Acrylic Paint

War 100 Tablets AP HPM Stencil on Board by Ben Frost Hand-Painted Multiple Panel Graffiti Street Artist Modern Pop Art. AP Artist Proof 2023 Signed & Marked AP HPM Spray Paint & Acrylic Print Artwork Size 11x14 (Total Run of 10 + 2AP) Ben Frost's Artistic Commentary The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a provocative piece that epitomizes modern pop art's daring and often subversive nature. Created as a hand-painted multiple (HPM) and a part of a limited edition series, this work reflects the artist's critical eye on societal issues, employing a combination of stencil artistry, spray paint, and acrylic techniques to render his vision on an 11x14 inch board. Frost's piece is bold in its aesthetic and message, immediately capturing attention with the stark contrast of the black and white imagery juxtaposed with the striking red accents. The presence of the word "WAR" in capital letters alongside the words "CONTROLLED DRUG" and "KEEP OUT OF REACH OF CHILDREN" suggests a powerful commentary on the nature of conflict and the pharmaceutical industry's role in society. As an Artist Proof (AP) in 2023, it is marked distinct from the total run of 10 with an additional 2 APs, signifying its rarity and the artist's direct involvement in its creation. Techniques and Style Frost is renowned for his street pop art and graffiti artwork, which often utilizes the visual language of advertising and consumerism to explore deeper themes. The "War 100 Tablets" is a clear example of this, as it mimics the look of a medication box, suggesting that war is being 'sold' to the public much like any over-the-counter drug. The stencil technique used by Frost is a hallmark of street art, allowing for sharp, precise lines often associated with mass-produced items, further emphasizing the piece's commentary on commercialism. The artist's use of spray paint and acrylic lends the work a textured, layered look characteristic of graffiti art. This blend of materials and techniques is a deliberate choice by Frost to blur the lines between high art and street art, creating a piece that is accessible yet complex, with a finish that invites closer inspection. Cultural Impact and Collectibility Frost's "War 100 Tablets" is a visually striking piece and a collectible item within the art community. The limited number of panels produced, coupled with the hand-painted aspect, ensures that each piece within the series is unique. The AP designation indicates that the artist kept this piece as proof, marking it as an essential part of the edition's history. Collectors and enthusiasts of street pop art and graffiti artwork are often drawn to such pieces for their cultural relevance, investment potential, and as a means of supporting the arts. Frost's wWithical edge and contemporary style appeal to Frost's work to those looking to own art that speaks to the zeitgeist of the current era. Legacy and Influence Ben Frost's work, including "War 100 Tablets," contributes to the ongoing dialogue about the intersection of art, commerce, and social issues. By bringing the techniques and styles of street art into a fine art context, he challenges preconceived notions about the value and message of graffiti and street pop art. The artist's signature on the piece is a testament to its authenticity and his reputation in the art world, ensuring that it will remain a significant work for years to come. The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a poignant critique of modern society, utilizing the visual strategies of street pop art and graffiti artwork to engage with contemporary issues. Its creation as a hand-painted multiple adds to its exclusivity and allure, marking it as a significant piece within the modern pop art movement and a valuable collector's item. Frost's astute blend of accessible art forms with nuanced social commentary ensures his work remains relevant and thought-provoking, inviting viewers to question and contemplate the world around them.

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Salvage Can 11 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla Eddie Colla's Innovation in Street Art Eddie Colla's "Salvage Can 11" stands as a powerful statement within the realm of street pop art and graffiti artwork, an original painting on a spray paint can that marries mixed media techniques with the subversive energy of street art. The work is part of a series created in 2018 during a residency in China, a period that Colla describes as marked by an unexpected hiatus, waiting for art supplies, which led to the innovative use of discarded materials to create something unforeseen yet profound. Colla's "Salvage Can 11" is a testament to the spontaneous and adaptive spirit that often drives street art. Faced with a delay in his usual creative process, Colla turned to the empty spray cans available at his residency, transforming them from tools into canvases. This act of reclamation gave new life to the used cans and challenged the perception of value and utility in art materials. The resulting artwork—a signed original piece—is a mixed-media sculpture that encapsulates the essence of graffiti artwork: raw, immediate, and deeply personal. Visual Dynamics of "Salvage Can 11" The visual impact of "Salvage Can 11" is immediate and visceral. The imagery on the can is haunting, with the figure's features suggesting a blend of humanity and mask-like anonymity—a common theme in Colla's work, which often comments on identity and the individual's place within society. Using acrylic and spray paint adds texture and depth, with the stark black and purple hues commanding attention and drawing the viewer into a contemplative dialogue with the piece. Cultural Significance of Eddie Colla's Work Eddie Colla's contribution to street art extends beyond his murals and public installations. He bridges the gap between the street and the collector's space by bringing his art to a tangible, holdable medium like a spray paint can. "Salvage Can 11" embodies the transient nature of street art, while its existence as a preserved object challenges the ephemerality traditionally associated with the form. Colla's work is a reminder that street art is not confined to public spaces but is a dynamic art form that can inhabit and adapt to any context. The Resonance of the "Salvage Can" Series in Art Collecting The "Salvage Can" series holds a special place in the art collection. Each can, signed and dated by Colla, is not just an artwork but a historical piece that carries the story of its creation. Collectors of street pop art and graffiti artwork are often drawn to pieces with a narrative, and "Salvage Can 11" offers just that—a story of innovation, adaptation, and the creative process that unfolded in an artist's residency across the globe. "Salvage Can 11" is a mixed-media sculpture encapsulating Eddie Colla's innovative spirit and stature as a graffiti legend. The work is symbolic of the creativity that flourishes within the constraints of street art, highlighting Colla's ability to craft compelling narratives from unexpected circumstances. It is a prime example of how street pop art can transcend traditional boundaries and redefine what a canvas can be, inviting a broader audience to engage with the street art movement in new and meaningful ways.

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Detroit Series 24 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x16 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2 and the Intersection of Street Pop Art & Graffiti Artwork The "Detroit Series 24 Original Painting" by Cope2 marks a significant milestone in the fusion of street pop art and graffiti artwork. A masterful blend of spray paint, acrylic paint, and mixed media on cradled wood, this 2010 piece, sized at 24x16 inches, is signed and titled by the artist himself. The artwork is a ready-to-hang testament to Cope2's journey in the art world, vividly encapsulating his thirty-plus years of experience with what he calls 'hardcore graffiti.' This piece is a bold declaration of the artist's evolution, embodying the diverse styles Cope2 has embraced and mastered over the years. The artwork's bubble letters pop against the wood panel, showcasing Cope2's ability to marry the spontaneity of street art with the permanence and texture that fine art mediums like wood and acrylics provide. "Detroit Series 24" is not just an artwork; it is a narrative, a visual autobiography that charts the artist's progression from the streets of New York to the refined spaces of galleries. Cope2's adaptation to mixed media paintings is a conscious choice that speaks to his desire for growth and exploration within his craft while also honoring the roots of graffiti that laid the foundation for his career. Reverberations of Cope2's Artistic Evolution Cope2's commitment to showcasing his stylistic evolution is palpable in "Detroit Series 24". The artwork is a physical manifestation of the versatility he speaks of. This versatility has allowed him to remain a relevant and celebrated figure in modern art. Through this series, he offers a visual history of his personal development, displaying the range of his artistic capabilities. The series is a celebration of change, of the potential within the graffiti art form to adapt and thrive in various environments and formats. In this piece, as with others in the series, there is a dialogue between street art's raw, energetic quality and the thoughtful, intentional nature of studio-based work. The artwork serves as a bridge, connecting the often underrepresented art form of graffiti with the mainstream narrative of contemporary art. It is a testament to the legitimacy and depth of street pop art and graffiti artwork, challenging the notion that these forms of expression are somehow less valid than their traditional counterparts. The Legacy of Cope2's Detroit Series in Street Pop Art & Graffiti Artwork The legacy of "Detroit Series 24" extends beyond its aesthetic achievements. The work is a significant contribution to the ongoing conversation about the place of street art within the larger context of art history. Cope2's journey reflects the journey of graffiti itself, from an act of defiance to a respected art form that commands space in galleries and private collections alike. His work, particularly in this series, encapsulates the spirit of resilience that defines much of street art and graffiti, showcasing an adaptability that has enabled the art form to flourish. Cope2 has not only documented his evolution through his art but has also mirrored the evolution of street pop art and graffiti artwork. "Detroit Series 24" is a vibrant celebration of this progression, a canvas where the past and the present coexist, where the language of the streets is translated into the lexicon of fine art. Cope2's contribution to the art world through this piece and others in the series is invaluable, marking him as a pivotal figure in recognizing and appreciating street-inspired art. Ultimately, "Detroit Series 24" is a bold statement on the transformative power of art and the artist's enduring quest for expression and reinvention. Through his work, Cope2 continues to inspire and challenge, pushing the boundaries of what street pop art and graffiti artwork can be. His pieces are not just works to be hung on a wall; they are dynamic conversations, ever-evolving as the artist himself evolves, and inviting viewers to witness the unfolding story of one of the most influential modern artists in the realm of street pop art and graffiti.

