Framed Art Ready to Hang

George Washington One Dollar Bill Original One of a Kind Oil Painting on Canvas by Steve Kaufman SAK modern pop artist. 2002 Signed Original Custom Framed & Stretched Canvas Original Artwork Size 27x44

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In Bloom I Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by ARTIST graffiti street Meggs modern pop art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed Australian artist David “Meggs” Hooke for his solo exhibition Spoiled Rotten. The exhibition of over 40 new paintings and multiples explores the wondrous decay of social morality stemming from modern society’s obsession with pop culture and overindulgent materialism, and continues Meggs’ perpetual fascination with dualism and finding beauty in tragedy.“Detroit is a city of duality more so than many other cities I have been to. I sought to incorporate this by using objects and surfaces that imply decay, in what I consider to be a beautiful way. Old wooden materials and signs with layers of paint tell a story of their own. Although the colors and textures are aesthetically beautiful, I think it’s about giving these materials a new life, a second purpose.” - Meggs

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Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

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Super Saver! 2 Limited Edition Hand-Embellished 6-Color Screen Print on Framed 350gsm Cotton Fine Art Paper by Denial Daniel Bombardier. Custom Framed 2015 Signed Limited HPM Edition of 40 Artwork Size 28x22 "I originally painted a version of this in Wynwood at Art Basel this year (2015). Like a lot of working artists I put the entire trip on my credit card and had to deal with it after I got the "bill." It's basically a statement on living day to day and trying to figure it all out. Like how to make art and travel and live with some balance to it all.I have an affinity, as many people do to superheroes. I really think they are a beautiful sentiment to a very messed up world/existence." - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Contemplation Original Painting Acrylic on Canvas Ready To Hang by Mandy Tsung Graffiti Street Artist Modern Pop Art. 2014 Signed Original Acrylic Painting Artwork on Canvas Ready To Hang Size 20x20

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Rabbit With Mushrooms, an original one-of-a-kind acrylic painting by Popular Street Graffiti Artist Nicole Gustafsson on fine art paper. 2014 Custom Framed & Matted Signed Original Image 3x3 Frame 8.5x8.5 Exploration of Nature and Fantasy in Artwork Gustafsson's "Rabbit With Mushrooms" is a vivid portrayal that harmoniously blends the notion of the natural world with the creative liberty associated with pop art. This artwork, set on fine art paper, presents a rabbit perched atop a mushroom, a playful and surreal scene. The rabbit, donned in attire that hints at adventure and exploration, holds a golden cube, perhaps a treasure found within this magical setting. Gustafsson's attention to detail in the rabbit's pose and the mushrooms' intricacies emphasize her ability to bring fantasy to life within the confines of a small canvas. The "Rabbit With Mushrooms" piece is a remarkable example of Nicole Gustafsson's original one-of-a-kind acrylic paintings, which have significantly contributed to the street pop art and graffiti artwork scene. Created in 2014, this piece encapsulates Gustafsson's distinctive artistic style, characterized by its vibrant storytelling, connection to nature, and the seamless integration of fantastical elements within a street art context. The selection of such a subject reflects Gustafsson's love for weaving narrative and myth into her art, a common thread in street pop art, where stories unfold on unconventional canvases. The rabbit, a creature often associated with curiosity and agility, is depicted as a protagonist of this art piece, inviting viewers to delve into the narrative and possibly perceive a more profound meaning or story behind the composed scene. Technique and Artistic Merit "Rabbit With Mushrooms" exhibits Gustafsson's mastery of acrylics, a medium that allows for a rich vibrancy and a depth of texture. The artwork, though small in size, with the original image measuring 3x3 inches, is a testament to Gustafsson's skill in creating detailed and impactful pieces within a limited space. The custom framing and matting, bringing the dimensions to 8.5x8.5 inches, enhances the artwork's presence, giving it a prominence that belies its modest scale. The color palette of the piece, with its earthy tones and subtle backdrop, focuses the viewer's gaze on the central figure, allowing the rabbit and its whimsical mount to take center stage. This careful orchestration of color and form is a hallmark of Gustafsson's style, which often features a seamless blend of street art's immediacy and the finesse typical of fine art. Significance in the Street Art and Pop Art Communities In street pop art and graffiti artwork, "Rabbit With Mushrooms" holds a special place due to its originality and the artist's reputation. Gustafsson, a popular name in street art communities, is known for her ability to translate the spontaneity and edginess of street graffiti into works that resonate with the more personal and intimate settings of private collections. The piece's allure is compounded by its status as a signed original, a mark of authenticity, and a direct connection to the artist's hand. This aspect of the artwork is essential in the street art world, where the authenticity and unique touch of the artist are highly valued. Collectors and admirers of Gustafsson's work are investing in a piece of art and obtaining a fragment of the creative spirit that drives the street pop art movement. Collectibility and Lasting Appeal As a finely crafted and thoughtfully presented piece, "Rabbit With Mushrooms" embodies the essence of collectibility. Its bespoke framing and matting signal its readiness to be displayed and appreciated within a connoisseur's space. The small size of the artwork, coupled with its depth of narrative and aesthetic appeal, makes it a versatile piece suited for diverse environments, from private homes to galleries. Furthermore, the year of its creation, 2014, places "Rabbit With Mushrooms" within a period of growing recognition for street art, marking it as a historical artifact of the genre's development. Gustafsson's signature on the piece adds to its value, providing a tangible link to the time of its creation and the artist's evolving journey within the street pop art and graffiti art landscape. Nicole Gustafsson's "Rabbit With Mushrooms" is more than just an original painting; it is a piece that encapsulates the vibrancy and imagination inherent in street pop art and graffiti artwork. It is a testament to Gustafsson's artistic prowess and contribution to the art form, as well as a cherished collectible with lasting appeal for enthusiasts and collectors alike.

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Draw Four- Gold Foil Artwork Giclee Limited Edition Framed Print on Ivory Board Stock Paper by Pop Culture Graffiti Artist Ben Frost. Matted and framed under glass. Ben Frost (b. 1975) Draw Four (Gold Foil), 2021 Giclee in colors on Ivory Board Stock paper 23-1/2 x 16-1/2 inches (59.7 x 41.9 cm) (sheet) Ed. 7/10 Signed and numbered in ink along lower edge Published by the artist. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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Rubik Shot Red Marilyn Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 774 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-4. Elevate your art collection with the captivating "Rubik Shot Red Marilyn Rubikcubism Metal Giclee Prints" by the celebrated street artist Invader. These four expertly crafted, ready-to-hang prints feature a vibrant reimagining of an iconic subject using the novel medium of Rubik’s Cubes. Each print in this distinguished series is meticulously produced, showcasing a Diasec-mounted giclée on a robust, laser-cut aluminum composite panel. They are designed to make a statement in any space with dimensions of 100 x 100 cm and a significant weight of 13.5kg. The "Rubik Shot Red Marilyn" collection perfectly blends nostalgia and contemporary art, reflecting Invader’s renowned creativity and innovation within the world of street pop art.

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The Promise Silkscreen Print by Kaws- Brian Donnelly Framed Hand-Pulled Screen Print on 250gm Stonehenge Steel Grey Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 16x20 Custom Ornate Frame The Significance of Kaws' The Promise Silkscreen Print In modern art, Kaws, the pseudonym of Brian Donnelly, has risen as a luminary bridging contemporary aesthetics with street sensibilities. His work "The Promise" silkscreen print epitomizes the convergence of pop culture and art, standing as a testament to the dynamism of street pop art and graffiti Art. Created in 2022, this piece is part of a limited edition series that has garnered significant attention from collectors and enthusiasts alike. Characteristics of The Promise by Kaws "The Promise" features Kaws' iconic characters, recognized for their ability to evoke emotional depth despite their simplified and stylized forms. These figures, reminiscent of cartoons, are often interpreted as commentary on the nature of humanity and connectivity. In this print, the characters engage with a globe, suggesting stewardship and global responsibility themes—a reflection of contemporary issues that resonate on a universal scale. This particular silkscreen print is pulled by hand on 250gm Stonehenge Steel Grey Art Paper, a choice that contributes to the texture and depth of the piece. The use of high-quality art paper not only enhances the visual appeal but also ensures the longevity of the print, making it a valuable collector's item. The artwork measures 16x20 inches, a dimension that allows for intimate viewing while still asserting its presence as a statement piece. Limited Edition and Exclusivity The exclusivity of "The Promise" is underscored by its limited run of 500 signed and numbered prints. This deliberate scarcity amplifies the artwork's desirability and highlights its significance within Kaws' oeuvre. Collectors who own a piece of this limited series possess a segment of Kaws' artistic journey and a snapshot of Street Pop Art history. Custom Framing and Presentation Each print of "The Promise" is complemented by a custom ornate frame. The framing is not merely a protective enclosure but an extension of the artwork, carefully selected to enhance the piece's aesthetic and thematic elements. The frame elevates the print, ensuring it commands attention and respect, befitting its status as a work of art. The Position of The Promise in Street Pop Art & Graffiti Artwork Kaws' "The Promise" is distinctive in Street Pop Art and graffiti Artwork. It embodies the artist's fluent dialogue between the street and the gallery, which challenges traditional boundaries and hierarchies within the art world. By bringing the rawness of the street into a refined gallery context, Kaws disrupts expectations and invites viewers to reconsider the value and place of Street Pop Art in the broader art historical narrative. Brian Donnelly's "The Promise" is a remarkable piece that captures the essence of Kaws's artistic vision and the spirit of street pop art and graffiti artwork. Its limited edition status, hand-pulled screen printing technique, and custom framing all contribute to its uniqueness as a work of art. As a collectible, it holds aesthetic value. It represents a crucial intersection between street culture and high art, making it a coveted piece for any serious collector or fan of contemporary art.

