Advertising & Brands

8 artworks


  • Breatharian Giclee Print by Victo Ngai

    Victo Ngai Breatharian Giclee Print by Victo Ngai

    Breatharian Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Callan Wink's short story "Breatharian" artwork was in the New Yorker magazine. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $290.00

  • Employee of the Month Archival Print by Ben Frost

    Ben Frost Employee of the Month Archival Print by Ben Frost

    Employee of the Month Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. Ben Frost (b. 1975) Employee of the Month, 2014 Archival pigment print on Fine Art paper 17 x 17 inches (43.2 x 43.2 cm) (sheet) Ed. 28/65 Signed and numbered in pencil along the lower edge and published by 1xRUN, Detroit. Visual Dissection of Pop Culture "Employee of the Month" by Ben Frost is a limited edition archival pigment print that dissects and reassembles the fabric of pop culture within the context of street art and graffiti. This piece, created in 2014 and published by 1xRUN in Detroit, is a visually rich tapestry, infusing iconic imagery with subversive undertones characteristic of Frost's work. The print, measuring 17 x 17 inches, is a potent example of how street pop art and graffiti artwork can infiltrate the fine art world with its pulsating energy and color. Born in 1975, Frost has become known for his vibrant visuals that often incorporate elements from cartoons, advertising, and iconic brand imagery. "Employee of the Month" is no exception, featuring an amalgamation of figures from different realms of popular media. These images are not merely placed together but interwoven to create a narrative that speaks to the artist's and the viewer's shared cultural experiences. Subversion and Satire in Ben Frost's Art Frost's piece is a satirical nod to the recognition and rewards system prevalent in corporate culture, highlighted by the badge "Employee of the Month" amidst the chaotic backdrop of consumerist icons. The artwork delves into the themes of identity and recognition in a world saturated with branding and marketing messages. Each character and symbol is meticulously chosen to reflect the absurdity and sometimes the emptiness that can accompany the pursuit of accolades in a capitalist society. The print is signed and numbered by Frost, making each of the 65 editions a collectible piece of art. His signature not only authenticates the work but also marks it as an integral component of his artistic narrative, which often challenges the viewer to reconsider their relationship with the pervasive imagery of consumer culture. Interplay of Street Art and Archival Quality The use of archival pigment on fine art paper is a statement of the permanence Frost wishes to impart to his otherwise fleeting and ephemeral subject matter. While street art is often transient, the archival quality of these prints ensures that the vibrancy and message of the artwork endure. This duality mirrors street art and graffiti's short yet impactful nature – temporary in form but permanent in cultural impact. In summary, Ben Frost's "Employee of the Month" combines street art sensibilities and acceptable art practices, celebrating pop culture through a critical and often irreverent lens. This print stands as a testament to Frost's ability to create art that is both accessible and complex, offering a multifaceted critique of the world we navigate daily. Through his work, Frost continues to push the boundaries of street pop art and graffiti artwork, ensuring these genres' vital place within contemporary art discourse.

    $1,230.00

  • Bang Archival Print by Camilo Pardo

    Camilo Pardo Bang Archival Print by Camilo Pardo

    Bang Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

    $406.00

  • Alonzo Liter Archival Print by Camilo Pardo

    Camilo Pardo Alonzo Liter Archival Print by Camilo Pardo

    Alonzo Liter Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

    $438.00

  • Know Your Rights Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Know Your Rights Large Format Serigraph Print by Shepard Fairey- OBEY

    Know Your Rights- Large Format Limited Edition Hand Pulled 1-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Serigraph Artwork 42 x 42 inchesAugust 21, 201. 42 x 42 Large Format Serigraph.1 Color printed on Varnished 100% Cotton Rag Archival Paper. "Know Your Rights" is a commanding serigraph by Shepard Fairey, an artist who has cemented his place in the contemporary art scene through works that intertwine the ethos of street art with the aesthetic of modern pop art. This piece, released on August 21, 2014, is particularly noteworthy not only for its bold political message but also for the meticulous craftsmanship that goes into the production of each print. As an extensive format work, measuring an impressive 42 x 42 inches, it makes an indelible mark on the viewer, both through its scale and its strikingly stark one-color presentation on varnished 100% cotton rag archival paper, complete with hand-deckled edges. Shepard Fairey is renowned for blending fine art with the raw, in-your-face quality of street art and graffiti, and "Know Your Rights" is a prime example of this synthesis. The piece is anchored by a central image featuring an open book titled "THE FUTURE IS UNWRITTEN," encapsulating a message of empowerment and the potential for change. This is framed by laurels and a lit torch, evoking classic motifs that signify victory, knowledge, and enlightenment. The bordering texts "OBEY PROPAGANDA" and "KNOW YOUR RIGHTS" play into Fairey's recurring themes of propaganda, control, and the dissemination of information, urging the viewer to question authority and the narratives they are presented with. Each print in this limited edition is signed and numbered by Fairey, signifying its authenticity and connection to the artist's hand. The decision to use a one-color palette speaks to the work's assertive simplicity and Fairey's skill in using contrast and texture to convey depth and resonance. It's a technique that mirrors his street art roots, where messages must be given quickly and memorably. The serigraph process, a labor-intensive method of screen printing, ensures that each impression is of the highest quality, with the varnishing on the cotton rag paper adding a durable, tactile finish that also enhances the visual impact. "Know Your Rights" stands as a powerful statement in Fairey's oeuvre, reflecting his social and political advocacy rendered through his distinct pop art lens. This artwork resonates with the immediacy of street art and carries the weight of historical art traditions, bridging contemporary concerns with timeless expressions of resistance and hope.