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Nasty Nas- Cut The Record Original One of a Kind Mixed Media on Laser Cut Wood Panel With Industrial Resin Painting Artwork by Popular Street Graffiti Artist Tavar Zawacki (Above). Mixed Media on Laser Cut Wood Panel With Industrial Resin Size: 22 x 22 Inches (56 x 56 cm) Release: May 06, 2016. Cut the Record (Nas), 2014 Mixed media on laser cut wood panel with industrial resin 22 inches (55.9 cm) diameter Ed. 1/1 Signed to reverse. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record' series each has either had their music remixed and or remixed music themselves. Since Illmatic Album in 1994, I don’t think a week has gone by since I’ve listened to that album. One of my favorite albums." - Above

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Owl Egg Earth Original One of a Kind Acrylic Painting Artwork on Canvas Board by Popular Art Pop Culture Artist Nate Duval. 2014 Signed Original Painting Size 11x14

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An Act of Faith HPM Acrylic Spray Paint Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2025 Signed & Numbered Spray Paint, Ink & Acrylic Paint HPM Embellished Limited Edition of 24 Artwork Size 25x38 An Act of Faith by Faile An Act of Faith is a hand-painted multiple silkscreen print created by the Street Pop Art collective Faile, executed in 2025 in a limited edition of 24. Each print measures 25 by 38 inches and is individually signed and numbered. The artwork is a hybrid visual tapestry constructed using silkscreen ink, spray paint, and acrylic hand embellishment on fine art paper. Its vivid imagery and comic-inspired text panels present a layered critique of media, gender identity, and the construct of self-perception. This piece continues Faile’s legacy of transforming vintage commercial design into complex visual puzzles that interrogate popular culture. Iconography and Satirical Power An Act of Faith presents an aesthetic rooted in mid-century pulp comics, twisted with modern irony and subversive commentary. The central image features a man gazing into a dressing room mirror, surrounded by fractured reflections of women, a wolf, and disembodied pop culture references. The phrase Who am I? I can’t tell which is the real Faile reinforces the identity distortion that plays across the surface. Each character is stylized with bold outlines, saturated color fields, and meticulous brushwork added post-screening, transforming the uniformity of the silkscreen process into a collection of unique variants. Faile, formed by Patrick McNeil and Patrick Miller, began their collaborative work in the early 2000s in the United States. Their projects often use found iconography, commercial typography, and nostalgic aesthetics to challenge consumerism, masculinity, and mass production. This print extends that method through its satirical reference to mass media with phrases like Art That Respects Your Intelligence and The Most Puzzling Story You’ve Ever Seen. These slogans mimic vintage comic book advertisements but are reappropriated to critique visual culture. Print Process and HPM Technique An Act of Faith is printed using a traditional silkscreen process, a hallmark of Pop Art that channels the commercial reproduction techniques famously employed by artists like Andy Warhol. However, Faile distinguishes their method by employing HPM, or Hand-Painted Multiple techniques. Each piece is enhanced with layers of acrylic and spray paint after printing, resulting in a vibrant and textured finish. This process ensures that no two works are exactly alike, blurring the boundaries between print edition and painting. Cultural Commentary in Street Pop Art & Graffiti Artwork Faile’s work exists at the confluence of fine art, urban decay, and consumer critique. An Act of Faith takes the format of a comic book cover and reconstructs it into a statement about authenticity, perception, and mediated identity. It confronts viewers with the question of who controls the narrative of visual culture—artists, corporations, or consumers. With its blend of nostalgic aesthetics and street art grit, this piece exemplifies the crossover of graffiti’s rebellious roots and pop art’s accessible critique. As part of the 2025 limited series, it reflects the evolution of street pop art into museum-worthy dialogue, maintaining its roots in public disruption and cultural satire.

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Tomato Pop Green HPM Acrylic Silkscreen Print by Mr Brainwash- Thierry Guetta Uniquly Hand Finished 4-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Uniquely Hand Embellished Limited Edition of 95 Artwork Size 22x30 Andy Warhol Style Cambols Soup Can With Hand Painted Paint Brushes In It HPM Silkscreen Print. (Stock Photo) The world of pop and street art has always been an evolving tapestry of daring ideas, iconic imageries, and cutting-edge techniques. One of the noteworthy additions to this vibrant canvas is the "Tomato Pop Green HPM Acrylic Silkscreen Print" by the renowned artist, Mr Brainwash- Thierry Guetta. The year 2023 saw the unveiling of this masterpiece, which is not just another print, but a uniquely hand-finished 4-color screen print on fine art paper, signifying the meticulous craftsmanship of the artist. The allure of this artwork does not stop at its technical brilliance; its limited edition nature further augments its charm. Only 95 of these pieces exist worldwide, each signed and numbered by Mr Brainwash- Thierry Guetta himself, reinforcing its exclusivity. Spanning a considerable 22x30 inches, the artwork portrays an image reminiscent of the celebrated Andy Warhol style. For those acquainted with Warhol's work, the piece immediately evokes memories of the iconic Campbell's Soup Can. Yet, Mr Brainwash- Thierry Guetta introduces an innovative twist. Instead of the typical content inside the can, there are hand-painted paint brushes, showcasing a merger of the mundane and the artistic, possibly commenting on the ubiquity and omnipresence of art in everyday life. This singular representation not only anchors itself in the legacy of pop art but also echoes the rebellious spirit of street and graffiti art. Mr Brainwash- Thierry Guetta's decision to utilize the HPM (Hand-Painted Multiple) technique underscores the artwork's duality. While silkscreen printing brings uniformity and repetition, each hand-finished touch ensures every piece is distinct. The "Tomato Pop Green HPM Acrylic Silkscreen Print" stands as a testament to the fusion of traditional and contemporary art forms, inviting viewers to immerse themselves in its nuanced layers.

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War By Numbers VSE- OG Colorway Variable Stencil Edition Acrylic Artwork on Hand Deckled Fine Art Paper by Street Artists Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey. 2022 War By Numbers VSE- OG Colorway 20x26.5 inches. Signed & Numbered Ultra Rare Edition of 14. Variable Stencil Edition (VSE) on Paper. Signed by Shepard Fairey, Hecho Con Ganas publishing chop in the lower-left corner. "Created during the Iraq war, but the quest for peace requires perpetual vigilance, and the current invasion of Ukraine is a reminder of the brutality of war. The “War By Numbers” image is a statement about not becoming desensitized by war to the extent that it becomes as banal as a paint-by-numbers image. The “Peace Elephant” is an appeal to our sense of Karma and harmony with the world around us." - Shepard Fairey A profound intersection of artistry and activism emerges in "War By Numbers VSE- OG Colorway," an emblematic piece presented by the collaborative brilliance of Shepard Fairey, Ernesto Yerena Montejano, Hecho Con Ganas, and Obey. Showcased on meticulously hand-deckled fine art paper, this 20x26.5 inch artwork not only exemplifies the prowess of its creators but also delves deeply into the social and political fabric of contemporary global scenarios. Dated 2022, this piece holds the distinction of being an ultra-rare Variable Stencil Edition (VSE) on paper, with only 14 such editions in existence, each one thoughtfully signed and numbered. Notably, the presence of the Hecho Con Ganas publishing chop in the lower-left corner augments its authenticity and intrinsic value. While the artwork itself is a marvel of color interplay and design, its underlying message is both timeless and urgent. Shepard Fairey's own words elucidate the motivation behind its creation, highlighting its inception during the Iraq war. Yet, its resonance extends beyond that particular conflict. The piece emerges as an enduring reminder of the costs of warfare, particularly with the poignant backdrop of the recent Ukraine invasion. Fairey astutely draws attention to the dangers of becoming inured to the horrors of conflict, suggesting that society must never allow war's devastation to become as commonplace and mundane as a paint-by-numbers image. This sentiment is further emphasized by the inclusion of the "Peace Elephant," symbolizing the universal aspiration for harmony and an appeal to humanity's collective conscience. In the vast realm of pop art, street art, and graffiti, "War By Numbers" stands as a testament to art's ability to transcend aesthetic appeal, challenging viewers to confront and engage with the world's most pressing issues.

