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2562 artworks


  • Sale -33% Che Green Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Che Green Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Che- Green Limited Edition Hand Pulled 3-Color Serigraph Print on 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Size 31.25x22.25 Title: “Che” (GREEN) Artist: ERNESTO YERENA Medium: SERIGRAPH Colors: 3 Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 31.25″ x 22.25” Live Art Size: 27” x 18.25”

    $850.00$570.00

  • Supreme KAWS Chalk Logo Deck- Yellow Skateboard by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Supreme KAWS Chalk Logo Deck- Yellow Skateboard by Kaws- Brian Donnelly

    Supreme KAWS Chalk Logo Deck- Yellow Limited Edition Skateboard Deck art by Designer Brand Supreme. SS21 2021- The Supreme KAWS Chalk Logo Skateboard Deck Red showcases the classic KAWS box logo, as seen in his prior collaboration with Supreme. The logo spans the entire deck width and was released on February 18th, 2021, Supreme's Spring/Summer 2021 season. Supreme KAWS Chalk Logo Deck: A Vibrant Artifact of Street Pop Art The Supreme KAWS Chalk Logo Deck in yellow, released as part of the Spring/Summer 2021 collection, is a vibrant testament to the fusion of street pop art and skateboarding culture. This limited edition piece captures the essence of the collaboration between the iconic streetwear brand Supreme and the artist KAWS, whose influence in pop art, street art, and graffiti art is globally recognized. The deck was unveiled on February 18th, 2021, aligning with Supreme's seasonal drop. It features the classic KAWS box logo in a design that spans the entirety of the deck's surface. The choice of yellow for this skateboard deck is particularly poignant. In color psychology, yellow is associated with joy, energy, and visibility, which resonates with the spirit of skateboarding—a sport and culture known for its vibrancy and dynamism. The stark contrast of the black chalk-like outline of the KAWS logo against the bright yellow background ensures visual impact and alludes to the raw, expressive lines found in graffiti art. Cultural Intersection: Supreme and KAWS's Shared Aesthetic The collaboration between Supreme and KAWS symbolizes the interplay between fashion, art, and street culture, with each skateboard deck from this partnership serving as a movable art piece. The KAWS logo, a motif frequently appearing in his art, symbolizes a more profound critique of consumerism and popular culture, consistently explored in street pop art. The expansive reach of the logo across the deck suggests an encompassing influence reminiscent of how street art often dominates and defines the spaces it inhabits. The release of the Supreme KAWS Chalk Logo Deck in yellow is also a reflection of the times, aligning with the sentiments of the Spring/Summer season—a period typically associated with renewal and vitality. The timing of the release, coupled with the skateboard deck's design, speaks to the ever-evolving narrative of street pop art, which continually seeks to capture the zeitgeist in tangible forms. This deck, therefore, is not merely a tool for skateboarding; it is a snapshot of contemporary art and cultural expression encapsulated in a format that is accessible and useful. This particular deck resonates with the broader themes of street pop art and graffiti artwork, which often utilize public symbols and spaces to make personal, political statements, and everything in between. With its bold color and iconic imagery, the Supreme KAWS Chalk Logo Deck in yellow becomes a medium through which the artist and brand communicate with a broader audience, transcending traditional art spaces and embedding themselves within the fabric of daily life.

    $262.00

  • Sale -33% Fidel Red Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Fidel Red Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Fidel- Red Limited Edition Hand Pulled Varnished 3-Color Serigraph Print on Deckled 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti street artist modern pop art. 2009 Signed & Numbered Limited Edition of 100 Hand Deckled & Varnished Artwork Size 31.25x22.25 "Fidel" (Red) stands as a testament to the profound talent and artistic prowess of Ernesto Yerena, a notable figure in the world of modern pop art, street art, and graffiti art. This piece, which was masterfully crafted in 2009, is a limited edition serigraph print, meaning that every stroke and nuance of color has been manually pressed onto 320gsm Coventry Rag Paper. This choice of substrate is significant as Coventry Rag is revered for its luxurious feel and superior durability, ensuring that the vibrancy of Yerena's creation remains intact over time. The "Fidel" (Green) print is an explosion of three distinct colors, combined in a way that showcases Yerena's unique ability to convey depth and emotion through minimalistic color palettes. This serigraph also boasts of hand-deckled edges, an intricate touch that adds an element of raw authenticity to the piece. The paper's dimensions stretch to an impressive 31.25" x 22.25", while the live art itself graces a space of 27" x 18.25", providing ample room for the artist's vision to unfold. Each piece is individually signed and numbered by Yerena, marking its exclusivity as only 100 of these prints exist. What further elevates the significance of "Fidel" (Green) is the expertise that went behind its production. The print was brought to life by Modern Multiples in 2009, a reputable print studio known for its high-quality work. Guided by the watchful eyes of Richard Duardo, a renowned artist and master printer, the process ensured that Yerena's vision was faithfully translated onto paper. This meticulous oversight and collaboration signify the blend of passion, precision, and artistic vision that modern pop and street art represents. Through "Fidel" (Red), Ernesto Yerena has undoubtedly etched an indelible mark in the annals of contemporary art.

