Artworks

Iconic Bubble- White 24ct Gold Leaf 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Cope2 Rare Street Art Famous Pop Artwork Artist. Edition of 25 signed by the artist 8 colour screen print on 300 gsm somerset paper with 24ct Gold Leaf Dimensions: 75 x 55cm year 2019

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In Response To... Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Eddie Colla. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 21, 2019

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Inside Out in Shimmering Red/ Jerry B-Side HPM 2-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink and Spraypaint⁠ on 310 gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. A new hand-painted small edition print from the studio. This one featuring the "Inside Out" image. A classic studio edition, hand-painted and printed, each with its own touches. This paper is heavy, worked deep, and stained up. Inside Out in Shimmering Red / Jerry B-Side 38 x 25 Hand-Painted Varied Edition of 24 
Acrylic and Silkscreen Ink on Archival Paper Stamped, Embossed
 and Signed Faile 1986

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Instagram Pill Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. 2019 Limited Edition of 50 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Interpol NYC Calling Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "Interpol is one of my favorite bands, and I’ve been lucky enough to collaborate with them throughout the years. My first introduction to them was when I stalked them backstage at Coachella and offered to create art for them if they ever needed it… to my surprise, they knew my work already and decided to take me up on my offer. My first project with Interpol was in 2004, when I created art to follow up their debut album, “Antics.” Ten years later, in 2014, I was approached with another opportunity to create a print and paint a mural for their fifth studio album, “El Pintor.” I’m excited to announce that I’ll be releasing a new print that I created in honor of their upcoming show in New York at Madison Square Garden" -Shepard Fairey- OBEY Shepard Fairey's "Interpol NYC Calling" is a silkscreen print that pays homage to the band Interpol, an act close to the artist's heart. Hand-pulled on white speckletone fine art paper, this 2019 limited edition artwork expresses the symbiotic relationship between street pop art and contemporary music culture. Limited to a series of 550 signed and numbered prints, each piece measures 18x24 inches, echoing the vibrancy of both Fairey's visual language and Interpol's sonic identity. Fairey's connection to Interpol began with a backstage meeting at Coachella, and this piece marks a continuity of collaboration that spans over a decade. His admiration for the band's work translated into the creation of art for their 2004 album "Antics" and their fifth studio album "El Pintor" in 2014. The print captures the energy and atmosphere of their anticipated show at Madison Square Garden, encapsulating the essence of the live music experience within the static medium of print. The print is an example of how street pop art and graffiti artwork intersect with other cultural phenomena, bridging the gap between visual art and music. Fairey's iconic style, characterized by bold lines, a striking color palette, and politically charged imagery, is evident in this print. The central image of the broadcasting tower, surrounded by hypnotic swirls, conveys a sense of communication and dissemination, themes that are recurrent in both Fairey's artwork and Interpol's music. This piece is not just a collectible for fans but a visual dialogue that extends Fairey's exploration of art as a tool for engagement and influence within the urban landscape.

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Island Of Aladdin Sane PP Printer Proof Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 15x12 Archival Pigment Fine Art Scott Listfield's "Island Of Aladdin Sane" "Island Of Aladdin Sane" by Scott Listfield is a limited edition archival print that interweaves pop culture imagery with the enigmatic presence of his astronaut subject. As a Printer's Proof from 2019, signed and distinctly marked, this artwork captures a moment of contemplation, featuring the astronaut gazing upon the iconic visage of David Bowie's Aladdin Sane character etched into a solitary island. Printed on 290gsm Moab Entrada fine art paper, the piece measures 15x12 inches, and its limited availability adds to its collectibility and significance as a modern artwork within pop, street, and graffiti art.

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Jaguar Jag Mandala Limited Edition 4-Color Hand-Pulled Silkscreen Print with UV Clear Layer on 290gsm Coventry Rag Fine Art Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. "Jag Mandala" by Chris Saunders is a silkscreen print that showcases the artist's fascination with vibrant colors, intricate patterns, and the spiritual symbolism of mandalas. hris Saunders is an American artist and illustrator known for his multidisciplinary work in the fields of fine art, design, and animation. He is known for creating highly detailed, kaleidoscopic pieces that often combine traditional and digital techniques. His works span a variety of subjects, including surreal landscapes, visionary art, and spiritual themes. The term "mandala" refers to a spiritual and ritual symbol that represents the universe in Hinduism and Buddhism. Mandalas are typically composed of intricate geometric patterns and symmetrical designs that radiate outward from a central point. The creation of a mandala is often a meditative process, and the completed work serves as a tool for focusing the mind during meditation.

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Jameson Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Fine Art Paper by Modern Pop Street Graffiti Artist Camilo Pardo. Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 30 Inches Release: September 23, 2019 Run of: 100 Camilo's paintings and drawings speak to both his love for linear perfection and his fascination for the manner in which those lines deliver aesthetic satisfaction to the viewer. His works genuinely seem to move and they are energized by what is obviously a rich understanding and respect for popular culture and traditional disciplines. In less talented hands, such a seeming contradiction of forces would negate the best efforts. Camilo makes them reconcile, complement each other and dance together.

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Jokers Limited Edition Giclee Print on Satin Finish Paper by Robert Bruno counter-culture street artist art. AP Artist Proof. Limited Edition of 25! 11' in. x 14' in. Hand Signed & Numbered 225 Satin Finish Paper. Blending of various versions of the DC Comics villain Joker.

