Loud Mouth Soup 1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Nekoes Graffiti Street Artist Modern Pop Art. "This piece is inspired by my lack of patience and understanding of my brother's mental illness which is a combination of schizophrenia and bipolar disorder. I went about creating the piece by watching my brother smoke a ton of cigarettes and asking him a ton of questions about what the voices tell him and what his hallucinations are of. Then I just started to apply paint to the canvas. This piece (and 4 others) were created in January 2014 right after moving to Florida. From start to finish I would say this piece took about 2 weeks. I tend to stay working on a painting until it's done. I hate starting something and stopping then coming back to it." - Nekoes

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Pals- Purple Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Cat Goddess Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. "The "Cat Goddess" is part of a series of paintings looking at the life cycle of living things. I would say I'm "spiritual" but not very religious. We talked about it in my family, we talked about Jesus and God, but we did not practice a religion. I'm always questioning why we're here, and what it's all about, and the answers are never clear to me. I do like to think we have spirits or energy, and I wonder where that energy goes when we pass? I feel that, if humans possess this energy, then all living things must possess it as well. The Cat Goddess is some sort of passageway or portal to somewhere else. I envision the mouth opening and taking the soul to a beautiful and safe place. Maybe Heaven?" - Jeff Soto

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Purple Nose Limited Edition Giclee Print on 308gsm Hahnemuhle Cotton Paper by Modern Artist Mysterious Al. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 23.62x23.62

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Last Supper in South Park Artwork Giclee Limited Edition Print on Hahnemühle Photo Rag Pearl Paper by Pop Culture Graffiti Artist Ron English. South Park Studios proudly presents this museum quality fine-art reproduction of "Last Supper in South Park" by Ron English. Printed with Epson Pigmented inks on Hahnemühle Photo Rag Pearl paper, this unframed collector's piece is hand-signed and individually numbered by the artist. 150 prints in the edition. The creators of South Park and Ron English selected 15 artists to pay tribute to the 15th season of South Park at an art show that opens on March 28th at Opera Gallery in New York City.

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Archipelago Street Pop Artwork Limited Edition Giclee Print on Hand Deckled 310gsm Fine Art Paper by Modern Artist Dulk- Antonio Segura Donat. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Hand Deckled PangeaSeed Foundation Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade fine art paper Hand-deckled edges 24" x 24" Limited Edition of 100 Signed & numbered

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Butterfly Trap Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Steven Lopez Graffiti Street Artist Modern Pop Art. "I’ve been exploring the monarch butterfly pattern on my portraits and while I enjoyed that aspect I wanted to understand how I could use it in other situations. I first drew the figure in my sketchbook while looking at the muse. I liked the flow of the drawing and pondered how I could use it in a painting. A few days later I came up with the idea while listening to Jamiroquai’s, Butterfly. This was the first time I added distress to the derrière.The under painting was applied by brush with coarse textures executed by palette knife. Under painting has been a big focal point for me. It’s helped me understand how to trap light and distinguish shadows with greater dexterity. A new door has opened which makes me feel like I’m learning all over again." - Steven Lopez

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Put It In The Ditch, Brah! Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lb Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 85 Artwork Size 16x20 "Before we left California for the East Coast Rime told me to put some ideas together for our stop in Detroit and at the 1xRun headquarters. He wanted to introduce me to the guys and help push getting me to release a print. Because things were hectic before leaving I wasn’t able to get anything together. By the time I got to Chicago I still didn’t have anything. Rime, Mason and I had been through a few cities by then and were pretty tired. The night before our stop in Chicago we were in Nebraska. Nebraska was fucking nasty as all hell. It is where we hit a patch of black ice and did 4 huge 360 spins down the highway with semi trucks barreling down the highway behind us. All I could get out of my mouth was “Put it in the ditch man”! That became the quote for the rest of the trip." - Persue

