Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Batard Romanee Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Fine Art Paper by Modern Pop Street Graffiti Artist Campbell La Pun. 2021 Signed & Numbered- Batard Romanee • Autographed archival pigment print• Printed on Moab Entrada Rag Bright 290 GSM archival paper• Custom hand-torn deckled edges • 18 x 23 inches Hand-signed and numbered by artist Campbell La Pun in a limited edition of 20

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Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

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Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Stellar Hand-Pulled 4-Color Silkscreen Print on Hand Deckled 320gsm Coventry Rag Vellum Paper by Pop Artist Lefty Out There Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 40 Size 24x36

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Never Safe Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Olga Esther, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 75 Fine art print on Moab Entrada 290gsm paper 20 x 20 inches / 50 x 50 cm Hand deckled edges Each print is signed and numbered by the artist Printed by Static Medium (Los Angeles)

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Night Bender- Savage Sacred Young Minds Series 23-Color Hand-Pulled Limited Edition Silkscreen Print on 310 gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. FAILE: Night Bender 23-color Silkscreen Print on Coventry Rag 325gsm Silkscreen ink on paper Limited Edition of 100 23 x 36 inches (58 cm x 89 cm) 2016

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Venus Unique #13 Unique Original HPM 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr. Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 HPM Signed & Numbered Hand Painted Original Unique One of a Kind Deckled Artwork Size 16x16. Custom Frame & Mat. Each print is signed plus numbered 1/1 by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash. The Intersection of Classical Imagery and Contemporary Street Pop Art in Mr. Brainwash’s Venus Unique #13 Thierry Guetta, artistically known as Mr. Brainwash, has been a transformative force in modern art, bridging the gap between street art's rebellious energy and pop art's iconic imagery. His work, Venus Unique #13, is a testament to this fusion, embodying the spontaneous creativity of Graffiti Street Artists Modern Pop Art. Released in 2021, this hand-pulled silkscreen print is part of an original series that infuses the classic depiction of Venus with a burst of contemporary life, underscored by the vibrant disruption of a Rubik's cube pattern. Venus Unique #13 is a symbolic piece within Mr. Brainwash's oeuvre. It is a 6-color silkscreen print, underscored by the Artist's hand-painted embellishments on hand-torn archival paper, which gives it an organic and tactile feel. The artwork is encased in a custom frame and mat, enhancing its visual appeal and preserving its condition. This particular print is marked 1/1, signaling its status as a unique work within the series. It is further authenticated by Mr. Brainwash's signature and thumbprint on the reverse, hallmarking its originality. Capturing Art Historical References with a Modern Twist Mr. Brainwash's penchant for juxtaposing classic art historical references with modern elements is evident in Venus Unique #13. The artwork reimagines the Roman goddess Venus, an enduring symbol of beauty and love, through the lens of modern-day iconography and urban artistry. By overlaying the serene and timeless figure of Venus with the chaotic, colorful patterns of a Rubik's cube, Mr. Brainwash creates a dialogue between the past and the present, between enduring ideals and contemporary challenges. The use of the Rubik's cube is remarkably evocative, as it is a pop culture icon and a metaphor for complexity and the human endeavor to solve puzzles. It suggests that the interpretation of beauty and art is itself a complex puzzle, a challenge that evolves with time and perspective. Mr. Brainwash cleverly employs the cube's colors and forms to fracture and reinterpret the classical imagery, giving it a new context and relevance in today's visual language of Street Pop Art and Graffiti Artwork. The Signature Style and Cultural Commentary of Mr. Brainwash Mr. Brainwash's signature style is characterized by his bold use of color, eclectic iconography, and seamless blending of various artistic techniques. Venus Unique #13 is imbued with this signature approach, showcasing a harmonious blend of spray-painted graffiti with refined silkscreen printing. The piece is as much a celebration of the Artist's technical skill as it is of his conceptual ingenuity. By integrating elements like comic strips, street signs, and pop culture ephemera into the backdrop of Venus, Mr. Brainwash comments on the inundation of media and advertising in our daily lives. His artwork becomes a canvas where modern-day consumerism and the timeless quest for meaning and beauty intersect. Including such diverse and seemingly disparate elements is a nod to the complex visual landscapes we navigate, suggesting that art and beauty can be found in the most unexpected places. Collectability and Influence in Contemporary Art The collectability of Mr. Brainwash's work, particularly pieces like Venus Unique #13, is significant. As a unique, one-of-a-kind piece with the Artist's direct involvement, it holds aesthetic value and a high degree of collectible appeal. The artwork's size, 16x16 inches, makes it a versatile piece for collectors, suitable for various spaces and settings. These qualities make Mr. Brainwash's work highly sought after by enthusiasts of Street Pop Art and Graffiti Artwork. Venus Unique #13 is more than just a visual statement; it reflects the current era where art history receives a contemporary remix. Mr. Brainwash's approach to art challenges viewers to see beyond the surface and appreciate each piece's layers of meaning and craftsmanship. In doing so, he has cemented his place within the modern art movement, inspiring both admiration and critical thought about the role and interpretation of art in contemporary society.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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The Joker Batman DC Comics Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr. Brainwash Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 79 Artwork Size 32x43 "Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, The Joker. A seven-color screen print on hand-torn archival art paper. Each print is signed and numbered, with a thumbprint on the back. The standard edition will be out of an edition of 79" -Mr Brainwash- Thierry Guetta (Team) Mr. Brainwash, a moniker used by the street artist Thierry Guetta, continues to influence the street pop art and graffiti art movement with his distinctive works that often blend pop culture references and an edgy street aesthetic. His latest foray into comic book art brings us a limited edition silkscreen print featuring The Joker, one of Batman's most infamous adversaries from DC Comics. This particular piece is a stunning representation of The Joker, encapsulating the character's chaotic energy and anarchic spirit. Crafted through a meticulous seven-color hand-pulled silkscreen process on fine art paper, the print exemplifies Mr. Brainwash's signature style that fuses street art and pop art elements. The artwork is a riot of color, with splashes and drips that suggest a raw, uncontained force, much like The Joker himself. This approach to the piece invokes graffiti art's spontaneity and rebellious nature, while the iconic comic imagery ties it firmly to pop art traditions. Each of the limited edition prints, sized at an impressive 32x43 inches, is not only signed and numbered but also carries the unique thumbprint of the artist on the back, serving as a hallmark of authenticity and a personal touch from Mr. Brainwash. With only 79 pieces, this artwork is a coveted item for collectors and enthusiasts of comic books and contemporary street pop art. The choice of The Joker is particularly resonant in today's culture, symbolizing the dual nature of chaos and intellect. Mr. Brainwash's portrayal taps into the zeitgeist, presenting The Joker as a comic character and an icon of modern-day societal contradictions. The artwork is a bold statement in Mr. Brainwash's oeuvre, continuing his exploration of popular culture and its icons through street and pop art.

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Box Cutter Clownz 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist.

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Talk Talk Talk- Red Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Vote Keep Hope & Freedom Alive Red White Blue Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Silkscreen Print The Vote Keep Hope & Freedom Alive Red, White, and Blue silkscreen print by Cleon Peterson stands as a powerful piece of Street Pop Art and Graffiti Artwork. Created in 2024, this limited edition artwork captures a strong political and cultural message, emphasizing hope, freedom, and civic responsibility. This piece, printed on 290gsm Coventry Rag Fine Art Paper, features a hand-deckled edge, adding a tactile sense of authenticity and craft to its presentation. The edition is limited to 80 signed and numbered prints, measuring 18x24 inches, which reflects its exclusivity and appeal to collectors of contemporary political art. The Artistic Vision of Cleon Peterson Cleon Peterson, an American artist born in 1973, is renowned for his striking and often confrontational work. His art frequently portrays themes of conflict, power dynamics, and societal upheaval. Peterson’s background in graffiti and street art influences his bold aesthetic, characterized by stark contrasts and a palette of limited colors. The Vote Keep Hope & Freedom Alive print exemplifies these characteristics. The central figure—a woman riding a horse, holding a U.S. flag—symbolizes strength, perseverance, and patriotic ideals. The choice of red, white, and blue emphasizes its American identity, tying the artwork to the ideals of democracy and freedom. The Cultural Impact of Street Pop Art and Graffiti Artwork Street Pop Art and Graffiti Artwork have long served as powerful tools for social commentary. This print embodies this tradition, using bold, graphic imagery to inspire action and reflection. The deliberate simplicity of the composition ensures that the message is clear and accessible, making it a quintessential example of political art with a populist edge. Peterson’s use of silkscreen techniques ties the work to the traditions of Pop Art pioneers like Andy Warhol, while the urban and gritty aesthetic links it to the raw energy of graffiti culture. Limited Editions as a Medium for Political Expression The exclusivity of limited edition artworks like this one enhances their value, both financially and culturally. The Vote Keep Hope & Freedom Alive print resonates with contemporary political movements, particularly those emphasizing civic engagement and the protection of democratic ideals. By incorporating a powerful visual narrative with the intimacy of hand-signed and numbered editions, Peterson bridges the personal and the political, creating a piece that feels both monumental and approachable. This artwork is a striking example of how modern Street Pop Art and Graffiti Artwork can encapsulate political sentiment while maintaining an aesthetic appeal. Through its bold imagery and symbolic elements, it stands as both a call to action and a celebration of the enduring values of hope and freedom.

