Painting Original Artwork
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Cope2- Fernando Carlo Video Surveillance 12x18 II Original Street Sign Graffiti Painting by Cope2- Fernando Carlo
Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.
$820.00
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Denial- Daniel Bombardier Enjoy Original Stencil Spray Paint Painting by Denial- Daniel Bombardier
Enjoy Mixed Media On Cradled Wood Panel Original Painting by Denial Graffiti Street Artist Modern Pop Art. Ready To hang. "Recently this piece was not allowed into a show I had wanted it to be in. In Dubai, they have strict rules on obscenity and vulgarity. I had been wanting to paint this piece for a long time and was looking for just the right image to use as a base in it. I finally found it amongst the bowels of the internet. This painting is a visualization of an amazing Bill Hicks joke from his stand-up routine. In his stand up Bill goes into great detail about the evils of advertising when left unchallenged and unchecked. He imagines and describes an ad in the not-so-distant future that one day may exist. This painting is of that ad. Bill Hicks was a fucking genius and I only hope I did his work the justice it deserves. He was so inspirational in forming my current mindset, a true artist and rebel. I take inspiration from different artists in different ways. I like to visualize things like songs or speech or comedy and play with the different elements I come up with. I have a very playful mind." - Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.
$8,712.00
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Sonic Bad Snoopy Bad Inc Original Mixed Media Street Sign Painting by Sonic Bad
Snoopy Bad INC is an original mixed-media graffiti artist—modern pop art on real metal street signs Sonic Bad. 2015 Signed Original Spray Paint Mixed Media on Tin Metal Security Sign. Sonic BAD INC Snoopy Bad INC Artwork Size 14x10 Depicting Peanuts Red Barron Snoopy & Woodstock Bomber Stylistic Graffiti Holding Pistol Gun with Security Camera and Snowman. Sonic Bad's Unique Blend of Iconography: Snoopy Bad INC Sonic Bad's "Snoopy Bad INC" is a striking work that marries the notion of classic comic characters with the gritty edge of street art, showcasing the artist's skill in blending pop culture references with a streetwise aesthetic. The 2015 piece is a mixed media work on tin metal, utilizing spray paint to bring vibrant life to an otherwise mundane security sign. Measuring 14x10 inches, this signed original work presents a version of the beloved Peanuts characters, Snoopy and Woodstock, reimagined as rebellious icons in a stylistic graffiti interpretation. Interpreting Street Narratives through Pop Culture Lenses Sonic Bad, an artist renowned for pushing the boundaries of street pop art, infuses "Snoopy Bad INC" with layers of meaning. By depicting the Red Baron Snoopy and a bomber, Woodstock holding a pistol gun, juxtaposed with a security camera and a snowman, the artwork comments on the surveillance state and the loss of innocence in contemporary society. The playful imagery contrasts with the underlying message about security, surveillance, and the militarization of everyday life. The transformation of familiar, comforting figures into agents of anarchy or resistance is a common theme in modern pop art and graffiti, where the recontextualization of well-known images challenges viewers' perceptions and expectations. Sonic Bad's portrayal invites reflection on how innocence and playfulness can be corrupted by societal control and violence. Crafting Commentary on Canvas and Metal The choice of a metal street sign as the canvas for "Snoopy Bad INC" is particularly resonant, suggesting a subversion of authority and a claim to the public space typically dictated by such signs. Sonic Bad's adaptation of the sign, a symbol designed to regulate and warn, into a piece of art underscores a reclaiming of agency, turning a tool of control into a medium for free expression. The use of mixed media in "Snoopy Bad INC" highlights Sonic Bad's versatility as an artist. Spray paint, a staple in graffiti art, brings an urban feel to the work. At the same time, incorporating other media adds texture and depth, creating a piece that is visually arresting and thought-provoking. The artwork stands as a testament to the power of street art to transform everyday objects and icons into profound statements. Sonic Bad's Artistic Evolution and Impact "Snoopy Bad INC" exemplifies Sonic Bad's evolution as an artist and his impact on street pop art and graffiti. His ability to weave together elements of popular culture, street art stylings, and social commentary places him among the leading figures in the genre, capable of sparking conversation and challenging societal norms. The piece is a vibrant addition to the discourse of street art, reflecting the genre's capacity to adapt and evolve. Sonic Bad's work, through pieces like "Snoopy Bad INC," continues to influence and inspire, ensuring the relevance and vitality of street pop art in a changing cultural landscape. The legacy of such art lies in its capacity to engage, provoke, and endure, much like the artist behind the creation.
$771.00
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Add Fuel Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel
Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel of a Kind Artwork Framed by a Street Art Pop Artist. 2020 Signed Mixed Media Original Three Panel Ceramic Painting Size 23.8x29.8 Ready To Hand Fragmented 2 Piece Artwork FRAGMENT 01, 2020 Three Panel Ceramic 23.8 × 29.8 Significance of Fragment 01 in Street Pop and Graffiti Artwork Fragment 01 emerges as a distinctive piece within the realm of Street Pop and Graffiti Artwork, symbolizing a harmonious blend of traditional ceramic art with the raw vibrancy of street art. Crafted in 2020, this original mixed-media artwork by the artist Add Fuel stands out as a one-of-a-kind framed piece that resonates with the dynamic energy of pop art. At the heart of Fragment 01 lies the artist's innovative approach to ceramic painting, a medium often associated with classical and traditional art. However, Add Fuel recontextualizes this perception by introducing elements typical of street art, thus creating a bridge between two ostensibly disparate worlds. The three-panel ceramic painting, with dimensions of 23.8 by 29.8 inches, captures the essence of Street Pop Art through its fragmented two-piece composition. The artwork's division into panels underscores the fragmented nature of street art, often found in unexpected locations and subject to the ravages of the urban environment. The visual narrative of Fragment 01 is characterized by a bold use of color and pattern, hallmarks of both pop art and graffiti. The dominant blues and intricate designs pay homage to the azulejo tradition of ceramic tilework, while the fractured presentation speaks to the spontaneity and impermanence of graffiti. By signing the piece, Add Fuel imparts a sense of identity and ownership, a nod to the graffiti artist's signature tag. The artwork is also ready to hang, emphasizing its accessibility and the street art ethos of art for the people. The Legacy of Fragment 01 in Contemporary Art Fragment 01 does not just represent a fusion of artistic styles; it also embodies the cultural dialogue between traditional craftsmanship and contemporary street expression. Through its form and medium, the artwork invites viewers to reflect on the evolution of art as it moves from the protected confines of galleries to the open and often contested spaces of the street. It challenges preconceived notions about the value and place of art in society and celebrates the democratization of art that street art and pop art have long championed. The significance of Fragment 01 extends beyond its aesthetic appeal; it is a testament to the growing recognition of street art and pop art as legitimate and influential art forms. By encapsulating the spirit of these movements within the time-honored medium of ceramic, Add Fuel's artwork bridges past and present, offering a powerful statement on the enduring nature of art and its capacity to adapt and thrive in various contexts. The piece is a vibrant example of how Street Pop and Graffiti Artwork continue to shape and inspire the trajectory of contemporary art. Fragment 01 is not merely a work of art but a vibrant narrative that captures the intersection of history, culture, and innovation. Through this piece, Add Fuel propels the conversation about the place of street art within the broader artistic canon, asserting its value and relevance in today's art landscape.
$7,290.00
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RD-357 Real Deal Railroad Spike Track Teeth Blue Object Art by RD-357 Real Deal
Railroad Spike Track Teeth Blue Object Art by RD-357 Real Deal Original Tag Designer Collectible Pop Artist Artwork. 2021 Original Spray Paint RD Tag on Reclaimed Metal Railroad Spike Art Object Size 6x1 Artwork. Railroad Spike Track Teeth Blue by RD-357 – Original Object Art in Street Pop Art & Graffiti Artwork Railroad Spike Track Teeth Blue is a 2021 original artwork by RD-357, also known as Real Deal, a graffiti artist and designer known for integrating traditional tagging culture with found-object experimentation. This unique piece features RD’s iconic handstyle tag executed in bright blue spray paint across the surface of a reclaimed railroad spike, measuring 6 x 1 inches. A powerful collision of industrial form and street symbolism, the object retains the weight and texture of its original function while transforming into a three-dimensional graffiti artifact. The signature arrow, a common motif in graffiti letterforms, extends from the letter D, pointing forward with intentional motion—signaling movement, defiance, and direction. As a tagged artifact, this spike not only references the rail systems central to graffiti’s early distribution but becomes a piece of urban archaeology infused with authorship and attitude. Tag Culture and Object as Canvas In graffiti, the tag is the most distilled form of artistic identity. It is name, logo, and signal. RD-357’s application of his tag on a metal spike recontextualizes this signature within the aesthetics of artifact and utility. By placing a clean, fluid handstyle on a corroded and heavy object, the artist plays with contrasts—impermanence marked on permanence, fluid gesture on solid form, gesture on function. The use of blue against the spike’s blackened surface brings a vibrancy and clarity that stands out even on this miniature scale. It becomes a physical message, less about the space it occupies and more about what it carries—a name rooted in street history etched onto a tool once used to anchor systems of transit and division. The object is no longer a spike; it is a signed sculpture, a mobile tag, a symbol of permanence in a culture built on motion. Railroads, Movement, and the Foundation of Style Railroads are more than infrastructure in the graffiti narrative—they are symbols of distribution, escape, and style travel. Writers from the 1970s forward used trains to extend the visibility of their names across boroughs and regions. RD-357 honors that history not with a painting of a train, but with the spike that once fastened steel to wood, that once anchored a system which graffiti artists hijacked to spread messages. This spike is a poetic repurposing. It holds the weight of transit and turns it into voice. It turns the ghost of industrial decay into the object of modern subcultural celebration. The use of an authentic railroad component makes this piece not just art, but a relic transformed—a utilitarian object made iconic by graffiti’s mark of authorship. Street Pop Art & Graffiti Artwork as Object-Based Language Railroad Spike Track Teeth Blue is a rare example of graffiti object art where the artist refuses to be confined to wall, canvas, or digital format. RD-357 embraces the object as both message and material, infusing his tag with dimension, tactility, and context. This approach bridges graffiti’s traditional emphasis on repetition and surface with the collectible logic of pop and conceptual art. It is a handstyle made sculptural, an industrial artifact made personal, and a name that resists being forgotten. In Street Pop Art & Graffiti Artwork, such pieces remind us that graffiti lives not only on surfaces we walk past, but also in the objects we carry, the materials we recover, and the symbols we choose to elevate. This work is not merely seen—it is held, it is felt, it is signed in steel.
