CamoSplash Green Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 38x38 Thumb Print & Date on Back Part of the CamoSplash Series CamoSplash Green is a silkscreen print by the street artist Thierry Guetta, better known as Mr. Brainwash. Known for his pop art and street art, Mr. Brainwash has become a prominent figure in the art world, gaining significant recognition for his unique and provocative works. CamoSplash Green features a camouflage pattern with splashes of green color throughout. The use of camouflage and vivid colors is characteristic of Mr. Brainwash's style, which often combines familiar images or patterns with bold, bright elements to create an eye-catching visual experience. As a silkscreen print, the artwork is created using a stencil-based printing process where ink is pushed through a mesh screen onto the printing surface. This technique allows for the production of multiple copies while still retaining the hand-crafted, original feel that is so essential to street art. Mr. Brainwash's work has garnered a wide following and his pieces have been collected by both private and public collectors, as well as being displayed in galleries around the world. His rise to fame was chronicled in the documentary film "Exit Through the Gift Shop" by Banksy, further cementing his place in the contemporary art world.

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Out The Window Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Michael Polakowski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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The Shape Of Capitalism Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 Featuring works from Denial’s nearly decade-long career, his often satirical approach works to combat mass media, consumerism, and advertising by taking familiar imagery and objects and re-contextualizing them into unique artistic statements that drive the viewer to question the worth and difference (if any) between art and advertising. Building on a long line of pop-driven work, Enjoy Denial finds Denial harnessing the negative corporate energies spewed upon society and turns them back against the established power structures that control our everyday lives. With this exhibition, Denial peels back layers of overloaded advertising and logos to shine a not-so-subtle light on the deceptions society combats daily from corporations. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Green Tea Walk Art Toy by Vandul Limited Edition Resin Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition Art Toys Artwork Size 3x7 New In Box Stamped/Printed Painted Theme of the Arizona Green Tea Drink Can Logo of Flowering Tree. Exploring the Fusion of Street Pop Art & Graffiti Artwork in Modern Collectibles The contemporary art scene has been vibrantly enhanced by the introduction of art toys, particularly those steeped in the ethos of Street Pop Art and graffiti Artwork. A striking example of this cultural synergy is the "Green Tea Walk Art Toy by Vandul Limited Edition Resin Sculpture." This 2023 collectible is not just an object of visual delight but also a representation of the convergence of street art sensibilities and the collectible culture that is rising in popularity. Standing at an impressive 3x7 inches, this artwork is presented new in the box, showcasing its mint condition to collectors and enthusiasts alike. The ingenuity of Vandul, a noted pop street artist, is encapsulated in the limited edition resin sculpture, which reflects a distinct aesthetic drawn from the urban landscape. The figure, characterized by its exaggerated features and thoughtful color palette, epitomizes the playfulness and edginess that are hallmarks of Vandul's work. The sculpture's design is a commentary on the commercialization of art and the commodification of natural elements, as suggested by the green tea theme. This piece embodies the artist's critical eye and creative spirit, rendered three-dimensional. Each art toy comes stamped or printed with authentication marks, ensuring its uniqueness and value as a collectible artwork. The packaging is a part of the artistic expression, with designs that resonate with Vandul's signature style. This style often features elements borrowed from graffiti art, such as bold lines, vibrant colors, and iconic motifs. The fusion of these elements in the toy's design positions it as a coveted item for collectors who value the intersection of art and the urban environment. The Significance of Art Toys in the Landscape of Modern Art Art toys, like the Green Tea Walk Art Toy by Vandul, occupy a unique niche in modern art. They are a physical testament to the creativity and subversive energy that fuels the Street Pop Art and graffiti Artwork movement. These items are more than mere playthings; they are a medium through which artists can reach a wider audience, transcending the traditional gallery walls. Vandul's work with this piece indicates a more significant trend where artists use everyday objects as canvases for expression, bringing art into people's daily lives. The popularity of art toys also signals a shift in how art is consumed and appreciated. No longer confined to the elite spaces of art auctions and high-brow exhibitions, art is becoming more accessible, and collectible art toys are a testament to this democratization. They allow individuals to own a piece of an artist's vision, making personal and intimate connections with the work possible. The limited edition nature of such pieces adds an element of exclusivity and desirability, creating a niche market that is both culturally relevant and commercially viable. Vandul's Green Tea Walk Art Toy is particularly significant as it represents a snapshot of the current zeitgeist. It captures the playful yet poignant commentary on contemporary culture and its intersection with consumerism, often explored in Street Pop Art and graffiti Artwork. The limited edition status of the art toy ensures its value as a collectible, while its aesthetic appeal makes it an attractive display piece that sparks conversation and reflection. The art toy culture is expanding the boundaries of what art can be. It challenges preconceived notions of art's form and function, and in doing so, it invites a new audience to engage with artistic expression. Vandul's Green Tea Walk Art Toy is a prime example of this evolution, a collectible that is as much a piece of art as a statement, a reflection of its time, and a playful nod to the future of artistic expression.

