition nature of the work make it a sought-after item for collectors and enthusiasts of street pop art and graffiti artwork. The cultural impact of the piece is significant as well. It represents a bridge between various forms of expression, from the cerebral world of theoretical physics to the dynamic realm of street art. By placing Einstein in such a colorful and unexpected context, Mr. Brainwash invites viewers to reconsider the figure as a scientist and a messenger of peace and love. Mr. Brainwash's "Love is the Answer" is a powerful example of how street pop art and graffiti can transcend the streets and enter the pantheon of high art. The piece does more than depict a famous figure; it imbues the image with new meaning and relevance. It is a declaration that amidst the complexities and challenges of life, the simplest of truths can resonate the loudest. For collectors and admirers, owning "Love is the Answer" is not just an investment in a piece of art but an endorsement of its message and the conversation it continues to inspire.

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Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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The Crawler- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2017 Signed & Numbered Limited Edition of 150 Artwork Size 20x26.75 Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Protect The Blue Planet- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on 100% Cotton Coventry Rag Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Hand Deckled 30 x 41 inches Serigraph on Coventry Rag, 100% cotton custom archival paper Hand-deckled edges Limited Edition of 75 Signed + Numbered Printed by Obey Giant "Protect The Blue Planet" stands as a testament to Shepard Fairey's dedication to using his art as a vehicle for environmental advocacy, fusing the worlds of pop art, street art, and graffiti art. This limited edition, hand-pulled 2-color serigraph, reveals the intricate relationship between humanity and our environment. Imprinted on 100% cotton Coventry Rag paper, the choice of material underpins Fairey’s commitment to sustainable artistry. The dimensionality of the piece, 30 x 41 inches, lends itself to an immersive viewing experience, accentuated further by its hand-deckled edges, which bring a tactile, organic touch, reminiscent of the raw edges of street posters. In partnering with the PangeaSeed Foundation to release this work for Earth Month, Fairey encapsulates the pressing environmental concerns of the modern era. Central to the piece is the depiction of an endangered North Atlantic right whale that exudes a mandala with the earth cradled within. This mandala, rooted in various cultural traditions, signifies harmony, unity, and the interconnectivity of the planet's ecosystems. The floral ornaments within it blossom as symbols of flourishing harmony, but the contrasting inclusion of flames starkly reminds viewers of the ever-looming threat of global warming. The text - "Protect the Blue Planet" and "One Ocean-One People" - along with the chosen blue palette, draws attention to the inextricable bond between thriving oceans and a sustainable world. As a renowned figure in the street art community, Fairey's work has always pushed boundaries, and with "Protect The Blue Planet", he once again blurs the lines between artistic expression, activism, and social responsibility, reminding the world of its role in safeguarding the planet. "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

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Eclipse- Gold Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Year 2017 Class Art Print Status Official Run 150 Technique Screen Print Paper 250gsm Coventry Rag Size 28" x 28" Markings Signed & Numbered The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Sloth Hand-Finished Variant I HPM Acrylic & Hand-Pulled 11-Color Silkscreen Print With 24k Gold Leaf on Hand-Deckled 310gsm Tub Sized Somerset Satin Fine Art Paper by Artist Insane51 Limited Edition Artwork. 2022 Hand Painted/Embleshed Unique Number 1 Signed HPM Limited Edition of 5 Original Embellished Artworks Size 23.62x23.62. Appears differently through anaglyphic red and blue light filters. A radiant testament to modern pop and street art, "Sloth Hand-Finished Variant I" captivates viewers with its depth, precision, and innovative use of materials. Crafted by the esteemed artist Insane51 in 2022, this artwork merges traditional and contemporary techniques to produce a masterpiece that resonates with both art enthusiasts and casual observers. The exquisite amalgamation of hand-pulled 11-color silkscreen print, intertwined with lustrous 24k gold leaf, exhibits the artist's dedication to detail and quality. Positioned on a hand-deckled 310gsm tub sized Somerset satin fine art paper, the artwork exemplifies luxury and sophistication. Insane51's choice of acrylic paints brings forth vibrancy, allowing the composition to come alive with a luminosity that beckons viewers closer. Yet, one of the most captivating aspects of this artwork is its appearance under anaglyphic red and blue light filters. Through this unique play on vision, the piece offers varying perspectives, urging viewers to delve deeper and unravel its many layers. This innovative approach is reminiscent of the ever-evolving world of graffiti art, where artists continually push boundaries to introduce fresh dimensions to their work. With the artwork bearing the unique distinction of being the first signed HPM in a limited edition of only five original embellished pieces, it holds significant value for collectors. Measuring a symmetrical 23.62x23.62, "Sloth Hand-Finished Variant I" is not just an art piece, but a reflection of urban contemporary art's essence. Insane51, through this creation, cements his position as a trailblazer, seamlessly bridging the gap between traditional artistry and modern innovation.

