Bird on Bike Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. ED 2

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Supreme Aerial Deck Limited Edition Skateboard deck art by Designer Brand Supreme For week 12 of their Fall/Winter 2020 season, Supreme released this Aerial Skateboard. The Supreme Aerial Skateboard depicts a Supreme banner flying through the sky with the New York skyline in the background, as shown in one of the brand's promotional videos. This skateboard deck was released on November 12th, 2020.

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Offering- Standard Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Taylor White Graffiti Street Artist Modern Pop Art. "This is one of a few springboard pieces into my visual exploration of bodies in motion. It evolved from the idea of the phenomenal impact of the human body in space, the dance of the soul, and the flow of forms colliding. When using the body as a tool of explosive expression, one dares to take the journey into a territory that requires immense trust, the sacrifice of oneself on the altar of vulnerability. Dance, if done fully and authentically, renders the soul completely raw. I started studying a form of modern dance called Contact Improvisation, and that study has opened me up to a new set of curiosities which I’ve been able to explore both physically in space, and visually on the page. It became about the point of surrender, of the sacrifice of the ego and all its trappings. To 'dance' on paper has been entirely mind-opening and I’ve tackled it with a renewed spirit." - Taylor White

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LA Blue SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Stamped OG Slick Limited Run of 444 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. LA Blue SuperKranky SuperPlastic Art Toy by OG Slick The LA Blue SuperKranky SuperPlastic Art Toy by OG Slick is a vibrant and dynamic collectible that captures the essence of street pop art and graffiti culture. Released in 2023, this limited edition vinyl art toy was produced in a run of only 444 pieces, making it a highly sought-after item for collectors and art enthusiasts. Standing at 6x8 inches, this SuperKranky figure is a collaborative masterpiece featuring the bold creative vision of OG Slick, Sket-One, and Big Dicks Hardware. It is inspired by OG Slick's iconic BDH Bukkake Spray Paint design, blending humor, street art aesthetics, and modern design in a singular art object. A Bold Homage to Graffiti Culture This SuperKranky toy pays tribute to the spirit of graffiti artwork with its unique design. The figure resembles a spray paint can, complete with a removable cap and a rattling feature that mimics the sound of a real spray can. The LA Blue colorway, accented with black and white detailing, creates a visually striking composition that stands out as both playful and edgy. The figure’s mischievous gloves and bold typography evoke the rebellious and creative energy synonymous with graffiti and street art culture, while the “Big Dicks Hardware” branding adds a touch of humor and satire. The Vision of OG Slick and Collaborators OG Slick, a pioneering street artist known for his graffiti roots and influence in contemporary art, is the creative force behind this piece. Born and raised in Los Angeles, OG Slick has been a major contributor to the evolution of graffiti and street pop art, blending traditional graffiti elements with innovative design concepts. This collaboration also features Sket-One, another influential street artist, and Big Dicks Hardware, whose bold branding concept adds an industrial and gritty flair to the toy’s aesthetic. Together, they bring a distinctive blend of creativity and cultural commentary to this art toy. A Rare and Desirable Collectible The LA Blue SuperKranky is a standout piece in the world of vinyl art toys. With only 444 pieces in this limited run, each stamped by OG Slick, it is a prized collectible for fans of street pop art and graffiti artwork. Packaged new in a custom-designed box, the toy is not just a display piece but a tactile representation of modern street art culture. Its interactive features, such as the rattling spray can sound, elevate it beyond a static collectible, making it a celebration of graffiti’s tools and spirit. The LA Blue SuperKranky SuperPlastic Art Toy by OG Slick is a perfect embodiment of street art’s transition into the collectible art world. Combining humor, craftsmanship, and cultural significance, this limited-edition figure offers a bold and modern take on the intersection of art, design, and urban culture. It is a must-have for collectors and enthusiasts of graffiti artwork and vinyl art toys.

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Companion Flayed- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM The Companion Flayed: An Icon of KAWS' Street Pop Art Legacy The Companion Flayed Black Limited Edition Vinyl Art Toy embodies the pinnacle of KAWS' influence in modern pop and street pop art. Unveiled in 2016, this piece is a profound iteration of the most recognizable figure in KAWS' artistic arsenal, the Companion. The artist has reimagined the Companion multiple times, each version laying bare a new facet of its symbolic resonance. The flayed version, particularly in its stark black form, invites viewers to peer beneath the surface, literally and metaphorically, into the layers composing this contemporary icon. Measuring 10.5 x 4.5 x 2.5 inches, the Companion Flayed stands as a testament to KAWS' ability to manipulate form and content to produce artworks that speak to a generation conversant in the visual language of design, pop culture, and street aesthetics. This series, including full-bodied and flayed versions of the classic character, was released in conjunction with KAWS's exhibition "Where The End Starts" in Fort Worth, Texas. Standing 11 inches tall, the figures were made available through KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, marking a significant moment in the intersection of street art and institutional recognition. Companion Flayed's Role in the Dialogue of Street Pop Art KAWS' Companion Flayed is more than a collectible; it's a conversation piece that delves into the dialogue of what Street Pop Art and Graffiti Artwork can be. It's a manifestation of KAWS' unique ability to traverse the spectrum of visual art, from anonymous street tags to globally recognized sculptures. The flayed version, with its exposed internal vibrancy, can be seen as a deconstruction of the character itself and the culture from which it originates. The black color of the figure contrasts with the colorful internal details, creating a visual dialogue between the seen and unseen, the external persona, and the internal complexity. The release of this series through prominent art institutions and KAWS' platform, KAWSONE, reflects the evolving landscape where street-inspired art is as much at home in the museum as on the urban wall. It underscores the fluidity of KAWS' art, capable of eliciting a sense of familiarity while challenging perceptions with its dissected form. This feature has become a recurrent theme in his work. KAWS' Impact on the Art Toy Movement and Beyond The Companion Flayed Black Limited Edition Vinyl Art Toy is emblematic of KAWS' impact on the burgeoning art toy movement. This movement sees the toy as a canvas for artistic expression, a medium that allows the artist to explore form, concept, and accessibility in new ways. Through figures like the Companion Flayed, KAWS has been pivotal in pushing the boundaries of this movement, garnering attention not only from the realms of Street Pop Art and Graffiti Artwork but also from the wider art community and popular culture. The release of this collectible in a limited open edition signifies the democratizing vision KAWS has for art. While each piece holds the allure of exclusivity, the forthcoming edition format ensures it remains within reach for a diverse audience, aligning with the ethos of street art's accessibility. With its distinctive cross-eyed face and x-ed-out eyes, the Companion Flayed has transcended its role as mere merchandise to become an essential touchstone in contemporary art, embodying the interplay between mass culture and high art that defines KAWS' oeuvre.