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Cash Monster Original Hand-Painted Multiple Mixed Media Spray Paint Artwork on Laser Cut Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Train 6 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Dissecting "Train 6" by LushSux: A Miniature World of Graffiti Art "Train 6" is a fascinating piece in the collection of works by the graffiti street artist LushSux, known for his unapologetic and often contentious approach to modern pop art. This particular artwork is an original piece from 2014, featuring a vibrant graffiti tag applied to an HO-scale model train box car. The piece measures 14x3 inches, demanding meticulous attention to detail and a steady hand to maintain the integrity of the graffiti art style on such a small scale. This work is a signature example of street pop art, a genre that fuses the raw, energetic aesthetics of street art with the mass culture appeal of pop art. LushSux's Innovative Approach to Street Art on Model Trains LushSux, an Australian artist whose work has been lauded and criticized, operates within the global street art scene, bringing his work into the public eye and often sparking debate. His choice to utilize a model train as a canvas for "Train 6" is emblematic of his innovative approach to street art, as it encapsulates graffiti's ethos in a form traditionally associated with precision and nostalgia rather than the subversive nature of street art. The work showcases LushSux's dynamic style, characterized by bold lines and striking colors, which command attention despite the diminutive size of the canvas. Through this medium, LushSux challenges the viewer's perception of where street art can exist, suggesting that any object can become a vessel for artistic expression. The Cultural and Artistic Significance of "Train 6" "Train 6" is more than just a piece of art; it is a cultural artifact that bridges the gap between the underground world of street art and the more conventional hobby of model train collecting. LushSux's tag on the model train brings a piece of the street into a different context, inviting viewers to reconsider the boundaries of street pop art and graffiti artwork. By signing the piece, LushSux affirms the artwork's authenticity and value, positioning it as a collectible item within the art world and the subculture of model train enthusiasts. The painting represents a confluence of subcultures, serving as a testament to street art's versatility and expansive reach. Through pieces like "Train 6", LushSux continues to provoke, entertain, and elevate the status of street art in the contemporary art scene.  

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Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

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Ship Rigging Trey Anastasio Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Artwork the Trey Anastasio poster was based on.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19

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Jane's Addiction El Cinco De Mayo- 2010 Rock Music Event Limited Edition 2-Color Silkscreen Gig Poster Glossy Weatherproof Cardstock by MFG- Matt Goldman Max Goldman. This poster was designed for Jane's Addiction secret show at Bardot in Hollywood on May 5, 2010. The Cinco de Mayo celebration also unveiled their new bassist: Duff McKagan from Guns 'n' Roses and Velvet Revolver. A total of 250 yellow/black posters were printed and entirely handed out at the show. We set aside 50 and they are only available here. These were printed by the venerable and now-defunct Colby Printing Company in Downtown LA. Colby rose to contemporary awareness during a series of their work featured at MOCA's Geffen Contemporary. 22 x 28 inches Screen Print Black, Fluorescent Yellow Glossy Weatherproof Cardstock Printed by Colby Poster Printing Company Limited Edition of 250 Signed and Numbered by MFG- Matt Goldman

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Fence Piece Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Drawing 04/2021 14x17 in, Bristol Paper

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Jungle Green SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2020 Limited Edition of 666 Sket is back with his dankest drop yet in Jungle Green SuperKranky! Pop off the cap and blaze some green with the super-realistic nozzle. Shake to hear the rattle that has collectors around the world captivated. 8-inches tall, soft vinyl. Just 666 made.

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Green Dumpster HPM Limited Edition Hand-Painted Diecast Metal Graffiti Art Toy Collectible Artwork by Street Artist Amuse126. 2021 Signed Limited Edition of 26 HPM Embleshed Custom Graffiti Mini Dumpsters 4x4 Street Dumpster Series 1 Diecast Metal AM Throw Up Bubble Letter Hand Painted HPM Hand- Embellished Run of 26, Signed 2021

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Never Say Never! Limited Edition 12-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 100 Artwork Size 24x18 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto and Vancouver. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Liberty Grin Pride of USA Limited Edition Vinyl Sculpture Artwork by Legendary Fine Graffiti Street Artist Ron English. 22 Inch Popaganda x Ron English Liberty Grin Pride Of USA Figure With Base (green) Size: 22" Vinyl Figure Ron English's Liberty Grin Statue celebrates the iconic and enduring symbol of freedom with his signature 'Grin' aesthetic. The just-released Pride of USA edition honors America with a patriotic design flowing with the Stars and Stripes. At 22" tall (with included base), the Liberty Grin Pride of USA vinyl statue is ready-made to be a conversation-starting centerpiece of your collection.

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SECHOR train #2 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Sechor. 2021 Signed, 7x2 inches, Custom painted Vintage ho scale train with acrylic paint.

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Potion Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Michael Polakowski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Astronaut Third Eye Cat Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 16x20

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Red Dawn Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jay Ryan Graffiti Street Artist Modern Pop Art. Signed and numbered by Jay Ryan, edition of 260.

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Teenage Mutant Ninja Turtles Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Nan Lawson, Street Pop Art Graffiti Legend. Signed, Dated, Numbered 2014 Limited Edition of 30

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Noche Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pez pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Soul Rider The Guardian Limited Edition Polyresin Sculpture Artwork by Legendary Fine Art Artist Dulk- Antonio Segura Donat. 2022 Limited Edition of 100 Artwork Size 10x16 “SOUL RIDER - THE GUARDIAN” (2022)— the latest polyresin sculpture by Dulk- Antonio Segura Donat. A limited edition of 100 pieces, they all come numbered with COA (Certificate of Authenticity) in a wooden box. Box is sealed & never opened, use caution when opening it as the artwork is delicate.

