Hush-Hush Archival Print by Giorgiko Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of TBD Artwork Size 30x36 Archival Pigment Fine Art of Boy or Girl Holding a Cookie. Image size is 27" x 33" with 1-1/2" white borders. Printed by Static Medium. Hush-Hush by Giorgiko – Limited Edition Archival Print in Street Pop Art & Graffiti Artwork Hush-Hush is a 2023 archival pigment print by the artist duo Giorgiko, printed by Static Medium on cotton fine art paper. Measuring 30 x 36 inches with an image area of 27 x 33 inches surrounded by 1.5-inch white borders, this piece embodies Giorgiko’s signature blend of innocence, introspection, and symbolic contradiction. In this limited edition release, a gender-neutral character—marked by the classic blank, oval eyes and soft, rounded facial features familiar to Giorgiko’s recurring figures—is shown holding a cookie while wearing a ruffled Renaissance collar and a dark cap, standing against a dreamy, cloud-filled sky. The soft, glowing light paired with high-fidelity textures gives the character an almost mythic presence, while the humorous absurdity of the cookie grounds the image in modern whimsy. Visual Juxtaposition and Emotional Stillness Hush-Hush merges visual contradiction with narrative subtlety. The Renaissance collar and puffy jacket evoke historical formality and ceremonial grandeur, yet the baseball cap and chocolate chip cookie undercut this formality with quiet absurdity. The contrast creates a tension between tradition and playfulness, high art and youth culture. The character’s expression, despite lacking defined features, suggests hesitation or contemplation. Giorgiko’s approach to emotional storytelling relies not on overt gestures but on posture, silhouette, and context. The figure appears paused in motion, mid-thought, suspended between indulgence and restraint. This ambiguity creates an emotional space in which the viewer can insert their own reflection, making the piece as much about internal narrative as it is about aesthetic execution. Technique and Symbolism in Contemporary Street Pop Art Giorgiko’s Hush-Hush is printed using archival pigment on high-quality cotton paper, delivering vivid tonal transitions and painterly textures that highlight the studio’s hybrid technique. While Giorgiko often draws influence from classical oil painting, their compositions are informed by urban and graffiti-inspired aesthetics, using minimalism and cartoon stylization to generate universal emotional resonance. The oversized collar nods to portraiture traditions from Western art history, while the cap and modern streetwear textures tie the figure back to contemporary cultural identity. The cookie, humorous and unthreatening, becomes a symbol of simplicity and self-soothing, a quiet rebellion against the weight of the world. Through this intersection of classical reverence and everyday absurdity, Hush-Hush extends the language of Street Pop Art & Graffiti Artwork to embrace stillness, contradiction, and narrative restraint. Giorgiko’s Unique Voice in Modern Figurative Work As a collaborative project between Darren and Trisha Inouye, Giorgiko continues to create a distinct narrative space where archetypes, emotional silence, and visual poetry intersect. Hush-Hush exemplifies their ability to take a single moment and elevate it into an archetype of modern emotional experience. Rather than relying on overt protest or visual chaos, the duo uses softness, ambiguity, and surreal calm to explore identity, detachment, and the quiet humor embedded in life’s contradictions. In the broader field of Street Pop Art & Graffiti Artwork, Giorgiko’s work stands out for its subtle yet immersive world-building, inviting viewers to pause, reflect, and find connection in the stillness of a cookie held quietly against a pastel storm.

Read more less

Aqua Apes Silkscreen Print by Ron English- POPaganda Hand-Pulled 5-Color on Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print "I made up a world called Delusionville that is populated by a hundred or so of my characters. This print introduces two of those new characters to the Ron English- POPaganda universe. This is a couple of Aquarium dwellers called The Aqua Apes. We have major infrastructure problems in this country, so, sounds like a good time for some tax breaks for the wealthy." - Ron English- POPaganda

Read more less

The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

Read more less

Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs Hand-Painted Unique Painting Mixed Media on Wove Fine Art Paper Graffiti Street Artist Modern Pop Art. 2017 Signed Dated & Numbered Unique Mixed Edition of 5 HPM Hand-Embellished Ink, Pencil, Spray Paint, Watercolor Paint Mixed Media Artwork Size 20.38x35.38. Soft creases around the borders of the top cut-out layer. Layered Complexity of "Hanging Gardens" by Miss Bugs Miss "Bugs, a graffiti" street artist renowned for a unique fusion of modern pop art sensibilities, made a compelling statement in the art world with the "Hanging Gardens" series in 2017. This collection, limited to a mixed edition of just five pieces, showcases the intricate and meticulous craftsmanship that Miss Bugs brings to the canvas, or in this case, to the fine wove art paper. Each piece within the "Hanging Gardens" series is a testament to the artist's commitment to pushing the boundaries of street pop art and graffiti artwork. The "Hanging Gardens" pieces explore texture and form, utilizing a variety of mediums such as stencil, spray paint, hand-embellished ink, pencil, andBugs'rcolor paint. The dimensions of" each artwork, "measuring 20.38x35.38 inches, provide a subsBugs'al canvas for Miss Bugs to delve into a complex narrative told through the language of visual art. These hand-painted unique paintings are a symphony of mixed media, with each layer contributing to the work's overall impact. The series is characterized by its signature Miss Bugs aesthetic, where abstract elements coalesce with figuration to create something simultaneously familiar and otherworldly. Signature Techniques in MissBugs" Artwork Each painting in the "Hanging Gardens" collection is a unique expression of Miss Bugs' vision, utilizing a combination 'f "stencil technique" e for pr "cision and free" and for fluidity and grace. The stencil work provides sharp, defined structure pieces, while the spray paint adds vibrancy and a streetwise edge. The watercolor elements introduce softness and depth, blurring the lines between the stark world of graffiti and the more delicate realm of watercolor painting. This interplay of mediums is a hallmark of Miss Bugs' style and allows for a rich dialogue between the different elements of street art and fine art. In the "Hanging Gardens" series, one can observe a recurring theme of juxtaposition—a halBugs' of Miss Bugs' approach to art. The" series presents" a visual language that speaks to the duality of human nature and the multifaceted world we inhabit. Combining disparate elements within each piece, Miss Bugs challenges the viewer to find coherence and meaning within the chaos. Using bright, pop-art colors against more subdued tones and the intricate stencil patterns against the fluid watercolors creates a dynamic Bugs'on that is thought-provoking and aesthetically pleasing. Limited Eartist'sature of Miss Bugs' Work The exclusive nature of the "Hanging Gardens" series, with its limited edition of five, adds to the desirability" of the works. E" ch piece is signed, dated, and numbered by Miartist, providing a direct connection between the artist and the collector. The hand-embellished aspects of each painting ensure that while the series may be viewed as a collective theme, each piece stands alone as a unique work of art. Collectors of Miss Bugs' work acquire a piece of street pop art and a segment of the artist's "personal narrative," as each stroke, color choice, and compositional element is a deliberate act of creation. Miss Bugs' "Hanging Gardens" series is a brilliant representation of the artist's ability to navigate the realms of street pop art and graffiti artwork, creating visually stunning pieces rich in meaning. The series serves as a bold statement on the versatility and depth that street art can embody, transcending its roots to become a sophisticated and sought-after form of modern pop art; through the "Hanging Gardens," Miss Bugs invites viewers to experience a world where the beauty of the natural world meets the grit of urban life, all while challenging conventional notions of what graffiti art can be.