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Love Red SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Limited Run of 1111 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. The Love Red SuperKranky is an art toy designed by OG Slick in collaboration with SuperPlastic, a leading designer toy company known for producing high-quality vinyl toys in limited editions. OG Slick is an iconic graffiti artist from Los Angeles who has made a name for himself in the street art and urban vinyl toy scene. His distinctive style blends street culture and fine art, creating visually striking and memorable pieces. The Love Red SuperKranky is a vinyl toy featuring the signature character "SuperKranky," which takes inspiration from a spray paint can. This particular edition comes in a bright, bold red color with black and white accents, showcasing OG Slick's graffiti-style artwork. The toy features movable parts and usually comes with additional accessories like a removable cap and a "rattle" sound, emulating the sound of a real spray paint can. As with most art toys, the Love Red SuperKranky by OG Slick and SuperPlastic is produced in limited quantities, making it highly sought after by collectors and fans of the artist's work. Its unique design and connection to street art make it a popular item in the urban vinyl toy community.

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Astro Boy Hoodie- Black Light Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Faile x Deluxx Fluxx x ToyQube. In conjunction with the FAILE x Deluxx Fluxx x ToyQube Astro Boy Hoodie, the iconic Astro Boy comes alive in the Deluxx Fluxx sound and vision club with UV Black Light glow wearing a custom hoodie and track jacket. Celebrating the aesthetic of the famous Deluxx Fluxx sound and vision club in Detroit, this is a limited edition one of 500 figures measuring 10 inches in height.

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Astro Boy Red Original 1st Edition Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2012 Limited Edition of 500 Artwork Size 6.5x15 New In Box Printed Foot Depicting Astro Boy with Companion/Chum Styling Holding Head by Artist Kaws- Brian Donnelly. Exploring KAWS' Astro Boy in the World of Street Pop Art The influence of pop culture icons on contemporary art has become undeniable in the 21st century, particularly within the street pop art and graffiti artwork genres. Few artists have translated this influence into tangible works as effectively as Brian Donnelly, known professionally as KAWS. Among his celebrated works, the Astro Boy Red Original 1st Edition Art Toy is a testament to the synergistic blend of childhood nostalgia and sophisticated artistry. Born in Jersey City, New Jersey, KAWS has risen to prominence by infusing elements of graffiti with a refined art sensibility. His work is characterized by bold colors, graphic lines, and the repeated use of his figures with crossed-out eyes, which has become a signature across his oeuvre. He started as a graffiti artist, refining his skills and iconography on the streets before transitioning to the studio and gallery spaces, where he has since flourished. KAWS bridges personal meaning with universal themes, tapping into the collective conscious with figures that are at once familiar and transformed. The Astro Boy Red Original by KAWS: A Street Pop Phenomenon In 2012, KAWS released the Astro Boy Red Original 1st Edition, an aEditionthat encapsulates the essence of street pop art and honors the nostalgic figure of Astro Boy, a classic character from Japanese animation. This limited edition of 50Editions showcases KAWS' adeptness at reimagining pop culture icons, preserving their original appeal while casting them in a new, provocative, reflective, and contemporary light. The vinyl sculpture stands at 6.5 by 15 inches, both approachable for collectors and significant enough to make a visual impact. Clad in a stark black and red color scheme, the figure captures attention with its simplicity and the juxtaposition of bright, unyielding red against the naturalistic skin tone. The trademark KAWS touch - the crossed eyes and gloved hands - transforms the initially optimistic character of Astro Boy into a poignant commentary on the complexities of the modern age. Collectible Artwork by KAWS: More Than a Toy The artistic dialogue it instigates makes the Astro Boy Red Original art toy more than a mere collectible. With hands cradling its head, the figure emanates a sense of introspection and melancholy, a marked departure from Astro Boy's usual portrayal as a beacon of hope and youthful energy. This duality speaks to the very nature of street pop art, where humor and whimsy meet the gravity of real-world reflections. Each piece is new in its box, complete with printed feet that continue the artwork's narrative. This attention to detail ensures that from unboxing, the collector participates in an art experience that KAWS has meticulously crafted. The ownership of such a piece is not merely an act of acquisition but an entry into the conversation about the relevance and resonance of pop icons in modern-day society. The Astro Boy Red Original 1st Edition standEditionhallmark in KAWS' exploration of human emotion through the lens of animated characters. It reiterates his ability to distill complex themes into instantly recognizable forms. As the art world continues to recognize and absorb street pop art and graffiti artwork into its fold, KAWS remains a defining figure for his bold aesthetic and his sharp cultural critique embedded within seemingly playful forms. Brian Donnelly's work, particularly pieces like the Astro Boy Red Original, reminds us of the transformative power of art. Even as they draw from familiar sources, they elicit new interpretations and emotions, pushing us to question our relationship with the icons of our childhood and our society. Through this and other works, KAWS continues to shape the conversation around street pop art, affirming its place in the pantheon of significant artistic movements. The legacy of his pieces, characterized by their emotional depth and visual appeal, cements his role as a pivotal figure in the evolution of street-inspired art. Astro Boy Red by KAWS: Anime Tribute and Emotional Collapse in Street Pop Art & Graffiti Artwork Astro Boy Red is a limited edition vinyl sculpture released in 2012 by Brian Donnelly, known professionally as KAWS. Measuring 6.5 x 15 inches and produced in an edition of 500, this figure merges the iconic Japanese character Astro Boy with the Companion motif that has become synonymous with the KAWS name. The sculpture features Astro Boy in a moment of vulnerability, his hands covering his face in despair, with signature Companion-style crossed-out eyes and gloved hands. Clad in his classic red boots and black briefs, the figure maintains the original Osamu Tezuka silhouette while transforming it into a melancholic contemporary symbol. This hybrid is central to the narrative language of Street Pop Art & Graffiti Artwork, where legacy characters are reimagined as emotionally complex beings with modern resonance. Anime Heritage Meets Sculptural Intervention The original Astro Boy is a legendary creation of manga pioneer Osamu Tezuka, who designed the robot boy to symbolize human hope, progress, and idealism. KAWS reinterprets that symbolism by injecting Companion’s recognizable features and emotional weight into the figure. The result is an icon that mourns its own legend. Astro Boy’s pose—head in hands—is uncharacteristic of the cheerful robot hero but deeply aligned with the introspective sadness found throughout the KAWS Companion series. The sculpture invites questions about fame, pressure, and identity, converting a childhood hero into a figure of quiet collapse. In the world of Street Pop Art & Graffiti Artwork, such reinterpretations break open the narrative shell of beloved characters to show their psychological interior. Material Construction and Collectible Format Crafted from smooth, high-gloss vinyl, the sculpture is housed in a red collector’s box featuring white line art of the figure and product labeling. Its precision-molded surfaces and clean paint application demonstrate KAWS’s ongoing collaboration with industrial toy manufacturing standards, elevating the collectible into fine art territory. The foot of the sculpture includes printed artist markings, further validating it as part of the artist’s growing body of rare vinyl sculptures. Every aspect of the design, from scale to packaging, enhances the sculpture’s dual identity as both toy and artifact, aligning it with the tactile and accessible ethos of Street Pop Art & Graffiti Artwork while reinforcing the exclusivity of fine art collectibles. Brian Donnelly’s Remix Legacy in Modern Sculpture Brian Donnelly, born in the United States in 1974, rose from graffiti subculture and fashion-based collaborations to become a defining artist of global pop art and vinyl sculpture. His Companion character has appeared in numerous sculptural and digital forms, often expressing alienation, fatigue, and mourning. With Astro Boy Red, Donnelly applies that same emotional vocabulary to a pre-existing character, layering it with cultural commentary on nostalgia, fandom, and performance. The figure reflects on the burdens of legacy and visibility in a media-drenched world, where even heroic identities bend under existential pressure. As part of the canon of Street Pop Art & Graffiti Artwork, Astro Boy Red is a study in reinterpretation—taking the myth of technological innocence and bending it into a posture of human sorrow. It is an object of contrast: heroic yet defeated, iconic yet fractured, perfectly molded yet emotionally unguarded.