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Goldeneye Original Painting Acrylic on Canvas Mounted on Panel by Jordan Mendenhall Graffiti Street Artist Modern Pop Art. 2014 Signed Custom Gold Framed Orginal Painting Artwork Size 23x9 "I’ve always loved Zelda games and other video game classics. Even watching people play video games was magical to me when I was growing up. My older brothers did most of the playing because I was no good, but the games were magical. You could live, adventure, race, fight and make friends in these alternate worlds. I guess that’s why I love video games and art so much till this day. You get to create worlds and live in them and escape from reality. Real-life is stressful and sometimes is too much. I love to escape through my art and video games." - Jordan Mendenhall

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Unforeseen Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Nawer Graffiti Street Artist Modern Pop Art. "Perfection is what haunts me. It beguiles my imagination and disturbs my sleep. It introduces a dissonance into my perception of reality. The worst thing about perfection is that it is unattainable and that I will never achieve it. The best you can do is trying to approach it. For that reason beyond perfection is an attempt at escaping it; taking a look beyond it and immersing yourself in the space other than this possessed by the unattainable. This is where I was trying to find the matter and inspiration for the series. I employed color and space. My aim was to help the recipients find depth because depth allows escaping perfection." - Nawer

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Magic Mountain> New World Disorder Series Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Anthony Hurd Graffiti Street Artist Modern Pop Art. "These pieces are part of what started as palette cleansers. I would take what is left of the paint from other pieces and just let loose with large strokes on a small board and see what comes of it. The first couple pieces I did like this were a couple of years ago and they were way less evolved. Purely strokes with just a touch of more graphic details. In the last year, I really started to build on them and build them out into whole new worlds. It’s a total exploration phase for me. In between the pieces I already had in the works this was an outlet to completely move freely. To my own surprise really they were a very successful exploration in many ways.

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Sirena Tiburon Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Tatiana Suarez Graffiti Street Artist Modern Pop Art. Tatiana Suarez is an artist based in Miami, Florida. Her charming style is distinctive -- the trademark eyes draw the viewer into a beautiful and surreal world. Rich with symbols that stem from her Brazilian and El Salvadorian heritage, subjects appear as if they are underwater, frozen in lovely stillness. The doe-eyed figures look childlike, but also exude sexual overtones, ornamented with plants, insects, and other unsettling accompaniments. Beauty is presented concurrently with exotic -- even creepy -- creatures to create enchanted narratives.

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Simeon Tradition Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Smithe Graffiti Street Artist Modern Pop Art. Influenced by Japanese Animé, the graphic style from the '50s and Sci-Fi movies, at the age of 13 he begins to paint graffiti just for fun and as a hobby. Autodidactic and evolutionary, attracted by fine arts, Smithe has constantly reinvented his own style and over the past years has tried out many themes in his work such as Existentialism, Individuality of the human being, and the machine within. The defragmentation, a common symbol in his work, is used as a vehicle to show the inside elements that power his characters and is shown as a surrealistic machine. He is commonly known for his graffiti but he´s also involved in other areas such as illustration, design, sculpture, and music. He has exhibited in Germany, France, Belgium, United Kingdom, Spain, the USA, and Mexico.

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Parties & Gossip 18 Original Mixed Media Painting HPM Silkscreen Ink, Acrylic & Spray Paint on 250gsm Fine Art Paper by Greg Gossel Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered HPM Limited Edition of 24 Embleshed Artwork Size 18x18 "This is a series of 24 varied-edition works on paper and 6 original wood panels based off a large 8x8ft canvas I created this past December at the Heineken House live painting event at SCOPE Miami Beach.Each piece is in the series is different from the next. The process began with a variety of spontaneous screen printed layers followed by more planned elements, which created a really interesting juxtaposition of structure and chaos throughout the series." - Greg Gossel

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Tempest- 22x30 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by N.C. Winters Graffiti Street Artist Modern Pop Art. "I have made a few paintings that incorporate a series of narratives that revolve around my relationship to my son as a father and this is the next major piece in that ongoing series. I imagine this series may last for several decades as I explore what it means to be a dad and watch my son grow and evolve and create his own world. Interestingly, the previous piece and origin of this series were with a previous 1XRUN release: “Overdrive.” Tempest” has several layers of meaning that correspond with various states of the mind and the aforementioned experience of being a father. To dispel the immediate question, no, it does not refer to a troublesome, tempestuous child, but more to the overwhelming complexity that comes from raising a new life and what that means for your own existence, not to mention the whirlwind of life that he must be experiencing concurrently. I leave the viewer to extrapolate other personal meanings from that jumping-off point." - N.C. Winters