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Gorillaz Murdoc: Song Machine 13" Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2021 Limited Edition Gorillaz Music-Themed Art Sculptures New in Box. SuperPlastic's Homage to Gorillaz's Murdoc in Vinyl: A Street Art Collectible The collectible figure world was enriched in 2021 by introducing the Gorillaz Murdoc: Song Machine 13" Janky by SuperPlastic. This limited edition vinyl artwork celebrates Murdoc Niccals, the fictitious bassist and self-proclaimed leader of the internationally acclaimed virtual band Gorillaz. A new addition to the Gorillaz collectibles, this figure is the first Murdoc art toy released in over a decade. The 13-inch vinyl reflects Murdoc's iconic style, complete with his signature bass guitar, lit cigarette, and notoriously long nails, encapsulating his rebellious and wild persona. Murdoc's Iconic Features Captured in Vinyl The figure's meticulous design highlights Murdoc's distinctive green skin tone and punk-rock aesthetic. Each accessory, from the nails long enough to scratch a chalkboard to the giant bass, contributes to the narrative of Murdoc's character — an embodiment of the band's edgy and unconventional style. This figure, crafted from super soft green vinyl, is not just an object of admiration for fans but also a piece that captures the essence of street pop art and graffiti artwork, connecting the realms of music and visual art. Cultural Significance and Artistic Merit Murdoc's figure represents a blend of street art ethos and pop culture iconography. Gorillaz has consistently pushed the boundaries of music and visual storytelling, and this collectible continues that tradition. The figure's box presentation underscores its status as a collectible, while its unique design pays homage to the Gorillaz's significant impact on pop culture. In the landscape of street pop art and graffiti artwork, SuperPlastic's Gorillaz Murdoc: Song Machine figure stands as a bridge between the virtual and the tangible, a physical manifestation of the band's ongoing narrative.

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Jurassic Park- Velociraptor 4-Color Hand-Pulled Limited Edition Silkscreen Print on Silver Curious Metallics Lustre Paper by DKNG Rare Street Art Famous Pop Artwork Artist. "Jurassic Park: Velociraptor" is a 24” x 18” four-color screen print on Curious Metallics Lustre paper with an artist edition of 60 prints.

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Unholy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque.

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Sea Also Rises- Exodus of Turtleton Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Limited Edition of 200 Artwork Size 24x36 1st Print. Artist Tim Doyle was asked to participate in PangeaSeed’s “The Year of Living Dangerously” print suite in 2013

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Cannabis Dispensary Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Cannabis Dispensary Original Dunny Art Toy by Task One Task One's Cannabis Dispensary Original Dunny Town Art Toy The "Cannabis Dispensary Original Dunny Town Art Toy" is a distinctive piece of work by the artist Task One, released in 2013, exemplifying his pioneering role in the art toy movement. This particular creation stands out as a symbol of the convergence between street pop art, graffiti artwork, and the burgeoning dialogue about cannabis culture. Task One, known for his customized Kidrobot Dunny figures, has crafted this piece with a keen eye for detail and a bold approach to subject matter, painting and sculpting with plaster to give life to a miniature replica of a cannabis dispensary in the form of a vinyl art toy. In this piece, Task One not only captures the essence of a cannabis dispensary's facade but also comments on the shifting societal perspectives towards marijuana. The storefront, complete with a cannabis leaf emblem and welcoming door, is a miniature homage to the dispensaries that have become commonplace in certain regions, reflecting broader changes in law and social attitudes. The Dunny, typically a blank, rabbit-like figure, is transformed into a canvas that challenges preconceptions about legality, medicine, and recreational drug use. Cultural Relevance and Artistic Innovation As an artist, Task One has consistently pushed the boundaries of the Dunny platform, utilizing it to explore and reflect on contemporary urban issues and themes. The "Cannabis Dispensary" is no exception; it's a piece that speaks to the heart of street pop art and graffiti artwork by taking a ubiquitous aspect of modern urban life and recontextualizing it within the art toy genre. This work is a clear reflection of the core values of street art—accessibility, community relevance, and a touch of the subversive. Furthermore, the collectible nature of this piece, being a limited edition release, adds to its allure for collectors keen to own artifacts at the intersection of art and cultural commentary. Task One's attention to the physical textures and colors of the dispensary, paired with the playful form of the Dunny, creates a collectible that is both a piece of pop artwork and a statement on contemporary societal shifts. Task One's "Cannabis Dispensary Original Dunny Town Art Toy" serves as a poignant narrative in the form of a collectible, embodying the ethos of street pop art where the lines between art, social commentary, and collectibility blur into a cohesive whole. This piece is a tribute to the unique aesthetic that Task One brought to the world of art toys and a snapshot of the cultural zeitgeist of its time. Task One's legacy endures through such works, influencing the dialogue within the street art community and among collectors of vinyl art toys worldwide.