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3 Lil Piggies- Pink Pasadena Limited Edition Hand-Embellished HPM 5-Color Silkscreen Prints on Somerset Hot Press Paper by OG Slick Graffiti Street Artist Modern Pop Art. Framed 2015 Signed OG Slick (b. 1967) 3lilpigs 3 Lil Piggies (Pink Pasadena), 2015 Screenprint in colors with hand-embellishments on Somerset Hot Press paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 21/25 Signed and dated in pencil along lower edge Published by Big Dicks Hardware, Los Angeles. Framed under glass. Framed Dimensions 25 X 25 Inches

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Happy All-Stars 1 Original One-of Kind Mixed Media Spray Paint & Acrylic Painting Artwork on Gallery Wrapped Linen Canvas by Popular Street Graffiti Artist Pez. 2021 Signed Mixed Media 24x24 Gallery Wrapped Canvas Ready To Hang The artistic creations of El Pez are distinguished by their vivid, striking hues and lighthearted, jovial themes. His emblematic beaming fish frequently appear alongside other characters, such as birds, cats, and a range of anthropomorphic beings. El Pez's distinctive fish have been painted on walls and various surfaces across the globe, in cities such as Barcelona, Miami, London, Paris, and beyond. The recurring fish motif represents the pure delight and happiness of life, which El Pez strives to share through his art. A significant presence in the world of graffiti and street art, El Pez has taken part in numerous festivals and art events, and his work has been displayed in galleries worldwide. He has joined forces with other renowned street artists and is regarded as a pivotal figure in the realm of modern urban art.

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Japanese School Girl Flag Limited Run Hand-Distressed Multiple HPM on Wood Cradled Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2012 10x10 Signed Numbered on Verso Edition of 20

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Rise Above Original One of a Kind Collage, Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Graffiti Artist Legends D*Face x Shepard Fairey. 2021 Signed bottom back right by both artists' original collage with archived screenshots and spray paint. Framed in beech-stained black. 21 1/4 x 18 7/8 in 54 x 48 cm Riot D*Face Ruined My Day The Collaborative Essence of D*Face and Shepard Fairey The artwork titled 'Rise Above' is a profound testament to the synergy between two titans of street pop art and graffiti artwork, DFace and Shepard Fairey. This original collage, composed of archived screenprints and spray paint on fine art paper, is a powerful expression of the socio-political commentary that both artists are renowned for. Signed by both DFace and Shepard Fairey in 2021, the piece is framed in beech-stained black, measuring 21 1/4 x 18 7/8 inches (54 x 48 cm), and carries the unmistakable spirit of rebellion and resistance that defines the work of both artists. The collaboration between D*Face and Shepard Fairey for 'Rise Above' is a landmark moment in street art history. Both artists have individually contributed significantly to the evolution of graffiti and street pop art, and their partnership in this piece is a dialogue between two distinct voices that share common thematic interests. The artwork's title, 'Rise Above,' encapsulates the essence of the artists' shared ethos—a call to transcend the status quo and challenge societal norms through art. 'Rise Above' is a masterful blend of techniques, with each layer of collage, spray paint, and silkscreen adding depth and texture to the piece. Archived screenprints are a nod to the artists' past works, creating a sense of continuity and legacy within their oeuvre. The spray paint element introduces a raw, visceral quality reminiscent of their work on the streets, while the silkscreen process adds precision and complexity. This combination of methods results in a piece rich in visual and conceptual density. Iconography and Message in 'Rise Above' The iconography used in 'Rise Above' is laden with meaning. The piece features a portrait characteristic of DFace's style, reminiscent of the comic book aesthetics and skeletal motifs he frequently employs. This figure holds a sign bearing the phrase "DFace Ruined My Day," a self-referential statement that plays with the artist's name and reputation for disrupting the norm. Shepard Fairey's influence is evident in the bold typographic elements and propaganda-style imagery that challenge viewers to question authority and power structures. The socio-political impact of 'Rise Above' is both timely and timeless. By blending their signature styles, D*Face and Shepard Fairey have created a piece that speaks to current socio-political issues while remaining relevant to future generations. The artwork's call to 'Rise Above' is a universal message of empowerment, urging viewers to engage with the world around them critically. The collaboration between these two artists serves as a reminder of the potent role that art can play in provoking thought and inspiring change. The Legacy of 'Rise Above' in Street Art 'Rise Above' contributes to the legacy of street art by showcasing the potential of collaboration within the genre. The partnership between D*Face and Shepard Fairey exemplifies how artists can come together to amplify their message and impact. As both artists have been pivotal in bringing street art into the mainstream consciousness, this piece also reflects the maturation of street art as a recognized form of fine art capable of conveying complex narratives and evoking strong emotional responses. 'Rise Above' is a striking piece of art that embodies the rebellious spirit of street pop art and graffiti artwork. The collaboration between D*Face and Shepard Fairey is a testament to the power of art to communicate, challenge, and inspire. The piece's layered complexity, both in technique and symbolism, offers a rich visual experience and a poignant message that resonates with the core values of street art. As 'Rise Above' continues to be appreciated by art enthusiasts and collectors, it is a significant contribution to contemporary art discourse, reminding us of the transformative power of artistic collaboration.

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Untitled from Blame Game- #10 Hand on Brow Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With a Large Custom Frame and Mat, Slight Feather Scuff To Lower Middle White. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York The Expressive Nuance of KAWS' "Untitled from Blame Game - #10 Hand on Brow" The "Untitled from Blame Game - #10 Hand on Brow" stands as a significant piece within the oeuvre of KAWS, the artistic alias of Brian Donnelly. This piece is part of a limited series, a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper, known for its exceptional quality and resilience. The artwork, measuring 35 x 23 inches, is one of a limited edition set of 100, each signed, numbered, and dated by the artist in pencil along the lower edge, showcasing his direct involvement and personal touch in each piece. Released in 2014 and published by Pace Prints in New York, this work is framed within a large custom frame and mat, which elegantly encases the artwork and enhances its display. The "Hand on Brow" motif featured in print indicates KAWS' unique and recognizable visual language, frequently including bold colors, graphic shapes, and the reimagined characters that have become central to his art. The slight feather scuff to the lower middle white of the print may suggest the hands-on process involved in creating these works, emphasizing their handmade nature and the authenticity of the screen printing process. KAWS: Bridging Street Art and the Fine Art Sphere KAWS' journey from a graffiti artist tagging the streets of Jersey City to a global art phenomenon encapsulates the transformative power of street pop art and its ability to permeate the fine art world. His background in graffiti is evident in the freeform and expressive quality of his work, yet there is a sophistication to his approach that aligns with delicate art sensibilities. His "Untitled from Blame Game - #10 Hand on Brow" vividly represents this crossover, presenting a visual dialogue that is accessible yet complex, playful yet profound. Using an 11-color palette in the silkscreen process is particularly noteworthy, allowing KAWS to layer colors with precision and create images with depth and vibrancy. The choice of Saunders Waterford Hi-White paper reflects his commitment to quality, as it is a preferred substrate for fine art prints due to its superior texture and durability. Like many in KAWS' body of work, this piece is a sophisticated confluence of street art's edginess and pop art's mass appeal. Cultural Resonance of KAWS' Limited Edition Prints KAWS' prints, especially those within the "Blame Game" series, resonate culturally due to their commentary on social constructs and individual experience. The recurring themes in his work, including isolation, companionship, and contemplation, are universally relevant, allowing his art to speak to a diverse audience. His "Untitled from Blame Game - #10 Hand on Brow" encapsulates these themes, employing his iconic crossed-out eyes and abstracted figures to invite introspection and emotional response. As a limited edition piece, this artwork occupies a special place in street pop and graffiti art narratives. Collectors and enthusiasts value KAWS' prints for their artistic merit, rarity, and investment potential. The art of KAWS, particularly pieces like "Untitled from Blame Game - #10 Hand on Brow," continues to influence the trajectory of street-inspired art, commanding attention in urban environments and refined gallery spaces. In conclusion, "Untitled from Blame Game - #10 Hand on Brow" is a testament to KAWS' masterful blend of street art's spontaneity with the calculated craft of fine art printmaking. This piece symbolizes the artist's capacity to engage with viewers on multiple levels, offering a visual feast that is as thought-provoking as aesthetically pleasing. As street pop art continues to evolve, the work of KAWS is a pivotal point of reference, blurring the lines between subcultures and mainstream art forms.