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Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print The Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print by Cleon Peterson represents a striking piece of Street Pop Art and Graffiti Artwork with a clear political message. Created in 2024, this artwork captures the spirit of civic responsibility and the enduring fight for democracy. This piece is printed on hand-deckled 290gsm Coventry Rag Fine Art Paper, highlighting its handcrafted quality and tactile appeal. The print is part of a limited edition of only 80 signed and numbered works, measuring 18x24 inches. Its exclusivity and powerful message make it highly sought after by collectors and art enthusiasts alike. The Bold Visual Style of Cleon Peterson Cleon Peterson, an American artist born in 1973, is renowned for his bold and minimalist visual language. His work often explores themes of power, resistance, and societal conflict, utilizing stark compositions and contrasting colors to amplify the intensity of his message. The Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print showcases a central figure of a woman on horseback holding the U.S. flag, symbolizing resilience, hope, and the continuous fight for freedom. The muted fatigue-inspired palette offers a unique take on traditional patriotic colors, reinforcing the sense of endurance and the weight of civic responsibility. Street Pop Art and Graffiti Artwork as Political Commentary Street Pop Art and Graffiti Artwork have long been used to express political and social messages, and this print is no exception. By combining the raw energy of street art with the polished techniques of silkscreen printing, Peterson creates a piece that resonates with contemporary audiences while honoring the traditions of activist art. The imagery of the woman and horse evokes strength and determination, while the flag and dynamic composition emphasize a call to action. The fatigue-inspired design also serves as a subtle nod to the struggles and sacrifices inherent in the fight to preserve democratic values. Limited Editions and Their Cultural Significance The limited-edition nature of this artwork enhances its appeal and underscores its importance as a piece of cultural commentary. By signing and numbering each of the 80 prints, Peterson personalizes the artwork, creating a tangible connection between the artist and the viewer. The use of fine art materials such as Coventry Rag Paper elevates the piece, blending the accessible ethos of street art with the refined craftsmanship of traditional printmaking. This combination of aesthetic excellence and political relevance ensures that the Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print will remain a powerful symbol of hope and freedom in contemporary art.

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Take Me Now Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. Take Me Now Black & Gold Silkscreen Print by Cleon Peterson Take Me Now Black & Gold Silkscreen Print by Cleon Peterson stands as a striking example of the artist’s characteristic style and thematic focus. Cleon Peterson, an American artist known for stark depictions of struggle and confrontation, has built a reputation for bold monochromatic works that draw the eye and provoke conversation. This piece presents figures in dynamic conflict, rendered in gold against a deep black background. Each figure’s form is both angular and fluid, capturing a sense of motion that reflects a stark view of human interaction. The size measures 18x18, making it a balanced composition with high-impact visual appeal. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, the texture and weight of the paper enhance the overall impact. Signed and numbered by Cleon Peterson in 2024, the edition is limited to 100, creating a rare opportunity for collectors and enthusiasts to acquire a piece that underscores the artist’s ongoing exploration of power dynamics. The print’s name suggests tension and urgency, resonating with the typical themes in Peterson’s work. He frequently examines moral dualities, using stark color contrasts and bold shapes to evoke visceral emotional responses. Viewers often see a commentary on aggression and conflict, yet the piece also invites deeper reflection on the complexities of human behavior. The black and gold palette offers a refined aesthetic, lending an air of elegance to a scene that might otherwise be unsettling. Each brush stroke and line remains crisp due to the high-quality silkscreen process, granting an enduring vibrancy that collectors value in limited edition works. The hand deckled edges further elevate the tactile experience, emphasizing the craftsmanship of this print. Bold Symbolism within Street Pop Art & Graffiti Artwork Cleon Peterson’s distinct visual language has positioned him at the intersection of Street Pop Art & Graffiti Artwork with contemporary fine art. His bold approach takes cues from graphic design and urban culture, reflecting influences that range from European street murals to American underground zines. The sense of energy in Take Me Now Black & Gold Silkscreen Print recalls the raw power found in many street art pieces. Peterson’s figures, locked in combative poses, mirror the high-impact imagery seen in graffiti and pop-infused works. This synergy between classical printmaking and urban-inspired motifs makes his creations resonate with diverse audiences worldwide. The flat planes of color carry a graphic punch that suits those who appreciate both street-inspired aesthetics and the refinement of traditional silkscreen techniques. Collectible Appeal and Fine Art Details Collectors seek out Cleon Peterson’s signed and numbered prints for their enduring value and bold storytelling. Limited to only 100 editions in this 2024 release, Take Me Now Black & Gold Silkscreen Print embodies exclusivity and artistic ambition. Each piece features the rich contrast of black and metallic gold, capturing light in a way that accentuates the dynamic composition. The 290gsm Coventry Rag Fine Art Paper ensures the print’s longevity, while the hand deckled finish adds a personal touch that stands apart from machine-cut edges. This combination of premium materials, powerful imagery, and Peterson’s signature further solidifies its place in collections focused on Street Pop Art & Graffiti Artwork. Enthusiasts and new admirers alike often find that Cleon Peterson’s work sparks conversation, reminding viewers of the complexities of human behavior through a raw yet refined vision.

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Queen of Love Blue Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 10-Color on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 50 Artwork Size 22x22 Silkscreen Print of a Queen of Hearts Card with Forever Yours Written Across Front in Blue.  A Striking Union of Color and Symbolism Queen of Love Blue Silkscreen Print by Mr Brainwash, also known as Thierry Guetta, is an invigorating example of Street Pop Art & Graffiti Artwork blended with pop culture references. Guetta, who is a French artist, has earned recognition for his playful reimagining of iconic imagery. This 2024 release measures 22x22 inches and comes as a signed and numbered limited edition of 50. The piece centers around a queen playing card motif, layered against a brown cardboard-like backdrop adorned with fragile tape and shipping labels. The addition of a bright blue graffiti-style phrase across the card emphasizes a merging of refinement and irreverent street style. Through meticulously layered ten-color silkscreen techniques, Guetta brings out the essence of wonder, spontaneity, and joy that fans appreciate in his dynamic work. This edition appears on deckled fine art paper, providing a tactile and timeless quality. The slightly rough edges and radiant hues evoke a sense of artisanal craftsmanship. Observers are drawn to the meticulous alignment of the queen playing card, a classic emblem of luck and allure. The flamboyant blue phrase painted boldly across the figure acts as a subversive statement that challenges traditional perceptions of royal imagery. Guetta’s signature approach to layering iconography and street-inspired text provides a compelling contrast between the refined and the spontaneous. The card’s playful presence conjures both a sense of luxury and a reminder that popular imagery can be reinvented through graffiti-like interventions. Ten-Color Printing and Street Influence The silkscreen process involves ten individual color layers, hand-pulled to guarantee precision and vibrant saturation. Each pass adds another dimension, resulting in a multifaceted composition that resonates with the energy of graffiti murals. This technique sets the artwork apart from mass-produced prints, underscoring Guetta’s dedication to quality and distinctive style. The crisp outlines of the queen card and the rhythmic patterns of the shipping labels testify to a strong foundation in pop aesthetics. At the same time, the raw strokes of spray-like lettering convey the spontaneity central to street culture. This blend of structure and edginess is a hallmark of the Street Pop Art & Graffiti Artwork movement, which seeks to unite the visual language of urban spaces with the bright allure of popular motifs. Impactful Themes and Playful Commentary Viewers of Queen of Love Blue Silkscreen Print are greeted by layers of meaning. The queen card recalls classic card games and hints at concepts of luck, strategy, and power. By placing the queen against a faux shipping container backdrop, Guetta frames the motif in a context of transport and fragility. Fragile tape and caution symbols draw attention to themes of value and protection, inviting reflection on how precious objects move through global systems. The presence of the bold blue text invites dialogue about personal relationships and emotional risk, offering an uplifting reminder that affection and loyalty can transcend the ordinary. These multiple references encourage collectors to interpret the print in ways that feel immediate and relevant to contemporary society. Collectability and Modern Appeal Art enthusiasts often gravitate toward Mr Brainwash’s works for their recognizable imagery infused with bright color palettes and exuberant pop references. This hand-pulled silkscreen edition stands out for its mix of refined printing methods and raw street aesthetics, creating a piece that fuses opposites in a powerful way. Each print captures the individuality of the artist’s approach, ensuring slight variations that bring character to the series of 50. The 22x22 size offers a substantial yet versatile format, drawing attention without overwhelming a space. By bringing together classic symbols of love and power with shipping labels and a graffiti flourish, Guetta extends an invitation to see familiar icons through a more dynamic lens. As part of the Street Pop Art & Graffiti Artwork conversation, Queen of Love Blue Silkscreen Print encapsulates a moment in contemporary art where historical references meet urban innovation in a celebratory burst of creativity.