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Chi-Noceros Silkscreen Print by Phineas X Jones Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Chicago City on the Horn of a Rhino Walking in the Sea. Chi-Noceros Silkscreen Print by Phineas X Jones Chi-Noceros, a silkscreen print by Phineas X Jones, is a surreal and visually striking fusion of urban architecture and wildlife, blending elements of street pop art & graffiti artwork with fine illustration techniques. This hand-pulled screenprint, created in 2013, captures the imaginative and detailed artistic approach for which Jones is known. The 18x24-inch artwork, produced as a signed and numbered limited edition of 100, depicts a rhinoceros walking through water with the iconic Chicago skyline integrated into its horn. This whimsical yet thought-provoking imagery transforms the animal into a living embodiment of the city, symbolizing both strength and resilience while blurring the lines between nature and man-made structures. The Artistic Composition and Symbolism Jones' illustration style in Chi-Noceros is defined by intricate linework and a deep attention to texture, giving the rhino’s skin a weathered, organic feel that contrasts sharply with the rigid architectural structures growing from its face. The use of the Willis Tower and other Chicago skyscrapers as the rhino’s horn is a bold artistic statement, reinforcing the city’s towering presence and its relationship to the natural world. The water surrounding the rhino creates an additional layer of intrigue, implying either movement through an untamed landscape or the gradual reclaiming of urban spaces by nature. The rhino’s body is also adorned with the four red stars from the Chicago flag, further emphasizing the city’s identity and making the creature a literal representation of its spirit. The integration of these symbols into the natural form of the animal adds a layer of civic pride while maintaining a sense of surrealism. The muted color palette, consisting of grays, blues, and reds, keeps the composition visually cohesive, reinforcing the detailed linework and giving the piece a timeless, almost vintage quality. Street Pop Art & Graffiti Artwork Influences Chi-Noceros aligns with the aesthetics of street pop art & graffiti artwork by incorporating bold reimaginings of urban culture, transforming everyday elements into something unexpected. The hybrid of an organic, powerful creature with rigid city structures mirrors the themes often found in street art, where the natural and industrial coexist in an ongoing dialogue. This interplay between nature and human development is a recurring motif in urban art, where murals, prints, and graffiti often depict the struggle between environmental forces and the relentless expansion of cities. Jones’ ability to merge intricate realism with surrealism gives his work an edge that fits within the larger movement of contemporary street pop art. The exaggerated proportions and unconventional subject matter challenge the viewer’s perception, much like how graffiti and street murals disrupt traditional urban spaces. His precise illustration techniques, combined with the organic flow of ink from the screenprinting process, further reinforce the handcrafted, raw energy that defines this style of art. The Collectibility and Cultural Impact of Chi-Noceros As a limited-edition, signed and numbered silkscreen print, Chi-Noceros holds value as both a collectible artwork and a cultural statement. The 18x24-inch format allows for the full appreciation of Jones’ meticulous detailing, ensuring that every line and texture remains sharp and impactful. The hand-pulled nature of the print gives each piece a unique character, making it a sought-after work for collectors of street pop art & graffiti artwork, as well as those with an affinity for Chicago-inspired design. The lasting appeal of Chi-Noceros comes from its ability to merge civic identity with artistic expression. It speaks to both urban dwellers and art enthusiasts, offering a playful yet meaningful reflection on how cities and nature intersect. The rhino, a creature known for its resilience and strength, becomes an emblem of Chicago itself, embodying its toughness, adaptability, and iconic skyline. Phineas X Jones has established himself as an artist who bridges fine illustration with the bold, dynamic qualities of urban art. Chi-Noceros stands as a testament to his creativity, transforming an ordinary subject into an extraordinary visual narrative. This silkscreen print not only showcases his technical skill but also cements his place within the evolving landscape of street pop art & graffiti artwork.

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Hiatus Kaiyote Tigercorn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 6.25 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Elegant Universe AR Archival Print by Ramon Maiden x Handiedan AR Augmented Reality Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered AR Augmented Reality Print Limited Edition of 100 Artwork Size 16x20 Archival Pigment Fine Art. AR Augmented Reality Uses the Artivive App. Contemporary Art and Technological Synthesis The "Elegant Universe AR Archival Print" is a captivating fusion of modern artistry and technological innovation, symbolic of the dynamic synergy between street pop art and graffiti artwork. It represents a limited edition series crafted by the collaborative efforts of Ramon Maiden and Handiedan, two contemporary artists who have garnered attention in pop graffiti and street art. This print is more than a static image; it incorporates augmented reality (AR), allowing it to transcend the traditional boundaries of canvas and paper to engage with viewers in a multidimensional space. This limited edition of 100 pieces, each signed and numbered by the artists, underscores the exclusivity and collectible nature of the work. Measuring 16x20 inches, the print is produced on 290gsm Moab Entrada fine art paper, reflecting the importance of quality and longevity in archival artworks. The artists have employed archival pigment in the creation process, which ensures that the colors and details remain vibrant and intact over time, a testament to their dedication to excellence. The artwork is steeped in the aesthetic traditions of street pop art and graffiti, genres known for their vibrant, often provocative, visual language that communicates directly with the public. These art forms typically emerge from urban environments. A rebellious edge characterizes them, constantly pushing against established norms and championing a more democratized cultural expression. By translating this ethos into a limited edition print, Ramon Maiden and Handiedan have bridged the street's spontaneity with the gallery's exclusivity. Augmented Reality as an Artistic Medium What sets the "Elegant Universe AR Archival Print" apart is its integration of AR technology, which activates a layer of digital interaction when viewed through a specific app or device. This immersive experience allows the artwork to exist in physical and virtual realms, offering a contemporary twist to the viewing experience. The AR component adds a dimension of interactivity and aligns with the ever-evolving narrative of street art, which has always been about accessibility and pushing the envelope regarding how and where art can be encountered. Ramon Maiden, known for his intricate designs that often recontextualize historical imagery with modern motifs, has brought his distinctive touch to the collaboration. Handiedan, whose work typically incorporates complex collages with vintage aesthetic elements, complements Maiden's style with her layered compositions. Together, they create a piece rich in detail and symbolism, with each component carefully placed to contribute to a larger, harmonious narrative. Implications for Modern Art Collectors Collectors of modern artwork are drawn to pieces like the "Elegant Universe AR Archival Print," not just for their aesthetic appeal but also for their innovative use of technology and limited availability. As art evolves with technological advancements, works incorporating elements like AR are becoming increasingly significant. They represent a new frontier for collectors interested in the intersection of art, technology, and culture. In summary, the "Elegant Universe AR Archival Print" by Ramon Maiden x Handiedan represents a milestone in fusing traditional artistic techniques with cutting-edge technology. This limited edition print embodies the spirit of street pop art and graffiti artwork. At the same time, its AR feature invites us to explore how art can extend beyond the physical world to offer a multisensory experience. It is a testament to the art world's transformative power of collaboration and innovation.

