MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic MTA subway sign this is an authentic 14x51inches metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Vandul Walk- Retro Red Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Vandul.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Pinocchio & Jiminy Cricket Disney Companion Ultra Rare Authentic 2010 Limited Edition Painted Vinyl Art Toy Figure Sculpture Collectible Artwork by Artist Kaws- Brian Donnelly x OriginalFake. 2010 Limited Edition of 500 Chhum Companion Painted Vinyl Size 10.25 X 5 X 4.5 IN Printed On Foot. Appears New/Like New In Opened Box, Extremely Fine Example, Box in Like New Condition. Stamp Perfect. Pictures Of Actual Example. Authenticated With Seals and Unique Tracking Serial Number Included. Notice The Fine Details, Those Don't Exist In The Fakes. It also Has an Official Hologram Seal Affixed to the box, Which The Fakes Don't Ever Have. Interior Plastic Packaging Colored Consistent With Age. Original Verified Pinocchio & Jiminy Cricket Companion. The Fusion of Street Pop Art and Graffiti Artwork in the Pinocchio & Jiminy Cricket Disney Companion The Pinocchio & Jiminy Cricket Disney Companion is a striking example of how street pop art and graffiti artwork have merged with mainstream culture. Created in 2010, this limited edition art toy figure sculpture is a collaboration between KAWS, the pseudonym for American artist Brian Donnelly, and OriginalFake. KAWS is renowned for his influence in the street art scene, where he started as a graffiti artist before transitioning to his unique style of art that often reimagines popular characters from popular culture. This particular piece features the beloved Disney characters Pinocchio and Jiminy Cricket, reinterpreted through the distinctive lens of KAWS. The sculpture is made from painted vinyl, a modern and robust medium, reflecting the artist's street art roots. Measuring 10.25 x 5 x 4.5 inches, this sculpture is a substantial piece that captures the attention with its bold design and intricate detailing. Rarity and Collectibility of the Sculpture Only 500 of these sculptures were made as a limited edition release, making it a highly sought-after collectible. Each figure is marked with a unique tracking serial number, ensuring its authenticity and rarity. The fact that it appears new or like new, even in an opened box, speaks to the quality and durability of the piece. Additionally, the box is in like-new condition, complete with a perfect stamp and an official hologram seal, distinguishing it from counterfeit versions. The interior plastic packaging, colored consistent with age, adds to the authenticity and preservation of the sculpture. These features, including the unique serial number and hologram seal, are critical in collectibles, where authenticity is paramount. Artistic Significance and Detailing The attention to detail in this sculpture is noteworthy. It showcases KAWS's signature style, which is characterized by a clever blend of art and design. The figures of Pinocchio and Jiminy Cricket are rendered with both familiarity and a novel twist, embodying the essence of street pop art and graffiti artwork. This blend of classic Disney iconography with the edgy, provocative style of KAWS creates a unique piece that appeals to art collectors and pop culture fans. The fine details in the sculpture are what set it apart from imitations. These nuances not only reflect the artistic skill of KAWS but also add depth and context to the piece, making it a remarkable example of modern art. The color scheme, the textural details, and the overall presentation of the figures are meticulously crafted, highlighting the artist's commitment to quality and artistic expression. In summary, the Pinocchio & Jiminy Cricket Disney Companion by KAWS x OriginalFake is a remarkable piece that embodies the essence of street pop art and graffiti artwork. Its rarity, attention to detail, and unique fusion of mainstream culture with underground art make it a valuable and significant collectible. As an embodiment of modern artistic expression, it holds a special place in art and popular culture.

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Soar LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by MAD pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Snoopy Bad INC is an original mixed-media graffiti artist—modern pop art on real metal street signs Sonic Bad. 2015 Signed Original Spray Paint Mixed Media on Tin Metal Security Sign. Sonic BAD INC Snoopy Bad INC Artwork Size 14x10 Depicting Peanuts Red Barron Snoopy & Woodstock Bomber Stylistic Graffiti Holding Pistol Gun with Security Camera and Snowman. Sonic Bad's Unique Blend of Iconography: Snoopy Bad INC Sonic Bad's "Snoopy Bad INC" is a striking work that marries the notion of classic comic characters with the gritty edge of street art, showcasing the artist's skill in blending pop culture references with a streetwise aesthetic. The 2015 piece is a mixed media work on tin metal, utilizing spray paint to bring vibrant life to an otherwise mundane security sign. Measuring 14x10 inches, this signed original work presents a version of the beloved Peanuts characters, Snoopy and Woodstock, reimagined as rebellious icons in a stylistic graffiti interpretation. Interpreting Street Narratives through Pop Culture Lenses Sonic Bad, an artist renowned for pushing the boundaries of street pop art, infuses "Snoopy Bad INC" with layers of meaning. By depicting the Red Baron Snoopy and a bomber, Woodstock holding a pistol gun, juxtaposed with a security camera and a snowman, the artwork comments on the surveillance state and the loss of innocence in contemporary society. The playful imagery contrasts with the underlying message about security, surveillance, and the militarization of everyday life. The transformation of familiar, comforting figures into agents of anarchy or resistance is a common theme in modern pop art and graffiti, where the recontextualization of well-known images challenges viewers' perceptions and expectations. Sonic Bad's portrayal invites reflection on how innocence and playfulness can be corrupted by societal control and violence. Crafting Commentary on Canvas and Metal The choice of a metal street sign as the canvas for "Snoopy Bad INC" is particularly resonant, suggesting a subversion of authority and a claim to the public space typically dictated by such signs. Sonic Bad's adaptation of the sign, a symbol designed to regulate and warn, into a piece of art underscores a reclaiming of agency, turning a tool of control into a medium for free expression. The use of mixed media in "Snoopy Bad INC" highlights Sonic Bad's versatility as an artist. Spray paint, a staple in graffiti art, brings an urban feel to the work. At the same time, incorporating other media adds texture and depth, creating a piece that is visually arresting and thought-provoking. The artwork stands as a testament to the power of street art to transform everyday objects and icons into profound statements. Sonic Bad's Artistic Evolution and Impact "Snoopy Bad INC" exemplifies Sonic Bad's evolution as an artist and his impact on street pop art and graffiti. His ability to weave together elements of popular culture, street art stylings, and social commentary places him among the leading figures in the genre, capable of sparking conversation and challenging societal norms. The piece is a vibrant addition to the discourse of street art, reflecting the genre's capacity to adapt and evolve. Sonic Bad's work, through pieces like "Snoopy Bad INC," continues to influence and inspire, ensuring the relevance and vitality of street pop art in a changing cultural landscape. The legacy of such art lies in its capacity to engage, provoke, and endure, much like the artist behind the creation.