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Sirens Of The Past Day Silkscreen Print by Cleon Peterson Hand-Pulled on Hand Deckled 290gm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x22 Silkscreen Print of Stylized Gold & Black 3 Nude Siren Greek Myth Legends The realm of pop art, street art, and graffiti art has seen the emergence of countless unique and thought-provoking pieces, and the work of Cleon Peterson stands as a testament to the raw power and passion that can be infused within such creations. Peterson's piece titled "Sirens Of The Past Day" is a silkscreen print that draws on various elements of Greek mythology, merged with his iconic street art style, representing an intriguing blend of the old and the new. Hand-pulled on 290gm Coventry Rag Fine Art Paper, "Sirens Of The Past Day" presents the viewer with a bold portrayal of three nude Sirens, characters from Greek myth legends, known for their enchanting voices and deceptive allure. Peterson adopts a stylized approach in creating this masterpiece, using a striking combination of gold and black. This choice of colors lends the artwork a distinct aesthetic appeal, reminiscent of both pop art's simplicity and street art's dynamic energy. "Sirens Of The Past Day" measures 18x22, making it an ideal size for collectors looking for a piece of artwork that could stand out in a variety of settings, be it a private collection, a gallery, or a public space. The artwork is a limited edition of 75, ensuring the exclusivity of the piece. Each print is hand-signed and numbered by Cleon Peterson himself, adding a personal touch to this remarkable creation and underscoring the authenticity of the work. Cleon Peterson, known for his hard-hitting and often controversial themes, draws on a wide range of influences, from classical mythology to contemporary societal issues. In "Sirens Of The Past Day", Peterson breathes life into the age-old legends of the Sirens, presenting them in a modern context that resonates with the ethos of pop and street art. His signature style shines through the bold, stark lines and striking color palette, transforming the Sirens from ancient myths into powerful symbols of seduction and danger in the contemporary world. Peterson's unique ability to blend pop art's boldness with the raw edginess of street art is reflected beautifully in "Sirens Of The Past Day". This limited edition silkscreen print is a reflection of Peterson's artistic prowess, a masterpiece that draws the viewer in and invites them to delve deeper into the intricate world that Peterson creates with his art. With its intense imagery and thought-provoking theme, "Sirens Of The Past Day" is a testament to Cleon Peterson's skill and vision, making it a notable addition to any collection of pop or street art.

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Never Win Never Lose Gold 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "Never Win Never Lose Gold" is a masterful silkscreen print, a testament to the innovative prowess of Cleon Peterson. Emerging from the dynamic landscape of contemporary art in 2022, this piece stands as a harmonious blend of pop art, street art, and graffiti art influences, capturing the zeitgeist of modern visual expression. Crafted with meticulous precision, the two-color artwork comes to life in a powerful palette of black and bone, creating an evocative interplay of contrast and detail. The canvas of choice is the 290gsm Coventry Rag paper, renowned for its superior quality and texture. Elevating the print's charm is its deckled edge, lending it a touch of vintage allure juxtaposed with the artwork's modern aesthetics. Spanning a size of 18x24 inches, the artwork commands attention, drawing viewers into its intricate narrative and captivating patterns. The intertwining figures, characterized by fluidity and movement, tell a tale of conflict and harmony, a dance of light and shadow that resonates with the duality of human nature. Perhaps the most defining feature of this artwork is its exclusivity. Limited to an edition of just 50, each print is hand-pulled, ensuring the uniqueness and authenticity of every piece. Further reinforcing its value is the artist's signature, alongside a numbering that marks its position in the limited series. In "Never Win Never Lose Black", Cleon Peterson has indeed crafted an artwork that stands at the crossroads of tradition and innovation, a reflection of the ever-evolving narrative of art in the 21st century.