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The Pride Heart Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Jenna Morello, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Hand-Deckled 290gsm Moab Entrada Fine Art Paper Artwork Size 16x20 The Pride Heart by Jenna Morello is a compelling archival pigment fine art print that captures the essence of contemporary street art with a pop art sensibility. Embodying the vibrant spirit of graffiti art, Morello's limited edition print is a resonant piece, alive with color and emotional depth. Limited to a series of 50 signed and numbered editions, the artwork brings exclusivity and a personal touch to each piece, which measures 16x20 inches. The artist's signature not only authenticates each print but also marks the direct connection between creator and collector. Morello's choice of medium, the 290gsm Moab Entrada fine art paper, is renowned for its durability and ability to hold rich colors, ensuring that the vivid hues of The Pride Heart endure. The hand-deckled edges contribute an element of handcrafted individuality, breaking away from the mechanical precision often associated with printmaking. This technique adds an organic touch, suggesting a raw, urban energy usually found in street art. The artwork is a visual metaphor for passion and diversity, represented through a heart composed of multi-colored roses dripping in a cascade of hues. An arrow, traditional in its symbolism of love's trials and tribulations, pierces the heart, contrasting the bright colors with its monochrome palette. This juxtaposition is evocative of Morello's ability to fuse classical iconography with a modern twist, a hallmark of her artistic vision. Jenna Morello's The Pride Heart is a testament to the enduring allure of street art and its capacity to convey profound messages through public expression. This piece encapsulates a bold statement within pop and graffiti art, inviting reflection on themes of love, diversity, and resilience. It is a cherished piece for collectors and admirers of this unique art form.

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Speak from the Heart- Life is Beautiful Hand-Pulled 10-Color HPM Embellished Silkscreen Print on Hand Deckled Fine Art Paper by Artist Mr Brainwash- Thierry Guetta Limited Edition. 2018 Signed & Numbered HPM Limited Edition of 25 Artwork Size 44x36. Mr Brainwash- Thierry Guetta's neon light series edition print. A ten-color screen print on archival art paper with hand finish paint splatter. Each screen print is on hand-torn archival art paper, signed and numbered, with a thumbprint on the back. Mr Brainwash's Ode to Optimism: "Speak from the Heart- Life is Beautiful" In 2018, Mr Brainwash, the pseudonym of Thierry Guetta, released a limited edition piece that captured the essence of street pop art and contemporary culture's fascination with the interplay of text and image. "Speak from the Heart- Life is Beautiful" is a hand-pulled, 10-color HPM embellished silkscreen print on hand-deckled fine art paper. It is a vibrant testament to positivity, with only 25 pieces signed and numbered by the artist. The artwork, sized at an impressive 44x36 inches, features a neon light series edition print with a warm glow and an inviting message. The Intersection of Street Art and Fine Art in Mr Brainwash's Work Mr Brainwash has been a controversial figure in the art world, straddling the line between street art's raw authenticity and the commercial appeal of pop art. "Speak from the Heart- Life is Beautiful" exemplifies this fusion, combining the tactile nature of silkscreen printing with the refined aesthetic of fine art. The work's bold, neon-inspired aesthetic harkens back to the heyday of pop art while maintaining a modern edge that resonates with today's audience. The addition of hand-finished paint splatter over the silkscreen print adds depth and texture, ensuring that each piece in the series maintains a unique character. This technique nods to the spontaneity and imperfection celebrated in street art, where the environment often plays a role in creating the artwork. Mr Brainwash's Signature Style and Philosophical Underpinnings The neon light effect achieved in "Speak from the Heart- Life is Beautiful" is not just a visual choice; it's a philosophical statement. Neon lights, often associated with the hustle and bustle of city life, become a symbol of hope and beauty in Mr Brainwash's hands. The message "Life is Beautiful" is both an affirmation and a directive, encouraging viewers to embrace life with all its complexities and to find beauty in every moment. This piece also features Mr Brainwash's trademark thumbprint on the back, a personal touch that has become part of his artistic signature. It represents the artist's hand in the creation process and serves as a seal of authenticity for collectors. "Speak from the Heart- Life is Beautiful" by Mr. Brainwash is a striking example of how street pop art and graffiti have evolved into mediums that blend street and gallery lines. With its hand-crafted quality, limited edition status, and poignant message, the piece continues to spread its optimistic message to audiences worldwide, embodying the spirit of pop art's capacity to communicate and connect through bold and direct means.

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Freedom For Humanity- Chrome Limited Edition Serigraph Print with Chrome Foil on Hand-Deckled 290gsm Coventry Rag Fine Art Paper by Mear One Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 20 Artwork Size 20x27 "This piece, 'Freedom For Humanity,' symbolizes the attitude we should be taking regarding our rights as human beings. It's a play on George Orwell's 'Newspeak' from his novel 1984, where he combines and condenses words to create a new language. Language is so important for understanding what it means to be truly free. Yet, it is constantly being eroded, redefined, and replaced to suit the corporations and superficial consumer pop-culture trends for profit. People need translation out of our current language based on greed towards a more meaningful and insightful existence, using language based on our humanity, sharing, and cooperation. I want to inspire critical thought on the implementation of 'Newspeak' in our current Orwellian, media-blitzed reality." - Mear One. Dissecting' Freedom For Humanity' by Mear One Mear One has established himself as a consequential artist in street pop art and graffiti artwork, with "Freedom For Humanity" being one of his most compelling works. This Chrome Limited Edition Serigraph Print is more than a mere aesthetic indulgence; it is a testament to the artist's impassioned plea for linguistic and intellectual freedom. Limited to a series of just twenty signed and numbered pieces, the 2016 artwork, sized 20x27 inches, is printed on hand-deckled 290gsm Coventry Rag Fine Art Paper. This choice underscores the premium quality and the exclusiveness of the print. The Semantic Revolution Embodied in Art Mear One's creation is an interplay of visual and verbal languages, a critical response to the perversion of words in our contemporary society. This piece reflects not just Orwell's concept of 'Newspeak' but a broader commentary on the state of language and its role in human freedom. The artist's use of chromatic intensity and stark contrasts on the fine art paper is an eye-catching element of modern pop art and serves as a metaphor for the clarity and vibrancy that should accompany human communication. The central figure, a striking representation of defiance, holds a sign that boldly demands "Freedom for Humanity," symbolizing the fight against the manipulation of language by corporate and political forces. Mear One's message is clear: the erosion of language and the commodification of words for profit and power threaten the very fabric of our society. The artist seeks to inspire a reevaluation of how language is wielded and perceived in the modern age. His work implores us to transcend a lexicon rooted in greed and forge one grounded in our collective humanity. The message is a rallying cry for cooperation, sharing, and a reassessment of our values as a civilization. Embracing a New Lexicon for Human Empowerment The artwork bridges street art's raw expressiveness and the sophisticated discourse on human liberties. "Freedom For Humanity" is not merely Mear One's call to action; it is an invitation to introspect on the corporatization of our language and, by extension, our thoughts and freedoms. Through his serigraph, Mear One channels the power of Street Pop Art and graffiti Artwork to ignite conversation and drive change. The piece doesn't just hang on a wall; it stands on the front lines of cultural discourse, challenging the viewer to break free from the Orwellian shackles of modern-day 'Newspeak.' Ultimately, "Freedom For Humanity" is a symbolic manifesto in art form. It is a reminder of the potency of words and the significance of their liberation. Mear One has contributed a visually stunning piece to the realm of Street Pop Art and graffiti Artwork and embedded a profound message of liberation and unity within it. His work stands as a beacon for those who seek to understand the true meaning of freedom in a world where language is continually at risk of being co-opted by those in power.