    $731.00$490.00

  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $29,999.00

  • Sale -33% Mad World Giclee Print by Graham Curran

    Graham Curran Mad World Giclee Print by Graham Curran

    Mad World Artwork Giclee Limited Edition Print on 300 GSM Certified Archival Paper by Pop Culture Graffiti Artist Graham Curran. Graham Curran titled "Mad World," inspired by the movie Donnie Darko. Measures 11" x 14", and printed on 300 GSM Certified Archival Paper. Signed by the artist and hand-numbered.

    $209.00$140.00

  • Sale -33% Fidel Green Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Fidel Green Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Fidel- Green Limited Edition Hand Pulled Varnished 3-Color Serigraph Print on Deckled 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti street artist modern pop art. 2010 Signed & Numbered Limited Edition of 50 Hand Deckled & Varnished Artwork Size 31.25x22.25 "Fidel" (Green) stands as a testament to the profound talent and artistic prowess of Ernesto Yerena, a notable figure in the world of modern pop art, street art, and graffiti art. This piece, which was masterfully crafted in 2010, is a limited edition serigraph print, meaning that every stroke and nuance of color has been manually pressed onto 320gsm Coventry Rag Paper. This choice of substrate is significant as Coventry Rag is revered for its luxurious feel and superior durability, ensuring that the vibrancy of Yerena's creation remains intact over time. The "Fidel" (Green) print is an explosion of three distinct colors, combined in a way that showcases Yerena's unique ability to convey depth and emotion through minimalistic color palettes. This serigraph also boasts of hand-deckled edges, an intricate touch that adds an element of raw authenticity to the piece. The paper's dimensions stretch to an impressive 31.25" x 22.25", while the live art itself graces a space of 27" x 18.25", providing ample room for the artist's vision to unfold. Each piece is individually signed and numbered by Yerena, marking its exclusivity as only 50 of these prints exist. What further elevates the significance of "Fidel" (Green) is the expertise that went behind its production. The print was brought to life by Modern Multiples in 2010, a reputable print studio known for its high-quality work. Guided by the watchful eyes of Richard Duardo, a renowned artist and master printer, the process ensured that Yerena's vision was faithfully translated onto paper. This meticulous oversight and collaboration signify the blend of passion, precision, and artistic vision that modern pop and street art represents. Through "Fidel" (Green), Ernesto Yerena has undoubtedly etched an indelible mark in the annals of contemporary art.

    $946.00$634.00

  • Sale -33% Remnants #5 Archival Pigment Print - Sprayed Paint Art Collection

    Brandon Boyd Remnants #5 Archival Print on Fine China Plate Art Object by Brandon Boyd

    Remnants #5 Limited Edition Archival Pigment Print Art on Ceramic Plate Artwork by famous graffiti street artist Brandon Boyd. In his painting and drawings, Boyd reveals a personal, freeform, ambiguous kind of visual style that focuses on magic, serendipity, curiosity, and mystery. Describing his art-making process as a kind of “blissful, familiar trance,” Boyd’s works carry both the evidence of the beautiful chaos and the power of revealing the narratives inside of it.

    $153.00$103.00

  • Sale -33% Carhartt Orange Spray Paint Can Artwork by Montana MTN

    Montana MTN Carhartt Orange Spray Paint Can Artwork by Montana MTN

    Carhartt- Orange Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN 2008 Spray Paint Can Limited Edition Carhartt Clothing Brand Cross Over with Montana MTN Spray Paint Cans The Carhartt-Orange Limited Edition spray paint can represents a unique intersection between street culture and commercial branding, a collaboration between the renowned workwear brand Carhartt and the iconic graffiti paint producer Montana MTN. Released in 2008, this limited edition spray paint can symbolizes a crossover that encapsulates the essence of street pop art and graffiti artwork, blending practical utility with artistic expression. The collaboration is an homage to the shared history of street art and the Carhartt brand, which has been embraced by various urban subcultures over the years. Montana MTN, famous for its high-quality spray paints favored by graffiti artists worldwide, provides the perfect canvas for this union. The Carhartt-Orange color itself is a vibrant testament to the brand's recognizable palette, a hue that stands out on any surface and has become synonymous with the durability and ruggedness associated with Carhartt's clothing line. The design of the can is a collector's item, featuring splatters of the iconic Carhartt orange color against a sleek black background, reflecting the energy and dynamism of graffiti art. This piece is not only a tool for creating street art but also an artifact that captures a moment in time when two influential brands came together to celebrate and elevate the art of the streets. Limited edition items like the Carhartt-Orange spray paint can are a testament to the cultural resonance of street pop art and graffiti. They showcase how the practical tools of street artistry can themselves be transformed into collectible works of art, blurring the lines between function and aesthetics. This crossover highlights the evolving relationship between street culture and commercial brands, offering a narrative that extends beyond the art to include fashion, identity, and the power of collaboration in the modern creative landscape.

    $242.00$162.00

  • Sale -33% Remnants #6 Archival Pigment Print - Sprayed Paint Art Collection

    Brandon Boyd Remnants #6 Archival Print on Fine China Plate Art Object by Brandon Boyd

    Remnants #6 Limited Edition Archival Pigment Print Art on Ceramic Plate Artwork by famous graffiti street artist Brandon Boyd. In his painting and drawings, Boyd reveals a personal, freeform, ambiguous kind of visual style that focuses on magic, serendipity, curiosity, and mystery. Describing his art-making process as a kind of “blissful, familiar trance,” Boyd’s works carry both the evidence of the beautiful chaos and the power of revealing the narratives inside of it.