$75.00
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Denial- Daniel Bombardier What Drones? HPM Spray Paint Wood Stencil by Denial- Daniel Bombardier
What Drones? Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of HPM Stencil 5 Artwork Size 48x30 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship since their meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works that reference Pop Art, Graffiti, and the corporate world they rebel against. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.
$8,749.00
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Icy & Sot Peoples Power Original Stencil Spray Paint Wood Panel Painting by Icy & Sot
Peoples Power Original Painting Mixed Media Stencil & Spray Paint on Cut Out Wood Panel by Icy & Sot Graffiti Street Artist Modern Pop Art. 2015 Signed Original Spray Paint & Stencil Painting on Cut-Out Wood Artwork Size 21x46 "Life Size" "American Dream is inspired by the homeless guy holding ag Starbucks cup and asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the Empire State Building so he can be noticed more." - Icy &. Sot Decoding the Visual Language of 'People's Power' The artwork titled 'People's Power' by the street artist duo Icy & Sot is a striking example of modern pop art that interweaves the raw intensity of graffiti with the engaging allure of stencil work. Created in 2015, this original piece was meticulously crafted using mixed media, predominantly stencil and spray paint, on a cut-out wood panel. The artists' choice of materials and their technique tell of their deep roots in the traditions of street pop art and graffiti artwork, where the use of spray paint is iconic, and stencils allow for sharp, repeatable imagery that can be rapidly executed in the often tricky environments of public spaces. Artistic Expression on Social Realities 'People's Power' resonates with the ethos of street art by boldly tackling socio-political themes. Icy & Sot's work often reflects a keen awareness of contemporary issues; this piece is no exception. The narrative behind the 'American Dream' — the inspiration for 'People's Power' — stems from the artist's observation of a homeless individual in New York City, cradling a Starbucks cup while begging for money. This poignant scene, set against the backdrop of towering skyscrapers, sparked the creation of an artwork that seeks to amplify the presence of the often overlooked and marginalized figures in urban landscapes. The Symbolic Imagery of 'People's Power' In 'People's Power,' the central figure is depicted as larger than life, overshadowing the iconic Empire State Building. This artistic choice elevates the subject, literally and figuratively, granting him a visibility that is usually denied in real life. The mixed crowd surrounding the central figure appears to be in solidarity, suggesting a collective uprising or a unified stand against societal issues. The vibrant colors splashed across the face of the central figure add a sense of vitality and perhaps a glimmer of hope amidst the stark black and white of the crowd. Technique and Form in Icy & Sot's Creative Process The technical prowess of Icy & Sot is evident in the stencil work's precision and the spray paint's controlled chaos. By opting for a wood panel as the substrate, the artists step away from the transient nature of street walls, allowing 'People's Power' to exist as a portable manifesto of their artistic and ideological stance. The cut-out form of the artwork disrupts the conventional rectangular canvas, giving the piece an almost sculptural presence that echoes the three-dimensional experience of encountering street art in the wild. Contextualizing 'People's Power' Within Street Pop Art 'People's Power' is more than a visually captivating piece; it is a cultural artifact that encapsulates the spirit of street pop art. Icy & Sot have successfully harnessed the expressive potential of graffiti artwork to communicate with a broad audience, transcending linguistic and cultural barriers. The artwork's accessibility is crucial to its impact, following the tradition of street art that speaks directly to the public, unfiltered by the gatekeeping norms of traditional galleries and museums. Impact and Legacy of 'People's Power' The legacy of 'People's Power' lies in its ability to confront and converse with its audience about uncomfortable truths. As with many seminal works in the street pop art genre, this piece's value is amplified by its relevance to contemporary societal discourses. Icy & Sot's commitment to addressing the uncomfortable facets of modernity is what positions 'People's Power' as not only an object of aesthetic admiration but also as a beacon of social consciousness in the realm of modern art.
$4,304.00 $3,658.00
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Grabster Solar Synthany VI Original Mixed Media Painting by Grabster
Solar Synthany VI Original One of a Kind Mixed Media on 290gsm Coventry Rag Fine Art Paper Painting Artwork by Popular Modern Pop Artist Grabster. 2022 Signed Original Artwork Size 14.875 x 19.9375 in. “'Solar Synthany' is an imaginative and nostalgic journey through a diverse and infinite universe. Inspired by a childhood fascination with all things outer space, Grabster layers spray paint and acrylic paints using a brush, markers, and sponges to mimic the look of virgin terrains and alternative atmospheres. Balancing pride in his tropical roots with a desire to explore, conquer, and expand, Grabster asks what is on the horizon and waiting to be discovered through this otherworldly series." –Grabster
$793.00
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Dave Pollot Processed and Enriched Oil Painiting by Dave Pollot
Processed and Enriched Original Painting Oil on Found Art Canvas by Dave Pollot Graffiti Street Artist Modern Pop Art. ‘Processed and Enriched’-Original oil on found art by Dave Pollot- Background is a framed painting on canvas- Signed in oil by Artist-Includes signed Measures 17.5 x 24″ including frame
$2,607.00 $2,216.00
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Bask Thoughtcrime Ant HPM Stencil by Bask
Thoughtcrime Ant Limited Edition Hand-Painted Embellished Paint, Stencil, Acrylic on Wood by Bask Graffiti Street Artist Modern Pop Art. "These pieces are a continuation of my Thoughtcrime series. The Ant image is painted on a series of weathered panels. This set was completed within the past month. It’s hard to say how long they took to create because salvaging the panels from a variety of places over a long time is just as much of a part the art as laying down the paint on top of them. Each piece has it’s own history embedded onto itself.Each piece is hand crafted and each panel has been painted and processed by me. I like the idea of small production works that let people get a original piece of art for the cost of some prints these days.I have been saving these panels for a while and finally it was time to cut them down and make some art out of them. Paintings of the same stenciled image but each looking 100% original to itself. Each piece has it’s own distinct character and personality while keeping the repetition of the Thoughtcrime." - BASK
$352.00
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Meggs In Bloom I Original Reclaimed Spray Paint Acrylic Painting by Meggs
In Bloom I Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by ARTIST graffiti street Meggs modern pop art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed Australian artist David “Meggs” Hooke for his solo exhibition Spoiled Rotten. The exhibition of over 40 new paintings and multiples explores the wondrous decay of social morality stemming from modern society’s obsession with pop culture and overindulgent materialism, and continues Meggs’ perpetual fascination with dualism and finding beauty in tragedy.“Detroit is a city of duality more so than many other cities I have been to. I sought to incorporate this by using objects and surfaces that imply decay, in what I consider to be a beautiful way. Old wooden materials and signs with layers of paint tell a story of their own. Although the colors and textures are aesthetically beautiful, I think it’s about giving these materials a new life, a second purpose.” - Meggs
$2,379.00 $2,022.00
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Ben Frost Joker Brand- Green Pink Original Spray Paint Acrylic Painting by Ben Frost
Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse
$5,463.00
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Cope2- Fernando Carlo Graffiti Is A Crime 12x18 I Street Sign Graffiti Painting by Cope2- Fernando Carlo
Graffiti Is A Crime 12x18- I Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. Graffiti Is A Crime Sign. Graffiti as a Form of Street Pop Art and Graffiti Artwork Graffiti, often perceived as a rebellious or illegal act, has gradually evolved into a recognized form of art, gaining substantial attention in the realm of modern pop and street art. This transformation is vividly exemplified by the work of renowned graffiti artist Cope2. His piece titled "Graffiti Is A Crime 12x18-I Original Mixed Media Painting" is a striking representation of this evolution. Created in 2020, this artwork is not just a mere expression of street culture but a significant icon in the graffiti art world. It stands out as a signed original spray paint painting, featuring bubble letters on a real metal street sign. Measuring 12x18 inches, this piece encapsulates the essence of street pop art and graffiti artwork, blending the raw energy of street art with the sophistication of modern pop art. The choice of a real metal street sign as the canvas for this artwork speaks volumes about the artist's intention to blur the lines between what is considered legal and illegal, art and vandalism. By transforming a symbol of authority and regulation, a street sign, into a piece of art, Cope2 challenges the conventional perceptions of graffiti. This act of repurposing a street sign, an object typically associated with law and order, into a canvas for graffiti, traditionally viewed as a form of rebellion, creates a powerful contrast and commentary on the societal views of art and expression. The Cultural Significance of Graffiti in Modern Art The artwork "Graffiti Is A Crime" is not just a physical piece of art; it's a statement about the cultural and societal impact of graffiti. Historically, graffiti has been associated with underground movements, often being a tool for the voiceless to express their opinions and emotions. However, as seen through the works of artists like Cope2, graffiti has transcended these boundaries, finding its way into the world of high art and becoming a celebrated form of creative expression. This metamorphosis of graffiti from vandalism to a respected art form is significant in understanding the dynamics of modern art. It reflects the evolving attitudes towards what constitutes art and who gets to define it. By incorporating elements of pop culture, graffiti artists have brought a new dimension to the art world, one that resonates with a broader audience and reflects contemporary societal themes. This shift has not only given graffiti artists like Cope2 a platform to showcase their talent but has also prompted a reevaluation of street art's role in the broader context of art history. Impact on the Perception of Street Art and Graffiti The significance of "Graffiti Is A Crime" and similar works in the context of street pop art and graffiti artwork lies in their ability to challenge and redefine the boundaries of traditional art. These pieces are not just expressions of individual creativity but are also powerful tools for social commentary. They represent a form of artistic democracy, where the street becomes a gallery, accessible to all, and not just the elite few. This democratization of art through graffiti challenges traditional art paradigms and encourages a more inclusive understanding of what art can be. Moreover, the increasing acceptance and celebration of graffiti art in galleries and art exhibitions signify a cultural shift. It represents a growing recognition of the artistic value and social commentary embedded in these works. The journey of graffiti from the streets to the galleries is a testament to the changing perceptions of what is considered legitimate art. It highlights the importance of context, medium, and message in the world of art, proving that creativity knows no bounds and that art can emerge from the most unexpected places. The artwork "Graffiti Is A Crime" by Cope2 is a pivotal piece in the narrative of street pop art and graffiti artwork. It encapsulates the essence of graffiti's journey from the fringes to the forefront of modern art. This piece is not just a representation of artistic skill but a symbol of cultural evolution, challenging perceptions, and redefining the boundaries of art. As such, it holds a special place in the history of modern art, symbolizing the dynamic and ever-evolving nature of artistic expression.
