Advertising & Brands

6 artworks


  • Cowboy Killers Marlboro Cigarette Size 12 Shoe Sneaker by Vandul Cowboy Killers Marlboro Cigarette Size 12 Shoe Sneaker by Vandul

    Vandul Cowboy Killers Marlboro Cigarette Size 12 Shoe Sneaker by Vandul

    Pair Cowboy Killers Marlboro Cigarette Size 12 Shoe Sneaker Custom Box by Vandul Limited Edition Rare Art Object Clothing Artwork Collectible. 2023 Limited Edition Vandul Shoe Size 12 Custom Marlboro Cigarette Pack Inspired New In Box Never Worn. Packaging Box Like New. Vandul's Cowboy Killers: A Bold Statement in Streetwear Shoes The 2023 limited edition Cowboy Killers Marlboro Cigarette Size 12 Shoe Sneaker by Vandul represents a provocative fusion of streetwear culture and pop art provocation. This collectible, crafted with a design inspired by the iconic Marlboro cigarette pack, encapsulates a blend of provocative street style and consumerist critique, arriving new in a meticulously designed box that underscores the artist's attention to detail and commitment to the concept. Vandul, a name that resonates within the street pop art and graffiti artwork community, utilizes the canvas of footwear to explore themes of commercialism, addiction, and the allure of branding. These rare art object sneakers comment on the pervasive nature of advertising and how brand imagery infiltrates and influences public consciousness. The shoes, never worn and preserved in their original packaging, are as much a statement piece as a fashion item, inviting reflection on the intersections between identity, consumer culture, and artistic expression. Vandul's work challenges the wearer and observer to consider the implications of branding, even as it appropriates and recontextualizes a familiar logo into something new and artistically significant. In essence, Vandul's Cowboy Killers sneakers are a testament to the power of street pop art to make a statement, transform the ordinary into the extraordinary, and provoke thought through the medium of everyday objects. These sneakers are not just a piece of clothing but a conversation starter, a piece of wearable art that carries the weight of cultural critique and the legacy of street art innovation.

    $350.00

  • Bang Archival Print by Camilo Pardo

    Camilo Pardo Bang Archival Print by Camilo Pardo

    Bang Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

    $406.00

  • Expiration Date Archival Print by Luke Chueh

    Luke Chueh Expiration Date Archival Print by Luke Chueh

    Expiration Date Limited Edition Archival Pigment Print on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. In 2003, Chueh moved to Los Angeles to further pursue a career in design. However, a lack of employment opportunities left him resorting to painting as a way to keep busy. From there, he got his start showing in the Los Angeles underground art scene, specifically in the Cannibal Flower art shows.

    $215.00

  • Riskoleum Grid Archival Print by Risk Rock

    Risk Rock Riskoleum Grid Archival Print by Risk Rock

    Riskoleum Grid Archival Print by Risk Rock Limited Edition Print on 300gsm Cotton Rag Fine Art Paper Pop Artist Modern Artwork. 2017 Signed & Numbered Limited Edition of 100 Artwork Size 12x19 Archival Pigment Fine Art Riskoleum Grid Archival Print is a piece of artwork created by the artist Kelly Graval, also known as Risk Rock. Kelly Graval is a famous American graffiti artist and painter based in Los Angeles, California. He has been an influential figure in the street art and graffiti scenes since the 1980s. His unique style incorporates vibrant colors, geometric patterns, and intricate details. "Riskoleum Grid" is one of his archival prints, which means it is a high-quality reproduction of an original artwork made using advanced printing technology. Archival prints are designed to be long-lasting, with resistance to fading and deterioration. They are often produced in limited editions and signed by the artist, making them valuable collectibles.

    $268.00

  • Live. Work. Consume. Die. 49 HPM Wood Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Live. Work. Consume. Die. 49 HPM Wood Stencil Print by Denial- Daniel Bombardier

    Live. Work. Consume. Die. 49 Limited Edition Hand-Embellished Stencil, Spray Paint & Acrylic on Cradled Wood by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of 55 Artwork Size 12x12 "I have a fascination with television test patterns, there is something kind of apocalyptic about them. Like if you were ever seeing one then something terrible was happening. I also put some messaging in this piece that relates to what I believe is the true messaging in most television ads. Live, work, consume, die is really what TV is telling you to do, be it subliminally or not." - Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $2,290.00

  • Norms Giclee Print by Scott Listfield

    Scott Listfield Norms Giclee Print by Scott Listfield

    Norms Limited Edition Giclée Fine Art Prints on Signa Cotten Rag Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 12x12