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Cool Down HPM Spray Paint Stencil Multiple by Praxis Hand Painted Acrylic on Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Mixed Media Stencil Acrylic & Spray Paint HPM Embellished Limited Edition of XXX Artwork Size 23.4x16.5

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Untitled Scroll 1 Original Acrylic Painting on Poylab Metal & Plastic Machine by Detour- Thomas Evans One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Poylab Metal Plastic on Roller Printing Machine Original Painting Size 12x12 The Intersection of Industrialism and Art in Detour's Work Detour, known off the canvas as Thomas Evans, is an artist whose work is at the forefront of Street Pop Art, transcending traditional boundaries by integrating materials and techniques from diverse realms. His piece, 'Untitled Scroll 1', an original acrylic painting on Polylab metal and plastic machine, is a hallmark of innovation within the genre. This artwork, created in 2023, encapsulates his vision by melding the mechanical with the handcrafted, creating a one-of-a-kind painting that stretches the definition of street art. Materiality and Technique in 'Untitled Scroll 1' The 'Untitled Scroll 1' by Detour – Thomas Evans – is not merely an artistic composition but a narrative about the materials. Polylab metal and plastic as substrates for the painting challenge the convention of canvas or wall-bound graffiti, inviting consideration of the role of industrial materials in fine art. The artwork’s dimensions, a square 12x12, present a concentrated space within which a flurry of colors clash and blend, creating an intimate yet intense visual experience. The rolling mechanism of the machine on which the painting is executed suggests a continuous scroll, an eternal canvas that evolves with each turn. This feature introduces a dynamic component to the artwork, allowing for a performative aspect as the painting is unrolled. It creates a dialogue with the viewer about the changing perspectives and interpretations that come with movement, reminiscent of how Street Pop Art and Graffiti Artwork often shift meaning depending on context and viewer engagement. Detour's Artistic Signature and Impact The signature style of Detour is apparent in the vibrant color scheme and the energetic application of paint, which exudes the rhythm and vivacity typical of street art. By signing the piece, Evans asserts his identity as the creator and stamps the work with a seal of Street Pop Art authenticity. His unique blend of street influence with pop culture elements propels his work into the spotlight, making 'Untitled Scroll 1' not just an artwork but a statement piece. This original painting, through its form and execution, broadens the scope of Street Pop Art and Graffiti Artwork, positioning itself at a crossroads where art and industry intersect. Detour has pushed the boundaries of street art, taking it from the alleys and exterior walls into the realm of sculptural and mechanical innovation, thereby expanding the potential for what street-inspired art can be. Continued Evolution of Street-Inspired Art Detour's 'Untitled Scroll 1' serves as an emblem of the progressive nature of Street Pop Art. The piece stands out for its fusion of acrylic painting techniques with unconventional materials, a true exploration of texture, form, and color. This particular work of Thomas Evans represents a forward-thinking approach to art-making, reflective of contemporary times where the lines between various forms of artistic expression become increasingly blurred. As Street Pop Art and Graffiti Artwork evolve, they increasingly adopt elements from multiple disciplines, pushing past the boundaries of traditional street art. Artists like Detour are at the vanguard of this movement, continually experimenting with new materials and methods. Their work broadens the horizons of what is possible, inviting artists and viewers to rethink the essence and possibilities of street art in the modern age. 'Untitled Scroll 1' is a testament to this ongoing transformation, a snapshot of the inventive spirit that drives the street art scene forward.

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Brut Graffiti Raw Original One of a Kind Mixed Media Spray Paint Painting Artwork on Stretched Canvas by Street Art Pop Culture Artist DrNuse89. 2022 Signed Original Painting Size 9x3

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Spread Love- XII Original One of a Kind Acrylic & Spray Paint Painting Artwork on Hand-Cut Fine Art Paper by Popular Street Graffiti Artist Snoeman. 2022 Original Signed Painting Acrylic and Aerosol on Hand-Cut Fine Art Paper Size: 19 x 24 Inches Release: April 01, 2022 Spread Love 12

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Untitled III Original Acrylic Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Acrylic Painting Original Artwork Size 12x12 Smiling Atomik Orange Untitled III by Atomik: The Smiling Orange as Icon of Street Pop Art & Graffiti Artwork Untitled III is a 12 x 12 inch original acrylic painting on canvas by Atomik, a Miami-based artist widely recognized for his recurring character—the grinning orange with exaggerated features and slick green leaves. Created in 2020, this one-of-a-kind signed piece captures the energy and wit that defines Atomik’s work in the worlds of Street Pop Art & Graffiti Artwork. The subject, affectionately known as the Atomik Orange, emerged as a response to the demolition of Miami’s Orange Bowl in 2008 and has since evolved into a vibrant symbol of community memory, local pride, and artistic defiance. In Untitled III, the orange character is presented in a tightly cropped view, its cartoonish grin stretched across the lower canvas, eyes glinting with thick, comic-style highlights. The paint is layered with precision, bold black linework creating a crisp barrier between vivid orange and lime green tones. Shades of blue and white bring depth to the character’s eyes and smile, while the use of directional hatching nods to print-era comic illustrations. The background, rendered in a calm sky blue, allows the character’s electric palette to explode off the canvas. This color relationship enhances the orange’s buoyant personality, which is humorous, manic, and defiant all at once. The Atomik Orange and the Language of Urban Reclamation The character at the center of Untitled III represents more than just visual branding—it is a reclamation of space and memory. When the Orange Bowl was razed, a piece of Miami’s identity was lost. Atomik, born and active in the United States, responded with a visual intervention that turned grief into vibrancy. His orange character began to appear across the city on walls, mailboxes, rooftops, and abandoned buildings, acting as both a tribute and a defiant marker of presence. In canvas form, as seen here, the character retains all of its street energy while transitioning into a collectible artifact. The cheeky grin and raised brow act as visual shorthand for Miami’s blend of attitude, warmth, and creative resistance. Atomik’s work embodies the style and function of Street Pop Art & Graffiti Artwork, where characters serve as symbolic graffiti tags, social commentary, and public avatars. His orange exists in multiple states—rebel, clown, mascot—and its simplicity is its power. The use of expressive line, exaggerated proportion, and strategic highlights is directly linked to the language of muralism and comic book art, both of which feed into graffiti’s visual vocabulary. From Street to Canvas: Atomik’s Expansion into Gallery Culture Untitled III represents an important aspect of Atomik’s practice: the movement of street-born characters into formal art spaces without sacrificing edge or identity. By bringing his orange to canvas, Atomik maintains the same boldness and accessibility found on city walls. The work is not diluted but concentrated, focusing all its pop intensity into a contained format. The painting retains the urgency and charm of its graffiti roots, made sharper through studio technique and acrylic detail. This transition from public wall to private collection is central to many Street Pop Art & Graffiti Artwork artists, who continue to operate in both spheres simultaneously. Atomik remains prolific in Miami’s streets, but his gallery pieces like Untitled III allow collectors to engage with the movement in intimate, long-lasting ways. These pieces become cultural documents, embodying not only the energy of a character but the broader movement it represents. Visual Identity and Cultural Commentary in the Work of Atomik Atomik’s orange is more than an aesthetic motif—it is a cultural signal. The bold grin, the splash of citrus color, and the playful features all contribute to a language of visual activism. It communicates joy while remembering loss, mischief while asserting presence. Untitled III, with its clean composition and signature style, preserves this energy on canvas in a way that invites repeated viewing. The piece pulses with the same character-driven ethos that has defined pop art figures since the mid-twentieth century, while remaining grounded in graffiti’s rebellious tradition. As a singular work of Street Pop Art & Graffiti Artwork, Untitled III captures a moment in time when characters were not just imagined but lived across a city’s architecture. Atomik’s orange continues to smile—on walls, on canvases, in print, and in spirit—reminding viewers that personality and protest often share the same line.

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No Fear Original Acrylic Painting by Jay Kaes One of a Kind Artwork on 250gsm Fine Art Paper by Street Art Pop Artist. 2020 Signed Acrylic Original Painting Size 16.5x11.7 Red Lips Smoking Cigarette Glitch Stlye.