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1 • 12 • 5 • 24 Original Painting Mixed Media on Canvas by Eddie Colla Graffiti Street Artist Modern Pop Art. 2017 SIgned Original Acrylic & Spraypaint on Ready To Hang Canvas Artwork Size 18x24 "Through this, we hold steadfast when our challenge was to turn fate not to be victorious that possibility evaporated did not we endure together and often alone for all of us for tomorrow and yesterday and for what could've been and is and for what is and might well be lest we forget each of us and used memory and failing and standing when standing was all there was." -Eddie 1 • 12 • 5 • 24 Original Mixed Media Painting on Canvas by Eddie Colla 1 • 12 • 5 • 24 is a powerful original mixed media painting on canvas by graffiti street artist Eddie Colla. Created in 2017, this signed artwork is an 18x24-inch piece executed with acrylic and spray paint, embodying the raw energy and layered narratives that define Street Pop Art and Graffiti Artwork. The piece presents a haunting portrait of a masked individual, rendered in high-contrast black and sepia tones, with textures and distressed effects that evoke themes of resilience, rebellion, and survival. Eddie Colla is known for his ability to capture the psychological and emotional weight of contemporary struggles through his art. His figures, often masked or adorned in protective gear, reflect themes of identity, resistance, and societal unrest. The grommeted edges and weathered surface of this piece reinforce its industrial and urban aesthetic, making it feel like a fragment of a larger, unseen history. This painting is not just a portrait but a narrative encapsulated in texture, symbol, and form, urging viewers to consider the deeper implications of endurance, defiance, and memory. Eddie Colla and His Influence on Street Pop Art and Graffiti Artwork Eddie Colla is an American street artist and contemporary painter whose work frequently explores themes of urban decay, civil disobedience, and existential perseverance. His art is deeply influenced by graffiti culture, punk aesthetics, and dystopian storytelling, often featuring masked figures navigating hostile or uncertain environments. Through his work, Colla addresses issues of personal freedom, governmental control, and the struggles of marginalized communities. 1 • 12 • 5 • 24 exemplifies his signature visual language—characters with obscured identities, layered textures that mimic aged or decayed surfaces, and cryptic numbering or lettering that suggest coded messages or hidden histories. His use of stencil and spray paint techniques, combined with hand-painted elements, bridges the worlds of fine art and street culture, reinforcing the transient and defiant spirit of graffiti. This painting is a striking representation of his ongoing exploration of survival and memory, serving as both an aesthetic statement and a cultural reflection. The Symbolism and Aesthetic Power of 1 • 12 • 5 • 24 The masked figure in this painting stands as a powerful emblem of both protection and protest. The gaze, partially obscured yet intensely expressive, draws the viewer into a moment of contemplation—what is the subject confronting, and what struggles have they endured? The rough, textured background and muted color palette amplify the sense of history embedded in the piece, as if the painting itself has witnessed unseen conflicts and untold stories. The presence of the cryptic numbering, 1 • 12 • 5 • 24, invites interpretation, suggesting themes of coded messages, dates of significance, or an abstract reference to time and memory. Colla’s distressed, layered surfaces reflect the impermanence of both urban landscapes and human experiences. The grommets in the canvas further enhance the industrial aesthetic, reinforcing the idea that this is not just a piece of art but a relic—an artifact from a moment of resistance or an imagined future where survival is an act of defiance. The artwork’s ability to evoke emotion while maintaining a sense of mystery is what makes it a compelling addition to the discourse of Street Pop Art and Graffiti Artwork. Collectibility and Cultural Impact of Eddie Colla’s Work Eddie Colla’s work has gained significant recognition within contemporary urban art circles, with his pieces exhibited in galleries and public installations worldwide. His ability to translate street culture into fine art has made his work highly collectible among enthusiasts of modern graffiti and dystopian-themed art. This piece, being an original mixed media work, holds unique value as it captures the raw essence of his style and thematic focus. 1 • 12 • 5 • 24 stands as a testament to the resilience of human expression in challenging times. It resonates with audiences who appreciate art that is both visually striking and conceptually profound. The combination of hand-painted details, stencil work, and industrial elements makes it a distinctive work within Colla’s portfolio, reinforcing the importance of art as a means of resistance, remembrance, and social commentary.

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Tripping Devil is an original hand-drawn art drawing on framed, hand-deckled, aged art paper by Surreal Artist Naoto Hattori. 2012 Signed Original One of a Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist. The Fusion of Street Pop and Graffiti Art in Naoto Hattori's Work The intersection of street pop art and graffiti represents a vibrant and often rebellious art form that seeks to challenge traditional aesthetics, present social commentary, and engage public spaces as a canvas for expression. Naoto Hattori's "Tripping Devil" is a profound example of this artistic intersection, although it differs from the conventional spray-painted murals on city walls. This 2012 original pencil/graphite drawing is a testament to the diverse techniques and materials employed within the genre, bridging the raw spirit of street art with the meticulous skills of classical drawing. Hattori's piece is delicately framed, sized at 8.5x8.5 inches, with the image measuring 3x5 inches. The artist crafted the custom frame and matting, underscoring the personalized touch and attention to detail that Hattori brings to his work. The art paper is hand-deckled and aged, a choice that lends an additional layer of texture and a sense of historical depth to the piece. This material selection is particularly poignant, as it imbues the artwork with an ancient quality that contrasts sharply with the typically ephemeral nature of street and graffiti art. Naoto Hattori's Unique Aesthetic within Street Pop Art Naoto Hattori's oeuvre is often characterized by dream-like surrealism, where fantastical creatures and morphed figures challenge the viewer's perception of reality. "Tripping Devil" is no exception. The drawing features a creature with a human-like face and a body that transitions into an octopus-like form. This blending of the human and the surreal is a hallmark of Hattori's style and speaks to the transformative potential of street pop art and graffiti artwork. The stark monochromatic palette of graphite focuses on the intricate details and shading that bring the "Tripping Devil" to life. Despite being contained within a frame, the artwork carries the spirit of street pop art, often characterized by a bold defiance of boundaries and an embrace of the unconventional. Hattori's systematic approach to drawing parallels the deliberate and thoughtful techniques used by street artists and graffiti writers to create their pieces, albeit on a different scale and medium. Naoto Hattori and the Collectibility of Street Pop Art Collectors and enthusiasts of street pop art and graffiti artwork are increasingly seeking pieces to be displayed within the home, transitioning from public spectacle to personal treasure. Hattori's "Tripping Devil" exemplifies this trend, offering the art market a one-of-a-kind piece that encapsulates the essence of street art in a form that is both collectible and suited for private exhibition. The artist's signature on the piece is a seal of authenticity and a bridge between the artist and the collector. The originality of the "Tripping Devil" is paramount. In a domain where mass production and replication are commonplace, Hattori's commitment to creating a singular original work elevates the piece's value and appeal. The meticulous nature of the work, combined with its unique presentation on aged art paper, creates a dialogue between the transient nature of street art and the enduring quality of fine art collecting. The Cultural Relevance of Hattori's Artistry In the broader context of street pop art and graffiti artwork, Hattori's "Tripping Devil" stands out as a cultural artifact that embodies the innovative spirit of these art forms. While street pop art often conveys messages about popular culture and societal issues, Hattori's work delves into the psyche, exploring themes of identity, consciousness, and the human condition through a surrealistic lens. This piece, while not displayed in a public space, continues the tradition of street pop art and graffiti artwork with its aim to provoke thought and evoke emotion. The surreal elements invite interpretation and reflection, much like the larger-than-life murals and tags in urban environments. Hattori's "Tripping Devil" is a reminder that the heart of street art lies not only in its location but also in its ability to connect with viewers on a profound level, challenging perceptions and encouraging a deeper engagement with the visual narrative. Naoto Hattori's "Tripping Devil" is an exquisite example of the potential for cross-pollination between street pop art, graffiti artwork, and traditional drawing techniques. It stands as a testament to the artist's skill and the versatility of street-inspired art. As this piece demonstrates, the value of street pop art and graffiti artwork extends beyond the city's walls, finding a place within the collections of art lovers who appreciate the nuanced blend of rebellion, craftsmanship, and narrative depth that these genres offer.

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Night Bear's Original Kind Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Nicole Gustafsson. 2014 Custom Framed & Matted Signed Original Image 3x3 Frame 8.5x8.5 Night Bear: A Glimpse into the Whimsical World of Nicole Gustafsson The Artistic Journey of Night Bear Nicole Gustafsson's "Night Bear," an original acrylic painting on fine art paper, emerges as a unique piece in street pop and graffiti art genres. Created in 2014, this artwork diverges from the urban grittiness typically associated with street art, inviting the viewer into a more whimsical and storybook-like world. Framed and matted at 8.5 by 8.5 inches with the actual image measuring 3x3 inches, the piece is a treasure trove of intimate craftsmanship. It stands out as an original signed work, bearing the distinct aesthetic that Gustafsson is celebrated for— a fusion of enchanting landscapes and engaging characters that tell a story beyond their contained canvas. The Whimsy of Street Pop Art in Gustafsson's Work In "Night Bear," we witness the convergence of street art's accessibility and pop art's mass appeal with a narrative quality that is deeply personal and illustrative. Gustafsson's work is characterized by her ability to craft vibrant and serene scenes, encapsulating moments that seem to be taken from a dream or a far-off fantasy land. Unlike the often transgressive nature of graffiti, her work leans toward the enchanting and the magical, making it an endearing anomaly in the street pop-art landscape. With its delicate portrayal of a bear and its ghostly companion, this piece conjures a sense of companionship and wonder, themes that resonate with viewers across different backgrounds. The Signature Style of Nicole Gustafsson Nicole Gustafsson's style is a breath of fresh air in street pop art and graffiti artwork, where bold lines and loud messages often dominate. Her approach is subtle yet impactful, drawing in the observer with intricate details and a soft color palette that can turn a small 3x3 image into a portal to another realm. The "Night Bear" is a testament to her skillful brushwork and ability to create depth and texture with acrylics, which lends a tactile quality to the visual narrative. Each stroke is intentional, contributing to the overall harmony of the artwork. Reflection on "Night Bear" and Its Place in Street Pop Art "Night Bear" may seem like a departure from the edgy roots of street pop art and graffiti, but it is a reminder of the spectrum this art form can encompass. Gustafsson's piece offers a playful and poignant narrative, highlighting the versatility of street pop art to adapt and embrace different storytelling methods. This artwork does not shout from the rooftops but instead whispers a tale that draws viewers in, asking them to pause and reflect. It's a quiet yet powerful statement in the bustling world of street art, proving that the genre is not monolithic but rather a mosaic of various artistic expressions.

