Lithograph Fine Art Print

Carga Fragile Mural 18-Color Lithograph Print by Shepard Fairey- OBEY Hand-Pulled Print on 270gsm BFK Rives Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 40x28 Fine Art Large Format Lithograph "Carga Frágil" Mural in São Paulo, Brazil. This 18-color lithograph, measuring 40 by 28 inches, is printed on BFK Rives 270g paper featuring deckled edges. Created at the historic Idem Studio in Paris using a Marinoni press, it is based on an original illustration inspired by a photograph captured by Jon Furlong. The piece is signed by the artist, Shepard Fairey, and is a numbered edition limited to 300 prints. A portion of the proceeds will be donated to Greenpeace USA. Each print is accompanied by a digital certificate of authenticity provided by Versiart and features the Idem publishing chop in the lower left corner. The Idem Studio was established within a 15,000-square-foot, two-story workshop at 49 rue de Montparnasse. Originally built in 1881 by printer Eugene Dufrenoy, the workshop was designed to house his lithographic presses. In its early days, the facility relied on 19th-century flat machines powered by belt-driven propeller shafts and a steam boiler. The space was later occupied by the Michard Printing Company, which specialized in crafting vibrant, special edition maps. In 1976, Fernand Mourlot acquired the workshop and transformed it into a fine art printshop. Throughout its history, the workshop has seen a revival of lithography, with craftsmen collaborating closely with esteemed artists such as Pablo Picasso, Henri Matisse, Alberto Giacometti, Joan Miró, and Marc Chagall. Today, the printshop is dedicated to contemporary artists like Sophie Calle, JR, William Kentridge, David Lynch, Paul McCarthy, and Raymond Pettibon. Lithographs at Idem Studio are created by drawing an image on a flat stone or transferring it onto aluminum plates. The image is then treated with water and an oil-based ink that is rolled across the surface. Paper is placed atop the matrix and run through a press, transferring the ink onto the paper to form the final lithograph. The process results in a rich, dense layer of ink, producing an exceptional final piece. Now known as Idem, the Mourlot company stands as one of the oldest printing houses still utilizing traditional lithography techniques.

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Spin Magazine Webster Hall NYC 2005 Offset Lithograph Print Limited Edition Event Artwork on Fine Art Paper by Shepard Fairey, an urban graffiti pop street artist. 2005 Signed & Numbered Limited Edition of 500 Spin Magazine 20th Anniversary Bash Print by Shepard Fairey Webster Hall, NYC | Sept 28th, 2005 Offset Print on Heavy Paper Signed by the Artist [2005] Size: 23" x 32" Minor creasing and nicks to the outer margins are consistent with age, see photos.

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Ballerina In Containers On The Edge Le Havre France 20 Color Lithograph Print by Atelier JR Jean-René Hand-Pulled Print on Marinoni Flatbed Machine Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 250 Artwork Size 39.37x27.56 Presenting an exceptional piece of pop art straight from Le Havre, France - the "Ballerina In Containers On The Edge" lithograph print by Atelier JR Jean-René. This fine artwork, drawn from the thriving culture of graffiti and street art, serves as a vibrant testament to Jean-René's unique ability to capture energy and vitality in seemingly static subjects. The 20-color lithograph print, featuring a striking image of a ballerina poised delicately amidst an urban environment, exemplifies the transcendent harmony of beauty and resilience. Printed on a Marinoni flatbed machine, the method used is an age-old technique known as hand-pulled printing. This labor-intensive process demands precision and meticulous attention to detail, ensuring the highest degree of quality in every print. The choice of fine art paper further elevates the final product, allowing the colors to truly come alive and resulting in a superior-quality artifact that promises longevity. Limited to a special edition of 250 prints, each piece is signed and numbered by Atelier JR Jean-René himself, lending a unique touch of authenticity to every print. Measuring 39.37x27.56 inches, the large format brings a pronounced presence to the piece, inviting viewers to immerse themselves in the rich details and profound symbolism contained within the artwork. This lithograph is more than just a print; it's a carefully crafted work of art that celebrates the dynamism of the urban landscape, bridging the gap between the raw grittiness of street art and the elegance of ballet. It embodies Jean-René's passion for combining contrasting elements, offering an unparalleled amalgamation of pop art and street culture. With "Ballerina In Containers On The Edge," you're not just purchasing a limited-edition print - you're acquiring a piece of the vibrant and ever-evolving narrative of modern urban life as captured by one of the most innovative artists in the world of graffiti and pop art.

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The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

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Protect the Sacred Limited Edition Graffiti Artwork Offset Lithograph Print on Cream Speckle Tone Paper by street artist Shepard Fairey. 2015 Signed & Numbered 24x36 Edition of 200- Protect the Sacred, 2015 Offset lithograph in colors on thick speckled cream paper 36 x 24 inches (91.4 x 61 cm) (sheet) Ed. 200 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Protect the Sacred Offset Lithograph by Shepard Fairey Protect the Sacred by Shepard Fairey is a landmark piece of Street Pop Art & Graffiti Artwork that delivers both a powerful visual experience and an urgent social message. Released in 2015 as a signed and numbered limited edition of 200, this offset lithograph is printed on thick cream Speckletone paper and measures 24x36 inches. Fairey, one of the most influential voices in contemporary street art, uses this work to amplify Indigenous voices and underscore the importance of honoring land, culture, and environmental sanctity. Symbolism and Visual Composition The composition features a young Indigenous figure standing bare-backed at the edge of a sacred body of water, flanked by a trio of wild horses. The central figure stares into the distance, symbolizing spiritual reflection, generational strength, and resistance. A bold red sun radiates behind a jagged mountain range, creating a powerful sense of harmony and tension. The sun’s rays stretch out like a mandala, suggesting divine illumination and cyclical renewal. The use of high-contrast red, yellow, and black evokes both urgency and reverence—colors often tied to warning as well as heritage. Every element in the composition has a voice. The water, rendered in rippling blocks of red and yellow, suggests instability and reflection. The horses symbolize freedom, natural power, and cultural continuity. Shepard Fairey roots this work in deep respect for Indigenous traditions and cosmologies, which hold land and nature not as resources but as sacred relations. Offset Printing as Political Tool While Shepard Fairey is globally known for his screenprint and stencil work, the choice of offset lithograph printing for Protect the Sacred is intentional. Offset printing allows for broader distribution and reproduction fidelity, aligning with Fairey’s ethos of accessible political art. The print maintains his hallmark sharp linework, layering techniques, and propaganda-inspired layout, but presents them with the finesse of a high-resolution poster. This makes the work not just a collector’s object but a tool of advocacy—designed for walls, protests, and public dialogue. Activist Roots and Cultural Solidarity This artwork was created in support of Honor the Treaties, an organization that uses art to amplify the voices of Indigenous communities fighting for environmental justice. The print foregrounds the relationship between sacred land and Indigenous sovereignty—a central concern for Native activists and water protectors across North America. Fairey’s involvement in this movement is not performative; he lends his visual language, platform, and printing resources to amplify those historically silenced. Protect the Sacred stands as a prime example of how Street Pop Art & Graffiti Artwork can transcend aesthetic to become cultural weaponry. Shepard Fairey’s offset lithograph not only reminds the viewer of past injustices but demands present accountability. It is a call to remember, a call to protect, and a call to listen.