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Draw Four- Gold Foil Artwork Giclee Limited Edition Framed Print on Ivory Board Stock Paper by Pop Culture Graffiti Artist Ben Frost. Matted and framed under glass. Ben Frost (b. 1975) Draw Four (Gold Foil), 2021 Giclee in colors on Ivory Board Stock paper 23-1/2 x 16-1/2 inches (59.7 x 41.9 cm) (sheet) Ed. 7/10 Signed and numbered in ink along lower edge Published by the artist. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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The Final Solution- Atomic Bomb Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist SSUR- Ruslan Karablin. 2014 Signed Limited Edition Artwork

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What Drones? Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of HPM Stencil 5 Artwork Size 48x30 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship since their meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works that reference Pop Art, Graffiti, and the corporate world they rebel against. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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An Eye For An Eyrie- Red Blue Original Hand-Painted Multiple Spraypaint, Acrylic & Screenprint on CNC Cut Wood Panel ready to hang by Prefab77 Graffiti Street Artist Modern Pop Art. "We have always loved the portrait, our current style is one of mixing allegorical portraiture with our hard, fast edged style, often with secret messages, religious affiliations, and pop iconography woven into the art. We have explored the Totemic style in this release to carry these messages and to create a visually beautiful way to express an abstract idea or to convey and meaning not explicitly set out in the narrative. Like a really good 3-minute pop/rock track in can be a fable, a story or a Warning!" - Prefab77

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Awakening Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Alexis Price, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Edition of 12 14x17 #1/12 Small handling bump to side.

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The Kidd Tengu Red 5oz Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist IMCMPLX x Czee13. 2022 Limited to 100- This 5oz futuristic warrior turned Canbot Canz combatant wears the traditional Tengu mask and sits amongst a pantheon of Gods within the stylized IMCMPLX universe known as The God Complex series. Includes IMCMPLX Signed Tagged & Numbered Sticker #11 of 20

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McVandul Walk Vinyl Art Toy by Vandul Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2025 Limited Edition of 100 Artwork Size 4x7 New In Box Stamped/Printed/COA Vinyl Fine Art Toy Figure Sculpture. Vandul McVandul Walk Vinyl Art Toy Limited Edition Sculpture The McVandul Walk Vinyl Art Toy by Vandul represents a contemporary evolution of Street Pop Art & Graffiti Artwork into three-dimensional collectible form. Vandul, an American artist recognized for merging corporate parody with graffiti-inspired aesthetics, produced this 2025 limited edition vinyl sculpture in an edition of 100. Measuring approximately 4 x 7 inches, the figure is released new in box and includes stamped or printed authentication along with a certificate of authenticity. The sculpture translates Vandul’s graphic language into a compact, highly finished object that reflects the growing importance of designer vinyl figures within the broader Street Pop Art & Graffiti Artwork market. As with many modern art toys, the work functions simultaneously as collectible design object, cultural commentary, and sculptural fine artwork. Corporate Iconography Reinterpreted Through Street Pop Art & Graffiti Artwork The McVandul Walk figure presents a character with an oversized rounded head, simplified limbs, and bold red, yellow, and white striping that immediately references globally recognized fast food branding. Positioned mid-stride with arms folded and head angled downward, the character conveys attitude and defiance rather than cheerful corporate optimism. Behind the figure, the red box with a curved yellow smile graphic reinforces the deliberate appropriation of commercial symbolism, a strategy long utilized within Street Pop Art & Graffiti Artwork to critique consumer culture. Vandul’s reinterpretation does not replicate existing mascots but instead abstracts and distorts their visual language, creating a hybrid form that balances familiarity with satire. The smooth vinyl finish, exaggerated footwear, and graphic striping echo graffiti character design while remaining rooted in the polished production standards expected in contemporary collectible sculpture. Limited Edition Art Toys in Contemporary Street Pop Art & Graffiti Artwork Limited edition vinyl figures have become a significant extension of Street Pop Art & Graffiti Artwork, allowing artists to move beyond walls and prints into sculptural multiples that retain exclusivity through controlled production runs. With only 100 examples produced, the McVandul Walk edition underscores the scarcity model that drives much of the designer toy market. Each boxed release serves as both display object and archival packaging, reinforcing the artwork’s collectible status. Vandul’s practice demonstrates how graffiti-influenced artists continue to expand into new materials while maintaining the critical tone that defines the movement. By transforming corporate visual culture into stylized vinyl form, the McVandul Walk sculpture stands as a contemporary artifact of how Street Pop Art & Graffiti Artwork engages branding, mass production, and consumer identity through controlled, fine art presentation.

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On a Heartbeat Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 30x30 Street Stop Sign Immersed in various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”. This journal was a haven of his thoughts that he could refer back to whenever necessary.