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Lion Mandala Limited Edition 2-Color Hand-Pulled Silkscreen Print with Spot UV Layer on 130lb French Black Licorice Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Custom Framed in Distressed Gold Frame. "This piece was born from the inspiration of a personal struggle I was experiencing with overcoming certain obstacles in my life surrounding addiction. Not just chemical addiction, but addictive thoughts and behaviors that didn't serve my highest good. The lion archetype visited me in my dreams during this time of struggle with addiction. I dreamt I was a lion running with full force through a dense jungle. I had a thick rope in my mouth and as I ran through this jungle people were fighting to grab the free sides of the rope to try and slow me down from running so fast. It was getting snagged and I felt extreme pain in my body. The pain grew to the point my body caught on fire, I could feel my flesh searing. I remember fighting through it and eventually, the pain went away and I kept running forward. Pretty Intense! So I combined my vision of the lion with the mandala to mirror a frequency of courage, strength, and power to its the viewer and the space that it is hung in." - Chris Saunders

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Abstract Cubism 1 Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Custom Framed 31.5x22.5. Abstract Cubism 1 by RD-357 Painting- This original artist's stretched canvas mixed media spray paint graffiti painting features the RD tag with cubsitic colors in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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Fish Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist, Slight Scuffing To Frame Consistent to Age. The Artistic Journey of Naoto Hattori's Fish Original Drawing Naoto Hattori's unique contribution to the art world often finds a comfortable residence at the intersection of surrealism and street art. The 'Fish Original' hand-drawn art piece on framed hand-deckled aged art paper is a distinct representation of this artistic blend. Crafted in 2012, this original pencil/graphite drawing is a testament to Hattori's intricate style and ability to create depth and narrative within the confines of minimalist subject matter. The artwork, housed within a custom 8.5x8.5 inch frame, showcases an image size of 3x5 inches, offering a glimpse into the artist's surreal perspective through the lens of street pop art and graffiti artwork. This singular piece by Hattori is a signed, original, one-of-a-kind drawing showcasing monochromatic art's subtle yet powerful impact. The decision to create this work on hand-deckled aged art paper indicates Hattori's reverence for the textural qualities that the paper brings to the artwork. The deckled edges add an element of antiquity and an organic feel to the piece, enhancing the visual experience and complementing the simplicity of the subject—a single fish. The drawing, while straightforward in its representation, is imbued with a sense of motion and life, capturing the subject's essence with a delicate realism often associated with Hattori's work. Exploring the Nuances of Hattori's Surrealism in a Street Art Context The 'Fish Original' piece by Naoto Hattori is a subtle nod to the fluidity of street pop art and the evocative nature of graffiti artwork. While Hattori's work is primarily rooted in surrealism, the influences of street art are evident in the way he approaches his subjects. This drawing has a certain rawness and directness, qualities frequently celebrated in street art. The pencil work is precise, yet there is an undercurrent of freedom and spontaneity that aligns with the spirit of graffiti art. Custom framed and matted by the artist, the 'Fish Original' drawing reflects Hattori's hands-on approach to his art from inception to presentation. The slight scuffing on the frame, consistent with its age, adds character to the piece, suggesting a history beyond its visual content. This kind of patina often draws admirers of street art to such pieces, as it provides a rich and personal narrative. The scuffs are not flaws but marks of a journey, much like the weathered walls that serve as canvases in street art.  Street Pop Art, Graffiti Artwork, and the Intimacy of Small-Scale Works The world of street pop art and graffiti artwork is known for its boldness and large-scale visibility. However, pieces like Hattori's 'Fish Original' challenge this convention by bringing the intimacy of small-scale artwork into focus. Through this drawing, Hattori communicates that the essence of street pop art is not confined to size but is found in the authenticity and expressive power of the piece. Hattori's choice of framing and matting further personalizes the artwork, making it a complete piece that offers a narrative, much like street art, which often tells stories in the public domain. The 'Fish Original' by Naoto Hattori bridges the often disparate worlds of fine art and street art, marrying the intricacy of pencil drawing with the accessible, emotive drawing of street pop art. It exemplifies how art can transcend boundaries and speak to a diverse audience. This drawing, with its meticulous craftsmanship and the textured backdrop of aged paper, is a cherished piece in contemporary art, offering a moment of contemplation and connection in the bustling dialogue of street pop art and graffiti artwork. It stands as a beacon of the potential that lies in the fusion of different artistic disciplines, as seen through the visionary eyes of Naoto Hattori.

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Queen- Blue Original One of a Kind Mixed-Media, Acrylic, Spray Paint Painting on Cradled Wood Panel with Custom Tabletop Frame by Popular Street Art Graffiti Artist Greg Gossel. 2017 Signed Original Framed Painting Artwork Size 18x24 Greg Gossel Queen (Blue), 2017 Mixed-media on cradled wood panel with custom tabletop frame 18 x 24 in., 45.7 x 61 cm

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Venus Unique #13 Unique Original HPM 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr. Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 HPM Signed & Numbered Hand Painted Original Unique One of a Kind Deckled Artwork Size 16x16. Custom Frame & Mat. Each print is signed plus numbered 1/1 by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash. The Intersection of Classical Imagery and Contemporary Street Pop Art in Mr. Brainwash’s Venus Unique #13 Thierry Guetta, artistically known as Mr. Brainwash, has been a transformative force in modern art, bridging the gap between street art's rebellious energy and pop art's iconic imagery. His work, Venus Unique #13, is a testament to this fusion, embodying the spontaneous creativity of Graffiti Street Artists Modern Pop Art. Released in 2021, this hand-pulled silkscreen print is part of an original series that infuses the classic depiction of Venus with a burst of contemporary life, underscored by the vibrant disruption of a Rubik's cube pattern. Venus Unique #13 is a symbolic piece within Mr. Brainwash's oeuvre. It is a 6-color silkscreen print, underscored by the Artist's hand-painted embellishments on hand-torn archival paper, which gives it an organic and tactile feel. The artwork is encased in a custom frame and mat, enhancing its visual appeal and preserving its condition. This particular print is marked 1/1, signaling its status as a unique work within the series. It is further authenticated by Mr. Brainwash's signature and thumbprint on the reverse, hallmarking its originality. Capturing Art Historical References with a Modern Twist Mr. Brainwash's penchant for juxtaposing classic art historical references with modern elements is evident in Venus Unique #13. The artwork reimagines the Roman goddess Venus, an enduring symbol of beauty and love, through the lens of modern-day iconography and urban artistry. By overlaying the serene and timeless figure of Venus with the chaotic, colorful patterns of a Rubik's cube, Mr. Brainwash creates a dialogue between the past and the present, between enduring ideals and contemporary challenges. The use of the Rubik's cube is remarkably evocative, as it is a pop culture icon and a metaphor for complexity and the human endeavor to solve puzzles. It suggests that the interpretation of beauty and art is itself a complex puzzle, a challenge that evolves with time and perspective. Mr. Brainwash cleverly employs the cube's colors and forms to fracture and reinterpret the classical imagery, giving it a new context and relevance in today's visual language of Street Pop Art and Graffiti Artwork. The Signature Style and Cultural Commentary of Mr. Brainwash Mr. Brainwash's signature style is characterized by his bold use of color, eclectic iconography, and seamless blending of various artistic techniques. Venus Unique #13 is imbued with this signature approach, showcasing a harmonious blend of spray-painted graffiti with refined silkscreen printing. The piece is as much a celebration of the Artist's technical skill as it is of his conceptual ingenuity. By integrating elements like comic strips, street signs, and pop culture ephemera into the backdrop of Venus, Mr. Brainwash comments on the inundation of media and advertising in our daily lives. His artwork becomes a canvas where modern-day consumerism and the timeless quest for meaning and beauty intersect. Including such diverse and seemingly disparate elements is a nod to the complex visual landscapes we navigate, suggesting that art and beauty can be found in the most unexpected places. Collectability and Influence in Contemporary Art The collectability of Mr. Brainwash's work, particularly pieces like Venus Unique #13, is significant. As a unique, one-of-a-kind piece with the Artist's direct involvement, it holds aesthetic value and a high degree of collectible appeal. The artwork's size, 16x16 inches, makes it a versatile piece for collectors, suitable for various spaces and settings. These qualities make Mr. Brainwash's work highly sought after by enthusiasts of Street Pop Art and Graffiti Artwork. Venus Unique #13 is more than just a visual statement; it reflects the current era where art history receives a contemporary remix. Mr. Brainwash's approach to art challenges viewers to see beyond the surface and appreciate each piece's layers of meaning and craftsmanship. In doing so, he has cemented his place within the modern art movement, inspiring both admiration and critical thought about the role and interpretation of art in contemporary society.

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20TwentyMinutes #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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Vincent Price Original Graphite Pencil Hand Drawing on Fine Art Paper by modern trending street art artist Joe King. 2010 Signed Original Graphite Drawing Artwork Size 8.x11, Framed in ornate frame with mat.