$820.00
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RD-357 Real Deal Railroad Spike Track Teeth Black Object Art by RD-357 Real Deal
Railroad Spike Track Teeth Black Object Art by RD-357 Real Deal Original Tag Designer Collectible Pop Artist Artwork. 2021 Original Spray Paint RD Tag on Reclaimed Metal Railroad Spike Art Object Size 6x1 Artwork. Railroad Spike Track Teeth Black by RD-357 – Reclaimed Object in Street Pop Art & Graffiti Artwork Railroad Spike Track Teeth Black is a 2021 original artwork by RD-357, also known as Real Deal, a graffiti artist whose work explores the intersection of street authenticity and industrial minimalism. This piece features a reclaimed metal railroad spike measuring 6 x 1 inches, transformed through the addition of RD’s distinct black tag. Executed in spray and marker, the tag cuts across the rusted shaft in a tight, angular form, accented by an arrow pushing forward. This object functions as both a sculptural work and a symbolic message, channeling graffiti’s mobile essence into a handheld relic. The spike—once a mechanical element of motion—becomes the vessel for name-based authorship, connecting the physical infrastructure of rail transit with graffiti’s legacy of distribution, presence, and personal signature. Tag as Sculpture and Object as Surface RD-357’s choice of object echoes graffiti’s foundational principle of using what is available to communicate identity and energy. Unlike traditional street surfaces like walls or doors, this object carries its own embedded story before it is ever painted—steel forged for permanence, wear from transit and time, dents from labor. The tag laid upon it becomes a layer of personality over raw material, marking the spike as no longer industrial but autobiographical. The black line curves through the space with purpose and direction, controlled yet expressive. The arrow flaring from the D propels the tag with motion, continuing graffiti’s tradition of symbolizing flow, travel, and attack. The artist’s use of black ink on a distressed, brown-and-steel base emphasizes legibility and intent, evoking early handstyle culture in its most stripped-down form. Graffiti Culture, Movement, and Found Object Authenticity Railroads have always played a central role in graffiti’s evolution—not only as literal canvases for mobile expression, but as metaphors for movement, rebellion, and connectivity. By placing his tag on a spike rather than a train, RD-357 draws attention to the mechanisms behind motion. This object represents the understructure of transit—what holds tracks together, what enables trains to move, and by extension, what allowed graffiti to gain visibility across cities and boroughs. The object becomes a fragment of cultural infrastructure, repurposed through the graffiti writer’s hand into an artifact of identity. It is as much about claiming authorship as it is about preserving the overlooked materials that define how cities are built and traversed. Street Pop Art & Graffiti Artwork in Micro Form In the context of Street Pop Art & Graffiti Artwork, Railroad Spike Track Teeth Black is a testament to how graffiti can inhabit small-scale objects without losing impact. This piece condenses the energy of a full burner into a six-inch form. It distills namewriting into something tactile and permanent, a tool transformed into a sculpture. As a collectible artifact, it speaks to both the material history of the city and the personal history of the artist. The spike becomes a bridge—between labor and expression, between transportation and authorship, between anonymity and signature. It is graffiti boiled down to one tag, one object, and one gesture—yet it contains the weight of movement, story, and presence.
$75.00
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Eddie Colla Salvage Can 11 Original Spray Paint Can Sculpture Painting Eddie Colla
Salvage Can 11 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla Eddie Colla's Innovation in Street Art Eddie Colla's "Salvage Can 11" stands as a powerful statement within the realm of street pop art and graffiti artwork, an original painting on a spray paint can that marries mixed media techniques with the subversive energy of street art. The work is part of a series created in 2018 during a residency in China, a period that Colla describes as marked by an unexpected hiatus, waiting for art supplies, which led to the innovative use of discarded materials to create something unforeseen yet profound. Colla's "Salvage Can 11" is a testament to the spontaneous and adaptive spirit that often drives street art. Faced with a delay in his usual creative process, Colla turned to the empty spray cans available at his residency, transforming them from tools into canvases. This act of reclamation gave new life to the used cans and challenged the perception of value and utility in art materials. The resulting artwork—a signed original piece—is a mixed-media sculpture that encapsulates the essence of graffiti artwork: raw, immediate, and deeply personal. Visual Dynamics of "Salvage Can 11" The visual impact of "Salvage Can 11" is immediate and visceral. The imagery on the can is haunting, with the figure's features suggesting a blend of humanity and mask-like anonymity—a common theme in Colla's work, which often comments on identity and the individual's place within society. Using acrylic and spray paint adds texture and depth, with the stark black and purple hues commanding attention and drawing the viewer into a contemplative dialogue with the piece. Cultural Significance of Eddie Colla's Work Eddie Colla's contribution to street art extends beyond his murals and public installations. He bridges the gap between the street and the collector's space by bringing his art to a tangible, holdable medium like a spray paint can. "Salvage Can 11" embodies the transient nature of street art, while its existence as a preserved object challenges the ephemerality traditionally associated with the form. Colla's work is a reminder that street art is not confined to public spaces but is a dynamic art form that can inhabit and adapt to any context. The Resonance of the "Salvage Can" Series in Art Collecting The "Salvage Can" series holds a special place in the art collection. Each can, signed and dated by Colla, is not just an artwork but a historical piece that carries the story of its creation. Collectors of street pop art and graffiti artwork are often drawn to pieces with a narrative, and "Salvage Can 11" offers just that—a story of innovation, adaptation, and the creative process that unfolded in an artist's residency across the globe. "Salvage Can 11" is a mixed-media sculpture encapsulating Eddie Colla's innovative spirit and stature as a graffiti legend. The work is symbolic of the creativity that flourishes within the constraints of street art, highlighting Colla's ability to craft compelling narratives from unexpected circumstances. It is a prime example of how street pop art can transcend traditional boundaries and redefine what a canvas can be, inviting a broader audience to engage with the street art movement in new and meaningful ways.