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Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Skull Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Inhalation Hazard Skull and Cross Bones Jolly Roger Warning Label Uline S-5563 Sticker. Slap Up In Perfect Condition. Subversive Aesthetics in Street Pop Art Street Pop Art and Graffiti Artwork are distinguished by their raw, pulsating energy and penchant for transforming the ordinary into the extraordinary. The "Inhalation Hazard Skull Slap-Up Label Sticker" vividly embodies this transformative power. American artist Saber, born Ryan Weston Shook, has redefined the boundaries of art by bringing his original permanent marker drawings to the glossy skull stickers typically found in shipping and packaging. Each 4x4 piece is not just a slap-up graffiti art tag; it is a signed original that stands as a testament to the creativity and rebellious spirit of the street art movement. The series, marked by the jolly Roger skull and crossbones of the Uline S-5563 sticker, represents a provocative fusion of danger and artistry. Saber's Visual Commentary on Risk and Art Historically associated with piracy and poison, the skull and crossbones symbol takes on new life under Saber's hand. His work on these inhalation hazard labels is a bold commentary on the risks inherent in the act of creation itself, especially within the often illicit world of graffiti. Combined with the bold, chaotic lines of Saber's tag, this imagery creates a striking juxtaposition – a dialogue between the formal symbolism of danger and street art's personal, anarchic language. The pieces, created in the tumultuous year of 2020, resonate with the global atmosphere of anxiety and the need for an outlet, a voice amidst the chaos.  Street Pop Art as Cultural Narrative In the context of modern street artwork, Saber's "Inhalation Hazard Skull Slap-Up Label Sticker" is more than an artistic act; it is a cultural narrative. These stickers, once indicators of physical danger, now signal the presence of a different kind of hazard – the stifling of expression and the toxic environments that threaten creativity. Through his artwork, Saber challenges observers to reconsider the implications of the symbols that populate our world and recognize graffiti's power as a form of social and political discourse. Each sticker is a bold declaration of presence, a signature that marks the world with a message of resilience and resistance. In the face of adversity, Saber's art stands as a beacon of the enduring power of Street Pop Art and Graffiti Artwork, testifying to the indomitable urge to leave one's mark on the world.

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Chips Mushroom Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Chips Mushroom by Ben Frost as Street Pop Art & Graffiti Artwork Chips Mushroom is a vibrant 2025 blotter paper release by Australian artist Ben Frost, executed as a limited edition archival pigment print on hand-perforated blotter paper. The piece is a psychedelic explosion of color and character, transforming two chipmunk-style cartoon figures into glowing avatars of trippy mischief. The characters embrace a massive mushroom with hypnotic joy, their candy-colored eyes swirling in sync with the red, yellow, and blue pulsations radiating through the background. Released on April 19, 2025 and perforated by Zane Kesey, the artwork is part of Frost’s continuing exploration of pharmaceutical satire, cartoon nostalgia, and drug culture iconography—filtered through the visual language of Street Pop Art & Graffiti Artwork. The Visual Style and Commentary of Ben Frost Ben Frost, born in Australia, is known internationally for his provocative works that remix corporate branding, medication packaging, and pop culture icons with subversive intent. He draws heavily from graffiti aesthetics, advertisement design, and comic art, twisting their purpose to expose the absurdities of consumption and identity. In Chips Mushroom, he collides the aesthetics of children's cartoons with drug symbolism, using hyper-expressive chipmunks and a towering mushroom to provoke a layered visual response. The piece walks a line between euphoric fantasy and sensory overload, challenging how innocence and escapism are sold and interpreted in media and marketing. The exaggerated features and blissful daze of the characters hint at both chemical surrealism and the performative bliss of consumer culture. Blotter Paper as Medium and Message Printing Chips Mushroom on perforated blotter paper is not a gimmick—it is a conscious, culturally loaded choice. Blotter paper has long been associated with the psychedelic counterculture of the 1960s and beyond, often used as a delivery method for LSD. By using it as the canvas, Frost recontextualizes his cartoon-laced satire into a physical object that evokes altered perception, rebellion, and the boundary-pushing roots of graffiti art. The small grid squares also echo the building blocks of digital pixel art and the modular logic of pharmaceuticals, reinforcing the connections between microdosing, consumerism, and branding. It is both a print and a conceptual time bomb—an art object that challenges the viewer before it even speaks. Cartoon Characters as Agents of Disruption The use of chipmunk-like characters pulling ecstatically at a colossal mushroom isn't simply a tribute to animation nostalgia. In the framework of Street Pop Art & Graffiti Artwork, these creatures become symbols of rebellion, fantasy, and hallucination. Their exaggerated grins and kaleidoscopic eyes bring the influence of underground comics and urban tagging culture into collision with drug references and psychedelic art history. Much like other Frost works that utilize pop mascots in disturbing or ecstatic ways, Chips Mushroom relies on innocence warped by excess. The playful format becomes a tool to decode addiction, pleasure, and capitalist spectacle—all while holding fast to the vibrant, rule-breaking DNA of street art.

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Ali Canvas 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Ali Canvas, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 227/450 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Hardcore Energy Original Spray Paint Marker Painting by Optimo NYC One of a Kind Artwork on Fine Art Paper Street Art Pop Artist. 2022 Signed Magic Marker & Spray Paint Painting Original Artwork Size 7x9 Hardcore Energy by Optimo NYC – Original Spray Paint and Marker Artwork in Street Pop Art & Graffiti Artwork Hardcore Energy is a 2022 original 7 x 9 inch mixed media painting by Optimo NYC, created using spray paint and marker on fine art paper. This one-of-a-kind piece distills the essence of street presence and visual rhythm into a compact, raw, and stylized composition. The central figure is drawn with a minimalist elegance—defined by sharp, fluid marker lines that outline a faceless figure in a tall hat and coat. The phrase Hardcore Energy is written boldly across the chest, doubling as both a message and a visual anchor. The background pulses with a swirl of red, white, blue, and black spray paint, applied in layered motions that evoke aerosol mist, light reflection, and the raw dust of a late-night wall hit. The contrast between the soft haze of paint and the rigid black ink form captures the duality at the heart of graffiti—chaotic energy and stylized control. Visual Identity and Iconic Character Work Optimo NYC’s signature character, often seen in his street work and fine art pieces, returns here in refined linework. The top hat, angled shoulders, and long silhouette are unmistakable and iconic, calling back to mid-1980s New York street iconography while asserting a timeless visual presence. This figure appears detached yet commanding, anonymous yet memorable—a marker of both style and persona. The handwritten Hardcore Energy across the figure's chest is not a title but a pulse, vibrating with the spirit of the street and the momentum of New York graffiti lineage. The small triangle below the lettering further suggests a coded mark, emblematic of the way graffiti often carries layered meanings hidden in plain sight. Spray Technique and Urban Abstraction The spray paint background carries a rough elegance, with cloudy fades and directional bursts that ground the figure in atmosphere. Red and purple undertones swirl behind soft powdery whites, while black and silver speckles anchor the composition at its base. This layering is more than decorative—it replicates the texture of the city, the grime of asphalt, and the paint overspray found on buffed walls and metal surfaces. Optimo NYC blends these textures into a tight format, allowing the viewer to engage with an entire world of movement and mood in a 7 x 9 inch space. The composition never stands still; it hums with residual motion and the memory of action. New York Attitude in Street Pop Art & Graffiti Artwork Hardcore Energy is not a slogan, it is an ethos, and in this artwork, it defines the tone, composition, and visual voice of Optimo NYC. As an original signed piece by an artist with deep roots in graffiti culture, this work exists at the intersection of raw gesture and stylized iconography. The tight paper format amplifies its intensity rather than limiting it, turning every inch into a field of tension between abstraction and symbolism. For collectors and followers of Street Pop Art & Graffiti Artwork, this piece offers not only an image but a flash of the culture’s speed, stance, and coded energy. It is an authentic visual object powered by the street’s unfiltered rhythm and the artist’s sharpened instinct.