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Rubik Camouflage Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 812 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-2. Enhance your art collection with the striking "Rubik Camouflage Rubikcubism Metal Giclee Prints" by the renowned street artist Invader. These ready-to-hang prints are a fusion of vibrant colors and intricate design, each crafted from an assembly of Rubik’s Cubes to bring Invader’s acclaimed series to life. The art prints are expertly Diasec-mounted, ensuring a high-quality giclée finish that enhances the visual depth and color fidelity. Set against a robust, laser-cut aluminum composite panel, these pieces measure an impressive 100 x 100 cm and have a solid presence at 13.5kg each. Elevate your space with these conversation-starting prints that blend pop culture with sophisticated artistry.  Innovative Fusion in Invader's Rubik Camouflage Rubikcubism Series The Rubik Camouflage pattern created by Invader symbolizes the artist's legacy as an urban disruptor. Over several decades, he has left his mark on cities across the globe by installing pixelated mosaics, often influenced by classic video games from the 8-bit era. The Rubik's Camouflage design features a white creature reminiscent of Space Invader set against a vibrant blue, red, yellow, and orange backdrop arranged in a military-style camouflage. Invader has commented that this artwork represents the infiltration of modern technology into our daily lives. The Rubik Camouflage Rubikcubism Metal Giclee Print represents Invader's innovative approach to street pop art and graffiti artwork. The pseudonymous French artist Invader has long been celebrated for uniquely incorporating digital and gaming elements into the public sphere. His limited edition series, comprising four color-filled prints, exemplifies his distinctive style known as 'Rubikcubism'—a term he coined to describe his art made from Rubik's Cubes. These works are visually striking and embody a complex interplay between pop culture, technology, and traditional street art aesthetics. Each print in the series is a testament to Invader's mastery of blending classical art techniques with contemporary mediums. The choice of Rubik's Cubes as the basis for these prints is a nod to the nostalgia of the 1980s, re-envisioned through a modern lens. The cubes are meticulously arranged to create an image that, upon closer inspection, reveals the complexity of its construction. This method is reminiscent of pointillism, where small, distinct dots of color are applied in patterns to form an image. Invader's technique, however, is uniquely futuristic, utilizing the cubic form and the inherent challenge of the Rubik's Cube to dictate the aesthetic outcome. The metal giclee prints are a further exploration of material and medium. By mounting the giclée prints on Diasec—a process where the print is bonded to acrylic glass—and then onto an aluminum composite panel, Invader ensures durability and an almost three-dimensional visual effect. This innovative use of materials reflects the street artist's understanding of the importance of longevity and the impact of texture and depth in visual art. Cultural Commentary and Artistic Merit Invader's artworks are more than mere decorative pieces; they are rich in cultural commentary and artistic merit. The limited edition series, with each piece signed and numbered by the artist, becomes a collectible item that holds value both in the art market and within the community of street art enthusiasts. The specific edition size of 812 may allude to a personal or thematic significance, adding mystery and exclusivity to the series. These prints intersect art and puzzle, a duality that challenges the viewer to engage with the artwork on multiple levels. They also represent the broader movement of street pop art, which often repurposes elements of popular culture to create something entirely new and unexpected. Invader's work disrupts the traditional narrative of street art being ephemeral and instead offers a vision of it as something that can be preserved, collected, and treasured. The Rubik Camouflage Rubikcubism Metal Giclee Print series is ready to hang, which speaks to the artist's intention of these works being accessible and enjoyed by a broad audience. The robust construction and careful consideration of the mounting process mean that these pieces are aesthetically pleasing, practical, and ready for display. The Evolution of Street Art in Invader's Practice Invader's practice represents a significant evolution in the field of street art. He bridges the gap between street art and fine art by moving beyond the walls and into the realm of tangible, collectible art objects. His work challenges the perception of street art, expanding it to include the creation of physical artifacts that carry the spirit of the streets into private collections and galleries. The use of Rubik's Cubes objects is intrinsically linked to the idea of problem-solving and intellectual challenge within his art, inviting a dialogue about the interconnectivity of art, play, and cerebral engagement. Invader's pieces are not passively consumed; they require active participation from the viewer, both intellectually and emotionally. The playful aspect of his work does not diminish its seriousness; rather, it enhances the viewer's connection to the art. Invader's Rubik Camouflage Rubikcubism Metal Giclee Print series is a remarkable contribution to street pop art and graffiti artwork. It is a testament to the artist's ingenuity and ability to push the boundaries of what is expected in this art form. These limited edition prints are not only a celebration of the artist's iconic style but also a significant marker of the progression of street art into new and exciting territories.

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Diaspora Ono Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew Diaspora Ono Original Painting by Askew One Diaspora Ono is a striking original painting created in 2015 by renowned graffiti and Street Pop Art artist Askew One. Using enamel and acrylic on plexiglass, this piece exemplifies Askew One’s ability to merge abstract forms and bold color palettes with deeply meaningful narratives. Custom framed and measuring 20x14, the painting stands as a testament to the artist’s ability to explore themes of cultural identity and migration through his unique artistic lens. The Context and Inspiration Behind Diaspora Ono Diaspora Ono was part of a larger body of work created during Askew One’s time in Los Angeles while preparing for his solo show at Known Gallery. The piece is reflective of the themes explored throughout the exhibition, particularly the concept of migration across the Pacific. Askew One delves into both historic and contemporary movements of people and ideas, creating visual metaphors that resonate with the complexities of cultural exchange. The series, which included both abstract pieces and portraits, featured models such as Sereima, a friend of the artist and a representation of the modern Pacific identity. Her Fijian descent and dynamic presence were key influences, inspiring Askew One to move away from traditional portraiture and capture energy, exuberance, and transformation. Diaspora Ono, while abstract, carries this spirit of migration and evolution through its vibrant colors and intricate layering. The Artistic Style of Askew One Askew One’s work is known for its fusion of graffiti influences with fine art sensibilities, and Diaspora Ono is no exception. The use of enamel and acrylic on plexiglass creates a sleek, reflective surface that amplifies the vibrancy of the colors. The bold lines, dynamic patterns, and textured details evoke the movement of waves, winds, and cultural exchanges that define the Pacific diaspora. The circular composition of the painting draws the viewer’s eye inward, symbolizing a continuous cycle of migration and connection. Askew One’s signature approach to Street Pop Art is evident in the interplay of abstraction and meaning. By combining the raw energy of graffiti with a polished, modern aesthetic, the artist elevates the medium while remaining true to its urban roots. Diaspora Ono exemplifies his ability to transform everyday materials into powerful storytelling tools, bridging the gap between the personal and the universal. The Significance of Diaspora Ono in Street Pop Art Diaspora Ono is a significant work within the Street Pop Art movement, as it highlights the role of urban art in addressing global and cultural issues. Through its abstract design and vibrant colors, the painting captures the fluidity and complexity of identity in a world shaped by migration. It reflects Askew One’s deep connection to his Pacific heritage while engaging with broader conversations about cultural exchange and transformation. This original painting, part of an influential series created during a pivotal moment in Askew One’s career, demonstrates the artist’s versatility and dedication to pushing the boundaries of graffiti and Street Pop Art. Diaspora Ono is not only a visual celebration of movement and identity but also a powerful reminder of the interconnectedness of people and places. It remains an essential piece for collectors and admirers of contemporary urban art.

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Graffiti for Sale One of a Kind 1 HPM Painted Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Street Art Artwork. 2022 Signed #1 of One of a Kind Edition of 5 HPM Custom Framed Hand Painted Artwork Size 30x22 Hijack's "Graffiti for Sale" is a distinctive artwork that boldly merges the worlds of commercialism with the unbridled spirit of street art. Created in 2022, this one-of-a-kind hand-pulled 15-color screen print exemplifies the artist's ability to juxtapose societal commentary with vibrant urban aesthetics. Using fine art paper as its canvas, the piece measures an impressive 30x22 inches, large enough to capture the intricate detailing and bold strokes that are trademarks of Hijack's style. As a testament to its exclusivity, "Graffiti for Sale" is signed as #1 in a very limited edition series, an HPM or Hand-Painted Multiple, where only five such pieces exist. Unlike traditional prints where each piece is a replica of the original, an HPM means that while the print may be the same, each artwork has unique hand-painted elements, making each one distinct. This specific artwork, being custom framed, adds an additional layer of sophistication, preserving its vibrancy and ensuring longevity. Delving deeper into the artwork's narrative, one is immediately drawn to the central figure, a poised individual holding a sign that reads "Street Art for Sale." This statement acts as a satirical nod to the commodification of street art, a once underground movement now showcased in galleries and auction houses worldwide. Surrounding the central figure is a whirlwind of colors, shapes, and forms - a chaotic representation of the bustling world of graffiti. Hijack's piece is not just art; it's a conversation, a statement, and a reflection on the ever-evolving world of street and pop art.

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Most Wanted- PP Printers Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Cope2 Rare Street Art Limited Edition Artwork. PP Printers Proof 2010 Signed & Numbered Framed Limited Edition Artwork Size 22x17 Framed under glass. Not examined outside of the frame. Framed Dimensions 19 X 24 Inches

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Pop Tart- Yellow Hand-Pulled 7-Color Framed Silkscreen Print on 410gsm Somerset Satin White Paper by Artist D*Face- Dean Stockton Limited Edition Fine Art Artwork. 2007 Signed & Numbered Framed Limited Edition of 125 Artwork Size 30x29 Framed With a Large Custom Frame & Mat. Pop Tart (Yellow), 2007 Screenprint in colors on paper 30 x 29 inches (76.2 x 73.7 cm) (sheet) Ed. 125 Signed and numbered in pencil along the lower edge. Published by Black Rat Press D*Face Dean Stockton Pop Tart Yellow Silkscreen Print 2007 The 2007 Pop Tart Yellow silkscreen print by British artist Dean Stockton, professionally known as D*Face, is a seminal example of his satirical take on Street Pop Art & Graffiti Artwork. Measuring 30 x 29 inches and pulled by hand in seven colors on 410gsm Somerset Satin White paper, this limited edition of 125 was published by Black Rat Press, one of London’s most influential print studios for contemporary street artists. Each piece is signed and numbered by the artist in pencil along the lower edge, affirming its authenticity and collectible status. Iconography and Cultural Critique The imagery in Pop Tart Yellow is unmistakably drawn from Andy Warhol’s famous Marilyn Monroe portraits, yet DFace overlays the glamorous visage with his own irreverent twist. Marilyn’s face is partially transformed into a skull, with hollowed eyes and dripping paint effect that speaks to both the fragility of celebrity and the inevitability of decay. Wing-like cartoon details sprouting from her head add a surreal, satirical touch, a reminder of the way fame often elevates cultural figures to mythical status even as it dehumanizes them. This duality between beauty and mortality is a recurring theme in DFace’s practice, amplifying the critique of idolization and mass media’s manipulation of public perception. Technique and Execution Executed as a seven-color silkscreen, the work combines bold flat colors with the grittier textures of drips and distressed detailing. The canary yellow background heightens the pop art vibrancy while creating sharp contrast with the black skeletal overlay and Marilyn’s bright red lips. D*Face’s choice of Somerset Satin 410gsm paper underscores the print’s status as fine art, marrying street aesthetics with museum-quality execution. This approach reflects his ability to bring graffiti-inspired design into the gallery setting without losing the edge and immediacy that characterizes his outdoor interventions. D*Face’s Role in Contemporary Street Art Dean Stockton, born in London in 1978, has established himself as a central figure in the global street art movement, blending punk-inspired graphics, comic book aesthetics, and pop culture satire. His works often interrogate themes of fame, consumerism, love, and mortality, using recognizable cultural icons as vehicles for commentary. Pop Tart Yellow stands as a key example of his strategy to remix the imagery of Warhol and Monroe, figures who themselves embody the commodification of beauty and celebrity. By injecting darker undertones and irreverent humor, D*Face transforms a pop art classic into a piece that resonates with contemporary audiences while questioning the very foundations of fame-driven culture. This limited edition silkscreen remains one of his most iconic fine art releases, bridging his graffiti roots with the collectible print market.