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Self Portrait IV 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist. 3 Print Run Edition, Self Portrait 4 on Hand Deckled Paper 2008. Some light smudging on the upper left facing white margin.

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Stairway to London Limited Edition 2-Color Vintage Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 30x22 Led Zeppelin Music Rock Super Stars Vintage 2009 Print. Hand-finished screenprint on hand torn, 100% cotton 300gsm cream archival art paper with deckled edges. 22 × 30 in 55.9 × 76.2 cm Edition 100

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The Hunters Quarry Archival Pigment Fine Art Limited Edition Print on Hand-Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "I've crossed the galaxy, and crossed again, I've seen strange things, and seen strange things again, But I've never seen a singular Force, My life is mine"

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Styles Change Style Endures- Magenta 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 14.5 inches by 19 inches Edition of 115 June 18, 2020 Skateboarding saved my life! As both an activity and culture, skateboarding blew the doors open for me to see how creativity, fearlessness, independence, and style could let me paint my own story. To paraphrase Charles Bukowski, everything, worth saying or doing, dull or dangerous, is better with style. I learned the importance of style from skateboarding but I apply style to my art and pretty much anything else I can. My friend Blaize Blouin, the only pro skater from Charleston, S.C., where I grew up, used to say “trendy tricks come and go, but the need for style is constant”. When I picked up Hugh Holland’s Silver Skate 70’s book I was enthralled by all of the photos, but especially gripped by the shot of an unknown kid doing a stylish backside carve at the Kenter Canyon School banks in 1976. -Shepard Fairey

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Atlas- Standard Limited Edition 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 16x16 Each print is signed plus numbered by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash.

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Rowhouse Hand-Pulled 24-Color Oval Silkscreen Print Art on Mohawk Superfine UltraWhite Paper by Pop Street Artist Pose- Jordan Nickel Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x30 Oval Hand Deckled Edge "Rowhouse," an intricately detailed piece of art by the renowned pop street artist Pose, whose real name is Jordan Nickel, stands as a testament to the intricate blend of pop art, street art, and graffiti. The art piece is not just a mere visual delight but a culmination of meticulous craftsmanship. Utilizing a hand-pulled 24-color oval silkscreen printing method, the vibrancy and depth of each hue come to life on the Mohawk Superfine UltraWhite Paper. This choice of paper is not arbitrary; Mohawk Superfine is known for its ability to capture the rich details, making it the perfect canvas for the riot of colors and details Pose is famous for. Diving deeper into the piece, one cannot help but notice the rich tapestry of urban elements, juxtaposed with colorful abstract patterns and designs that are synonymous with street and pop art. Every nook and cranny of the "Rowhouse" tells a story, making it a window to urban life, its chaos, beauty, and raw energy. The artwork's oval shape is unique, further accentuated by a hand deckled edge, giving it a rustic, yet contemporary appeal. Released in 2022, "Rowhouse" is not just another artwork; it is a limited edition masterpiece. With only 75 pieces available, each signed and numbered by Pose himself, it has become a sought-after collectible for art enthusiasts and collectors. The size, an 18x30 oval, is large enough to command attention yet versatile enough to fit various spaces. Pose's "Rowhouse" is an exemplary representation of the evolution of street and pop art, blending traditional techniques with modern aesthetics, making it a must-have for those who appreciate the fine balance between the old and new in art.

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Acadia Giclee Print by Dulk- Antonio Segura Donat Artwork Limited Edition Print on Hand Deckled 290gsm Moab Entrada Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 20x27.6 Acadia Giclee Print by Dulk: A Stunning Piece of Street Pop Art Acadia is an extraordinary limited-edition giclee print by Dulk, the artistic alias of Spanish street artist Antonio Segura Donat. Known for his vibrant style and imaginative worlds, Dulk’s work merges elements of fantasy with environmental themes, capturing the attention of audiences worldwide. This piece, released as a signed and numbered edition of 100 in 2023, embodies Dulk’s unique aesthetic and dedication to high-quality, collectible art. Printed on hand-deckled 290gsm Moab Entrada fine art paper, Acadia combines the durability and texture that highlight every intricate detail of the original artwork. The piece measures 20x27.6 inches, making it a striking addition to any collection or gallery wall. Dulk’s Vision and Symbolism in Acadia Dulk’s work is often characterized by its elaborate scenes featuring animals, surreal landscapes, and robust environmental messages. In Acadia, he brings to life an imaginative forest scene centered around a majestic owl, with other creatures that seem to be guardians and inhabitants of this enchanted world. The owl immediately ures the viewer’s attention with piercing golden eyes and intricate detailing, embodying a sense of wisdom and mystery. Surrounding the owl are a fox, songbirds, and natural elements like branches and leaves, each depicted with vivid colors and intricate patterns. Dulk’s careful attention to detail and layered textures bring a sense of depth and movement to the piece, making each animal and element feel like a part of a larger story. The scene in Acadia reflects Dulk’s ongoing exploration of nature and the connection between wildlife and their habitats. His use of vibrant colors, along with whimsical and almost mystical details, highlights the beauty of the natural world while hinting at the vulnerabilities faced by animals and ecosystems. The fox peeking out from the hollow of a tree trunk and the delicate feathers and leaves all contribute to the piece’s immersive quality. Dulk’s fusion of realism and surrealism creates a visual language that encourages viewers to appreciate and reflect on the fragility of nature. Like his work, this piece scores his advocacy for environmental conservation, urging viewers to consider their role in protecting the planet’s biodiversity. The Influence of Street Pop Art and Graffiti Artwork Dulk’s transition from street artist to fine art creator is a testament to the evolving nature of Street Pop Art and graffiti artwork. Initially known for his large-scale murals in urban spaces, Dulk has successfully brought the same bold, eye-catching style to his prints, creating works that resonate within the street art community and fine art circles. His work in Acadia exemplifies this blend, combining the street art sensibilities of accessibility and cultural commentary with the refinement and attention to detail often associated with fine art. The hand-deckled edges of the Moab Entrada paper add an artisanal quality to the piece, bridging the rawness of street art with the elegance of gallery-worthy prints. Street Pop Art has long been about making art accessible to a broader audience, often incorporating popular culture and environmental themes in a visually appealing yet thought-provoking way. Dulk’s work aligns with these principles by creating limited editions that are highly collectible while maintaining his signature street-inspired aesthetic. The limited edition of 100 prints gives Acadia a sense of exclusivity, resonating with collectors who value street art's authenticity and unique touch within a fine art context. Dulk’s ability to transfer his graffiti-inspired techniques onto a print medium allows his fans and collectors to experience the energy of his murals in a more personal format, which can be appreciated in intimate spaces. The Value and Craftsmanship of Limited Editions Acadia, as a limited edition of 100, holds a special place in Dulk’s portfolio, offering collectors a rare opportunity to own a visually captivating and meaningful piece. Each print is signed and numbered by Dulk, which adds to its value and authenticity as a collectible artwork. Using 290gsm Moab Entrada fine art paper enhances the print’s color fidelity and texture, preserving Dulk’s vibrant hues and detailed lines for years. Moab Entrada paper is known for its ability to capture fine details. It is an ideal choice for Dulk’s intricate compositions, where every feather, leaf, and creature is carefully rendered to convey realism and fantasy. Dulk’s Acadia exemplifies the modern appeal of Street Pop Art and graffiti artwork, where the raw expressiveness of street art meets the precision of fine art techniques. By choosing to produce limited editions with high-quality materials, Dulk bridges the gap between the accessibility of urban art and the exclusivity of fine art prints. This piece showcases his talent and craftsmanship and embodies his dedication to environmental advocacy, making it a valued addition to any collection. Acadia by Dulk continues to capture the imagination of art enthusiasts, offering a vivid, immersive experience that is as thought-provoking as it is beautiful.

