Advertising & Brands

5 artworks


  • Employee of the Month Archival Print by Ben Frost

    Ben Frost Employee of the Month Archival Print by Ben Frost

    Employee of the Month Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. Ben Frost (b. 1975) Employee of the Month, 2014 Archival pigment print on Fine Art paper 17 x 17 inches (43.2 x 43.2 cm) (sheet) Ed. 28/65 Signed and numbered in pencil along the lower edge and published by 1xRUN, Detroit. Visual Dissection of Pop Culture "Employee of the Month" by Ben Frost is a limited edition archival pigment print that dissects and reassembles the fabric of pop culture within the context of street art and graffiti. This piece, created in 2014 and published by 1xRUN in Detroit, is a visually rich tapestry, infusing iconic imagery with subversive undertones characteristic of Frost's work. The print, measuring 17 x 17 inches, is a potent example of how street pop art and graffiti artwork can infiltrate the fine art world with its pulsating energy and color. Born in 1975, Frost has become known for his vibrant visuals that often incorporate elements from cartoons, advertising, and iconic brand imagery. "Employee of the Month" is no exception, featuring an amalgamation of figures from different realms of popular media. These images are not merely placed together but interwoven to create a narrative that speaks to the artist's and the viewer's shared cultural experiences. Subversion and Satire in Ben Frost's Art Frost's piece is a satirical nod to the recognition and rewards system prevalent in corporate culture, highlighted by the badge "Employee of the Month" amidst the chaotic backdrop of consumerist icons. The artwork delves into the themes of identity and recognition in a world saturated with branding and marketing messages. Each character and symbol is meticulously chosen to reflect the absurdity and sometimes the emptiness that can accompany the pursuit of accolades in a capitalist society. The print is signed and numbered by Frost, making each of the 65 editions a collectible piece of art. His signature not only authenticates the work but also marks it as an integral component of his artistic narrative, which often challenges the viewer to reconsider their relationship with the pervasive imagery of consumer culture. Interplay of Street Art and Archival Quality The use of archival pigment on fine art paper is a statement of the permanence Frost wishes to impart to his otherwise fleeting and ephemeral subject matter. While street art is often transient, the archival quality of these prints ensures that the vibrancy and message of the artwork endure. This duality mirrors street art and graffiti's short yet impactful nature – temporary in form but permanent in cultural impact. In summary, Ben Frost's "Employee of the Month" combines street art sensibilities and acceptable art practices, celebrating pop culture through a critical and often irreverent lens. This print stands as a testament to Frost's ability to create art that is both accessible and complex, offering a multifaceted critique of the world we navigate daily. Through his work, Frost continues to push the boundaries of street pop art and graffiti artwork, ensuring these genres' vital place within contemporary art discourse.

    $1,230.00

  • El Halcon del Mar Pink Archival Print by Stinkfish

    Stinkfish El Halcon del Mar Pink Archival Print by Stinkfish

    El Halcon del Mar- Pink Limited Edition Archival Pigment Prints with Black Screen Print on 310gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "I found this magazine in a second-hand bookstore in downtown Bogota. I used a traditional ink fine marker over the magazine cover. It is a Chilean magazine from 1959.I usually draw over these kinds of surfaces, like vintage records and magazine covers. It's inspired by my street works, I work on portraits mixed with freehand styles with a spray can." - Stinkfish

    $364.00

  • El Halcon del Mar Black Archival Print by Stinkfish

    Stinkfish El Halcon del Mar Black Archival Print by Stinkfish

    El Halcon del Mar- Black Limited Edition Archival Pigment Prints with Black Screen Print on 310gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "I found this magazine in a second-hand bookstore in downtown Bogota. I used a traditional ink fine marker over the magazine cover. It is a Chilean magazine from 1959.I usually draw over these kinds of surfaces, like vintage records and magazine covers. It's inspired by my street works, I work on portraits mixed with free hand styles with a spray can." - Stinkfish

    $129.00

  • El Halcon del Mar Blue Archival Print by Stinkfish

    Stinkfish El Halcon del Mar Blue Archival Print by Stinkfish

    El Halcon del Mar- Blue Limited Edition Archival Pigment Prints with Black Screen Print on 310gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "I found this magazine in a second-hand bookstore in downtown Bogota. I used a traditional ink fine marker over the magazine cover. It is a Chilean magazine from 1959.I usually draw over these kinds of surfaces, like vintage records and magazine covers. It's inspired by my street works, I work on portraits mixed with freehand styles with a spray can." - Stinkfish Small dings or digs in the paper along top white margins that do not penetrate paper. Minimal.