Read more less

ComplexCon x Dobtopus Octopus Deck Set Fine Art Limited Edition Archival Pigment Print Transfer on Natural Skateboard Deck by Street Artwork Graffiti Artist Takashi Murakami TM/KK. 2017 Set of 3. Released at ComplexCon in 2017, the Takashi Murakami Octopus Skate Deck Set features Murakami's well-known Octopus motif in a 3-deck set, which forms one cohesive image when displayed side by side. This deck set was released on November 4th, 2017. ComplexCon x Dobtopus Octopus Deck Set by Takashi Murakami: Character Power in Street Pop Art & Graffiti Artwork The ComplexCon x Dobtopus Octopus Deck Set by Takashi Murakami is a fine art limited edition release created in collaboration with ComplexCon in 2017. This set of three 8 x 31 inch natural wood skateboard decks features a single archival pigment print that spans across all three panels to create one unified composition. Released on November 4, 2017, the deck set captures Murakami’s colorful and character-driven visual language in a format that connects the worlds of commercial art, collectible design, and subversive culture. With bold colors, sharp linework, and surreal detailing, the Dobtopus motif illustrates Murakami’s ability to merge mythology, manga, and merchandise into a cohesive statement within Street Pop Art & Graffiti Artwork. This piece features a fragmentary and playful depiction of Murakami’s octopus variation of Mr. Dob, a recurring mascot-like character in his work. The octopus form adds a layer of whimsy and monstrous appeal, with swirling eyes, jagged teeth, and tentacles rendered in soft gradients and saturated linework. Circular motifs and exaggerated facial expressions are scattered across the image, contributing to the disorienting, multi-eyed aesthetic that is signature to Murakami’s practice. Each deck panel becomes a slice of chaos and delight, emphasizing the creature’s multiple personalities and uncontainable energy. The natural wood background allows the hyper-color design to float atop the surface, creating a unique tension between material tradition and visual excess. ComplexCon as a Platform for Art, Culture, and Urban Identity Released during ComplexCon, an annual cultural event that unites fashion, music, art, and design, this deck set exemplifies Murakami’s role as a conduit between fine art and popular street movements. Rather than isolating his work within the confines of the gallery, Murakami expands its presence through accessible formats and cross-industry collaborations. At ComplexCon, where hype culture and contemporary art collide, this deck served as a statement piece—grounded in the tradition of limited-edition streetwear drops but elevated by the conceptual depth and visual heritage of the artist. By producing this work as a triptych on skate decks, Murakami ensures that it functions both as wall art and cultural object. Skate decks remain a revered medium in Street Pop Art & Graffiti Artwork due to their duality: utilitarian tools reimagined as art surfaces. Here, they become the perfect canvas for Murakami’s explosive visual grammar, further cementing the decks' place in the aesthetic lexicon of modern counterculture. Character Culture and Emotional Spectacle in Murakami’s Visual Language Murakami’s use of the Dobtopus character speaks to his obsession with emotional exaggeration, facial mutation, and hybrid identities. The octopus-like figure, rendered with concentric eyes and wide, almost mechanical grins, disrupts traditional character expectations. It functions not just as a mascot but as a reflection of media saturation, information overload, and the fluidity of identity. By spreading the design across three decks, Murakami plays with fragmentation and unity—the viewer must step back to comprehend the full image, echoing how contemporary society often experiences clarity only through collective focus. These attributes are central to the sensibility of Street Pop Art & Graffiti Artwork. The visual overload, aggressive whimsy, and layered messaging parallel the techniques of urban artists who plaster cityscapes with characters and tags designed to provoke and remain. Murakami’s work, although more polished and refined, maintains that urgency and bite. His characters, especially Dob, have become contemporary totems—both playful and unsettling, cute and chaotic. Murakami’s Global Impact and Skate Art as Cultural Archive Takashi Murakami, born in Japan in 1962, continues to shape the international landscape of Street Pop Art & Graffiti Artwork by leveraging both traditional artistry and mass production. The ComplexCon x Dobtopus Octopus Deck Set is a crystallization of his career-long commitment to visual storytelling that operates on multiple levels. It is a collector’s piece, a pop spectacle, and a philosophical mirror all at once. With its 2017 release, it has become part of a larger archive of objects that document how artists challenge and transform the meaning of materials, characters, and cultural value. This deck set does not merely display an image—it encapsulates Murakami’s fusion of animation, anxiety, and spirituality into a surface that was once meant for rebellion and sport. The Dobtopus swims through flames of attention and noise, reasserting the power of the image in motionless form. Murakami reminds viewers that even the most commercial objects can become sacred, saturated with color, humor, and a carefully calculated chaos that never stops watching.

Read more less

Mr Dob A Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 400 Complexcon x BAITx Takashi Murakami 10 3/5 × 13 2/5 × 10 1/5 in New in Box.  Mr. Dob A Vinyl Sculpture by Takashi Murakami: Maximalist Expression in Street Pop Art & Graffiti Artwork Mr. Dob A is a 2017 limited edition vinyl art sculpture created by Takashi Murakami in collaboration with BAIT and released during ComplexCon. This collectible, limited to 400 pieces, measures approximately 10.6 x 13.4 x 10.2 inches and comes in its original box featuring custom illustrated artwork by Murakami. The sculpture captures the artist’s recurring character Mr. Dob, rendered in high-gloss vinyl with overwhelming detail, pattern, and color. With wild tentacles, spinning eyes, jagged rainbow teeth, and hypnotic surface design, Mr. Dob A functions as a physical embodiment of Murakami’s Superflat aesthetic and his exploration of modern pop culture excess. It represents a key convergence of Japanese fine art, consumer spectacle, and the bold visual energy of Street Pop Art & Graffiti Artwork. Design, Symbolism, and Sculptural Technique This sculpture of Mr. Dob A is both fantastical and threatening. The figure’s gaping mouth is a cavernous rainbow vortex surrounded by colorful triangular teeth, while octopus-like limbs coil outward, each covered in eye motifs and concentric patterns. With swirled ears and bulging eyeballs, the character plays between kawaii and kaiju, innocence and menace. The gloss finish reflects Murakami’s obsession with polished perfection, a nod to toy manufacturing and the clean surface of anime production. Every curve is intentional, exaggerated, and infused with chaos. The precision of the vinyl cast and paintwork transforms the piece into more than just a toy—it is a surreal object of fine art, produced with the exactness of a designer good but pulsing with visual anarchy. Mr. Dob is not simply a mascot but an ever-evolving figure that symbolizes the collision of mass media, mythology, and personal madness. Takashi Murakami’s Cultural Role and Street-Level Influence Takashi Murakami, born in Japan in 1962, is internationally recognized for his ability to unify high art and commercial culture into a single visual framework. His signature concept of Superflat compresses traditional Japanese painting with post-war consumerism, anime, and otaku culture. Mr. Dob is one of Murakami’s earliest and most significant characters—serving as both alter ego and critique of cultural saturation. The Mr. Dob A edition reflects Murakami’s connection to contemporary art fairs and urban collectibility, debuting at ComplexCon, a marketplace driven by fashion, art, and hype culture. In the world of Street Pop Art & Graffiti Artwork, Murakami’s work exists as a portal where tradition and disruption coexist, and where figures like Mr. Dob become both symbols and products of global visual identity. Limited Vinyl Edition as a Fine Art Collectible Object Each Mr. Dob A sculpture is housed in a custom display box that mirrors the character’s expression, rendered in bold vector style across every surface. The packaging and figure are inseparable in narrative—they work as one collectible unit. As a limited edition of 400, the work occupies a rarefied position between commercial object and cultural artifact. Unlike mass-produced vinyl figures, this release is anchored in Murakami’s conceptual art lineage and collectible strategy. Its presence in galleries, private collections, and museums places it in direct dialogue with the broader conversation around the function of toys in fine art. Within the expanding world of Street Pop Art & Graffiti Artwork, Mr. Dob A stands as a hybrid sculpture—unapologetically loud, self-referential, and reflective of a global audience hungry for art that merges spectacle, subversion, and surface.