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Icon Collage Bottom- Large Format Limited Edition Hand Pulled 3-Color Silkscreen Print on Cream Speckle Tone Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. Screen Print 30 inches by 38 1/2 inches Edition of 70 October 31, 2016. Large Format Screen Print. 30 inches by 38 1/2 inches. Limited Numbered Edition of 70. 100% cotton archival paper with deckled edges. OBEY publishing chop on bottom left corner. Signed by Shepard Fairey.

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While Supplies Last Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled In the vibrant sphere of pop art, street art, and graffiti art, Shepard Fairey stands as a towering figure, renowned for his thought-provoking pieces that often transcend the canvas to make poignant societal statements. His creation, "While Supplies Last," is a testament to his artistic prowess and dedication to global causes. This large format artwork, meticulously crafted as a hand-pulled 4-color serigraph print, exemplifies the precise attention to detail and the depth of thought behind Fairey's creations. Crafted on custom cotton Coventry rag paper, the artwork exudes a tactile richness. The dimensions, 45x26, give the art piece a commanding presence, ensuring that its message is not just seen but felt. The edges, hand deckled, add to its authentic appeal. But what truly makes this piece resonate is its potent imagery: bold patterns, captivating floral motifs juxtaposed against a hauntingly beautiful face, and the unmistakable "WHILE SUPPLIES LAST!" emblem - all working in tandem to highlight the urgency of environmental concerns. Originating in 2023, the artwork's exclusivity is marked by its limited run of only 100 pieces, each of which is signed and numbered by Shepard Fairey himself. Adding to its authenticity, the Obey publishing chop is discreetly placed in the artwork's lower left corner. Importantly, Fairey's commitment to environmental conservation shines through, as proceeds from this masterpiece are dedicated to Greenpeace, ensuring that the art not only stirs the soul but also contributes tangibly to pressing global issues. In an era where art and activism intertwine, "While Supplies Last" stands as a beacon of hope and a call to action.

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Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

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Sirens- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Signed 2021 26 x 32 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. “One of the main inspirations that I have is anger. If I can be angry about something, it means I feel passionate about it. It makes me want to make art about it”, he says. Nonetheless, his art is not dealing with violence on a superficial level and it is not used as a tool of provocation per see." - Cleon Peterson

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On the Sunny Side of the Street- Yellow On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 125 Artwork Size 14x20.5 Limited edition of 125 Hand-pulled 14 x 20.5” Yellow on Black screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. Cleon Peterson (b. 1973) On the Sunny Side of the Street (Yellow), 2021 Screenprint on Coventry Rag paper 20-1/2 x 14 inches (52.1 x 35.6 cm) (sheet) Ed. 125 Signed, numbered, and dated in pencil along the lower edge. Published by the artist. The art of Peterson has a robust anti-establishment character, and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist, and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks, paintings, prints, sculptures, and murals exhibited in the US, Europe, and Asia. "On the Sunny Side of the Street" is a yellow silkscreen print by Cleon Peterson, an American artist known for his provocative and often dark artwork. Peterson's work often explores themes of violence, power dynamics, and societal unrest, reflecting the complex and contradictory nature of human existence. This particular print, "On the Sunny Side of the Street," presents a different tone than much of Peterson's other work, given its title and yellow color. It could be an attempt to explore the brighter, more optimistic side of life, or perhaps it presents a contrasting view to the darker themes found in his other pieces. As an artist, Peterson is known for his ability to make striking visual statements that leave a lasting impact on viewers.

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This Is Bad Lands- Red/Blue 3-Color Hand-Pulled Limited Edition Embellished HPM Silkscreen Print on Deckled Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 250 HPM Hand Painted Multiple Artwork Size 12.5x19 Faile's "Bad Lands" art print – a limited edition masterpiece with a mere 250 copies available worldwide. As the newest addition to the 150 Series, this release features approximately seven unique variations within the edition, including multiple color schemes, hand-painted, stained, and printed versions. Crafted on durable, thick archival paper, the eye-catching Red/Blue variation is a highly sought-after piece that boasts an extraordinary texture. The print measures 12.5" x 19" and showcases two deckled edges and two straight edges. The front and back of the print are meticulously detailed, with the reverse side adorned with printing, stamping, and more. Each copy is signed, numbered, dated, stamped, and embossed by the artist, making it a truly exclusive and valuable collectible. Don't miss the chance to own this incredible art print – experience its stunning visual impact in person! The "This Is Bad Lands Red/Blue HPM Silkscreen Print" is a piece of art created by Faile, an artist collaboration between Patrick McNeil and Patrick Miller. Faile is known for their distinctive style, which combines elements of street art, graphic design, pop culture, and fine art. In this piece, the title "This Is Bad Lands Red/Blue HPM Silkscreen Print" is a hand-painted multiple (HPM) silkscreen print featuring red and blue colors and a cowboy driving a classic sports car. "Bad Lands" refers to a desolate or unwelcoming environment, indicating that the piece may convey a sense of danger or conflict. Faile's work often contains layers of imagery and intricate details, and their silkscreen prints typically involve multiple layers of color and texture. They often incorporate found materials, stencils, and wheat paste, creating a distinctive aesthetic that blends street art and contemporary fine art.

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Tripping Devil is an original hand-drawn art drawing on framed, hand-deckled, aged art paper by Surreal Artist Naoto Hattori. 2012 Signed Original One of a Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist. The Fusion of Street Pop and Graffiti Art in Naoto Hattori's Work The intersection of street pop art and graffiti represents a vibrant and often rebellious art form that seeks to challenge traditional aesthetics, present social commentary, and engage public spaces as a canvas for expression. Naoto Hattori's "Tripping Devil" is a profound example of this artistic intersection, although it differs from the conventional spray-painted murals on city walls. This 2012 original pencil/graphite drawing is a testament to the diverse techniques and materials employed within the genre, bridging the raw spirit of street art with the meticulous skills of classical drawing. Hattori's piece is delicately framed, sized at 8.5x8.5 inches, with the image measuring 3x5 inches. The artist crafted the custom frame and matting, underscoring the personalized touch and attention to detail that Hattori brings to his work. The art paper is hand-deckled and aged, a choice that lends an additional layer of texture and a sense of historical depth to the piece. This material selection is particularly poignant, as it imbues the artwork with an ancient quality that contrasts sharply with the typically ephemeral nature of street and graffiti art. Naoto Hattori's Unique Aesthetic within Street Pop Art Naoto Hattori's oeuvre is often characterized by dream-like surrealism, where fantastical creatures and morphed figures challenge the viewer's perception of reality. "Tripping Devil" is no exception. The drawing features a creature with a human-like face and a body that transitions into an octopus-like form. This blending of the human and the surreal is a hallmark of Hattori's style and speaks to the transformative potential of street pop art and graffiti artwork. The stark monochromatic palette of graphite focuses on the intricate details and shading that bring the "Tripping Devil" to life. Despite being contained within a frame, the artwork carries the spirit of street pop art, often characterized by a bold defiance of boundaries and an embrace of the unconventional. Hattori's systematic approach to drawing parallels the deliberate and thoughtful techniques used by street artists and graffiti writers to create their pieces, albeit on a different scale and medium. Naoto Hattori and the Collectibility of Street Pop Art Collectors and enthusiasts of street pop art and graffiti artwork are increasingly seeking pieces to be displayed within the home, transitioning from public spectacle to personal treasure. Hattori's "Tripping Devil" exemplifies this trend, offering the art market a one-of-a-kind piece that encapsulates the essence of street art in a form that is both collectible and suited for private exhibition. The artist's signature on the piece is a seal of authenticity and a bridge between the artist and the collector. The originality of the "Tripping Devil" is paramount. In a domain where mass production and replication are commonplace, Hattori's commitment to creating a singular original work elevates the piece's value and appeal. The meticulous nature of the work, combined with its unique presentation on aged art paper, creates a dialogue between the transient nature of street art and the enduring quality of fine art collecting. The Cultural Relevance of Hattori's Artistry In the broader context of street pop art and graffiti artwork, Hattori's "Tripping Devil" stands out as a cultural artifact that embodies the innovative spirit of these art forms. While street pop art often conveys messages about popular culture and societal issues, Hattori's work delves into the psyche, exploring themes of identity, consciousness, and the human condition through a surrealistic lens. This piece, while not displayed in a public space, continues the tradition of street pop art and graffiti artwork with its aim to provoke thought and evoke emotion. The surreal elements invite interpretation and reflection, much like the larger-than-life murals and tags in urban environments. Hattori's "Tripping Devil" is a reminder that the heart of street art lies not only in its location but also in its ability to connect with viewers on a profound level, challenging perceptions and encouraging a deeper engagement with the visual narrative. Naoto Hattori's "Tripping Devil" is an exquisite example of the potential for cross-pollination between street pop art, graffiti artwork, and traditional drawing techniques. It stands as a testament to the artist's skill and the versatility of street-inspired art. As this piece demonstrates, the value of street pop art and graffiti artwork extends beyond the city's walls, finding a place within the collections of art lovers who appreciate the nuanced blend of rebellion, craftsmanship, and narrative depth that these genres offer.