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Girl's Dream PP Printers Proof Silkscreen Print by Bezt- Etam Cru Artist Proof Hand-Pulled 7-Color Screen Print on Deckled Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2015 Signed & Marked PP Limited Edition Run Hand Deckled Artwork Size 21.25x29.5 Girl's Dream PP: A Visionary Silkscreen by Bezt of Etam Cru Girl's Dream PP, a Printer's Proof silkscreen print by Bezt of Etam Cru, emerges as a striking illustration of the intersection between Street Pop Art and graffiti Artwork and the meticulous craft of screen printing. Released in 2015, this limited edition artwork is noted for its hand-pulled, 7-color process on deckled Coventry Rag fine art paper, offering a tangible texture that is both visually and tactilely engaging. The artwork, sized 21.25x29.5 inches, features a hauntingly dreamlike vista emblematic of Bezt's narrative-driven approach to art. Signature and Symbolism in Best's Work Signing and marking a Printer's Proof, as seen in Girl's Dream PP, signifies a high level of craftsmanship and the artist's direct involvement in the printmaking process. Being a PP, this print represents one of the rarest forms of a silkscreen, typically reserved for the printer's archive. Bezt's signature authenticates the piece and personally connects the artist to the collector, elevating the print's value within the Street Pop Art and graffiti Artwork community. Craftsmanship in Silkscreen Printing The silkscreen technique employed in Girl's Dream PP is a testament to Bezt's dedication to craftsmanship. The seven-color process requires precise layering and a deep understanding of color interaction to achieve the final image's depth and luminosity. The choice of Coventry Rag paper, known for its durability and rich texture, further underscores the artwork's quality and the artist's commitment to preserving the integrity of the visual narrative through superior materials. Imagery and Interpretation in Girl's Dream Bezt's Girl's Dream PP is replete with symbolism, featuring a central figure enveloped by scenes that evoke a sense of layered storytelling. The ethereal quality of the image invites interpretation, allowing viewers to delve into a narrative that straddles the line between the conscious and the subconscious. This piece illustrates Bezt's ability to capture complex emotional states and translate them into a visual language that resonates within the Street Pop Art and graffiti Artwork genres. Limited Edition and Collectibility The limited edition nature of Girl's Dream PP makes it a sought-after piece for collectors, Street Pop Art, and graffiti Artwork enthusiasts. The hand-deckled edges of the print add an element of bespoke uniqueness, ensuring that no two prints are exactly alike. As street art continues to flourish in the art market, limited editions such as this one gain significance, both as works of art and as investment pieces with the potential to appreciate over time. bezt's Influence on Contemporary Art Bezt's influence on contemporary art is amplified through works like Girl's Dream PP, which blur the boundaries between traditional printmaking and modern street art aesthetics. His contributions to the genre have helped redefine public perceptions of Street Pop Art and graffiti Artwork, positioning it as a vital and sophisticated art form. The continued interest in Bezt's prints, minimal editions such as this Printer's Proof, underscores his artistic vision's enduring appeal and relevance.

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The Collaborator- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. One character is observed standing up with cuffed hands raised above its head, the other one is located in the foreground, featuring the silhouette of a police officer sitting down while brandishing a rifle. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Eastern Suspenso SSYM Series 24-Color Hand-Pulled Limited Edition Silkscreen Print on 310 gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. This is the fourth print in our Savage Sacred Young Mind series from our exhibition by the same name at the Brooklyn Museum in 2016. The new work is a beautiful 24 color silkscreen print derived from a cropping of the Eastern Suspenso canvas in the exhibit. Eastern Suspenso is on a thick Coventry Rag 325gsm paper with a deckle edge measuring 23 x 35 Inches (58 x 89cm). Eastern Suspenso 24 colors, Silkscreen Ink on Coventry Rag 325gsm Paper 23 x 35 Inches (58x89cm) Print Edition of 300 Signed, Embossed and Numbered 2016