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One Rose- Blue Limited Edition 2-Color Hand-Pulled Silkscreen Mixed Media Spray Paint Print on 300 gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. "I did an exhibition last year that opened on Valentine's Day which was called ‘One Red Rose Forever’. It’s an old Sailor Jerry tattoo phrase. I always like to revisit and re-imagine my own personal archive of imagery in new ways. This image is a reworking of a much larger piece I painted a couple of years back. I'm always thinking, if my paintings were songs what would they sound like? Often I'll be listening to a song and it'll give me an idea for a painting. All it takes is a phrase, or sometimes I'll come up with a particular profound emotion and try to depict it as an image in the same way a musician would in a song." - Copyright

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Poo Fairy- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English. Comes with deck tape.

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Mecha Banana- Purple Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2011 Signed Limited Edition of 50 Artwork Size 18x10 Displayed With Box Frank Kozik is an influential artist known for his concert posters, graphics, and vinyl art toys. Vinyl art toys, also known as designer toys or urban vinyl, are often produced in limited quantities, making them quite collectible. They're created as a form of artistic expression, rather than as traditional children's toys. These toys often carry the signature style of the artist and are marketed to adults as art pieces.

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Salvage Can 11 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla Eddie Colla's Innovation in Street Art Eddie Colla's "Salvage Can 11" stands as a powerful statement within the realm of street pop art and graffiti artwork, an original painting on a spray paint can that marries mixed media techniques with the subversive energy of street art. The work is part of a series created in 2018 during a residency in China, a period that Colla describes as marked by an unexpected hiatus, waiting for art supplies, which led to the innovative use of discarded materials to create something unforeseen yet profound. Colla's "Salvage Can 11" is a testament to the spontaneous and adaptive spirit that often drives street art. Faced with a delay in his usual creative process, Colla turned to the empty spray cans available at his residency, transforming them from tools into canvases. This act of reclamation gave new life to the used cans and challenged the perception of value and utility in art materials. The resulting artwork—a signed original piece—is a mixed-media sculpture that encapsulates the essence of graffiti artwork: raw, immediate, and deeply personal. Visual Dynamics of "Salvage Can 11" The visual impact of "Salvage Can 11" is immediate and visceral. The imagery on the can is haunting, with the figure's features suggesting a blend of humanity and mask-like anonymity—a common theme in Colla's work, which often comments on identity and the individual's place within society. Using acrylic and spray paint adds texture and depth, with the stark black and purple hues commanding attention and drawing the viewer into a contemplative dialogue with the piece. Cultural Significance of Eddie Colla's Work Eddie Colla's contribution to street art extends beyond his murals and public installations. He bridges the gap between the street and the collector's space by bringing his art to a tangible, holdable medium like a spray paint can. "Salvage Can 11" embodies the transient nature of street art, while its existence as a preserved object challenges the ephemerality traditionally associated with the form. Colla's work is a reminder that street art is not confined to public spaces but is a dynamic art form that can inhabit and adapt to any context. The Resonance of the "Salvage Can" Series in Art Collecting The "Salvage Can" series holds a special place in the art collection. Each can, signed and dated by Colla, is not just an artwork but a historical piece that carries the story of its creation. Collectors of street pop art and graffiti artwork are often drawn to pieces with a narrative, and "Salvage Can 11" offers just that—a story of innovation, adaptation, and the creative process that unfolded in an artist's residency across the globe. "Salvage Can 11" is a mixed-media sculpture encapsulating Eddie Colla's innovative spirit and stature as a graffiti legend. The work is symbolic of the creativity that flourishes within the constraints of street art, highlighting Colla's ability to craft compelling narratives from unexpected circumstances. It is a prime example of how street pop art can transcend traditional boundaries and redefine what a canvas can be, inviting a broader audience to engage with the street art movement in new and meaningful ways.