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The Return Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Black & Gold Silkscreen Print: A Stark Narrative by Cleon Peterson The Return by Cleon Peterson is a striking example of Street Pop Art and Graffiti Artwork, blending minimalist design with profound storytelling. This limited-edition silkscreen print, released in January 2025, is created on hand-deckled 290gsm Coventry Rag fine art paper, offering both visual and tactile depth. Measuring 20x20 inches, it features Peterson's signature style, characterized by bold contrasts and graphic figures. Depicting a warrior astride a horse, wielding a bloody sword, the artwork presents themes of conflict, dominance, and survival. Released during the California fires of 2025, the piece resonates with an atmosphere of destruction and resilience, drawing parallels between personal battles and larger societal struggles. Cleon Peterson’s Distinctive Artistic Voice Cleon Peterson is known for his stark, graphic style that combines elements of pop art with the intensity of graffiti-inspired aesthetics. His work often explores themes of power dynamics, chaos, and human nature's darker facets. The Return continues this tradition, with the central figure of a warrior on horseback symbolizing conquest and survival. The use of black and gold adds a regal yet ominous tone, heightening the tension in the scene. Peterson’s ability to distill complex narratives into simplified forms creates an immediate visual impact while inviting deeper reflection on the themes presented. Design and Symbolism in The Return The Return features a dramatic composition where the central warrior figure dominates the visual space. The horse, rendered in Peterson’s signature minimalism, evokes movement and strength, while the bloody sword serves as a stark reminder of violence and its consequences. The black background amplifies the figure's golden hue, emphasizing its prominence and isolating it in a void-like space. This duality of light and dark symbolizes not just conflict but also resilience and survival. The stripped-down aesthetic reflects the rawness of struggle, making the piece both visually striking and thematically intense. Limited Edition Craftsmanship and Context Printed on premium Coventry Rag fine art paper, The Return is hand-deckled to give it an artisanal quality that complements the graphic intensity of the artwork. Signed and numbered by Cleon Peterson, the limited-edition nature of the piece ensures its exclusivity and collectibility. The timing of its release during the California fires adds an additional layer of relevance, tying the themes of destruction and survival to contemporary events. The Return exemplifies the intersection of Street Pop Art and Graffiti Artwork, capturing both the raw energy of street art and the enduring narratives of human conflict and resilience. This piece stands as a testament to Peterson’s mastery in merging minimalist design with powerful storytelling.

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Invasion Dream Club- Savage Sacred Young Minds Series 25-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. FAILE (American, est. 1999) Title: Invasion Dream Club 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

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Runaway Paradise: Black/ DFXX B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 8 HPM Artwork Size 24x38 24 x 38 Inches / Each an edition of 8 Acrylic and Silkscreen Ink on Lenox 100 Paper Signed, Stamped and Embossed FAILE 2022 "Based on a new image from our Endless show in Miami, we are releasing a hand-painted and silkscreened Runaway Paradise print. These works reflect some newer paintings that we've been working on in the studio and we've really been liking working within the style. These prints are bold and classic FAILE. Made from a series of painted backgrounds, stencil prints and silkscreen they are a vibrant set. We made these in three editions of 8. The B-side feature a DFXX Sound / Vision print." -Faile Runaway Paradise: Black/ DFXX B-Side Silkscreen Print by Faile – Limited Edition Street Pop Art & Graffiti Artwork Faile, the Brooklyn-based artistic duo known for their bold and layered approach to Street Pop Art & Graffiti Artwork, presents Runaway Paradise: Black/ DFXX B-Side. This hand-pulled silkscreen print, created using stencil techniques and acrylic on 310gsm Coventry Rag, is a stunning continuation of their signature visual style. With a signed and numbered limited edition of only eight, this artwork stands as a rare and highly collectible piece. The 24x38-inch composition is an extension of their Endless series, originally showcased in Miami, and is deeply connected to their studio practice, where painted backgrounds, stencils, and screen-printing techniques converge. This print explodes with saturated tones of pink, red, and yellow contrasted against deep black, creating a high-energy aesthetic. The imagery is unmistakably Faile, merging retro pulp-style figures, nostalgic Americana, and a punk-infused sense of rebellion. The title Runaway Paradise evokes a dreamlike escape, yet the chaotic undertones hint at a more complex narrative. Crocodiles snap at the feet of carefree characters, while bold typography like Silent Partner and American Illusions frame the artwork, reinforcing themes of desire, deception, and fleeting fantasy. Faile and the Evolution of Street Pop Art & Graffiti Artwork Since the late 1990s, Faile has been one of the most innovative forces in contemporary Street Pop Art & Graffiti Artwork. The duo, consisting of Patrick McNeil and Patrick Miller, built their reputation through large-scale wheat-pasting, hand-painted murals, and mixed-media prints that draw inspiration from advertising, propaganda, and comic book aesthetics. Their work reflects a deep understanding of visual culture, remixing familiar imagery into layered compositions that challenge perceptions of consumerism, nostalgia, and identity. Faile’s artistic language is instantly recognizable, blending distressed textures, fractured narratives, and a raw street-art sensibility. Their process is deeply rooted in traditional printmaking techniques, often incorporating hand-painted elements, collage work, and experimental applications of color and texture. Each piece carries the essence of a lived-in, worn-down aesthetic that mirrors the decay and vibrancy of urban landscapes. Runaway Paradise: A Collision of Pulp Fiction, Nostalgia, and Urban Chaos Runaway Paradise is a perfect example of Faile’s ability to balance visual storytelling with a sense of unpredictability. The artwork references vintage pulp novel covers, mid-century advertisements, and rock-and-roll poster culture, all blended through a graffiti-inspired lens. The characters appear carefree, almost oblivious to the lurking danger beneath them, reinforcing themes of American escapism and the illusions of paradise. The text elements scattered throughout the composition serve as both commentary and disruption, leading the viewer to question the deeper meaning behind the vibrant imagery. The choice of black, neon pink, and fiery red adds to the intensity of the composition, creating an almost hypnotic effect. The DFXX Sound/Vision print on the B-side further expands the artwork’s conceptual depth, linking it to Faile’s ongoing exploration of music, media, and subcultural influence. The layering of silkscreen ink with stencil work ensures that each print carries a distinct personality, making every edition within this set a unique piece of Street Pop Art & Graffiti Artwork. The Influence of Faile’s Work on Contemporary Art Faile continues to push the boundaries of what Street Pop Art & Graffiti Artwork can be, merging high-art techniques with the rebellious energy of street culture. Their work can be found in galleries, museums, and public installations worldwide, yet it never loses its underground ethos. By incorporating hand-pulled silkscreen techniques and stencil applications, they keep their work grounded in the raw, tactile experience of printmaking, avoiding the sterility of mass production. Runaway Paradise represents a perfect blend of Faile’s past and present, echoing their early street-art roots while incorporating the refined techniques they have developed over decades. This limited edition stands as both an artistic statement and a cultural artifact, proving that Street Pop Art & Graffiti Artwork continues to thrive in new and unexpected forms. Whether viewed as a commentary on the illusions of modern life or simply as a bold visual experience, this piece remains a testament to Faile’s ever-evolving impact on contemporary art.