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Star Wars Darth Vader Companion Ultra Rare Authentic 2007 Limited Edition Painted Vinyl Art Toy Figure Sculpture Collectible Artwork by Artist Kaws- Brian Donnelly x OriginalFake. 2007 Limited Edition of 500 Chum Companion Painted Vinyl Size 9.75 x 4.5x 3.5, Stamped On Foot. It appears Like New with the Cape Still Sealed In the Original Bag With the Box; extremely Fine Example; the box is in Great Condition. Stamp Perfect. Pictures Of Actual Example. Authenticated With Seals and Unique Tracking Serial Number Included. Notice The Fine Details. Those Don't Exist In The Fakes. It also Has an Official Hologram Seal Affixed to the box, Which The Fakes Don't Ever Have. Interior Plastic Packaging Colored Consistent With Age. Original Verified Darth Vader Chum Companion 2007 Lucas Films x Kaws x OriginalFake Star Wars Legendary Sci-Fi Character. The Intersection of Street Pop Art and Graffiti Artwork in the Darth Vader Companion by KAWS The Darth Vader Companion by KAWS is a prime example of how the rebellious spirit of street pop art and graffiti artwork can be channeled into creating pieces that resonate deeply with popular culture while standing firm as collectible art. This 2007 limited edition piece, a coveted item among fans of art and the Star Wars legacy, encapsulates the vision of the celebrated artist Brian Donnelly, professionally known as KAWS. His approach to art, deeply rooted in the subcultures of graffiti and street art, breathes new life into the iconic character of Darth Vader, presenting it through a lens that is both contemporary and nostalgic. With only 500 of these sculptures produced, the Darth Vader Companion is a testament to exclusivity in the art world. Each piece is marked with a unique tracking serial number and authenticated with seals guaranteeing its provenance. The perfection of the stamp on the foot of the figure and the impeccable condition of the box, along with the still-sealed cape in its original packaging, speak to the collectible's pristine state. A Testament to Authenticity and Craftsmanship The physical attributes of this sculpture — sized at 9.75 x 4.5 x 3.5 inches — are accentuated by the fine details that distinguish KAWS' work. An official hologram seal on the box is a hallmark of authenticity, setting this original piece apart from the countless imitations. The attention to detail in the figure's design, with KAWS' signature elements, such as the crossed-out eyes and the artist's reinterpretation of Darth Vader's armor, showcase an intersection of street-inspired art with the precision of fine craftsmanship. The art piece's interior plastic packaging, which has retained its color consistent with age, further confirms its status as a well-preserved artifact. This attention to preservation is paramount in the world of collectibles, where the piece's condition significantly impacts its value and desirability. Cultural Impact and Artistic Merit The Darth Vader Companion stands at the crossroads of street pop art and the cinematic world of Star Wars, created by Lucas Films. KAWS, who began his artistic journey as a graffiti artist on the streets of New York, has always been adept at blending commercial iconography with his unique aesthetic. This piece is no different, as it represents a bold statement in street pop art's domain, merging graffiti's edgy and raw energy with the polished, enduring narrative of one of the most iconic villains in film history. In essence, the Darth Vader Companion is more than a piece of memorabilia; it is a commentary on the permeating influence of street art in mainstream culture. The collaboration between KAWS, Lucas Films, and OriginalFake embodies street pop art's ability to transcend traditional boundaries and assert its place in the pantheon of modern art forms. Collectors and fans alike seek the Darth Vader Companion for its rarity and the cultural dialogue it represents — a dialogue between the underground and the mainstream, the past and the present, the art, and the viewer. In the hands of KAWS, the legacy of Darth Vader is both honored and transformed, offering a fresh perspective that is as provocative as it is respectful. This sculpture, therefore, is a significant artifact that captures the zeitgeist of our times, where street pop art and graffiti artwork continue to challenge, redefine, and enrich the tapestry of contemporary art.