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JP the Money Bear Wave Deck- Blue Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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JP the Money Bear Wave Deck- Orange Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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JP the Money Bear Wave Deck- Pink Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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JP the Money Bear Wave Deck- Red Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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JP the Money Bear Wave Deck- Yellow Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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Kaws x NGV Ceramic Plate Set- Gray/White Limited Edition Ink on Ceramic Plate Artwork by Famous Graffiti Street Artist Kaws x NGV. 2019 Kaws- Brian Donnelly Out of Print Edition Size 6in Collectible Art 4x Plate Set- Gray/Grey/White Displayed With Box, No Issues. Blending Functional Art and Street Culture: KAWS x NGV Ceramic Plate Set The KAWS x NGV Ceramic Plate Set in Gray/White is an exquisite collection that marries the functionality of everyday objects with the dynamism of street art. Released in 2019 as a collaboration between the acclaimed graffiti street artist KAWS, also known as Brian Donnelly, and the National Gallery of Victoria (NGV), this limited edition set is a creative endeavor that showcases the versatility and scope of street pop art. Out of print and comprising four ceramic plates, each piece in this collectible art set features KAWS's signature motifs and characters, rendered in a sophisticated gray-and-white palette that accentuates the intricate designs and cultural references imbued within the artwork. This collaboration is a testament to the expanding boundaries of street art, moving beyond traditional canvases and urban environments into the realm of home decor and functional art. Each plate is a canvas, a 6-inch diameter circle that allows KAWS's art to become an integral part of daily life, bringing the streets' raw energy to the dining table's refinement. KAWS x NGV: A Fusion of Artistic Expressions The collaboration between KAWS and NGV for this ceramic plate set represents a fusion of artistic expressions that challenge the conventional distinctions between high art and commercial design. The set, presented in a pristine box, emphasizes no issues with its condition, ensuring that the artistry of KAWS is preserved in a practical and visually engaging form. The gray and white color scheme highlights the contrast and depth of KAWS's designs, making each plate a standalone piece of art while also contributing to the cohesive aesthetic of the set. By transforming the everyday plate into a canvas for street pop art, KAWS, and NGV have elevated the status of graffiti artwork, positioning it within the context of collectible art objects. This set appeals to art collectors and fans of KAWS's work, and those who appreciate the intersection of art and life, where each meal becomes an opportunity to engage with contemporary art. Collectible Art in Everyday Objects: The Significance of KAWS x NGV Set The KAWS x NGV Ceramic Plate Set is a significant addition to the world of collectible art, especially within the context of street pop and graffiti artwork. The rarity of the out-of-print edition adds to the allure of the set, making it a coveted item for collectors. Beyond its rarity, the set's design reflects KAWS's continued influence on the perception of street art, elevating it from the fringes of urban culture to the forefront of artistic innovation. Each plate in the set, with its detailed ink on ceramic artwork, encapsulates the essence of KAWS's creative journey—from his beginnings as a graffiti artist to his status as a famous figure in the contemporary art world. The KAWS x NGV Ceramic Plate Set, in its gray and white splendor, celebrates the creative potential of street pop art, demonstrating its capacity to transgress boundaries and become an integral part of the cultural narrative.

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Krylon Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2020 Signed COA Limited Edition of 50 Artwork Size 8x31.875 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: July 18, 2019 Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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The Cage And The Heart Of The Beast PP Printers Proof Silkscreen Print on Somerset Fine Art Paper by Artist Sandra Chevrier Limited Artwork. PP Printers Proof 2019 Signed & PP Marked Artwork Size 27x35.5. Sandra Chevrier (b. 1983) La Cage Et Le Coeur De La Bête, 2019 Screenprint in colors on Somerset paper 35-1/2 x 27 inches (90.2 x 68.6 cm) (sheet) PP Signed and numbered in pencil along lower edge Published by Graffiti Prints, United Kingdom Emotive Power in Chevrier's Art Sandra Chevrier's "La Cage Et Le Coeur De La Bête" (The Cage And The Heart Of The Beast) is a compelling silkscreen print that weaves together the visual intensity of street art with the emotional depth of pop art. This Printer's Proof (PP) edition, produced in 2019, is a signature work that underscores Chevrier's reputation as a formidable talent in contemporary art. The piece, published by Graffiti Prints in the United Kingdom, represents a confluence of techniques and themes that resonate deeply within the art community. "La Cage Et Le Coeur De La Bête" visually explores identity, constraint, and liberation. Chevrier's work often features the motif of a woman's face obscured by comic book imagery, a representation of the societal 'cages' that can define and restrain. In this piece, the vivid colors and dynamic, funny book scenes that overlay the subject's face serve as both a mask and a revelation of the inner turmoil and strength within the female subject. The print, measuring 35-1/2 x 27 inches, is a testament to the artist's detailed and intricate approach to silkscreen printing, a medium that allows for the sharp articulation of complex images. The choice of Somerset paper for the print indicates Chevrier's commitment to quality; it's a type of paper renowned for its ability to hold ink and produce rich, vivid images. Chevrier's Commentary on Femininity and Strength Chevrier's "La Cage Et Le Coeur De La Bête" is imbued with a narrative of femininity and strength. It challenges the viewer to contemplate the juxtaposition of vulnerability and power, the seen and unseen, and the personal versus the societal. The inclusion of superhero imagery superimposed on the woman's face brings a dialogue of the fantastical into the realm of the every day, prompting reflection on the heroic qualities found in the personal battles we face. This piece, marked as a Printer's Proof, highlights its unique status in the printmaking process, often reserved for the artist's and printer's use before the final edition is run. The PP designation enhances the artwork's collectibility, signifying it as a rare piece of Chevrier's work. Street Pop Art and Graffiti Influence In the realm of street pop art and graffiti artwork, Chevrier's print stands as a vibrant example of how fine art's intimacy can intersect with street art's public-facing boldness. Her work captures the ethos of street art's accessibility and its capacity for profound emotional resonance, all while maintaining the collectible aspect of limited-edition fine art prints. Sandra Chevrier's "La Cage Et Le Coeur De La Bête" is more than just a silkscreen print; it's a narrative piece that engages with empowerment, constraint, and identity themes. It reflects the artist's distinct place in the landscape of street pop art and graffiti artwork, where the lines between personal expression and broader cultural commentary are seamlessly blended. Through her art, Chevrier invites us to recognize and reflect on the cages that confine us and the potential within each of us to find our own heart of the beast.

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LA River Artwork Giclee Limited Edition Print on Pearl Fine Art Paper by Pop Culture Graffiti Artist Saber. 2019 Signed & Numbered Limited Edition of 100 Pearlescence Paper 27x19.25 Los Angeles has always been a hub for creativity, diversity, and innovation. Among its most influential and audacious forms of expression is street art, notably graffiti, which has made its indelible mark on the city's sprawling urban landscapes. A testament to this vibrant culture is the LA River Artwork Giclee print, an exceptional piece crafted by the renowned pop culture graffiti artist Saber. Hailing from Los Angeles, Saber has been an integral force in graffiti art, pushing boundaries and setting new standards for the genre. His dynamic and intricate designs encapsulate the energy, complexity, and authenticity of the urban environment. The LA River Artwork is a shining example of his prowess and unique aesthetic. This limited edition piece is a testament to the dedication and precision Saber pours into his art, capturing the transformative nature of graffiti as it breathes life and narrative into mundane city structures. Crafted in 2019, this giclee print boasts impeccable quality and detail. Limited to just 100 copies, each print has been meticulously signed and numbered by Saber, underscoring its exclusivity and value as a collector's item. The choice of pearlescence paper measuring 27x19.25 inches augments the vibrancy of the artwork, giving it a shimmering finish that adds depth and dimension. The medium, often favored in fine art reproductions, ensures longevity, clarity, and an immersive visual experience for the viewer. Graffiti art, often dismissed in its nascent stages as mere vandalism, has evolved to be recognized as a genuine form of artistic expression, with Saber at its forefront. The LA River Artwork is a testament to the genre's transformation and its ever-evolving relationship with pop culture. This piece is not just an artwork; it's a narrative, a piece of Los Angeles's soul, immortalized in color and form by one of its most iconic artists.