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Protect The Blue Planet- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on 100% Cotton Coventry Rag Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Hand Deckled 30 x 41 inches Serigraph on Coventry Rag, 100% cotton custom archival paper Hand-deckled edges Limited Edition of 75 Signed + Numbered Printed by Obey Giant "Protect The Blue Planet" stands as a testament to Shepard Fairey's dedication to using his art as a vehicle for environmental advocacy, fusing the worlds of pop art, street art, and graffiti art. This limited edition, hand-pulled 2-color serigraph, reveals the intricate relationship between humanity and our environment. Imprinted on 100% cotton Coventry Rag paper, the choice of material underpins Fairey’s commitment to sustainable artistry. The dimensionality of the piece, 30 x 41 inches, lends itself to an immersive viewing experience, accentuated further by its hand-deckled edges, which bring a tactile, organic touch, reminiscent of the raw edges of street posters. In partnering with the PangeaSeed Foundation to release this work for Earth Month, Fairey encapsulates the pressing environmental concerns of the modern era. Central to the piece is the depiction of an endangered North Atlantic right whale that exudes a mandala with the earth cradled within. This mandala, rooted in various cultural traditions, signifies harmony, unity, and the interconnectivity of the planet's ecosystems. The floral ornaments within it blossom as symbols of flourishing harmony, but the contrasting inclusion of flames starkly reminds viewers of the ever-looming threat of global warming. The text - "Protect the Blue Planet" and "One Ocean-One People" - along with the chosen blue palette, draws attention to the inextricable bond between thriving oceans and a sustainable world. As a renowned figure in the street art community, Fairey's work has always pushed boundaries, and with "Protect The Blue Planet", he once again blurs the lines between artistic expression, activism, and social responsibility, reminding the world of its role in safeguarding the planet. "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

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New York City Archival Pigment Fine Art Limited Edition Print on 290gsm Fine Art Paper by Artist Stom500, Pop Art Artist. 2022 Signed & Numbered Hand Deckled Limited Edition of 40 Artwork Size 18x22.5 #40 of 40

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It's Your Birthday Black Paint Limited Edition Hand-Embellished HPM 1-Color Silkscreen & Acrylic Paint Print on Hand Deckled Fine Art Paper by Mr. Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Framed Signed & Numbered Black Paint HPM Hand-Embellished Limited Edition of 30 Artwork Size 50x38 Single-color Screen Print with Hand Finishing on Archival Fine Art. Exploring the Fusion of Street and Pop Art in Mr. Brainwash's Limited Edition Print In the dynamic world of Street Pop Art and Graffiti Artwork, few pieces capture the essence of this vibrant art form as compellingly as Mr. Brainwash's limited edition hand-embellished print titled "It's Your Birthday." This unique artwork is the brainchild of Thierry Guetta, known in the art world as Mr. Brainwash, a moniker that reflects his provocative approach to art. Guetta is a renowned figure in the street art scene, often blurring the boundaries between popular culture and street art to create pieces that resonate with a modern audience. The "It's Your Birthday" print is a striking example of Guetta's distinctive style, often incorporating street and pop art elements. Produced in 2018, this limited edition features a 1-color silkscreen and acrylic paint print on hand-deckled fine art paper. It is a prime example of how graffiti art transcends the confines of urban walls and becomes a celebrated form of contemporary fine art. This print is especially notable for its hand-finishing, a touch that adds a unique flair to each piece in the edition. The hand-embellished aspect means that no two prints are exactly alike, as each contains subtle variations applied personally by the artist. This human touch is a testament to the street art ethos, where the artist's direct interaction with their medium is paramount. Mr. Brainwash's Technique and Artistic Vision Mr. Brainwash's technique combines fearless graffiti-style mark-making with sophisticated silkscreen processes. By choosing a single-color screen print for "It's Your Birthday," Guetta showcases his ability to create depth and dimension with minimal elements. The boldness of the black ink against the texture of the fine art paper accentuates the contrast inherent in his work, reflecting the stark realities of street art set against the often-polished world of pop culture. The subject of the print, a vintage Polaroid camera, encapsulates Guetta's fascination with nostalgia and iconography. Cameras are recurring motifs in his oeuvre, symbolizing moments captured in time, much like street art, which captures the moment's zeitgeist. In this print, the camera is not just a piece of technology but a portal to the past, inviting viewers to ponder the fleeting nature of art and life. "HPM" in the artwork's title refers to "Hand-Painted Multiples," indicating that this print is part of a select group of works that have been individually touched by the artist's hand. This process elevates the print from a mere reproduction to a unique piece of art, merging pop art's reproducibility with street art's singular nature. The Impact and Significance of "It's Your Birthday" in Modern Art "It's Your Birthday" is more than just a piece of artwork; it's a statement. With an edition size of only 30, it underscores the exclusivity that often accompanies fine art while also paying homage to the more democratic and accessible nature of street art. This balance of accessibility and exclusivity has become a hallmark of Mr. Brainwash's approach, allowing him to maintain a foothold in the high art and famous culture arenas. Furthermore, this print's release in 2018 signifies a period where street art was increasingly being recognized in the higher echelons of the art world. Galleries and collectors, who once might have scoffed at the notion of street art as a legitimate form, were beginning to acknowledge its impact and significance. The size of the artwork, 50x38 inches, commands attention and space, just as street art demands the viewer's attention in the urban landscape. Its size allows the details and hand-finished touches to stand out, enabling the viewer to engage with the work intimately despite its bold presence. Legacy and Collectability of Mr. Brainwash's Work Collectors of Mr. Brainwash's work are drawn to pieces like "It's Your Birthday" for their visual appeal and investment potential. As a limited edition, signed and numbered by the artist, this print represents a coveted asset in the art market. The fact that it is framed adds a layer of value, preserving the integrity of the artwork and enhancing its display quality. The legacy of "It's Your Birthday" lies in its ability to encapsulate the essence of Street Pop Art and Graffiti Artwork. By merging street art's rebellious spirit with pop art's mass appeal, Guetta creates a familiar and challenging visual language. This piece is a powerful representation of contemporary art's evolution and the blurring lines between different art movements and cultural commentary.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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50th Anniversary BTS HPM Spray Paint Print by Beyond The Streets x TAKI 183 2-Color Screen Print on Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork. 2019 Signed & Numbered Spray Paint HPM Embellished Limited Edition of 183 Artwork Size 18x24 Hand Deckled 50th Anniversary BTS HPM Spray Paint Print by Beyond The Streets x TAKI 183 The 50th Anniversary BTS HPM Spray Paint Print by Beyond The Streets in collaboration with TAKI 183 celebrates one of the most influential figures in graffiti culture. Released in 2019, this 2-color screen print on Coventry Rag fine art paper stands as a tribute to the origins of modern graffiti, highlighting the legacy of one of the first writers to tag the streets of New York City. Each piece in this limited edition of 183 is hand-embellished with spray paint, signed, and numbered, making it a unique collector’s item for enthusiasts of street pop art and graffiti artwork. TAKI 183 is a foundational figure in the world of graffiti, credited with pioneering modern tagging culture in the late 1960s. As a teenager from Washington Heights, he became known for writing his name in various locations across New York City, particularly on subway cars and walls. His work gained widespread attention after an article in The New York Times brought mainstream recognition to the movement. This 50th-anniversary print honors the impact of his work, visually representing the raw, bold style that inspired generations of graffiti artists. The Art of Spray Paint and Screen Printing This limited edition print masterfully combines the aesthetic of traditional tagging with the refined techniques of screen printing. The large, spray-painted TAKI 183 lettering dominates the composition, with smaller variations of his tag scattered throughout, reinforcing the repetition and placement strategies of graffiti culture. The use of raw black spray paint against a stark white background mimics the look of actual street tags, giving the piece an authentic feel that captures the energy of urban art. Beyond The Streets, an organization known for curating exhibitions and collaborations that highlight street pop art and graffiti artwork, brings a polished, gallery-quality approach to this edition while maintaining the raw essence of graffiti. The inclusion of hand embellishments ensures that no two prints are exactly alike, further enhancing the authenticity of the work. The hand-deckled edges add a layer of refinement, elevating the piece beyond standard screen prints and into the realm of fine art. The Cultural Significance of TAKI 183 TAKI 183’s influence on graffiti culture cannot be overstated. His simple yet powerful signature laid the groundwork for future street artists, showing that a name could become an icon through sheer repetition and strategic placement. This print is not just a celebration of his work but also an acknowledgment of the entire graffiti movement that followed. Writers across the world took inspiration from TAKI 183’s bold approach, using walls, trains, and urban landscapes as canvases for self-expression. This piece serves as a direct link between the past and present of graffiti, emphasizing the importance of tagging in shaping contemporary street pop art and graffiti artwork. By producing this limited edition 50 years after TAKI 183 first made his mark, Beyond The Streets ensures that his contributions remain relevant in the evolving landscape of urban art. Collectors who acquire this print are not only investing in a piece of history but also in the ongoing legacy of street culture. A Must-Have for Collectors of Street Pop Art For those who appreciate street pop art and graffiti artwork, this 50th Anniversary BTS HPM Spray Paint Print is a significant addition to any collection. It captures the raw energy and rebellious spirit of early tagging culture while offering a polished, gallery-ready presentation. The hand-embellished nature of each piece makes it a true original, bridging the gap between spontaneous street tagging and the world of fine art. This print is more than a tribute—it is a continuation of a movement that began with TAKI 183 and has since influenced artists, designers, and cultural movements worldwide. As graffiti continues to shape visual culture, pieces like this ensure that its pioneers are remembered and celebrated in the context of contemporary art.