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Star of David Lenticular Lithograph Print by Yaacov Agam Hand-Pulled Print on MEDIUM Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 99 Artwork Size 5.5x5.5 Lenticular 3D Changing Pattern of the Jewish Religion Star of David Stylized with Color & Stripes. Star of David Lenticular Lithograph by Yaacov Agam in Street Pop Art & Graffiti Artwork The Star of David Lenticular Lithograph, created by Yaacov Agam in 2000, is a limited edition, hand-pulled print that embodies the fusion of movement, symbolism, and vibrant color transformations. Signed and numbered as part of an edition of 99, this artwork measures 5.5 x 5.5 inches and uses lenticular technology to create a dynamic, shifting image of the Star of David. By incorporating layered colors, optical illusions, and geometric precision, Agam transforms a significant cultural and religious symbol into a kinetic visual experience, aligning with contemporary street pop art & graffiti artwork aesthetics. Lenticular Motion and the Evolution of Street Pop Art Lenticular printing techniques, like those used in this piece, create a three-dimensional optical effect that shifts based on the viewer's movement. This approach connects to modern street pop art, where interactive murals, holographic graffiti, and urban projection art rely on audience engagement. The striped patterns and fragmented color overlays amplify the sense of motion, making the Star of David appear to transform as the angle changes. This concept aligns with street art murals incorporating layered graffiti, shifting perspectives, and projection mapping, where art is not static but instead reacts to movement and light. Agam’s expertise in kinetic art techniques has influenced contemporary artists experimenting with lenticular posters, digital graffiti, and interactive installations, creating pieces that challenge traditional perceptions of form and structure. Yaacov Agam’s Influence on Optical and Graffiti Artwork Agam is recognized as a pioneer in optical and kinetic art, a style that heavily influences modern street pop art and graffiti techniques. His works share similarities with urban artists who integrate moving illusions, perspective-based compositions, and multi-layered stencils. The shifting interplay of color and geometric abstraction found in this lithograph has strong parallels to street murals incorporating 3D illusions, shadow layering, and reflective graffiti techniques. His use of the Star of David as a subject adds a cultural and symbolic layer, making this work both a visual experiment and a statement on identity, movement, and transformation. Many street pop artists incorporate cultural motifs, symbols, and spiritual iconography, using urban environments as a canvas for messages about history, faith, and identity. The blending of abstraction, kinetic motion, and traditional symbols makes Agam’s work relevant to street-based contemporary artistic expressions. Collectibility and Impact of the Star of David Lenticular Lithograph As a hand-pulled lenticular lithograph, this piece is a rare and highly sought-after artwork, blending fine art techniques with street pop aesthetics. The limited edition of 99 ensures its exclusivity, and the use of dynamic lenticular printing places it in the category of collectible experimental printmaking. This method is frequently referenced in urban graffiti prints, holographic street installations, and digital kinetic art, making Agam’s work a significant influence in this artistic movement. With its changing Star of David composition, striking color contrasts, and optical movement, this artwork is a representation of Agam’s legacy in shaping modern visual culture. The fusion of tradition with contemporary lenticular motion reflects the evolution of street pop art & graffiti artwork, where artists push boundaries by combining classical symbols with cutting-edge visual effects. The Star of David Lenticular Lithograph stands as an example of how kinetic art techniques continue to inspire and reshape urban visual storytelling.

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Doraemon Sitting Up- Every Day is a Struggle Nobita Lithograph Print Limited Edition Artwork on Smooth Wove Art Paper by Artists Fujiko F Fujio x Takashi Murakami TM/KK. 2019 Signed & Numbered Limited Edition of 300 Lithograph Artwork Size 22.64x25.75 Takashi Murakami X Fujiko F. Fujio Doraemon Sitting Up: "Every Day is a Struggle, Nobita", 2019 Offset lithograph in colors on smooth wove paper 25-3/4 x 22-5/8 inches (65.4 x 57.5 cm) (sheet) Ed. 300 Signed and numbered in ink along lower edge Published by Kaikai Kiki Co. Ltd., Tokyo

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Elementary Reaction Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. AP Artist Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. Shepard Fairey, Sandra Chevrier, and the Artistic Synergy in Urban Landscapes Street pop art and graffiti artwork are vibrant chronicles of contemporary culture, often encapsulating the socio-political zeitgeist within their vivid tableaux. The "Beauty of Liberty & Equality" mural in Austin, meticulously captured in print by Jon Furlong, is a commanding representation of this genre. This piece, a collaboration between Shepard Fairey and Sandra Chevrier, is a lithograph print that encapsulates the essence of pop art's interaction with urban landscapes. Initially crafted in the bustling milieu of Austin, the mural serves as a public art installation and a dialogue with its onlookers, beckoning them to reflect on the thematic elements of liberty and equality. Shepard Fairey, renowned for his "OBEY" campaign and his iconic Obama "HOPE" poster, brings his distinct stencil-based design and politically charged ethos to the piece. Sandra Chevrier, on the other hand, is celebrated for her "Cages" series, where she often depicts women's faces obscured by comic book imagery, exploring the "cages" society builds around individuals. The artwork size, at 18x24 inches, is substantial enough to command attention yet sized for intimate reflection. The "Beauty of Liberty & Equality" is marked as an Artist Proof (AP) 2020, signed by Fairey and Chevrier. This denotes a personal touch from the artists, a direct connection to the creators that is often sought after by collectors and fans of street art. Legacy and Collectibility of Limited Edition Street Pop Art Prints Street pop art, inherently linked with graffiti artwork, thrives on accessibility and public engagement. This mural print, conceived in this spirit, transforms an urban wall into a canvas that speaks to societal ideals and the ongoing quest for equality. It is this interplay between art and ideology, powerfully rendered by Fairey and Chevrier's distinct styles, that imbues the piece with its profound resonance. As a limited edition artwork on fine art paper, the "Beauty of Liberty & Equality" print is not only a piece of visual discourse but also an artifact of cultural significance. Limited editions often enhance the value of street art, which is, by nature, ephemeral. Through the medium of the offset lithograph, the transient becomes permanent, and the once fleeting moment of artistic expression is preserved for posterity. In the domain of street pop art and graffiti, this print stands as a testament to the enduring power of visual art to challenge, celebrate, and contemplate the grand ideals of liberty and equality. The collaboration between Shepard Fairey, Sandra Chevrier, and Jon Furlong in capturing and sharing this moment contributes a significant chapter to the narrative of contemporary street art.

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Rising Off-Set Lithograph Print Limited Edition Artwork on 80lbs Patina Matte Fine Art Paper by Jeff Soto, an urban graffiti pop street artist. Jeff Soto is an artist, illustrator, and muralist who has exhibited in galleries and museums around the world. The artist’s distinct color palette, subject matter, and technique resonate with a growing audience and bridge the gap between Pop Surrealism and graffiti. Inspired by youthful nostalgia, nature, graffiti, hip-hop, and popular culture, his bold, representational work is simultaneously accessible and stimulating.

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Cornetto Trilogy- Hot Fuzz Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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Clowns Lithograph Print by Gary Taxali Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2014 Signed & Numbered Limited Edition of 80 Artwork Size 19x22 Visual Narrative in Taxali's "Clowns" "Clowns" is a striking lithograph print by Gary Taxali, showcasing his exceptional talent blending street art, pop art, and traditional printmaking. This hand-pulled print on fine art paper is a limited edition from 2014, signed and numbered, with only 80 prints made, each measuring 19x22 inches. It encapsulates the whimsical and often satirical essence of Taxali's style, deeply rooted in the aesthetics of vintage comics and advertising. Taxali's "Clowns" depicts a tumbling tower of caricatured clowns in a playful yet chaotic descent between urban buildings. This imagery is a quintessential example of Taxali's ability to convey complex narratives through simple compositions. The clowns, often associated with humor and folly, are presented in a moment of uncontrolled fall, perhaps a metaphor for life's often tumultuous and unpredictable nature. This scene, set against the stark lines of city architecture, evokes a sense of movement and a clash between the animate and the inanimate, a theme commonly explored in Street Pop Art and graffiti Artwork. Technique and Limited Edition Appeal The lithography technique allows Taxali to bring a textural and nuanced quality to the print, reflecting the hands-on approach of street art. Each print in the edition is unique due to the nature of hand-pulling, creating a connection between the artist and each work that resonates with the authenticity sought in both the pop art and graffiti art communities. The limited edition of "Clowns" adds a collectible appeal, merging the democratic nature of street art with the exclusivity of the art world. In the context of modern art, "Clowns" by Gary Taxali stands as a vibrant example of how artists can bridge different artistic disciplines to create works that are both accessible and complex. This print reflects the ongoing narrative of pop art's influence on street art and vice versa, illustrating how the two can merge to form a distinct and compelling genre that resonates with a broad audience. Taxali's work continues to challenge and delight viewers, making a statement both a nod to the past and a commentary on the present state of art and society.