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Ting- Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Sket One, Street Pop Art Graffiti Legend. 2022 HPM Hand Embellished Signed & Numbered Edition of 15 Size 18x24 Ting Embellished HPM Archival Print by Sket-One, a designer toy movement pioneer, merges his love of graffiti, graphic design, and toy culture to create pieces that stand out in the urban vinyl toy world. His works often satirize pop culture and consumerism, using familiar logos or characters as a canvas for his art. Collectors appreciate Sket-One's work for its originality, creativity, and clever social commentary often accompanying it.

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Shaka- Variant 1 Limited Edition Hand-Embellished Acrylic, Aerosol & Screen Print on Watercolour Paper by Meggs Graffiti Street Artist Modern Pop Art. "This edition is hand-painted and sprayed, so essentially everyone is unique, an original series so to speak. This piece is based on a tee design I did for Pow Wow Hawaii in 2013. The Shaka is symbolic of good vibes & Aloha in Hawaii so it’s a classic and fun image I use as a symbol of my love for Pow Wow and Hawai’i in general. It obviously also recognized in surf/skate culture so the composition is a reference/homage to the all-time classic Jim Phillips screaming hand graphic for Santa Cruz skateboards." - Meggs

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Snoop Dogg Trying to Make Peace Going Home 56 Original Acrylic Painting by Kozyndan One of a Kind Artwork on Black Fine Art Paper by Street Art Pop Artist. 2016 Signed Acrylic Original Painting Size 10.75x6.75 "Snoop Dogg Trying to Make Peace Going Home 6" is an original acrylic painting by the contemporary artist duo, Kozyndan. The duo consists of husband and wife team Kozue and Dan Kitchens, who are known for their playful and imaginative art that often incorporates pop culture icons, animals, and surreal landscapes. In this particular artwork, Kozyndan has chosen to portray the legendary rapper and entertainer Snoop Dogg in a vibrant and thought-provoking piece. The painting features Snoop Dogg walking through a black landscape filled with cop elements and police peace. The composition conveys a sense of peace and harmony, with the iconic musician making his way through this dreamlike world. This artwork highlights Snoop Dogg's journey as an artist and public figure, as well as his efforts to promote peace and understanding in the world. The painting's vibrant colors and intricate details encourage the viewer to contemplate Snoop's path and the broader impact of his career. Kozyndan's signature style, blending pop culture references and whimsical elements, creates a visually captivating piece that is both entertaining and thought-provoking. As an original acrylic painting, "Snoop Dogg Trying to Make Peace Going Home 6" is a unique and valuable addition to any art collection, appealing to fans of Snoop Dogg, contemporary art enthusiasts, and collectors of Kozyndan's work.

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The Professor Original Acrylic Spray Paint on Reclaimed MTA NYC Subway Panned Changes Notice Framed Painting by Dr Revolt One of a Kind Artwork by Street Art Pop Artist. 2022 Signed Acrylic & Spray Paint Painting Original Artwork Size 10.5x16.25 Reclaimed MTA New York Subway Train Notic Graffiti Artork by Dr Revolt. Framed Dimensions 20.25 X 14.25 Inches. The Professor by Dr Revolt – Spray-Painted Nostalgia on NYC Subway Ephemera in Street Pop Art & Graffiti Artwork The Professor is a 2022 original artwork by graffiti legend Dr Revolt, created using acrylic and spray paint on a reclaimed MTA New York City subway service changes notice. Measuring 10.5 x 16.25 inches and presented in a frame with dimensions of 20.25 x 14.25 inches, this piece exemplifies Dr Revolt’s iconic blend of graffiti heritage, comic illustration, and satirical urban commentary. Set atop an authentic F-line transit alert, the work brings together handstyle tags, wildstyle bursts, and a central cartoon character in a dynamic collision of color and street storytelling. The result is a one-of-a-kind fusion of lived infrastructure and pop narrative, transforming a routine public document into a canvas for visual mischief, rebellion, and style-driven identity. In the context of Street Pop Art & Graffiti Artwork, The Professor becomes both artifact and artwork, bridging functional signage with rebellious customization. Cartoon Authority and Urban Intelligence At the heart of The Professor is a blue-toned cartoon character rendered in Dr Revolt’s signature style, featuring thick outlines, oversized glasses, a scholarly cap, and dual spray cans. The character’s pose suggests both control and chaos, symbolizing the duality of graffiti culture—part scientific precision, part spontaneous eruption. The figure doesn’t just tag the wall; he commands it, studies it, and transforms it. This character can be read as a stand-in for the artist himself, or for the archetype of the graffiti writer as both outlaw and urban philosopher. The background retains legible fragments of the MTA’s bilingual text, timestamps, and service disruptions—markings of the everyday public rhythm now layered with an expressive intervention. Within Street Pop Art & Graffiti Artwork, the use of cartoon iconography as urban persona ties street visuals to mass culture and lowbrow illustration traditions. Handstyle, Wildstyle, and the Power of the Surface Spray fades in teal, violet, and neon yellow radiate across the surface, punctuated by splatters and black bubble forms. The word bubble motif becomes both graffiti cloud and comic exclamation. The handstyle tag in the lower left corner bears Dr Revolt’s recognizable moniker, with additional markings from RTW—Rolling Thunder Writers—paying homage to one of the most influential graffiti crews of the 1970s and 80s. These tags are not mere signatures; they are declarations of presence, lineage, and contribution to a culture built on walls and transit systems. The subway service notice beneath adds not just texture but meaning. It marks time and place. The repurposed paper substrate becomes a relic of New York’s transit ecosystem, layered with revolt, energy, and neon nostalgia. Dr Revolt and the Historic Legacy of Street-Based Disruption The Professor captures what makes Dr Revolt a defining force in the evolution of graffiti into Street Pop Art & Graffiti Artwork. He moves easily between character design, wildstyle legacy, comic influences, and social critique—all while remaining anchored in the core principles of graffiti: mark-making, disruption, authorship, and repetition. By using a reclaimed MTA service notice as his canvas, he links the rhythms of the city to the rhythms of art, echoing how writers hijacked infrastructure in the golden era of subway graffiti. This piece is not simply playful—it is historical. It is a reminder that graffiti is not just color or attitude but commentary, action, and remembrance. In The Professor, Dr Revolt delivers a witty, stylish, and layered love letter to New York, graffiti, and the endless possibilities of reimagining the surface.

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Live. Work. Consume. Die. 49 Limited Edition Hand-Embellished Stencil, Spray Paint & Acrylic on Cradled Wood by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of 55 Artwork Size 12x12 "I have a fascination with television test patterns, there is something kind of apocalyptic about them. Like if you were ever seeing one then something terrible was happening. I also put some messaging in this piece that relates to what I believe is the true messaging in most television ads. Live, work, consume, die is really what TV is telling you to do, be it subliminally or not." - Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English- POPaganda Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

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Bitter Tweet Fiction- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English- POPaganda. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Abstract A3 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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Walking Tall Original Acrylic Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on MTA NYC Subway Map by Street Art Pop Artist. 2011 Signed Acrylic, Spray Paint & Paint Marker Painting Original Artwork Size 32x23 on Reclaimed NYC Transit Subway Map. Walking Tall on the Tracks of History Created in 2011 by New York graffiti legend BLADE, born Steven Ogburn, Walking Tall is a standout one-of-a-kind painting that encapsulates the grit and pride of subway graffiti culture. Executed on a reclaimed MTA NYC Subway Map, this 32 by 23 inch mixed media piece is a raw fusion of acrylic, spray paint, and paint marker that brings to life the aesthetics of the early 1970s graffiti boom while echoing the artist’s unmistakable handstyle. It is both a throwback to BLADE's reign over the NYC subway system and a reflection of his continued presence as a living force in the evolution of Street Pop Art & Graffiti Artwork. The use of an actual subway map as a canvas is symbolic and literal—a surface that once served as his open-air gallery is transformed into collectible fine art. Subway Trains Reimagined on Paper BLADE’s Walking Tall centers on a stylized train car with an abstract letter fill, where traditional graffiti writing techniques meet geometric expression and iconography. The upper portion of the map features the minimal render of a silver subway car, as if peeking above a black cloud—a direct nod to the iconic whole-car takeovers of the past. The bottom third explodes with stylized green and yellow letters on a textured spray-painted background, complete with stars, lines, and symbols that have become identifiers of BLADE’s visual language. Each panel section bursts with controlled chaos, symbolizing both the movement of trains and the relentless momentum of the graffiti movement itself. This format reinforces the context in which the artist made his name—among the motion, dirt, and noise of a working urban infrastructure. The Personal Markings of a King Walking Tall is more than a graffiti piece—it is a statement of longevity and authorship. Above the stylized train, BLADE tags himself and his original crew, The Crazy 5, anchoring this work in the foundational lore of New York graffiti history. The inclusion of his classic elements such as arrows, shapes, and three-dimensional tricks is not just decorative but deeply personal. These components serve as narrative cues to an era when tagging trains was as much a cultural revolution as it was an artistic one. BLADE’s decision to layer his work atop an official MTA map adds yet another level of engagement—fusing outlaw history with institutional cartography. Street Pop Art & Graffiti Artwork with Institutional Impact As with much of BLADE’s gallery work, Walking Tall maintains the ethos of the street while recontextualizing graffiti into the domain of contemporary fine art. The result is a hybrid visual experience: high art with a raw edge, refined technique with street spontaneity. This piece belongs to a broader trajectory in which subway-born artists have made the leap from anonymous fame to documented, signed, and archived works. It reflects a career rooted in authentic urban storytelling, now preserved in permanent collections and museums around the world. Walking Tall is not nostalgia—it is survival, expression, and style, captured on a map that once guided the very trains he transformed into rolling canvases.