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Goonie 041 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Mini Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's "Goonie 041" and the Essence of Surrealism in Art "Goonie 041," an original watercolor painting by the surreal artist Naoto Hattori, stands as an embodiment of the delicate balance between realism and fantasy that defines surrealism. This one-of-a-kind piece, completed in 2013, is a masterful display of Hattori's ability to draw the viewer into a world that defies conventional boundaries. The artwork, measuring 3x3 inches within an 8.5x8.5-inch custom frame, is meticulously signed by the artist. Hattori's choice to mat and frame the piece himself adds an intimate touch, further personalizing the viewing experience. While typically not categorized within the traditional definitions of street pop art and graffiti artwork, "Goonie 041" resonates with the same spirit of freedom and expression that characterizes these art forms. Hattori's work often explores the subconscious, merging elements of the dream world with reality. The framed watercolor painting presents an image that, while small in size, is expansive in imagination, inviting the observer into a realm where the rules of the physical world are bent and reshaped by the artist's vision. Artistic Significance of "Goonie 041" Within Contemporary Art The significance of "Goonie 041" within the contemporary art scene lies in its juxtaposition of the meticulous technique of watercolor with the unpredictable nature of surreal subject matter. Hattori's skillful brushwork brings to life the textures and nuances of the figure, providing a stark contrast to the surreal elements that make his work distinctive. The composition of the piece, centered within the square frame, draws focus to the surreal figure, compelling the viewer to contemplate the story behind the image. Hattori's work, including "Goonie 041," contributes to a larger conversation about the intersection of various art forms and the ways in which artists can communicate complex ideas through diverse mediums. The painting's existence within a traditionally framed context does not diminish its connection to the more transient and public expressions found in street art. Instead, it highlights the versatility of surrealist art to find a home across a spectrum of settings and formats. In conclusion, Naoto Hattori's "Goonie 041" is a fine example of contemporary surrealism that shares an undercurrent with street pop art and graffiti artwork. The piece encapsulates the artist's profound connection to a deeper artistic narrative, one that delves into the realms of the surreal and the subconscious. Through "Goonie 041," Hattori invites us to explore the boundless possibilities of imagination, challenging our perceptions and encouraging us to see beyond the visible world.

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L From Alphabet Series Original Acrylic Spray Paint Painting by Risk Rock One of a Kind Artwork on Framed Wood by Street Art Pop Artist. 2011 Signed Spray Paint & Acrylic Original Painting on Wood Size Framed 48.5x48.5 L, from Alphabet series, c. 2011 Acrylic and spray paint on wood 48-1/2 x 48-1/2 inches (123.2 x 123.2 cm) Stencil to front. Framed without glass. Framed Dimensions 56 X 56 Inches.

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Cube Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2001 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cube, 2001 Offset lithograph in colors on satin wove paper 23-1/2 x 23-1/2 inches (59.7 x 59.7 cm) (sheet) Ed. 133/300 Signed and numbered in ink lower right Published by Kaikai Kiki, Ltd., Tokyo Print Grade: 10/10 No apparent condition issues. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 32 X 32 Inches Takashi Murakami is a renowned Japanese contemporary artist known for his unique blend of traditional Japanese art styles, such as ukiyo-e, with pop culture and Western influences. He has created a distinctive style often referred to as "Superflat" that features bold colors and graphic designs. The "Cube Offset Lithograph Print" by Takashi Murakami from 2001 is a limited edition print that features the artist's signature style vine with smiling flowers Ms Flower, with TM/KK being a reference to Takashi Murakami and Kaikai Kiki, his art production and management company. Cube Offset Lithograph is a type of printing method that produces high-quality reproductions of original artworks, often used for creating limited edition prints. Murakami's works are highly sought after by collectors and have been exhibited in prestigious museums and galleries worldwide. Owning a limited edition print like the "Cube Offset Lithograph Print" could be considered a valuable addition to an art collection.

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Signs Of The Crimes- Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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Diaspora Rua Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew One Diaspora Rua Original Painting by Askew One Diaspora Rua is a captivating 2015 original painting by renowned graffiti and Street Pop Art artist Askew One. Created using enamel and acrylic on plexiglass, this piece showcases Askew One’s ability to combine bold abstraction with cultural commentary. Custom framed and measuring 20x14, this signed artwork forms part of a series that explores themes of migration and identity in the Pacific. The work’s intricate layering and dynamic patterns make it a striking example of Askew One’s innovative approach to modern pop art. The Concept Behind Diaspora Rua Diaspora Rua was conceived during a significant period in Askew One’s career, while he was preparing for a solo exhibition at Known Gallery in Los Angeles. Spending six weeks immersed in the creative process, Askew One developed a series that blended head portraits and abstract works. This series reflects the idea of migration across the Pacific, both from a historical and contemporary perspective. Diaspora Rua, as part of the abstract works in this series, signifies the movement of people and cultures, using bold shapes and vivid colors to convey the fluidity and energy of migration. The series draws inspiration from Sereima, a Sydney-based model of Fijian descent, who represents the evolving identity of the Pacific. Her energy and cultural background informed much of the work, embodying the intersection of traditional and modern influences. Askew One’s shift away from mugshot-style portraits to more dynamic compositions reflects his desire to capture not only the visual aspects of identity but also its inherent vibrancy and transformation. Artistic Techniques in Diaspora Rua Diaspora Rua exemplifies Askew One’s mastery of combining graffiti-inspired techniques with refined artistic practices. The use of enamel and acrylic on plexiglass creates a sleek, glossy finish that enhances the vibrancy of the colors. The circular design within the painting draws the viewer’s attention inward, evoking a sense of motion and connection. The layering of shapes and patterns, along with the contrast of neon hues against black, creates a compelling visual narrative. This work is emblematic of Street Pop Art’s ability to transform everyday materials into fine art. The influence of graffiti is evident in the bold lines and spontaneous energy of the composition, while the meticulous execution speaks to Askew One’s dedication to craftsmanship. The abstract nature of Diaspora Rua allows it to transcend literal representation, engaging viewers in a deeper exploration of its themes. The Cultural Significance of Diaspora Rua Diaspora Rua stands as a testament to Askew One’s commitment to using art as a means of storytelling and cultural preservation. Through its abstract forms and vibrant colors, the painting captures the spirit of migration and the interconnectedness of cultures in the Pacific. It reflects the evolving identity of the region, celebrating its history while embracing its modern, dynamic nature. As part of a pivotal series in Askew One’s career, Diaspora Rua highlights the artist’s ability to merge personal narrative with broader cultural themes. Its combination of bold aesthetics and meaningful content ensures its place as a significant piece within contemporary Street Pop Art. For collectors and admirers of urban art, this painting represents not only a masterful work of creativity but also a powerful commentary on the fluidity of identity and the beauty of cultural exchange.

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Decycled Versace Limited Edition Hand-Embellished HPM Archival Pigment Prints with Collage, Aerosol, Pencil, and Varnish Embellishments on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed Limited Edition Numbered & Custom Framed Archival Pigment Print with Collage, Aerosol, Pencil, and Varnish Embellishments Size: 17.8125 x 23.75 Inches Release: December 09, 2021 Run of: 15 Denial’s Decycled Versace: The Medicine of Branding in Contemporary Street Pop Art Denial’s Decycled Versace, released in 2021 as a hand-embellished archival pigment print, continues the artist’s sharp interrogation of brand worship, identity construction, and the seductive aesthetics of consumerism. Each edition in this 15-print run measures 17.8125 by 23.75 inches, uniquely altered with collage, aerosol, pencil, and varnish layers. Centered within a baroque gold frame, the work features a large, stylized capsule—branded with the iconic Versace Medusa head—set against a background of jagged patterns and fractured color fields. The capsule is marked 100MG, reinforcing its identity as both visual object and conceptual drug. Denial, also known as Daniel Bombardier, uses the pill as a central form throughout his Decycled series to comment on the addictive nature of status and the role luxury logos play in modern identity. By embedding the Versace logo inside the capsule, the work equates brand consumption with self-medication. The gesture is neither glorification nor condemnation—it is exposure. The logo becomes an ingredient, the dosage carefully calculated to deliver an emotional or social high. In this way, Decycled Versace critiques not only the brand but the cultural systems that elevate such symbols to near-mythological status. Visual Noise and Symbolic Disruption The background of Decycled Versace is composed of sharp diagonal slices, splatter textures, halftone fields, and expressive spray lines. These elements reference both traditional graffiti techniques and digital design aesthetics. The layering creates visual tension that denies stillness or easy resolution. Against this chaotic backdrop, the sleek and glowing pill shape appears almost sterile in contrast. The effect is disorienting but intentional—luxury, the work seems to suggest, thrives when placed above the messiness it claims to erase. The Medusa head, a long-standing Versace emblem tied to Greek mythology and themes of desire and danger, is reclaimed here as an icon of consumer hypnosis. Placed inside the pill, it becomes an object of internalization. Denial’s use of halftones and rough stenciling techniques further destabilizes the polished aura of the brand, reminding viewers that behind every clean logo is a constructed illusion. In the context of Street Pop Art & Graffiti Artwork, the work reclaims visual space from marketing systems and redistributes it as artistic critique. The Framed Illusion of Power and Permanence The ornate gold frame surrounding Decycled Versace plays a critical role in the piece’s messaging. Traditionally associated with classical portraiture and gallery sanctity, the frame lends artificial authority to the artwork. But that reverence is undercut by the content inside—messy, chaotic, ruptured. The pill format, designed to look sleek and scientific, floats inside this field like a sacred relic. The dissonance between material refinement and conceptual rebellion is where the piece gains its weight. Denial’s manipulation of the fine art object mirrors the dual lives of luxury brands, which often straddle the lines between exclusivity and mass visibility. Decycled Versace exists as both critique and artifact of the very system it exposes. By transforming brand logos into medicinal metaphors, Denial forces a reevaluation of how identity is consumed, and how branding operates as both symptom and cure in modern culture. Within the language of Street Pop Art & Graffiti Artwork, this piece functions not just as commentary but as a dose of visual clarity in a culture addicted to image.

