Artworks

Night Lights PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x24

Read more less

No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Mixed Media Spray Paint & Acrylic Painting Original Artwork Size 43x53 on Unstretched Canvas Explosion of Color: Fernando Carlo's "No Cure" Fernando Carlo, known in the street pop art and graffiti art world as Cope2, is a Bronx-born artist whose work vibrates with the pulse of urban life. His piece titled "No Cure Original Acrylic Spray Paint Painting" is a spectacular canvas that showcases the raw energy and colorful chaos that defines street art. Created in 2020, this one-of-a-kind artwork is an amalgam of acrylic and spray paint, reflecting Cope2's dexterity with mixed media and his deep roots in graffiti culture. Spanning an impressive 43x53 inches on unstretched canvas, "No Cure" stands as a testament to Cope2's enduring influence in the realm of contemporary street art. In the canvas, we see a riot of colors and shapes, clashing and blending in an almost musical harmony. The artwork is signed by the artist, which not only ascertains its authenticity but also marks it as a significant piece within his extensive body of work. Cope2's signature is recognized worldwide, a symbol of credibility in the constantly evolving graffiti scene. With "No Cure," Cope2 demonstrates his versatility and his commitment to the craft, delivering a visual feast that is both a nod to the past and a step into the future of street art. The Bold Artistry of Cope2 Fernando Carlo's journey as Cope2 is a story etched onto the very streets of New York. Since the 1980s, he has been a figure synonymous with the graffiti scene, often regarded as one of the godfathers of New York City subway graffiti. His style has evolved over the decades, yet it retains the essence of the movement — bold, confrontational, and unapologetically public. "No Cure" captures this evolution, its canvas a dynamic collision of traditional graffiti elements with experimental pop art aesthetics. The title "No Cure" itself evokes a sense of raw, uncontained expression. It suggests an ailment for which there is no remedy, perhaps a reference to the addictive nature of artistic creation, especially within the context of street art where the act of painting can be as compelling as the art itself. This painting does not seek to cure but to capture and convey the complex layers of city life, the artist's inner narrative, and the vibrant cultural dialogue of the streets. The unapologetic presence of text, abstract motifs, and splattered paint illustrates Cope2's fearless approach to art and life. Contextualizing "No Cure" in Street Pop Art "No Cure" is not just an artwork but a visual representation of the culture from which it emanates. To understand this piece is to delve into the history of street art and its transition into the gallery space. Street pop art, with its roots in the countercultural movements of the 20th century, seeks to bring the vitality of street culture into the often sterile world of fine art. Cope2 does this masterfully, drawing on his experiences as a Bronx native to infuse his work with an authenticity that cannot be manufactured. The year 2020, when "No Cure" was created, marked an era where street art had firmly established itself as a genre that could command the walls of high-end art spaces while retaining its street cred. In this light, Fernando Carlo's work is a bridge, connecting the gritty sidewalks lined with aerosol to the white walls of art collectors seeking a piece of the street for themselves. "No Cure" embodies the zeitgeist of contemporary urban art, a beacon of the enduring spirit and evolving nature of street pop art and graffiti artwork. In the broader discourse of street pop art, Cope2's "No Cure" is a vibrant chapter that speaks to the diversity and complexity of graffiti art. It stands as a colorful testament to the artistic force of Fernando Carlo and the indelible mark he has left on the cultural fabric of the urban landscape. As the lines between street art and fine art continue to blur, pieces like "No Cure" remind us that at the heart of this movement is the power of raw, unedited expression — a power that indeed has no cure.

Read more less

No Fear Original Acrylic Painting by Jay Kaes One of a Kind Artwork on 250gsm Fine Art Paper by Street Art Pop Artist. 2020 Signed Acrylic Original Painting Size 16.5x11.7 Red Lips Smoking Cigarette Glitch Stlye.