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Quiccs xSneakerHereos- Banned 1s Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 Quiccs x SneakerHereos - Original Painting Used As Comic Book Cover by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Info-Rama Baseball Infographic- Red 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by DKNG Rare Street Art Famous Pop Artwork Artist. 18" x 24" screenprint. First edition of 185. Signed and numbered.

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Rotations #2 Limited Edition 5-Color Silkscreen on 140lbs Archival Fine Art Paper by Tony Clough Graffiti Street Artist Modern Pop Art. "These two print editions really only exist as original prints but were inspired by my recent obsession with squares and other simple geometric shapes. I have several original paintings that are available that slightly resemble this style but they are much more stylistic in terms of texture and color.Most of my work is purely aesthetic and non-representational, I try to make art out of texture and color until I feel that it would be something I would like to hang on my own wall in the hope that others would share my taste." - Tony Clough

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Metamorphosis Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Tavar Zawacki- Above pop culture LSD artwork. At the age of 19, Tavar moved to Paris, France, where he started painting his trademark arrow icon pointing 'above'. During the past 19 years, Tavar Zawacki has painted artworks in the streets of over 100 cities in 60 different countries around the world.

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Flux Capacitor Ad- 1.21 Gigawatts Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Timba Smits.

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Pill Head Archival Print by Luke Chueh Limited Edition on 290gsm Cotton Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 50 Artwork Size 24x36 Archival Pigment Fine Art  Luke Chueh Pill Head Archival Pigment Print Pill Head is a 2025 signed and numbered limited edition archival pigment print by contemporary pop surrealist Luke Chueh. Produced on 290gsm Moab Entrada cotton fine art paper, this 24 x 36 inch print is released in a limited edition of 50. Known for his emotionally charged yet deceptively minimal compositions, Chueh delivers another striking visual metaphor rooted in vulnerability and dark humor. Minimalism with Emotional Impact The composition centers on a large red and white capsule split open midair, spilling out a cascade of small, white character heads. Set against a soft, muted green background, the stark simplicity of the scene heightens its conceptual weight. The tiny expressions—subtle, melancholic, and childlike—contrast with the clinical perfection of the pill form, suggesting themes of dependency, identity, and emotional fragmentation. Chueh’s clean lines and restrained palette amplify the quiet intensity of the image. Limited Edition Contemporary Pop Surrealism Printed as a high-quality archival pigment edition, Pill Head captures the smooth gradients and precise detailing characteristic of Luke Chueh’s work. With only 50 signed and numbered examples available, this 2025 release stands as a collectible addition to his body of modern pop and street-influenced fine art. Conceptually sharp and visually minimalist, Pill Head embodies Chueh’s ability to blend innocence, discomfort, and psychological depth into a single, powerful image.

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Burger King Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Made in USA Flag Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed US Flag Made in USA America Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Sticker. Unfurling the American Narrative Through Graffiti: The Made in USA Flag Sticker Art The potent symbol of the American flag has been a recurring motif in various forms of art, not least within the vibrant world of Street Pop Art and Graffiti Artwork. Within this context, the 'Made in USA' flag slap-up label sticker stands out as a canvas for expression, especially in the hands of graffiti artists. Layered with original tag art, these stickers serve as miniature yet powerful vehicles for cultural and political commentary, recontextualizing a national symbol within the urban landscape. Saber's Interpretation of the American Iconography Renowned graffiti artist Saber Ryan Weston Shook has significantly contributed to this expression. His original permanent marker art drawings on glossy US flag stickers are more than just aesthetic creations; they are a form of modern street artwork that captures the essence of American identity and the spirit of its people. His work, created in 2020 and signed, embodies a raw and compelling narrative, each tag measuring 4x4 inches – a small but striking testament to the artist's skill and vision. Saber's use of the American flag as a backdrop is particularly resonant, given the flag's strong associations with patriotism, freedom, and national identity. By superimposing his tags over this symbol, Saber disrupts the viewer's usual perception, challenging them to reconsider the meaning of 'Made in USA' in the context of street art. His bold and unapologetic strokes introduce a dialogue about ownership, creativity, and the very definition of what it means to be American-made. The Evolution of Tagging and Its Cultural Relevance Tagging has evolved from straightforward signatures to complex works of art that communicate the artist's identity and status within the graffiti community. It is a practice steeped in the history of street art, one that demands attention and commands space. Regarding the 'Made in USA' flag slap-up label stickers by Saber, the tags are not just marks of territory but statements of existence. The choice of gold and silver markers adds a layer of irony, contrasting precious metals' perceived value with graffiti art's often misunderstood value. The cultural relevance of such art is immense. It taps into ongoing conversations about national pride and consumerism, questioning the authenticity of the 'Made in USA' label in an era of globalization. Moreover, it embodies the ethos of Street Pop Art, a genre that borrows from popular culture to create art that is both accessible and deeply meaningful. In Saber's hands, the flag sticker transforms into a manifesto, a declaration that art made on the streets by the hands of the many is as quintessentially American as the flag itself. The 'Made in USA' flag slap-up label stickers adorned with Saber's tags represent a microcosm of the larger narrative that Street Pop Art and Graffiti Artwork continually narrate. Through such pieces, artists like Saber assert their place within the American saga, crafting a version of the flag that is as diverse, complex, and vibrant as the nation it represents. These stickers are not just tags; they are emblems of a culture that celebrates the freedom of expression and the indelible marks of individuality.