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Label 907 Vol III Sunset Silkscreen Print by UFO907 Hand-Pulled on 140lbs. Pure White French Art Paper Limited Edition Screenprint Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 5-color Split Fountain Screen Print Silkscreen Print Label 907 Vol III Sunset Silkscreen Print by UFO907 The Label 907 Vol III Sunset Silkscreen Print by UFO907 captures the energy and playful rebellion that has made this underground graffiti artist a cult figure within Street Pop Art & Graffiti Artwork. Released in 2019 as a signed and numbered limited edition of only 50 pieces, this 18 x 24 inch artwork is a five-color split fountain screenprint, hand-pulled on 140lbs pure white French art paper. The piece reflects the raw yet whimsical spirit of UFO907's iconic characters—particularly the wide-eyed alien cephalopod with spray can in hand, painted over a United States Postal Service priority mail sticker backdrop. This visual pun on identity and tagging is not only humorous, but deeply rooted in graffiti’s long tradition of postal label bombing. Cosmic Characters with a Street-Level Voice In Label 907 Vol III Sunset, UFO907 presents one of his signature tentacled figures dressed in a hoodie and New York Yankees cap, holding a classic spray paint can mid-action. The oversized eyes and rounded limbs give the creature an innocent appearance, yet its posture and the act of painting imply intent and defiance. The gradient background shifts through sunset hues—pinks, oranges, and yellows—achieved through a skillful split fountain technique that mirrors the spray effect of actual aerosol art. Combined with bold black linework and fluorescent green detail spray, this print vibrates with both nostalgia and new energy. It’s a direct translation of wall-to-paper graffiti, preserving the movement’s spirit through print media. Graffiti’s Material Language and Collector Appeal The use of USPS Priority Mail labels as visual anchors is no coincidence. Graffiti artists have long used these free labels as mini canvases to bomb mailboxes, poles, and phone booths. UFO907’s decision to formalize that in a silkscreen edition connects the underground past to a collector-friendly present without losing authenticity. His character’s expression and stance add a layer of narrative—combining street mischief with pop sensibility. The silkscreen medium reinforces its value in the Street Pop Art & Graffiti Artwork world where texture, print layers, and production technique become integral to the message. Being signed and numbered by the artist makes each copy not only a print but a certified moment in his evolving catalog. UFO907’s Role in Street Pop Art & Graffiti Artwork Known for his elusive presence and interstellar characters, UFO907 has remained a staple of unsanctioned art in New York City and beyond. His work often blends innocence with resistance, showing characters that feel pulled from a cartoon dimension but acting with real-world urgency. Unlike artists who transition entirely into fine art spaces, UFO907 maintains his connection to walls, freight trains, and found surfaces—yet prints like Label 907 Vol III Sunset offer a portal for collectors to experience his world without compromising its edge. Each detail in this piece—from the alien figure to the branded spray can—points to a love for graffiti’s absurdity, danger, and color-soaked spontaneity. It’s not just a print, but a celebration of UFO907’s persistent vision and his place in the ever-evolving language of Street Pop Art & Graffiti Artwork.

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Lady Shiva Original One of a Kind Mixed Media Paint & Markers Drawing Artwork on Hand Deckled Handmade Art Paper by Popular Street Graffiti Artist Lady Pink. 2019 Signed & Dated Original Drawing Illustration Paint Markers, on Handmade Deckled Paper. 6 x 18 inches in size. Lady Pink’s Lady Shiva: Mythology Meets Resistance in Street Pop Art Lady Pink’s Lady Shiva, created in 2019 with mixed media and marker on hand-deckled handmade art paper, fuses Aztec-influenced mythology with graffiti symbolism and social resistance. Measuring 6 x 18 inches, this one-of-a-kind work exemplifies her ongoing commitment to female empowerment and cultural reclamation within the language of Street Pop Art & Graffiti Artwork. The central figure is a vibrant, deity-like woman with six arms, adorned with skulls, peace symbols, and bold facial markings. She holds spray cans and chains, a direct reference to the tools and struggles of the graffiti movement. The composition blends traditional iconography with cartoonish energy, channeling both Mesoamerican art and contemporary visual rebellion. The central goddess figure references the Hindu deity Shiva, a powerful symbol of destruction and transformation, but here she is reimagined through the lens of street culture. Her expression is fierce, defiant, and jubilant. Surrounding her are serpents, birds, and ornamental symbols drawn in a palette of saturated pinks, purples, and greens—an aesthetic choice that reflects Lady Pink’s history of challenging male-dominated narratives in graffiti by owning her space with unapologetic color and form. Visual Allegory of Power, Culture, and Resistance The narrative unfolds with sharp contrasts and rich symbolism. On one end, a grotesque pig-faced police officer stands handcuffed to the goddess, gripping a spray can as if confiscated or misunderstood. On the other, mythic figures—complete with skull necklaces and serpents—align themselves with the goddess’s cause. The character design is playful, but the message is pointed. Lady Pink uses humor and caricature to expose cycles of surveillance, cultural erasure, and systemic control. The shackles and clenched fists transform the piece into an allegory of empowerment—where art, identity, and heritage become instruments of resistance. This is not a passive depiction of rebellion—it is active, kinetic, and celebratory. The goddess wields graffiti like a weapon of reimagination. Her eyes are lined with thick lashes, crying stylized teardrops that recall both sorrow and power. Her smile, full of sharp teeth, confronts the viewer directly. This emotional hybridity—fierceness paired with joy—is central to Lady Pink’s style. She constructs a visual mythology where cultural memory and contemporary rebellion meet at the intersection of gender, history, and paint. Graffiti Iconography Reframed Through Feminist Vision Lady Pink, born Sandra Fabara in Ecuador and raised in New York, has been a pioneering voice in graffiti since the 1980s. Her work consistently merges street energy with personal and political storytelling, especially from a feminist perspective. Lady Shiva stands as a testament to her role in shaping graffiti into a space of inclusion and cultural critique. Rather than adhering to hyper-masculine conventions of tagging and bombing, she incorporates ancient motifs, character illustration, and symbolism to narrate deeper social commentary. In Lady Shiva, the combination of handmade paper, thick marker strokes, and mythological subject matter aligns with the tactile and ephemeral nature of graffiti. The unpolished edges, visible brush textures, and bright marker fills evoke the immediacy of street walls and sketchbooks. This physicality speaks to the roots of the medium—accessible, unfiltered, and deeply personal. The piece refuses polish in favor of presence, giving the goddess a raw, living quality. Through Lady Shiva, Lady Pink doesn’t just create a goddess—she creates a narrative weapon. The work becomes a mural-sized declaration in miniature form, bridging spiritual power, ancestral art, and the lived resistance of women artists claiming space in public view. It is a visual spell cast in spray paint and marker, summoning transformation in the language of Street Pop Art & Graffiti Artwork.