Read more less

No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

Read more less

Nopalito SuperJanky- Prickle Me Pink Janky SuperPlastic x El Grand Chamaco (EGC) Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2020 A special sexy pink companion to Mexican artist El Grand Chamaco’s original green Nopalito SuperJanky, Prickle Me Pink has more spikes than your shaman’s ayahuasca. Featuring ultra-rare kicks and Nopalito's faithful flower friend Tiny Tuna.

Read more less

Nopalito SuperJanky Janky SuperPlastic x El Grand Chamaco (EGC) Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2020 Created by renowned Mexican artist El Grand Chamaco and inspired by the rare nopal cactus, Nopalito is soft, prickly, and a little bit tickly. Faithful flower friend Tiny Tuna sits atop his shoulder. ¡Qué bonito!

Read more less

NTWRK Ting Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Sket-One. 2020 Limited Edition Artwork Size 7.5 inches Tall New In Box.

Read more less

NY@BRICK Karimoku Chess 400% BE@RBRICK Extremely Rare Hand-Made Wooden Art Toy Japanese Furniture Maker Fine Art Bearbrick Sculpture. 2020 Extremely Rare Stamped Wood Limited Edition Artwork Displayed In Box Perfect Condition. Master of wood in Japan, Karimoku is a reference in design furniture and now in luxury figurines after their collaborations with Medicom.

Read more less

NYC Taxi Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Stamped on Verso Bobby Hill (b. 1973), is a New York-based visual artist whose career started as an illustrator. He began painting on canvas in 2008 after returning to the US from his first trip overseas,. His recent canvases combine ripped NYC billboard posters with elements of abstract expressionism, pop imagery, and graffiti... to create what he calls “The Bhillboards Collection.”

Read more less

Obsidian Picks a Lock Letterpress Print by Camille Rose Garcia Limited Edition 1-Color on Deckled 290gsm Coventry Rag Fine Art Paper Graffiti Street Pop Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 8x10 Letterpress Print Art Printmas 2020 of an Animal Monster Picking a Lock. Obsidian Picks a Lock Letterpress Print by Camille Rose Garcia The Obsidian Picks a Lock letterpress print by Camille Rose Garcia is a captivating blend of whimsical mischief and artistic precision. Produced in 2020 as part of the Art Printmas series, this 8x10 artwork is crafted on deckled 290gsm Coventry Rag Fine Art Paper. The print embodies Garcia’s signature gothic surrealism and darkly humorous narrative style, featuring an animal-like monster character delicately picking a lock. Signed and numbered in a limited edition of 100, this piece is an exquisite example of Street Pop Art infused with vintage-inspired craftsmanship. Camille Rose Garcia: Visionary of Surrealist Narratives Camille Rose Garcia is renowned for her distinct aesthetic that combines the playful with the sinister. Born in 1970 in Los Angeles, her work often explores societal critique and environmental decay themes, presented through enchanting and fantastical characters. Her ability to layer narratives within her illustrations is evident in Obsidian Picks a Lock, where the animal monster character exudes mischievous energy, inviting viewers to imagine the broader story surrounding this moment. This print portrays a creature with exaggerated features and intense focus, embodying the rebellious and curious spirit often central to Garcia’s work. The stripped-down black-and-white design allows the character’s expressions and gestures to shine, amplifying the sense of intrigue and suspense. The whimsical yet slightly unsettling vibe aligns with the ethos of Street Pop Art, which often blends accessibility with subversive themes. The Significance of Letterpress Printing The letterpress printing process used for Obsidian Picks a Lock adds a tactile and timeless quality to the artwork. This traditional technique involves pressing inked plates into fine art paper, resulting in a textured, embossed finish that enhances the overall impact of the design. The choice of deckled 290gsm Coventry Rag Fine Art Paper underscores the artisanal craftsmanship, providing a luxurious and durable medium for the print. Garcia’s use of a single-color palette highlights the intricate details of her linework while maintaining the minimalist elegance that defines much of her work. The rich black ink contrasts beautifully against the warm tones of the paper, ensuring the artwork’s visual clarity and depth. This approach aligns with Street Pop Art’s emphasis on bold, eye-catching designs communicating powerful stories. Obsidian Picks a Lock as a Street Pop Art Statement Obsidian Picks a Lock is more than just a charming illustration; it is a bold commentary on curiosity, rebellion, and the unexpected. The monster character’s expressive face and detailed movements convey a sense of playful defiance, making the piece both relatable and thought-provoking. This 8x10 print is an excellent addition for collectors who appreciate the fusion of fine craftsmanship with contemporary artistic sensibilities. The limited edition of 100 enhances the exclusivity of the print, making it a highly sought-after piece for fans of Camille Rose Garcia and Street Pop Art. By combining traditional printing techniques with her unique narrative style, Garcia has created a work that bridges the timeless appeal of handcrafted art with modern thematic relevance. Obsidian Picks a Lock captures the essence of Garcia’s talent, blending humor, craftsmanship, and social reflection into an unforgettable piece.