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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From The Ground Up Round 2- #22 Original Hand-Painted Multiple 2-Color Screen Print on Reclaimed Wood ready to hang by Meggs Graffiti Street Artist Modern Pop Art. 2015 From The Ground Up Round 2 #22 Original HPM Painting Print by Meggs Ready To Hang Meggs Adapting his street art and graffiti to fine art has granted Meggs extensive opportunities to travel, professionally exhibit his work, and participate in mural festivals around the globe. His street art and gallery works are recognized nationally and internationally in cities such as Melbourne, Sydney, London, San Francisco, Paris, Tokyo, Hawai‘i, Mexico, Los Angeles, and Hong Kong. Meggs’ artworks are included in the permanent paper collections of the National Gallery of Australia and the Victoria & Albert Museum of London.

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Goonie 037 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. The Distinctive Fusion of Surrealism and Street Pop Art in Goonie 037 by Naoto Hattori Naoto Hattori's original watercolor painting, "Goonie 037," presents a compelling narrative within the spectrum of Street Pop Art & Graffiti Artwork despite its more traditional medium and surrealistic approach. Diverging from the typical urban landscapes and politicized messages of street art, Hattori encapsulates an enigmatic presence that resonates with the peculiar and profound characteristics that align with the whimsical and the bizarre. The small-scale image size of 3x3 inches, housed within an 8.5x8.5-inch frame, commands attention through its intimacy and intricacy, a testament to Hattori's meticulous craftsmanship. Crafted in 2013, this one-of-a-kind watercolor painting brings forth the imaginative realms Hattori is renowned for while also hinting at the essence of Street Pop Art through its unique presentation and the artist's choice to custom frame and matt the piece himself. This personal involvement in the presentation echoes the hands-on approach of street artists, who often control every aspect of their work, from conception to installation. The artwork's intricacy and bespoke framing suggest a dialogue with the viewer, an intimate exchange often sought after in street art. Hattori's "Goonie 037" does not explicitly borrow from the visual language of graffiti but instead infuses the personalized, often subversive spirit of graffiti art into a more surreal and fantastical realm. This piece, signed and validated by the artist, showcases his skill in rendering otherworldly subjects with a precision and depth that is palpably felt. Although the work is rooted in fine art traditions, its spirit of non-conformity and the surprise element inherent in its surreal subject resonates with the disruptive ethos of Street Pop Art & Graffiti Artwork. Naoto Hattori's Artistic Legacy and the Intersection with Urban Aesthetics While "Goonie 037" might at first glance seem distant from the raw vibrancy of street art, its singular nature aligns with the one-off pieces that adorn city walls, often never to be replicated or seen elsewhere. Hattori's decision to engage with watercolor—a medium often perceived as delicate and requires a systematic approach—parallels the precision street artists apply with their spray cans and stencils. The artwork's surreal character challenges the viewer's perception and invites interpretations as varied as the audience that encounters it, akin to the diverse viewership of Street Pop Art & Graffiti Artwork. The convergence of Naoto Hattori's work with the sensibilities of Street Pop Art & Graffiti Artwork lies in the shared ethos of both realms to evoke emotion, challenge norms, and captivate through visual storytelling. "Goonie 037," with its rich textures and profound depth, embodies a visual monologue that speaks to the onlooker on multiple levels. The artwork encourages a pause, a closer inspection, and a moment of reflection, much like street art that compels passersby to stop and ponder. In examining the legacy of Naoto Hattori and his creation "Goonie 037," one can see the threads that connect his work with the larger tapestry of Street Pop Art & Graffiti Artwork. His oeuvre reminds us that art cannot be confined to a single category or style but is a fluid and ever-evolving entity that draws from myriad influences and manifests in various forms. "Goonie 037" thus stands as a bridge between the worlds of surrealism and street art, embodying the transformative power of art to transcend boundaries and engage with viewers across diverse spectrums.

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Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cosmos, 2000 Offset lithograph in colors on smooth wove paper 23-3/8 x 23-3/8 inches (59.4 x 59.4 cm) (sheet) Ed. 125/300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo Print Grade: 10/10 Matted and framed under acrylic. No apparent condition issues. Not examined out of frame. Framed Dimensions 32 X 32 Inches The "Cosmos" offset lithograph print by Takashi Murakami, created in collaboration with Kaikai Kiki in 2001, is a fine example of the Japanese artist's unique and influential work. Murakami is known for his signature "Superflat" style, which is characterized by a blend of Japanese pop culture, traditional art, and Ms Flower flowers.. In the "Cosmos" print, Murakami explores the concept of the universe, with vibrant colors, bold lines, and intricate patterns. The artwork is populated by his iconic Ms FLowerand motifs, such as smiling flowers and vines, which are deeply rooted in Japanese manga, anime, and the otaku subculture. As an offset lithograph print, the piece is created using a printing technique that involves transferring an inked image from a plate to a rubber blanket and then onto the final printing surface, usually paper. This process allows for high-quality reproductions of the original artwork, making it more accessible to a wider audience. The "Cosmos" print is a sought-after piece by collectors and fans of Takashi Murakami's work. It showcases the artist's incredible ability to merge traditional and contemporary elements, creating a visually striking representation of the universe that is uniquely his own.

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Quinqueflor Mordida #11 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Signs Of The Crimes- Red Orange Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Signs Of The Crimes Red Orange by Ron English- POPaganda: Satirical Symbolism in Street Pop Art & Graffiti Artwork Signs Of The Crimes Red Orange is a 2020 limited edition artwork by street pop culture icon Ron English- POPaganda, executed as a 24x24 inch UV-cured archival print on high-definition aluminum panel. Framed and ready to hang, this signed edition of 100 merges vivid minimalist color with hyperrealist distortion, spotlighting English’s deep critique of consumer icons and psychological contradiction. The piece features a single yellow smiley face against a blazing red-orange background, but upon closer inspection, the traditional happy visage is interrupted by a grotesque anatomical mouth. A photorealistic human jaw grins behind the synthetic emoji facade, exposing bone structure, gums, and teeth. The work forces a confrontation between surface happiness and hidden discomfort, rendered in the visual language of Street Pop Art & Graffiti Artwork. Visual Deconstruction and Cultural Parody Ron English- POPaganda is known for his ability to remix and mutate universally recognized icons, turning them into visual parodies that question their original intent. In Signs Of The Crimes Red Orange, the smiley face becomes a vehicle for satire. Originally created in the 1960s as a symbol of corporate friendliness and later adopted by rave and acid house subcultures, the smiley is often associated with euphoria, innocence, and mass appeal. English rips that association open—literally—by replacing the expected line-drawn mouth with a surgically precise rendering of a human grin. The result is uncanny and confrontational. It invites the viewer to smile along while forcing them to feel disturbed. This kind of visual tension is central to Ron English- POPaganda’s approach, where popular symbols are disassembled, reassembled, and shown in their most honest or exaggerated forms. Material, Print Process, and Presentation The piece is produced using archival UV-cured inks on a varnished HD aluminum panel, a process that ensures both color intensity and long-term preservation. The surface is sleek and durable, allowing the bold saturation of the background and the contrasting precision of the smiley’s face to take center stage. The print’s varnished finish gives it a luminous quality under light, making it ideal for display in gallery, commercial, or private settings. Each edition is hand-signed by Ron English- POPaganda, affirming its place within his broader body of collectible visual disruptions. Framed and ready to hang, this work is not just an artwork but a fully realized object of commentary, crafted for immediate impact. Ron English- POPaganda’s Influence in Street Pop Art & Graffiti Artwork Born in the United States in 1959, Ron English- POPaganda is a foundational figure in Street Pop Art & Graffiti Artwork, often credited with pioneering techniques in billboard liberation and subvertising. His career spans fine art, vinyl toys, political murals, and commercial design—all approached with the same intent to reveal the truths beneath modern mythologies. English’s work is consistently fueled by a distrust of corporate language and a fascination with the seductive power of visual repetition. Signs Of The Crimes Red Orange encapsulates that ethos, taking one of the most globally recognizable icons and turning it into a symbol of suppressed aggression, synthetic identity, and media manipulation. The piece serves as both homage and critique, a striking example of how a simple form can carry deep complexity when viewed through the lens of Street Pop Art & Graffiti Artwork.