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LAFC Calavera- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist Proof 2021 Signed & Marked Limited Edition Artwork Size 18x24 The LAFC Los Angeles Football Club Soccer Calavera by Boyle Heights Artist Ernesto Yerena Montejano. “LAFC is LA culture. It was an honor to create a new Calavera symbol for this Club, and to honor loved ones who have passed.” -Ernesto Yerena Montejano Amid the bustling streets of Boyle Heights, a distinctive artwork captures the very essence of Los Angeles' vibrant soccer culture. The LAFC Calavera, created by renowned Latino artist Ernesto Yerena Montejano, exemplifies the fervent intersection of sports and art. Hand-pulled in the meticulous process of silkscreen printing on fine art paper, this piece is not just any artwork. It is an Artist Proof (AP) from 2021, indicating that it's among the first impressions made from the stencil, meticulously examined for quality and consistency before the final run. Ernesto Yerena Montejano, known for his commitment to producing resonating art under his brand "Hecho Con Ganas," has intricately designed this masterpiece. His depiction of the Calavera, a symbol commonly associated with the Day of the Dead, integrates seamlessly with the ethos of the Los Angeles Football Club (LAFC). As Montejano himself puts it, "LAFC is LA culture." The artwork is not just an emblem of a soccer club; it is a tribute to the departed, a nod to the cultural significance of remembering loved ones. Artworks such as the LAFC Calavera draw their lineage from the vibrant traditions of pop art, street art, and graffiti. These genres challenge convention, often merging disparate symbols and contexts to create meaning. Montejano's Calavera stands as a testament to the power of such fusion, intertwining the energy of LA's soccer scene with profound cultural symbols. The 18x24 signed and marked limited edition piece is more than just a visual treat; it's a narrative of identity, passion, and remembrance, immortalized in ink and paper.

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Last Stop Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jessica Hess. 2020 Signed Limited Edition Last Stop • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Jessica Hess in a limited edition of 25

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LDN Paris Collection Silkscreen Print by Paul Insect Hand-Pulled on Board Limited Edition Screenprint Artwork. 2019 Signed & Numbered Limited Edition 3x Set of Artworks on Board Size 9.38x6.75 Each Silkscreen Print Paul Insect LDN Paris Collection Silkscreen Print Set 2019 The 2019 LDN Paris Collection by British contemporary artist Paul Insect is a vibrant three-piece silkscreen print set that exemplifies his fusion of pop sensibility, street art aesthetics, and bold graphic experimentation. Each artwork in the series measures 9.38 x 6.75 inches and is hand-pulled on board, signed and numbered in a limited edition. Known for his striking use of color, layered composition, and subtle surrealist undertones, Insect presents a hypnotic arrangement of human eyes partially obscured by vivid, irregular color shapes, creating a sense of both intimacy and detachment. The recurring eye motif invites viewers into a direct visual exchange while the surrounding forms disrupt and fragment the gaze. Dynamic Color Variations The set offers three distinct color palettes—pink-based, orange-based, and blue-based backgrounds—each overlaid with sharp, contrasting shapes in electric greens, hot pinks, bright yellows, and saturated blues. The halftone dot rendering of the eyes adds a vintage print texture, juxtaposed with the flat, contemporary color blocks. This deliberate clash of printing styles enhances the sense of movement and tension within the work, while also demonstrating Insect’s mastery of silkscreen techniques. The hand-pulled nature of the prints ensures richness in color density and precision in layering, allowing each panel to stand as both an individual piece and part of a cohesive triptych. Street Art Influence and Fine Art Execution Paul Insect’s career has long bridged the raw energy of street culture and the refinement of gallery work. His compositions often carry the immediacy of wheat-pasted street posters, yet they are meticulously crafted with the control and permanence of fine art printmaking. In the LDN Paris Collection, the disembodied eyes hint at themes of anonymity, surveillance, and the unseen narratives of urban life. The layered fragments surrounding the gaze suggest both camouflage and exposure, mirroring the tension between public presence and private identity often found in street art contexts. Paul Insect’s Artistic Vision Born in the United Kingdom, Paul Insect gained international attention in the early 2000s for his distinctive approach that merges political undertones, surreal humor, and bold design. His work has appeared in both clandestine street settings and high-profile exhibitions, often blurring the boundary between subversive urban commentary and collectible fine art. The LDN Paris Collection encapsulates his ability to transform simple visual elements—here, the human eye—into layered, thought-provoking statements enhanced by fearless color use. As a limited edition silkscreen set, it not only reflects his technical precision but also captures the energy and visual impact that have made Paul Insect a significant figure in contemporary Street Pop Art & Graffiti Artwork.