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I screamed for the Sunrise- Pearl Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Yoskay Yamamoto. 2014 Limited Edition of 200 Displayed In Box. This was the fourth colorway of the beautiful figure "Screaming for the Sunrise" by Yoskay Yamamoto. Featuring pearly accents and pink/purple flames, this piece also comes with a removable sheer ribbon. The Fusion of Traditional Motifs and Street Art in Yoskay Yamamoto's Work "Screaming for the Sunrise - Pearl" is an illustrious vinyl art toy collectible that encapsulates the essence of Yoskay Yamamoto's artistic vision, which marries the serene aesthetic traditions of his Japanese heritage with the vibrant, unbounded spirit of street graffiti art. This limited edition piece, with only 200 in existence, was released in 2014 and has since become a coveted item for collectors of street art and contemporary pop art. The piece features an ethereal blend of pearly accents and a gradient of pink and purple flames, exuding tranquility and intense emotion. This colorway of "Screaming for the Sunrise" is the fourth iteration, reflecting Yamamoto's ongoing exploration of mood and expression through color and form. The vinyl figure is characterized by its striking juxtaposition of a traditional Japanese mask with a modern, almost otherworldly aesthetic. The removable sheer ribbon adds a tactile dimension to the piece, inviting interaction and a personal connection with the artwork. Yamamoto's work often blurs the line between art and artifact, creating pieces that are visually arresting and rich in cultural significance. Collectibility and Significance of Yamamoto's "Screaming for the Sunrise - Pearl" The collectibility of "Screaming for the Sunrise - Pearl" lies in its unique blend of traditional artistry and contemporary design. As a limited edition piece, it represents a tangible intersection of street pop art and collectible culture, standing at the crossroads of accessibility and exclusivity. The artwork's display in a box suggests a reverence for the piece, positioning it as a treasured object meant to be viewed and appreciated over time. Collectors of Yamamoto's work are not simply acquiring an object; they are embracing a piece of the artist's ongoing narrative that continues evolving with each new creation. Yamamoto's influence on street graffiti and pop art is significant, as he brings a nuanced sensibility to a genre often dominated by bold, explicit forms of expression. His works, such as "Screaming for the Sunrise - Pearl," resonate with a quiet intensity, reflecting his journey and observations of the human condition. In the vibrant culture of street art, where messages are often conveyed through shock and scale, Yamamoto's subtler approach provides a contemplative space for viewers to engage with his work on a deeper level. Yoskay Yamamoto's "Screaming for the Sunrise - Pearl" is a testament to the transformative power of street pop art and graffiti artwork. It exemplifies how traditional cultural elements can be reimagined within the modern context, creating a dialogue between the past and present. Like all of Yamamoto's creations, this piece is a bridge connecting different worlds, inviting us to traverse the expanse between heritage and innovation, between the serene and the street.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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Sidewalk Closed- Wood Original Mixed Media Graffiti Artist Modern Pop Art on Real Street Sign by Sonic Bad. 2018 Signed Original Spray Paint & Mixed Media on Wooden New York City NYC Sidewalk Closed Vintage Sign Artwork Size 21.5x11.5 The Artistic Alchemy of Sonic Bad: Reimagining Public Notices Sonic Bad's 'Sidewalk Closed - Wood' is an exemplary showcase of modern pop art manifested through the lens of street sensibilities and graffiti culture. Created in 2018, this signed original piece is a vibrant declaration of the transformative power inherent in street pop art and graffiti artwork. The fusion of spray paint and mixed media on a wooden canvas that once served as a New York City sidewalk sign encapsulates the artist's penchant for repurposing the functional into the visually extraordinary. Technique and Symbolism in Sonic Bad's Work The artwork, measuring 21.5x11.5 inches, is a testament to Sonic Bad's mastery over mixed media. The piece harmoniously integrates the textures of wood with the fluidity of spray paint, achieving a layered effect that adds depth and complexity to the composition. The choice of a 'Sidewalk Closed' sign is significant; it takes an object that signifies obstruction and transforms it into a portal of creative expression, thus inviting reflection on the role of public space and the rules that govern it. Sonic Bad's approach to the sign is subversive yet playful, disrupting its original intent and engaging viewers in a dialogue about the accessibility of art and public communication. The vibrant color palette and intricate design work serve to capture the gaze and provoke thought, a hallmark of effective street pop art. The way the letterforms and characters are interwoven with the sign's warning embodies a kind of artistic alchemy, turning the mundane into the magical. Impact and Reception of Sonic Bad's Street Sign Artwork The 'Sidewalk Closed - Wood' piece by Sonic Bad does not simply occupy space; it commands attention and interaction. Its existence in a gallery or a private collection continues to challenge perceptions of street art's place within the art world hierarchy. Sonic Bad's work is celebrated for its unabashed embrace of street art aesthetics while simultaneously pushing the boundaries of what such art can communicate and how it is perceived. Sonic Bad, an artist who remains an enigmatic figure in the graffiti art scene, utilizes anonymity as a tool, allowing the work to speak for itself. The artist's contributions to street pop art are measured by the vibrancy of the pieces left in public view and the conversations they ignite. The influence of such work extends beyond the streets, infiltrating popular culture and challenging traditional art's status quo. Sonic Bad's Legacy in Street Pop Art Sonic Bad's 'Sidewalk Closed - Wood' is not merely a piece of reclaimed street furniture but a microcosm of street art's potential to redefine the aesthetics of urban living. This work stands as a cultural artifact, a piece of New York City's story told through the eyes of a street artist. Sonic Bad's legacy is enshrined in every color splash and line twist, a testament to the enduring allure and social commentary of street pop art and graffiti artwork. The legacy of artists like Sonic Bad is often measured by the endurance of their work in the public imagination and their ability to inspire future generations of artists. By turning a sidewalk sign into a canvas, Sonic Bad has not only altered the sign's trajectory but also contributed to the narrative of street art as a form of modern pop art. This piece will continue to be a point of reference for discussions about the interplay between public space and artistic freedom, embodying the spirit of street art that refuses to be sidelined.