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McSupersized- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English- POPaganda. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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An Eye For An Eyrie- Red Blue Original Hand-Painted Multiple Spraypaint, Acrylic & Screenprint on CNC Cut Wood Panel ready to hang by Prefab77 Graffiti Street Artist Modern Pop Art. "We have always loved the portrait, our current style is one of mixing allegorical portraiture with our hard, fast edged style, often with secret messages, religious affiliations, and pop iconography woven into the art. We have explored the Totemic style in this release to carry these messages and to create a visually beautiful way to express an abstract idea or to convey and meaning not explicitly set out in the narrative. Like a really good 3-minute pop/rock track in can be a fable, a story or a Warning!" - Prefab77

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Face Invader- Buttons Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Diamond FAILEdoodle- Black/Tan 2-Color Hand-Pulled Limited Edition Silkscreen, Acrylic, Spraypaint, Silkscreen Ink and Glitter Print on Archival Lenox Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2022 Diamond FAILEdoodle: Black/Tan 19 x 25 Inches Each variant an edition of 25 Acrylic, Spraypaint, Silkscreen Ink and Glitter on Archival Lenox 100 Signed, Stamped and Embossed A new breed of Faile Dog was born last year. First found on the streets of New York this pup found its way into the studio and really came to life. We've been pushing our shimmering print process lately and this felt like the perfect print to introduce this into our practice. Four different editions, two in red glitter and two in black glitter. All stained, sprayed, painted and printed; it's all the hallmarks of a studio print now with a lot more shine. During the first years of its existence, the group did not work inside a studio of its own and, as a result, 1999-2005 has been a period of experimentation for them with different media of creation, as well as ways of exhibiting their work. FAILE has embraced both “traditional” media, such as painting, sculpture, and printmaking, and, at the same time, less conventional ones, for example, window pallets and even prayer wheels.

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Someday Baby- 04 Original Painting Mixed-Media Silkscreen Ink, Acrylic, Spray Paint & Collage on 250gsm Fine Art Paper by Greg Gossel Graffiti Street Artist Modern Pop Art. Someday Baby 04 Original Silkscreen Painting by Greg Gossel "This series is inspired by a recent trip to Kyoto, Japan. Throughout my time in Japan, I visited a number of vintage book shops and second-hand stores, collecting a variety of graphic novels, songbooks, magazines, old newspapers, and maps. Upon returning to my studio I used these materials as not only image and type references for this new body of work, but also physical collage elements incorporated into each piece. The heavily layered imagery and vibrant color palette of this hand-printed series reflects the rich tradition and lively culture I experienced during my stay in Japan." - Greg Gossel

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Fragment #2 What The Hell Original Mixed Media Painting by Ryan Thomas Monahan One of a Kind Artwork on Wood Panel Affixed to Frame 3D Street Art Pop Artist. 2022 Signed 3D Stacked Mixed Media New York NYC Street Manhole Scene Painting Original Artwork Size 11.25x9.25 Framed Fragment #2: What The Hell by Ryan Thomas Monahan – Urban Memory as Sculpture in Street Pop Art & Graffiti Artwork Fragment #2: What The Hell is a 2022 original mixed media work by American artist Ryan Thomas Monahan, created on a wood panel and presented in a framed 11.25 x 9.25 inch format. This one-of-a-kind piece captures a hyperrealistic street-level view of New York City, complete with a sculpted manhole cover, bits of food debris, torn signage, and a crushed takeout container rendered in painstaking detail. It is a physical fragment of the imagined street, an emotional terrain frozen in time. The textures are layered through 3D stacking and sculptural techniques, forming a tactile diorama of a forgotten sidewalk scene. Signed by the artist, the work is part of Monahan’s larger practice of constructing micro-environments that reflect on consumer culture, ephemerality, and the language of urban decay. Miniature Realism and Emotional Debris Ryan Thomas Monahan’s artistry is rooted in the act of remembering—through objects, through trash, through surfaces that most people overlook. In Fragment #2: What The Hell, Monahan builds a narrative through placement, imperfection, and meticulous realism. The partially visible manhole cover, etched with MADE IN NYC, grounds the work in a specific geography while allowing the viewer to connect with a universal street scene. Scattered remnants like the Chinese takeout box and torn WET FLOOR label add both humor and grit, evoking a space that feels lived in, walked over, and uncelebrated. These elements are not simply decorative—they function as emotional cues, anchoring the piece in memory and identity. The artwork’s title reflects the confusion and clutter that defines public space, suggesting a moment of bewilderment or absurdity embedded in the everyday. Construction, Texture, and Dimensional Intimacy This work exists in three dimensions. Constructed on a wood panel with mixed media materials, it includes real-world textures that mimic asphalt, metal, cardboard, and grime. The 3D elements are not exaggerated—they are subtle enough to suggest depth while preserving the illusion of a flat surface when viewed from a distance. This trick of the eye is part of Monahan’s signature technique, allowing viewers to become physically and mentally engaged with the scale and structure of the piece. Framed in black, the artwork is displayed with the formality of fine art, yet retains its street-level roots in every detail. The materials are layered, collaged, and manipulated to blur the boundary between sculpture and painting, between memory and documentation. Ryan Thomas Monahan and the Material Poetics of the City In the world of Street Pop Art & Graffiti Artwork, Ryan Thomas Monahan occupies a distinctive space. His work does not shout through color or scale, but instead whispers through detail, decay, and resonance. Fragment #2: What The Hell is not a monument, but a memory—a slice of overlooked reality pulled into focus. It reflects the detritus of culture, the poetry of trash, and the persistence of place. Monahan reminds viewers that beauty is found in the smallest fragments, and that the stories of the street are written not just in murals and tags, but in the crumbs, stains, and signage that mark every corner. This piece is not only an artwork—it is a sculpture of lived experience, preserved at human scale for those willing to look down and pay attention.