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Let's Burn It All!- Standard Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lbs French Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2019 Signed Limited Edition of 75 Artwork Size 18x24 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Life After Death Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Ken Flewellyn. 20x16 inches / 51x41 cm Edition of 40 Fine art print on 290gsm paper Hand-signed and numbered by the artist Ken Flewellyn’s Life After Death: Baroque Symbolism in Street Pop Art Form Ken Flewellyn’s Life After Death presents a meticulously rendered still life that fuses classical painting traditions with the language of Street Pop Art & Graffiti Artwork. Released as a 20 x 16 inch giclée print on 290gsm fine art paper in a signed and numbered edition of 40, the piece takes aesthetic cues from 17th-century vanitas while layering in modern hip-hop and pop culture references. With photographic precision, Flewellyn constructs a visual narrative about legacy, excess, identity, and mortality—turning familiar symbols into philosophical statements. A gold-plated skull wearing a crown rests atop a stack of magazines, evoking both royalty and finality. The juxtaposition of this memento mori with luxury objects—a Versace-styled boombox, thick gold rope chain, designer sunglasses, a spilled wine glass—highlights the tension between materialism and impermanence. The broken cigar, empty jewelry case, and antique pocket watch on a satin ribbon extend this commentary, nodding to the fragility of status and time. Like Dutch vanitas painters who used decaying fruit and extinguished candles to hint at life’s brevity, Flewellyn replaces those metaphors with consumer goods, packaging the same message for a contemporary audience. Hyperrealism as a Tool of Cultural Synthesis The precision of Flewellyn’s painting style is not just a technical flex—it’s a deliberate choice that elevates the visual weight of every object on the table. Each item is treated with reverence and clarity, forcing the viewer to examine them individually and collectively. Hyperrealism in this context becomes a method of preservation, much like how historical paintings immortalized wealth, nobility, or religious conviction. Here, the objects preserved are relics of urban culture, hip-hop mythology, and fashion-driven self-construction. This synthetic approach to visual storytelling is one of Flewellyn’s strengths. Rather than lean into abstraction or expressive distortion, he paints with clinical sharpness. The boombox, decorated with intricate Medusa heads and gold patterning, becomes a sacred totem. The magazines, showing muscle-bound figures and flashy headlines, serve both as cultural archive and pop commentary. The reflection in the polished orb at left even contains the outline of the artist’s studio space, collapsing the illusion of classical detachment and re-inserting the viewer into the act of creation. Rewriting the Still Life Through Street Pop Language Ken Flewellyn’s background in pop culture study and urban visual language allows Life After Death to operate as a cross-genre artwork. Though not made with aerosol or on public walls, its structure and symbols place it firmly in the lineage of Street Pop Art & Graffiti Artwork. The work reframes the aesthetics of graffiti—where hierarchy, identity, and legacy are constantly negotiated—through the composition and technique of high art traditions. It does not imitate graffiti stylistically; instead, it honors its values through symbolism and narrative. By reconstructing a still life with hip-hop’s material vocabulary, Flewellyn bridges historical and contemporary methods of cultural storytelling. The table becomes a battlefield of symbols—power, time, excess, fame—and the viewer is invited to read the relics for what they reveal about the pursuit of permanence in a transient world. The crown, worn by a skull, reminds us that all power is borrowed. The spilled drink, the tangled chain, the tooth—each item carries encoded meaning, transformed by the hand of the artist into a modern-day parable. Ken Flewellyn’s Life After Death captures the essence of contemporary Street Pop Art by combining the rigor of fine art painting with the immediacy of cultural critique. Through composition, symbolism, and visual clarity, it serves as a statement on mortality, self-image, and what survives after the noise fades.

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Mad Happy Monk Grin- Orange Limited Edition Blacklight Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Ron English- POPaganda. 2019 Signed Limited Edition New In Box. Blacklight orange colorway of the Mad Happy Monk is 8 inches tall. Hand-signed by Ron

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McDonald Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. 2019 Limited Edition of 50 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Meat is Done, Not People! Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art.

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Metallica in Bucharest 2019- Blue Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Zi Xu for band Metallica. Metallica, Music, Rock N Roll, Band, Concert, Bucharest, Romania, Monster, Griffin

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Metamorphosis Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Tavar Zawacki- Above pop culture LSD artwork. At the age of 19, Tavar moved to Paris, France, where he started painting his trademark arrow icon pointing 'above'. During the past 19 years, Tavar Zawacki has painted artworks in the streets of over 100 cities in 60 different countries around the world.

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Mikey- Red 100% 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures by Lisa Larson. Manufacturer Medicom Toy Type Bearbrick Artist Lisa Larson

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Mobius Teal PP Printer Proof Silkscreen Print by Lauren YS Hand-Pulled 3-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 18x14 The Artistic Vision of Lauren YS in 'Mobius Teal PP' Lauren YS's 'Mobius Teal PP' emerges as a striking example of contemporary pop street artwork, blending the fluidity of graffiti with the meticulous process of silkscreen printing. This Printer's Proof (PP), hand-pulled and marked by the artist in 2019, embodies a limited edition three-color screen print on 290gsm Coventry Rag fine art paper. Signed and denoting its unique status in the edition run, the artwork's dimensions of 18x14 inches frame a visual narrative that is both surreal and expressive. Symbolism in 'Mobius Teal PP' The 'Mobius Teal PP' print by Lauren YS is a testament to their fascination with the surreal and the marine, featuring a vivid portrayal of octopuses in an infinite loop. The title, 'Mobius,' refers to the Möbius strip, a surface with only one side and one boundary component, symbolizing infinity, continuity, and the cyclic nature of the universe. This concept is elegantly captured through the interweaving tentacles of the octopuses, which are depicted in a state of perpetual motion against the contrasting teal background. The choice of color in 'Mobius Teal PP' is not merely aesthetic but intentional, with the teal acting as a backdrop that conjures the depths of the ocean—a realm full of mystery and often associated with the unconscious mind. The juxtaposition of the pink and black inks adds a dynamic vibrancy to the print, emphasizing the fluidity and grace of the cephalopods, creatures known for their intelligence and adaptability. Lauren YS's Technique and Medium Lauren YS employs the silkscreen printing technique with finesse, a method traditionally linked with the pop art movement and the grassroots dissemination of street art. Each layer of color in the 'Mobius Teal PP' is meticulously applied, showcasing the artist's hands-on approach and commitment to precision. Coventry Rag paper, a medium known for its quality and durability, ensures that each print remains a lasting artifact of the artist's vision, retaining the vibrancy of the inks over time. The significance of a Printer's Proof in the art world cannot be understated. PPs are typically reserved for the artist's personal use or archival purposes and are often considered more valuable due to their rarity and direct involvement in their production. The PP mark on 'Mobius Teal PP' indicates its status as part of a select group of prints that precede the official limited edition run, sought after by collectors for their proximity to the artist's original intent. Impact and Legacy in Street Pop Art The 'Mobius Teal PP' holds a place of importance in the oeuvre of Lauren YS and within the broader context of street pop art. The artist's work blurs the boundaries between the subversive energy of street art and the calculated precision of fine art printing, creating pieces that resonate with a broad audience. Lauren YS's contributions to the field reflect a contemporary evolution of street pop art, where traditional graffiti merges with avant-garde aesthetics to form new artistic expressions. As an artist, Lauren YS stands at the forefront of this evolution, pushing the boundaries of street pop art and graffiti into new territories. 'Mobius Teal PP,' with its intricate design and profound symbolism, is a beacon of the limitless potential within these art forms. It is a celebration of the medium's ability to decorate urban landscapes and convey complex, introspective narratives through the interplay of ink and imagination.