Read more less

OG Kickstarter 2020 CanBot- Glow in the Dark 5oz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13. 2020 Limited Edition New In Box Kickstarter GID OG Canbot Canz . Only obtainable by backing a 2020 Canbot Canz Kickstarter. Rare Limited Glow In The Dark Colorway in Yellow/Green, Lime. The OG Kickstarter 2020 CanBot by Czee13 The OG Kickstarter 2020 CanBot is a shining example of the innovative spirit embodied within the street pop art & graffiti artwork community. This limited edition vinyl art toy collectible, designed by the renowned street graffiti artist Czee13, encapsulates the intersection of subculture art and collectible design. Released as part of a special edition for those who backed the Canbot Canz Kickstarter during 2019-2020, this rare piece glows in a yellow/green, lime colorway, elevating it from a mere collectible to a nocturnal artwork known as Canz GID Glowa. The glow-in-the-dark feature of this 5oz collectible is a nod to the surprise and delight inherent in street art – the ability to shift perception based on context. In daylight, the CanBot carries a playful and vibrant aesthetic, yet in darkness, it transforms, much like the urban landscapes that inspire graffiti artists, revealing a new, luminous persona. This transformative quality reflects the mutable nature of street art itself, constantly evolving and reacting to its environment. This CanBot is not simply a toy; it's a representation of the culture and craft of street art, translated into a form that can be admired both in the palm of your hand and on display. It embodies the energy and ethos of the street, captured in the compact form of a can, a staple of the graffiti artist's toolkit. The CanBot is an ode to the spray can, reimagined as an anthropomorphic figure with a life and personality. Each OG Kickstarter 2020 CanBot comes new in the box, preserving its condition for collectors and enthusiasts. Obtaining this collectible was an exclusive experience, only available to those who participated in the crowdfunding campaign, adding an element of exclusivity and community to the ownership experience. As a limited edition piece, the CanBot signifies a moment in time for the backers, a tangible memory of support for the arts, and a celebration of the street art scene. In a broader sense, the OG Kickstarter 2020 CanBot by Czee13 is a testament to the creativity and collaborative spirit of the street art community. It represents the potential of art to transcend traditional spaces and become a part of daily life, a reminder of the joy and surprise that art can bring. As a collectible, it stands at the crossroads of art and commerce, challenging the boundaries between high art and popular culture and celebrating the fusion of the two within the modern world of collectible art toys.