Read more less

Hush-Hush Archival Print by Giorgiko Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of TBD Artwork Size 8x10 Archival Pigment Fine Art of Boy or Girl Holding a Cookie. Image size is 6x8" with 1" white borders. Printed by Static Medium. Hush-Hush Mini by Giorgiko – Archival Pigment Print in Street Pop Art & Graffiti Artwork Hush-Hush Mini is a 2023 archival pigment print by Giorgiko, created as a scaled-down version of their larger works, printed on cotton fine art paper by Static Medium. Measuring 8 x 10 inches with an image size of 6 x 8 inches and 1-inch white borders, this signed and numbered limited edition captures the emotional intensity and stylistic duality that define Giorgiko’s visual voice. The piece features their signature gender-neutral character, with rounded features and blank eyes, holding a chocolate chip cookie while dressed in a Renaissance-style ruff and a modern streetwear jacket and cap. This blend of soft expression, historical reference, and pop cultural cues is emblematic of Giorgiko’s ability to bridge fine art with a quiet sense of modern dissonance. Emotive Symbolism in a Minimal Format The small size of Hush-Hush Mini does not lessen its emotional resonance. Giorgiko’s recurring character, visually simple but rich in suggestion, stands alone beneath a muted sky of soft pink clouds. The figure’s sideways gaze, almost hesitant or curious, reinforces the artwork’s theme of quiet observation and personal pause. The contrast between the ornate collar and the casual cap speaks to the clash of identity across time, tradition, and street culture. The cookie, held in the character’s hand, becomes a symbol of innocence, simplicity, or even indulgence—a grounding object in a surreal and emotionally weighty setting. This visual restraint and ambiguity invite the viewer to create their own narrative, a technique Giorgiko employs to great effect across all their works. Craftsmanship and Storytelling in Street Pop Art Giorgiko’s art is rooted in precision, mood, and minimal yet evocative storytelling. Their fusion of pop surrealism with classical painting techniques sets them apart in the field of Street Pop Art & Graffiti Artwork. In Hush-Hush Mini, the artists combine cartoon-like simplification with painterly depth, creating a character who lives somewhere between fantasy and everyday life. The decision to pair delicate rendering with street culture elements like the cap and bomber-style jacket furthers their aesthetic of quiet contradiction. The ruff collar, painted with a nearly translucent quality, elevates the piece into an almost ceremonial portrait. The careful use of soft lighting and pastel tones adds a dreamlike glow, enhancing the figure’s sense of emotional stillness and contemporary melancholy. Giorgiko’s Role in Modern Figurative Urban Art As a collaborative project between Darren and Trisha Inouye, Giorgiko’s work reflects a shared sensibility that centers on visual quietude, identity, and solitude. Hush-Hush Mini is a distillation of their broader themes into a compact, highly collectable format. It is not loud or overt in its messaging but speaks through mood, posture, and subtle visual cues. In the context of Street Pop Art & Graffiti Artwork, this piece reflects a softer side of the genre, focusing on introspection rather than rebellion. Giorgiko captures the emotional landscape of modern life through characters that say little but feel much. Hush-Hush Mini is both accessible and enigmatic—a visual whisper that lingers with the weight of unspoken thoughts.

Read more less

Astro Boy Hoodie- Black Light Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Faile x Deluxx Fluxx x ToyQube. In conjunction with the FAILE x Deluxx Fluxx x ToyQube Astro Boy Hoodie, the iconic Astro Boy comes alive in the Deluxx Fluxx sound and vision club with UV Black Light glow wearing a custom hoodie and track jacket. Celebrating the aesthetic of the famous Deluxx Fluxx sound and vision club in Detroit, this is a limited edition one of 500 figures measuring 10 inches in height.

Read more less

Mr Dob B Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 800 Complexcon x BAITx Takashi Murakami 9x12x8 Perfect Like New Displayed With Box. Mr. Dob B Vinyl Sculpture by Takashi Murakami: Multicolor Chaos in Street Pop Art & Graffiti Artwork Mr. Dob B is a 2017 limited edition vinyl art sculpture by Japanese artist Takashi Murakami, created in collaboration with BAIT and released during ComplexCon in a run of 800 pieces. Measuring approximately 9x12x8 inches, the piece features Murakami’s signature character Mr. Dob, a hybrid creation that combines mouse-like ears with a psychedelic, manic expression and vibrant color scheme. Presented in a sculptural format with a fully illustrated collector’s box, the figure exemplifies Murakami’s ability to translate two-dimensional visual chaos into tactile three-dimensional form. The piece embodies a convergence of Japanese superflat aesthetics, otaku subculture, and fine art sculpture, aligning closely with the language and impact of Street Pop Art & Graffiti Artwork. Design, Dimension, and Character Evolution Mr. Dob B is one of the most striking physical manifestations of Murakami’s universe, with the figure’s open jaw revealing an internal vortex of teeth, tongues, rainbows, and spikes. The swirling eyes, exaggerated facial features, and tentacle-like limbs transform the figure into an optical spectacle that defies traditional character design. Built in high-gloss vinyl with a candy-like finish, the sculpture holds presence and reflects light like a futuristic idol. Murakami’s layering of pop references, Japanese animation cues, and commercial color schemes results in a form that feels both celebratory and confrontational. This version of Mr. Dob functions as a physical distillation of the visual overload often seen in Murakami’s paintings and murals. It is a figure both familiar and terrifying, comical and aggressive, simultaneously referencing kawaii culture and subverting it. Takashi Murakami’s Influence on Pop-Driven Collectible Sculpture Takashi Murakami, born in Japan in 1962, is widely recognized as a central figure in contemporary pop-infused fine art. His work blurs distinctions between high culture and consumerism, integrating anime, fashion, and graffiti into museum-level exhibitions and commercial collaborations. Mr. Dob, introduced in the mid-1990s, has become one of Murakami’s most recognizable motifs—part mascot, part avatar, part marketing critique. In the context of Street Pop Art & Graffiti Artwork, Murakami’s vinyl sculptures function as icons of consumer subversion. They are designed to be collected, displayed, and celebrated, yet they contain within them the coded languages of branding, art history, and digital culture. With the release of Mr. Dob B at ComplexCon—a marketplace event known for its intersection of streetwear, art, and hype—Murakami further positioned the sculpture as an emblem of culture remix and high-art accessibility. Limited Edition Vinyl as a Pop-Cultural Time Capsule The 2017 Mr. Dob B edition is packaged in a large format, fully printed box that mirrors the chaotic aesthetic of the figure inside. Each sculpture is factory-finished to perfection, with clean paint applications and balanced form, echoing the commercial polish of designer toy culture. Yet unlike mass-market collectibles, this figure is part of a limited edition, marking its exclusivity and artistic integrity. Murakami’s presence at ComplexCon signaled a shift—where fine art not only entered the hype arena but became central to it. In Street Pop Art & Graffiti Artwork, this edition stands as a time capsule of visual culture—playful, precise, and entirely aware of its impact. Mr. Dob B is not merely a sculpture but a statement about saturation, spectacle, and the evolving definition of art in a media-drenched world.