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Cope2- Violeta Signal Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. If anyone has ever figured out how to rise to the top, manage and maintain their success for decades like an authentic rock-star, it?s got to be COPE2 (KD), a New Yorker originally from the South Bronx. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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It´s a Living- White Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. IT’S A LIVING is not just a statement but it is also a life philosophy for Ricardo Gonzalez, a designer, and artist from Durango México currently living in Brooklyn. His signature script style can be easily recognized from large-scale murals to commercial work for some of the biggest brands to a simple sticker in the streets. The ambiguity in the typographical messages continually creates a dialog between the viewer and the artwork. “A word is an image” and an image can be interpreted in so many ways, the direct approach of typography has been an exploring path where the main goal is to question our daily living and to produce a positive impact. After all, it’s a living.

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Bucket Head #4 Original Mixed-Media, Acrylic, Metal, Spraypaint Sculpture Artwork on Real Vintage Paint Can with reclaimed elements by graffiti street artist modern pop artist Ron Zakrin. “This exhibition looks to both the recent past -- how technical advances in the music industry shaped a generation -- and to the near future for motifs and possible outcomes due to developments in artificial intelligence. This expansive body of work tells a story of adaptation and the integration of technology.” - Ron Zakrin

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Radioactive R Nerm Æ-09 Nermal Limited Anatomy Vinyl Art Toy Collectible Artwork by street graffiti artist Rip N Dip. 14 inch R NERM Æ-09 VINYL FIGURE Glow In The Dark