    $153.00$103.00

  • Sale -33% Darkmatter Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Nugg Life NY- Ian Ziobrowski Darkmatter Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Darkmatter Mini Nugs Mini Nugs Limited Run Handmade & Painted Art Toy Collectible Artwork by Pop Artists Nugg Life NY- Ian Ziobrowski. 2022 Each Mini Nug stands between 2.5-3 inches tall and is handmade from scratch. Come’s in the classic NYC delivery service container. Limited run of 20 signed and numbered.

    $134.00$90.00

  • Nemesis Prime Transformers 200% Be@rbrick Nemesis Prime Transformers 200% Be@rbrick

    BE@RBRICK Nemesis Prime Transformers 200% Be@rbrick

    Nemesis Prime Transformers 200% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Perhaps one of the most unique Bearbricks out there, this Bearbrick x Transformers Nemesis Prime 200% is one of the most popular. This 200% Bearbrick measures approximately 8 inches tall, and actually has adjustable pieces which allows it to be transformed into Nemesis Prime. This Bearbrick is truly unlike any other that Medicom Toy has released in 2015

    $351.00

  • Caught Fire Yellow Pink B-Side Silkscreen Print by Faile Caught Fire Yellow Pink B-Side Silkscreen Print by Faile

    Faile Caught Fire Yellow Pink B-Side Silkscreen Print by Faile

    Caught Fire Yellow Pink B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

    $7,202.00

  • Sale -33% Paterfamilias Silkscreen Print by Clint Wilson

    Clint Wilson Paterfamilias Silkscreen Print by Clint Wilson

    Paterfamilias- Quentin VS Coen Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Clint Wilson Graffiti Street Artist Modern Pop Art. Bold Hype Gallery in Chelsea, NYC, Spoke Art presented this awesome art show featuring Tarantino and Coen brothers movies.

    $153.00$103.00

  • Sale -33% Freedom/Prosperity At Any Price- Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Freedom/Prosperity At Any Price- Black Silkscreen Print by Cleon Peterson

    Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

    $702.00$470.00

  • Cromie Stilettos Silkscreen Print by Faile

    Faile Cromie Stilettos Silkscreen Print by Faile

    Cromie Stilettos Silkscreen Print by Faile Hand-Pulled 6-Color on Cotton Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 20 Artwork Size 27.56x39.37 Silkscreen Print of Punk Woman With Switch Blade Stiletto Knife. A compelling blend of vibrancy and edge, the Cromie Stilettos silkscreen print by Faile stands as a definitive representation of contemporary pop and street art. Created in 2023, this artwork is a hand-pulled 6-color print on high-quality cotton fine art paper, capturing the essence of modern aesthetics with traditional craftsmanship. The limited edition, with only 20 signed and numbered pieces available, measures 27.56x39.37 inches, making it a sizable statement piece for any art collector or enthusiast. The central imagery of a punk woman holding a switchblade stiletto knife is not just an arresting visual but also a powerful commentary. It resonates with themes of empowerment, rebellion, and the raw, unfiltered energy of urban life. The choice of colors, the intricate patterns, and the contrasting play of light and shadow showcase Faile's exceptional ability to weave complex narratives through visuals. The background, awash in vibrant hues and adorned with intricate motifs, adds layers of depth to the portrait, making the viewer pause and delve deeper into the story unfolding on the canvas. For those familiar with the realms of pop and street art, the Cromie Stilettos silkscreen print serves as a testament to the genre's evolution. It pushes boundaries, challenges conventions, and invites conversations. Faile's expertise in blending cultural motifs with contemporary themes ensures this artwork isn't just a visual treat but also a thought-provoking masterpiece.

    $5,500.00

  • Sale -33% Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Red 1 Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Red 1

    Saber Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber

    Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Skull Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Inhalation Hazard Skull and Cross Bones Jolly Roger Warning Label Uline S-5563 Sticker. Slap Up In Perfect Condition. Subversive Aesthetics in Street Pop Art Street Pop Art and Graffiti Artwork are distinguished by their raw, pulsating energy and penchant for transforming the ordinary into the extraordinary. The "Inhalation Hazard Skull Slap-Up Label Sticker" vividly embodies this transformative power. American artist Saber, born Ryan Weston Shook, has redefined the boundaries of art by bringing his original permanent marker drawings to the glossy skull stickers typically found in shipping and packaging. Each 4x4 piece is not just a slap-up graffiti art tag; it is a signed original that stands as a testament to the creativity and rebellious spirit of the street art movement. The series, marked by the jolly Roger skull and crossbones of the Uline S-5563 sticker, represents a provocative fusion of danger and artistry. Saber's Visual Commentary on Risk and Art Historically associated with piracy and poison, the skull and crossbones symbol takes on new life under Saber's hand. His work on these inhalation hazard labels is a bold commentary on the risks inherent in the act of creation itself, especially within the often illicit world of graffiti. Combined with the bold, chaotic lines of Saber's tag, this imagery creates a striking juxtaposition – a dialogue between the formal symbolism of danger and street art's personal, anarchic language. The pieces, created in the tumultuous year of 2020, resonate with the global atmosphere of anxiety and the need for an outlet, a voice amidst the chaos.  Street Pop Art as Cultural Narrative In the context of modern street artwork, Saber's "Inhalation Hazard Skull Slap-Up Label Sticker" is more than an artistic act; it is a cultural narrative. These stickers, once indicators of physical danger, now signal the presence of a different kind of hazard – the stifling of expression and the toxic environments that threaten creativity. Through his artwork, Saber challenges observers to reconsider the implications of the symbols that populate our world and recognize graffiti's power as a form of social and political discourse. Each sticker is a bold declaration of presence, a signature that marks the world with a message of resilience and resistance. In the face of adversity, Saber's art stands as a beacon of the enduring power of Street Pop Art and Graffiti Artwork, testifying to the indomitable urge to leave one's mark on the world.