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Steve Ender Dragon Minecraft Original Acrylic Painting by Dhawa Rezkyna One of a Kind Artwork on Canvas by Street Art Pop Artist. 2022 Signed Acrylic Painting Original Artwork Loose Canvas Size 15.5x20.5  Steve Ender Dragon Minecraft by Dhawa Rezkyna – Digital Myth Reimagined in Street Pop Art & Graffiti Artwork Steve Ender Dragon Minecraft is a 2022 original acrylic painting on loose canvas by Indonesian artist Dhawa Rezkyna, measuring 15.5 x 20.5 inches and signed by the artist. The work showcases Rezkyna’s mastery in fusing nostalgic digital imagery with analog painterly textures, creating a visual field where gaming mythology and emotional symbolism meet. The central figure of Steve, rendered in blocky, pixelated proportions directly referencing the global phenomenon Minecraft, rides a stylized version of the Ender Dragon. The character pairing is familiar to millions, but Dhawa shifts the context entirely—surrounding the figures with lush, hand-painted botanical flourishes and surreal floral intensity set against a fiery coral-pink background. The contrast between geometric form and organic bloom embodies a painterly synthesis that defines the most compelling work within Street Pop Art & Graffiti Artwork. Digital Lore Meets Handcrafted Symbolism Rather than merely replicate digital characters, Dhawa Rezkyna transforms them into archetypes. Steve and the dragon are not in a pixelated void but in a garden of stylized reality, their forms softened and celebrated through brushstroke and composition. The Ender Dragon, usually depicted as a final boss, is here playful and approachable, its expression warm, almost cartoonish, yet filled with presence. Steve's angularity remains intact, but Rezkyna builds volume with a grainy texture that references both sponge painting and pastel shading, giving the figure a sculpted physicality rarely seen in game-based artwork. The characters float not as threats or champions, but as companions, surrounded by red hibiscus-like flowers and exaggerated green foliage that suggest both protection and fantasy. This reinterpretation of the digital narrative elevates the work beyond fandom into metaphor, where the pixel becomes symbol, and the icon becomes a stand-in for inner story. Color Theory, Texture, and Emotional Heat Dhawa Rezkyna’s command of palette gives the work its emotional temperature. The backdrop is a rich coral wash filled with tonal shifts and painterly gradients that intensify the atmosphere around the characters. The plants feel lush and tactile, the red flowers glowing against deep green stems, while the characters remain visually anchored with simplified shadows and clean silhouettes. The use of loose canvas enhances the informal power of the painting—reminding the viewer that this is not a digital rendering but a handmade object. Every brushstroke is purposeful, reinforcing the artist’s commitment to combining digital subject matter with physical process. This analog approach to a digital icon is central to the vocabulary of Street Pop Art & Graffiti Artwork, where nostalgia and immediacy coexist. Dhawa Rezkyna and the Playful Revision of Pop Memory Steve Ender Dragon Minecraft is a declaration of Dhawa Rezkyna’s position in contemporary Street Pop Art & Graffiti Artwork—a painter who reframes digital memories through the language of fine art and emotional storytelling. By pulling characters from Minecraft and placing them in a dreamlike, tropical tableau, Rezkyna disrupts the binary between fantasy and nature, between play and presence. His work suggests that memory, whether pixelated or painted, carries weight and possibility. In this painting, Steve is not just a player avatar, and the Ender Dragon is not just a game boss. They are transformed into figures of narrative and imagination, set within a universe shaped by color, texture, and the unmistakable hand of the artist.

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Solidarity- Blue Limited Edition Hand-Embellished Hand-Stenciled Spray Paint and Acrylic on Coventry Fine Art Paper by Praxis Graffiti Street Artist Modern Pop Art. "Solidarity, this feeling of mutual support present not only in us humans but identifiable all around the animal kingdom, is what has brought us to overcome, as a society, and as individuals, obstacles and situations that otherwise, many groups, human and non-human, in history, wouldn’t have been able to overcome. "To these days where the worlds duality is part fire and part flooding waters is time to reconsider the way we coexist with it and those living in it. Nature gives us all we need to exist, but we need to protect it, take action and be aware of its importance. I want you to embrace that feeling, I want you to make a better world for all." –Praxis

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Solidarity- Orange Limited Edition Hand-Embellished Hand-Stenciled Spray Paint and Acrylic on Coventry Fine Art Paper by Praxis Graffiti Street Artist Modern Pop Art. "Solidarity, this feeling of mutual support present not only in us humans but identifiable all around the animal kingdom, is what has brought us to overcome, as a society, and as individuals, obstacles and situations that otherwise, many groups, human and non-human, in history, wouldn’t have been able to overcome. "To these days where the worlds duality is part fire and part flooding waters is time to reconsider the way we coexist with it and those living in it. Nature gives us all we need to exist, but we need to protect it, take action and be aware of its importance. I want you to embrace that feeling, I want you to make a better world for all." –Praxis

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Railroad in the Sky Original Spray Paint Acrylic Painting by Lyric One Artwork on Cradled Wood Panel by Street Art Pop Artist. 2022 Signed Spray Paint & Acrylic Original Painting Size 18x18

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R! Original Acrylic Spray Paint Painting by Dr Revolt One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Acrylic Paint & Spray Paint Mixed Media Painting Original Artwork Size 18.25x20. Some craquelure within signature and right of canvas. Floated and framed without glass. Framed Dimensions 20x21.5 Inches R! by Dr Revolt – Explosive Letterform Energy in Street Pop Art & Graffiti Artwork R! is a 2023 original mixed media painting by New York graffiti icon Dr Revolt, executed in acrylic and spray paint on canvas and measuring 18.25 x 20 inches, floated and framed at 20 x 21.5 inches. Signed in the lower corner with the artist’s signature tag, this piece showcases the explosive dynamism and retro graphic power that define Dr Revolt’s signature style. At its core, R! is a celebration of letterform energy—bold, rounded, kinetic, and instantly commanding attention. The bright yellow and white central letter, outlined with deep black and rimmed with green shadowing, bursts forward from a backdrop of purple haze and black abstracted comic-style flourishes. The exclamation point adds urgency, humor, and impact, anchoring the piece firmly within the vocabulary of Street Pop Art & Graffiti Artwork. Wildstyle Heritage and Cartoon Influence Dr Revolt’s roots trace back to the earliest days of graffiti’s golden age in late 1970s New York, where he was a founding member of the Rolling Thunder Writers crew. His evolution from subway burners to fine art canvas has retained all the vitality and visual attitude of his street beginnings. In R!, the boldness of the wildstyle era is made immediate and legible, leaning more into character-driven graphic punch than complex interlocking text. This reflects Dr Revolt’s long-standing fusion of graffiti with pop culture references, especially the visual language of cartoons, comic books, and psychedelic posters. The soft purple spray fade in the background and sharp black ink splatter details recall both vintage animation effects and early comic panel transitions. In this context, R! reads not only as a letter but as a gesture—a sound, a pop, a punchline. This is Street Pop Art & Graffiti Artwork distilled into pure gesture. Material Tension and Surface Vibration The materials of R! are as important as the image itself. Acrylic and spray paint meet in an organic yet graphic fusion, with the yellow-to-white blend of the letterform adding depth and weight. The heavy black outlines contrast with the vibrant inner glow, enhancing the forward motion of the composition. There is slight craquelure present within the signature and on the right of the canvas, suggesting the rawness and aging process of the media—reminders of the artist’s physical engagement with surface. The work floats in its frame without glass, allowing the texture and saturation to remain visually present. This mode of presentation highlights the objecthood of the piece, giving it the feeling of both gallery painting and relic of wall-based graffiti culture. Dr Revolt and the Graphic Heart of Graffiti R! is more than a stylized letter. It is a proclamation, a stamp of authorship, and a visual sonic boom. It channels the essence of Dr Revolt’s decades-long impact on graffiti as both a technical style and a cultural philosophy. His approach is unfiltered and confident, favoring iconic gestures over decorative complexity. The composition is simple in structure yet visually massive, reflecting the artist’s belief in the power of single-letter identity, motion lines, and visual humor. As a figure in Street Pop Art & Graffiti Artwork, Dr Revolt continues to show how graffiti can evolve without losing its raw immediacy. R! is a reminder that a single character, when executed with knowledge, boldness, and love for the culture, can carry the weight of a whole legacy.

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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57 Great Jones Jean-Michel Basquiat's Studio HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 14x17 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

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Bouquet 8 HPM Hand-Pulled Limited Edition Silkscreen, Spray Paint & Acrylic on 250gsm Fine Art Paper by Greg Gossel. 2017 Signed Varied Edition of 10 Size 25x31 HPM Hand-Painted Multiple Silkscreen Ink, Acrylic, and Spray Paint on 250gsm Fine Art Paper Size: 25 x 31 Inches Release: May 22, 2017