    $5,000.00

  • Enjoy Original Stencil Spray Paint Painting by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Enjoy Original Stencil Spray Paint Painting by Denial- Daniel Bombardier

    Enjoy Mixed Media On Cradled Wood Panel Original Painting by Denial Graffiti Street Artist Modern Pop Art. Ready To hang. "Recently this piece was not allowed into a show I had wanted it to be in. In Dubai, they have strict rules on obscenity and vulgarity. I had been wanting to paint this piece for a long time and was looking for just the right image to use as a base in it. I finally found it amongst the bowels of the internet. This painting is a visualization of an amazing Bill Hicks joke from his stand-up routine. In his stand up Bill goes into great detail about the evils of advertising when left unchallenged and unchecked. He imagines and describes an ad in the not-so-distant future that one day may exist. This painting is of that ad. Bill Hicks was a fucking genius and I only hope I did his work the justice it deserves. He was so inspirational in forming my current mindset, a true artist and rebel. I take inspiration from different artists in different ways. I like to visualize things like songs or speech or comedy and play with the different elements I come up with. I have a very playful mind." - Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $9,954.00

  • Why Not Zoidberg? Archival Print by Scott Listfield

    Scott Listfield Why Not Zoidberg? Archival Print by Scott Listfield

    Why Not Zoidberg? Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

    $415.00

  • Oceanic Airlines Silkscreen Print by Nate Duval

    Nate Duval Oceanic Airlines Silkscreen Print by Nate Duval

    Oceanic Airlines 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2014 Signed Limited Edition of 150 Artwork Size 18x24

    $65.00

Advertising & Brands Graffiti Street Pop Artwork

 The Intersection of Advertising, Brands, and Street Art

Advertising through street graffiti art is a controversial practice that has been debated for many years. On the one hand, it is a creative way to promote products and services unconventionally. On the other hand, others see it as a violation of public spaces and a form of visual pollution. One of the main concerns with advertising in street graffiti art is that it can be seen as a form of corporate co-optation of a grassroots movement. Graffiti art has historically been associated with political dissent, social commentary, and artistic expression. Some argue that using this medium to promote commercial interests undermines the authenticity and integrity of the art form.
Furthermore, advertising through street graffiti art can be seen as a violation of public spaces. The relationship between advertising, brands, and street art has evolved dramatically, with each element borrowing from and influencing the others. Street Pop Art & Graffiti Artwork, once seen as a form of rebellion against mainstream culture and commercialization, has now, in many instances, become a tool for that very commercial world it once stood against. This intersection has given rise to a fascinating dialogue within the art community about street art's role in advertising and the commodification of brands. Street artists have long appropriated logos, slogans, and other corporate branding elements to critique consumer culture and the pervasiveness of advertising in public spaces. This appropriation often involves subverting brand imagery or using it in ironic ways to challenge the messages conveyed by corporations. This form of artistic expression serves to reclaim public spaces from the clutches of corporate advertising and spark conversations about consumerism's impact on society.

Brands Embracing Street Art Aesthetics

Conversely, brands have increasingly sought to harness the authenticity and 'cool' factor associated with street art. By commissioning street artists to create murals or to design products, brands aim to tap into the youth market and align themselves with the values associated with street culture. This collaboration has brought street art into the mainstream and has provided street artists with new platforms to showcase their work. However, it has also raised questions about the commercialization of an art form that was traditionally anti-establishment and has prompted discussions about the balance between artistic integrity and commercial success. The collaboration between street artists and brands can lead to a symbiotic relationship where artists gain exposure and financial support. In contrast, brands benefit from the association with the cutting-edge and socially conscious image of street art. However, it can also lead to accusations of selling out and diluting the subversive power that street art can wield.

Advertising as Inspiration for Street Art

In pop art, the influence of advertising and branding has always been evident, with artists like Andy Warhol turning the imagery of consumer goods into high art. Street artists have continued this tradition, using the techniques and aesthetics of advertising in their work. This can involve mimicking the slick production values of commercial billboards or adopting the language of advertising to convey an anti-consumerist or anti-corporate message. Advertising and branding provide a rich source of material for street artists to critique, and in doing so, they mirror contemporary society's values and priorities. By co-opting brands' imagery, street artists can comment on issues ranging from globalization to environmental degradation, making their work relevant and accessible to a broad audience. Graffiti art is often created without permission from property owners or city authorities and can be seen as vandalism. This raises questions about the ethics of using public spaces to promote commercial interests, mainly if done without consent. Despite these concerns, there are some arguments in favor of advertising through street graffiti art. For one, it can be seen as a creative way to reach a young and urban audience. Street art is often seen as edgy and calm, and by using this medium to promote products and services, companies can tap into this cultural currency.
Moreover, advertising through street graffiti art can be seen as a way to support and encourage emerging artists. Companies can commission artists to create graffiti art that incorporates their products or branding, providing a platform for these artists to showcase their talents and gain exposure.
In conclusion, advertising through street graffiti art is a controversial practice that raises questions about the ethics of using public spaces to promote commercial interests. While there are arguments in favor of this approach, there are also concerns about its impact on the authenticity of the art form and the use of public spaces. Ultimately, it is up to individual companies to decide whether this strategy aligns with their values and goals.

Cultural Implications of Branding in Street Art

The use of branding in street art also has more profound cultural implications. It reflects the increasingly blurred lines between high and low cultures, art and commerce, and public space and advertising billboards. In a world where consumers are constantly bombarded with advertising messages, street art incorporating branding can either contribute to the visual noise or cut through it with a powerful message. For street artists, the challenge is to use the imagery of advertising to enhance their message rather than undermine it. For brands, the challenge is to engage with street art in a way that is respectful and understanding of its history and ethos. As street art grows in popularity and visibility, the relationship between advertising, brands, and street art will undoubtedly continue to evolve, raising new questions and sparking fresh debates within the art world.

© 2024 Sprayed Paint Art Collection,

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