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Relief AP Artist Proof Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 12-Color on Hand Deckled 160lb Cover Mohawk Superfine UltraWhite Limited Edition Pop Street Art Artwork. AP Artist Proof 2023 Signed & Marked "AP" Limited Edition Artwork Size 23x30 Silkscreen Print Navigating the complex and enthralling realms of pop and street art, the 'Relief AP Artist Proof Silkscreen Print' stands as an exemplar of contemporary artistry. Conceived by the illustrious artist Jordan Nickel, known in the art circles as 'Pose', this piece is an embodiment of his signature style — a harmonious blend of audacious color palettes and intricate patterns. Rendered meticulously with a 12-color hand-pulled silkscreen technique, the artwork exudes a richness that is complemented by the impeccable texture of the 160lb Cover Mohawk Superfine UltraWhite paper. The hand deckling of the paper underscores the raw, tactile appeal of the piece, adding an organic touch to its modern essence. Designated as an 'Artist Proof', and marked with "AP", this print holds a special significance in the artist's oeuvre. Artist Proofs are conventionally reserved for the artist's personal collection or for special occasions, making this print particularly sought-after by collectors and enthusiasts alike. The 2023 creation, measuring 23x30, is not only signed by Pose but also carries the coveted "AP" mark, indicating its exclusivity. In 'Relief AP Artist Proof', Pose's vivid imagination manifests in a symphony of colors and shapes. The intertwining elements, from the radiant hues to the rhythmic patterns, reflect the convergence of street art's raw energy and pop art's iconic simplicity. As a testament to Pose's contribution to the contemporary art scene, this piece serves as a beacon, illuminating the path for future artistic explorations.

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Runaway Paradise: Black/ DFXX B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 8 HPM Artwork Size 24x38 24 x 38 Inches / Each an edition of 8 Acrylic and Silkscreen Ink on Lenox 100 Paper Signed, Stamped and Embossed FAILE 2022 "Based on a new image from our Endless show in Miami, we are releasing a hand-painted and silkscreened Runaway Paradise print. These works reflect some newer paintings that we've been working on in the studio and we've really been liking working within the style. These prints are bold and classic FAILE. Made from a series of painted backgrounds, stencil prints and silkscreen they are a vibrant set. We made these in three editions of 8. The B-side feature a DFXX Sound / Vision print." -Faile Runaway Paradise: Black/ DFXX B-Side Silkscreen Print by Faile – Limited Edition Street Pop Art & Graffiti Artwork Faile, the Brooklyn-based artistic duo known for their bold and layered approach to Street Pop Art & Graffiti Artwork, presents Runaway Paradise: Black/ DFXX B-Side. This hand-pulled silkscreen print, created using stencil techniques and acrylic on 310gsm Coventry Rag, is a stunning continuation of their signature visual style. With a signed and numbered limited edition of only eight, this artwork stands as a rare and highly collectible piece. The 24x38-inch composition is an extension of their Endless series, originally showcased in Miami, and is deeply connected to their studio practice, where painted backgrounds, stencils, and screen-printing techniques converge. This print explodes with saturated tones of pink, red, and yellow contrasted against deep black, creating a high-energy aesthetic. The imagery is unmistakably Faile, merging retro pulp-style figures, nostalgic Americana, and a punk-infused sense of rebellion. The title Runaway Paradise evokes a dreamlike escape, yet the chaotic undertones hint at a more complex narrative. Crocodiles snap at the feet of carefree characters, while bold typography like Silent Partner and American Illusions frame the artwork, reinforcing themes of desire, deception, and fleeting fantasy. Faile and the Evolution of Street Pop Art & Graffiti Artwork Since the late 1990s, Faile has been one of the most innovative forces in contemporary Street Pop Art & Graffiti Artwork. The duo, consisting of Patrick McNeil and Patrick Miller, built their reputation through large-scale wheat-pasting, hand-painted murals, and mixed-media prints that draw inspiration from advertising, propaganda, and comic book aesthetics. Their work reflects a deep understanding of visual culture, remixing familiar imagery into layered compositions that challenge perceptions of consumerism, nostalgia, and identity. Faile’s artistic language is instantly recognizable, blending distressed textures, fractured narratives, and a raw street-art sensibility. Their process is deeply rooted in traditional printmaking techniques, often incorporating hand-painted elements, collage work, and experimental applications of color and texture. Each piece carries the essence of a lived-in, worn-down aesthetic that mirrors the decay and vibrancy of urban landscapes. Runaway Paradise: A Collision of Pulp Fiction, Nostalgia, and Urban Chaos Runaway Paradise is a perfect example of Faile’s ability to balance visual storytelling with a sense of unpredictability. The artwork references vintage pulp novel covers, mid-century advertisements, and rock-and-roll poster culture, all blended through a graffiti-inspired lens. The characters appear carefree, almost oblivious to the lurking danger beneath them, reinforcing themes of American escapism and the illusions of paradise. The text elements scattered throughout the composition serve as both commentary and disruption, leading the viewer to question the deeper meaning behind the vibrant imagery. The choice of black, neon pink, and fiery red adds to the intensity of the composition, creating an almost hypnotic effect. The DFXX Sound/Vision print on the B-side further expands the artwork’s conceptual depth, linking it to Faile’s ongoing exploration of music, media, and subcultural influence. The layering of silkscreen ink with stencil work ensures that each print carries a distinct personality, making every edition within this set a unique piece of Street Pop Art & Graffiti Artwork. The Influence of Faile’s Work on Contemporary Art Faile continues to push the boundaries of what Street Pop Art & Graffiti Artwork can be, merging high-art techniques with the rebellious energy of street culture. Their work can be found in galleries, museums, and public installations worldwide, yet it never loses its underground ethos. By incorporating hand-pulled silkscreen techniques and stencil applications, they keep their work grounded in the raw, tactile experience of printmaking, avoiding the sterility of mass production. Runaway Paradise represents a perfect blend of Faile’s past and present, echoing their early street-art roots while incorporating the refined techniques they have developed over decades. This limited edition stands as both an artistic statement and a cultural artifact, proving that Street Pop Art & Graffiti Artwork continues to thrive in new and unexpected forms. Whether viewed as a commentary on the illusions of modern life or simply as a bold visual experience, this piece remains a testament to Faile’s ever-evolving impact on contemporary art.