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This Biohazard Neon Orange Slap-Up Label Sticker Original Tag Art by Saber Original Acrylic Paint Art Drawing on Biohazard Label Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 6x6 Acrylic Paint Tagged on Medical Biohazard Label Sticker. Neon High Visibility Orange Biohazard Symbol Uline label #S-20794. Exploring the Fusion of Street Pop Art and Graffiti Artwork In the dynamic sphere of contemporary visual culture, street pop art and graffiti artwork stand out as potent forms of expression that encapsulate urban life's rhythm and raw sentiments. Among the luminaries of this genre is the renowned graffiti artist Saber, known for his striking contributions to the street art panorama. The piece under scrutiny is a vibrant example of his ingenuity—a 6x6 acrylic or marker piece tagged on a medical biohazard label sticker featuring a neon high visibility orange biohazard symbol from Uline label #S-20794. Distinctive Aesthetic of Saber's Tag Art Saber's original permanent marker art drawing on a mailing glossy arrow sticker presents a striking visual paradox. The neon orange of the biohazard symbol evokes a sense of caution, typically used to warn of dangerous substances. Contrasted with the blue drips of paint that appear haphazardly splashed across the surface, there is intentional defiance and palpable tension between structure and chaos. This work is a signed 2020 original slap-up graffiti art tag that showcases not just the artist's signature style but also his ability to transform ordinary objects into powerful statements. The choice of a biohazard label as a canvas is a commentary on the infectious nature of art and ideas. Saber effectively takes a symbol that denotes hazard and contamination and recontextualizes it within the aesthetic of street pop art. By doing so, he challenges the viewer to reconsider the connotations of biohazards, not just in the physical sense but in the metaphorical contagion of art in public spaces. Impact and Significance in Modern Street Art Saber is an American artist whose real name has been as influential in the graffiti community as the images he creates on walls and in galleries. His use of a mailing label as a medium is a nod to the guerrilla tactics of early street art culture, where quick, impactful statements were essential, and materials were often repurposed or found objects. This sticker art, often called a 'slap-up,' is a form of street art that is quickly applied, or 'slapped up,' onto a surface in a public space. It allows for transient yet assertive communication, echoing urban life's fast-paced and often impermanent nature. The neon orange and blue artwork transcends its simple components, becoming a canvas for a larger discourse on visibility, legality, and the permanence of art. As a form of street pop art, it retains the accessibility and mass appeal of pop culture while embedding itself in the more subversive and counter-cultural roots of graffiti. This duality is where its power lies; it is both a bold declaration and a subliminal whisper, a fixture on the streets that can be as quickly removed as it is noticed. In the context of graffiti artwork, Saber's biohazard label sticker becomes an artifact of the streets, a testament to the artist's ability to command attention and communicate through symbols and color. With its saturated hues and deliberate drips, the piece resonates with the energy of the streets and the people's voices. It is a piece that marks a physical space and stamps a moment in time, encapsulating the essence of street pop art in its ability to capture the pulse of contemporary urban life. The interplay of color, symbol, and medium in this piece illustrates the innovative potential of street pop art. Saber's work disrupts the monotony of urban environments, offering passersby a moment of aesthetic arrest amidst the concrete canvas of the city. In modern street artwork, such interventions are not just decorative but are vital narratives that articulate the identity and the undercurrents of a city's cultural dialogue. Through works like this, Saber and his contemporaries continue to influence the trajectory of street pop art, ensuring its evolution and relevance. They remind us that the streets remain a powerful platform for artistic expression, where the voices of the marginalized and the spirit of rebellion can find their visual lexicon. Saber's neon orange slap-up label sticker is not just a mark made with acrylic or marker; it is a statement, a challenge, and a vibrant echo of the energy that drives the city's heart.

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Mur Original One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Copyright. 2000 Signed Framed Original Painting Size 32x40 Framed Dimensions 41.5 X 33.5 Inches

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Red Window Canvas HPM Silkscreen Print by Joshua Vides Screen Print Acrylic & Ink Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 8x10 Exploration of Form in Vides's Red Window "Red Window Canvas HPM" by Joshua Vides is a unique synthesis of traditional silkscreen print with the tactile dynamism of acrylic and ink, a vibrant embodiment of the hand-painted multiple that has become a significant aspect of Pop Street Art and graffiti Artwork. This 2023 piece, part of a signed and numbered limited edition of 50, measures 8x10 inches and reflects Vides's continued exploration of everyday items through a lens that is at once minimalistic and profound. Joshua Vides has established a distinctive visual language characterized by bold outlines and a restricted color palette that draws from street signage's iconography and pop art's compositional rigor. In "Red Window Canvas HPM," Vides takes the commonplace object of a window and reinterprets it, imbuing it with a new sense of character and presence. The red frame pops against the starkness of the white canvas, creating a piece that challenges the viewer's perception of space and dimension. Craftsmanship and Limited Edition Value The craftsmanship in "Red Window Canvas HPM" is evident in the sharp contrasts and clean lines, hallmarks of Vides's careful handiwork. As an HPM, or hand-painted multiple, each piece in the edition contains slight variations from the artist's direct intervention, making each print a unique work of art. This aspect of the series adds value for collectors, who appreciate the nuanced differences that set each piece apart within the edition. Vides's work resonates culturally as it captures the essence of urban environments and the artistic interventions that define them. His translation of street aesthetics onto canvas celebrates the legacy of graffiti and street art, forms of expression that have long interacted with and commented on the built environment. "Red Window Canvas HPM" is not just a representation of a window but a window into the interplay between art, the urban landscape, and the viewer's engagement with both. Impact on the Contemporary Art Scene Joshua Vides's "Red Window Canvas HPM" stands as a testament to the impact of street art on the contemporary art scene. It clearly indicates how street-inspired works have penetrated the gallery space, retaining their edge while being recontextualized. Vides's pieces, notably this series, show the shift in how art is valued and experienced, blending the spontaneity and accessibility of street art with the exclusivity and deliberation of limited-edition artwork. In sum, "Red Window Canvas HPM" by Joshua Vides is a significant contribution to the narrative of Street Pop Art and graffiti Artwork, a dialogue that Vides continues to advance with each new work. By drawing from the visual strategies of street signage and pop art, Vides creates a body of work that is instantly recognizable, highly sought after, and deeply reflective of the times. This piece is a vibrant example of the power of street-inspired art to transcend its origins and captivate a diverse audience.

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Ceci N'est Pas Une Peter Griffin Original Painting Acrylic & Aerosol on Canvas by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 27x19 "This new body of work is a blend of my graffiti roots, where I developed my unique voice. At the same time, there's also an aspect of this work that is " not taking yourself too seriously, vandalizing your icons," Shark Toof said while preparing in Detroit. "I like Detroit because it is very do-it-yourself, and I am a very do-it-yourself artist, so it is a great fit for me."-Shark Toof The Artistic Dialect of Shark Toof: Subverting Pop Culture Icons Shark Toof's "Ceci N'est Pas Une Peter Griffin" is a compelling piece that showcases the artist's deft blend of graffiti roots with the playful irreverence of modern pop art. Created in 2014, this original painting embodies Shark Toof's unique voice, a voice he has cultivated through his deep connections with the street art movement. This artwork, measuring 27x19 inches, is a striking example of his mixed media mastery, incorporating acrylic and aerosol on canvas. In this piece, Shark Toof engages with the familiar iconography of pop culture, specifically the well-known character Peter Griffin from the animated sitcom "Family Guy." However, in true street art fashion, Shark Toof takes this familiar image and subverts it, adding layers of meaning and challenging the viewer's perceptions. The title, a nod to René Magritte's famous work, plays with the idea of representation and reality, encouraging viewers to question what they see. The painting's mixed media approach is characteristic of street pop art, which combines various techniques and materials to create dynamic visuals. Shark Toof's use of bold colors and exaggerated features captures the essence of graffiti art's impact while paying homage to pop art's stylized aesthetics. His work does not shy away from humor or satire; instead, it embraces these elements to deliver a more profound commentary on the nature of celebrity, fandom, and the art world itself. In the context of street pop art and graffiti artwork, Shark Toof stands out as an artist who embodies the DIY spirit of the genre. His affinity for cities like Detroit, with their rich industrial pasts and vibrant street art scenes, speaks to his commitment to the grassroots nature of his craft. Shark Toof's work, including "Ceci N'est Pas Une Peter Griffin," is a visual feast and a testament to the transformative power of street art in the modern era. Through his art, Shark Toof continues to push the boundaries of street pop art, showcasing its potential to be both playful and piercingly insightful. His ability to navigate the intersection of street art and fine art while maintaining a sense of authenticity and approachability ensures that his work resonates with a broad spectrum of art enthusiasts and collectors alike.