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RR Crossing- True Legend Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. Paint on Street Sign Size: 30 x 30 Inches Release: March 24, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Mcfly- Lava Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Joe Ledbetter. 2021 Lava Colorway Variant Officially Licensed Back To The Future figure! 5” Tall vinyl figure Limited Edition of 200 Produced by 3D Retro Sculpted by Dave Bondi The McFly-Lava Limited Edition Vinyl Art Toy is a fusion of classic film iconography and modern design, brought to life by the creative mind of Joe Ledbetter, a contemporary pop culture artist. This unique art collectible is a "Lava Colorway Variant" of the original McFly design, inspired by the "Back to the Future" franchise. Standing 5 inches tall, this vinyl figure captures the essence of Marty McFly with a transformative twist, reimagined as a stylized fly with a vibrant color palette reminiscent of flowing lava. This limited edition collectible is steeped in the aesthetics of pop art, street art, and graffiti, showcasing a blend of bold colors and urban style that resonates with both art enthusiasts and film buffs. Limited to just 200 pieces, this figure is a sought-after item for its scarcity and uniqueness, making it a standout piece in any collection. Each unit is produced by 3D Retro, a company known for its quality art toys, ensuring that collectors receive a piece that is not only visually striking but also crafted to high standards. Sculpted by Dave Bondi, the McFly- Lava Vinyl Art Toy exhibits meticulous attention to detail. From the expressive eyes behind the character's shades to the playful positioning of its multiple arms, one of which clutches the iconic "Sports Almanac" from the movie, the piece exudes a sense of motion and personality. The pink hoverboard accessory adds another layer of authenticity and charm, appealing to those who appreciate the subtle references to its film origins. Joe Ledbetter's work often includes a whimsical twist on familiar subjects, and this McFly figure is no exception. It is a piece that captures the playful spirit of "Back to the Future" while also making a statement as a piece of modern art. The figure's 'Lava' theme adds a fiery backdrop to the nostalgic reference, making it a unique piece that both commemorates and reinvents the legacy of a beloved cinematic character.

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Companion Flayed- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM Unveiling the Companion Flayed Brown by KAWS The Companion Flayed Brown Limited Edition Vinyl Art Toy Collectible is a distinctive artifact in the oeuvre of KAWS, an artist whose influence permeates the worlds of modern pop art, street pop art, and graffiti artwork. Released in a highly anticipated series in 2016, this piece showcases the flayed version of KAWS' Companion character. This icon has been reinterpreted across many mediums over the years. Encased in its original, unopened packaging, the figure is presented in a limited open edition, measuring 10.5 x 4.5 x 2.5 inches. The Companion series is, arguably, the most recognizable aspect of KAWS' work, embodying the cross-pollination of street culture and fine art. The flayed versions, such as this brown edition, offer a visceral look at the internal complexity of the character, juxtaposing vulnerability with the toy's stoic posture. Standing at 11 inches tall, the figures were released in conjunction with KAWS' "Where The End Starts" exhibition in Fort Worth, Texas, through various esteemed outlets, including KAWSONE, MoMA, and the Modern Art Museum of Fort Worth. The Companion Flayed Brown in the Context of Street Pop Art The Companion Flayed Brown emerges as a sought-after collectible and a significant commentary within street pop art and graffiti artwork. It continues KAWS' exploration of his characters' emotional and narrative depths, a theme consistent throughout his body of work. The figure's brown hue resonates with the earthiness and authenticity often associated with street art, grounding the otherwise ethereal character in the reality of the physical world. Like its counterparts, this edition offers a tangible connection between the artist's beginnings in graffiti and his ascension into the global art market. The release of such a piece through prominent cultural institutions underscores the recognition and acceptance of street-inspired art within formal art circles. The Companion Flayed Brown thus serves as both a milestone for KAWS and a symbol of the evolving perceptions of street pop art in contemporary culture. KAWS and the Evolution of Art Toys KAWS' Companion Flayed Brown symbolizes the evolution of the art toy movement, blurring the lines between plaything and high art. The careful crafting of this collectible, from its conceptual underpinnings to its meticulous production, highlights the artist's commitment to challenging the boundaries of traditional art forms. The flayed aesthetic invites viewers to confront identity's constructed nature and the layers comprising our public personas. The 2016 series of Companions, including the Brown Flayed edition, marks a pivotal moment in the history of art toys, propelling them into the realm of legitimate artistic collectibles. KAWS' approach to the Companion series reflects a nuanced understanding of the art toy as a medium capable of conveying complex themes akin to those found in street pop art and graffiti artwork. Through works like the Companion Flayed Brown, KAWS cements his status as an innovator who continuously redefines the interplay between commercial and fine art.

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Pleasure Paradise 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by DXTR counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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The Strain- Version 1 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Phantom City Creative Rare Street Art Famous Pop Artwork Artist. The Strain FX TV Show Fine Art From Mondo.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Consistency- 5 Original Painting Spray Paint, Acrylic, Mixed Media on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. In recent years Cope2 has been commissioned by Time Magazine, Converse, Adidas among others. His work has even crossed into the virtual realm with appearances in video games such as Mark Eckos: Getting up and Rockstar Games: Grand Theft Auto IV. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Double-Sided Exit Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Orange- Retratos Zupi Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

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Big Boy Two Legends One Print Limited Edition Hand Pulled Serigraph Print on Heavy Art Paper by Risk x Seen Graffiti Street Artist Modern Pop Art. Graffiti Legends and best friends collab again for this 2019 print.18 x 24 inches- Edition of 50- Signed by both Risk and Seen.