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Stealth Bomber Qee Black 8 in Sub Version One Vinyl Art Toy by Shepard Fairey- OBEY x Toy2RLimited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2003 Limited Edition Artwork Size 6x8 Printed on Foot Vinyl Fine Art Toy Figure Sculpture. Displayed with Box. Shepard Fairey OBEY Stealth Bomber Qee Vinyl Art Toy The 2003 Stealth Bomber Qee by Shepard Fairey stands as a highly significant collectible in the evolution of designer vinyl art and graffiti-infused pop culture. Produced in collaboration with the influential Hong Kong-based toy label Toy2R, this Sub-Version One 8-inch vinyl figure is a limited-edition art toy that reflects the convergence of Street Pop Art & Graffiti Artwork with collectible design objects. The figure encapsulates Fairey's early 2000s aesthetic, where propaganda-style design met global street activism and urban visual language. Its minimalist color scheme of black and gray, along with bold red OBEY branding, makes it an unmistakable icon of Fairey's visual signature. With a sleek vinyl construction and the instantly recognizable stylized Andre the Giant–inspired face on its chest and packaging, the figure is both an artwork and a political statement. Design Collaboration and Toy2R Legacy Toy2R’s Qee platform has served as a canvas for many of the world’s top graffiti and pop artists, but the inclusion of Shepard Fairey brought a different cultural weight to the toy scene. The Stealth Bomber Qee is not just a toy; it’s a form of urban sculpture born out of an era when collectible vinyl became a new art format. The collaboration with Toy2R allowed Fairey to extend the influence of his street campaign beyond posters, walls, and wheatpastes into a durable three-dimensional object. Each piece from this edition features Fairey’s hallmark star logo on the back, a powerful graphic that has served as a recurring motif in his political and artistic work. It’s not merely decoration—it is a visual extension of the artist’s commentary on power, control, and social obedience. Street Pop Art Object and Collectible Sculpture This collectible stands 8 inches tall and comes boxed in original packaging branded with OBEY insignia and signature Fairey graphics. It functions both as a toy and as a sculptural artwork, representative of the hybrid culture that Street Pop Art & Graffiti Artwork has fostered. Each figure is printed with identifiers on the foot that clearly denote its place within the early designer toy movement: the bold OBEY logo, 2003 production stamp, and the Toy2R licensing mark. Its limited-edition nature and affiliation with a globally renowned artist have turned this piece into a rare artifact from a formative time in both the street art world and vinyl art toy production. Shepard Fairey’s Cultural Influence Shepard Fairey, born in the United States in 1970, is among the most impactful artists to emerge from street art into mainstream cultural critique. His work with the OBEY brand and the now-famous HOPE poster during the 2008 U.S. presidential election made him a household name, but it is his deep foundation in punk rock aesthetics, skate culture, and graffiti that truly shaped his style. The Stealth Bomber Qee is part of that lineage—an object that retains the DIY spirit and visual urgency of the street while being refined for display and collection. It remains one of the earliest examples of how street culture began to command the art world’s attention through limited-edition sculpture, merging accessibility and exclusivity in a single object.

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Glow in the Dark Blue SuperKranky Limited Edition Superplastic Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist Sket-One. GID Glow in the Dark Limited Run SuperKranky Janky Superplastic Vinyl Art Toy. 2021 This Wynwood Walls EXCLUSIVE partnership “GLOW IN THE DARK BLUE” glows n tha dark & shines brighter than the oiled up booties of Miami. This 8” vinyl masterpiece has a removable lid, real rattle, n behaves like an absolute BEACH

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Disposable Heroes 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print DISPOSABLE HEROES Screen Print 18 x 24 inches Edition of 450 February 7, 2012 "He Served Us Well" This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

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Skeleton Board Cutout Ornament- Pink Pop Street Artwork Limited Edition Giclee Print on Articulated Paper Object by Urban Graffiti Modern Artist KAWS. 2021 Printed Moveable KAWS Skull 20x40 New in Original Packaging Street Pop Art & Graffiti Artwork: An Articulated Expression Street Pop Art and Graffiti Artwork embody contemporary urban culture's pulse, capturing city life's vibrant and often transient nature. The artwork described as "Skeleton Board Cutout Ornament- Pink Pop Street Artwork" is a quintessential piece that embodies the essence of this movement. As a limited edition giclee print on articulated paper objects by the modern urban graffiti artist KAWS, this piece stands out for its unique blend of delicate art sensibilities with street art's raw, energetic spirit. Pink in this artwork is a deliberate choice that challenges traditional color associations. Pink, often linked with softness and femininity, is repurposed here to create a bold statement. When applied to the skeletal form, this vivid hue injects the piece with an unexpected liveliness that contradicts the often somber symbolism of skulls. It is this kind of juxtaposition that street pop art thrives on a visual contradiction that prompts the viewer to question and reinterpret symbols and their meanings. KAWS and the Articulated Paper Object KAWS, whose work often blurs commercial and acceptable art boundaries, extensively utilizes articulated paper objects. This medium allows for interaction and physical engagement that is rarely found in traditional art forms. The "2021 Printed Moveable KAWS Skull 20x40" indicates the physical dimensions of the piece, suggesting a life-sized scale and the year of its creation, situating it within the context of KAWS's ongoing artistic journey. The notion of movement inherent in the articulated paper object challenges the static nature of death that the skeleton typically represents. Instead, KAWS's skull is dynamic, playful, and even whimsical, moving in a way that celebrates life and creativity. This movable aspect of the artwork reflects the streets from which this art form originated—alive, constantly changing, and engaging with those who encounter it. Giclee Print in Limited Edition Art The mention of the work being a "Limited Edition Giclee Print" highlights its exclusivity and the high-quality process used in its creation. Giclee printing is known for its ability to produce colors with depth and richness, making it a favored technique for reproducing artworks that demand high color fidelity. This method's use in street pop art represents a fascinating convergence of high-tech reproduction and the often DIY ethos of street art, allowing the artwork to be shared and experienced by a wider audience while maintaining a sense of scarcity and value. In this piece, the color pink serves a dual purpose—it draws the eye and serves as a commentary on the accessibility and democratization of art. By choosing a color that resonates with a wide range of viewers, KAWS invites a diverse audience to engage with his work. The skeleton becomes a universal symbol of humanity and a canvas for exploring societal themes such as identity, consumerism, and the commodification of art. The "Skeleton Board Cutout Ornament" in pink embodies the playful irreverence and critical engagement that characterizes KAWS's approach to art. It stands as a testament to the transformative power of street pop art. This movement has taken the raw energy of graffiti and channeled it into a sophisticated yet accessible form of artistic expression. With its articulated limbs and bright pink color, the piece is a vibrant conversation starter, inviting interpretations and interactions that bridge the gap between the artist's intention and the public's imagination.