    $482.00

Advertising & Brands Graffiti Street Pop Artwork

 The Intersection of Advertising, Brands, and Street Art

Advertising through street graffiti art is a controversial practice that has been debated for many years. On the one hand, it is a creative way to promote products and services unconventionally. On the other hand, others see it as a violation of public spaces and a form of visual pollution. One of the main concerns with advertising in street graffiti art is that it can be seen as a form of corporate co-optation of a grassroots movement. Graffiti art has historically been associated with political dissent, social commentary, and artistic expression. Some argue that using this medium to promote commercial interests undermines the authenticity and integrity of the art form.
Furthermore, advertising through street graffiti art can be seen as a violation of public spaces. The relationship between advertising, brands, and street art has evolved dramatically, with each element borrowing from and influencing the others. Street Pop Art & Graffiti Artwork, once seen as a form of rebellion against mainstream culture and commercialization, has now, in many instances, become a tool for that very commercial world it once stood against. This intersection has given rise to a fascinating dialogue within the art community about street art's role in advertising and the commodification of brands. Street artists have long appropriated logos, slogans, and other corporate branding elements to critique consumer culture and the pervasiveness of advertising in public spaces. This appropriation often involves subverting brand imagery or using it in ironic ways to challenge the messages conveyed by corporations. This form of artistic expression serves to reclaim public spaces from the clutches of corporate advertising and spark conversations about consumerism's impact on society.

Brands Embracing Street Art Aesthetics

Conversely, brands have increasingly sought to harness the authenticity and 'cool' factor associated with street art. By commissioning street artists to create murals or to design products, brands aim to tap into the youth market and align themselves with the values associated with street culture. This collaboration has brought street art into the mainstream and has provided street artists with new platforms to showcase their work. However, it has also raised questions about the commercialization of an art form that was traditionally anti-establishment and has prompted discussions about the balance between artistic integrity and commercial success. The collaboration between street artists and brands can lead to a symbiotic relationship where artists gain exposure and financial support. In contrast, brands benefit from the association with the cutting-edge and socially conscious image of street art. However, it can also lead to accusations of selling out and diluting the subversive power that street art can wield.

Advertising as Inspiration for Street Art

In pop art, the influence of advertising and branding has always been evident, with artists like Andy Warhol turning the imagery of consumer goods into high art. Street artists have continued this tradition, using the techniques and aesthetics of advertising in their work. This can involve mimicking the slick production values of commercial billboards or adopting the language of advertising to convey an anti-consumerist or anti-corporate message. Advertising and branding provide a rich source of material for street artists to critique, and in doing so, they mirror contemporary society's values and priorities. By co-opting brands' imagery, street artists can comment on issues ranging from globalization to environmental degradation, making their work relevant and accessible to a broad audience. Graffiti art is often created without permission from property owners or city authorities and can be seen as vandalism. This raises questions about the ethics of using public spaces to promote commercial interests, mainly if done without consent. Despite these concerns, there are some arguments in favor of advertising through street graffiti art. For one, it can be seen as a creative way to reach a young and urban audience. Street art is often seen as edgy and calm, and by using this medium to promote products and services, companies can tap into this cultural currency.
Moreover, advertising through street graffiti art can be seen as a way to support and encourage emerging artists. Companies can commission artists to create graffiti art that incorporates their products or branding, providing a platform for these artists to showcase their talents and gain exposure.
In conclusion, advertising through street graffiti art is a controversial practice that raises questions about the ethics of using public spaces to promote commercial interests. While there are arguments in favor of this approach, there are also concerns about its impact on the authenticity of the art form and the use of public spaces. Ultimately, it is up to individual companies to decide whether this strategy aligns with their values and goals.

Cultural Implications of Branding in Street Art

The use of branding in street art also has more profound cultural implications. It reflects the increasingly blurred lines between high and low cultures, art and commerce, and public space and advertising billboards. In a world where consumers are constantly bombarded with advertising messages, street art incorporating branding can either contribute to the visual noise or cut through it with a powerful message. For street artists, the challenge is to use the imagery of advertising to enhance their message rather than undermine it. For brands, the challenge is to engage with street art in a way that is respectful and understanding of its history and ethos. As street art grows in popularity and visibility, the relationship between advertising, brands, and street art will undoubtedly continue to evolve, raising new questions and sparking fresh debates within the art world.

© 2024 Sprayed Paint Art Collection,

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