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Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

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While Supplies Last Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled In the vibrant sphere of pop art, street art, and graffiti art, Shepard Fairey stands as a towering figure, renowned for his thought-provoking pieces that often transcend the canvas to make poignant societal statements. His creation, "While Supplies Last," is a testament to his artistic prowess and dedication to global causes. This large format artwork, meticulously crafted as a hand-pulled 4-color serigraph print, exemplifies the precise attention to detail and the depth of thought behind Fairey's creations. Crafted on custom cotton Coventry rag paper, the artwork exudes a tactile richness. The dimensions, 45x26, give the art piece a commanding presence, ensuring that its message is not just seen but felt. The edges, hand deckled, add to its authentic appeal. But what truly makes this piece resonate is its potent imagery: bold patterns, captivating floral motifs juxtaposed against a hauntingly beautiful face, and the unmistakable "WHILE SUPPLIES LAST!" emblem - all working in tandem to highlight the urgency of environmental concerns. Originating in 2023, the artwork's exclusivity is marked by its limited run of only 100 pieces, each of which is signed and numbered by Shepard Fairey himself. Adding to its authenticity, the Obey publishing chop is discreetly placed in the artwork's lower left corner. Importantly, Fairey's commitment to environmental conservation shines through, as proceeds from this masterpiece are dedicated to Greenpeace, ensuring that the art not only stirs the soul but also contributes tangibly to pressing global issues. In an era where art and activism intertwine, "While Supplies Last" stands as a beacon of hope and a call to action.