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MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25

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MQ- Chrome Silver Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. No Box 2009 MQ Planet- Mque x Montana MTN Spray Paint. For more than a decade, the New York City-born artist has made a name for himself in graffiti by not being afraid and staying true to street culture. The distinctive style of MQ letters has influenced a generation of bombers. His work can be found from the sides of ships in San Francisco to the brick walls of New York City. MQ Chrome Silver Limited Edition: A Monument in Street Pop Art In the dynamic sphere of street pop art and graffiti artwork, the MQ Chrome Silver Limited Edition Spray Paint Can is a testament to the fusion of artistic ingenuity and cultural influence. This rare piece, a crossover project by the acclaimed graffiti paint maker Montana MTN, marks a significant point in the career of the New York City-born artist MQ Planet, or by his real name, Mque. Since its inception in 2009, this limited edition spray paint can have become a symbol of Mque's fearless approach to street culture and his lasting impact on a generation of graffiti artists, or 'bombers,' as often referred to. Mque's Influence on Street Art and Graffiti Mque's journey in graffiti began on the vibrant streets of New York City, where he honed his distinctive style of MQ letters, a style that would come to influence countless others. His bold, unapologetic approach to art was characterized by embracing street culture in its rawest form. Mque's artwork, spanning from the maritime canvases of ships in San Francisco to the historic brick walls of New York, showcases his adaptability and commitment to the essence of street art. The Chrome Silver Limited Edition spray paint can is not just a tool but a piece of history, embodying the spirit and tenacity of the artist. The Significance of the MQ Chrome Silver Limited Edition Can The MQ Chrome Silver Limited Edition spray paint can by Montana MTN is more than an artist's signature on a product; it is a collaborative emblem of the street art community. This rare item encapsulates the synergy between artist and manufacturer, highlighting Montana MTN's recognition of Mque's contribution to the art form. Collectors and admirers of street pop art and graffiti artwork see the can as a collector's item. Still, for a pra beacon of inspiration, urging practitioners to push boundaries and make their mark with the same daring spirit Mque displayed. In the world of street pop art, where the cityscape becomes a canvas and the spray can a paintbrush, the MQ Chrome Silver Limited Edition is a tribute to the ever-evolving narrative of graffiti. It honors the legacy of an artist who stayed true to the ethos of street culture and yet managed to leave an indelible mark on its history. Mque's work, his collaboration with Montana MTN, and the resulting Chrome Silver spray paint remain pivotal in the discourse of street pop art and graffiti artwork for years to come.

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Nopalito SuperJanky Janky SuperPlastic x El Grand Chamaco (EGC) Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2020 Created by renowned Mexican artist El Grand Chamaco and inspired by the rare nopal cactus, Nopalito is soft, prickly, and a little bit tickly. Faithful flower friend Tiny Tuna sits atop his shoulder. ¡Qué bonito!

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The Year Of The Super Power Rat Gold Leaf Silkscreen Print by Miss Bugs Hand-Pulled on Hahnemühle Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered HPM Hand-Embellished Spray Paint Gold Leaf Limited Edition of 30 Artwork Size 19.7x24 Silkscreen Print. Super Girl Minor Handling Creases to Left and Right Bottom & Mid Far Left Margins. Embellishing Street Art with Gold Leaf Miss Bugs, the enigmatic artist whose work straddles street pop art and graffiti, crafted a riveting series 2008 titled "The Year Of The Super Power Rat." This limited edition silkscreen print series is a striking example of the fusion between traditional printmaking techniques and contemporary street art sensibilities. Each piece in this collection is meticulously hand-pulled on Hahnemühle fine art paper, a testament to the artist's dedication to quality and craftsmanship. What sets "The Year Of The Super Power Rat" apart is the lavish use of gold leaf, which brings an element of luxury to the otherwise gritty domain of street art. This hand-embellished, hand-pulled silkscreen print series is limited to thirty pieces, intricately detailed and numbered by the artist. The inclusion of gold leaf in street art is a bold move by Miss Bugs, elevating the work from the brief to the eternal, from the urban to the exquisite. The Fusion of Pop Art Imagery and Graffiti Technique In "The Year Of The Super Power Rat," Miss Bugs delves into the symbolism of power and resilience, traits often associated with the eponymous rodent in cultural lore. The series reflects a year marked by these characteristics, with the superhero motif serving as a metaphor for the extraordinary capabilities within the ordinary. Miss Bugs' choice of materials—spray paint and gold leaf—on Hahnemühle fine art paper, traditionally reserved for more 'refined' art forms, blurs the lines between high art and street art, between the fleeting and the permanent. The exclusivity of the series, with only thirty pieces in existence, is a nod to the collector's desire to own something unique. Each artwork, sized at 19.7x24 inches, is an intimate canvas for Miss Bugs' layered visual storytelling. The limited edition nature of "The Year Of The Super Power Rat" assures that each piece is not just a fragment of street pop art but a collectible artifact that captures a moment in the evolving narrative of contemporary art. Miss Bugs' Contribution to Modern Street Art Miss Bugs' work, notably this series, contributes significantly to the dialogue surrounding modern street art. The artist challenges preconceived notions of what street art can embody by integrating elements like a gold leaf into the traditionally rebellious medium of spray paint and stenciling. "The Year Of The Super Power Rat" is a powerful example of how street pop art can be grand and accessible, both impermanent in its urban roots and lasting in its artistic statement. "The Year Of The Super Power Rat" by Miss Bugs is a profound piece within the spectrum of street pop art and graffiti artwork. Its hand-pulled silkscreen technique adorned with gold leaf on fine art paper stands as a testament to the innovation and artistry of Miss Bugs. This series captures the imagination with its visual splendor and encapsulates the transformative power of art as it moves from the street corners to the hallowed walls of collectors and connoisseurs.