Read more less

Supreme KAWS Chalk Logo Deck- Pink Limited Edition Skateboard Deck art by Designer Brand Supreme. SS21 2021- The Supreme KAWS Chalk Logo Skateboard Deck Red showcases the classic KAWS box logo, as seen in his prior collaboration with Supreme. The logo spans the entire deck width and was released on February 18th, 2021, Supreme's Spring/Summer 2021 season. The Fusion of Skate Culture and Art in Supreme KAWS Chalk Logo Deck The Supreme KAWS Chalk Logo Deck in pink represents a striking example of the fusion between street culture and contemporary art, showcasing the iconic collaboration between Supreme, a brand at the forefront of streetwear, and KAWS, an artist renowned for his influence in street pop art and graffiti artwork. This particular skateboard deck, released as part of Supreme's Spring/Summer 2021 collection on February 18th, 2021, exemplifies the intersection of functionality and artistry that has become a hallmark of both entities. The deck features the classic KAWS box logo, a symbol transcending its origins to become an emblem within the street art community. The logo asserts its presence by spanning the entire width of the deck, turning an ordinary skateboard into a canvas for artistic expression. The color pink adds a vibrant contrast to the stark black lines of the chalk logo, playing with notions of street art's traditionally gritty aesthetic by introducing a playful and visually striking hue. Street Pop Art & Graffiti Artwork: Supreme and KAWS Collaboration This collaboration is not merely a commercial venture but a cultural statement reflecting the dynamics of street pop art. Street pop art is characterized by incorporating elements from popular culture into art that is often accessible in public spaces. The Supreme KAWS Chalk Logo Deck is a product found in the streets, at skate parks, or displayed as a piece of art, embodying the core principles of street pop art by dismantling the barriers between 'high' art and everyday objects. The limited edition nature of the deck, set against the backdrop of the SS21 season, speaks to the temporality and exclusivity often played with in street art and fashion. This skateboard deck art piece captures the spirit of its time, resonating with the youthful exuberance and rebellious energy of skate culture while also serving as a collectible item that holds value in terms of its design and cultural significance. Through this artistic endeavor, Supreme and KAWS highlight the potential of streetwear items to serve as mediums for critical engagement and artistic discourse. The skateboard deck becomes a vehicle for challenging traditional notions of what constitutes art and who art is for, making a statement accessible to a diverse audience. Using pink in this context is particularly impactful, challenging gender norms and expectations within skateboarding and street culture. The Supreme KAWS Chalk Logo Deck in pink is not just a skateboard; it is a piece of street pop art that captures the essence of its era. It is a testament to the power of collaboration between streetwear brands and artists and the continued relevance of street pop art and graffiti artwork in shaping the cultural landscape.

Read more less

He-Man & Battle Cat Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe HE-MAN and BATTLE CAT Figures. The sculpture stands 16.75 inches tall. MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life HE-MAN® and BATTLE CAT® sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020. Measuring 17 inches tall and sculpted in an 80's cartoon style with a spray of jaw dropping modern-day street-style graffiti artwork, we proudly présent the most famous hero in all of Eternia", HE-MAN and the ferocious BATTLE CAT® in a manner that truly blurs the lines between toy and art masterpiece. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box MADSAKI x MOTU – He-Man & Battle Cat in Street Pop Art & Graffiti Artwork The He-Man & Battle Cat limited edition vinyl sculpture by MADSAKI, produced in collaboration with Mattel Creations in 2020, is a vivid collision of nostalgia, pop culture, and urban rebellion—an unmistakable contribution to the world of Street Pop Art & Graffiti Artwork. Originally unveiled as a centerpiece at MADSAKI’s 1984 solo exhibition at Tokyo’s Kaikai Kiki Gallery, this scaled-down 17-inch version captures the wild energy of its monumental counterpart while delivering a high-octane dose of '80s cartoon absurdity, rendered in riotous color and graffiti-style flair. With fluorescent green, electric pink, and piercing orange as the dominant palette, the piece transforms two of the most iconic characters from the Masters of the Universe franchise—He-Man and Battle Cat—into contemporary street art figures. Far from being a simple homage, MADSAKI’s version reimagines the figures as avatars of pop mythology filtered through a graffiti artist’s eye. The weaponry, armor, and pose remain true to the original animation aesthetics, but the exaggerated colors and chaotic paint styling push this artwork into a new domain where fine art, vinyl collectible, and graffiti sensibility coexist. Nostalgia Weaponized in Urban Neon MADSAKI’s approach is rooted in remix culture, a cornerstone of Street Pop Art. By appropriating the visual language of childhood—He-Man being one of the most recognized animated heroes of the 1980s—and subjecting it to the visual distortion of neon saturation and aggressive outlines, he elevates kitsch into critique. This isn't just about remembering Saturday morning cartoons. It’s about weaponizing those memories and examining how commercial entertainment shaped identity, masculinity, and fantasy in late capitalist culture. Battle Cat, usually a symbol of strength and raw primal energy, becomes a neon-soaked beast of postmodern absurdity, outfitted in shocking pink and radioactive green. MADSAKI transforms him from a beast of war into a graffiti-coded monument of cultural excess. He-Man, still holding his power sword aloft, looks less like a heroic defender and more like a psychedelic gladiator from the subconscious of a street artist raised on VHS and irony. From Canvas to Vinyl: MADSAKI's Street Pop Mutation MADSAKI is no stranger to remixing icons. Known for his drippy-eyed renditions of Western masterpieces and manga figures, he blends Japanese street sensibilities with New York-style graffiti lineage. His transition into vinyl sculpture with Mattel represents the natural evolution of Street Pop Art—where the gallery wall meets the collectible shelf, and where nostalgia is no longer passive but radicalized. This figure blurs lines between sculpture and street installation. The color choices mimic spray can aesthetics, and the glossy surfaces echo the polish of vinyl murals and toy design. Like KAWS, Sket-One, or Ron English, MADSAKI proves that sculptural vinyl can be a medium of confrontation—not just consumption. The figure comes with a hand-signed certificate and gloves for display, reinforcing its identity as both an artwork and a cultural artifact. MADSAKI’s Place in the Graffiti-Pop Canon MADSAKI’s He-Man & Battle Cat is a definitive artifact of modern Street Pop Art & Graffiti Artwork. It combines satire, technical precision, collectible appeal, and cultural critique. Rather than separating art from toy or low from high, MADSAKI merges all categories into one ferocious drop that challenges the viewer’s nostalgia and their assumptions about what constitutes fine art. This sculpture is not simply fan service—it’s subversion. It transforms childhood heroes into fluorescent avatars of postmodern identity, rendered in the chromatic chaos of graffiti language. By injecting the streets into the plastic skin of global pop icons, MADSAKI cements his place among the artists reshaping visual culture one spray, sculpt, and scream at a time.

Read more less

Nathalie Lete Minette 100% 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Nathalie Lete is an artist from Paris who now has a 100% + 400% Bearbrick set to go along with the release of her Ours a la Cravete 400% Bearbrick. Minette embodies Nathalie Lete's art style and every detail on this Bearbrick will not go overlooked. From the blue eyes to the patterned dress all the way to the tail spread across the back of both the Bearbrick's legs. This Bearbrick set includes 2 figures that stand at 7cm and 28cm tall!