Read more less

Oil and Water IV The Year that Took the Wind Out of Our Sails 2020 AP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2020 Signed & Marked AP Limited Edition 4/10 Artwork Size 18x24 Archival Pigment Fine Art "Oil and Water IV The Year that Took the Wind Out of Our Sails" stands as a testament to the prowess of Dave Pollot, a revered name in contemporary pop art. This piece, created in 2020, exemplifies Pollot's unique ability to extract meaning from mundane objects and translate it into visually compelling narratives. Conceived as an archival pigment print on matte velvet rag fine art paper, the artwork is steeped in Pollot's signature style and offers a thoughtful commentary on the challenging year that was 2020. The piece is part of a limited edition series, signed and marked as Artist's Proof (AP), and assigned the distinct serial 4/10. These marks authenticate its exclusivity, affirming the artist's hands-on involvement in the creation process, ensuring each piece's uniqueness. Measuring 18x24 inches, the print is designed to stand out, creating a striking impression that encapsulates the artist's knack for turning everyday images into poignant masterpieces. Pollot's work transcends the traditional boundaries of pop art, drawing influence from street and graffiti art in its aesthetic and thematic expression. The juxtaposition of oil and water in this piece serves as a metaphor, alluding to the incompatibility and conflict faced in 2020. Like oil and water, the year saw the world's population struggling to mix, separated by invisible barriers of fear and uncertainty, a theme which the artist deftly brings to life. "Oil and Water IV The Year that Took the Wind Out of Our Sails" is not merely a captivating piece of visual art; it is an archival record of a difficult historical moment, viewed through the lens of a talented pop artist. Its distinctive combination of archival pigment on matte velvet rag paper enriches its impact, granting it a timeless appeal. This artwork is a must-have for modern art aficionados who appreciate the narrative depth and visual charm of pop art, as well as the novel perspectives it brings to the events of our time.

Read more less

Old Is New Is Old Again Giclee Print by Dave Pollot Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2020 Signed & Numbered Limited Edition of 10 Artwork Size 8x10 Matted to 11x14 Renaissance Man Vintage Gentleman Wearing a Wolf Howling At The Moon Dave Pollot's "Old Is New Is Old Again" is a compelling piece of limited edition giclee print artwork that has found its grounding in the intersection of pop art, street art, and graffiti art. Released in 2020, this stunning piece is a testament to Pollot's unparalleled ability to repurpose, reimagine, and recontextualize traditional art forms into contemporary and engaging works. As part of an exclusive series, only 10 signed and numbered copies of this masterpiece exist, each meticulously produced on fine art paper to ensure longevity and vibrancy of color. Measuring 8x10 inches, with a mat that extends the dimensions to 11x14 inches, "Old Is New Is Old Again" is a captivating representation of a Renaissance man in vintage attire. The main subject, distinguished and posed as a gentleman of a bygone era, sports a curious addition that beautifully exemplifies Pollot's creative aesthetic — a graphic of a wolf howling at the moon. This piece seamlessly integrates aspects of modern imagery with classical portraiture, resulting in a unique fusion that embodies the spirit of graffiti pop and street art. In the realm of pop art, Pollot's piece is a nod to the repetition and mass production synonymous with the movement. By embedding modern iconography into a traditional portrait, the artist creatively merges past and present, thereby urging viewers to explore the ubiquitous influence of pop culture on societal perception. The wolf, a symbol often found in street and graffiti art, adds an element of rawness and organic spirit to the otherwise refined and polished depiction of the gentleman. Street art, often reflective of social and cultural expressions, finds its representation in the artwork as well. Pollot's rendering of the gentleman is symbolic of the adaptability and fluidity of street art, with its roots firmly set in the culture of the streets but its reach extending far beyond. The unorthodox incorporation of a graffiti-style wolf into a classical portrait suggests a strong link to street culture, bridging the gap between fine art and popular expressions of creativity. Graffiti art, traditionally associated with rebellion and counterculture, takes on a new form in "Old Is New Is Old Again." The howling wolf, often used in graffiti as a signifier of freedom and independence, has been seamlessly incorporated into the artwork. Its presence offers a stark contrast to the gentleman's attire, suggesting a dichotomy between societal norms and the desire for personal freedom and expression. Through this piece, Dave Pollot has remarkably bridged the gap between varying art forms and historical periods, crafting a timeless piece that speaks volumes of his understanding of art and culture. "Old Is New Is Old Again" is a perfect example of Pollot's ability to draw from diverse artistic movements and social themes, creating a work that resonates with the complexity and diversity of the human experience. In essence, this piece serves as a visual dialogue between different eras and artistic styles, proving that in the realm of art, the old and the new can coexist in the most harmonious and visually striking ways.