$504.00
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Miss Bugs Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs
Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs Hand-Painted Unique Painting Mixed Media on Wove Fine Art Paper Graffiti Street Artist Modern Pop Art. 2017 Signed Dated & Numbered Unique Mixed Edition of 5 HPM Hand-Embellished Ink, Pencil, Spray Paint, Watercolor Paint Mixed Media Artwork Size 20.38x35.38. Soft creases around the borders of the top cut-out layer. Layered Complexity of "Hanging Gardens" by Miss Bugs Miss "Bugs, a graffiti" street artist renowned for a unique fusion of modern pop art sensibilities, made a compelling statement in the art world with the "Hanging Gardens" series in 2017. This collection, limited to a mixed edition of just five pieces, showcases the intricate and meticulous craftsmanship that Miss Bugs brings to the canvas, or in this case, to the fine wove art paper. Each piece within the "Hanging Gardens" series is a testament to the artist's commitment to pushing the boundaries of street pop art and graffiti artwork. The "Hanging Gardens" pieces explore texture and form, utilizing a variety of mediums such as stencil, spray paint, hand-embellished ink, pencil, andBugs'rcolor paint. The dimensions of" each artwork, "measuring 20.38x35.38 inches, provide a subsBugs'al canvas for Miss Bugs to delve into a complex narrative told through the language of visual art. These hand-painted unique paintings are a symphony of mixed media, with each layer contributing to the work's overall impact. The series is characterized by its signature Miss Bugs aesthetic, where abstract elements coalesce with figuration to create something simultaneously familiar and otherworldly. Signature Techniques in MissBugs" Artwork Each painting in the "Hanging Gardens" collection is a unique expression of Miss Bugs' vision, utilizing a combination 'f "stencil technique" e for pr "cision and free" and for fluidity and grace. The stencil work provides sharp, defined structure pieces, while the spray paint adds vibrancy and a streetwise edge. The watercolor elements introduce softness and depth, blurring the lines between the stark world of graffiti and the more delicate realm of watercolor painting. This interplay of mediums is a hallmark of Miss Bugs' style and allows for a rich dialogue between the different elements of street art and fine art. In the "Hanging Gardens" series, one can observe a recurring theme of juxtaposition—a halBugs' of Miss Bugs' approach to art. The" series presents" a visual language that speaks to the duality of human nature and the multifaceted world we inhabit. Combining disparate elements within each piece, Miss Bugs challenges the viewer to find coherence and meaning within the chaos. Using bright, pop-art colors against more subdued tones and the intricate stencil patterns against the fluid watercolors creates a dynamic Bugs'on that is thought-provoking and aesthetically pleasing. Limited Eartist'sature of Miss Bugs' Work The exclusive nature of the "Hanging Gardens" series, with its limited edition of five, adds to the desirability" of the works. E" ch piece is signed, dated, and numbered by Miartist, providing a direct connection between the artist and the collector. The hand-embellished aspects of each painting ensure that while the series may be viewed as a collective theme, each piece stands alone as a unique work of art. Collectors of Miss Bugs' work acquire a piece of street pop art and a segment of the artist's "personal narrative," as each stroke, color choice, and compositional element is a deliberate act of creation. Miss Bugs' "Hanging Gardens" series is a brilliant representation of the artist's ability to navigate the realms of street pop art and graffiti artwork, creating visually stunning pieces rich in meaning. The series serves as a bold statement on the versatility and depth that street art can embody, transcending its roots to become a sophisticated and sought-after form of modern pop art; through the "Hanging Gardens," Miss Bugs invites viewers to experience a world where the beauty of the natural world meets the grit of urban life, all while challenging conventional notions of what graffiti art can be.
$2,400.00
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Richard Hambleton Bloodscape Original Blood Mixed Media Painting by Richard Hambleton
Bloodscape Original Blood Mixed Media Painting by Richard Hambleton One of, a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 1995 Signed Human Blood Painting Original Artwork Size 16x12 Framed 23.5x19.5 In good condition, as shown, with a soft handling crease at the top left. The Provocative Essence of Richard Hambleton's Artistry Richard Hambleton, a Canadian artist who passed away in 2017, stands as an enigmatic figure in street pop art. His 'Bloodscape' painting, an original blood-mixed media work, exemplifies the visceral impact and raw intimacy that his art is known for. Completed in 1995, the artwork showcases Hambleton's unconventional use of human blood, adding a layer of personal and literal life force to the canvas. This piece, measuring 16x12 inches and framed at 23.5x19.5 inches, embodies a bold statement in the crossover space where fine art meets street art, as it did for Hambleton throughout his groundbreaking career. Richard Hambleton: A Pioneer of Street Pop Art Hambleton's contributions to street pop art were as much about the medium as the message. His decision to use blood as a medium was not merely for shock value; it connected the human condition with the urban landscape in a profoundly intimate manner. The 'Bloodscape' carries within it not only the physical essence of the artist but also the emotional and psychological resonance of his life experiences. With this work, Hambleton continued his exploration of mortality and vulnerability, themes prevalent in his street art, notably his renowned 'Shadowman' series that haunted the streets of New York in the 1980s. The condition of 'Bloodscape,' noted as being in good shape aside from a soft handling crease at the top left, reflects the inherent imperfections that come with the territory of street art. In this world, the pristine is less valued than the expressive. It is a silent testament to the passing of time and the enduring nature of Hambleton's vision. The piece's provenance traces back to the collection of Robert Murphy, ensuring its lineage within the sphere of esteemed contemporary art. Authenticity and Legacy in Hambleton's Work The piece's authenticity is validated by a handwritten Certificate of Authenticity (COA) from Robert Murphy and an additional COA from Dirtypilot. This gesture underscores the significance of provenance in art, particularly for works as unconventional as 'Bloodscape.' The art world's acknowledgment of such unorthodox methods and media reflects an evolved understanding of what constitutes art materials and the evolving parameters of pop and street art. As with much of Hambleton's oeuvre, 'Bloodscape' does not simply exist for aesthetic appreciation; it is a dialogic tool, an invitation to contemplate the ephemeral nature of life and the permanence of art. The use of blood, a fluid synonymous with life, as a medium in this mixed-media painting asks the viewer to consider the artist's vitality embedded in the work. Each brushstroke and splatter is a genetic signature, a part of Hambleton himself, frozen in time. This painting, a singular work within the ambit of street pop art and graffiti artwork, continues to evoke dialogue, challenge perceptions, and elicit strong emotional responses, fulfilling the potential of art to stir the human spirit. The legacy of Richard Hambleton and works like 'Bloodscape' lie in their fearless embrace of uncharted territories of artistic expression and the undiminished power to provoke thought long after the artist's life has ended.
$8,751.00
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Seen UA Post No Bills- Untitled Stencil Original Graffiti Painting by Seen UA
Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.
$1,124.00 $955.00
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DrNuse89 Bricks Graffiti Bubble Original Painting by DrNuse89
Bricks Graffiti Bubble Original One of a Kind Mixed Media Spray Paint Painting Artwork on Stretched Canvas by Street Art Pop Culture Artist DrNuse89. 2022 Signed Original Painting Size 9x3
$65.00
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Eddie Colla 1987 Original Spray Paint Reclaimed Painting by Eddie Colla
1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back
$3,259.00 $2,770.00
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Kwest Praxis Of Confusion Red Original Acrylic & Laser Cut Wood 3D Painting by Kwest
Praxis Of Confusion- Red Original Painting Acrylic & Cut Wood Assemblage by Kwest Graffiti Street Artist Modern Pop Art. Kwest was born and raised in Toronto, Canada starting his art career as a graffiti artist in the early 1990s. For over twenty years he has been active in developing a unique and complex style of lettering that he can call his own, a fluid and tight mechanical typography that appears to be born of the very structures he chose to paint them on. His primary canvas has been freight trains and he has painted well over 5000 individual works of art, relinquishing any hold on them as soon as they are completed, destined to travel the vast web of rails that crisscross North America. It is thru his solitary practice of working rapidly in an outdoor environment that Kwest has fine-tuned his visual language and similarly gained recognition and respect from his peers.
$5,865.00 $4,985.00
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Chris RWK- Robots Will Kill Take Warning Original Street Sign Painting by Chris RWK
Take Warning Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 12x18 Street Sign This use of intertextuality also serves to offer a comfort or familiarity of sorts to the viewer. Chris’ works frequently reveal everyday musings and people one would pass on the street without looking or thinking about twice.
$1,558.00
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Kevin Ledo Scenic Route Original Watercolor Painting by Kevin Ledo
Scenic Route Original One-of-a-kind Watercolor Painting Artwork on Bristol Paper by Popular Street Graffiti Artist Kevin Ledo. 2021 Signed Original Watercolor on Bristol Paper Size: 12 x 9 Inches Kevin Ledo, a luminary in street and graffiti art, introduces a refreshing deviation from his usual expansive murals with "Scenic Route." This original, one-of-a-kind artwork manifests as a watercolor painting on Bristol Paper, showcasing Ledo's versatility. Created in 2021, "Scenic Route" captures the imagination with its labyrinth of flowing, interwoven shapes, painted with a palette that spans the spectrum from pastel hues to vibrant bursts of color. The harmonious blend of soft and vivid tones exudes a sense of tranquility, making it an embodiment of the scenic routes often taken by travelers in search of peace and inspiration. Measuring 12 x 9 inches, this intimate piece offers viewers an up-close experience with Ledo's meticulous brushwork and intricate detailing. Each brushstroke, each transition of color, speaks volumes about the artist's dedication to his craft. As a signed original, "Scenic Route" bears the mark of its creator, serving as a testament to Ledo's commitment to authenticity and originality. Within the broader context of pop art, street art, and graffiti, Kevin Ledo's "Scenic Route" stands as a beacon, illustrating how traditional techniques like watercolor can coexist and even flourish alongside edgier, urban art forms. Like many of Ledo's creations, "Scenic Route" invites introspection and evokes a deeper understanding of the symbiosis between the natural world and urban landscapes.