    $209.00

  • Crown Fried Archival Print by Damon Johnson

    Damon Johnson Crown Fried Archival Print by Damon Johnson

    Crown Fried Limited Edition Archival Pigment Fine Art Prints on Cotton Fine Art Paper by Graffiti Street Art and Pop Culture Artist Damon Johnson. 7 by 22 inch archival cotton paper edition of 10 signed and numbered. Crown Fried Archival Print by Damon Johnson

    $283.00

Advertising & Brands Graffiti Street Pop Artwork

 The Intersection of Advertising, Brands, and Street Art

Advertising through street graffiti art is a controversial practice that has been debated for many years. On the one hand, it is a creative way to promote products and services unconventionally. On the other hand, others see it as a violation of public spaces and a form of visual pollution. One of the main concerns with advertising in street graffiti art is that it can be seen as a form of corporate co-optation of a grassroots movement. Graffiti art has historically been associated with political dissent, social commentary, and artistic expression. Some argue that using this medium to promote commercial interests undermines the authenticity and integrity of the art form.
Furthermore, advertising through street graffiti art can be seen as a violation of public spaces. The relationship between advertising, brands, and street art has evolved dramatically, with each element borrowing from and influencing the others. Street Pop Art & Graffiti Artwork, once seen as a form of rebellion against mainstream culture and commercialization, has now, in many instances, become a tool for that very commercial world it once stood against. This intersection has given rise to a fascinating dialogue within the art community about street art's role in advertising and the commodification of brands. Street artists have long appropriated logos, slogans, and other corporate branding elements to critique consumer culture and the pervasiveness of advertising in public spaces. This appropriation often involves subverting brand imagery or using it in ironic ways to challenge the messages conveyed by corporations. This form of artistic expression serves to reclaim public spaces from the clutches of corporate advertising and spark conversations about consumerism's impact on society.

Brands Embracing Street Art Aesthetics

Conversely, brands have increasingly sought to harness the authenticity and 'cool' factor associated with street art. By commissioning street artists to create murals or to design products, brands aim to tap into the youth market and align themselves with the values associated with street culture. This collaboration has brought street art into the mainstream and has provided street artists with new platforms to showcase their work. However, it has also raised questions about the commercialization of an art form that was traditionally anti-establishment and has prompted discussions about the balance between artistic integrity and commercial success. The collaboration between street artists and brands can lead to a symbiotic relationship where artists gain exposure and financial support. In contrast, brands benefit from the association with the cutting-edge and socially conscious image of street art. However, it can also lead to accusations of selling out and diluting the subversive power that street art can wield.

Advertising as Inspiration for Street Art

In pop art, the influence of advertising and branding has always been evident, with artists like Andy Warhol turning the imagery of consumer goods into high art. Street artists have continued this tradition, using the techniques and aesthetics of advertising in their work. This can involve mimicking the slick production values of commercial billboards or adopting the language of advertising to convey an anti-consumerist or anti-corporate message. Advertising and branding provide a rich source of material for street artists to critique, and in doing so, they mirror contemporary society's values and priorities. By co-opting brands' imagery, street artists can comment on issues ranging from globalization to environmental degradation, making their work relevant and accessible to a broad audience. Graffiti art is often created without permission from property owners or city authorities and can be seen as vandalism. This raises questions about the ethics of using public spaces to promote commercial interests, mainly if done without consent. Despite these concerns, there are some arguments in favor of advertising through street graffiti art. For one, it can be seen as a creative way to reach a young and urban audience. Street art is often seen as edgy and calm, and by using this medium to promote products and services, companies can tap into this cultural currency.
Moreover, advertising through street graffiti art can be seen as a way to support and encourage emerging artists. Companies can commission artists to create graffiti art that incorporates their products or branding, providing a platform for these artists to showcase their talents and gain exposure.
In conclusion, advertising through street graffiti art is a controversial practice that raises questions about the ethics of using public spaces to promote commercial interests. While there are arguments in favor of this approach, there are also concerns about its impact on the authenticity of the art form and the use of public spaces. Ultimately, it is up to individual companies to decide whether this strategy aligns with their values and goals.

Cultural Implications of Branding in Street Art

The use of branding in street art also has more profound cultural implications. It reflects the increasingly blurred lines between high and low cultures, art and commerce, and public space and advertising billboards. In a world where consumers are constantly bombarded with advertising messages, street art incorporating branding can either contribute to the visual noise or cut through it with a powerful message. For street artists, the challenge is to use the imagery of advertising to enhance their message rather than undermine it. For brands, the challenge is to engage with street art in a way that is respectful and understanding of its history and ethos. As street art grows in popularity and visibility, the relationship between advertising, brands, and street art will undoubtedly continue to evolve, raising new questions and sparking fresh debates within the art world.

© 2024 Sprayed Paint Art Collection,

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