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Finger Lickin'- Gold Limited Edition Hand Deckled 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 5 Artwork Size 17.5x23.5 #4/5

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Hopper Taos- Hand Deckled Limited Edition Hand Deckled 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 Artist: Aelhra Technique: Serigraph Size: ca. 18" X 24" Markings: Signed & Numbered Hand Deckled Edition

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The Return Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Black Silkscreen Print: Cleon Peterson’s Bold Commentary on Power The Return Black Silkscreen Print by Cleon Peterson is a visually arresting piece that embodies the artist’s exploration of power, conflict, and human struggle. Created in 2025 and printed on hand-deckled 290gsm Coventry Rag fine art paper, this 20x20-inch artwork is a testament to Peterson’s mastery of stark, minimalist storytelling. The composition depicts a warrior atop a horse, brandishing a bloody sword, and rendered entirely in black ink on a white background. This limited-edition work, signed and numbered by the artist, was released during the California fires of January 2025, adding an urgent layer of resonance to its themes of destruction and survival. Cleon Peterson’s Signature Style and Themes Cleon Peterson is renowned for his graphic, monochromatic approach, using stark contrasts to create impactful visuals. The Return Black exemplifies his distinctive style, where bold, simplified forms carry complex narratives. The central figure—a muscular, faceless warrior—symbolizes themes of conquest, chaos, and resilience, evoking both awe and unease. Peterson’s work often examines the darker aspects of human nature, and this piece is no exception. The pairing of the imposing warrior with the elegance of the horse creates a dichotomy that reflects the tension between power and vulnerability, a recurring theme in his body of work. Design and Symbolism in The Return Black The design of The Return Black is a study in contrasts, with the deep black ink creating a commanding presence against the stark white background. The warrior’s raised sword, dripping with blood, serves as a focal point, emphasizing themes of violence and dominance. The horse, rendered in Peterson’s signature minimalist style, adds motion and grandeur to the composition, while its positioning conveys both strength and submission. The hand-deckled edges of the fine art paper lend an artisanal quality to the piece, grounding its contemporary aesthetic in traditional craftsmanship. This juxtaposition mirrors the artwork’s narrative tension, where triumph and turmoil coexist. Context and Collectibility Released during the California fires of January 2025, The Return Black gains additional poignancy as it reflects themes of destruction and endurance in the face of adversity. This limited-edition print, with its exclusive run signed and numbered by Peterson, holds significant value for collectors of Street Pop Art and Graffiti Artwork. The use of silkscreen printing ensures a rich, tactile quality that enhances the artwork’s visual impact. As both a reflection of modern societal struggles and a timeless commentary on the human condition, The Return Black stands as a powerful addition to Peterson’s oeuvre and a compelling piece for contemporary art enthusiasts.

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The Return Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Gold Silkscreen Print: Cleon Peterson’s Vision of Conflict and Power The Return Gold Silkscreen Print by Cleon Peterson is a powerful representation of human conflict and resilience, expressed through the language of Street Pop Art and Graffiti Artwork. This limited-edition piece, released in January 2025, is crafted on hand-deckled 290gsm Coventry Rag fine art paper, offering a tactile richness that complements its striking visual impact. Measuring 20x20 inches, the artwork features a solitary warrior astride a horse, brandishing a bloody sword. Rendered entirely in gold ink against the paper’s stark white background, the piece exudes an aura of regality and violence, encapsulating the duality of triumph and destruction. Cleon Peterson and His Iconic Style Cleon Peterson is celebrated for his graphic, minimalist approach to storytelling, often exploring themes of violence, power, and survival. His work is deeply rooted in the tension between chaos and order, with stark compositions that evoke raw emotion. The Return Gold exemplifies this style, presenting a scene that is at once elegant and unsettling. Peterson’s use of simplified forms and bold silhouettes allows viewers to focus on the narrative elements of the piece, while the use of gold adds a layer of symbolism tied to wealth, power, and legacy. Released during the California fires of 2025, this artwork gains additional relevance as it parallels themes of destruction and endurance. Symbolism and Visual Impact in The Return Gold The central figure in The Return Gold is a commanding warrior on horseback, raising a sword still dripping with blood. This imagery speaks to themes of conquest, survival, and the cyclical nature of violence. The horse, a timeless symbol of power and freedom, adds to the piece’s dramatic intensity. The monochromatic gold palette amplifies the artwork’s impact, creating a luminous quality that contrasts with the grim subject matter. The hand-deckled edges of the paper emphasize the rawness of the work, grounding its polished aesthetic in the tactile authenticity of street-inspired art. Collectibility and Context of The Return Gold Printed on premium Coventry Rag fine art paper, The Return Gold is a testament to Cleon Peterson’s dedication to craftsmanship and narrative depth. Each print is signed and numbered, ensuring its exclusivity within an unspecified but highly anticipated edition size. The timing of its release during the California fires adds an additional layer of significance, drawing connections between the artwork’s themes and real-world events. As both a fine art print and a piece of Street Pop Art, The Return Gold blurs the lines between traditional and contemporary, offering collectors a meaningful and visually captivating addition to their collections. It stands as a reflection of Peterson’s mastery in distilling complex human experiences into bold, minimalist forms.

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Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print The Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson represents a compelling example of Street Pop Art and Graffiti Artwork, merging political activism with striking visual design. Created in 2024, this piece is a limited edition, with only 80 signed and numbered prints, making it a coveted item for collectors. The print measures 18x24 inches and is produced on 290gsm Coventry Rag Fine Art Paper with hand-deckled edges, showcasing exceptional craftsmanship. The gold and black color scheme elevates its bold design, adding a sense of elegance and prominence to the artwork’s powerful message of hope and freedom. The Signature Style of Cleon Peterson Cleon Peterson, born in 1973 in the United States, is an artist known for his stark and impactful visual language. His art explores themes of conflict, resistance, and social power, often depicted through bold compositions and limited palettes. The Vote Keep Hope & Freedom Alive Black & Gold print features a central figure of a woman riding a horse, holding the American flag high, symbolizing resilience and determination. The use of gold in the design represents triumph and glory, while the black provides a grounding, dramatic contrast. This dynamic composition exemplifies Peterson’s ability to merge political commentary with aesthetically striking imagery. The Role of Street Pop Art and Graffiti Artwork in Political Activism Street Pop Art and Graffiti Artwork have historically served as vehicles for political expression, making them highly relevant in today’s cultural and social landscape. This print captures the spirit of democratic engagement, urging viewers to reflect on their roles as active participants in shaping the future. The woman on horseback, a recurring symbol of power and leadership, is rendered with clean lines and minimal details, ensuring the focus remains on the symbolism of action and movement. The gold accents bring an air of celebration, reinforcing the idea that voting is both a privilege and a responsibility. Craftsmanship and Limited Editions The hand-deckled 290gsm Coventry Rag Fine Art Paper adds a tangible sense of quality to the print, underscoring its status as a collector’s item. Limited to only 80 signed and numbered pieces, this artwork carries a sense of exclusivity while amplifying its political message. By blending the aesthetics of fine art with the accessibility of street and pop culture influences, Peterson bridges artistic worlds. His use of silkscreen techniques recalls the traditions of Pop Art while embracing the raw, urban energy associated with graffiti and street art, ensuring this piece resonates with contemporary audiences. This limited edition serves as both a visual statement and a call to action, embodying hope and freedom through the lens of modern art.

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