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Habitats II Standard Lithograph Flouro Mix Print by Al Maser Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2019 Signed & Numbered Limited Edition of 75 Artwork Size 19.69x27.56 "A lot of my works focuses on relationships. That's stemmed from working in the public realm for the majority of my artist career. How the public interact and engage with my large outdoor murals, led me onto building interactive installations so people can engage with the '3d paintings' Over the past few years this idea of relationships and the environment has found me looking at botanics and their role and effect on us. Primarily out of interest but it has lead me to understand the importance of certain plants, in regards to our health, mental health, sleep, anxiety etc. It has naturally brought me to the National Botanical Gardens Dublin Ireland to sketch and take photos of the plants I've found of interest. From those sketches and photographs I've integrated their loose forms into my 'hard lined' art and applied the new compositions to my print works." - Maser Habitats II, a remarkable work by Al Maser, exemplifies the fusion of graffiti, street, and pop art elements, capturing the essence of urban contemporary expression. This captivating lithograph, titled "Habitats II Standard Lithograph Flouro Mix Print," is a celebration of Al Maser's deep engagement with public spaces, relationships, and the intricate dance of human interaction with nature. Hand-pulled with precision on high-quality fine art paper, this 2019 creation exudes vibrancy, both in its color palette and its inherent narrative. With a dimension of 19.69x27.56, it is a limited edition, showcasing Al Maser's commitment to exclusivity, as it is one among a mere set of 75, each authentically signed and numbered. Maser's artistic journey has been characterized by his fascination with relationships, shaped largely by his extensive experience in public art. This interplay between the public and his large-scale outdoor murals served as a catalyst, urging him to craft interactive installations that serve as tangible "3d paintings." This exploration of relationships further extended to the environment, steering Maser towards the realm of botanics and their profound influence on human well-being. His curiosity about the role of plants in regulating health, mental state, sleep, and anxiety led him to the National Botanical Gardens in Dublin, Ireland. There, he sketched and photographed intriguing plants, seamlessly integrating their organic forms into his characteristically 'hard lined' art. Habitats II, thus, stands as a testament to Maser's unique approach, translating his real-world observations into compelling print works that resonate with a wide audience.

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Frederic Chopin Lithograph Print Limited Edition Artwork on Wove Fine Art Paper by Arman, an modern pop street artist. Frederic Chopin, ca. 1980 Color lithograph on wove paper 29 9/10 × 21 9/10 in 76 × 55.5 cm

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Akuma: Ninja Star- Wars Limited Edition Graffiti Artwork Off-Set Lithograph Print on Fine Art Paper by Asian Themed Artist Steve Bialik. 2022 Hand Numbered Limited Edition of 450 Size 11x27

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Mighty Vibras Offset Lithograph Print on Wood Panel by J Balvin x Matt Gondek with Tote Bag Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 14x23 Tattooed Up Astro Boy with Chanel Glasses. Bag Has Minor Spot Staining in Upper Area. Artwork Perfect to Near Perfect. J Balvin x Matt Gondek Cultural Synthesis in Street Pop Art The "Mighty Vibras" offset lithograph print on a wood panel is a dynamic fusion of music, street culture, and contemporary art. A collaborative piece by Colombian reggaeton superstar J Balvin and Los Angeles-based artist Matt Gondek, this artwork captures the essence of Street Pop Art and graffiti Artwork. Released in 2018, the limited edition of 300 signed and numbered pieces reflects the global influence of urban art forms and the increasingly porous boundaries between art, music, and fashion. The "Mighty Vibras" piece vividly portrays a tattooed-up Astro Boy, complete with Chanel glasses, a symbol of luxury infused with urban grit. This character, an icon of Japanese manga, is reimagined through the lens of street culture and high fashion, signifying the interconnected nature of global pop culture. Gondek's deconstructive style, known for taking apart characters and piecing them back together, is evident in the artwork's fragmented features, which are visually arresting and thematically resonant. J Balvin's influence on the piece brings a cross-cultural element that is palpable in the artwork's bold colors and the inclusion of the word "Familia" tattooed across the character's chest, a nod to the themes of kinship and belonging that pervade Balvin's music. The size of the artwork, at 14x23 inches, makes it a statement piece that stands out in any setting, from a casual living room to a high-end gallery. Intersection of Art and Merchandise Accompanying the print is a tote bag featuring the same design, highlighting the growing trend of art becoming wearable and usable in daily life. This approach to art merchandise expands the artwork's reach beyond the traditional confines of the art world, allowing it to become a part of the consumer's everyday experience. The tote bag is a mobile canvas, spreading the visual impact of the "Mighty Vibras" artwork to a broader audience. The synthesis of J Balvin's musical heritage and Matt Gondek's artistry in "Mighty Vibras" exemplifies the potential of collaboration across different creative industries. It also illustrates the power of street art to transcend its origins, infiltrating mainstream culture and fashion and becoming an emblem of contemporary lifestyle. "Mighty Vibras" is more than just an artwork; it is a cultural artifact that encapsulates the spirit of the times. It stands as a testament to the creative synergy between J Balvin and Matt Gondek, blending street art's raw energy with pop culture's gloss and, in doing so, creating a new visual language that speaks to a diverse, global audience. The limited edition nature of the piece, along with its associated merchandise, cements its status as a collectible item that holds both artistic and cultural value.

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Notorious BI-AT-CH Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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Dunny Kidrobot 20th Anniversary Monochromic Lithograph Print by Tristan Eaton on Fine Art Paper  Limited Edition Graffiti Street Pop Artwork. 2024 Artist Printed Mark Limited Edition of 150 Artwork Size 18x24 Dunny x Kidrobot x Tristan Eaton Anniversary Print Dunny Kidrobot 20th Anniversary Monochromic Lithograph Print by Tristan Eaton The Dunny Kidrobot 20th Anniversary Monochromic Lithograph Print by Tristan Eaton stands as a bold and timeless visual declaration from one of the most influential voices in Street Pop Art & Graffiti Artwork. Created in 2024 to commemorate two decades of Kidrobot’s presence as a pioneering force in designer toys and urban collectible culture, this 18x24 inch limited edition lithograph blends design and narrative, abstraction and portraiture, identity and iconography. Each piece is marked and stamped by the artist, part of a 150-print run that defines Eaton’s ability to balance cultural significance with graphic elegance. Tristan Eaton and the Evolution of the Dunny Tristan Eaton has been a defining artist in the Kidrobot universe since its inception, instrumental in shaping the aesthetic DNA of its most iconic figure: the Dunny. This commemorative artwork is a convergence of his past and present, honoring the legacy of the Dunny as both toy and canvas. The left side of the print features the geometric abstraction of the Dunny’s silhouette, rendered in high-contrast black-and-white zigzags and circular motifs, forming a hypnotic pattern that speaks to the object’s role in remix culture and modular identity. As the eye moves across the composition, the right half reveals a detailed grayscale portrait of a mid-century-inspired female figure, painted with the realism and emotion that Eaton is known for. The juxtaposition of this soft, cinematic face with the hard lines and symbolic chaos of the Dunny shape serves as a metaphor for the fusion between high-concept design and pop cultural storytelling—a tension that defines Kidrobot’s twenty-year impact on streetwear, art toys, and underground art. Design Tension and Cultural Commentary This monochromatic split-view composition is not merely an aesthetic decision but an artistic statement. The Dunny’s bold geometry acts as both a frame and a mask—layering history, nostalgia, and commentary on brand identity overtop of Eaton’s classic portraiture. The use of black and white restricts the visual language to form, contrast, and depth, focusing the viewer’s attention on movement, shape, and mood. The unifying white line that outlines the Dunny across both sides draws the eye and bridges the two worlds, much like how Kidrobot has bridged fashion, toys, and art through collaboration and innovation. This piece, printed on fine art paper using museum-grade lithographic methods, holds weight as both a collectible object and a gallery-quality statement. Its clean production and flawless execution highlight the precision with which Eaton approaches his art—even when embedded in a world that thrives on urban grit and chaos. A Tribute to Two Decades of Designer Culture The Dunny Kidrobot 20th Anniversary Monochromic Lithograph Print is not just a celebration of a brand—it is a chronicle of an aesthetic revolution. Kidrobot redefined how collectible objects could exist at the confluence of street culture and fine art, and Tristan Eaton remains one of its most important visual storytellers. With only 150 prints in this edition, each signed and stamped by Eaton, the artwork serves as a rare artifact in the legacy of contemporary visual art. It is at once a graphic memoir and a sleek, sophisticated symbol of how far graffiti and toy culture have traveled—and how far they will continue to evolve.