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Speak from the Heart- Life is Beautiful Hand-Pulled 10-Color HPM Embellished Silkscreen Print on Hand Deckled Fine Art Paper by Artist Mr Brainwash- Thierry Guetta Limited Edition. 2018 Signed & Numbered HPM Limited Edition of 25 Artwork Size 44x36. Mr Brainwash- Thierry Guetta's neon light series edition print. A ten-color screen print on archival art paper with hand finish paint splatter. Each screen print is on hand-torn archival art paper, signed and numbered, with a thumbprint on the back. Mr Brainwash's Ode to Optimism: "Speak from the Heart- Life is Beautiful" In 2018, Mr Brainwash, the pseudonym of Thierry Guetta, released a limited edition piece that captured the essence of street pop art and contemporary culture's fascination with the interplay of text and image. "Speak from the Heart- Life is Beautiful" is a hand-pulled, 10-color HPM embellished silkscreen print on hand-deckled fine art paper. It is a vibrant testament to positivity, with only 25 pieces signed and numbered by the artist. The artwork, sized at an impressive 44x36 inches, features a neon light series edition print with a warm glow and an inviting message. The Intersection of Street Art and Fine Art in Mr Brainwash's Work Mr Brainwash has been a controversial figure in the art world, straddling the line between street art's raw authenticity and the commercial appeal of pop art. "Speak from the Heart- Life is Beautiful" exemplifies this fusion, combining the tactile nature of silkscreen printing with the refined aesthetic of fine art. The work's bold, neon-inspired aesthetic harkens back to the heyday of pop art while maintaining a modern edge that resonates with today's audience. The addition of hand-finished paint splatter over the silkscreen print adds depth and texture, ensuring that each piece in the series maintains a unique character. This technique nods to the spontaneity and imperfection celebrated in street art, where the environment often plays a role in creating the artwork. Mr Brainwash's Signature Style and Philosophical Underpinnings The neon light effect achieved in "Speak from the Heart- Life is Beautiful" is not just a visual choice; it's a philosophical statement. Neon lights, often associated with the hustle and bustle of city life, become a symbol of hope and beauty in Mr Brainwash's hands. The message "Life is Beautiful" is both an affirmation and a directive, encouraging viewers to embrace life with all its complexities and to find beauty in every moment. This piece also features Mr Brainwash's trademark thumbprint on the back, a personal touch that has become part of his artistic signature. It represents the artist's hand in the creation process and serves as a seal of authenticity for collectors. "Speak from the Heart- Life is Beautiful" by Mr. Brainwash is a striking example of how street pop art and graffiti have evolved into mediums that blend street and gallery lines. With its hand-crafted quality, limited edition status, and poignant message, the piece continues to spread its optimistic message to audiences worldwide, embodying the spirit of pop art's capacity to communicate and connect through bold and direct means.

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The Joker Comic Book Cover #3 Limited Edition 1-Color Watercolor Paint Embellished HPM Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 34x46 Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, the Batman comic book cover featuring The Joker. A one-color screen print on hand-torn archival art paper, hand-finished with watercolor. Each print from the edition will be unique, and colors will vary from print to print. Print Size: 34 x 46 Inches Edition of 25