    $15.00$10.00

  • Sale -33% Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Green 1 Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Blue 1

    Saber Health Hazards Slap-Up Label Sticker Original Tag Art by Saber

    Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Warning Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Health Flammability Special Instability Hazard  Warning Label Uline S-724 Sticker.  Slap Up In Perfect Condition. Artistic Alchemy on Hazardous Grounds The transformation of ordinary objects into visual spectacles is a hallmark of Street Pop Art and Graffiti Artwork. In this vein, the "Health Hazards Slap-Up Label Sticker" by Saber, real name Ryan Weston Shook, from the United States, stands out as a captivating fusion of warning label iconography and graffiti artistry. Created in 2020, these pieces symbolize how graffiti artists repurpose everyday items, such as health flammability and particular instability hazard warning label stickers, to make bold statements through art. Saber's original permanent marker art drawings on these glossy arrow stickers testify to the genre's ingenuity and ability to imbue commonplace materials with new life and meaning. Symbolism and Significance in Saber's Work Saber's art on hazard warning stickers is particularly poignant. The stickers' inherent message of caution and danger is juxtaposed with Saber's tags' freeform and expressive nature. This contrast is not merely aesthetic but symbolic, alluding perhaps to the inherent risks and hazards of graffiti creation. In the urban jungle, the graffiti artist is both a creator and a transgressor, and Saber's work captures this duality perfectly. The use of bright, contrasting colors over the hazard symbols does not obscure the warning but instead invites the viewer to reflect on the layers of meaning within the piece. Reflections of 2020 in Street Pop Art 2020 was not just another year in the annals of history but a turning point for societies worldwide. The original slap-up graffiti art tags on these health and hazard stickers by Saber reflect a year marked by global upheaval and a reevaluation of what is considered safe and dangerous. In his 4x4 marker-tagged creations, Saber captures the spirit of an era where the world grappled with health crises and societal instability. By signing each piece, Saber not only claims authorship but also anchors the artwork in time and place, offering a permanent marker — literally and figuratively — of a moment in time through the lens of Street Pop Art and Graffiti Artwork.

    $15.00$10.00

  • Sale -33% Thieves & Backstabbers- Collectors Edition Silkscreen Print by Marwan Shahin

    Marwan Shahin Thieves & Backstabbers- Collectors Edition Silkscreen Print by Marwan Shahin

    Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

    $890.00$596.00

  • Sale -33% Oreoz Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Nugg Life NY- Ian Ziobrowski Oreoz Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Oreoz Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by Marijuana Artists Nugg Life NY- Ian Ziobrowski. 2022 Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run of 20 signed and numbered.

    $134.00$90.00

  • Ganas Vaquero AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Ganas Vaquero AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ganas Vaquero- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2010 Signed & Marked Limited Edition Artwork Size 18x24 Ganas Vaquero is an emblematic work of art by the esteemed Latino artist Ernesto Yerena Montejano. This piece is not merely a testament to Montejano's creative prowess but also offers a nuanced commentary on the wider cultural milieu. Evident from its title which translates to "Cowboy Desire", this hand-pulled silkscreen print encapsulates a compelling juxtaposition between traditionalism and modernity, inherent within Latino culture. Crafted meticulously on fine art paper, the print mirrors the tactile and aesthetic quality that Montejano's oeuvre is celebrated for. As part of the "Hecho Con Ganas" series, this artwork is a shining example of Limited Edition Art, created with a sense of purpose and passion. The fact that it’s an AP (Artist Proof) from 2010 makes it especially rare and sought after among art collectors and enthusiasts. An artist proof, historically, refers to a print made from a plate during the process to check the quality. They hold a special place in the heart of printmaking and are often more valuable than regular prints because of their limited numbers and the artist's direct involvement in their creation. Positioned at the crossroads of pop art, street art, and graffiti, Ganas Vaquero exemplifies Montejano's unique ability to intertwine varied art forms while staying rooted in his cultural identity. The size of the artwork, 18x24 inches, ensures it captures attention while also being adaptable to diverse display settings. The signature of the artist affirms its authenticity, and the marking as a limited edition piece solidifies its exclusive status. Montejano's work thus doesn’t just serve as a representation of Latino heritage, but as a dialogue between global art forms, cultural identities, and individual creativity.