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Goonie 034 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Navigating the Surreal and Street Pop Art in Goonie 034 by Naoto Hattori Naoto Hattori's "Goonie 034" emerges as a significant piece in Street Pop Art & Graffiti Artwork despite its roots in the more traditional practice of watercolor painting. The 2013 original creation is a testament to Hattori's distinctive vision, blending the boundaries between the precise technique of watercolor and the often spontaneous, expressive nature of street art. This artwork, enshrined within a custom 8.5x8.5-inch frame, brings forward a 3x3-inch image that captivates with its surrealist depiction, inviting a streetwise dialogue on a fine art platform. The artwork, signed and singular in its existence, reflects the artist's deep engagement with the piece, from the stroke of the brush to the careful selection of the frame and matte. Hattori's involvement in each step of the creation and presentation process aligns with the ethos of street artists, who often see their art from inception through to its final public display. This dedication to the craft and the artwork's journey from studio to viewer shares the spirit of Street Pop Art & Graffiti Artwork, where the artist's hand is evident in every aspect. Hattori's "Goonie 034" might not explicitly adopt the visual lexicon of graffiti; however, the piece exudes a rebellious aura akin to the impactful visuals of graffiti art. The watercolor medium, often seen as delicate and reserved for fine art, is pushed to new limits in Hattori's hands, presenting a piece that challenges the viewer's expectations and traditional art norms. This subversion is a core element of street and pop art, making "Goonie 034" a bridge between disciplines and inviting fine art enthusiasts to explore street-inspired artwork's vivid and raw territories. The Influence of Naoto Hattori and the Interplay with Urban Art Forms Naoto Hattori's influence in the artistic community extends beyond his surreal imagery. His artwork "Goonie 034" is pivotal in the conversation about the interplay between different art forms. The small scale of the watercolor painting demands close inspection, much like the intricate details found in stencil graffiti or the hidden messages in urban murals. It's a dialogue of the intimate versus the expansive, the personal versus the public, a dynamic often explored in Street Pop Art & Graffiti Artwork. The enigmatic quality of Hattori's work embodies street art's unpredictability and layered meanings. While his canvas is paper and his tools are brushes and pigments, the sentiment conveyed is as powerful and engaging as any piece found on the concrete canvases of cityscapes. "Goonie 034" is a cultural artifact that transcends the conventional gallery space and resonates with the authenticity and vibrancy of street art. Exploring "Goonie 034" in the context of Street Pop Art & Graffiti Artwork underscores the fluidity of art and howhich it can occupy multiple spaces and cater to diverse audiences. Hattori's piece serves as a reminder of the limitless possibilities that arise when artists draw inspiration from various sources and blur the lines between established art categories. The artwork is a testament to the evolving narrative of street and pop art, which continues redefining itself and its relevance in the ever-changing landscape of contemporary art.

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Target Red King #2 HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red King #2 HPM SDCC 12 Vinyl Art Toy by Luke Chueh Luke Chueh’s Target Red King #2 HPM SDCC 12 vinyl art toy stands out as one of the most emotionally evocative and conceptually striking releases in the Street Pop Art & Graffiti Artwork category. Released in 2012 as a San Diego Comic-Con exclusive and produced by Munky King, this limited edition figure is part of a larger series based on Chueh’s original Target painting. This particular version, hand-embellished with the artist’s own unique illustration on the firing wall, encapsulates Chueh’s deeply introspective themes through a sculptural medium that resonates with collectors, critics, and fans of dark, conceptual pop art. This figure is a continuation of Chueh’s exploration of vulnerability, self-awareness, and the relationship between creator and subject. Design, Details, and Physical Structure This collectible measures 6.5 x 10.5 inches and is crafted in vinyl with a mixed-media sculptural base. The figure depicts Chueh’s iconic bear character, rendered in a minimalist palette, painting a blood-red concentric target over its own chest while standing in front of a cracked wall riddled with bullet holes. The backdrop serves as a sculptural representation of vulnerability, punctuated with a bold hand-drawn bear head and crown motif signed by Luke Chueh. This version, known as Red King #2, is part of a select sub-edition of the original run of 250, featuring individually hand-drawn graffiti-style customizations on the wall base, turning each one into a distinct piece of hand-painted art. The inclusion of the removable brush and bucket gives the figure a tragic sense of complicity—blurring the line between empowerment and self-destruction. Conceptual Narrative and Symbolism Target is not merely a title; it is a statement about identity and visibility. By painting the target on its own body, the character becomes both artist and object, aggressor and victim. The wall behind it, resembling an urban execution backdrop, intensifies the piece’s tension. With this Red King edition, the additional crown scrawled above the bear adds a layer of sovereignty or martyrdom—elevating the character to a symbol of sacrifice. This duality has long been a hallmark of Luke Chueh’s work, combining cute and tragic elements into a surreal pop art narrative that reflects his ongoing commentary on anxiety, depression, self-image, and the burdens of self-expression. Legacy in Contemporary Urban Art Luke Chueh, born in the United States in 1973, is a pivotal figure in the Street Pop Art & Graffiti Artwork movement. His use of simplified, iconic characters and a muted color palette enables him to channel raw emotion through clean lines and impactful staging. Munky King’s collaboration with Chueh on the Target series represents one of the most successful translations of gallery-oriented character art into three-dimensional collectibles. Each edition, especially rare variants like Red King #2, carries with it the emotional depth and visual simplicity that Chueh has cultivated across mediums. The SDCC exclusive aspect of this release only enhances its rarity and desirability, cementing it as a significant artifact in the narrative of modern collectible sculpture.

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El Pulpo Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. 'El Pulpo' (the octopus), based on a recent poster we created for Slightly Stoopid & Atmosphere's performance at the Greek Theatre in Berkeley. Inspired by San Diego surf culture and Dia De Los Muertos imagery, we decided on an ornate octopus and surfboard as fitting iconography for the show as well as a nice tribute to our hometown. This print is a bit of a departure for us as it’s just a one-color print, but what makes it a bit more unique is the gold leaf stock on which it’s printed. Check out a few close-up photos below of the shimmering print as well as the process video we created for the gig poster.