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Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cosmos, 2000 Offset lithograph in colors on smooth wove paper 23-3/8 x 23-3/8 inches (59.4 x 59.4 cm) (sheet) Ed. 125/300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo Print Grade: 10/10 Matted and framed under acrylic. No apparent condition issues. Not examined out of frame. Framed Dimensions 32 X 32 Inches The "Cosmos" offset lithograph print by Takashi Murakami, created in collaboration with Kaikai Kiki in 2001, is a fine example of the Japanese artist's unique and influential work. Murakami is known for his signature "Superflat" style, which is characterized by a blend of Japanese pop culture, traditional art, and Ms Flower flowers.. In the "Cosmos" print, Murakami explores the concept of the universe, with vibrant colors, bold lines, and intricate patterns. The artwork is populated by his iconic Ms FLowerand motifs, such as smiling flowers and vines, which are deeply rooted in Japanese manga, anime, and the otaku subculture. As an offset lithograph print, the piece is created using a printing technique that involves transferring an inked image from a plate to a rubber blanket and then onto the final printing surface, usually paper. This process allows for high-quality reproductions of the original artwork, making it more accessible to a wider audience. The "Cosmos" print is a sought-after piece by collectors and fans of Takashi Murakami's work. It showcases the artist's incredible ability to merge traditional and contemporary elements, creating a visually striking representation of the universe that is uniquely his own.

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Two Flags 2P Offset Lithograph Print by Madsaki Hand-Pulled Print on Smooth Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 18x26.75 MADSAKI (b. 1974) Two Flags 2P, 2018 Offset lithograph in colors on smooth wove paper 26-3/4 x 18 inches (67.9 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in ink lower right Published by Kaikai Kiki, Ltd., Tokyo.

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Passion Dans Le Rouge Lithograph Print by Enrique Peycere Hand-Pulled Print on Deckled Fine Art Paper Limited Edition Contemporary Modernism Vintage Pop Artwork. 1986 Signed & Numbered Limited Edition of 120 Artwork Size 28x31 Hand Deckled Paper Contemporary Modern Abstract Red Artwork Titled Passion Dans Le Rouge, or Passion In The Red. Silght Handling Crease to Lower Left Facing Edge. Enrique Peycere and "Passion Dans Le Rouge": A Study in Abstraction The 1986 lithograph "Passion Dans Le Rouge," created by Enrique Peycere, captures the intense emotion and dynamic energy that the title, translating to "Passion In The Red," suggests. As a limited edition hand-pulled print on fine art paper, this work stands out with its contemporary modern abstract expression and generous dimensions of 28x31 inches. With only 120 pieces, each signed and numbered by the artist, the artwork secures its place as a sought-after piece for collectors and art lovers alike. The Vitality of Red in Peycere's Abstract Vision Peycere's choice of red is deliberate and loaded with symbolism. In art, red is often associated with passion, strength, and vitality, and in "Passion Dans Le Rouge," the color takes center stage, pulsating with life and vibrancy. The abstract forms that dominate the composition are reminiscent of organic shapes, alluding to the natural world or the human form, allowing viewers to engage with the piece on multiple interpretive levels. This abstraction aligns with the principles of pop art and graffiti, where color and form elicit a visceral response from the viewer. Abstract Expressionism's Echo in Street and Pop Art While Enrique Peycere's work predates the explosion of street pop art and graffiti, "Passion Dans Le Rouge" resonates with the energy and spontaneity that characterize these later movements. The abstraction found in Peycere's lithograph can be seen as a precursor to the abstract tendencies of street and pop art, where the emotional impact and the aesthetic experience often take precedence over representational accuracy. The boldness and simplicity of the work, combined with its abstract nature, make it a piece that transcends time and style, engaging with the universal language of color and form. As such, Peycere's "Passion Dans Le Rouge" not only contributes to the narrative of abstract art but also complements the broader conversation about the influence of abstract expressionism on contemporary street and pop art. Enrique Peycere's "Passion Dans Le Rouge" lithograph remains a powerful expression of emotion and artistry. Its abstract forms and vibrant red hues continue to captivate and inspire, much like the vivid street art that colors the urban landscapes of cities around the world. Through his limited edition works, Peycere has left an indelible mark on the art world, which continues to echo through modern and contemporary art.

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Bon Juge DLM117 Lithograph Print by Georges Braque Hand-Pulled Print on Vintage Book Leaf/Page Limited Edition Graffiti Street Pop Artwork. 1959 Vintage Book Print Lithograph Leaf/Page From Book Limited Edition Artwork Size 11x15, Unfolded 22x15. Text Type Artwork Reads: Bon Juge Derriere Le Toit Pointu Ou Tu Danses En Jetant Tour En L'air Iren Tes Jambes Et. Good Judge Behind the Pointed Roof Where You Dance Throwing Your Legs and Legs Into the Air. Georges Braque's "Bon Juge" and the Dialogue with Street Art Georges Braque, a pivotal figure in the development of Cubism and a renowned artist of the 20th century, has left an indelible mark on the world of art with his innovative approaches to form and perspective. His "Bon Juge DLM117" is a vintage book print lithograph, an original hand-pulled piece on a book leaf/page that dates back to 1959. This work, sized 11x15 inches and unfolding to 22x15 inches, showcases Braque's mastery of the lithographic process and his enduring exploration of text and imagery within his compositions. The Lithographic Process and Braque's Mastery Lithography, a printmaking technique that allows for graphics creation through oil and water repulsion, was a method Braque employed to excellent effect. His "Bon Juge" piece is a testament to his skill, capturing the essence of his artistic voice in a medium that demands precision and depth of understanding. The work presents a visual and textual interplay reminiscent of the dialogues created by street and pop artists, who often utilize text to complement or juxtapose visual elements. Intersecting Visual Art and Literature Using a book page as the substrate for the "Bon Juge" lithograph is significant. It represents a fusion of visual art and literature, two forms of expression that Braque navigated with grace and expertise. While not directly linked to street art or graffiti, the essence of Braque's work resonates with the ethos of these contemporary art forms. His ability to synthesize various elements of culture, be it through Cubist fragmentation or the poetic nature of his later pieces, parallels the multi-layered works of street pop art and graffiti that seek to engage viewers on multiple levels. Georges Braque's contribution to art continues to influence artists across genres, affirming his status as a pioneer who challenged conventional modes of expression and paved the way for new artistic dialogues. "Bon Juge" stands as a piece that reflects Braque's artistic journey and embodies a timeless quality that speaks to the evolving nature of art itself.