$450.00
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Sechor Fuck The Law Mixed Media Painting by Sechor
Fuck The Law Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 16x20 on Unstretched Canvas
$503.00
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Naoto Hattori Goonie 031 Original Watercolor Painting by Naoto Hattori
Goonie 031 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. Naoto Hattori's Integration of Surrealism into Street Pop Art The art world continually evolves, especially within the domains of Street Pop Art & Graffiti Artwork, where each piece serves as a pulse to the vibrant lifeblood of contemporary visual culture. Naoto Hattori's "Goonie 031" is a striking manifestation of this evolution, a piece that interweaves the ethereal aspects of surrealism with the grounded, accessible nature of street art. This 2013 original watercolor painting captures the viewer's imagination, much like a piece of graffiti captures the eye of a passerby. At the heart of "Goonie 031" is Hattori's signature style, a merger of the fantastical and the real, encapsulated in the 3x3-inch painting space. The painting is set within a custom 8.5x8.5 inch frame, a choice that reflects the artist's dedication to the craft. Every aspect of this work, from the fine art paper to the watercolor technique, has been carefully considered and executed by Hattori, highlighting the meticulous nature often found in the creation of graffiti art. Reflecting the Street Art Ethos in Watercolor Medium With its inherent fluidity and capacity for subtle gradations of tone, the watercolor medium might seem at odds with the often bold and aggressive style of street art. However, in "Goonie 031," Hattori uses this medium to channel a soft yet poignant voice that speaks the language of street art through a different dialect. The painting's subject, an enigmatic figure with an expressive gaze, carries an urban tale within its contours, a narrative that resonates with the viewer on an intimate level. Like the unexpected discovery of street art in an urban landscape, the small size of "Goonie 031" invites surprise and discovery. It compels the viewer to step closer and engage with the artwork on a personal level, much like how one might stumble upon a hidden mural in an alleyway. The painting's custom frame acts as a border, creating a window into Hattori's world, just as a building's wall frames a piece of graffiti, offering a glimpse into the street artist's mind. The Collectible Nature of Hattori's Original Artwork In collectible art, especially pieces rooted in the tradition of Street Pop Art & Graffiti Artwork, originality and authenticity are paramount. "Goonie 031," a signed and framed original work by Hattori, possesses a high degree of collectibility, much coveted by fans and collectors. The personalized touch of the artist's hand, evident in every brushstroke and the careful selection of framing materials, ensures that the artwork is a visual expression and a tangible piece of Hattori's artistic journey. This collectibility is further enhanced by the artwork's unique positioning within street pop and fine art crossover. Although delicate, Hattori uses the watercolor medium to challenge the normative expectations of street art, thereby expanding the definition of what street-inspired artwork can embody. "Goonie 031" thus is an intriguing piece for collectors who value the intersection of diverse artistic practices and the innovative use of traditional mediums in contemporary art. Cultural Dialogue Through Hattori's Artistic Expression "Goonie 031" is a cultural artifact that captures the conversation between the street and the individual, between the public space and the personal experience. While firmly rooted in the conceptual frameworks of surrealism, Hattori's work engages with the cultural and social dialogues typically associated with street pop art. Though silent in its stationary frame, the watercolor painting speaks volumes through its expressive subject and the emotional resonance of its colors. In a broader cultural context, Hattori's "Goonie 031" contributes to the narrative of street art's influence on the fine arts and vice versa. It exemplifies how street pop art and graffiti's authenticity, rawness, and immediacy can be translated into a more traditional art form while maintaining its connection to the viewer. Hattori's work encourages a contemplative interaction reminiscent of the reflective nature of the best street art, which often prompts passersby to pause and consider the message conveyed through the visual medium. In sum, "Goonie 031" is a testament to Naoto Hattori's talent and ability to transcend traditional art boundaries. It invites viewers to reevaluate their perceptions of Street Pop Art & Graffiti Artwork, offering a watercolor narrative that holds as much power and presence as any large-scale mural found on the bustling streets of a city.
$669.00
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Stay High 149- Wayne Roberts MTA Subway Map Tag Show Stopper Original Drawing by Stay High 149- Wayne Roberts
MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25
$2,737.00 $2,326.00
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Pipsqueak Was Here!!! Check Original Collage Stencil Spray Painting by Pipsqueak Was Here!!!
Check Original Collage Stencil Spray Paint Painting by Pipsqueak Was Here!!! One of a Kind Artwork on Stretched Canvas by Street Art Pop Artist. 2021 Signed Mixed Media Spray Paint Stencil & Collage Painting Original Artwork Size 17.5x17.5 Check by Pipsqueak Was Here!!! – Stenciled Defiance and Found Texture in Street Pop Art & Graffiti Artwork Check is a 2021 original mixed media painting by the Dutch street art duo Pipsqueak Was Here!!!, created using stencil, spray paint, and collage on stretched canvas. Measuring 17.5 x 17.5 inches and signed by the artists, the piece is a striking example of layered urban narrative embedded in raw texture and symbolic juxtaposition. The central focus is a solemn, sharply rendered stencil portrait of a young girl, her gaze direct and almost confrontational. Surrounding her are collaged fragments of vintage advertisements, chemical warning labels, torn print ephemera, and bits of painted abstraction. The work fuses the language of caution, childhood, and consumer memory into a tightly composed field of urban poetics, emblematic of Pipsqueak Was Here!!!’s practice within Street Pop Art & Graffiti Artwork. Portraiture as Conscience and Confrontation The young girl at the center of Check is not passive. Her expression is serious, grounded, and quietly challenging. Rendered through crisp black and flesh-toned stencils, her presence stands in contrast to the chaotic noise of the background, giving the viewer a fixed point of emotional gravity. This figure, like many in the artists’ body of work, carries symbolic weight—youth positioned in a world already marked by danger and contradiction. Behind her, the image of a classic yellow cab ad and a “Miscellaneous Dangerous Goods” warning label creates a tense visual irony. The surrounding collage becomes more than aesthetic—it acts as commentary. Within the larger conversation of Street Pop Art & Graffiti Artwork, this portrait becomes a voice, one that challenges systems with quiet resolve rather than shouted slogans. Collage Construction and Found-Object Composition True to the aesthetic roots of street assemblage, Check incorporates found visual language through its collage layers. There is a fusion of urban memory and forgotten media: weathered typography, faded newspaper headlines, chemically coded symbols, and the layered build-up of spray and stencil. These textures mimic the walls of real cityscapes, where wheatpaste posters and public signage are constantly ripped, painted over, or tagged. The artists use these materials to form a narrative field, a conversation between safety and danger, visibility and erasure. This tactile collage method reinforces the connection between surface and story, ensuring that each component of the piece contributes not just visual interest, but historical resonance. It captures the energy of decay and renewal central to the ethos of Street Pop Art & Graffiti Artwork. Pipsqueak Was Here!!! and the Logic of Visual Protest With Check, Pipsqueak Was Here!!! continues to refine their unique balance of visual elegance and street-level urgency. The work radiates meaning through contrast—childhood innocence in the face of a world saturated with warnings and advertisements. The title itself implies confrontation, verification, or disruption. Every compositional choice speaks to power, placement, and perception. This painting is not just about form or beauty—it is a message embedded in image. As practitioners of Street Pop Art & Graffiti Artwork, the duo remains focused on environmental, social, and human vulnerability, making each artwork a kind of visual protest in the language of collage, spray, and symbol. Check is a potent reminder that art in public or private space has the ability to reveal truths, evoke empathy, and carry resistance through the everyday iconography of our shared environments.
$1,500.00
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RD-357 Real Deal Bullet Holes Original Acrylic Spray Paint Painting by RD-357 Real Deal
Bullet Holes Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Bullet Holes by RD-357 Painting- This original artist stretched canvas mixed media spray paint graffiti painting features the RD tag with bulletholes and concrete in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.
$1,917.00 $1,629.00
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MQ Planet- Mque Brick Wall Mailbox Lucy SEO Original Spray Painting by MQ Planet- Mque
Brick Wall Mailbox Lucy SEO Original Spray Painting by MQ Planet- Mque One of a Kind Artwork on Fine Art by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic & Spray Paint Original Painting Size 16x12 Tow Away Zone, MQIZM, SEO, Lucy Mkue MQ Planet's Vivid Street Canvas: The Brick Wall Mailbox Lucy SEO The Brick Wall Mailbox Lucy SEO is a striking piece of street pop art and graffiti artwork by the renowned artist MQ Planet, also known by his real name, Mque. This one-of-a-kind original spray painting stands as a vibrant testament to the evolving nature of street art, blending graffiti's raw edge with pop art's polished aesthetic. Created in 2023, this signed mixed media acrylic and spray paint work is emblematic of Mque's distinctive style, marked by its bold colors, dynamic compositions, and culturally resonant themes. Exploring the Synthesis of Media in Mque's Art In this 16x12 original painting, Mque combines acrylic and spray paint to capture the essence of urban art. The piece features elements synonymous with the urban environment, such as the iconic 'Tow Away Zone' signage, juxtaposed with the artist's signature elements like 'MQIZM,' 'SEO,' and 'Lucy Mkue.' The backdrop of the brick wall serves not just as a canvas but as a symbol of the cityscape itself—a fitting stage for the dance of Mque's vibrant graffiti letters. Each component within the artwork is carefully curated to represent a facet of the street art narrative, reflecting the voices and stories that emanate from the urban jungle. Mque's Impact on Street Pop Art and Graffiti Artwork The work of MQ Planet goes beyond mere artistic expression; it is a cultural phenomenon that captures the zeitgeist of street pop art. Through pieces like the Brick Wall Mailbox Lucy SEO, Mque challenges the viewer to reconsider the definition and scope of art itself. He bridges disparate worlds by bringing the street to the gallery, inviting a dialogue between the onlooker and the walls that bear witness to the city's soul. Mque's contribution to the genre is not just in his visual language but in his authenticity and fidelity to the spirit of street culture. His artwork encapsulates the pulse of the streets, offering a window into the life and rhythm of the city. The Brick Wall Mailbox Lucy SEO reflects Mque's mastery over his medium and a narrative piece that tells a story of the streets, the artist, and the ever-present interplay between art and the environment. This original painting is a colorful chronicle of Mque's artistic journey and a vibrant chapter in the book of street pop art and graffiti artwork.