Read more less

One Cold Nite In October Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Urban Pop Artist Naturel- Lawrence Atoigue Modern Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 18x18

Read more less

OO-DE-LALY Hand-Pulled 4-Color Silkscreen Print on 320gsm Freelife Velum White Paper by Pop Graffiti Artist Flying Fortress x Ekiem Rare Street Art Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 54 Artwork Size 19.7x15.8 Signed By Flying Fortress x Ekiem & Numbered Limited Edition of 54 Size 19.7x15.8

Read more less

OP OP OP Silkscreen Print by John Harman x Lefty Out There Hand-Pulled 1-Color on 100lb Recycled Archival French Black Licorice Construction Paper Limited Edition Pop Street Art Artwork. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 36x24 Silkscreen Print The world of pop and street art saw a unique confluence when John Harman collaborated with Lefty Out There to create the "OP OP OP" silkscreen print in 2020. This exclusive piece encapsulates the vibrant energy of the streets, expressed through the use of a single color scheme, invoking a stark contrast with the 100lb recycled archival French black licorice construction paper it is printed on. The choice of this specific paper is a nod to sustainable practices, balancing the harmony between art and environmental awareness. Harman and Lefty Out There are known for their daring visual language that oscillates between the pop art and street art genres. This print is a reflection of their shared artistic vision, blending minimalistic yet bold impressions in an elusive dance of interpretation. The "OP OP OP" silkscreen print draws the observer into a maze of enigmatic layers, with each viewing experience likely to reveal a fresh perspective. This artwork stands at an imposing 36x24 inches, making it a commanding centerpiece in any collection. The creation process entailed the traditional method of hand-pulling the silkscreen, which further accentuates the artisanal quality of the piece. The physical engagement of this technique lends a tangible rawness to the print, reminding us of the unfiltered emotion and spontaneity associated with street art. This silkscreen print is a limited-edition offering, with only 25 such pieces in existence. Each print is signed and numbered, adding a personal touch from the artists and enhancing the artwork's authenticity and collectibility. For connoisseurs of pop and street art, the "OP OP OP" silkscreen print is more than just a piece of art – it's a snapshot of the cultural zeitgeist of its time, captured through the collaborative vision of two accomplished artists.

Read more less

Ortiz Masked- 7.75 Deck Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. Traditional 7-PlyWood, Medium Concave`

Read more less

Palm Tree Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Artist Mike Giant. 2020 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: September 12th, 2020 Limited blotter editions are hand-perforated by Zane Kesey.

Read more less

Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

Read more less

Particle SuperJanky Janky SuperPlastic x Jason Limon Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2020 Limited Edition of 444 From the astral plane of acclaimed American artist Jason Limon comes the otherworldly Particle SuperJanky. Features the artist’s signature earth tone color palette, beautiful bold typography, and ornamental patterning. Head to toe this toy encapsulates Limon’s artistic vision, making it the definition of gallery-ready! Displayed With Box