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Mobius White PP Printer Proof Silkscreen Print by Lauren YS Hand-Pulled 3-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 18x14 Lauren YS and the 'Mobius White PP' Silkscreen Print The 'Mobius White PP' is a striking silkscreen print by the artist Lauren YS, part of a limited edition series that showcases a blend of pop art vibrancy and the edgy undercurrents of street art and graffiti. This hand-pulled 4-color screen print on 290gsm Coventry Rag fine art paper, released as a Printer's Proof (PP) in 2019, vividly represents the artist's unique style. Signed and marked PP, the artwork measures 18x14 inches and features an intricate depiction of interlocking octopuses, a motif often explored by Lauren YS in their work. Visual Complexity and Symbolism Lauren YS, also known as Squid.licker, is recognized for their bold, intricate designs and a penchant for surreal, dream-like subject matter that defies traditional narrative. The 'Mobius White PP' is no exception, presenting the viewer with a mesmerizing tableau of cephalopods entangled in an infinite loop. The use of the Mobius strip, a one-sided nonorientable surface, adds a layer of complexity, suggesting infinity, continuity, and the cyclical nature of existence. The choice of octopuses as the focal point is rich with symbolism. These creatures are often associated with mystery and flexibility, characteristics that resonate with street pop art's fluid and dynamic nature. Incorporating vibrant pink and blue hues against the stark white paper creates a visual pop, emphasizing the fluidity and movement within the static image. Artistic Process and Technique Lauren YS's approach to this print, utilizing the screen printing technique, indicates a hands-on process that is both artisanal and precise. The screen printing technique, particularly revered in street and pop art for its ability to produce vivid, textured layers of color, lends this work a tactile quality that belies its two-dimensional medium. Each color in the 'Mobius White PP' is applied one at a time, requiring exact alignment to achieve the final image's detail and depth. The choice of Coventry Rag paper underscores the artist's commitment to quality and longevity. This particular type of paper is favored by fine artists for its durability and ability to hold color without degradation, making it an ideal choice for a print intended to stand the test of time. Lauren YS's Place in Contemporary Art In the contemporary art scene, Lauren YS has carved out a space that transcends easy categorization, melding influences from comic books, muralism, and traditional Japanese and Chinese aesthetics. The 'Mobius White PP' exemplifies their ability to navigate and merge these diverse visual languages into a cohesive whole that speaks to a global audience. As a limited edition Printer's Proof, 'Mobius White PP' holds a special place in Lauren YS's works collection. The printers typically retain printer's Proofs as a reference and are often seen as a more intimate version of a print edition, carrying the marks of the printing process itself. The PP designation on this print signifies its status not only as part of a limited run but also as a piece that bears the direct touch of the artist. In the broader context of street pop and graffiti artwork, 'Mobius White PP' is a testament to the genre's evolving nature. Lauren YS's work continues to push the boundaries of how street art is perceived and experienced in public spaces and the collectors market. This print, with its interplay of street art sensibilities and fine art execution, captures the essence of this dynamic and continues to inspire dialogue within the art community.

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Modern Living- Brown 6-Color Hand-Pulled Hand-Embellished HPM Limited Edition Silkscreen Print on 290gsm Coventry Cotten Rag by Faile Rare Street Art Famous Pop Artwork Artist. Hand-painted Varied Edition of 250 Acrylic & Silkscreen Ink Heavyweight Archival Paper Signed, Stamped & Embossed Size 19.5 x 25 inches (50 x 63.5cm) approx Signed on the front by Faile Numbered on the back the back also contains a large print by Faile Due to the handmade bespoke nature of this artwork, some small creases and bleedthrough can be found throughout.

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Mona Lisa Grin- Gold Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Ron English- POPaganda x Funko. Get ready to smile with the new Ron English- POPaganda Green Mona Lisa Grin Vinyl Figure created exclusively for the Funko Shop! Measuring 6.75'' x 4.75'' x 9'', this 500-piece limited edition figure is sure to add a vibrant and unique twist to any vinyl collection.

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Mona Lisa Grin- Green Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Ron English- POPaganda x Funko. Get ready to smile with the new Ron English- POPaganda Green Mona Lisa Grin Vinyl Figure created exclusively for the Funko Shop! Measuring 6.75'' x 4.75'' x 9'', this 500-piece limited edition figure is sure to add a vibrant and unique twist to any vinyl collection.

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Naivety Scene Era 12 Original Marker Drawing on Canvas Framed by Blake Jones Modern Street Pop Artwork. 2019 Signed Framed Original Color Marker Hand Drawing Size 7.75x10.25 Naivety Scene Era 12 by Blake Jones – Hand-Drawn Whimsy in Street Pop Art & Graffiti Artwork Naivety Scene Era 12 is a 2019 original framed marker-on-canvas drawing by American artist Blake Jones, measuring 7.75 x 10.25 inches. Known for his dynamic, character-driven compositions and bold use of line and color, Jones brings a sense of uninhibited joy and hyperactive imagination to this piece. Executed entirely with color markers by hand, the artwork presents a freeform universe of creatures, objects, and doodles rendered in a collage-like explosion. Framed cleanly in white to contrast with the visual energy inside, the piece delivers an immediate sense of personality and motion. This one-of-a-kind original draws from the playful absurdity of children’s art while integrating the conscious repetition and symbolic layering found in Street Pop Art & Graffiti Artwork. Character Clutter and Controlled Chaos The surface of Naivety Scene Era 12 is a kaleidoscope of cartoonish forms—bright-eyed ghosts, barking dogs, melting ice cream cones, alligator teeth, lightning bolts, and wild-eyed humanoid faces—each drawn with unique flair and outlined in vivid color. These figures inhabit the space with no obvious hierarchy, emphasizing the democratic and improvisational nature of Jones’s work. Every inch of the canvas is utilized, producing a densely populated environment that feels simultaneously random and intentional. Some characters are drawn in black and white, while others burst in neons and pastels. The mix of expressive gestures, graphic patterns, and text elements like YO and CALIENTE provides multiple entry points for interpretation. It’s not a narrative; it’s a moment of visual play, inviting the viewer to explore without boundaries. This strategy fits squarely within Street Pop Art & Graffiti Artwork, where image-making is as much about energy and vibe as it is about message. Marker as Medium, Process as Performance Blake Jones’s use of markers as the primary medium reinforces the raw and spontaneous quality of the piece. Unlike digital work or painting, marker allows for a level of immediacy and texture that reflects hand movement and personal expression. The layering of color, the visible overlaps, and the variance in pressure and line weight speak to a process that is direct and unfiltered. The artist’s restraint in working within a compact canvas size adds to the intensity of the piece, forcing every form to interact and react within tight constraints. This kind of live, intuitive creation is rooted in sketchbook culture and graffiti blackbook traditions, where artists rapidly generate ideas, shapes, and energy with whatever tools are available. Jones translates that into finished work that retains all the freshness of a spontaneous session. Visual Joy and Cultural Remix from Blake Jones Blake Jones continues to build a visual language that blurs the line between outsider drawing, studio illustration, and graffiti spontaneity. In Naivety Scene Era 12, the artist celebrates the imperfections of instinct, the humor of randomness, and the beauty of clutter. He delivers a composition that rejects minimalism in favor of abundance, noise, and expression. The framed format elevates the chaotic imagery, giving it gallery presence while maintaining its raw emotional accessibility. As part of Street Pop Art & Graffiti Artwork, this original drawing exemplifies how art can exist in both casual and collectible forms, reminding viewers that even the simplest gestures—when repeated and refined—can form complex universes. Blake Jones doesn’t just draw pictures. He builds ecosystems of feeling, gesture, and graphic play where everything belongs, nothing is sacred, and joy is the only rule.