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Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton Screen Print on Paperboard Framed Limited Edition Pop Street Art Artwork. 2007 Signed Unique Paint & Pencil HPM Embellished with Doodle on Front Framed Artwork Size 23.25x33. Initially, This Was a Design Used as Wheat Plasters Across Cities. It's Rumored This is one of 2 Versions Produced and Signed by D*Face on higher-grade paper. Custom Framed with Red Metal Frame. D*Face's Signature Style in Prey Red The confluence of pop art and street art finds a striking manifestation in the work of British artist Dean Stockton, better known as D*Face. Among his vast array of impactful artworks, the "Prey Red HPM Doodled Silkscreen Print" is a prime example of his skill in blending subversive street art techniques with the ethos of pop art. This limited edition piece, a silkscreen print on paperboard and an original work embellished with unique paint and pencil doodles by the artist himself captures the essence of his critique on consumerism and the cult of celebrity. Stockton's "Prey Red HPM Doodled Silkscreen Print" is not just another piece of street art; it reflects the artist's journey and commentary on society. The artwork features bold lines and stark contrasts, a hallmark of D*Face's aesthetic, which owes much to his early influences from skateboarding, graffiti, and punk music. The print, measuring 23.25 by 33 inches, is framed in a custom red metal frame that echoes the vibrancy of the artwork within. D*Face and the Pop Street Art Movement Originally conceived as a design for wheatpaste posters plastered across cities, "Prey Red" evolved into a more refined expression of DFace's art when it was reimagined as a high-grade paper print. This transition from street art to a gallery-worthy piece underscores the fluid boundaries between different art forms and the versatility of DFace as an artist. The fact that this piece was one of just two versions produced and signed by the artist adds to its exclusivity and allure. DFace's work is often seen as a bridge between the raw, rebellious energy of street art and the polished, image-focused world of pop art. DFace challenges preconceived notions about art and its place in society by bringing his work into galleries without losing the street-smart edge. The "Prey Red HPM Doodled Silkscreen Print" is a testament to this, embodying the artist's skill in bringing depth and multiple layers of meaning to his work. The Cultural Impact of D*Face's Artwork Beyond its visual appeal, "Prey Red" is a cultural critique, much like the rest of DFace's oeuvre. Through his art, DFace invites viewers to question the icons and symbols that populate our visual landscape. This print, with its sharp imagery and the word "PREY" emblazoned across it, suggests a deeper conversation about who the prey is in a world saturated with media and celebrity culture. DFace's "Prey Red HPM Doodled Silkscreen Print" is not merely a piece of art to be admired for its style; it is a conversation starter, a piece of cultural commentary, and a collector's item all at once. It represents the artist's ongoing commitment to challenging viewers and the art establishment, urging a reevaluation of what is displayed on city walls and gallery halls. As DFace continues to create and evolve, works like "Prey Red" ensure his place in the annals of contemporary art history, bridging the gap between the underground and the mainstream.

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What Party 7- Yellow Hand-Pulled 3-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Pop Graffiti Artist Kaws Rare Street Art Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 22x22 Framed With Large Custom Frame & Mat. KAWS (b. 1974) What Party (Yellow), 2020 Screenprint in colors on Saunders Waterford HP Hi-White paper 22 x 22 inches (55.9 x 55.9 cm) (sheet) Ed. 41/100 Signed, numbered, and dated in pencil along the lower edge. Published by the artist KAWS' What Party 7- Yellow: A Masterpiece in Street Pop Art & Graffiti Artwork KAWS, born Brian Donnelly in 1974, has become a symbolic figure in the intersection of high art and popular culture, blending elements of street art, graffiti, and pop art into his dynamic oeuvre. One of his standout creations is "What Party 7- Yellow," a hand-pulled, 3-color silkscreen print showcasing his distinctive art-making approach. Produced in 2020, this piece is rendered on Saunders Waterford Hi-White paper, a high-quality paper known for its durability and exceptional surface, which allows for the vibrant application of inks and intricate details for which KAWS is renowned. Craftsmanship and Exclusivity of What Party 7- Yellow The "What Party 7- Yellow" artwork is a testament to the meticulous craftsmanship of silkscreen printing, which requires precision and patience. The layering of three colors to create the final image is a complex task that reflects the artist's dedication to his craft. This print, a limited edition of only 100, is a rarity and exemplifies the exclusivity that KAWS pieces command. Each print is signed, numbered, and dated along the lower edge, confirming its authenticity and the artist's direct involvement in its creation. The Visual Language of KAWS in What Party 7- Yellow The visual language of KAWS is instantly recognizable in "What Party 7- Yellow" with its bold, graphic lines and the use of his iconic characters that convey a range of emotions despite their simplistic facial expressions. Yellow in this piece is striking, creating a sense of energy and vitality often associated with the color. The size of the artwork, 22x22 inches, offers a generous canvas for KAWS to convey his vision, striking a balance between accessibility and grandeur. The Framing of What Party 7- Yellow The presentation of "What Party 7- Yellow" is enhanced by the large custom frame and matting accompanying the print. The choice of framing is critical to how the artwork is perceived and experienced. It not only protects the piece but also serves to highlight the artwork's features and reinforce its thematic elements. The frame and matting choices are integral to the overall aesthetic and are often considered by collectors as part of the artwork itself. The Impact of What Party 7- Yellow on Street Pop Art "What Party 7- Yellow" is a compelling example of Street Pop Art and graffiti Artwork. KAWS manages to transcend the traditional boundaries of street art and graffiti, situating his work within a broader art historical context while maintaining the energy and authenticity that characterize street culture. Like much of his work, this piece bridges the gap between the subversive and the mainstream, introducing elements of street art into the refined art gallery space and challenging preconceived notions about the value and potential of graffiti art. In summary, KAWS' "What Party 7- Yellow" is a luminous example of Street Pop Art and graffiti Artwork. Its hand-pulled, silkscreen technique, limited edition nature, signature by the artist, and distinctive framing all contribute to its significance as a work of art. As a collectible, it represents a pivotal moment in the evolution of street art, serving as a bridge between underground art movements and the polished world of fine art galleries. For enthusiasts and collectors alike, "What Party 7- Yellow" is not merely a piece to be owned; it is an artifact of cultural significance that embodies the spirit and transformation of contemporary art.

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Untitled Crying Eyes Original Concrete Spray Painting by Snik One of a Kind Artwork by Street Art Pop Artist. 2018 Signed Spray Paint Painting Framed Original Artwork on Concrete Ready to Hang Size 15.25x15.25 Untitled Crying Eyes by Snik – Silent Emotion and Surface Precision in Street Pop Art & Graffiti Artwork Untitled Crying Eyes is a 2018 original spray paint painting by UK-based stencil duo Snik, framed and executed directly on a 15.25 x 15.25 inch slab of concrete. Signed by the artists, the work captures a close-up of a woman's face, rendered in black and white with diagonally sliced stencil precision that distills both depth and vulnerability through layers of minimalist contrast. The composition isolates the eyes, brow, and nose, with special emphasis on the emotional presence within the gaze. The tears are not literal but implied through texture, shadow, and line. The rawness of the concrete acts as both background and active element, amplifying the piece’s quiet power. Within the space of Street Pop Art & Graffiti Artwork, this painting exemplifies how raw materials, tight technique, and controlled execution can transform surface into soul. Hand-Cut Stencil Craft and Emotional Fidelity Snik’s meticulous hand-cut stencil technique is on full display in this piece. Every contour of the eyes, every arch of the brow, and every soft transition in tone is created through layered spray work applied with exacting care. The use of diagonally cut lines adds a cinematic quality—like a paused film frame or a memory fading into texture. What might seem like a technical abstraction at first glance is, in truth, a deeply human expression delivered through a nonverbal visual code. The eyes, framed by shadows and glints of light, tell a story of containment and release. There is tension held beneath the surface. In the tradition of Street Pop Art & Graffiti Artwork, this method of telling emotional truths through stencil craft and surface texture has become Snik’s unmistakable signature. Concrete as Emotional Conduit Rather than choosing canvas or panel, Snik works here directly on concrete, reinforcing a commitment to the street-based origins of their medium. Concrete carries with it the memory of walls, sidewalks, and cities—an unspoken biography of surfaces touched by time, weather, and wear. This material choice is both conceptual and aesthetic. The visual grain and imperfections of the concrete interact with the spray layers, producing moments of erosion and fracture that mimic the emotional undercurrent of the piece. The face is partially obscured by the very nature of its foundation, making it feel like a memory etched into infrastructure. Within Street Pop Art & Graffiti Artwork, this decision ties the personal to the public, giving form to emotion in a setting that evokes the weight of urban life. Snik and the Precision of Emotional Stillness Untitled Crying Eyes distills Snik’s core artistic ethos into a single image: poetic clarity delivered through methodical labor. This is not a work of spectacle, but one of sustained gaze. It slows the viewer down. It doesn’t beg for attention—it holds it. The quiet sadness within the piece is elevated by its craft, and the rawness of the concrete gives it truth. Through balance, texture, and visual silence, Snik continues to redefine how emotion is handled in Street Pop Art & Graffiti Artwork. Their approach combines the mechanical edge of stencil work with the painterly flow of light and feeling. This piece does not tell a story—it offers a face to one. Framed, grounded, and ready to hang, Untitled Crying Eyes is a moment of precision carved into permanence, whispering across surface and time.

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The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Entropic World Study: N 6th & Metropolitan Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by Askew One Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 10 Artwork Size 18x18 Custom Framed Distressed Black Frame. 3d Layered Multi-Media Collage Painting, #1 of 10. Askew’s indoor canvas works are influenced by double exposure photography, bold illustrative lines reflective of comic books and the graphic power of the letter. This is also seen in his public mural works in which his attraction to ‘bigger is better’ is highly precedent.

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Asstronaut 333 Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. The "Asstronaut 333" is transcending from another dimension, the third Asstronaut installment is a very limited edition of 33. Each Asstronaut comes with a holographic helmet, Hand Painted/Embellished by the artist, each print is unique on its own. "Asstronaut 333” 2021 20 inches x 25 inches Acrylic, Glaze, Giclée on Etching Rag Hand-Embellished, Signed, Numbered & Branded Minor Creases to Center of Image, Does Not Affect Image When Framed.

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