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Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited edition of 25 Artwork Size 18x18 Archival Pigment Print Artwork. Tavar Zawacki's 'Charlotte': A Contemporary Fusion in Street Pop Art Tavar Zawacki, also known as ABOVE, is a renowned figure in street pop art and graffiti artwork, celebrated for his dynamic use of color and form. The 'Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper' is a testament to his ability to transcend the traditional boundaries of street art. Released in 2019, this limited edition of 25 signed and numbered prints demonstrates ABOVE's commitment to precision and his embrace of modern techniques to elevate graffiti art to new levels of sophistication. With its vibrant color palette and hypnotic patterns, this artwork reflects the pulsating energy of the urban environments that street art often comments on. The use of archival pigment on fine art paper ensures that the intensity of the colors and the sharpness of the lines are preserved, capturing the immediacy of graffiti art while providing durability. With each piece 18x18 inches, 'Charlotte' presents a perfect square of intricate design that draws the viewer into a visual exploration of depth and movement. ABOVE's Exploration of Identity Through Prints ABOVE has been a prominent artist on the international street art scene since the late 1990s, known for his distinctive arrow motif and large-scale, multi-layered works. In 'Charlotte,' he moves away from the urban canvas and into fine art prints, bringing the same boldness and dynamism that characterizes his murals. This piece is a part of his artistic evolution, showcasing his exploration of identity through prints. By signing and numbering each print, ABOVE confirms its authenticity and personalizes each work, connecting with collectors on a more intimate level. The title 'Charlotte' may invoke a sense of personification, implying a narrative or identity behind the patterns dominating the visual field. This form of street pop art encourages viewers to ponder the stories and messages that may lie beneath the surface of the engaging aesthetic. It is a hallmark of ABOVE's work to engage the audience in a dialogue, prompting reflection on the urban experience, the layers of communication in public spaces, and the interplay between anonymity and fame within the graffiti art world. The Cultural Significance of Limited Edition Graffiti Artwork The release of limited edition prints like 'Charlotte' within the street pop art and graffiti art genres signifies a cultural shift towards a more enduring form of what is often considered an impermanent art practice. These prints enable the diffusion of graffiti's visual language from the streets to private spaces, allowing a broader audience to engage with and appreciate the art form's unique aesthetic and cultural messages. ABOVE's decision to use archival pigment prints on fine art paper also indicates a movement within street art toward creating works that stand the test of time, both physically and culturally. By employing high-quality materials and printing methods, the artist ensures that the vibrancy and detail of the original work are maintained, providing an artifact that can be preserved and valued for generations. 'Charlotte' by Tavar Zawacki-ABOVE encapsulates the essence of street pop art and graffiti artwork in a form that is both accessible and exclusive. The limited edition print represents a cross-section of ABOVE's artistic journey, embodying street art's energy and spirit while also embodying fine art's precision and permanence. It is a vibrant example of how modern graffiti artists navigate the intersection of street culture and the fine art world, bringing the raw essence of the streets into the curated spaces of art collectors and enthusiasts.

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Untitled Simulator Interface I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Untitled Simulator Interface II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Psychedelic Andre- ‘92 Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

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Me, Myself, & Eyes (Pupilla Pluralis) Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pat Riot pop culture LSD artwork. Obscure rumors of the CIA’s clandestine operations using LSD in experiments involving mind-control on unwitting US citizens and US military personnel in their top-secret MK-ULTRA program was something that circulated mostly in darkness, woven throughout nefarious conspiracy theories. Now, those rumors have been confirmed with the release of previously classified information through the FOIA (Freedom of Information Act) and the many books that have since been published on the findings of that information, which revealed detailed accounts of the dark and torturous applications of LSD by the CIA.

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Acid Test Flier Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Zane Kesey pop culture LSD artwork. Zane Kesey is the son of the infamous psychedelic icon and author Ken Kesey. He currently owns and operates Key-Z Productions, a small mail-order company out of Pleasant Hill Oregon. His hope is to enlighten people of their psychedelic past, and to enable them to learn about the people who brought them to the present.