$801.00
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Jeff Gillette Minnie Period 12 Original Stencil Painting by Jeff Gillette
Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.
$740.00
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Eddie Colla Salvage Can 10 Original Spray Paint Can Sculpture Painting Eddie Colla
Salvage Can 10 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla. Eddie Colla's Artistic Practice Eddie Colla's "Salvage Can 10" is a compelling piece that reflects the artist's adaptive creativity and resourcefulness, elements that are often at the core of street pop art and graffiti artwork. Created during a residency in China in 2018, this work is part of a series made from used spray paint cans, an example of the artist's ingenuity in repurposing materials at hand to make art. Standing at 3x8 inches, each original mixed media sculpture speaks to the improvisational spirit of street art and the artist's personal narrative. The "Salvage Can" series emerged from waiting for art supplies, showcasing Colla's ability to innovate with available resources. This circumstance led to the transformation of discarded spray cans into a medium for artistic expression. Colla's approach involved using spray paint and acrylics to craft a mixed-media sculpture that conveys a street-wise aesthetic and intricate detail. The fact that each can is signed and dated on the bottom adds authenticity and offers a tangible connection to the artist's engagement with his work. Symbolism and Technique in "Salvage Can 10" Colla's "Salvage Can 10" stands out for its haunting imagery, displaying a contemplative and intense figure. Using a spray can as a canvas is deeply symbolic within the context of graffiti art, signifying both the tool of the trade and the transient nature of the art form itself. The choice to repurpose used cans highlights themes of sustainability and the reclamation of materials, which aligns with the broader ethos of street art's ability to transform and reinvigorate urban environments. Impact on Street Art and Graffiti Culture Eddie Colla is recognized as a significant figure in the street art movement, and his "Salvage Can" series contributes to the rich tapestry of graffiti artwork. By taking an object that is so integral to the creation of street art and making it the subject of the art itself, Colla blurs the lines between tool and artwork, creator and creation. His work serves as a visual statement within the art community and as a physical artifact that embodies the process and environment in which street art is created. Collectibility of Eddie Colla's "Salvage Can" Series For collectors, each "Salvage Can" piece represents a unique slice of Eddie Colla's artistic journey. The series' creation story—borne out of a need to create with limited resources—resonates with the narrative of many street artists who often work with what they have available. This backstory, coupled with the intimate scale of the work, makes each piece desirable for those seeking to own a part of the improvisational and spontaneous energy that defines much of street pop art and graffiti artwork. "Salvage Can 10" encapsulates Eddie Colla's innovative spirit and ability to make profound statements through street art. His choice to work with used spray paint cans during an artist residency illustrates the authentic and impromptu essence that street art is known for. Each signed and original mixed media sculpture from this series is a testament to Colla's role as a graffiti legend and a creative force in contemporary art.
$504.00
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JM Rizzi Lines In The Slipstream #14 Original Drawing by JM Rizzi
Lines In The Slipstream #14 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi
$596.00
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D*Face- Dean Stockton Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton
Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton Screen Print on Paperboard Framed Limited Edition Pop Street Art Artwork. 2007 Signed Unique Paint & Pencil HPM Embellished with Doodle on Front Framed Artwork Size 23.25x33. Initially, This Was a Design Used as Wheat Plasters Across Cities. It's Rumored This is one of 2 Versions Produced and Signed by D*Face on higher-grade paper. Custom Framed with Red Metal Frame. D*Face's Signature Style in Prey Red The confluence of pop art and street art finds a striking manifestation in the work of British artist Dean Stockton, better known as D*Face. Among his vast array of impactful artworks, the "Prey Red HPM Doodled Silkscreen Print" is a prime example of his skill in blending subversive street art techniques with the ethos of pop art. This limited edition piece, a silkscreen print on paperboard and an original work embellished with unique paint and pencil doodles by the artist himself captures the essence of his critique on consumerism and the cult of celebrity. Stockton's "Prey Red HPM Doodled Silkscreen Print" is not just another piece of street art; it reflects the artist's journey and commentary on society. The artwork features bold lines and stark contrasts, a hallmark of D*Face's aesthetic, which owes much to his early influences from skateboarding, graffiti, and punk music. The print, measuring 23.25 by 33 inches, is framed in a custom red metal frame that echoes the vibrancy of the artwork within. D*Face and the Pop Street Art Movement Originally conceived as a design for wheatpaste posters plastered across cities, "Prey Red" evolved into a more refined expression of DFace's art when it was reimagined as a high-grade paper print. This transition from street art to a gallery-worthy piece underscores the fluid boundaries between different art forms and the versatility of DFace as an artist. The fact that this piece was one of just two versions produced and signed by the artist adds to its exclusivity and allure. DFace's work is often seen as a bridge between the raw, rebellious energy of street art and the polished, image-focused world of pop art. DFace challenges preconceived notions about art and its place in society by bringing his work into galleries without losing the street-smart edge. The "Prey Red HPM Doodled Silkscreen Print" is a testament to this, embodying the artist's skill in bringing depth and multiple layers of meaning to his work. The Cultural Impact of D*Face's Artwork Beyond its visual appeal, "Prey Red" is a cultural critique, much like the rest of DFace's oeuvre. Through his art, DFace invites viewers to question the icons and symbols that populate our visual landscape. This print, with its sharp imagery and the word "PREY" emblazoned across it, suggests a deeper conversation about who the prey is in a world saturated with media and celebrity culture. DFace's "Prey Red HPM Doodled Silkscreen Print" is not merely a piece of art to be admired for its style; it is a conversation starter, a piece of cultural commentary, and a collector's item all at once. It represents the artist's ongoing commitment to challenging viewers and the art establishment, urging a reevaluation of what is displayed on city walls and gallery halls. As DFace continues to create and evolve, works like "Prey Red" ensure his place in the annals of contemporary art history, bridging the gap between the underground and the mainstream.
$3,938.00
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Shark Toof Shark Gold HPM Wood Print by Shark Toof
Shark- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof
$664.00
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Shepard Fairey- OBEY War By Numbers VSE OG Colorway HPM Stencil Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey
War By Numbers VSE- OG Colorway Variable Stencil Edition Acrylic Artwork on Hand Deckled Fine Art Paper by Street Artists Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey. 2022 War By Numbers VSE- OG Colorway 20x26.5 inches. Signed & Numbered Ultra Rare Edition of 14. Variable Stencil Edition (VSE) on Paper. Signed by Shepard Fairey, Hecho Con Ganas publishing chop in the lower-left corner. "Created during the Iraq war, but the quest for peace requires perpetual vigilance, and the current invasion of Ukraine is a reminder of the brutality of war. The “War By Numbers” image is a statement about not becoming desensitized by war to the extent that it becomes as banal as a paint-by-numbers image. The “Peace Elephant” is an appeal to our sense of Karma and harmony with the world around us." - Shepard Fairey A profound intersection of artistry and activism emerges in "War By Numbers VSE- OG Colorway," an emblematic piece presented by the collaborative brilliance of Shepard Fairey, Ernesto Yerena Montejano, Hecho Con Ganas, and Obey. Showcased on meticulously hand-deckled fine art paper, this 20x26.5 inch artwork not only exemplifies the prowess of its creators but also delves deeply into the social and political fabric of contemporary global scenarios. Dated 2022, this piece holds the distinction of being an ultra-rare Variable Stencil Edition (VSE) on paper, with only 14 such editions in existence, each one thoughtfully signed and numbered. Notably, the presence of the Hecho Con Ganas publishing chop in the lower-left corner augments its authenticity and intrinsic value. While the artwork itself is a marvel of color interplay and design, its underlying message is both timeless and urgent. Shepard Fairey's own words elucidate the motivation behind its creation, highlighting its inception during the Iraq war. Yet, its resonance extends beyond that particular conflict. The piece emerges as an enduring reminder of the costs of warfare, particularly with the poignant backdrop of the recent Ukraine invasion. Fairey astutely draws attention to the dangers of becoming inured to the horrors of conflict, suggesting that society must never allow war's devastation to become as commonplace and mundane as a paint-by-numbers image. This sentiment is further emphasized by the inclusion of the "Peace Elephant," symbolizing the universal aspiration for harmony and an appeal to humanity's collective conscience. In the vast realm of pop art, street art, and graffiti, "War By Numbers" stands as a testament to art's ability to transcend aesthetic appeal, challenging viewers to confront and engage with the world's most pressing issues.
$7,290.00
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Aelhra LIE Edward Snowden Original Mixed Media Watercolor Painting by Aelhra
LIE Edward Snowden Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22
$503.00
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Ron Zakrin Titanium, Grease & Leather Original Painting by Ron Zakrin
Titanium, Grease & Leather Original Painting Acrylic & Canvas in Custom Frame by Ron Zakrin Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting 22x33 Ron Zakrin has been an ever-present creative force in Detroit since the mid-nineties when he emerged on to the underground electronic music set with paintings that provided a visual counterpart to the Detroit sound that was taking the world by storm. Since those early days Ron's work has expanded in scope and scale; no longer strictly focused on man and his relationship with technology, Zakrin probes the veins of society and explores the nature of man, love, and loss. Zakrin lives in Detroit Michigan, where he was born and works daily.