    $466.00

  • Peace & Freedom Dove Metal Street Sign Print by Shepard Fairey- OBEY Peace & Freedom Dove Metal Street Sign Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Peace & Freedom Dove Metal Street Sign Print by Shepard Fairey- OBEY

    Peace & Freedom Dove Metal Street Sign Limited Edition 2-Color Silkscreen Print on Street Sign Material Graffiti Modern Pop Art by Artist Shepard Fairey x Beyond The Streets. 2021 Metal Reflective Street Sign With Attached Signed COA Edition of 350 Size 24x24

    $1,675.00

  • Sale -33% Aki Sharks #3 Drawing - Sprayed Paint Art Collection

    Akinori Oishi Aki Sharks #3 Original Marker Drawing by Akinori Oishi

    Aki Sharks #3 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

    $489.00$328.00

  • Sale -33% Silver Haze Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Nugg Life NY- Ian Ziobrowski Silver Haze Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Silver Haze Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by Marijuana Artists Nugg Life NY- Ian Ziobrowski. 2022 Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run of 20 signed and numbered.

    $134.00$90.00

  • Sale -33% You Hesitate HPM Archival Print by Nicole Gordon

    Nicole Gordon You Hesitate HPM Archival Print by Nicole Gordon

    You Hesitate HPM Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Nicole Gordon, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 5-HPM Each Unique 24x24 2022 Ukraine War Protest Against Russia "The embellishments consist of sparkly paint in the balloons, colored flowers & polka dots in the colors of the Ukrainian flag on the girl's dress, and leaves & branches of the sunflowers have been painted to extend into the white border of the print." - Nicole

    $489.00$328.00

  • Sale -33% Dissection of Bambi Sheet No 23 Silkscreen Print by Nychos

    Nychos Dissection of Bambi Sheet No 23 Silkscreen Print by Nychos

    Dissection of Bambi- Anatomy Sheet No 23 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

    $153.00$103.00

  • Flight of an Eagle AP Silkscreen Print by Bernie Wrightson

    Bernie Wrightson Flight of an Eagle AP Silkscreen Print by Bernie Wrightson

    Flight of an Eagle Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

    $946.00

  • Sale -33% Freedom/Prosperity At Any Price- Red Silkscreen Print by Cleon Peterson

    Cleon Peterson Freedom/Prosperity At Any Price- Red Silkscreen Print by Cleon Peterson

    Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

    $702.00$470.00

  • Henry Rollins Frequent Flyer Tour Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Henry Rollins Frequent Flyer Tour Silkscreen Print by Shepard Fairey- OBEY

    Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

    $1,025.00

  • Sale -33% Police Grin Gay Empire Figure Art Toy by Ron English

    Ron English Police Grin Gay Empire Figure Art Toy by Ron English

    Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English x Suckadelic. 2022 Signed & Numbered Hand cast and painted 3.75" scale carded resin figure. Numbered out of 100.

    $246.00$165.00

  • Sale -33% Cicuta Giclee Print by Conrad Roset

    Conrad Roset Cicuta Giclee Print by Conrad Roset

    Cicuta Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Conrad Roset.

    $99.00$66.00

  • Sale -33% Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St

    Ron English Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St

    Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

    $771.00$517.00

  • Sale -33% Resist Colonialism Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Resist Colonialism Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Resist Colonialism 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 100 Size 18x24 "Resist Colonialism" is a commanding visual statement by Ernesto Yerena Montejano, a name synonymous with vibrant expressions of cultural identity and political activism within the contemporary art scene. This 2-color hand-pulled limited edition silkscreen print, produced under his studio label Hecho Con Ganas, captures the essence of resistance against colonial powers and their historical narratives. Created in 2019, it is a testament to Yerena Montejano's dedication to fusing art with social commentary. The artwork, sized at 18x24 inches, is a limited edition with only 100 signed and numbered pieces, adding an exclusive aspect to its acquisition. The artist's Mexican-American heritage profoundly influences the imagery and themes present in his works, and "Resist Colonialism" is no exception. The stark contrast of the red and black ink, a hallmark of silkscreen printing, resonates with the simplicity yet power of revolutionary posters, echoing the visual language of protest and propaganda throughout history. Yerena Montejano's choice of symbols, juxtaposing a pirate ship bearing both the emblems of hazardous material and the iconic skull and crossbones, underscores the danger and death associated with colonial conquests. The backdrop, an unyielding red circle, could be interpreted as a reference to the rising sun, symbolizing a new dawn of awareness and opposition to colonialism. The inclusion of the raised fist, a universal sign of solidarity and resistance, further amplifies the print’s message, urging onlookers to acknowledge past transgressions and take a stand against the lingering effects of colonialism. This piece of art resonates within the pop art, street art, and graffiti art movements due to its accessible yet poignant visual language. It uses the aesthetics everyday in these art forms to engage the public discourse on decolonization and indigenous rights. As with many of his works, Yerena Montejano's "Resist Colonialism" print is not just a piece of art to be admired for its aesthetic merits but also serves as a mobilizing agent that encourages viewers to reflect on complex socio-political issues. His ability to distill fervent political messaging into compelling graphic art has cemented his status as a crucial voice in the conversation about identity, culture, and activism within the art world.