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Forlorn Unicorn- Rainbow Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artist Ron English. 2021 6.5" New In Box Forlorn Unicron vinyl art toy by Ron English. OG Blue edition which features pink details. Forlorn Unicron OG Blue edition vinyl art toy (6.5″)

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It's Not Easy Being Green- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Kermit the Frog Muppets Jim Henson Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper It's Not Easy Being Green- Oversized Edition is an artistic commentary that resonates deeply with the ethos of modern pop art, combining elements of popular culture with an undercurrent of societal observations. Crafted by the adept hands of Modern Pop Street Graffiti Artist Ben Frost, this artwork fuses the beloved character Kermit the Frog from Jim Henson's Muppets with the contrasting backdrop of marijuana drug tests. This juxtaposition prompts viewers to delve into the intricacies of societal acceptance, media influence, and cultural evolution. Utilizing archival pigment for the creation, Ben Frost ensures that the vibrancy and sharpness of the piece remain untouched by the ravages of time. The texture and richness of the 290gsm Somerset Hot Press Fine Art Paper further enhance the visual experience, providing a canvas that complements the intricacies of the artwork. The decision to use such premium paper speaks to the intent of producing a work that is not just visually appealing but is also a tactile delight. Released in 2021, this limited-edition piece is restricted to 25 prints, each bearing the artist's signature, marking its authenticity. With It's Not Easy Being Green- Oversized Edition, Ben Frost continues to challenge conventions, pushing the boundaries of street art and pop culture commentary. This piece is a testament to the evolving dynamics of street and graffiti art, showcasing how modern artists leverage pop culture icons to voice deeper societal narratives.

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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Versus/Temple of Nature Silkscreen Print by Koralie Carmen Flores Hand-Pulled 7-Color on 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2018 Signed & Numbered Limited Edition of 100 Multi Directional Artwork Size 16x20 Silkscreen Print The Fusion of Street Pop Art and Graffiti in Koralie's "Versus/Temple of Nature" The "Versus/Temple of Nature" silkscreen print is a testament to the innovative spirit of contemporary Street Pop Art and Graffiti Artwork. Created by the talented Koralie Carmen Flores, this piece is a visual symphony of seven vibrant colors meticulously hand-pulled on a 290gsm Coventry Rag Fine Art Paper. This limited edition artwork, with only 100 signed and numbered pieces, offers a unique interaction between the viewer and the piece, with its multi-directional nature inviting you to choose its orientation upon hanging. Koralie's work is a canvas of cultural convergence, marrying the vivid imagery of street art with the refined techniques of silkscreen printing. Each print in this limited series measures 16x20 inches, a size that is intimate and commanding, ensuring that the intricate designs and bold color palettes make a statement in any space—the year 2018 marked the release of this exclusive collection, capturing the essence of an era where street art has permeated the fine art sector, challenging traditional boundaries and expectations. The Unique Aesthetic of Koralie's Art Koralie's "Versus/Temple of Nature" is not merely a representation of natural elements; it is a deep dive into the symmetry and symbolism that nature provides. The artwork is laden with architectural forms that mimic natural patterns, creating a harmonious blend that resonates with the core principles of Street Pop Art. These forms echo the organic and the artificial, presenting a dichotomy that invites contemplation. The temple-like structures juxtaposed with flora and fauna motifs create a sacred space on paper, a sanctuary where the urban and natural realms coalesce. The choice of colors in this print is not accidental. Each hue is selected to evoke a particular emotion and stand out against the urban backdrop often associated with graffiti. The colors leap off the paper, creating a dynamic interplay of light and shadow that brings the print to life. Coventry Rag Fine Art Paper, known for its durability and exceptional color handling, ensures that each print remains as vivid as the day it was created, further distinguishing the work within the realms of collectible art. Interactivity and Personalization in Art In the context of Street Pop Art, interactivity plays a crucial role. Koralie understands this interaction as a communication between the artwork and the observer. By designing the "Versus/Temple of Nature" to be multi-directional, she empowers you, the viewer, to engage with the art personally, determining how it is displayed and, consequently, how it is perceived. This choice reflects the democratic spirit of street art, where the public space and the public eye dictate the interpretation and value of the artwork. The notion that one can personalize the experience of art by choosing its orientation is both modern and reflective of contemporary society's desire for customization. This print not only adorns a space but also integrates into the fabric of the environment, shaped by the individual aesthetic and perspective of the owner. In this way, Koralie's print transcends the traditional static nature of wall art, becoming a living piece that interacts with its surroundings. The Cultural Significance of Limited Edition Prints The exclusivity of the "Versus/Temple of Nature" print symbolizes the cultural value placed on limited edition pieces within the Street Pop and Graffiti Art community. Each 100 prints carries a sense of rarity and uniqueness, coveted by collectors and enthusiasts alike. The signature and numbering by Koralie herself not only authenticate the print but establish a direct connection between the artist and the collector, a hallmark of street art's ethos. Collectors of such pieces are not just acquiring art; they are preserving cultural heritage, a snapshot of the artist's vision at a particular moment. The limited nature of the print run ensures that each piece remains a treasured component of private collections, often increasing in value as the artist's renown grows. Koralie's "Versus/Temple of Nature" thus serves as both a work of art and an investment, a duality increasingly characteristic of Streestreet popGraffgraffitioartworkalie Carmen Flores' "Versus/Temple of Nature" silkscreen print celebrates Street Pop Art and Graffiti, encapsulating the movement, vibrancy, and personalization that these art forms represent. It stands as a dialogue between the artist and the audience, an ever-changing yet timeless piece, much like the streets from which it draws its inspiration.