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Happy Bears Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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Fractle Fractle Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by HoxxoH pop culture LSD artwork. "The pieces I selected for this release were created last year and they were created with spray paint. I thought they were trippy and perfect for this project.The first time I took psychedelics was at Lollapalooza in 1996. If I had to offer some advice to anyone about them I would give the same advice that I got to start out with micro dosing, slowly increase and be in nature." - Hoxxoh

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Mona Lisa Grin- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Ughhhmerica- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. 2020 Signed & Numbered HPM Limited Edition of 100 Artwork Size 4x8 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Stormtrooper Messiah- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Long Distance Reality- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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And Then Things Got Better- Purple Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Signs Of The Crimes- Purple Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Magenta Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Fast Life Limited Edition 6-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Paper by Dr. Dax Graffiti Street Artist Modern Pop Art. Slower You Move Faster You Die. "'The value of time depends on how you spend it' is a motto that I had on loop as a direct effect from quarantine and social distancing. I spent most of my time continuing a spiritual journey and developing creatively in my studio. As time seemingly slowed down, I started noticing more than usual the value in time, and how not to waste it. In much reflection during this time, I found inspiration in colors of an era when I was very young, reminiscent of better times." -Dr. Dax

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Fast Life- Holographic Limited Edition 6-Color Hand-Pulled Silkscreen Print on 10pt Lava Holographic Paper by Dr. Dax Graffiti Street Artist Modern Pop Art. Slower You Move Faster You Die. "'The value of time depends on how you spend it' is a motto that I had on loop as a direct effect from quarantine and social distancing. I spent most of my time continuing a spiritual journey and developing creatively in my studio. As time seemingly slowed down, I started noticing more than usual the value in time, and how not to waste it. In much reflection during this time, I found inspiration in colors of an era when I was very young, reminiscent of better times." -Dr. Dax

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Take Your Time Limited Edition 6-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Paper by Dr. Dax Graffiti Street Artist Modern Pop Art. Take Your Time and Keep It. "'The value of time depends on how you spend it' is a motto that I had on loop as a direct effect from quarantine and social distancing. I spent most of my time continuing a spiritual journey and developing creatively in my studio. As time seemingly slowed down, I started noticing more than usual the value in time, and how not to waste it. In much reflection during this time, I found inspiration in colors of an era when I was very young, reminiscent of better times." -Dr. Dax

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Take Your Time- Holographic Limited Edition 6-Color Hand-Pulled Silkscreen Print on 10pt Lava Holographic Paper by Dr. Dax Graffiti Street Artist Modern Pop Art. Take Your Time and Keep It. "'The value of time depends on how you spend it' is a motto that I had on loop as a direct effect from quarantine and social distancing. I spent most of my time continuing a spiritual journey and developing creatively in my studio. As time seemingly slowed down, I started noticing more than usual the value in time, and how not to waste it. In much reflection during this time, I found inspiration in colors of an era when I was very young, reminiscent of better times." -Dr. Dax