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Birdwatching Blacklight Giclee Print by Saber Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & NumberedHPM Limited Edition of 30 Hand Deckled & Embellished Artwork Size 23x16.5. Yellowing To Margins. "I like the results of this experiment. I spent time with each print using UV markers and paint pens to turn on the lights literally." -Saber The "Birdwatching Blacklight HPM Giclee Print" by Saber is a contemporary marvel in pop art, street art, and graffiti. It embodies a creative fusion of vibrant aesthetics with engaging content that holds a magnifying glass to the urban experience. Saber, a celebrated Los Angeles-based artist, is known for his prolific body of work in street art, and his signature aesthetic is identifiable in this piece. The print showcases a clever play of colors using blacklight-reactive inks, amplifying the contrast between shadows and illumination. The choice of the blacklight medium is a reflection of Saber's propensity for innovating within the street art genre. The effect created by this print is reminiscent of the nocturnal urban environment, a prevalent theme in much of Saber's work. The piece, featuring a bird watcher set against an urban backdrop, also raises compelling questions about the interaction of the natural and the urban in our lives. The theme of bird watching, a peaceful, almost meditative activity, is jarringly contrasted with the chaotic, intense graffiti background. This juxtaposition is thought-provoking and typical of the thoughtfulness Saber brings to his work. In the "Birdwatching Blacklight HPM Giclee Print", the giclee printing process further adds to the print's unique texture. High-quality, fade-resistant inks are sprayed onto the surface, allowing for accuracy and sharpness in reproducing Saber's original artwork. This technique is a nod to the evolution of street art and its intersection with technology, maintaining the essence of Saber's original graffiti while enhancing its durability and accessibility. As an iconic piece from a stalwart in the street art world, "Birdwatching Blacklight HPM Giclee Print" exemplifies the power of street art to create visually arresting pieces that are both stunning and laden with socio-cultural commentary. Through this artwork, Saber bridges the gap between the street and the gallery, democratizing art and making it more accessible to the wider public. This piece stands as a testament to the continual evolution and relevance of street art in the contemporary art scene.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 16 x 12” black and bone screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Boris Drinks Letterpress Print by Camille Rose Garcia Limited Edition 1-Color on Deckled 290gsm Coventry Rag Fine Art Paper Graffiti Street Pop Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 8x10 Letterpress Print Art Printmas 2020 of Tooth Monster Craving Following a Lollypop Candy. Party Tooth Letterpress Print by Camille Rose Garcia The Party Tooth letterpress print by Camille Rose Garcia is a delightful and quirky piece of Street Pop Art that combines playful storytelling with gothic undertones. Produced in 2020 as part of the Art Printmas series, this 8x10 artwork is meticulously printed on deckled 290gsm Coventry Rag Fine Art Paper. Featuring a whimsical Tooth Monster, complete with party hats and a craving expression as it chases a spiraling lollipop, this limited-edition piece is a perfect blend of humor, imagination, and meticulous craftsmanship. Signed and numbered in an edition of 100, this artwork showcases Garcia's distinctive ability to merge surrealist narratives with accessible, yet provocative, visuals. Camille Rose Garcia: Master of Gothic Whimsy Camille Rose Garcia’s artistic style is synonymous with fantastical characters, bold linework, and darkly humorous narratives. Born in 1970 in Los Angeles, California, Garcia draws inspiration from vintage animation, fairytales, and gothic aesthetics to craft works that are both enchanting and subversive. Her art often critiques modern society while wrapping these themes in a veneer of whimsy and absurdity, making her work resonate across a broad audience. The Party Tooth print reflects Garcia’s mastery of creating eccentric characters that evoke emotion and curiosity. The Tooth Monster, with its oversized head, playful party hats, and eager demeanor, embodies the tension between indulgence and self-awareness. The addition of a swirling lollipop adds movement and intrigue, turning a simple craving into a surreal spectacle. Garcia’s ability to capture such layers of meaning within a single character elevates this piece into the realm of Street Pop Art with a distinct narrative voice. The Intricacy of Letterpress Printing Letterpress printing, a traditional technique known for its textural depth and tactile qualities, plays a significant role in the presentation of Party Tooth. By pressing ink into the fine art paper, this process creates a dimensional effect that enhances the bold black linework of the illustration. The choice of deckled edges on the Coventry Rag Fine Art Paper adds an artisanal touch, lending the print an antique and handmade feel that contrasts beautifully with the modern design of the artwork. Garcia’s use of a single-color palette ensures that the intricate details of the Tooth Monster and the dynamic composition of the print take center stage. The stark contrast between the black ink and the warm tone of the paper adds a striking visual quality, further emphasizing the character’s mischievous yet endearing personality. Party Tooth as a Street Pop Art Statement Party Tooth exemplifies the playful yet thought-provoking nature of Street Pop Art. The Tooth Monster’s wide-eyed excitement and pursuit of the lollipop create a whimsical narrative that speaks to themes of desire, indulgence, and celebration. Garcia’s ability to inject humor and charm into a surreal scenario makes the artwork both approachable and richly layered, appealing to fans of modern surrealism and contemporary Street Pop Art. This limited-edition print’s small size and exclusive run of 100 make it an ideal collectible for art enthusiasts and Camille Rose Garcia fans. Its balance of handcrafted techniques, bold design, and imaginative storytelling highlights the artist’s ability to push the boundaries of traditional printmaking while staying rooted in the accessibility and energy of Street Pop Art. Party Tooth is a testament to Garcia’s unique artistic vision, blending craftsmanship and creativity to create a piece that continues to captivate viewers and collectors alike.

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Long Live Death- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2022 19 x 28 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. “Everything I do is a reaction to the world we live in.”, he says.