$1,639.00 $1,393.00
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Detour- Thomas Evans Untitled Scroll 1 Original Acrylic Painting on Poylab Machine by Detour- Thomas Evans
Untitled Scroll 1 Original Acrylic Painting on Poylab Metal & Plastic Machine by Detour- Thomas Evans One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Poylab Metal Plastic on Roller Printing Machine Original Painting Size 12x12 The Intersection of Industrialism and Art in Detour's Work Detour, known off the canvas as Thomas Evans, is an artist whose work is at the forefront of Street Pop Art, transcending traditional boundaries by integrating materials and techniques from diverse realms. His piece, 'Untitled Scroll 1', an original acrylic painting on Polylab metal and plastic machine, is a hallmark of innovation within the genre. This artwork, created in 2023, encapsulates his vision by melding the mechanical with the handcrafted, creating a one-of-a-kind painting that stretches the definition of street art. Materiality and Technique in 'Untitled Scroll 1' The 'Untitled Scroll 1' by Detour – Thomas Evans – is not merely an artistic composition but a narrative about the materials. Polylab metal and plastic as substrates for the painting challenge the convention of canvas or wall-bound graffiti, inviting consideration of the role of industrial materials in fine art. The artwork’s dimensions, a square 12x12, present a concentrated space within which a flurry of colors clash and blend, creating an intimate yet intense visual experience. The rolling mechanism of the machine on which the painting is executed suggests a continuous scroll, an eternal canvas that evolves with each turn. This feature introduces a dynamic component to the artwork, allowing for a performative aspect as the painting is unrolled. It creates a dialogue with the viewer about the changing perspectives and interpretations that come with movement, reminiscent of how Street Pop Art and Graffiti Artwork often shift meaning depending on context and viewer engagement. Detour's Artistic Signature and Impact The signature style of Detour is apparent in the vibrant color scheme and the energetic application of paint, which exudes the rhythm and vivacity typical of street art. By signing the piece, Evans asserts his identity as the creator and stamps the work with a seal of Street Pop Art authenticity. His unique blend of street influence with pop culture elements propels his work into the spotlight, making 'Untitled Scroll 1' not just an artwork but a statement piece. This original painting, through its form and execution, broadens the scope of Street Pop Art and Graffiti Artwork, positioning itself at a crossroads where art and industry intersect. Detour has pushed the boundaries of street art, taking it from the alleys and exterior walls into the realm of sculptural and mechanical innovation, thereby expanding the potential for what street-inspired art can be. Continued Evolution of Street-Inspired Art Detour's 'Untitled Scroll 1' serves as an emblem of the progressive nature of Street Pop Art. The piece stands out for its fusion of acrylic painting techniques with unconventional materials, a true exploration of texture, form, and color. This particular work of Thomas Evans represents a forward-thinking approach to art-making, reflective of contemporary times where the lines between various forms of artistic expression become increasingly blurred. As Street Pop Art and Graffiti Artwork evolve, they increasingly adopt elements from multiple disciplines, pushing past the boundaries of traditional street art. Artists like Detour are at the vanguard of this movement, continually experimenting with new materials and methods. Their work broadens the horizons of what is possible, inviting artists and viewers to rethink the essence and possibilities of street art in the modern age. 'Untitled Scroll 1' is a testament to this ongoing transformation, a snapshot of the inventive spirit that drives the street art scene forward.
$1,084.00 $921.00
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Stay High 149- Wayne Roberts Black Book Graffiti Drawing Journal by Stay High 149- Wayne Roberts
Black Book Graffiti Original Personal Drawing Journal by Stay High 149- Wayne Roberts Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. STAYHIGH149 x 2003 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11. Good, Some Wear And Tear And Some Pages Seem To Be Missing. This one-of-a-kind black book once belonged to the legendary STAYHIGH149, a true icon in graffiti history. It's more than just a sketchbook—it's a cultural artifact worthy of a museum collection. Inside, you’ll find over 130 pages filled with raw, authentic tags and pieces not only by STAYHIGH149 but also by his close collaborator Dead Leg and influential figures like TRACY 168, among others. This Black Book is bursting with visual history. The back cover is also adorned, making this a full-spectrum look into the underground art of an era. Historic Black Book from Graffiti Legend STAYHIGH149 This original drawing journal is a profoundly rare and culturally significant piece directly tied to the late Wayne Roberts, better known as STAYHIGH149. A cornerstone figure in the early development of New York City graffiti, STAYHIGH149 left an indelible mark on the movement with his iconic “smoker” tag and elevated letterforms. The black book featured here is not just a collection of pages—it is a museum-worthy artifact that reveals the soul of 1970s and 1980s graffiti culture through the hands of its pioneers. It is signed and marked throughout, and was actively used in the early 2000s, serving as a visual time capsule of creativity, brotherhood, and raw street energy. Hand-Tagged Pages from Graffiti’s Original School The black book, measuring 8.5 by 11 inches, contains over 130 pages of unfiltered tags, throw-ups, characters, and sketches—each one layered with markers, spray paint, stickers, and mixed media. Some pages are crossed out or worn, showing the passage of time and the frequent use by the artist and his close circle. Inside, the presence of Dead Leg, STAYHIGH149’s trusted collaborator, is heavily featured, along with pieces and dedications from other legends such as TRACY 168. These works are not curated—they are raw, spontaneous, and packed with style, making them some of the most authentic surviving street pop art & graffiti artwork on paper. Some pages are fully saturated with color while others feature quick bursts of lettering and iconic character drawings. Physical Condition and Artistic Integrity This one-of-a-kind black book carries the physical evidence of its use: some pages are missing, many have edge wear, and a few feature ghosting from marker bleed. Yet this only enhances its credibility as an active tool and companion for one of graffiti’s most visionary figures. The outside covers are heavily adorned in ink and paint, with the back featuring phrases like “Voice of the Ghetto”—a message that aligns directly with the legacy of Wayne Roberts. Inside, the mixture of bubble letters, classic tags, and stylized drawings represents decades of urban art tradition transferred from subway cars and city walls onto a personal canvas. Legacy Captured in Street Pop Art & Graffiti Artwork This black book isn’t a reproduction or retrospective. It is a living archive of graffiti history, created by the hands of those who built the culture from the ground up. STAYHIGH149 remains a towering figure in the world of graffiti, and this book reflects the camaraderie, influence, and unrelenting drive that defined an entire era. It is a powerful example of how street pop art & graffiti artwork evolved beyond city streets to become a revered form of contemporary expression. This black book is a rare opportunity to witness the underground art world as it was—personal, unfiltered, and immortal.
$10,000.00
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Shark Toof Be Faithful Original Spray Paint Mixed Media Painting by Shark Toof
Be Faithful Original Painting Spray Paint Aerosol & Acrylic Paint on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 16.25x22 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” -Shark Toof
$861.00
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Shark Toof Sta Spangled Illusion Original Spray Paint Wood Painting by Shark Toof
Star-Spangled Illusion Original Painting Spray Paint, Aerosol & Acrylic on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 18x20.75 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”
$861.00
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Shark Toof Star Spangled Shark Toof Silver HPM Wood Print by Shark Toof
Star Spangled Shark Toof- Silver Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”
$676.00
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Peter Keil Friend Face 92 Pink Blue Original Oil Painting by Peter Keil
Friend Face 92 Pink Blue Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin, a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of an Elonged Face Split by Pink & Blue Color. Mild Soiling Throughout. Exploring the Vivid Expressionism of Peter Keil's "Friend Face 92 Pink Blue" The original oil painting "Friend Face 92 Pink Blue" by Peter Keil profoundly embodies the vitality and expressive power of street pop art and graffiti artwork. Known as The Wild Man of Berlin, Peter Keil is a famous contemporary artist whose work pulsates with the raw energy and color-rich vibrancy synonymous with the Neo-Expressionist movement. This 1992 piece, signed and dated by the artist, is an original oil painting on a Masonite panel, measuring 24x24 inches, and it showcases Keil's distinctive approach to form and hue. Keil's artistry is characterized by its bold, impasto application of paint, where thick layers are applied to create a textural surface that is tactile and visually compelling. Over time, some paint flaking may be present in his work, which is not a sign of deterioration but rather an indication of the artwork's dynamic history and the natural evolution of the materials used. "Friend Face 92 Pink Blue" features an elongated face split by contrasting pink and blue swathes, a dichotomy that evokes a sense of duality and emotional depth within the figure's visage. The Cultural Resonance of Peter Keil's Artistic Legacy The unique allure of Peter Keil's artwork lies in its ability to connect with the observer on an instinctual level. His paintings transcend the need for traditional representation, instead opting to convey emotion through the expressive manipulation of color and form. The "Friend Face 92 Pink Blue" is a testament to this, where the interplay of warm and cool tones articulates a complex psychological landscape. This work is a prime example of how Keil's paintings engage with the viewer, inviting them into a world where the visceral and the visual collide. Keil's contributions to street pop art and graffiti are marked by his disregard for convention and his celebration of individuality. The spontaneous and often aggressive brushwork reflects the spirit of graffiti art, while the use of bold colors and abstract forms is reminiscent of pop art's influence. As such, "Friend Face 92 Pink Blue" is a work of personal expression and a dialogue with the movements that have shaped the trajectory of contemporary art. Collectors of Keil's work are often drawn to the uninhibited freedom and the palpable sense of life that his paintings exude. Owning a piece like "Friend Face 92 Pink Blue" means engaging with an artwork that is alive with the artist's signature vigor and evolves as time progresses. It is an invitation to witness the interplay of destruction and creation, where the flaking paint and the enduring vibrancy of the colors tell the story of an artwork's journey through time. Peter Keil's "Friend Face 92 Pink Blue" is a vibrant, one-of-a-kind artwork that captures the essence of Neo-Expressionism and reflects the artist's status as a pivotal figure in the world of street pop art and graffiti artwork. With its striking colors and expressive force, this painting is a powerful example of Keil's enduring artistic vision and influence on contemporary art.
