Advertising & Brands

9 artworks


  • Sale -36% General Jankys Hot n Sweaty Wings King Janky The 5.5 Art Toy by SuperPlastic General Jankys Hot n Sweaty Wings King Janky The 5.5 Art Toy by SuperPlastic

    SuperPlastic General Jankys Hot n Sweaty Wings King Janky The 5.5 Art Toy by SuperPlastic

    King Janky The 5.5 "General Janky’s Hot 'n Sweaty Wings" SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2020 Displayed With Box. The fifth-and-a-half heir to the throne likes his wings like he likes his flings – hot 'n sweaty! Includes sign, chili crown, milk carton, and plenty of saucy to go around.

    $74.00$47.00

  • Breatharian Giclee Print by Victo Ngai

    Victo Ngai Breatharian Giclee Print by Victo Ngai

    Breatharian Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Callan Wink's short story "Breatharian" artwork was in the New Yorker magazine. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $290.00

  • Acid Test Results Blotter Paper Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Acid Test Results Blotter Paper Archival Print by Denial- Daniel Bombardier

    Acid Test Results Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $422.00

  • Never Say Never! Silkscreen Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Never Say Never! Silkscreen Print by Denial- Daniel Bombardier

    Never Say Never! Limited Edition 12-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 100 Artwork Size 24x18 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto and Vancouver. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

    $422.00

  • Expiration Date Archival Print by Luke Chueh

    Luke Chueh Expiration Date Archival Print by Luke Chueh

    Expiration Date Limited Edition Archival Pigment Print on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. In 2003, Chueh moved to Los Angeles to further pursue a career in design. However, a lack of employment opportunities left him resorting to painting as a way to keep busy. From there, he got his start showing in the Los Angeles underground art scene, specifically in the Cannibal Flower art shows.

    $215.00

  • Lean on Me #1 Silkscreen by Ben Frost

    Ben Frost Lean on Me #1 Silkscreen by Ben Frost

    Lean on Me 1 HPM Silkscreen by Ben Frost 12-Color Screen Print on MEDIUM Limited Edition Pop Street Art Artwork. 2022 Signed 1/1 Unique Artwork Size 18x24 Codeine Bunny Ben Frost Lean on Me Screen Print - Unique 1/1 Print (1) 12-color hand-pulled screenprint on Mohawk Superfine UltraWhite 160 lb cover 18 x 24 in., 45.7 x 61 cm Unique 1/1 print, Signed & Numbered by Ben Frost

    $1,134.00

  • LSDelinquent Blotter Paper Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier LSDelinquent Blotter Paper Archival Print by Denial- Daniel Bombardier

    LSDelinquent Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2019 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

    $422.00

  • Remnants Angels Giclee Print by Brin Levinson

    Brin Levinson Remnants Angels Giclee Print by Brin Levinson

    Remnant's Angels Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brin Levinson. Brin Levinson - "Remnant's Angels" Limited edition fine art giclee print Signed and numbered by the artist Edition of 25 copies 12" x 18"

    $99.00

  • Crown Fried Archival Print by Damon Johnson

    Damon Johnson Crown Fried Archival Print by Damon Johnson

    Crown Fried Limited Edition Archival Pigment Fine Art Prints on Cotton Fine Art Paper by Graffiti Street Art and Pop Culture Artist Damon Johnson. 7 by 22 inch archival cotton paper edition of 10 signed and numbered. Crown Fried Archival Print by Damon Johnson