Read more less

Hiatus Kaiyote Tigercorn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Hiatus Kaiyote Tigercorn by Lauren YS: Psychedelic Iconography in Street Pop Art & Graffiti Artwork Hiatus Kaiyote Tigercorn is a vivid, limited edition archival pigment print created by Lauren YS, an American visual artist known for her neon-infused surrealism and work rooted in street art and lowbrow pop culture. Released on April 19, 2021, this 7.5 x 7.5 inch print was produced on perforated blotter paper and signed, numbered, and accompanied by a certificate of authenticity. Each edition was hand-perforated by Zane Kesey, reinforcing its connection to the rich visual history of blotter art and the psychedelic movement. The artwork’s unmistakable visual force and playfully aggressive imagery make it a standout within contemporary Street Pop Art & Graffiti Artwork, combining musical tribute, personal mythology, and psychotropic aesthetics in one explosive design. The central figure, a tiger-unicorn hybrid bursting with saturated green and blue tones against a radiant pink vortex backdrop, is both fantastical and confrontational. The creature's striped body cleverly incorporates the name Hiatus Kaiyote, celebrating the boundary-pushing Australian music group known for their fusion of soul, jazz, and electronic sound. The print radiates energy through its swirling background and exaggerated character design, with bold outlines and psychedelic patterns creating the visual equivalent of an electric current. The hand-drawn look and use of saturated, fluorescent color reflect Lauren YS’s signature approach, which bridges studio illustration and mural work while engaging with themes of transformation, empowerment, and altered perception. Lauren YS and the Language of Neo-Psychedelia Lauren YS has made a name through a body of work that embraces fantasy, mutation, and cultural remix. Their art often merges human and animal forms with dreamlike elements, pulling inspiration from science fiction, mythology, and subcultural symbology. With Hiatus Kaiyote Tigercorn, the choice of blotter paper as a medium is a deliberate nod to psychedelic visual traditions, and its scale and format mimic the exact dimensions of traditional LSD blotters. This connection is not just aesthetic but historical. Psychedelic blotter sheets were often canvases for visual experimentation, carrying illustrations that paralleled or enhanced the psychedelic experience. By using this format to immortalize a psychedelic feline hybrid, Lauren YS both honors and modernizes the lineage of this artform. As with all street-infused works, immediacy and impact are key. Hiatus Kaiyote Tigercorn achieves this with its chaotic energy and saturated palette, which would feel equally at home on a gallery wall or the side of a building. The animal's surreal form and hyperexpressive features suggest both humor and intensity, making it impossible to ignore. This aligns with Street Pop Art & Graffiti Artwork’s emphasis on creating emotional impact through image and color, particularly within public or alternative formats. Symbolism, Identity, and Surrealism in the Psychedelic Format The hybrid creature at the center of Hiatus Kaiyote Tigercorn is more than a decorative concept. Its features—striped body, unicorn horn, bared teeth—convey tension and duality. It is simultaneously fierce and whimsical, graceful and dangerous. These contradictions reflect the dual nature of many psychedelic experiences, which oscillate between beauty and chaos. The typography integrated into the tiger's stripes highlights the influence of sound and rhythm, visually representing the impact of Hiatus Kaiyote’s music. This combination of auditory and visual stimulation mirrors the synesthetic experiences often reported under psychedelics, reinforcing the relevance of this format in contemporary psych-pop culture. Lauren YS’s use of street art influences, comic surrealism, and layered visual metaphors adds depth to what may initially seem like a playful design. The exaggerated style and mythical creature format evoke dream states and imagined worlds. Their artistic language finds common ground with graffiti and pop surrealism, both of which champion distorted figures, bright palettes, and social resistance through fantasy. The use of perforated blotter paper brings this rebellious spirit to a tactile surface historically associated with radical freedom and mind expansion. Blotter Paper as Canvas in Contemporary Street Pop Art Hiatus Kaiyote Tigercorn exemplifies how contemporary artists are reclaiming blotter paper not merely as nostalgic reference but as a legitimate platform for art. When Zane Kesey hand-perforates each print, he embeds a cultural and material authenticity that connects these works to an underground tradition of chemically-induced exploration and revolutionary aesthetics. Lauren YS’s contribution stands out for its immediacy, symbolic boldness, and high-octane color scheme, transforming each sheet into a portal of visual and conceptual intensity. As part of the broader revival of blotter art within Street Pop Art & Graffiti Artwork, this print operates at the crossroads of music, psychedelia, and visual storytelling. Lauren YS continues to redefine how street-influenced art can engage with legacy formats while expanding its boundaries into new mythologies and imaginative terrains. Through their bold characters and kaleidoscopic visuals, they offer not just an image, but an invitation to perceive, question, and celebrate altered ways of seeing.

Read more less

Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

Read more less

Let's Burn It All!- Standard Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lbs French Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2019 Signed Limited Edition of 75 Artwork Size 18x24 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

Read more less

Tennis Alien- AP Artist Proof Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 8.5x11

Read more less

Mars Attacks- Horror Show Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Burrito Breath. Horror Show is an illustrated homage to the best and worst of schlock-horror flicks from down the years.

Read more less

Hotline Kids OG Original Acrylic Spray Paint Mixed Media Painting by Faile One of a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic Silkscreen Spray Paint Painting Original Artwork Size 25x38 Stylized Vaporwave Style Punk Woman Talking on Phone With 2 Men During Summer Layered With Text "Hotline Kids OG" stands as a striking and representative piece within the evolving landscape of contemporary pop and street art. Its creator, renowned artist Faile, has seamlessly merged the worlds of graffiti and fine art to create a visually dynamic and highly thought-provoking piece. This original artwork is a one-of-a-kind acrylic spray paint mixed media painting, deftly executed on fine art paper. Faile's ingenious fusion of art forms and innovative use of mediums result in an exciting dialogue between the traditionally disparate worlds of street art and high-end galleries. The artwork itself is signed and dated to 2023, asserting its position within the current moment of artistic production and thought. It is a mixed media work, demonstrating the artist's adept manipulation of materials such as acrylic and silkscreen, as well as his command of spray paint, a tool synonymous with the world of graffiti and street art. Measuring 25x38, it is a sizable work that commands the viewer's attention, demanding a thorough and appreciative examination of its layered complexity. "Hotline Kids OG" presents an intriguing scene rendered in a stylistic fusion of vaporwave and punk aesthetics. A woman is seen talking on a phone, flanked by two men, all set against the backdrop of summer. This scene may appear mundane at first glance, yet, upon closer observation, it is an incisive commentary on contemporary societal interactions and power dynamics. Faile utilizes the 'everyday' as a canvas to draw out the often overlooked nuances of human communication and relationships. The layers of this artwork extend beyond the narrative depicted. Faile has incorporated text within the painting, creating a dynamic interplay between visual and linguistic elements. This approach further emphasizes the layered nature of human interactions and underlines the impact of technology on communication. Furthermore, this textual integration harks back to graffiti's subversive tradition of utilizing public spaces as platforms for dialogue and expression. In the rich tapestry of street and pop art, "Hotline Kids OG" marks a significant contribution. It encapsulates the ethos of its creator, Faile, and his desire to push the boundaries of artistic conventions. It challenges traditional distinctions between high art and street art, bridging the gap and illustrating the potential for their synergistic coexistence. This artwork exemplifies the potency of contemporary art to reflect, critique, and shape societal narratives. It stands as a testament to the dynamic and evolving nature of the art world and, in particular, the continually thriving and expanding genres of pop and street art.

Read more less

What Party Figure- Pink Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2020 Out of Print COVID Open Edition Size 5.1x11.3x3.7. New In Box Printed Foot. Pink Chum is wondering what happened to the parties in 2020? The What Party Figure in Pink emerges as a poignant symbol in the oeuvre of Kaws, the influential modern artist whose works have continuously blurred the boundaries between commercial and fine art. This limited edition vinyl art toy sculpture stands at 5.1x11.3x3.7 inches, a size that is intimate yet substantial, allowing it to make a statement in any collection. Released in 2020, a year marked globally by the COVID-19 pandemic, this collectible piece adds resonance as its title, "What Party," echoes the year's isolation and the sudden absence of communal gatherings and celebrations. Crafted in bright Pink, the figure is instantly recognizable as a Kaws creation, with its characteristic crossed-out eyes and exaggerated hands, elements that have become synonymous with the artist’s unique visual language. The toy is not merely a playful item; it is a legitimate and impactful piece of art that comments on the human condition. Its vivid color can be interpreted as a beacon of hope or a siren call to attention, forcing viewers to ponder on the changes our society faced, especially during a time when the world came to an abrupt pause. Each sculpture comes brand new in its original box, indicating that it has never been displayed or handled. The printed foot of the figure ensures authenticity, an essential aspect for collectors and admirers of Kaws' work. While this piece was categorized as an open edition, its availability became scarce as the demand outpaced supply, and it swiftly transitioned out of print, turning it into a sought-after artifact. The What Party Figure stands not just as a testament to Kaws' enduring influence in the intersection of pop art, street art, and graffiti art but also as a cultural commentary encapsulated in vinyl. It captures the essence of a unique moment in history, symbolizing the collective yearning for connection in a time of global upheaval and the enduring power of art to reflect and resonate with the zeitgeist.