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Spacewalker: Ninja Star- Wars Limited Edition Graffiti Artwork Off-Set Lithograph Print on Fine Art Paper by Asian Themed Artist Steve Bialik. 2022 Hand-Numbered Limited Edition of 450 Size 11x27

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Into The Wild Lithograph Print by Hebru Brantley Hand-Pulled Print on Rives BFK Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2021 Signed & Numbered Limited Edition of 150 Artwork Size 28.75x34. Published by Print Them All, Montparnasse. Handling Creases: Minor Dog-ear Crease To Lower Left Corner. The Vibrant Narrative of "Into The Wild" by Hebru Brantley Hebru Brantley's "Into The Wild" lithograph is a vibrant narrative captured in street pop art and graffiti, offering a rich palette and a compelling character from Brantley's universe. This hand-pulled print on Rives BFK Fine Art Paper represents one of the limited editions, with only 150 pieces produced, each signed and numbered by the artist. Released in 2021 and published by Print Them All, Montparnasse, the artwork spans an impressive size of 28.75x34 inches, allowing the viewer to immerse themselves in Brantley's distinctive world. "Into The Wild" showcases Brantley's talent for storytelling through visual art, featuring a character that embodies the spirit of adventure and exploration. The figure, clad in a pilot's helmet, stares intently at the viewer, challenging them to join in on an adventure into uncharted territories. The use of camouflage in the background intertwines with the figure, suggesting a blending of the character with its environment, an embodiment of resilience and adaptability. This piece is imbued with the energy of street art, pop art's boldness, and fine art printmaking's finesse.  Cultural Resonance of Hebru Brantley's "Into The Wild" The cultural resonance of Hebru Brantley's "Into The Wild" is found in its capacity to bridge the worlds of fine art and street culture. The lithograph print medium is a nod to traditional art forms. Yet, the subject matter and stylistic approach are deeply rooted in the contemporary realm of graffiti and street pop art. This work reflects Brantley's ability to translate the ethos of street culture onto a canvas that is both accessible and esteemed by collectors and critics alike. "Into The Wild" is a limited edition piece that captures a moment in Brantley's evolving artistic journey. The art piece reflects the artist's ongoing dialogue with themes of heroism, youth, and the challenges of modern life. Being part of a limited run, each print is a collector's item, offering a snapshot of Brantley's vision and a connection to the broader narrative that his body of work represents. The Artistic Merits of Hebru Brantley's "Into The Wild" The artistic merits of "Into The Wild" are manifold. Brantley's command over color and form, his ability to infuse his work with a sense of dynamism and emotion, and the technical skill evident in the hand-pulling of the prints all contribute to the work's standing in the art world. The Rives BFK Fine Art Paper is a testament to the quality and durability of the piece, ensuring that the colors and details remain vivid over time. Hebru Brantley's "Into The Wild" is a testament to the artist's commitment to pushing the boundaries of street pop and graffiti artwork. The print is a celebration of the art form's past, a commentary on its present, and a nod to its future. Each signed and numbered piece from the limited edition run is a testament to Brantley's vision and a vibrant example of the transformative power of art.

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Invasion of the Death Palace: Ninja Star- Wars Limited Edition Graffiti Artwork Off-Set Lithograph Print on Fine Art Paper by Asian Themed Artist Steve Bialik. 2022 Hand-Numbered Limited Edition of 450 Size 11x27

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. PP Printers Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's "The Beauty of Liberty & Equality": A Mural of Democratic Milestones "The Beauty of Liberty & Equality" PP (Printer's Proof) is an evocative offset lithograph print by Jon Furlong that captures the essence of a mural by Shepard Fairey and Sandra Chevrier, two luminaries in the world of urban graffiti pop street art. This print, part of a limited edition run of 500 signed and numbered pieces released in 2020, measures 18x24 inches and stands as a testament to a significant moment in the history of democracy—the Women's Vote Centennial. Shepard Fairey's statement underscores the artwork's connection to the broader initiative commemorating women's suffrage and its ongoing relevance to current equal rights issues. Fairey, an artist renowned for his politically charged work, and Chevrier, known for her striking visual narratives that often delve into gender politics, have collaborated to create a mural that is both a celebration of historical achievements and reminds of the struggles that persist. As a Printer's Proof, the lithograph print holds a special status, often reserved for checking the final quality before printing the entire run. Collectors and enthusiasts of street pop and graffiti artwork prize such proofs for their closeness to the artists' original intent and the rarity they represent within a print series. Artistic Fusion in "The Beauty of Liberty & Equality" The mural, and by extension the lithograph print, is a vibrant fusion of Fairey's bold, graphic style and Chevrier's poignant portraiture, enveloped in a palette that commands attention and provokes thought. The artwork's layered composition—a hallmark of Fairey's and Chevrier's approach—blends text, imagery, and symbolism to convey a complex narrative about the journey toward equality and liberty. In line with the ethos of street pop art, the piece is anchored in its accessibility and capacity to communicate powerful messages through the visual lexicon of graffiti art. In bringing this piece to life, Fairey and Chevrier have created an artwork that celebrates a centennial and crafted a message that resonates with the present-day discourse on rights and representation. "The Beauty of Liberty & Equality" is a visual dialogue about the ongoing journey of democracy and the role of art in reflecting and shaping public consciousness. "The Beauty of Liberty & Equality" PP Austin Mural Print by Jon Furlong, Shepard Fairey, and Sandra Chevrier is a significant addition to the narrative of pop street art and its intersection with social activism. This Printer's Proof is a collectible piece that not only enhances the aesthetic milieu of its holders but also serves as a poignant reminder of the power of art to commemorate, educate, and inspire continual progress toward equality. Through this lithograph, the mural's message transcends the boundaries of Austin, reaching an international audience and solidifying its place in the annals of street pop art and graffiti artwork.

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Bored & Horny Lithograph Print Limited Edition Artwork on Fine Art Paper by Glenn Barr, an urban graffiti pop street artist. Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”.

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Make Art Not War 18x24 2009 Offset Lithograph Print by Shepard Fairey Limited Edition Graffiti Artwork on Semi Glossy Fine Art Paper. 2009 Make Art Not War Size 18x24 From Shepard Fairey's Art Show in Boston, MA Out of Print