    $283.00

Advertising & Brands Graffiti Street Pop Artwork

 The Intersection of Advertising, Brands, and Street Art

Advertising through street graffiti art is a controversial practice that has been debated for many years. On the one hand, it is a creative way to promote products and services unconventionally. On the other hand, others see it as a violation of public spaces and a form of visual pollution. One of the main concerns with advertising in street graffiti art is that it can be seen as a form of corporate co-optation of a grassroots movement. Graffiti art has historically been associated with political dissent, social commentary, and artistic expression. Some argue that using this medium to promote commercial interests undermines the authenticity and integrity of the art form.
Furthermore, advertising through street graffiti art can be seen as a violation of public spaces. The relationship between advertising, brands, and street art has evolved dramatically, with each element borrowing from and influencing the others. Street Pop Art & Graffiti Artwork, once seen as a form of rebellion against mainstream culture and commercialization, has now, in many instances, become a tool for that very commercial world it once stood against. This intersection has given rise to a fascinating dialogue within the art community about street art's role in advertising and the commodification of brands. Street artists have long appropriated logos, slogans, and other corporate branding elements to critique consumer culture and the pervasiveness of advertising in public spaces. This appropriation often involves subverting brand imagery or using it in ironic ways to challenge the messages conveyed by corporations. This form of artistic expression serves to reclaim public spaces from the clutches of corporate advertising and spark conversations about consumerism's impact on society.

Brands Embracing Street Art Aesthetics

Conversely, brands have increasingly sought to harness the authenticity and 'cool' factor associated with street art. By commissioning street artists to create murals or to design products, brands aim to tap into the youth market and align themselves with the values associated with street culture. This collaboration has brought street art into the mainstream and has provided street artists with new platforms to showcase their work. However, it has also raised questions about the commercialization of an art form that was traditionally anti-establishment and has prompted discussions about the balance between artistic integrity and commercial success. The collaboration between street artists and brands can lead to a symbiotic relationship where artists gain exposure and financial support. In contrast, brands benefit from the association with the cutting-edge and socially conscious image of street art. However, it can also lead to accusations of selling out and diluting the subversive power that street art can wield.

Advertising as Inspiration for Street Art

In pop art, the influence of advertising and branding has always been evident, with artists like Andy Warhol turning the imagery of consumer goods into high art. Street artists have continued this tradition, using the techniques and aesthetics of advertising in their work. This can involve mimicking the slick production values of commercial billboards or adopting the language of advertising to convey an anti-consumerist or anti-corporate message. Advertising and branding provide a rich source of material for street artists to critique, and in doing so, they mirror contemporary society's values and priorities. By co-opting brands' imagery, street artists can comment on issues ranging from globalization to environmental degradation, making their work relevant and accessible to a broad audience. Graffiti art is often created without permission from property owners or city authorities and can be seen as vandalism. This raises questions about the ethics of using public spaces to promote commercial interests, mainly if done without consent. Despite these concerns, there are some arguments in favor of advertising through street graffiti art. For one, it can be seen as a creative way to reach a young and urban audience. Street art is often seen as edgy and calm, and by using this medium to promote products and services, companies can tap into this cultural currency.
Moreover, advertising through street graffiti art can be seen as a way to support and encourage emerging artists. Companies can commission artists to create graffiti art that incorporates their products or branding, providing a platform for these artists to showcase their talents and gain exposure.
In conclusion, advertising through street graffiti art is a controversial practice that raises questions about the ethics of using public spaces to promote commercial interests. While there are arguments in favor of this approach, there are also concerns about its impact on the authenticity of the art form and the use of public spaces. Ultimately, it is up to individual companies to decide whether this strategy aligns with their values and goals.

Cultural Implications of Branding in Street Art

The use of branding in street art also has more profound cultural implications. It reflects the increasingly blurred lines between high and low cultures, art and commerce, and public space and advertising billboards. In a world where consumers are constantly bombarded with advertising messages, street art incorporating branding can either contribute to the visual noise or cut through it with a powerful message. For street artists, the challenge is to use the imagery of advertising to enhance their message rather than undermine it. For brands, the challenge is to engage with street art in a way that is respectful and understanding of its history and ethos. As street art grows in popularity and visibility, the relationship between advertising, brands, and street art will undoubtedly continue to evolve, raising new questions and sparking fresh debates within the art world.

© 2024 Sprayed Paint Art Collection,

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