Read more less

ABC Camo Be@r Cushion- Pink Limited Edition Cloth Pillow Be@rbrick Art Object Collectible Artwork by street graffiti artist Bape- A Bathing Ape. 2021 Pink New With Tags

Read more less

ADORE- White Shadow 4-Color Hand-Pulled Limited Edition Silkscreen Print on Foil Paper by Ben Johnston Rare Street Art Famous Pop Artwork Artist. Signed 2019 ADORE by Ben Johnston 24 x 18 Inches Limited Edition of 30 per variant Four color screen print on a variety of unique foil paper Signed & Numbered Printed with by VGKids

Read more less

Train 6 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Dissecting "Train 6" by LushSux: A Miniature World of Graffiti Art "Train 6" is a fascinating piece in the collection of works by the graffiti street artist LushSux, known for his unapologetic and often contentious approach to modern pop art. This particular artwork is an original piece from 2014, featuring a vibrant graffiti tag applied to an HO-scale model train box car. The piece measures 14x3 inches, demanding meticulous attention to detail and a steady hand to maintain the integrity of the graffiti art style on such a small scale. This work is a signature example of street pop art, a genre that fuses the raw, energetic aesthetics of street art with the mass culture appeal of pop art. LushSux's Innovative Approach to Street Art on Model Trains LushSux, an Australian artist whose work has been lauded and criticized, operates within the global street art scene, bringing his work into the public eye and often sparking debate. His choice to utilize a model train as a canvas for "Train 6" is emblematic of his innovative approach to street art, as it encapsulates graffiti's ethos in a form traditionally associated with precision and nostalgia rather than the subversive nature of street art. The work showcases LushSux's dynamic style, characterized by bold lines and striking colors, which command attention despite the diminutive size of the canvas. Through this medium, LushSux challenges the viewer's perception of where street art can exist, suggesting that any object can become a vessel for artistic expression. The Cultural and Artistic Significance of "Train 6" "Train 6" is more than just a piece of art; it is a cultural artifact that bridges the gap between the underground world of street art and the more conventional hobby of model train collecting. LushSux's tag on the model train brings a piece of the street into a different context, inviting viewers to reconsider the boundaries of street pop art and graffiti artwork. By signing the piece, LushSux affirms the artwork's authenticity and value, positioning it as a collectible item within the art world and the subculture of model train enthusiasts. The painting represents a confluence of subcultures, serving as a testament to street art's versatility and expansive reach. Through pieces like "Train 6", LushSux continues to provoke, entertain, and elevate the status of street art in the contemporary art scene.

Read more less

Totem Buddies Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

Read more less

I Heart Vodka Artwork Giclee Limited Edition Print on Fine Art Paper by Modern Artist Natalia Fabia.

Read more less

Angelic Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2014 Signed & Numbered Limited Edition of 350 Artwork Size 8.5x11

Read more less

Beautiful Dreamer 3 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2010 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

Read more less

Snoopy Bad INC is an original mixed-media graffiti artist—modern pop art on real metal street signs Sonic Bad. 2015 Signed Original Spray Paint Mixed Media on Tin Metal Security Sign. Sonic BAD INC Snoopy Bad INC Artwork Size 14x10 Depicting Peanuts Red Barron Snoopy & Woodstock Bomber Stylistic Graffiti Holding Pistol Gun with Security Camera and Snowman. Sonic Bad's Unique Blend of Iconography: Snoopy Bad INC Sonic Bad's "Snoopy Bad INC" is a striking work that marries the notion of classic comic characters with the gritty edge of street art, showcasing the artist's skill in blending pop culture references with a streetwise aesthetic. The 2015 piece is a mixed media work on tin metal, utilizing spray paint to bring vibrant life to an otherwise mundane security sign. Measuring 14x10 inches, this signed original work presents a version of the beloved Peanuts characters, Snoopy and Woodstock, reimagined as rebellious icons in a stylistic graffiti interpretation. Interpreting Street Narratives through Pop Culture Lenses Sonic Bad, an artist renowned for pushing the boundaries of street pop art, infuses "Snoopy Bad INC" with layers of meaning. By depicting the Red Baron Snoopy and a bomber, Woodstock holding a pistol gun, juxtaposed with a security camera and a snowman, the artwork comments on the surveillance state and the loss of innocence in contemporary society. The playful imagery contrasts with the underlying message about security, surveillance, and the militarization of everyday life. The transformation of familiar, comforting figures into agents of anarchy or resistance is a common theme in modern pop art and graffiti, where the recontextualization of well-known images challenges viewers' perceptions and expectations. Sonic Bad's portrayal invites reflection on how innocence and playfulness can be corrupted by societal control and violence. Crafting Commentary on Canvas and Metal The choice of a metal street sign as the canvas for "Snoopy Bad INC" is particularly resonant, suggesting a subversion of authority and a claim to the public space typically dictated by such signs. Sonic Bad's adaptation of the sign, a symbol designed to regulate and warn, into a piece of art underscores a reclaiming of agency, turning a tool of control into a medium for free expression. The use of mixed media in "Snoopy Bad INC" highlights Sonic Bad's versatility as an artist. Spray paint, a staple in graffiti art, brings an urban feel to the work. At the same time, incorporating other media adds texture and depth, creating a piece that is visually arresting and thought-provoking. The artwork stands as a testament to the power of street art to transform everyday objects and icons into profound statements. Sonic Bad's Artistic Evolution and Impact "Snoopy Bad INC" exemplifies Sonic Bad's evolution as an artist and his impact on street pop art and graffiti. His ability to weave together elements of popular culture, street art stylings, and social commentary places him among the leading figures in the genre, capable of sparking conversation and challenging societal norms. The piece is a vibrant addition to the discourse of street art, reflecting the genre's capacity to adapt and evolve. Sonic Bad's work, through pieces like "Snoopy Bad INC," continues to influence and inspire, ensuring the relevance and vitality of street pop art in a changing cultural landscape. The legacy of such art lies in its capacity to engage, provoke, and endure, much like the artist behind the creation.

Read more less

I screamed for the Sunrise- Pearl Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Yoskay Yamamoto. 2014 Limited Edition of 200 Displayed In Box. This was the fourth colorway of the beautiful figure "Screaming for the Sunrise" by Yoskay Yamamoto. Featuring pearly accents and pink/purple flames, this piece also comes with a removable sheer ribbon. The Fusion of Traditional Motifs and Street Art in Yoskay Yamamoto's Work "Screaming for the Sunrise - Pearl" is an illustrious vinyl art toy collectible that encapsulates the essence of Yoskay Yamamoto's artistic vision, which marries the serene aesthetic traditions of his Japanese heritage with the vibrant, unbounded spirit of street graffiti art. This limited edition piece, with only 200 in existence, was released in 2014 and has since become a coveted item for collectors of street art and contemporary pop art. The piece features an ethereal blend of pearly accents and a gradient of pink and purple flames, exuding tranquility and intense emotion. This colorway of "Screaming for the Sunrise" is the fourth iteration, reflecting Yamamoto's ongoing exploration of mood and expression through color and form. The vinyl figure is characterized by its striking juxtaposition of a traditional Japanese mask with a modern, almost otherworldly aesthetic. The removable sheer ribbon adds a tactile dimension to the piece, inviting interaction and a personal connection with the artwork. Yamamoto's work often blurs the line between art and artifact, creating pieces that are visually arresting and rich in cultural significance. Collectibility and Significance of Yamamoto's "Screaming for the Sunrise - Pearl" The collectibility of "Screaming for the Sunrise - Pearl" lies in its unique blend of traditional artistry and contemporary design. As a limited edition piece, it represents a tangible intersection of street pop art and collectible culture, standing at the crossroads of accessibility and exclusivity. The artwork's display in a box suggests a reverence for the piece, positioning it as a treasured object meant to be viewed and appreciated over time. Collectors of Yamamoto's work are not simply acquiring an object; they are embracing a piece of the artist's ongoing narrative that continues evolving with each new creation. Yamamoto's influence on street graffiti and pop art is significant, as he brings a nuanced sensibility to a genre often dominated by bold, explicit forms of expression. His works, such as "Screaming for the Sunrise - Pearl," resonate with a quiet intensity, reflecting his journey and observations of the human condition. In the vibrant culture of street art, where messages are often conveyed through shock and scale, Yamamoto's subtler approach provides a contemplative space for viewers to engage with his work on a deeper level. Yoskay Yamamoto's "Screaming for the Sunrise - Pearl" is a testament to the transformative power of street pop art and graffiti artwork. It exemplifies how traditional cultural elements can be reimagined within the modern context, creating a dialogue between the past and present. Like all of Yamamoto's creations, this piece is a bridge connecting different worlds, inviting us to traverse the expanse between heritage and innovation, between the serene and the street.