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Optimus Prime Transformers- Red 200% BE@RBRICK Limited Edition Medicom x Bape- A Bathing Ape Vinyl Artwork Toy Collectable Art Figure. New In Box- Medicom Toy teamed up with BAPE and Transformers to create a fully transformable Optimus Prime 200% Red Bearbrick. The Bearbrick x Transformers Optimus Prime x BAPE 200% figure features a Bearbrick donning splashes of Red. Using a lever on the back, this Bearbrick is fully transformable, switching from an ursine figure that resembles Optimus Prime to a more recognizable Optimus Prime figurine that appears ready for battle against the Decepticons. The Bearbrick x Transformers Optimus Prime x BAPE 200% figure in green was released in 2021

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Never Safe Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Olga Esther, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 75 Fine art print on Moab Entrada 290gsm paper 20 x 20 inches / 50 x 50 cm Hand deckled edges Each print is signed and numbered by the artist Printed by Static Medium (Los Angeles)

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God Save Margaret Thatcher Giclee Print Record CD Box Set by Billy Childish x Jamie Reid Artwork Limited Edition Print With Safety-pin On Distressed Fine Art Paper Graffiti Pop Street Artist. 2013 Signed & Numbered Limited Edition of 200 Artwork Size 27.6x20.5 2013 Thatcher's Children Boxed Record CD & Letter Box Set Plus L-13 Brown Bag The collaborative artwork "God Save Margaret Thatcher" by Billy Childish and Jamie Reid is a sharp and provocative commentary rendered through the lens of street pop art and graffiti artwork. The limited edition giclee print, part of a collection that includes a boxed record CD and letter box set, is a fusion of political narrative and artistic expression that captures the cultural zeitgeist of its time. Political Satire and Artistic Expression The giclee print is a bold statement within the pop art movement, a genre known for blurring the lines between high art and popular culture. Billy Childish and Jamie Reid, known for their aggressive aesthetics, use the iconography associated with Margaret Thatcher, the former Prime Minister of the UK, to create a layered discourse on power, policy, and patriotism. The artwork, sized 27.6x20.5 inches, employs the distressed look typical of street art and the precision of fine art printing techniques, with the addition of a safety pin that punctuates the piece with an emblem of punk culture. The image of Thatcher, presented with a stylized rendition of the Union Jack and the phrase "God Save," evokes the nationalistic fervor and divisive politics of her era. The choice of giclee printing ensures that each piece in the limited edition of 200 retains the vibrancy and detail of the original work, making it not just a political statement but also a collector's item. Reid and Childish's Distinctive Styles Jamie Reid, famously associated with the punk rock band the Sex Pistols, brings his characteristic ransom-note typography to the collaboration, complementing Childish's raw and expressive style. The layered text over Thatcher's image creates a visual cacophony that mirrors the social and political turbulence associated with her tenure as Prime Minister. The aesthetics of the print are reminiscent of Reid's work on album covers, while Childish's influence is evident in the vibrant and unrefined quality of the imagery. This limited edition print, signed and numbered by the artists, is a testament to their shared ethos of challenging authority and convention through art. The use of distressed fine art paper adds a layer of authenticity, emulating the ephemeral nature of street art and graffiti while simultaneously offering the permanence of fine art. Boxed Record CD and Letter Box Set Accompanying the giclee print is the "Thatcher's Children" boxed record CD and letter box set, an extension of the narrative explored in the print. This set, a combination of visual art and music, encapsulates the multifaceted approach to storytelling that both Childish and Reid employ. Including music and the written word with the optical components enriches the dialogue initiated by the print, offering a more immersive experience of the artwork's thematic content. Cultural Packaging: The L-13 Brown Bag The entire collection is presented in an L-13 brown bag, a packaging choice that is both practical and symbolic. The unassuming brown bag, often associated with the bland transportation of goods, is a vessel for transporting powerful artistic and political statements. The L-13 stamp on the bag indicates the involvement of the L-13 Light Industrial Workshop, known for supporting avant-garde and counter-culture artists, further aligning the collection with the spirit of rebellion and dissent. Significance in Modern Art The "God Save Margaret Thatcher" giclee print and accompanying items hold a significant place in the narrative of modern art. They represent a confluence of street art's accessibility, pop art's use of popular imagery, and the personal touch of graffiti art. The collection is not only a reflection of the political climate of the 1980s but also a timeless exploration of the power dynamics and societal structures that continue to shape contemporary discourse. Billy Childish and Jamie Reid's collaborative effort in creating the "God Save Margaret Thatcher" collection is a masterful blend of street pop art and graffiti artwork that resonates with cultural and political relevance. The print's limited edition nature, the giclee medium's quality, and the boxed set's comprehensive nature all contribute to the collection's appeal as a significant piece of art history and a poignant commentary on the social and political landscape.

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MLE Pac-Man 40th Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Medicom Toy. 2021 ● SIZE:W205mm×H820mm ● Weight:1200g ● Material:WOOD ● PAC-MAN is finally released from MLE! MLE Pac-Man 40th Skateboard Art Deck by Medicom Toy

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In Bloom I Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by ARTIST graffiti street Meggs modern pop art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed Australian artist David “Meggs” Hooke for his solo exhibition Spoiled Rotten. The exhibition of over 40 new paintings and multiples explores the wondrous decay of social morality stemming from modern society’s obsession with pop culture and overindulgent materialism, and continues Meggs’ perpetual fascination with dualism and finding beauty in tragedy.“Detroit is a city of duality more so than many other cities I have been to. I sought to incorporate this by using objects and surfaces that imply decay, in what I consider to be a beautiful way. Old wooden materials and signs with layers of paint tell a story of their own. Although the colors and textures are aesthetically beautiful, I think it’s about giving these materials a new life, a second purpose.” - Meggs

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Count Calorie- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English- POPaganda. Comes with deck tape.