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Eagle 5 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Spaceballs Movie Eagle 5 RV Space Ship Star Wars Spoof. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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VOLTEQ 20 Inch Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by street graffiti Quiccs. 2022 Voltron Themed TEQ63 Dunny Standing 20 Inches Tall, Limited Edition of 500. Kidrobot has once again teamed up with artist Quiccs to bring to life the fusion of TEQ and Dunny in an epic creation. Introducing the VOLTEQ Dunny 20” Vinyl Art Figure by Philippines-based illustrator, toy designer, and graffiti artist Quiccs. This giant 20” Dunny is a mecha-inspired statement piece based on the artist’s TEQ63 character, a post-apocalyptic hero living in a dystopian society.

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OG Slick Hand Alphabet- Standard Limited Edition 3-Color Letter Press on Hand-Deckled 250gsm Stonehenge Naturel Fine Art Paper by OG Slick pop art graffiti famous artist art. 2010 Signed Edition of 75

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Brooklyn Water Towers Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Bela Lugosi- Color Artwork Giclee Limited Edition Print on Glossy Fine Art Paper by Pop Culture Graffiti Artist Mark Hammermeister.

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Jordan 1's Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist CES. 17 inch by 22 inch archival cotton paper. From an edition of 25 signed and numbered by the artist.

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Whats Comin Will Come an We’ll Meet It When It Does Followed- Night Variant Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. AP Artist Proof. Harry Potter, Movie, Building, Night, Pumpkins, Bird

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QR Code Smiley Silkscreen Print by RYCA- Ryan Callanan Hand-Pulled 1-Color on Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 9.75x9.75 Silkscreen Print RYCA's QR Code Smiley Silkscreen Print: A Confluence of Technology and Street Pop Art The QR Code Smiley Silkscreen Print by RYCA, also known as Ryan Callanan, is a striking example of how contemporary artists blend digital motifs with traditional printmaking techniques. RYCA's decision to capture the essence of a QR code, an emblem of the digital age, and transform it into a piece of street pop art & graffiti artwork is innovative and reflective of our times. The smiley face hidden within the code's design adds a layer of playfulness and nostalgia, reminding us of the early days of digital communication while commenting on technology's pervasive nature in modern life. This artwork, a 2022 limited edition of 50, has been created through the labor-intensive process of hand-pulled silkscreen printing. Each print, signed and numbered by the artist, measures 9.75x9.75 inches and is printed on fine art paper. The choice to work in a monochromatic palette emphasizes the starkness and immediacy of the QR code, contrasting the often colorful and chaotic imagery found in street art. However, this very simplicity allows the piece to stand out, offering a visual pause in the frenetic visual language of urban environments. RYCA's Artistic Journey and the Intersection with Street Art RYCA's journey as an artist has been marked by his ability to infuse familiar cultural icons with new meaning. By taking a universally recognizable symbol such as the QR code and embedding the iconic smiley face within it, he bridges the gap between art and the audience, making his work both accessible and engaging. This piece is a testament to RYCA's skill in using pop art sensibilities to comment on the intersection of technology and human emotion, a prevalent theme in the digital age. The limited run of this print makes it a coveted item for collectors and reinforces the transient nature of street art, where the rarity and location of a piece can significantly enhance its value and impact. RYCA's work is a reminder of the transient nature of graffiti artwork, often here today and gone tomorrow, mirroring the fleeting nature of digital information in the internet age. The QR Code Smiley Silkscreen Print is more than a visual statement; it is a cultural artifact that encapsulates the zeitgeist of the 21st century. QR codes have become ubiquitous in our lives, a technical solution to a cultural desire for quick, seamless access to information. By incorporating this symbol into his art, RYCA comments on its pervasive nature and challenges the viewer to consider the relationship between the digital and physical worlds. With its minimalist aesthetic and conceptual depth, this print reflects a broader trend in street pop art & graffiti artwork, where artists are increasingly engaging with digital culture. RYCA's work is at the forefront of this movement, blending street art's immediacy with the connectivity of digital technology. RYCA's QR Code Smiley and Its Place in Modern Art As street pop art & graffiti artwork continue to evolve, artists like RYCA are leading the charge, breaking down barriers between art forms and exploring new mediums. The QR Code Smiley Silkscreen Print is a powerful example of this evolution, where a technology tool is repurposed into a medium for artistic expression. The print represents RYCA's creative vision and a commentary on the increasingly blurred lines between the virtual and the real. In a world where digital interactions often replace physical ones, RYCA's print serves as a poignant reminder of the importance of tangible art in a digital age. It stands as a bridge between two seemingly disparate worlds, inviting the viewer to reflect on the role of art in a society dominated by screens and codes. RYCA's QR Code Smiley Silkscreen Print is a defining piece within the genre of street pop art & graffiti artwork, offering a unique perspective on the intersection of art, technology, and culture. Its existence as a limited edition print further underscores the value placed on originality and authenticity in art. Through this work, RYCA invites us to ponder the pervasive nature of digital symbols in our lives and how they can be reimagined through the lens of art.

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Electric Skull Illuminati 3-Color Hand-Pulled Limited Edition Silkscreen Print on Bright Silver Fine Art Paper by Ron English- POPaganda Rare Street Art Famous Pop Artwork Artist. Signed 2010 Limited Edition of 100 18x24 Reflective Silver Paper

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Revenge Day Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Day is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Day silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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Austin Rommie/ Bear Stitch- Yankees Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Austin Rommie/ Bear Stitch- Yankees

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Silver City Style B Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 25 Edition Artwork Size 24x18 Silver Metallic Ink City Style B Nightime 24x18

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CN Rail Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Stephanie Buer, Street Pop Art Graffiti Legend. Signed & Numbered Archival Pigment Print on Hand-Deckled 290gsm Moab Fine Art Paper Size: 18.5 x 14 Inches Release: March 13, 2020 "This piece is a drawing I made from images gathered while exploring the Packard Plant years ago. It was taken before the Packard Plant was purchased and renovated, back when I used to live in Detroit and wander the plant regularly. That place is very special to me and my early development as an artist." –Stephanie Buer

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Bodies Deck FW21 Limited Edition Silkscreen Skateboard deck art by street pop culture artist Supreme. Season FW21 Release Date 08/19/2021

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Wazzbone Squad Series 12 Limited Edition Vinyl Art Toy Collectible Artwork by toy sculpture artist Jason Freeny. 12” tall ABS, PVC, and alloy Art toy Produced by LAMTOYS & Mighty Jaxx Designed by Jason Freeny, INSON-SONG, and HEBZ WAZZUPbaby meets the edgy dissection style of Jason Freeny! In collaboration with the WAZZUPfamily, Jason Freeny shows us what it’s like to be street-style, inside and out! Inspired by street culture and extreme sports, the WAZZBONE Squad Series stands for freedom, creativity, and personal style. Go big and loud with this 12” figurine featuring neon green dissection in this cool chameleon!