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The Cavalry Above The Clouds Original Acrylic Painting by Ben Kehoe One of a Kind Artwork on Wood Board by Street Art Pop Artist. 2013 Signed Acrylic Original Painting Size 20x16 Ready To Hang Ben Kehoe The Cavalry Above The Clouds Original Acrylic Painting 2013 The 2013 original acrylic painting The Cavalry Above The Clouds by American artist Ben Kehoe stands as a striking example of narrative imagination within contemporary Street Pop Art & Graffiti Artwork. Created on wood board and measuring 20 x 16 inches, this one-of-a-kind hand-painted piece blends surreal fantasy with symbolic undertones, demonstrating Kehoe’s signature ability to balance storytelling, humor, and social reflection through painterly technique. Signed by the artist and ready to hang, the work encapsulates the spirit of modern pop surrealism while remaining deeply rooted in the visual language of folk and street-influenced art. Imagery and Composition Set against a glowing orange sky filled with sweeping clouds, the painting depicts a lone figure riding a massive bald eagle through the heavens. The eagle, rendered in meticulous detail with layered feathers and a stern gaze, exudes both majesty and power. The rider, modest in scale and dressed in muted tones, grips the reins with a sense of calm determination, suggesting a symbolic partnership between human courage and natural strength. The backdrop’s warm tonal gradient evokes both serenity and tension — a dreamlike atmosphere that merges the mythic with the contemporary. The juxtaposition of the enormous bird of prey and the tiny rider introduces themes of freedom, dominance, and the pursuit of transcendence. Symbolism and Thematic Interpretation In The Cavalry Above The Clouds, Ben Kehoe explores the intersection between power and vulnerability, suggesting a narrative of human ambition soaring beyond earthly constraints. The eagle, long a symbol of freedom and national identity, becomes here a vessel for introspection rather than patriotism. The rider’s presence evokes the individual’s quest for control amid vast, unpredictable forces — an allegory for humanity’s ongoing negotiation with nature and self-determination. The painting’s surreal yet deliberate tone reflects Kehoe’s approach to allegorical storytelling, transforming fantastical imagery into layered social and psychological commentary. Ben Kehoe’s Artistic Vision Ben Kehoe, an American painter associated with the pop surrealist movement, is celebrated for his intricate narratives that blend humor, melancholy, and the absurd. His art often features anthropomorphic figures and fantastical scenes that mirror human emotion through metaphor and symbolism. Working primarily with acrylics on wood, Kehoe achieves a textural warmth and painterly precision that connect his work to both folk traditions and contemporary street-influenced aesthetics. The Cavalry Above The Clouds embodies his signature fusion of narrative depth and visual allure, offering a window into an imagined world where the boundaries between myth and modernity dissolve — a hallmark of Street Pop Art & Graffiti Artwork at its most contemplative and poetic.

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Strapped Original Acrylic SPray Paint Painting by KayLove One of a Kind Artwork on Canvas by Street Art Pop Artist. 2024 Signed Acrylic & Spray Paint Painting Original Artwork Size 24x48 Strapped by KayLove – Original Acrylic and Spray Paint Street Pop Art & Graffiti Artwork Strapped is a 2024 one-of-a-kind original painting by KayLove, executed with acrylic and spray paint on a large-format 24 x 48 inch canvas. The artwork features a central nude female figure rendered with stylized curves, flowing brown hair, and symbolic buckles, standing confidently atop a wave-like base of lavender and white. Set against a stark white background energized by blocks of red, blue, and orange spray patterns, the composition is surrounded by graffiti tags in pink, green, blue, and yellow. The piece functions as a powerful visual dialogue on identity, vulnerability, empowerment, and expression. With her head tilted downward, eyes closed, and hands positioned assertively on her hips and thigh, the figure embodies poise and presence. KayLove uses line and color not only to define form, but to amplify message. Feminine Form as Resistance and Radiance Strapped speaks directly to the role of the body in public and private space, particularly as it relates to women and femme-presenting individuals navigating the gaze, restriction, and autonomy. The straps that crisscross the figure’s upper arm and thighs are not instruments of constraint—they are symbols of armor, resilience, and self-possession. They act as coded references to the ways in which Black and Brown women often must guard and assert their presence within dominant visual culture. The stylized form leans into exaggeration and softness simultaneously, challenging viewers to reevaluate how the body is often read through a hyper-sexualized or objectified lens. Here, the body is sovereign, expressive, and sacred. The confident stance, curved linework, and closed eyes suggest peace within power, control within exposure. Layered Graffiti as Commentary and Community Around the central figure, tags erupt across the canvas in a multicolored array, overlaying parts of the figure and base in classic graffiti fashion. These tags are not random—they function as visual voices that layer the composition with meaning. They evoke both interruption and affirmation, suggesting the street’s chaotic visual noise while amplifying a communal call to witness, affirm, and engage. In Street Pop Art & Graffiti Artwork, layering tags over form is a form of reclamation, and in Strapped, it reads like a collective presence—others bearing witness, shouting names, claiming space around the body. The use of vibrant pastels over earth tones adds contrast and dynamism, pulling the viewer between intimacy and intensity. KayLove’s Fusion of Narrative, Culture, and Street Aesthetic Strapped is emblematic of KayLove’s broader body of work, where cultural iconography, spiritual introspection, and graffiti collide. Her use of clean brush strokes layered with raw spray textures speaks to her ability to navigate between muralism, fine art, and traditional graffiti without diluting the impact of any one approach. The figure is not merely a muse or symbol—it is a stand-in for all who carry layers of history, resistance, and beauty while standing tall in the face of erasure. Through this canvas, KayLove continues her legacy of giving voice to the unseen, crafting pieces that function as both aesthetic and affirmation. Strapped stands as a celebration of the feminine form, the complexity of being, and the graffiti writer’s right to mark, claim, and express without apology.

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Consistency- 5 Original Painting Spray Paint, Acrylic, Mixed Media on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. In recent years Cope2 has been commissioned by Time Magazine, Converse, Adidas among others. His work has even crossed into the virtual realm with appearances in video games such as Mark Eckos: Getting up and Rockstar Games: Grand Theft Auto IV. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Arches Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Heat Wave Lemonade HPM Stencil Spray Paint Silkscreen by Faile Hand-Painted Multiple on Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 12 HPM Unique Acrylic Spray Paint Silkscreen Artwork Size 25x38 Drawing from the vibrant energy of New York City's golden age of hip-hop and the high-octane drama of vintage wrestling, with a quintessential FAILE flair, the Lemonade Heat Wave Print emerges as a joyful embodiment of summer revelry. This unique work of art encapsulates the spirit of warm, carefree summer days in a stunning blend of mediums. The creative journey that led to this vibrant masterpiece spanned a period of about six weeks, during which each print was meticulously crafted by hand. This artistic process involved painting, rolling, spraying, printing, and even blowing each print dry. The painstaking care and detailed attention invested in each step are evident in the final product, capturing an array of beautiful studio nuances. The Lemonade Heat Wave Print is impressive in size, measuring 25 x 38 inches. This limited edition print is an exclusive offering, with only 12 unique pieces created. Employing a diverse mix of mediums, the print combines the vivid hues of acrylic paints with the textures of silkscreen ink and the edge of spray paint on paper. The tactile quality of the print is further enhanced by an embossed finish. Each print is authenticated with a signature and numbered, indicating its place in this exclusive series. As a product of FAILE in 2023, the Lemonade Heat Wave Print carries with it the distinctive stamp of the celebrated art collective. This unique blend of mediums and styles showcases the diverse influences and creative energy of FAILE, making it a standout piece in any art collection. Faile, a collective of two artists hailing from the U.S., namely Patrick McNeil and Patrick Miller, has carved a unique niche in the domain of pop art, street art, and graffiti. Emerging from the gritty skate culture of New York City in the late 90s, Faile quickly rose to global prominence, redefining the visual aesthetics and thematic boundaries of urban artistic expressions. The duo's art is celebrated for its fusion of contemporary pop culture iconography, elements of comic strips, advertising imagery, and sharp socio-political commentary. Their works, often in the form of large scale mural installations, present a kaleidoscopic blend of color, patterns, and text, creating visually engaging narratives. The pop art elements, characterized by bold outlines and vibrant colors, are reminiscent of the legendary pop artist, Andy Warhol, while retaining their distinct Faile aesthetic. The signature elements of their style pay homage to the classic era of comic book art, advertising, and pulp fiction cover designs. As street artists, Faile displays a keen understanding of their environment, integrating their works into the urban landscape with a blend of irreverence and respect. Their techniques often include wheat pasting and stencil graffiti, presenting an intriguing contrast between ephemeral street art traditions and the permanence of their themes. Faile's graffiti art is a testament to their dedication to the medium's rebellious roots. Their pieces, marked by layered visuals and cryptic messages, embody the essence of graffiti as a form of unsanctioned public discourse. This art, rooted in the streets but transcending its confines, resonates in galleries, museums, and art auctions worldwide, demonstrating Faile's versatile appeal and substantial contribution to pop art, street art, and graffiti.

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Lost Original One of a Kind Mixed Media Spray Paint Painting Artwork on Canvas by Canbot Canz Street Art Pop Culture Artist Czee13. 2022 Signed Original Mixed Media Spray Paint Painting Size 24x20

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