    $364.00$244.00

  • Legislative Influence For Sale AP Silkscreen Print by Shepard Fairey- OBEY Legislative Influence For Sale AP Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Legislative Influence For Sale AP Silkscreen Print by Shepard Fairey- OBEY

    Legislative Influence For Sale AP Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof 2011 Signed & Marked AP Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale AP Artist Proof" stands as a testament to the profound intersection of politics, pop art, and street aesthetics, epitomizing the essence of the genre through the lens of Shepard Fairey, a defining figure in the contemporary street art scene. Created in 2011, this 2-color, hand-pulled limited edition silkscreen print on fine art paper captures not just the vibrancy and rawness of Fairey's visual language, but also a poignant commentary on the nature of political power and influence in the United States. Marked by its emblematic use of stark contrasts, the print features a depiction of the 40th United States President, Ronald Reagan, clutching a sign with the audacious declaration "Legislative Influence For Sale". Such a visual rhetoric draws attention to the controversial claims about money's role in shaping political outcomes, highlighting the nuances of the relationship between governance and monetary interests. At the same time, by juxtaposing Reagan – who often stands as a symbol of conservative ideals – with a sign suggesting political malfeasance, Fairey challenges the viewer to question and confront their preconceived notions about innocence and guilt in the political arena. In context, Shepard Fairey's artwork – often released under the OBEY moniker – has continually been at the vanguard of pushing the boundaries of street art, evolving it from mere visual spectacle to a medium that communicates pressing societal messages. This piece is no exception. Merging the populist overtones of street art with the iconographic representation reminiscent of pop art, Fairey's "Legislative Influence For Sale AP Artist Proof" is more than just an artwork. It's an embodiment of a time, a statement, and a call to awareness in a world where art and activism seamlessly intersect.

    $1,213.00

  • Companion Flayed- Black Fine Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Companion Flayed- Black Fine Art Toy by Kaws- Brian Donnelly

    Companion Flayed- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM The Companion Flayed: An Icon of KAWS' Street Pop Art Legacy The Companion Flayed Black Limited Edition Vinyl Art Toy embodies the pinnacle of KAWS' influence in modern pop and street pop art. Unveiled in 2016, this piece is a profound iteration of the most recognizable figure in KAWS' artistic arsenal, the Companion. The artist has reimagined the Companion multiple times, each version laying bare a new facet of its symbolic resonance. The flayed version, particularly in its stark black form, invites viewers to peer beneath the surface, literally and metaphorically, into the layers composing this contemporary icon. Measuring 10.5 x 4.5 x 2.5 inches, the Companion Flayed stands as a testament to KAWS' ability to manipulate form and content to produce artworks that speak to a generation conversant in the visual language of design, pop culture, and street aesthetics. This series, including full-bodied and flayed versions of the classic character, was released in conjunction with KAWS's exhibition "Where The End Starts" in Fort Worth, Texas. Standing 11 inches tall, the figures were made available through KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, marking a significant moment in the intersection of street art and institutional recognition. Companion Flayed's Role in the Dialogue of Street Pop Art KAWS' Companion Flayed is more than a collectible; it's a conversation piece that delves into the dialogue of what Street Pop Art and Graffiti Artwork can be. It's a manifestation of KAWS' unique ability to traverse the spectrum of visual art, from anonymous street tags to globally recognized sculptures. The flayed version, with its exposed internal vibrancy, can be seen as a deconstruction of the character itself and the culture from which it originates. The black color of the figure contrasts with the colorful internal details, creating a visual dialogue between the seen and unseen, the external persona, and the internal complexity. The release of this series through prominent art institutions and KAWS' platform, KAWSONE, reflects the evolving landscape where street-inspired art is as much at home in the museum as on the urban wall. It underscores the fluidity of KAWS' art, capable of eliciting a sense of familiarity while challenging perceptions with its dissected form. This feature has become a recurrent theme in his work. KAWS' Impact on the Art Toy Movement and Beyond The Companion Flayed Black Limited Edition Vinyl Art Toy is emblematic of KAWS' impact on the burgeoning art toy movement. This movement sees the toy as a canvas for artistic expression, a medium that allows the artist to explore form, concept, and accessibility in new ways. Through figures like the Companion Flayed, KAWS has been pivotal in pushing the boundaries of this movement, garnering attention not only from the realms of Street Pop Art and Graffiti Artwork but also from the wider art community and popular culture. The release of this collectible in a limited open edition signifies the democratizing vision KAWS has for art. While each piece holds the allure of exclusivity, the forthcoming edition format ensures it remains within reach for a diverse audience, aligning with the ethos of street art's accessibility. With its distinctive cross-eyed face and x-ed-out eyes, the Companion Flayed has transcended its role as mere merchandise to become an essential touchstone in contemporary art, embodying the interplay between mass culture and high art that defines KAWS' oeuvre.

    $2,777.00

  • They Live 2 Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY They Live 2 Silkscreen Print by Shepard Fairey- OBEY

    They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

    $1,025.00

  • Sale -33% Kissing Coppers Platinum Polystone Sculpture by Brandalised Kissing Coppers Platinum Polystone Sculpture by Brandalised

    Brandalism & Brandalised Kissing Coppers Platinum Polystone Sculpture by Brandalised

    Kissing Coppers- Platinum Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2022 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual-identities by society and humanising a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love.