Read more less

Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami TM/KK Hand-Pulled on Wove Fine Art Paper Framed Limited Edition Screenprint Artwork. 2003 Signed & Numbered Louis Vuitton x Takashi Murakami Limited Edition of 50 Artwork Size 6.9x11.75 Silkscreen Print in Custom Copper Style Frame. Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami The Eye Love Superflat Pink silkscreen print, created in 2003 by Takashi Murakami in collaboration with Louis Vuitton, represents a critical moment in the convergence of high fashion and contemporary street pop aesthetics. This hand-pulled silkscreen, produced in a limited edition of 50, is printed on wove fine art paper and features Murakami’s signature fusion of luxury iconography and playful visual language. Measuring 6.9 x 11.75 inches, this artwork exemplifies the Japanese artist’s influential position within the movement of Street Pop Art & Graffiti Artwork during the early 2000s. Murakami’s Superflat Philosophy in Fashion and Art This print merges the bold branding of Louis Vuitton with Murakami’s signature Superflat style, a term he coined to describe the aesthetic and cultural flattening of traditional and digital art, consumerism, and fine art. The work presents a centrally aligned vertical composition featuring Louis Vuitton emblems—two Monogram Flowers and the iconic LV initials—framing Murakami’s jellyfish-eye motif at the center. The eye, detailed with contrasting jewel tones and dynamic, cartoon-like lashes, is one of Murakami’s recurring characters, reflecting both playfulness and cultural commentary. The stark contrast between the clean white vertical strip and the surrounding off-white border amplifies the minimalist elegance of the piece. Framed in a lavish copper-toned custom frame, the presentation further highlights the intersection between Murakami’s subversive artistry and the world of luxury branding. The juxtaposition of street culture aesthetics with the world-renowned Louis Vuitton brand underscores a larger commentary on consumerism and identity in the 21st century. Collaborative Cultural Significance The collaboration between Louis Vuitton and Murakami was a landmark event in the evolution of both street pop and luxury branding. Murakami’s reinterpretation of the LV monogram led to an iconic rebranding of the fashion house’s image, energizing it with a youthful, irreverent tone. The Eye Love Superflat series became a crucial collectible component of this moment, celebrated for its rare print editions and its position at the forefront of fashion-art collaborations. Each silkscreen is signed by Takashi Murakami and marked with edition numbering, reinforcing its status as a museum-quality fine art multiple. The use of hand-pulled silkscreen techniques gives the work a tactile and layered depth, contrasting the flatness of the Superflat theory while embracing the visual simplicity of Murakami’s cartoon-inspired visual storytelling. Legacy and Collectible Appeal This print, created during the height of Murakami’s engagement with global luxury, continues to resonate with collectors and cultural institutions alike. Its value is driven not only by its scarcity—limited to just 50 signed pieces—but by its historical significance as part of an artist-brand alliance that changed the dialogue around fashion, art, and consumerism. The framed presentation elevates it beyond print into the realm of formal art display, reinforcing the seriousness of Murakami’s playful yet incisive visual commentary. As an emblem of Street Pop Art & Graffiti Artwork, the Eye Love Superflat Pink silkscreen remains a pivotal expression of postmodern art culture.

Read more less

Snake Eyes Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Trevy. 2022 Vinyl Trevy Toy Original colorway Toy Size is 6" x 4" x 5" Comes in custom made box First off exclusive. Only 100 will be made. Snake Eyes Vinyl Art Toy by Trevy

Read more less

OG Sakura Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13. The Canbot Canz is an original concept and design by world-renowned UK based street artist Czee13. A personification of a discarded rattle can, a manifestation of sadness and love, the Canbot Canz is the new vinyl platform toy for artists and collectors alike. The OG Sakura is Czee13’s newest colorway of his original vinyl Canbot Canz design. The Canbot Canz embodies the spirit of sadness and love that is intertwined in the process of all artistic creation. Standing at 5.5″ tall, and featuring a real can rattle! Total Edition 350.

Read more less

Sharktoof Cigarette Pack Limited Resin Sculpture Artwork by graffiti street artist modern pop artist Sharktoof. 2016 Limited Edition of 100 Fine Art Toy Object Artwork Size 10.75x13.5. Sharktoof Cigarette Pack Street Pop Art & Graffiti Artwork Sharktoof is a prominent figure in the contemporary urban art scene, known for his iconic shark imagery, which has become a staple in the lexicon of street and pop art. This piece, the "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture," is a testament to his distinctive style, combining graffiti, street art, and modern pop sensibilities. The "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture" is a powerful expression of street pop art and graffiti artwork. Created in 2016, this limited edition piece stands out for its striking visual appeal and commentary on consumerism and the concept of guilty pleasures. With only 100 pieces made, this delicate art toy became a sought-after collectible among art enthusiasts and collectors. Each four-sided sculpture measures 13.5" x 10.75" x 5.5" and is presented in a gift box with a die-cut foam form that securely cradles the artwork. The dimensions of the sculpture itself, at 10.75x13.5 inches, provide a substantial canvas for Sharktoof's artistry. Hand-painted with attention to detail, both sculptures are different. The unique gradients and the artist's logo on each piece ensure that every collector gets a one-of-a-kind work of art. The Symbolism of the Cigarette Pack The sculpture takes the shape of an opened cigarette pack, a universally recognized image loaded with cultural significance. The cigarette as an object represents many ideas, including controversy, rebellion, big business, and a form of rugged toughness. Through this artwork, Sharktoof aims to provoke public discourse on guilty pleasures—those we indulge in despite societal pressures to feel shame for them. Sharktoof's reflections on the subject matter are embedded within the sculpture. His approach to the silhouette of the cigarette pack is intended to be graphic and unmistakable, a visual cue that triggers a deeper reflection on personal indulgences and the associated societal implications. A Reflection on Guilty Pleasures In his own words, Sharktoof has expressed a fascination with the idea of guilty pleasures and the shame often linked to them. The sculpture serves as a visual challenge, prompting viewers to confront their vices and the emotions they elicit. It's a bold statement on how such pleasures are perceived and the inner conflict they can create. The stark contrast of the pink against the dark background of the sculpture is more than just an aesthetic choice; it represents the juxtaposition between pleasure and guilt, the vibrant and the forbidden. The shark imagery within the pack adds another layer of meaning, as sharks are often associated with danger and fear, much like the risks associated with the very act of smoking. Sharktoof's Legacy in Modern Pop Art Sharktoof's work has always pushed the boundaries of street pop art and graffiti artwork. His bold lines, vivid colors, and incorporation of emblematic symbols speak to a generation that is deeply attuned to the visual language of pop culture and social commentary. The "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture" is a manifestation of this ethos, blending art with a message and packaging it in a form that is both familiar and thought-provoking. As a piece of art, it stands as a marker of its time, encapsulating the ethos of street art's ability to comment on and reflect societal norms and deviations. Collectors and admirers of Sharktoof's work are not just acquiring a piece of art; they are embracing a piece of cultural dialogue that challenges perceptions and invites introspection. The "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture" is more than an object of visual appeal. It is a conversation starter, a statement piece, and a reflection of the artist's deeper narrative on societal behaviors and personal choices. Through this work, Sharktoof has cemented his place in the contemporary art world as an artist who dares to address the uncomfortable, controversial, and often unspoken, making his mark with each brush stroke and idea he sculpts into reality.