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Daft Punk- Tron 2 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Bape Play Uno Limited Edition Object Art Toy Collectible Artwork by street graffiti artist Bape- A Bathing Ape. Sealed in Box. A BATHING APE celebrates the 50th anniversary of the world’s number one card game, “UNO” loved by people around the world, and partners with the brand to release a collection that demonstrates each other’s uniqueness to the fullest. The BAPE x UNO card deck is one of many collaborations the Mattel card game has released in 2021 to help the world’s number one card game celebrate its 50th anniversary. Each card in the BAPE x UNO Card Deck has a linen finish and features the BAPE brand’s signature characters, including Baby Milo, and camo print. The BAPE x UNO Cards released alongside T-shirts, a mousepad, phone cases, and a tote. BAPE x UNO Cards officially released on September 27, 2021.

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Sub-Standard Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 12x24 Silkscreen Print "This print, “Sub-Standard,” is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can’t allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change. A portion of proceeds from this print goes to Greenpeace USA‘s efforts to fight for a healthy planet.⁠" -Shepard Fairey- OBEY The silkscreen print titled "Sub-Standard" by Shepard Fairey, part of his OBEY series, is a compelling piece of contemporary art that casts a critical eye on the pressing issue of environmental degradation as it relates to corporate influence and fossil fuel dependency. Limited to a release of 550 signed and numbered editions, the artwork is a bold statement in both form and substance, pulling together the aesthetics of pop, street, and graffiti art onto a cream speckletone fine art paper. Measuring 12x24 inches, each hand-pulled 5-color print stands as a testament to Fairey's technical skill and his commitment to social commentary. Shepard Fairey, a prominent figure in the world of pop culture and street art, uses his medium to challenge the status quo and incite thought about pressing global issues. "Sub-Standard" specifically targets the consequences of the fossil fuel industry's actions on climate change and ecological destruction. Fairey's reference to Standard Oil and its successors points to a legacy of environmental policy that prioritizes profit over the planet's health, indicating a dire need for change in corporate practices. The artwork employs powerful symbolism, with the juxtaposition of an industrial motif against a backdrop that signifies the natural world in distress, reflecting Fairey's narrative about the conflict between economic interests and environmental stewardship. A significant aspect of this artwork is its activism component. A portion of the proceeds from "Sub-Standard" is directed towards Greenpeace USA, funding the organization's efforts to combat environmental harm and promote sustainability. This financial support aligns with the artwork's message, creating a direct link between art, activism, and tangible support for ecological well-being. Fairey's choice to highlight the discrepancy between subsidies for fossil fuels and renewable energy sources in his statement further amplifies the print's call to action, advocating for a reevaluation of where public funds are invested in the context of long-term planetary health. In the landscape of modern art, "Sub-Standard" by Shepard Fairey stands out as a piece that not only captures the aesthetic edge of the OBEY art movement but also embodies a deep social and environmental consciousness, driving the conversation forward in the realm of art activism.

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Tenochtitlan- Hot Foil Hand-Pulled Limited Edition 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Saner Rare Street Art Famous Pop Artwork Artist. 2022 Signed 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 18 x 24 Inches Release: January 17, 2022 Run of: 25

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The Doctor's House Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Marci Washington.

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Struck Down Archival Pigment Fine Art Limited Edition Print on Hand Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "If I am struck down, Then the increase of my power will become unstoppable."

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.

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Supreme Scarface Split Deck Limited Edition Skateboard deck art by Designer Brand Supreme 2017 Printed Supreme x Scarface Limited Edition Skateboard Deck Depicting Al Pacino as Tony Montana from the Cult Classic Drug Movie Scarface. The Supreme Scarface Split Deck skateboard symbolizes the intersection where street culture, film, and design converge, creating a piece of Street Pop Art and graffiti Artwork that resonates with diverse audiences. This limited edition skateboard deck, released as part of the Fall/Winter 2017 collection by the designer Supreme, features iconic imagery from the cult classic drug movie "Scarface." The deck showcases a striking split design with Al Pacino as Tony Montana, capturing one of the film's most intense moments. Supreme, a brand deeply ingrained in the fabric of streetwear, has consistently demonstrated a knack for blending popular culture with its distinctive style. The collaboration with "Scarface" cements this approach, offering not just a skateboard but a canvas that reflects the gritty and raw narrative of the film. The deck is a homage to the character of Tony Montana, a figure whose pursuit of the American Dream through the darkest avenues of crime has left an indelible mark on cinema and popular culture. The "Shower" deck, in particular, grabs attention with a still from the infamous scene where a drug deal spirals into violence, placing Montana in a life-threatening standoff. This powerful image is complemented by the film's famous tagline on the top of the deck, further embedding the skateboard within the lore of "Scarface." This fusion of art, cinema, and skateboarding culture elevates the piece from a functional item to a collectible artifact within pop and street art. Supreme's decision to feature this graphic during the 2017 Fall/Winter collection was a strategic move that tapped into the nostalgia and aesthetic appeal of the 1980s, when skateboarding and the film "Scarface" rose to prominence. The deck's design captures the essence of that era while remaining relevant to the modern landscape of street art and fashion. As a piece of modern Street Pop Art and graffiti Artwork, the Supreme Scarface Split Deck transcends traditional boundaries, blending functionality with a solid artistic statement. Its creation speaks to a culture that values the defiant spirit of street art and the power of visual storytelling. For enthusiasts and collectors, the deck represents a piece of cultural history, embodying the spirit of rebellion and the relentless pursuit of ambition, themes as relevant today as they were at the time of the film's release.

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Supreme Smoke Deck- Black Limited Edition Skateboard deck art by Designer Brand Supreme FW19 2019- Smoke Supreme Logo Skateboard released on August 22nd, 2019. The design features a white smoke pattern spelling out the Supreme brand name on a contrasting background.

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