    $572.00$383.00

  • Sale -33% Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $528.00$354.00

  • Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Red 1 Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Black 1

    Saber Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber

    Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

    $24.00

  • Sale -33% Biohazard Slap-Up Label Sticker Original Tag Art by Saber Blue 1 Biohazard Slap-Up Label Sticker Original Tag Art by Saber Blue 2

    Saber Biohazard Slap-Up Label Sticker Original Tag Art by Saber

    This Biohazard Neon Orange Slap-Up Label Sticker Original Tag Art by Saber Original Acrylic Paint Art Drawing on Biohazard Label Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 6x6 Acrylic Paint Tagged on Medical Biohazard Label Sticker. Neon High Visibility Orange Biohazard Symbol Uline label #S-20794. Exploring the Fusion of Street Pop Art and Graffiti Artwork In the dynamic sphere of contemporary visual culture, street pop art and graffiti artwork stand out as potent forms of expression that encapsulate urban life's rhythm and raw sentiments. Among the luminaries of this genre is the renowned graffiti artist Saber, known for his striking contributions to the street art panorama. The piece under scrutiny is a vibrant example of his ingenuity—a 6x6 acrylic or marker piece tagged on a medical biohazard label sticker featuring a neon high visibility orange biohazard symbol from Uline label #S-20794. Distinctive Aesthetic of Saber's Tag Art Saber's original permanent marker art drawing on a mailing glossy arrow sticker presents a striking visual paradox. The neon orange of the biohazard symbol evokes a sense of caution, typically used to warn of dangerous substances. Contrasted with the blue drips of paint that appear haphazardly splashed across the surface, there is intentional defiance and palpable tension between structure and chaos. This work is a signed 2020 original slap-up graffiti art tag that showcases not just the artist's signature style but also his ability to transform ordinary objects into powerful statements. The choice of a biohazard label as a canvas is a commentary on the infectious nature of art and ideas. Saber effectively takes a symbol that denotes hazard and contamination and recontextualizes it within the aesthetic of street pop art. By doing so, he challenges the viewer to reconsider the connotations of biohazards, not just in the physical sense but in the metaphorical contagion of art in public spaces. Impact and Significance in Modern Street Art Saber is an American artist whose real name has been as influential in the graffiti community as the images he creates on walls and in galleries. His use of a mailing label as a medium is a nod to the guerrilla tactics of early street art culture, where quick, impactful statements were essential, and materials were often repurposed or found objects. This sticker art, often called a 'slap-up,' is a form of street art that is quickly applied, or 'slapped up,' onto a surface in a public space. It allows for transient yet assertive communication, echoing urban life's fast-paced and often impermanent nature. The neon orange and blue artwork transcends its simple components, becoming a canvas for a larger discourse on visibility, legality, and the permanence of art. As a form of street pop art, it retains the accessibility and mass appeal of pop culture while embedding itself in the more subversive and counter-cultural roots of graffiti. This duality is where its power lies; it is both a bold declaration and a subliminal whisper, a fixture on the streets that can be as quickly removed as it is noticed. In the context of graffiti artwork, Saber's biohazard label sticker becomes an artifact of the streets, a testament to the artist's ability to command attention and communicate through symbols and color. With its saturated hues and deliberate drips, the piece resonates with the energy of the streets and the people's voices. It is a piece that marks a physical space and stamps a moment in time, encapsulating the essence of street pop art in its ability to capture the pulse of contemporary urban life. The interplay of color, symbol, and medium in this piece illustrates the innovative potential of street pop art. Saber's work disrupts the monotony of urban environments, offering passersby a moment of aesthetic arrest amidst the concrete canvas of the city. In modern street artwork, such interventions are not just decorative but are vital narratives that articulate the identity and the undercurrents of a city's cultural dialogue. Through works like this, Saber and his contemporaries continue to influence the trajectory of street pop art, ensuring its evolution and relevance. They remind us that the streets remain a powerful platform for artistic expression, where the voices of the marginalized and the spirit of rebellion can find their visual lexicon. Saber's neon orange slap-up label sticker is not just a mark made with acrylic or marker; it is a statement, a challenge, and a vibrant echo of the energy that drives the city's heart.

    $45.00$30.00

  • 12 Inch Series II 1 AP Silkscreen by Dave Kinsey

    Dave Kinsey 12 Inch Series II 1 AP Silkscreen by Dave Kinsey

    12 Inch Series II 1 Artist Proof AP Hand-Pulled 3-Color Screen Print on 290gsm Coventry Cotton Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2009 Signed & AP Marked Original Run Limited Edition of 100 Artwork Size 12x12

    $239.00

  • Sale -33% Never Safe Archival Print by Olga Esther

    Olga Esther Never Safe Archival Print by Olga Esther

    Never Safe Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Olga Esther, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 75 Fine art print on Moab Entrada 290gsm paper 20 x 20 inches / 50 x 50 cm Hand deckled edges Each print is signed and numbered by the artist Printed by Static Medium (Los Angeles)

    $373.00$250.00

  • Sale -33% Mask II Skateboard Art Deck by Prefab77

    Prefab77 Mask II Skateboard Art Deck by Prefab77

    Mask II Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Prefab77 . 2022 Numbered Limited Edition of 35 Skateboard Artwork Size 8x31.875

    $371.00$249.00

  • King Conan Copper AP Silkscreen Print by Patrick Connan

    Patrick Connan King Conan Copper AP Silkscreen Print by Patrick Connan

    King Conan- Copper Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Patrick Connan Graffiti Street Artist Modern Pop Art. Only 3 made! 5 Color Screen Print (including metallic Copper inks) AP Artist Proof Edition 18" x 24" Signed & Numbered

    $257.00

  • The Joker Comic Book Cover #2 HPM Hand-Embellished - Sprayed Paint Art Collection

    Mr Brainwash- Thierry Guetta The Joker Comic Book Cover #2 HPM Silkscreen Print by Mr Brainwash- Thierry Guetta