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Crystal Coma Mini Nugs Limited Run Handmade & Painted Art Toy Collectible Artwork by Pop Artists Nugg Life NY- Ian Ziobrowski. 2022 Each Mini Nug stands between 2.5-3 inches tall and is handmade from scratch. Come’s in the classic NYC delivery service container. Limited run of 20 signed and numbered.

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Ghost OG Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by pop artists Nugg Life NY- Ian Ziobrowski. 2022 Each Mini Nug stands between 2.5-3 inches tall and are handmade from scratch. Come’s in the classic NYC delivery service container. Limited run of 20 signed and numbered.

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The Fire Swamp Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Bouchard, Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Art Limited Edition of 100 Artwork Size 16x24 Showing Westley & Buttercup From The Princess Bride Movie in The Fire Swamp. Jacob Borshard's "The Fire Swamp" is a remarkable representation of modern Pop Art, deeply rooted in the narrative-driven ethos of street art and graffiti. This limited edition silkscreen print, produced in 2012, brings to life the iconic scene from the cult classic film "The Princess Bride," featuring the characters Westley and Buttercup in the perilous Fire Swamp. It's a visually striking piece, utilizing a 5-color hand-pulled process on fine art paper, emphasizing the vivid storytelling and dramatic hues of the original scene. The artwork measures 16x24 inches, an intimate and commanding size, allowing the intricate details and layers of color to be fully appreciated. Limited to only 100 signed and numbered editions, "The Fire Swamp" presents a unique collectible for film, pop culture, and fine art enthusiasts. Borshard's creation is not just a mere reproduction; it is a creative interpretation that bridges the worlds of cinema and visual art through the lens of street-inspired aesthetics. Borshard, although not traditionally known as a graffiti artist, channels the spirit of graffiti's immediacy and its role as a public communicator through this piece. The characters are rendered with a stylized realism that nods to the roots of Pop Art, while the surrounding swamp is imbued with the complex, layered textures one might find in a mural painted on a city wall. This blending of styles and mediums is characteristic of contemporary Street Pop Art, which often seeks to dismantle boundaries between 'high' and 'low' art forms, making art accessible and resonant for a wider audience. The print's narrative quality, a defining feature of Borshard's work, is heightened by the strategic use of color and form, creating depth and movement that draw the viewer into the scene. The art captures a moment of tension and adventure, encapsulating the essence of the film's story while inviting personal interpretation and connection. Collectors of "The Fire Swamp" acquire a piece of art and a fragment of cinematic history reimagined through the artistic process. Each print, with its certificate of authenticity, becomes a testament to the lasting impact of film on visual culture and the power of art to reinterpret and revitalize stories from our collective consciousness. This limited edition print is a vibrant example of how modern Pop Art, like street art that shares its roots, can encapsulate moments of shared cultural memory in visually stunning and emotionally compelling ways.