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Jellyfish Eyes Black 2 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75. Comes Framed in 2 Frame Styles, Modern Blck Frame Size 22x22, Beige Matte Frame Size 28.75x28.75 Jellyfish Eyes Black 2 by Takashi Murakami – Floating Optics in Street Pop Art & Graffiti Artwork Takashi Murakami’s 2004 lithograph Jellyfish Eyes Black 2 stands as a vibrant continuation of his exploration into recurring motifs of vision, surveillance, and playful abstraction. Measuring 19.75 x 19.75 inches, the print is part of a signed and numbered limited edition of 300, released under the TM/KK imprint. Executed on fine wove art paper, the composition features a constellation of color-saturated, stylized eyes that hover and merge across a velvety black field. The piece is available in two distinct presentation options—modern black frame at 22 x 22 inches, and an elegantly soft beige matte frame at 28.75 x 28.75 inches—each emphasizing the spatial fluidity of Murakami’s floating forms. In the context of Street Pop Art & Graffiti Artwork, this piece emerges as both a study in surface aesthetics and a philosophical meditation on perception and presence. Murakami’s Animated Language of Form The visual structure of Jellyfish Eyes Black 2 builds upon the iconography of its predecessor, deploying a series of floating eyeball-like entities that fuse pop animation with organic drift. Set against a deep black background, the circular forms appear to pulse and glow, shifting subtly in tone and layering. Each figure is constructed with concentric rings of bold color—lime greens, blush pinks, scarlets, turquoise, ochres—punctuated with lashes, droplets, and slight distortions. The connective tissue that flows between the eyes resembles both mycelium and neural pathways, suggesting a symbiotic or collective intelligence. Within the lexicon of Street Pop Art & Graffiti Artwork, this mapping of interlinked optics translates as a metaphor for social networks, media vision, and collective consciousness. Murakami’s abstraction is not random; it is tightly ordered chaos, echoing both Japanese folklore and cybernetic futurism. Optical Play and the Superflat Aesthetic True to Murakami’s Superflat manifesto, Jellyfish Eyes Black 2 rejects the illusion of spatial depth while simultaneously creating tension and layering. The eyes are rendered in a graphic, poster-like style, referencing both commercial design and the techniques of Japanese anime and manga. The lithographic medium allows for pristine color reproduction, retaining Murakami’s digital sharpness and uniform flatness. This results in a visual experience where each element competes equally for attention, much like signage in urban space or characters in graffiti murals. The framing options further influence viewer reception—one suggesting sleek modernity and the other a nostalgic museum-grade presentation. Both emphasize the contrast between high-end collectibility and subcultural rawness. Eyes as Agents of Identity and Control In Jellyfish Eyes Black 2, the floating eyes are both whimsical and menacing. They call to mind not only the innocence of animated characters but the omnipresence of surveillance and digital observation. Murakami leverages the symbol of the eye to reflect the watching, documenting, self-aware nature of modern identity. The multiplicity of eyes within the same space speaks to fragmentation, overload, and an inability to escape the gaze—whether from others, institutions, or ourselves. In the realm of Street Pop Art & Graffiti Artwork, eyes often appear as markers of territory, vision, and spiritual assertion. Here, they become avatars of psychological atmosphere. Takashi Murakami’s Enduring Influence in Global Pop Visual Culture Takashi Murakami continues to serve as one of the most influential artists at the intersection of commercial design, conceptual painting, and urban culture. His approach unites Japanese Edo traditions with the immediacy of contemporary visual storytelling. Jellyfish Eyes Black 2 is emblematic of this approach—deceptively simple, richly layered, and hauntingly joyous. It occupies a space where traditional craftsmanship meets hyper-modern aesthetics, and where personal mythologies intermingle with digital consumer culture. The piece is not merely collectible—it is a portal into a stylized cosmos of symbolic resonance, humor, and introspection, rendered in flawless print form for the language of the street and the gallery alike.

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Chapeau Blanc Et Robe Rouge AP Artist Proof Lithograph Print by Emile Bellet Hand-Pulled Print on Rives BFK Fine Art Paper Limited Edition Graffiti Street Pop Artwork. AP Artist Proof 2006 Signed & Marked AP Artwork Size 15x17.7 of a Woman in a Red Dress by a Field of Flowers and Grain. Emile Bellet's "Chapeau Blanc Et Robe Rouge": A Vision in Color and Form The "Chapeau Blanc Et Robe Rouge" is a striking AP (Artist Proof) lithograph print by Emile Bellet, a contemporary French artist whose work is steeped in the traditions of his Provencal heritage. This hand-pulled print on Rives BFK fine art paper represents a distinctive approach to modern art that harmoniously blends classic techniques with the aesthetic sensibilities of street pop art. The limited edition piece, signed and marked by Bellet in 2006, measures 15x17.7 inches and features a woman in a red dress by a field of flowers and grain, capturing a moment of serene contemplation within a lush landscape. The Technique and Artistry of Bullet's Lithography Bellet's lithograph is a testament to his mastery of the printmaking process, which requires precision and creativity. The artist's proof status of this print indicates that it is among the first pulled from the plate, a trial run for the artist to ensure the quality of the final piece. The choice of Rives BFK paper, renowned for its fine texture and durability, further speaks to the artist's dedication to quality and longevity. The bold, expressive colors and the fluidity of form exemplify Bellet's signature style, which often features women adorned in elegant attire, exuding grace and confidence. Capturing the Essence of Provence in Modern Art "Chapeau Blanc Et Robe Rouge" is more than a mere representation; it evokes the Provencal landscape that has long inspired Bellet. The vibrant red of the dress, juxtaposed with the serene blues and yellows of the background, evokes the warmth and vitality of the Mediterranean sun, the richness of the region's flora, and the tranquility of its fields. Bellet's work invites the viewer to a momentary escape, offering a visual respite that is grounding and uplifting. Through works like "Chapeau Blanc Et Robe Rouge," Emile Bellet continues to enchant art enthusiasts with his ability to capture the spirit of Provence and convey it through his elegant and stylized compositions. His lithographs, a blend of traditional craftsmanship and modern artistry, bridge the past with the present, inviting onlookers to appreciate the enduring beauty of the French countryside as seen through the eyes of a modern master.

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Johann Sebastian Bach Lithograph Print Limited Edition Artwork on Wove Fine Art Paper by Arman, an modern pop street artist. Johann Sebastian Bach, ca. 1980 Color lithograph on wove paper 29 9/10 × 21 9/10 in 76 × 55.5 cm

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Broken Lithograph Print by Jeff Soto Hand-Pulled Print on 80# Patina Matte Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2010 Signed & Numbered Limited Edition of 450 Artwork Size 21.88x30 Jeff Soto's "Broken" Lithograph: A Tapestry of Street Pop Art and Surrealism Jeff Soto's "Broken" lithograph is a masterful amalgamation of graffiti's raw spontaneity and the vivid, dream-like quality of pop art, presenting a unique tableau that captures the imagination. This hand-pulled print on 80# Patina Matte Fine Art Paper, released in a limited edition of 450 in 2010, is a testament to Soto's prowess in translating the essence of street art onto a more enduring medium. Each piece, sized at 21.88x30 inches, is meticulously signed and numbered, emphasizing its exclusivity and the artist's personal touch. Soto's work is renowned for its intricate detail, and "Broken" is no exception, with its layered imagery and textured visuals that invite viewers to delve into a narrative as sprawling and complex as graffiti itself. "Broken" is not just an artwork; it is a narrative piece that encapsulates the multifaceted nature of Street Pop Art and Graffiti Artwork. The fantastical creature at the center of the composition, with its vibrant pink hue and juxtaposition of animalistic traits, is a visual anchor that draws the eye and ignites curiosity. This creature, existing in a world that defies conventional reality, symbolizes the freedom of expression inherent in street art. This freedom allows for a fusion of the real and the surreal, giving rise to a new realm where the rules of traditional art are bent and reimagined. The Cultural Impact of Jeff Soto's "Broken" in the Art World Jeff Soto's "Broken" cultural impact extends beyond its aesthetic appeal, speaking to the heart of the street art movement's influence on contemporary art. The piece embodies the rebellious spirit of graffiti, with its disregard for boundaries and its challenge to the status quo. In bringing such a piece to the realm of fine art prints, Soto demonstrates the evolving perception of graffiti as a legitimate and impactful form of artistic expression. The limited edition nature of "Broken" mirrors the transient nature of street murals, often at the mercy of time and urban development, adding a sense of preciousness to their ownership. Soto's "Broken" celebrates the creative spirit that drives the street pop art movement. It bridges the often underground world of graffiti and the established art community, showcasing the potential for street-inspired visuals to resonate within gallery spaces. The print's complexity, with its swirling colors and forms, echoes the layered textures and meanings often found in street murals, inviting a deeper engagement and interpretation from its audience. Jeff Soto's "Broken" lithograph print is a vibrant homage to the transformative power of street pop art and graffiti. As a limited edition work, it captures the essence of a movement that continues to challenge and redefine the boundaries of artistic expression. Each signed and numbered print stands as a testament to the artist's vision, a piece of a larger narrative that celebrates the union of street culture and fine art. Much like the street art inspired by, it is a narrative that continues to evolve and influence long after the paint has dried.