    The Joker Comic Book Cover #2 Limited Edition 1-Color Watercolor Paint Embellished HPM Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 34x46 Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, the Batman comic book cover featuring The Joker. A one-color screen print on hand-torn archival art paper, hand-finished with watercolor. Each print from the edition will be unique, and colors will vary from print to print. Print Size: 34 x 46 inches Edition of 25

    $5,415.00

  • Icon Collage Bottom- Large Format Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Icon Collage Bottom- Large Format Silkscreen Print by Shepard Fairey- OBEY

    Icon Collage Bottom- Large Format Limited Edition Hand Pulled 3-Color Silkscreen Print on Cream Speckle Tone Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. Screen Print 30 inches by 38 1/2 inches Edition of 70 October 31, 2016. Large Format Screen Print. 30 inches by 38 1/2 inches. Limited Numbered Edition of 70. 100% cotton archival paper with deckled edges. OBEY publishing chop on bottom left corner. Signed by Shepard Fairey.

    $4,583.00

  • Sale -33% Heist II Skateboard Art Deck by Prefab77

    Prefab77 Heist II Skateboard Art Deck by Prefab77

    Heist II Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Prefab77 . 2022 Numbered Limited Edition of 35 Skateboard Artwork Size 8x31.875

    $371.00$249.00

  • Sale -33% Dirty Snow- Gold Vinyl Art Toy by Prime x Strangecat Dirty Snow- Gold Vinyl Art Toy by Prime x Strangecat

    Prime Dirty Snow- Gold Vinyl Art Toy by Prime x Strangecat

    Dirty Snow- Gold Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Prime. 2021 Displayed With Box, Dirty Snow Gold vinyl art toy bust by Prime x Strangecat Toys features a mono + gold design. The new Dirty Snow is ready for spring with a daring pose and chipper graffiti bird. The Gold edition follows the OG colorway. An edition of 100, Dirty Snow Gold vinyl art toy bust (10″)

    $270.00$181.00

  • Sale -33% Garfield Lasagna Bomber Art Toy by Ndikol Garfield Lasagna Bomber Art Toy by Ndikol

    Ndikol Garfield Lasagna Bomber Art Toy by Ndikol

    Garfield Lasagna Bomber Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ndikol. 2021 Garfield 7” Vinyl Art Toy Limited Edition Hasta lasagna, don't get any on ya! Known for being lazy and sarcastic, he packs one mean throw. Keep the Mondays away from Lasagna Bomber by Ndikol unless you want a dish of lasagna hurled straight to your face. Stylized in the stencil-like finish and the iconic pose you’ve come to know from Ndikol, Lasagna Bomber puts a multi-layered twist to our favorite orange tabby cat. Contrasting black and white details with a boxful of yummy, cheesy, lasagna, you know you want to be on his side of the food fight. LICENSEE AND MANUFACTURED BY: Mighty Jaxx International Pte Ltd

    $364.00$244.00

Black Graffiti Street Pop Artwork

Depth and Dimension: The Role of Black in Street Pop Art and Graffiti Artwork

Black as a Powerful Medium in Urban Art

Black, a color that can be both the absence of light and the amalgamation of all pigments in the art world, holds a fundamental place in the street pop art and graffiti genres. Its multifaceted and profound use provides depth, contrast, and definition. In the hands of artists, black is not merely a color; it's an essential component of visual storytelling that can convey various themes and emotions, from the stark and severe to the rich and sophisticated.

Techniques Embracing the Intensity of Black

The techniques used to apply black in urban artwork are as diverse as the artists themselves. It can be found in the sharp lines of stencils that cut through the noise of colorful backdrops or in the swirling shadows that give murals a sense of life and movement. Black often outlines figures and shapes, making them pop from their surroundings and granting them an arresting visual clarity. In addition, the texture of black paint or ink can range from a matte finish that absorbs light, creating a void-like effect, to a glossy sheen that suggests a sleek, modern aesthetic. Culturally, black carries significant weight. It can symbolize rebellion or conformity, chaos or order, nothingness, or the complex integration of all that is colorful. In street pop art and graffiti, black is commonly associated with the underground, the edgy, and the avant-garde. It is the color of the night, the urban, and the unknown. Black's ability to make other colors stand out while still commanding its presence makes it a powerful tool for artists seeking to challenge norms and make bold statements.

Compositional Balance and Boldness with Black

In composition, black's role is unparalleled. It offers an anchor within the artwork, a point of return for the eye amidst the visual excitement of brighter hues. Using black can balance a piece, adding a sense of stability and grounding. However, it also has the power to dominate, to turn a multicolored mural into a monochromatic statement, or to bring a sense of solemnity and gravity to street pop art and graffiti pieces. The future of black in street pop art and graffiti artwork looks as solid as the color itself. As urban art continues to evolve, the applications and symbolism of black are likely to deepen and diversify. New materials and methods will expand the range of textures and finishes available to artists, from the blackest blacks that absorb nearly all light to reflective surfaces that play with the urban environment's illumination. In street pop art and graffiti, black is a foundational element, a color as essential as the spaces it adorns. It is a color that speaks in whispers and shouts, a color that refuses to be silent, and a color that, paradoxically, brings the vibrant world of urban art to life. Whether used with precision or with wild abandon, black remains a testament to the enduring power and versatility of color in the hands of those who seek to transform the cityscape into a canvas of personal expression and public engagement.
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