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Untitled Canvas I Original of a Kind Mixed Media Acrylic & Spray Painting Artwork on Gallery Wrapped Canvas by Popular Street Graffiti Artist Crash- John Matos. 2022 Signed Original Spray Paint & Acrylic Painting Size 12x12 The Visual Language of Crash in "Untitled Canvas I" "Untitled Canvas I," an original piece by the renowned graffiti artist John Matos, alias Crash, is a striking example of street pop art and graffiti artwork's capacity to capture the visual lexicon of urban life. This 12x12 inch mixed media acrylic and spray paint painting on gallery-wrapped canvas, created in 2022, is a testament to Crash's enduring influence on the graffiti art scene. As a signed original, it exemplifies the unique blend of meticulous skill and spontaneous expression that defines his body of work. Crash's Exploration of Form and Color The artwork presents a symphony of vibrant colors and abstract forms, each element meticulously layered to create a harmonious composition. Crash's use of spray paint is evident in the soft, atmospheric backgrounds and sharp, angular lines, which give the piece its characteristic graffiti texture and depth. Acrylics add richness and solidity to the forms, highlighting the artist's versatility and range. "Untitled Canvas I" is a vibrant dance of color and shape that speaks to the dynamic energy of the streets from which Crash hails. Intersection of Street Art and Pop Art in Crash's Work "Untitled Canvas I" symbolizes Crash's ability to merge street art's rawness with pop art's bold imagery. This piece, with its compelling use of pop culture motifs and street art techniques, reflects a profound understanding of both genres. Matos's work's fusion of these styles has been pivotal in elevating graffiti art from the streets to the gallery, bridging the gap between disparate artistic realms. John Matos' Contribution to Contemporary Art Through works like "Untitled Canvas I," John Matos has solidified his place as a pioneer in street pop art and graffiti. His contributions have helped to dismantle the barriers between high art and street culture, enabling a dialogue that has enriched the contemporary art discourse. Like many of his creations, this piece is not merely an artifact but a living part of the vibrant and continually evolving narrative of street art. In essence, "Untitled Canvas I" by Crash is more than a piece of art; it is a narrative, a statement, and a celebration of the culture that has shaped John Matos as an artist. It is a vibrant testament to the power of street pop art and graffiti to communicate, challenge, and captivate.

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Hulk Boy Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English. 2007 Digital print in colors on wove paper 20 x 20 inches (50.8 x 50.8 cm). 100 Signed and numbered in pencil along the lower edge

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Life Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Hand Titled Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 "Life In Every Breath" Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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Nothing Exists! Limited Edition art book with graffiti street artist modern pop artworks by Cyrcle. "This is a book of poetry...NOTHING EXISTS! is an exploration of the space between all that matters. Nothing exists is a philosophical quandary, a statement comprised of absolute polarities, in which its meaning is inherently dependent on one’s perception. This composition presents us with the opportunity to think critically. Whether abstract or rational this contradiction confronts us with a perplexing challenge, testing both our beliefs and knowledge. Somewhere between something and nothing exists a space of uncertainty. This moment is immeasurable, yet more substantial than that which is tangible. Nothing exists, it is waiting to be defined. Questioning this requires faith and fact. The more we understand that nothing is something, we realize nothing exists. See blind. Hear silence. Feel the truth." - Cyrcle

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Dab Devil- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Tasmanian Devil Loony Toons Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Dab Devil- Oversized Edition embodies the confluence of pop culture and the audacious spirit of street art, brought to life by the acclaimed Modern Pop Street Graffiti Artist Ben Frost. Through this artwork, Frost masterfully integrates the iconic Tasmanian Devil from Loony Toons into a contemporary context, sparking a dialogue about societal norms, juxtapositions, and the constantly evolving nature of art. Crafted using archival pigment, this piece not only showcases the brilliance of the artwork's theme but also emphasizes a meticulous approach to ensuring the longevity and vibrancy of each detail. Printed on 290gsm Somerset Hot Press Fine Art Paper, it further elevates the quality of the work, enhancing the richness of colors and the sharpness of details. Such a medium is known to breathe life into artworks, ensuring each piece resonates with its intended message and allure. The choice of Tasmanian Devil against the backdrop of marijuana drug tests is a bold, possibly cheeky, commentary on popular culture and its intersection with contemporary issues. 2021 saw this masterpiece released as a signed and numbered edition, limited to only 25 prints. This limitation accentuates its exclusivity and value in the world of art collectors and enthusiasts alike. With Dab Devil- Oversized Edition, Ben Frost invites viewers to immerse themselves in a world where traditional cartoon nostalgia meets modern-day themes. It's a testament to the artist's ability to challenge perceptions, compel introspection, and celebrate the dynamism of pop, street, and graffiti art.