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Long Live Death- Bone 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2022 19 x 28 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 150. The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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The Pride Heart Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Jenna Morello, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Hand-Deckled 290gsm Moab Entrada Fine Art Paper Artwork Size 16x20 The Pride Heart by Jenna Morello is a compelling archival pigment fine art print that captures the essence of contemporary street art with a pop art sensibility. Embodying the vibrant spirit of graffiti art, Morello's limited edition print is a resonant piece, alive with color and emotional depth. Limited to a series of 50 signed and numbered editions, the artwork brings exclusivity and a personal touch to each piece, which measures 16x20 inches. The artist's signature not only authenticates each print but also marks the direct connection between creator and collector. Morello's choice of medium, the 290gsm Moab Entrada fine art paper, is renowned for its durability and ability to hold rich colors, ensuring that the vivid hues of The Pride Heart endure. The hand-deckled edges contribute an element of handcrafted individuality, breaking away from the mechanical precision often associated with printmaking. This technique adds an organic touch, suggesting a raw, urban energy usually found in street art. The artwork is a visual metaphor for passion and diversity, represented through a heart composed of multi-colored roses dripping in a cascade of hues. An arrow, traditional in its symbolism of love's trials and tribulations, pierces the heart, contrasting the bright colors with its monochrome palette. This juxtaposition is evocative of Morello's ability to fuse classical iconography with a modern twist, a hallmark of her artistic vision. Jenna Morello's The Pride Heart is a testament to the enduring allure of street art and its capacity to convey profound messages through public expression. This piece encapsulates a bold statement within pop and graffiti art, inviting reflection on themes of love, diversity, and resilience. It is a cherished piece for collectors and admirers of this unique art form.

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Love Catcher Pink Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 6-Color on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 22x22 Silkscreen Print by Mr Brainwash- Thierry Guetta Mr. Brainwash, whose real name is Thierry Guetta, is a French-born, Los Angeles-based street artist and filmmaker. He was born on November 11, 1966, in Garges-lès-Gonesse, France. Mr. Brainwash came to prominence through the 2010 Oscar-nominated documentary "Exit Through the Gift Shop", which was directed by the renowned British street artist Banksy. Initially, Guetta began as a videographer who was interested in street art and decided to document the phenomenon. This endeavor led him to meet and film numerous street artists, including Shepard Fairey and Banksy. However, in a surprising twist, Banksy turned the camera on Guetta, encouraging him to become an artist himself. The result was Mr. Brainwash, a pop artist known for his large-scale productions and eclectic style, drawing heavily from pop culture references and the work of other street artists. His work often blends elements of pop art with the raw, edgy aesthetics of street art. Since his emergence, Mr. Brainwash has held numerous exhibitions and his work has gained significant attention in the art world, both for its bold, distinctive style and for the controversy surrounding his sudden rise to fame. He is known for his energetic and often humorous installations, sculptures, and stenciled artworks. Despite criticism from some quarters who view his work as derivative, Mr. Brainwash has continued to maintain a successful career in the contemporary art scene. Mother's Day is a celebration that honors mothers and motherhood, maternal bonds, and the influence of mothers in society. It is celebrated on various days in many parts of the world, most commonly in the months of March or May. The modern American holiday of Mother's Day was first celebrated in 1908, when Anna Jarvis held a memorial for her mother at St Andrew's Methodist Church in Grafton, West Virginia. Anna Jarvis's mother, Ann Jarvis, had been a peace activist who cared for wounded soldiers on both sides of the American Civil War, and created Mother's Day Work Clubs to address public health issues. Anna Jarvis wanted to honor her mother by continuing the work she started and to set aside a day to honor all mothers because she believed that they were "the person who has done more for you than anyone in the world". In 1914, Woodrow Wilson signed a proclamation designating Mother's Day, held on the second Sunday in May, as a national holiday to honor mothers. Since then, Mother's Day has become a day that children celebrate their mothers with cards, gifts, and activities. The holiday has been adopted by other countries and it's celebrated in different ways worldwide. For example, in the United Kingdom, it is traditionally known as Mothering Sunday and it's celebrated on the fourth Sunday of Lent. In Mexico, it's always celebrated on May 10th, regardless of the day of the week. It's important to note that Mother's Day can bring different feelings for different people. While it's a joyous occasion for many, it can be a difficult day for those who have lost their mothers or who have strained relationships with them. It's also a day to honor and remember mothers who have passed away.

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