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embellished Artwork Size 24x36 Wood Cradled Ready to Hang. I Will Love You Until The End by Denial: Innocence and Apocalypse in Street Pop Art & Graffiti Artwork I Will Love You Until The End is a 2015 limited edition hand-embellished mixed media artwork by Canadian pop and graffiti artist Denial. Each piece in the edition of five is uniquely created using spray paint, stencil, acrylic, and layered mixed media on a cradled wood panel measuring 24 x 36 inches. Signed and ready to hang, this large-scale painting merges emotional sincerity with a biting critique of global instability and modern chaos. It is a visual contradiction where romantic imagery collides with the language of war, solidifying Denial’s signature approach to Street Pop Art & Graffiti Artwork as both emotionally provocative and conceptually subversive. Contrasting Visual Elements and Emotional Duality The focal point of the work is the silhouette of a young boy and girl standing face to face, poised in a moment of tender affection. The boy hides a bouquet of flowers behind his back, a symbol of innocent love and youthful vulnerability. Behind them, however, explodes a massive mushroom cloud rendered in stark contrast with vibrant shades of red, yellow, and orange. This apocalyptic backdrop shatters the serenity of the foreground, suggesting that even the purest moments of love are not immune to the violent consequences of human decision-making. The boy’s gesture of giving and the girl’s attentive stance become metaphors for fragile hope amid destruction, underscoring how love persists in the shadow of looming catastrophe. Materials, Texture, and Hand-Painted Process Each work is created on wood panel, lending the artwork a raw, physical weight consistent with the grittiness of its street-art origins. The hand-embellished nature of the edition ensures that every panel is uniquely layered with stencil elements, expressive spray paint, and intentional imperfections. The use of negative space in the silhouettes contrasts with the explosively detailed background, drawing the viewer’s eye directly into the visual dialogue between affection and annihilation. The tactile nature of the panel surface and the layering of medium give depth and intensity to the emotional tension within the piece. Denial’s Vision and Cultural Commentary Denial, born Daniel Bombardier, is known for using irony, contradiction, and layered symbolism to critique media, consumerism, and political complacency. In I Will Love You Until The End, his use of youthful silhouettes is not nostalgic but intentionally ironic. The innocence of childhood becomes a symbol of hope, threatened by the ever-present specter of conflict. Denial’s art often exposes the absurdity of modern ideologies, and here he asks whether love can endure when the world is on fire. This piece reflects the duality often found in Street Pop Art & Graffiti Artwork—beauty versus chaos, sincerity versus spectacle, and human emotion standing resilient against systems of destruction. Through visual metaphor and confrontational aesthetics, Denial invites viewers to consider not only the fragility of affection but also its power in the face of oblivion.

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Rocky The Complete Films Sylvester Stallone Box Set Art Book by Taschen Books Rare Limited Edition Modern Pop Culture Boxing Sports Artworks Reference. 2021 Signed by Sylvester Stallone Autograph Limited Edition of 1976 Book 380 Number of Pages Rocky Balboa Movie. A hardcover edition housed in a clamshell box (11.4 x 17.3 inches, weighing 24.5 pounds) comprising 380 pages, each individually numbered and signed by Sylvester Stallone. Included are a print of Stallone’s 1975 painting Finding Rocky and a 36-page facsimile of his Rocky notebook (8 x 11 inches). This collection features images sourced from the MGM archives and the Academy Library, accompanied by a foreword written by Sylvester Stallone and exclusive interviews with the actor himself. 10.03144.00.01 Rocky: The Complete Films Sylvester Stallone Box Set The Rocky: The Complete Films box set, published by Taschen Books in 2021, is a monumental tribute to one of the most iconic franchises in modern pop culture. This collector's edition celebrates the legacy of Rocky Balboa, blending sports, art, and cinema in a format designed to captivate enthusiasts of film, boxing, and artistic expression alike. Limited Edition Excellence This limited edition of 1976 copies commemorates the year Rocky first hit the silver screen and revolutionized sports films. Each box set is individually numbered and signed by Sylvester Stallone, providing an intimate connection to the actor who brought Rocky Balboa to life. The hardcover edition is housed in an oversized clamshell box measuring 11.4 x 17.3 inches and weighing an impressive 24.5 pounds. This makes it not only a visual spectacle but also a significant collectible. Art Meets Film A standout feature of this box set is the inclusion of Finding Rocky, a print of Stallone’s 1975 painting that visually encapsulates the essence of the underdog story that became Rocky. Stallone’s foray into visual art underscores his multifaceted creative vision, seamlessly merging his passion for storytelling and artistic expression. The painting complements the cinematic journey, providing a rare glimpse into the actor’s personal perspective on the character’s origins. A Rare Glimpse Into Rocky’s Creation Adding to the exclusivity, the box set includes a 36-page facsimile of Stallone’s original Rocky notebook. This artifact provides handwritten insights into the film’s development, showcasing early script drafts, ideas, and notes. Measuring 8 x 11 inches, the notebook is a treasure trove for fans who want to explore the creative process behind the making of the iconic film. An Unparalleled Archive The 380-page book itself is a visual masterpiece, featuring rare and never-before-seen images from the MGM archives and the Academy Library. Accompanied by Stallone’s foreword and exclusive interviews, the content delves deep into the making of all Rocky films. It captures the evolution of the character and the franchise, celebrating its cultural impact through high-quality imagery and storytelling. This Taschen release is not just a book but a comprehensive art object that honors a cinematic legacy. Whether you are a fan of boxing, pop culture, or artistic storytelling, Rocky: The Complete Films offers a unique blend of nostalgia and artistic depth, making it a must-have for collectors and enthusiasts alike.