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High Three Limited Edition Giclee Print on Fine Art Paper by Aled Lewis. 2014 Numbered Limited Edition of 30 Artwork Size 12x12 TMNT Teenage Mutant Ninja Turtles High-Five 8-Bit Style Giclee Print. Convergence of Digital Art and Street Pop Culture Aled Lewis's "High Three" is a limited edition giclée print that encapsulates the crossover appeal of counter-culture street artist art within the spectrum of pop art, street art, and graffiti art. The 2014 creation is a numbered edition of 30, each measuring 12x12 inches, and embodies the playful spirit and vibrant dynamism of the artist's style. "High Three" stands out for its 8-bit style representation of an iconic scene that melds nostalgia with the modern. The Teenage Mutant Ninja Turtles (TMNT), a staple of pop culture, are reimagined in a pixelated form that harks back to the era of retro video games. This piece is not merely a giclée print but a bridge connecting the dots between the digital art of early gaming culture and the expressive freedom of Street Pop Art and graffiti Artwork. Aled Lewis's Artistic Approach A marks Lewis’s approach to art. A distinct infusion of humor and cultural references marks Lewis's approach to art. The "High Three" is a playful take on the traditional high-five, celebrating victory, camaraderie, and the quirks of turtle anatomy. The print's composition, with its bright, contrasting colors and blocky visual aesthetic, is instantly recognizable and accessible, making it a beloved piece for art collectors and pop culture enthusiasts. The artwork serves as a cultural commentary, reflecting on the zeitgeist of the '80s and '90s while resonating with contemporary audiences. The use of the TMNT in the art piece is a strategic choice that leverages the viewer's sense of nostalgia while engaging with the aesthetics of video game art that has permeated the street art scene. The giclée printing technique used by Lewis for "High Three" is notable for its high fidelity and color accuracy, which preserve the vibrancy and detail of the original digital design. Printed on fine art paper, the work bridges the gap between digital art and traditional printmaking, offering a tactile experience that compliments the visual playfulness of the piece. Impact of "High Three" on Street Art "High Three" is significant not just as a piece of art but as a reflection of digital culture's impact on Street Pop Art and graffiti Artwork. It represents a shift in the medium and subject matter, where the lines between street art, pop art, and digital art become blurred, allowing for a broader interpretation and appreciation of contemporary art. Aled Lewis's "High Three" is a testament to the evolving narrative of street art and its interaction with pop culture. With its limited availability and distinctive style, the piece is a highly sought-after item among collectors. It is a perfect example of how traditional street art can adapt and thrive in the digital age. It celebrates the convergence of art forms and the enduring appeal of pop culture icons.

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Man on Wire NYC World Trade Center Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print New York City World Trade Center with Tight Rope Walker NYC World Trade Center Silkscreen Print by Justin Van Genderen NYC World Trade Center Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that captures a striking moment in history through the lens of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and produced in a limited edition of 50, this signed and numbered print presents the World Trade Center from a surreal, almost dreamlike perspective. The composition draws attention to the architectural presence of the Twin Towers while highlighting the legendary tightrope walk that took place in 1974, blending history, urban culture, and artistic abstraction into a single breathtaking image. The Power of Composition and Perspective This silkscreen print uses perspective in a way that immediately immerses the viewer. The World Trade Center towers rise at an angle, pulling the eye upward toward the sky where a large white circle looms like a full moon. The gradient sky shifts from turquoise to white, creating a cosmic atmosphere that amplifies the feeling of height and space. Birds fly freely around the towers, adding movement and reinforcing the feeling of openness despite the massive structures dominating the scene. At the center of the composition, the famous 1974 tightrope walk performed by Philippe Petit is subtly depicted. A thin, almost invisible line stretches between the towers, with the silhouette of a figure walking across. This delicate yet daring moment contrasts with the enormity of the buildings, creating a visual and emotional tension that captures both awe and fragility. The print pays tribute to the act of defying gravity, an idea that resonates deeply with both the history of New York City and the artistic culture of Street Pop Art & Graffiti Artwork. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s work carries strong elements of Street Pop Art & Graffiti Artwork, blending bold graphic techniques with urban storytelling. The stylized halftone shading on the towers gives them a textured, print-like quality, reminiscent of old newspaper photographs or comic book panels. The limited color palette—dominated by shades of blue, white, and black—enhances the print’s clean, modern aesthetic while maintaining a raw, urban energy. The composition feels cinematic, almost as if the viewer is looking up from the streets of Manhattan, capturing both the grandeur and the intimacy of the moment. Many street artists incorporate architectural landmarks into their work, but Van Genderen’s approach strips the scene down to its essential elements, making it feel timeless and universal. The use of high-contrast shading and simplified forms aligns with the stencil techniques used in graffiti, while the screenprinted medium itself is a hallmark of pop and street-inspired artwork. The combination of precision, abstraction, and minimalism makes this piece a striking example of how urban spaces can be reinterpreted through contemporary visual language. The Lasting Impact of the Image The NYC World Trade Center Silkscreen Print by Justin Van Genderen does more than capture a historical event; it transforms it into a symbol of artistic expression, human ambition, and the way cities shape cultural memory. The Twin Towers remain an enduring icon in New York’s skyline, and their representation in Street Pop Art & Graffiti Artwork continues to evolve as artists find new ways to pay tribute to their legacy. The tightrope walker’s inclusion in this piece serves as a metaphor for balance, risk, and the beauty of movement within the rigid lines of architecture. Collectors of Street Pop Art & Graffiti Artwork will find this print to be a unique and compelling addition to any collection. As a limited-edition hand-pulled silkscreen, it holds a level of craftsmanship that reflects the tactile, authentic nature of street-inspired art. Whether appreciated for its historical significance, its bold design, or its thought-provoking imagery, this print stands as a testament to the ways in which art can transform the past into something visually powerful and deeply moving.

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Metallica Barcelona- 2021 Limited Edition Music Gig Poster 3-Color Green Glow in the Dark Silkscreen Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Created for Metallica's May 5th show in Barcelona, Spain. The poster was inspired by songs from Metallica’s "…And Justice For All" album, as well as envisioning an ancient Spanish forest and what might dwell in it. All posters measure 18" x 24"

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Don't Get Too Close Limited Edition Giclee Print on Fine Art Paper by Tony Hodgkinson counter-culture street artist art. Inspired by Avengers Assemble Fine Art Giclee Print Limited Edition of 30 Approximately 24" x 12" Mild Yellowing to Margins.

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