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Stacked Forms 002 Lithograph & Flouro Mix Print by Al Maser Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2019 Signed & Numbered Limited Edition of 75 Artwork Size 16x20 A lithograph is a type of printmaking technique that involves drawing an image directly onto a flat surface, typically a stone, with an oil-based medium. The stone is then moistened, and ink is applied to the surface. The ink adheres only to the areas where the artist applied the oil-based medium. Paper is then placed on the stone, and the image is transferred to the paper through the use of pressure, usually with a printing press. A fluoro print, on the other hand, refers to the use of fluorescent inks or pigments in the printing process. These inks contain fluorescent compounds that emit light when exposed to ultraviolet light, making the colors appear bright and vivid.

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Cube Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2001 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cube, 2001 Offset lithograph in colors on satin wove paper 23-1/2 x 23-1/2 inches (59.7 x 59.7 cm) (sheet) Ed. 133/300 Signed and numbered in ink lower right Published by Kaikai Kiki, Ltd., Tokyo Print Grade: 10/10 No apparent condition issues. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 32 X 32 Inches Takashi Murakami is a renowned Japanese contemporary artist known for his unique blend of traditional Japanese art styles, such as ukiyo-e, with pop culture and Western influences. He has created a distinctive style often referred to as "Superflat" that features bold colors and graphic designs. The "Cube Offset Lithograph Print" by Takashi Murakami from 2001 is a limited edition print that features the artist's signature style vine with smiling flowers Ms Flower, with TM/KK being a reference to Takashi Murakami and Kaikai Kiki, his art production and management company. Cube Offset Lithograph is a type of printing method that produces high-quality reproductions of original artworks, often used for creating limited edition prints. Murakami's works are highly sought after by collectors and have been exhibited in prestigious museums and galleries worldwide. Owning a limited edition print like the "Cube Offset Lithograph Print" could be considered a valuable addition to an art collection.

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Turtle God Lithograph Print Limited Edition Artwork on Fine Art Paper by Jeff Soto, an urban graffiti pop street artist. Turtle God, 2007 Offset Lithograph Image Size: 16.5 x 22.5 inches (41.9 x 57.2 cm) Paper Size: 18 x 24 inches (45.7 x 61 cm) S/N edition of 500

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Jellyfish Eyes Black 1 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75 Jellyfish Eyes Black 1 by Takashi Murakami – A Psychedelic Icon of Street Pop Art & Graffiti Artwork Jellyfish Eyes Black 1 is a 2004 signed and numbered limited edition lithograph by renowned Japanese contemporary artist Takashi Murakami, measuring 19.75 x 19.75 inches. Issued in an edition of 300, the print features a cluster of floating, stylized eyes with jellyfish-like appendages, hovering across a black background with vibrant, pulsating color. The concentric orbs and whimsical lashes form an enigmatic composition that is both playful and surreal, drawing viewers into Murakami’s immersive visual universe. This work exemplifies Murakami’s ability to merge traditional Japanese aesthetics with global pop culture, injecting high-energy iconography into the realms of Street Pop Art & Graffiti Artwork. Neo-Pop Formalism Meets Subcultural Visual Language The hypnotic design of Jellyfish Eyes Black 1 showcases Murakami’s deep engagement with visual repetition and pop surrealism. Each eye radiates concentric bands of neon pink, electric blue, acid green, and gold—colors more commonly associated with commercial animation, toy design, and graffiti murals than traditional lithography. The black background intensifies the floating sensation of these biomorphic forms, transforming the space into a dreamlike field of suspended consciousness. Murakami’s roots in Nihonga painting and Edo-period compositions are evident in the fluid arrangement and balance, while the synthetic palette and digital smoothness embrace the commercialized intensity of pop iconography. In Street Pop Art & Graffiti Artwork, this blend of classical order with radical form asserts Murakami’s place as both historian and provocateur. Eyes, Surveillance, and the Otaku Psyche The eyes that populate Jellyfish Eyes Black 1 are not passive. They gaze back with unsettling presence, creating a dynamic tension between observer and observed. The motif reflects Murakami’s frequent exploration of otaku culture, surveillance capitalism, and the consumer gaze. These eyes are playful, even cute, but also obsessive, invasive, and endlessly watching. Some appear innocent; others twitch with layered concentric pupils and pupil-like satellites. This multiplicity mirrors the fragmentation of identity in digital and urban life. As seen across the broader scope of Street Pop Art & Graffiti Artwork, these eyes function as pop sigils—icons that entertain, disturb, and invite deeper inspection. Takashi Murakami and the Legacy of Superflat in Street Art Takashi Murakami’s impact on both fine art and street culture cannot be overstated. Through his Superflat theory, he developed a framework for collapsing the boundaries between high and low, ancient and hyper-modern, traditional painting and graffiti-inspired visual immediacy. Jellyfish Eyes Black 1 exists within that lineage as a work that is collectible, cultural, and subversively simple. The lithograph form nods to limited edition printmaking history while its aesthetic remains grounded in the saturated language of mass media and youth culture. As Street Pop Art & Graffiti Artwork continues to evolve globally, Murakami’s work offers a lens into how Japanese visual codes, anime motifs, and psychedelic surface treatments can coexist with the raw expressiveness of street-born art forms. Jellyfish Eyes Black 1 does not demand translation—it simply stares back, glowing in the dark, inviting you to feel.

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Laguna Santa Cruz Triptych Collagraph Print by Peter Keefer Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 1981 Signed & Numbered Limited Edition of 150 Artwork Size 58.5x25.75 - Each Print 19.25x25.75. Triptych of Intaglio Collagraph Prints by Peter Keefer, Each Hand-Signed, Titled and Numbered by the Artist. Some Small Marks in the Sky on Far Let Artwork. Laguna Santa Cruz Triptych Collagraph Print by Peter Keefer The Laguna Santa Cruz Triptych Collagraph Print by Peter Keefer is a striking example of street pop art and graffiti artwork. Created in 1981, this limited edition print is an exquisite representation of Keefer's signature style, blending abstract minimalism with a refined color palette that captures the essence of a serene landscape. The triptych format allows for an expansive view of the composition, inviting the viewer into a tranquil, dreamlike setting where land and water converge. Artistic Technique and Composition This artwork is a hand-pulled intaglio collagraph print on fine art paper, meticulously crafted using a labor-intensive printing technique. The process involves the layering of materials onto a printing plate to create texture and depth, producing a unique visual effect that enhances the work’s rich tonal transitions. The use of warm earth tones against a deep blue waterway provides a harmonious balance between natural elements, while the outlined landforms give the piece a contemporary and structured aesthetic. The horizon line and gradient sky evoke a sense of depth and atmospheric perspective, a hallmark of Keefer’s artistic mastery. Signature and Edition Details This artwork is part of a signed and numbered limited edition of 150, reinforcing its status as a rare and collectible piece. Each of the three individual panels measures 19.25 x 25.75 inches, culminating in a total artwork size of 58.5 x 25.75 inches when displayed together. The triptych format allows for a seamless panoramic effect, enhancing its visual impact and making it a standout piece in any collection. Keefer personally signed, titled, and numbered each print, ensuring authenticity and adding to its artistic value. Condition and Notable Features The Laguna Santa Cruz Triptych remains a highly sought-after work in the realm of street pop art and graffiti artwork. While some minor marks are present in the sky section of the far-left panel, they do not detract from the overall beauty and integrity of the composition. The piece exemplifies Keefer’s ability to translate natural landscapes into stylized, modern interpretations that resonate with both collectors and admirers of contemporary printmaking. This exceptional collagraph print is a testament to Keefer’s ability to merge traditional printmaking techniques with a contemporary artistic vision. Its expansive composition and carefully curated color scheme make it a remarkable example of fine art within the street pop art movement.