Read more less

Caution Sechor Required Original Mixed Media Spray Paint & Acrylic Painting graffiti artist modern pop art on Real Metal Street Sign by Sechor. 2021 Signed Original Acrylic paint on metal. 14x10 in

Read more less

CRASH 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2020 Crash x Bearbrick Crossover in Box

Read more less

La Marne Artwork Archival Pigment Print Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sergio Lopez. Sergio Lopez's "La Marne." Archival Pigment Print Signed and numbered by the artist Edition of 40 18" x 20"

Read more less

Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English- POPaganda Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

Read more less

Paranoia- Hot Pink 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to actress Anita Ekberg Edition Size: 25 prints Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 25 prints in this edition are the same and are numbered 1 to 25.

Read more less

Rotations #1 Limited Edition 5-Color Silkscreen on 140lbs Archival Fine Art Paper by Tony Clough Graffiti Street Artist Modern Pop Art. "These two print editions really only exist as original prints but were inspired by my recent obsession with squares and other simple geometric shapes. I have several original paintings that are available that slightly resemble this style but they are much more stylistic in terms of texture and color.Most of my work is purely aesthetic and non-representational, I try to make art out of texture and color until I feel that it would be something I would like to hang on my own wall in the hope that others would share my taste." - Tony Clough

Read more less

Wall Flower Pop Street Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Pop Artist Casey Weldon. 2022 Hand Deckled Signed 420 Holiday Marijuana Tribute 16x24 Limited Edition Giclee print on Moab Entrada 290gsm paper 16 x 24 inches / 40.6 x 60.9 cm Signed and numbered by the artist Printed by Static Medium

Read more less

It's Your Birthday Pink Paint Limited Edition Hand-Embellished HPM 1-Color Silkscreen & Acrylic Paint Print on Hand Deckled Fine Art Paper by Mr. Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Framed Signed & Numbered Pink Paint HPM Hand-Embellished Limited Edition of 30 Artwork Size 50x38 Single-color Screen Print with Hand Finishing on Archival Fine Art. Uniqueness of Hand-Embellished Prints by Mr. Brainwash In modern pop art and graffiti, few pieces stand out quite like "It's Your Birthday" by the street artist Mr. Brainwash, also known as Thierry Guetta. This piece encapsulates the spirit of street art with its hand-embellished, hand-deckled fine art paper and a splash of pink acrylic paint that defies convention. The 2018 limited edition piece is a testament to the artist's dedication to the craft and his commitment to injecting his personality into each print. Under his moniker, Mr. Brainwash, Thierry Guetta has become an intriguing figure in street pop art. Guetta has earned both criticism and acclaim by bursting onto the scene with a style that combines elements of street art's rawness with the polish of gallery pieces. "It's Your Birthday" showcases his penchant for bold statements and the use of popular imagery recontextualized through a street art lens. The piece's single-color silkscreen base is transformed with hand-finishing, ensuring no two prints are identical. The "It's Your Birthday" series is a limited edition of 30, each piece uniquely hand-finished by Mr. Brainwash himself. The hand-embellished process involves the application of pink acrylic paint, a signature touch that adds dimension and texture, distinguishing each print as a standalone artwork. This technique bridges the gap between the mass-produced and the one-of-a-kind, reflecting the artist's philosophy that art should be accessible yet exclusive. Significance of Silkscreen in Mr. Brainwash's Work Silkscreen printing has a storied history in pop art, and Mr. Brainwash's use of this technique is a nod to the tradition while pushing its boundaries. The "It's Your Birthday" print, sized at a striking 50x38 inches, is a bold canvas for the artist's experimentations with color and form. The use of archival fine art paper as a base material ensures the longevity of the artwork, marrying the ephemeral nature of street art with the permanence valued by collectors. Since his emergence in the art world, Mr. Brainwash has been a polarizing figure, with debates surrounding his authenticity and style. Yet, pieces like "It's Your Birthday" solidify his status in the art market. The limited edition print's size, the quality of materials, and the personalized touch of hand embellishments make it highly sought after by collectors. It celebrates street art's influence on contemporary culture and how artists like Mr. Brainwash continue to innovate within the genre. Mr. Brainwash's contributions to pop art, street art, and graffiti cannot be understated. With each hand-embellished print, he challenges preconceived notions about what street art can be and how it should interact with the world of fine art. "It's Your Birthday" is a colorful beacon of Mr. Brainwash's artistry, a limited edition piece that captures street pop art's exuberant and transformative spirit.

Read more less

Happy Pill Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Jason Freeny pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

Read more less

Stains Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. A fictional band from movie Ladies and Gentlemen, the Fabulous Stains.

Read more less

The Passions 1 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

Read more less

Adventure Time Mystery Train- Pink Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Officially created by Mondo from Cartoon Network Adventure Timer show.

Read more less

Glass Jaw Limited Rare Resin Sculpture Artwork by graffiti street artist modern pop artist Ron English- POPaganda. 2021 Signed Limited Edition of Only 10 Size 6x11 Displayed With Wooden Box From the mind of Ron English- POPaganda comes to his latest twist on reality, weighing in at a whopping 8 lbs, standing tall at 11 inches, cast from realistically colored solid high impact resin, for the first time in the world, see a full-size brain cast inside of a perfectly recreated boxing glove...The Glass Jaw! Each Glass Jaw is a double-cast handmade artwork, created in NY by Clutter and comes in a special wooden box with a COA, all pieces are signed by Ron English- POPaganda. Limited to 10 pieces. Glass Jaw Glows in the dark!

Read more less

Kong Adidas- Beyond The Streets Limited Edition Silkscreen Skateboard deck art by street pop culture artist KC Ortiz. Kc Ortiz Kong Adidas Limited Edition Beyond The Streets Skateboard Deck Retna

Read more less

RiRi Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2014 Signed & Numbered Limited Edition of 350 Artwork Size 8.5x11 RiRi by artist Charmaine Olivia original limited edition fine art print artwork with COA. Artist Signed by Charmaine Olivia Limited Edition of 350 Size: 8.5x11 Archival Pigment Print Thick Archival Stock Paper Circa 2014

Read more less

Mister Melty Vinyl Figure Pink Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Buff Monster. 2022 Limited Edition New In Box "This is the first non-sofubi vinyl toy that I’ve produced myself. I wanted to make a unique version of Mister Melty. A figure that was large, iconic and articulated (unlike any previous versions). At 10” tall, it stands around twice the size of most of the resin figures, and over 3 times the height of the old sofubi versions. Hands, arms, body, legs and shoes all had to be resculpted. The pinks for this first colorway are all custom Buff Monster pinks. No standard colors here! I painted squares of various pinks on a piece of paper and mailed it to the factory in China so that they knew exactly what I wanted. The box is a standard cardboard box, with a custom clam shell inside, designed primarily to protect the figure." Buff Monster

Read more less