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Naivety Scene Era 12 Original Marker Drawing Canvas by Blake Jones Modern Street Pop Artwork. 2019 Signed Original Color Marker on Hand Drawing Size 12x12 Naivety Scene Era 12 by Blake Jones – Playful Chaos in Street Pop Art & Graffiti Artwork Naivety Scene Era 12 is a 2019 original 12 x 12 inch hand-drawn color marker artwork on canvas by American artist Blake Jones. Signed by the artist, the work serves as a condensed visual playground filled with Jones’s signature characters, graphic gestures, and whimsical abstractions. The surface is a chaotic and joyful composition of colorful iconography rendered in bold, cartoonish lines, each figure interacting with the others in a free-flowing rhythm. Lightning bolts, abstract cubes, cake slices, smiling ghosts, three-eyed faces, bunny ears, jellyfish, and doodle lettering all coexist in a dense tapestry of imagination. These forms are drawn with intentional spontaneity using a variety of colored markers, creating a visual language that captures the essence of youth, spontaneity, and low-stakes play with high-impact composition. The Language of Icons and Innocence Blake Jones’s work consistently focuses on accessible characters and nostalgic aesthetics without sacrificing depth or intention. In Naivety Scene Era 12, the artist channels the visual memory of childhood drawings, sticker books, and doodles on notebook margins into a curated chaos that resonates beyond its surface charm. These drawings, while appearing naïve, are placed with deliberate design. Each element contributes to the rhythm and flow of the canvas, offering multiple focal points that encourage playful exploration. Jones’s ability to balance graphic flatness with layered spontaneity reflects his deep roots in Street Pop Art & Graffiti Artwork, where repetition, symbolism, and immediacy drive both the message and the aesthetic. His linework, free of digital polish, is a declaration of hand-drawn authenticity in an image-obsessed culture. Color Theory and Street-Inspired Technique The piece’s vibrancy stems not from complex shading or perspective, but from confident color play and an understanding of balance in clutter. The colors—neon pinks, bright yellows, cool blues, and jet blacks—are used sparingly and effectively. Each hue pops against the canvas’s white ground, giving every doodle space to breathe while also contributing to a shared vibrational field. The use of color marker as medium reinforces the idea of immediacy and improvisation, both hallmarks of graffiti sketch culture. Blake Jones bridges studio work with the ethos of the streets by treating each surface like a page in a blackbook—unfiltered, raw, and expressive. Blake Jones and the Comfort of Visual Noise With Naivety Scene Era 12, Blake Jones captures the feeling of a world that is busy but never burdensome. The energy is light yet infectious, the lines are imperfect but confident, and the visual clutter is strangely calming. His work speaks to a contemporary moment where overstimulation is standard, yet his imagery responds not with critique, but with comfort. In the broader context of Street Pop Art & Graffiti Artwork, this canvas serves as a meditation on creativity unbound—pure mark-making that honors intuition over precision. Blake Jones does not ask the viewer to decipher meaning. Instead, he invites them to find joy in the patterns, humor in the absurd, and wonder in the ordinary. This piece is not simply an artwork; it is an experience in visual freedom.

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New Leaf Archival Print by Sarah Joncas Archival Pigment Fine Art Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 16x16 New Leaf Archival Print by Sarah Joncas – A Dreamlike Reflection of Modern Femininity in Street Pop Art & Graffiti Artwork New Leaf is a 16x16 inch archival pigment print created by Canadian artist Sarah Joncas in 2019. This limited edition work was produced in a run of only 50 signed and numbered copies on fine art paper, underscoring both its exclusivity and the artist’s careful attention to craft. Known for her surreal and emotionally resonant imagery, Joncas captures the essence of introspection, femininity, and transformation in this piece. The image portrays a young woman with softly rendered features and a contemplative expression, her eyes closed as if drifting through memory or emotion. Her long dark hair flows outward, merging with soft, cartoon-like storm clouds that drip like melting paint. The clouds are both whimsical and melancholic, wrapping around her figure in delicate, surreal forms that evoke both dream and mood. Symbolism, Sentiment, and Modern Visual Language Sarah Joncas brings a deeply personal lens to contemporary pop-influenced portraiture, blending elements of surrealism, anime aesthetics, and emotive realism. In New Leaf, the subject wears a retro pink polka-dotted dress, open in the back and tied with a large bow. This fashion detail anchors the image in a nostalgic sense of style, while the leaf-shaped earring she wears speaks to the title’s metaphor of growth, transformation, and renewal. The idea of turning over a new leaf is expressed visually through the earring and through the evolving interplay of organic and symbolic forms surrounding her. The clouds serve not just as visual decoration but as emotional language. They symbolize transitory thought, sadness, or confusion—evoking states of being that are intangible but deeply felt. The tension between the clean softness of the woman’s figure and the loose, dripping cloud forms adds visual contrast and emotional ambiguity. Sarah Joncas and the Feminine Narrative in Street Pop Art & Graffiti Artwork Sarah Joncas, born in Canada in 1986, is known for her work that explores themes of female identity, self-reflection, and psychological states. She emerged from the lowbrow and new contemporary art movement but continues to innovate by merging fine art technique with pop culture influence. New Leaf presents a quietly powerful narrative without overt symbolism or political statement. Instead, it invites viewers to witness a private moment, rendered in tones that are delicate yet striking. While not created in a traditional graffiti setting, Joncas’ work maintains a connection to Street Pop Art & Graffiti Artwork through its visual language and cultural accessibility. Her figures feel like they belong equally in a gallery or on a mural wall, bridging fine art traditions with emotionally intuitive storytelling rooted in contemporary life. New Leaf as a Limited Edition Statement of Modern Pop Surrealism The archival quality of New Leaf ensures that its visual clarity and tonal subtleties are preserved in print form, capturing the softness of skin, the shine in flowing hair, and the translucent layering of clouds with high fidelity. The artist’s technical skill in digital and traditional painting translates seamlessly into this edition, which brings both collectors and fans a piece of deeply intimate and meticulously crafted art. The choice to limit the edition to 50 reinforces the specialness of the piece, positioning it as not only a collectible artifact but as a timeless portrayal of emotional interiority. New Leaf balances technical mastery with quiet symbolism, giving voice to a modern feminine perspective that is often gentle but never passive. It stands as a contemplative and beautifully executed example of Street Pop Art & Graffiti Artwork that speaks softly but stays with the viewer long after.