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POM & Me Offset Lithograph Print Limited Edition Artwork on Round Smooth Wove Paper by Pop Urban Artist Takashi Murakami TM/KK. 2013 Signed & Numbered Limited Edition of 300 Round Cut Artwork Size 19.75x19.75 (Round) Takashi Murakami (b. 1962) POM & Me, 2013 Offset lithograph in colors on smooth wove paper 19-5/8 inches (49.8 cm) diameter (sheet) Ed. 300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo "POM & Me" is a lithograph print by the renowned Japanese artist Takashi Murakami. Known for his unique style that blends traditional Japanese art with contemporary pop culture, Murakami has gained international acclaim for his work. His signature "Superflat" style is characterized by bold, vibrant colors and flattened, two-dimensional imagery. The "POM & Me" print is one of many artworks that Murakami has created over the years, often featuring his iconic characters and motifs. This particular piece includes recurring elements from Murakami's body of work, such as his famous flowers, himself and his dog Pom. As an artist, Murakami has worked in various media, from painting and sculpture to fashion and commercial products. His work has been exhibited in major galleries and museums worldwide, and he has collaborated with well-known brands and celebrities.

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Iwoks: Ninja Star- Wars Limited Edition Graffiti Artwork Off-Set Lithograph Print on Fine Art Paper by Asian Themed Artist Steve Bialik. 2022 Hand-Numbered Limited Edition of 450 Size 11x27

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Circle City HPM Lithograph Print by Jen Collins Hand Applied Gold Details Print on Recycled 280gsm A6 Card Stock Paper Limited Edition Pop Artwork. 2013 Signed & Numbered Limited Edition of 15 Artwork Size 5.8x8.3 Hand Applied Gold Paint Circle City HPM Lithograph Print by Jen Collins The Circle City HPM Lithograph Print by Jen Collins stands as a striking example of how contemporary street pop art & graffiti artwork continues to evolve through experimental printmaking techniques. Created in 2013, this piece is part of a limited edition of 15, each signed and numbered by the artist. The artwork is printed on recycled 280gsm A6 card stock paper, reinforcing the intersection of sustainability and artistic expression. Adding to its uniqueness, hand-applied gold paint details enrich the composition, making each print a singular work of art rather than a mere reproduction. The Artistry Behind Circle City This piece is characterized by a minimalist yet dynamic composition, featuring a series of hand-drawn circular forms that evoke organic patterns, abstract textures, and geometric harmony. Each circle is visually distinct, adorned with varying line work, dot formations, and bold negative space. The raw imperfection of the shapes, achieved through lithographic printing techniques, preserves the authenticity of hand-drawn elements, a fundamental aesthetic in street pop art & graffiti artwork. The hand-applied gold paint within the lower right circle enhances the artwork’s depth and symbolism. Gold has historically represented value, sacredness, and transformation, and in the context of modern pop art, it functions as a nod to both tradition and contemporary visual language. The choice to include a single golden detail within an otherwise monochromatic scheme draws the eye, emphasizing the piece’s balance between structure and spontaneity. Jen Collins and Contemporary Printmaking Jen Collins, an artist known for her intuitive mark-making, organic compositions, and delicate linework, incorporates printmaking as a method of artistic exploration. In street pop art & graffiti artwork, printmaking plays a significant role in producing limited edition multiples that retain an artist’s original hand-drawn sensibility. Unlike mass-produced digital prints, hand-pulled lithographs allow for subtle variations in ink texture, pressure, and tonality, making each edition slightly unique. This approach aligns with the ethos of street art, where imperfection, individuality, and direct artistic engagement are celebrated. Artists working within street pop art & graffiti artwork often challenge the conventions of mass production, preferring small-batch, handcrafted prints that emphasize artistic authenticity over commercial replication. Circle City and the Influence of Urban Aesthetics The circular motifs in Circle City can be interpreted as reflections of urban landscapes, organic rhythms, and symbolic unity. The use of repetitive shapes mirrors patterns seen in street art murals, architectural design, and textile prints, making it a versatile piece that resonates within contemporary urban aesthetics. The composition’s hand-rendered nature further echoes the spontaneity of graffiti and street markings, where public surfaces become canvases for artistic expression. By combining street pop art influences with lithographic printmaking and hand-applied details, Circle City bridges the gap between fine art print culture and street-level creativity. This work exemplifies how artists like Jen Collins continue to redefine the boundaries of modern printmaking, integrating personal expression with accessible, tactile forms of art.

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Cornetto Trilogy-The World's End Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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Multiform Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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Carousal Capers 3 Lithograph Print by Mary Hulgan Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 1985 Signed & Numbered Limited Edition of 1000 Artwork Size 16x9.5 Depicting Various Horse in a Vintage Style Carousal. Mary Hulgan's "Carousal Capers 3": A Dance of Color and Nostalgia "Carousel Capers 3," a lithograph print by Mary Hulgan, is a vivid expression of movement, color, and vintage charm, rendered with the careful touch of an artist deeply attuned to the nuances of visual storytelling. Signed and numbered in a limited edition of 1000, this 1985 artwork, measuring 16x9.5 inches, captures the whimsical essence of carousel horses in a style that resonates with the playful and evocative spirit of street pop art and graffiti. The Vintage Carousel: An Emblem of Pop Artistry Carousels, with their ornate designs and historical significance, have long been a subject of fascination in the arts. Hulgan's portrayal of these majestic creatures in "Carousal Capers 3" is a homage to the golden age of amusement, where the carousel symbolized joy, nostalgia, and the circular dance of life. The piece radiates a sense of timelessness, akin to the enduring nature of street art that captures the essence of cultural moments and preserves them on city walls and canvases. The lithograph's vintage aesthetic and Hulgan's choice of a warm color palette impart a sense of history reminiscent of how street art often incorporates elements of the past to create new narratives. Each horse's distinct adornments and poised stance tell a silent story, inviting viewers to engage with the artwork's inherent sense of play and fantasy. Reflections of Street Art in Lithographic Expression While "Carousal Capers 3" may initially seem distant from the grit of graffiti and the pop of street art, a closer look reveals a shared lineage. Lithography, much like street art, is a democratic art form, allowing for the reproduction and dissemination of works to a broad audience. Hulgan's lithograph, with its careful layering of inks and hand-pulled technique, shares the meticulous craftsmanship and bold visual impact of the best street murals. Furthermore, the carousel's embodiment of communal memory and shared public space echoes the collective experience of street art, where images become part of the communal consciousness. Hulgan's work celebrates this shared visual heritage, encapsulating the joy and artistry of a bygone era while speaking to contemporary tastes and sensibilities. Mary Hulgan's "Carousal Capers 3" stands as a testament to the power of printmaking in capturing the spirit of an era and the joy of simple pleasures. With its limited edition status, the artwork becomes an accessible treasure, a piece of historical trance that can be owned and cherished. It is a reminder that art, like a carousel, is cyclical, ever-turning, and always returning to the hearts of those who cherish its beauty and wonder.

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Idolize Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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Lucky White Rabbit HPM Lithograph Print by Jen Collins Hand Applied Gold Details Print on Recycled 280gsm A6 Card Stock Paper Limited Edition Pop Artwork. 2013 Signed & Numbered Limited Edition of 19 Artwork Size 4.1x5.8 Hand Applied Gold Paint Lucky White Rabbit HPM (Hand-Pulled Monoprint) Lithograph Print by Jen Collins is a piece of artwork created by the artist Jen Collins. The title suggests that it features a white rabbit, a symbol often associated with luck and good fortune. Jen Collins is likely an artist who works in various mediums, and in this case, she has chosen to create a lithograph print. A lithograph is a printmaking technique that uses a stone (lithographic limestone) or a metal plate with a smooth surface. The artist applies a design using materials like ink. The image is then transferred onto a sheet of paper by pressing the two together, usually using a printing press. Hand-Pulled Monoprint (HPM) refers to a unique print created by the artist through a combination of techniques, where each print is slightly different from the others. This makes each print a one-of-a-kind piece of art, making them highly collectible and valuable.

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Cornetto Trilogy- Shaun of the Dead Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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