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Work Well Together- Red Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Red Fox 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. 2014 Limited Edition Silkscreen Artwork Size 8x10 Red & Yellow Noble Fox and Sword. Red Fox by Dan Christofferson: A Bold Symbol in Street Pop Art & Graffiti Artwork Red Fox is a powerful and iconic 3-color silkscreen print created in 2014 by artist Dan Christofferson, who works under the moniker Beeteeth. Known for his vivid use of symbolic imagery and historical aesthetics, Christofferson has carved a unique place in the evolution of Street Pop Art & Graffiti Artwork. This limited edition artwork, sized at 8 x 10 inches, uses a minimal color palette of red, yellow, and maroon to create a visual that is both striking and ceremonial. Its imagery features a stoic red fox with a sword impaled through its head, the blade continuing below the jaw and forming the vertical axis of the composition. This piece is one of a small series hand-pulled on fine art paper and revered for its precision and layered meaning. Visual Language of Power and Sacrifice The Red Fox image uses clean vector forms and bold flat color, establishing a visual clarity that aligns with the stylistic principles of pop and graffiti aesthetics. The fox, illustrated with symmetrical precision, is a creature of cunning and intelligence, often appearing in folklore as a symbol of adaptation and cleverness. In this work, its mythic presence is magnified by the sword—a universal symbol of conflict, power, and justice—piercing it vertically in a sacred, totemic alignment. The blood, abstracted into stylized droplets, adds a ceremonial elegance to an otherwise violent act. This reduction into symbolic form transforms the image into something more akin to a coat of arms or sigil than a literal scene. Silkscreen Craftsmanship and Color Strategy Dan Christofferson’s expertise in hand-pulled silkscreen technique allows this print to achieve extraordinary sharpness and tonal integrity. The artist’s use of only three inks—red, yellow, and a darker maroon—demonstrates control and sophistication in managing contrast, hierarchy, and balance. The thick outlines and even color application create a poster-like quality, making the artwork legible at a glance while still rewarding deeper visual study. The sword’s grip, designed with baroque curvature, and the fox’s fierce, unblinking gaze signal a blend of medieval and modern sensibilities that reinforce Christofferson’s recurring themes of nobility, mortality, and ritual. Beeteeth’s Role in Contemporary American Symbolism Christofferson, based in Salt Lake City, draws on a wide array of references from esoteric Americana, Masonic iconography, and regional folklore. As Beeteeth, he constructs visual narratives that combine stark modernism with the coded language of secret orders and ancient storytelling. Red Fox is a pure expression of that vision, where mythic symbolism is rendered with absolute control over medium and message. The print is not merely decorative; it is evocative of timeless struggles and coded allegiance, executed in a form that fits seamlessly into the vocabulary of Street Pop Art & Graffiti Artwork. A Collectible Artifact of Modern Ritual Art This limited edition silkscreen is both a collectible object and a piece of contemporary mythology. It stands at the intersection of personal symbolism and universal archetype, with its simplicity reinforcing its power. The 8 x 10 format allows it to function as an intimate icon, a badge of loyalty to those who recognize its visual language. As a work by Dan Christofferson, Red Fox represents more than an animal portrait—it becomes a visual mantra for identity, resistance, and reflection. The sword, the fox, and the blood are not just elements; they are statements, rendered with reverence in the language of Street Pop Art & Graffiti Artwork.

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Coco Chanel Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof Signed & Marked AP Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in Riskoleum: Fashion Meets Graffiti in a Limited Edition Tribute The Coco Chanel Riskoleum limited edition print by graffiti pioneer Kelly Graval, known as Risk, captures the energy of fashion and street culture in one striking composition. Created as a special commission for LA Fashion Week 2017, the piece merges the high-fashion elegance of Chanel with the gritty authenticity of spray can iconography. Measuring 18 by 14 inches and printed on Coventry Rag archival paper, this artist proof giclée is hand-signed and marked AP, reflecting the collectible nature of both the subject and the medium. In classic Risk style, it transforms a utilitarian object—the spray can—into a canvas for fashion commentary. Risk’s Signature Fusion of Color and Culture Risk emerged from the graffiti scene in Los Angeles during the 1980s and became a central figure in bringing graffiti from the streets into galleries. His work often plays with the aesthetics of branding, color theory, and popular symbolism. The Riskoleum series, a parody of commercial paint brands, is one of his most recognizable contributions to the crossover of Street Pop Art & Graffiti Artwork into the mainstream art world. With the Coco Chanel edition, Risk injects luxury into this urban framework, blending the iconic elegance of Chanel with the rawness of aerosol culture. The spray can becomes a metaphor for self-expression, empowerment, and redefinition of style. The Dialogue Between Fashion and Graffiti The artwork does more than just feature the Chanel name. It represents how graffiti artists have reimagined traditional fashion tropes through the lens of street culture. The stencil-style layering, color fields, and spray techniques used in the Riskoleum format contrast sharply with the legacy of haute couture. Yet, it is precisely this tension that gives the work its power. The overlay of Coco Chanel’s influence on a street tool of expression invites reflection on how style evolves from both sidewalk and runway. Risk shows that graffiti and high fashion are not opposites, but collaborators in a new visual era. A Celebrated Edition for Collectors and Culture Enthusiasts As an artist proof from a limited run, this Coco Chanel Riskoleum print stands as both a critique and celebration. Commissioned for a prominent fashion event, it connects the world of design with the rebellious edge of graffiti. Printed on Coventry Rag paper using archival inks, the giclée process gives depth and longevity to the piece, while preserving the vibrant layers that Risk is known for. The work is not just a visual pun—it is a statement about individuality, beauty, and the power of art to cross cultural boundaries. Risk continues to shape the conversation around Street Pop Art & Graffiti Artwork, proving once again that style can be both sprayed and sewn.

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Greaper Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Sket-One. Greaper is the reaper of the souls of spent Spray Cans, and it is here to collect.” He went on to add, “As a graffiti writer just wanted to mix spray paint with something fun and dark.” With an edition of only 777 available worldwide, the “Greaper” vinyl figure is a must-have collectible.

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