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New Money Metal Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by street graffiti Tristan Eaton. Tristan Eaton returns to Kidrobot to create the 5-inch New Money Dunny. Etched into chrome finished metal and decorated with iconic Tristan Eaton style, this Dunny redefines the limits of the forever recognizable art platform created 15 years ago. Transcending art from canvas to collectible vinyl, this metal Dunny stands as an honorary piece to the last 15 years the Dunny has given dedicated artists and collectors a creative platform. Limited to 750 pieces worldwide.

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New York City Subway Maps IV Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 15 Artwork Size 17x24. New York City Subway Maps IV, 2019 Archival pigment print in colors with hand-embellishments on Moab Fine Art paper 17x24 inches (43.2 cm x 61) (sheet) Ed. 10/15 Signed and numbered in pencil lower left. Work displays a .5-inch tear in the lower left border. Embracing Urban Narratives: Cope2's New York City Subway Maps IV Cope2's "New York City Subway Maps IV" is a dynamic fusion of graffiti's raw energy with the refined aesthetics of modern Pop Art, embodying the pulse of urban life on a tangible artifact of the city's daily motion. This 2019 limited edition series, with only 15 signed and numbered pieces, represents a significant contribution to the Street Pop Art and Graffiti Artwork movement. Each 17x24 inch piece is a hand-embellished archival pigment print on Moab Fine Art paper, offering a unique blend of street culture and high art. Cope2's signature authenticates the work, and its edition number is penciled on the lower left, with one particular piece displaying a minor .5-inch tear, adding to the authentic feel of the artwork. The piece serves as a visual archive of New York's graffiti history, immortalizing the spontaneous, often temporary, art gracing the city's subway maps. Cope2, a Bronx native, brings authenticity and street credibility to his work, with a reputation for over three decades in the graffiti scene. His "New York City Subway Maps IV" reflects urban street art's layered, complex nature, where tags and symbols intermingle to tell the stories of the city's diverse inhabitants. Cope2's Intersection of Street Art and Fine Art Cope2's artwork stands at the intersection of street art and fine art, capturing the essence of one medium within the form of the other. His pieces are more than mere representations of street graffiti; they are the confluence of the artist's lived experiences and interactions with the urban environment. The bold, saturated colors and aggressive brushstrokes hark back to the golden era of graffiti in the 1980s and 1990s when artists like Cope2 were not just decorating the city but also marking territories and expressing identities. The limited edition nature of "New York City Subway Maps IV" and the hand-embellishments by Cope2 himself ensure that each print is a unique piece of art, embodying both the spirit of the original street art and the artist's personal touch. The series encapsulates the rawness of the graffiti subculture while elevating it through fine art printmaking, challenging traditional notions of what constitutes art and who is deemed an artist. In essence, Cope2's work is a celebration of the visual language of the streets, presented within the context of fine art. It offers a narrative deeply rooted in New York City's cultural fabric, providing a snapshot of a movement that has evolved from the margins to the mainstream. The "New York City Subway Maps IV" series not only pays homage to the history of street art but also asserts its place within the continuum of contemporary art. Through his work, Cope2 continues to influence and shape the dialogue around Street Pop Art and Graffiti Artwork, ensuring that the vibrancy of street culture remains a vital part of the art world's discourse.

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New York City Subway Maps IV PP Printers Proof Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 17x24. New York City Subway Maps IV, Archival pigment print in colors with hand-embellishments on Moab Fine Art paper Cope2's Artistic Legacy in "New York City Subway Maps IV PP Printers Proof" The "New York City Subway Maps IV PP Printers Proof" by Cope2 represents a confluence of street authenticity and artistic innovation within modern Pop Art. The 2019 Printers Proof edition, signed and marked by the artist, is a limited series that pays homage to the raw spirit of New York's street culture. The artwork, measuring 17x24 inches, is a hand-embellished archival pigment print on Moab Fine Art paper, echoing the gritty essence of urban life through vibrant spray paint and bold tagging styles. As a seminal Graffiti Street Art movement figure, Cope2's work encapsulates the city's visual vibrancy and chaotic energy that never sleeps. His "New York City Subway Maps IV" represents the iconic transit system and a canvas showcasing the layered history of graffiti that has become synonymous with the city's subways. The hand-embellishments signify Cope2's personal touch, making each piece a unique fragment of New York's urban narrative. Blending Traditional Techniques with Urban Aesthetics Cope2's Printers Proof edition blurs the lines between traditional printmaking techniques and the urban aesthetics of graffiti. By incorporating hand-embellishments, each print transcends its status as a mere reproduction, becoming a standalone work of art. The series showcases Cope2's versatility as an artist capable of adapting street capable of adapting street art's spontaneous natureine art printing. The "New York City Subway Maps IV" series is a cultural artifact that reflects the evolution of street art from an act of rebellion to a recognized form of artistic expression. Cope2's work has transitioned from the fleeting surfaces of subway cars to the permanence of fine art paper, enabling the transient nature of street art to be captured, preserved, and appreciated as part of contemporary art's expansive canon. The limited edition Printers Proof series is a testament to the enduring appeal of street art and its significance within the larger context of pop culture. It underscores the importance of preserving the ephemeral nature of graffiti while providing an accessible medium for art collectors and enthusiasts to engage with street art in a new way. In essence, Cope2's "New York City Subway Maps IV PP Printers Proof" is a vibrant homage to the streets of New York, a tangible slice of the city's artistic soul. Through his work, Cope2 continues to play a pivotal role in shaping the narrative of Street Pop Art and Graffiti Artwork, ensuring that the voices of the streets are heard and celebrated in galleries and collections across the globe. His artwork remains a dynamic intersection of color, form, and urban storytelling, capturing the city's pulse in each spray-painted line and hand-drawn tag.

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