$676.00
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Rek Santiago Spraycan Art Original All City Style Train Painting by Rek Santiago
Spraycan Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed, Titled & Dated on Back, Tagged On Front Rek & NSA. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.
$470.00
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Atomik Rich People Shit Original Spray Paint Painting by Atomik
Rich People Shit Original Spray Paint Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Massive Artwork Size 80x100 Small Cute To Right Area "Rich People Shit," an original spray paint painting by Atomik, represents an explosive convergence of pop art, street art, and graffiti art. Atomik, a Miami-based artist known for his vibrant orange, bold visuals and irreverent approach to societal norms, has once again pushed the boundaries with this work. Distinguished by its unflinching commentary on wealth disparity and consumer culture, the painting is awash with Atomik's characteristic bright colors, which serve to highlight its potent message. The title of the work, "Rich People Shit," directly conveys its subject matter. It teases apart the excesses and indulgences of the upper crust, showcasing Atomik's biting satire and his knack for stirring dialogue through his art. The narrative embedded within the painting brings to life the often surreal experiences and commodities associated with immense wealth, boldly questioning the societal structures that uphold such a lifestyle. As an amalgamation of pop art, street art, and graffiti art, "Rich People Shit" exhibits all the crucial elements of these genres. From the populist appeal and familiar imagery of pop art, the gritty spontaneity and defiance of street art, to the unconventional canvas and daring statements of graffiti art - Atomik deftly blends these into a powerful commentary. The artist's prolific use of spray paint not only anchors the piece firmly within the graffiti art tradition but also infuses it with a raw energy that lends an immediacy to its critique. This painting, through its vivid imagery and incisive commentary, has managed to spark a broad conversation about the societal implications of wealth and its distribution. Atomik's "Rich People Shit" remains a significant piece in the contemporary art scene, serving as a bright beacon of subversive thought in the crossroads of pop, street, and graffiti art.
$4,261.00 $3,622.00
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Craww Hollow Breath Original Acrylic Charcoal Painting by Craww
Hollow Breath Original One of a Kind Charcoal & Acrylic Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Craww. 2013 Signed Original Acrylic Painting Artwork Size 23.5x31.5 on Wood Cradled Panel Ready to Hang Fine Art. Exploring the Depths of Craww's Hollow Breath "Hollow Breath," a captivating original artwork by the acclaimed street graffiti artist Craww, is a poignant example of how the raw energy of street pop art & graffiti artwork can be channeled into more traditional fine art mediums. This one-of-a-kind piece, created in 2013, is a symphony of charcoal and acrylic on a cradled wood panel, showcasing the artist's adeptness with both materials. The 23.5x31.5 inches artwork provides a generous space for Craww's dark, dreamlike vision to unfold. Signed by the artist, "Hollow Breath" captures the essence of Craww's signature style, which often features ethereal female figures enmeshed with elements of nature. The painting explores recurrent themes in his work: the duality of beauty and melancholy and the intricate dance between life and death. The charcoal lends a softness to the painting, allowing for subtle gradations and depth, while the acrylics bring a vibrancy that pierces through the monochromatic veil. Technique and Symbolism in Craww's Hollow Breath In "Hollow Breath," Craww's use of charcoal and acrylic paints is not merely a choice of preference but a deliberate decision to convey complex emotional states. The charcoal, with its smoky and diffuse quality, creates a sense of impermanence and fragility, echoing the transient nature of life. Meanwhile, the acrylics, known for their boldness and clarity, highlight the painting's focal points, such as the lilies and roses, symbols of purity and passion. The cradled wood panel serves as an ideal substrate for this piece, its solidity starkly contrasting the delicacy of the imagery. This juxtaposition reflects the contrasts found throughout Craww's work, where strength and vulnerability often coexist. The wood's texture adds an organic feel to the piece, grounding it in the natural world that frequently influences Craww's art. Craww's Unique Position in Contemporary Art Craww is uniquely positioned in contemporary art, bridging the gap between the often separate worlds of street art and fine art. "Hollow Breath" is a testament to his ability to navigate these realms, bringing street art's immediacy and authenticity into a format traditionally associated with galleries and museums. The originality of this painting and its readiness to hang make it not just a work of art but a statement piece ready to grace the walls of an art connoisseur. The sad beauty of "Hollow Breath" resonates with those familiar with Craww's work in public spaces. Yet, it also stands alone as a powerful piece of fine art, inviting interpretation and admiration from viewers who may or may not be acquainted with his street art. This versatility and broad appeal make Craww's work particularly compelling within the contemporary art scene. "Hollow Breath" encapsulates the haunting allure of Craww's artistic vision, merging the fluidity of charcoal with the intensity of acrylics on a canvas as enduring as wood. This original painting is a striking example of how street pop art & graffiti artwork can transcend their urban roots to create fine art that is both profound and accessible, carrying the power to move and mesmerize within the quiet walls of an interior space.
$2,934.00 $2,494.00
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Akinori Oishi Aki Sharks #1 Original Marker Drawing by Akinori Oishi
Aki Sharks #1 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.
$503.00
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Kaws- Brian Donnelly Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws
Black Book Graffiti Drawing Tg Throw Up Practice Personal Journal by TC5 x Totem x Psycho x ZiNk x Delk x Comet x Kaws Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. 1994 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11. Various Artists Graffiti Blackbook, c. 1994 Hardcover sketchbook with artist's original tags and signatures 11 x 8-1/2 x 1 inches (27.9 x 21.6 x 2.5 cm) A hardcover sketchbook with various artists' original tags and signatures, including Kaws, ZiNk, Psycho Seen TC5and Totem from the TC5 Crew. There are a bunch of fill color drawings, tons of tags & marker art, some personal scraps, old phone numbers, hangout locations, ideas and private info about the crew. 50 Pages & the Cover Full of Drawings (There are also many blank pages). Also Includes IBM, Squad One, Pilot, MPV. Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws This black book sketch journal from 1994 captures an extraordinary moment in graffiti history, representing a convergence of style, rebellion, and creative experimentation by some of the most influential members of the TC5 graffiti crew. The 8.5 x 11 inch hardcover book is not simply a sketchpad but a deeply personal archive of raw street energy. The journal includes vibrant marker renderings, sticker layering, detailed character illustrations, fill-ins, throw-up drills, personal notes, and signed tags from core members like Totem, Psycho, ZiNk, Delk, Comet, Seen and Kaws. The book also includes aliases and side crews such as IBM, MPV, and Squad One, providing a layered snapshot of interconnected graffiti subgroups active in New York City during the golden age of black book culture. Tag Evolution and Street Pop Art & Graffiti Artwork The entries in this journal reflect the fusion of graffiti’s traditional wildstyle aesthetics with the graphic sensibilities that would come to influence Street Pop Art. Each page reveals a combination of practice and performance: tag outlines sharpened to perfection, psychedelic fill-ins, collaged flyer scraps, and character doodles full of humor and attitude. Artists like ZiNk and Psycho demonstrated their technical prowess in dimensional letterforms while simultaneously layering them with playful characters and surreal backdrops. Kaws’s early lettering tag, found here under FC and TC5, shows the nascent influence of his cartoon-fusion iconography that later became a signature in fine art and commercial crossover platforms. Legacy of the Black Book Format Black books were the heart of graffiti culture long before digital archives. They were traveling galleries, practice arenas, and intimate communication platforms among writers. This particular journal’s inclusion of personal tags, secret locations, phone numbers, and emotional reflections reveals graffiti as more than exterior expression—it was an interior life. Totem’s aggressive handstyle, Delk’s stylized urban iconography, and Comet’s classic wildstyle fragments reflect years of train-line experimentation brought onto paper. MPV and IBM frequently appear scrawled across sticker surfaces and borders, and while IBM's specific meaning in the context is still ambiguous, it consistently appears next to trusted tags and carries the weight of crew respect. Cultural Weight and Collector Significance This journal functions not only as a record of TC5’s peak graffiti years but also as an artifact of a cultural shift toward stylized Street Pop Art & Graffiti Artwork. The high saturation of media—hand-drawn lettering, collaged music flyers, branded pop references like Richie Rich and Nervous Records, and customized stickers—marks this black book as a multidisciplinary cultural object. In today’s art market, such journals are revered for their honesty, rawness, and the insights they offer into the private side of graffiti’s most public artists. The handstyle signatures from Kaws, Psycho, ZiNk, and Totem in particular make this a museum-worthy record of graffiti’s transformation from train to gallery wall.
$25,000.00