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Detroit Series 16 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x24 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my evolution of style and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2's Detroit Series 16: An Emblem of Street Pop Art and Graffiti Artwork Cope2, a name synonymous with the gritty vibrancy of street pop art and graffiti artwork, presents us with "Detroit Series 16", which encapsulates the essence of urban expression. This 2010 original painting is a vivid example of the fusion of spray paint, acrylic paint, and mixed media on cradled wood. At a sizeable 24x24 inches, this ready-to-hang piece is an authentic Cope2 creation, complete with his iconic bubble letters that burst with the energy and spontaneity characteristic of his work. This particular piece of the Detroit Series is a rich tapestry of color, texture, and form. Using cradled wood as a substrate represents a departure from the temporary walls and subway cars that traditionally serve as canvases for graffiti artists. Cope2's choice of material marks a conscious step towards the permanence and longevity of his art, aligning with his desire to evolve and adapt over his thirty-plus years of creating. By employing a mixed media approach, Cope2 bridges the gap between graffiti's raw, street-level artistry and the refined, deliberate nature of studio-created works. The Evolution of Style in Cope2's Work The journey that Cope2 describes in his transition to mixed media paintings is evident in "Detroit Series 16". The artwork serves as a visual narrative of his stylistic evolution, revealing the layers of growth and change that define his career. In his own words, the versatility of his art showcases the breadth of his experience, from the unbridled expressions of 'hardcore graffiti' to the complex, multidimensional pieces he crafts today. The piece tells the story of an artist who is not content with the status quo, continuously pushing the boundaries of his medium to explore new techniques and concepts. The essence of street art, emphasizing accessibility and community engagement, is preserved in this work, even as it embraces elements of pop art's focus on mass media and popular culture. Cope2's work, mainly "Detroit Series 16", is a testament to the transformative power of art to convey personal journeys and societal narratives. It is a visual representation of the artist's belief in change, the potential of graffiti to evolve, and his ability to reflect these shifts through his art. Impact and Legacy of Cope2's Detroit Series The impact of "Detroit Series 16" extends beyond the visual appeal of its vibrant colors and intricate forms. It represents a moment in time within the broader narrative of street art's assimilation into the fine art world. Cope2's work, with its signature aesthetic and commitment to graffiti's core values, has played a pivotal role in redefining the perceptions of street-inspired art. The series, particularly this piece, exemplifies the fluid nature of contemporary art, where genres intersect and new forms emerge. As street art continues to gain recognition and respect within the art community, works like "Detroit Series 16" stand as milestones along this path of cultural acceptance. They are reminders of the roots of this art form in the uncommissioned, often unsanctioned expressions found in urban environments worldwide. Yet, they also signify the possibility of transcendence, of art that can rise from the streets to hang on the walls of collectors and enthusiasts who value the authenticity and raw power that graffiti embodies. In assessing Cope2's "Detroit Series 16" legacy, one cannot help but recognize the artist's influence on the trajectory of street pop art and graffiti artwork. His ability to navigate the transition from street to studio without losing the essence of graffiti's spirit is remarkable. The series offers a visual testimony to Cope2's enduring relevance in the art world, highlighting his role not just as an artist but as a chronicler of street art's dynamic and ever-evolving language. Through his creations, Cope2 continues contributing to the dialogue around what constitutes art, who can create it, and where it deserves to be seen.

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Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

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Train 21 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Lush. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Exploring "Train 21" by Lush: A Convergence of Model Hobbyism and Graffiti Art The street artist Lush's artwork "Train 21" represents a unique intersection of model train hobbyism and street art, infusing the meticulous world of HO-scale trains with graffiti's vibrant, spontaneous energy. Created in 2014, this piece stands out as an original acrylic work on a model train box-car, representing a form of street pop art rarely seen within the confines of a graffiti artist's usual urban environment. Lush, an artist whose candid self-description as an "international graffiti asshole" hints at his irreverent approach to both his craft and public perception, brings his flair for the unconventional to the rather conservative domain of model railroading with "Train 21." Lush's Graffiti Artistry on a Miniature Scale The art piece "Train 21" is a testament to Lush's ability to adapt the scale and finesse of his street art to the tiny proportions of a model train car. Measuring just 14x3 inches, this work encapsulates the essence of graffiti artwork—traditionally associated with large, expansive spaces—into the compact and controlled form of a model train, a famous collector's item. This fusion of a traditionally urban art form with a suburban pastime challenges preconceived notions of what mediums street art can occupy. Lush's signature style, characterized by bold tags and vivid, throw-up paintings, finds a new canvas on the sides of the model train car, bringing the rebellious spirit of street art into the precise and often pristine world of model train enthusiasts. Collectibility and Cultural Significance of "Train 21" As an original work signed by Lush, "Train 21" holds a place of significance within the street art community and among collectors of unique art pieces. The graffiti tag painted onto the HO model train car transforms the piece from a mere collectible into a statement, a narrative about the fusion of disparate worlds. Through such works, Lush has carved out a reputation for himself—not just as a street artist but as a modern pop artist who dares to redefine the boundaries of his genre. Signing the piece solidifies its status as a work of art, granting it a sense of authenticity and value in the eyes of art collectors and enthusiasts. "Train 21" is more than a model; it is a microcosm of Lush's artistic journey, encapsulating his bold approach to street pop art and graffiti artwork within the miniature confines of a model train car.  

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