Read more less

Boris Drinks Letterpress Print by Camille Rose Garcia Limited Edition 1-Color on Deckled 290gsm Coventry Rag Fine Art Paper Graffiti Street Pop Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 8x10 Letterpress Print Art Printmas 2020 of Tooth Monster Craving Following a Lollypop Candy. Party Tooth Letterpress Print by Camille Rose Garcia The Party Tooth letterpress print by Camille Rose Garcia is a delightful and quirky piece of Street Pop Art that combines playful storytelling with gothic undertones. Produced in 2020 as part of the Art Printmas series, this 8x10 artwork is meticulously printed on deckled 290gsm Coventry Rag Fine Art Paper. Featuring a whimsical Tooth Monster, complete with party hats and a craving expression as it chases a spiraling lollipop, this limited-edition piece is a perfect blend of humor, imagination, and meticulous craftsmanship. Signed and numbered in an edition of 100, this artwork showcases Garcia's distinctive ability to merge surrealist narratives with accessible, yet provocative, visuals. Camille Rose Garcia: Master of Gothic Whimsy Camille Rose Garcia’s artistic style is synonymous with fantastical characters, bold linework, and darkly humorous narratives. Born in 1970 in Los Angeles, California, Garcia draws inspiration from vintage animation, fairytales, and gothic aesthetics to craft works that are both enchanting and subversive. Her art often critiques modern society while wrapping these themes in a veneer of whimsy and absurdity, making her work resonate across a broad audience. The Party Tooth print reflects Garcia’s mastery of creating eccentric characters that evoke emotion and curiosity. The Tooth Monster, with its oversized head, playful party hats, and eager demeanor, embodies the tension between indulgence and self-awareness. The addition of a swirling lollipop adds movement and intrigue, turning a simple craving into a surreal spectacle. Garcia’s ability to capture such layers of meaning within a single character elevates this piece into the realm of Street Pop Art with a distinct narrative voice. The Intricacy of Letterpress Printing Letterpress printing, a traditional technique known for its textural depth and tactile qualities, plays a significant role in the presentation of Party Tooth. By pressing ink into the fine art paper, this process creates a dimensional effect that enhances the bold black linework of the illustration. The choice of deckled edges on the Coventry Rag Fine Art Paper adds an artisanal touch, lending the print an antique and handmade feel that contrasts beautifully with the modern design of the artwork. Garcia’s use of a single-color palette ensures that the intricate details of the Tooth Monster and the dynamic composition of the print take center stage. The stark contrast between the black ink and the warm tone of the paper adds a striking visual quality, further emphasizing the character’s mischievous yet endearing personality. Party Tooth as a Street Pop Art Statement Party Tooth exemplifies the playful yet thought-provoking nature of Street Pop Art. The Tooth Monster’s wide-eyed excitement and pursuit of the lollipop create a whimsical narrative that speaks to themes of desire, indulgence, and celebration. Garcia’s ability to inject humor and charm into a surreal scenario makes the artwork both approachable and richly layered, appealing to fans of modern surrealism and contemporary Street Pop Art. This limited-edition print’s small size and exclusive run of 100 make it an ideal collectible for art enthusiasts and Camille Rose Garcia fans. Its balance of handcrafted techniques, bold design, and imaginative storytelling highlights the artist’s ability to push the boundaries of traditional printmaking while staying rooted in the accessibility and energy of Street Pop Art. Party Tooth is a testament to Garcia’s unique artistic vision, blending craftsmanship and creativity to create a piece that continues to captivate viewers and collectors alike.

Read more less

Peacock Dancer Hand Embleshed Glitter Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2020 Limited Edition 3.5” x 20” image size 2” border Giclée on fine art paper with hand embellished back glitter in feathers.

Read more less

Personality Crisis Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

Read more less

Pete Alonso Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Print. Pete Alonso of the Baseball Team New York Mets.

Read more less

Philippines MC Supersized Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by Pop Artist Ron English- POPaganda. 2020 Signed New In Box Limited Edition. Philippines Asian Country Variant Colorway. Ron English- POPaganda, 8 Inches Tall, Signed By Ron English- POPaganda, SFBI The "Philippines MC Supersized Grin Limited Edition" is a vinyl art toy that stands as a poignant symbol within street pop art and graffiti artwork. This collectible, crafted by the iconic pop artist Ron English- POPaganda, is a vibrant commentary on consumer culture, tailored explicitly in a colorway that pays homage to the Philippines. Released in 2020 as a signed, new-in-box limited edition, this piece stands 8 inches tall and is part of English's renowned SFBI (SuperFiction Brand Imagery) collection. Ron English- POPaganda's MC Supersized figure has become a staple in designer art toys, recognized for its satirical take on a fast-food mascot. The Philippines variant brings a unique cultural twist to this globally recognized character, adorned with the national colors and symbols of the Philippines, such as the sun and stars from the flag. This specific edition not only represents English's sharp critique of fast-food culture and its global reach but also reflects the nuances of national identity within the globalized world. The figure is meticulously signed by Ron English- POPaganda, adding a layer of authenticity and value for art collectors and enthusiasts. The signature is a direct connection to the artist, a testament to the piece's significance within English's body of work. Within the broader conversation of street pop art, the "Philippines MC Supersized Grin Limited Edition" vinyl toy exemplifies how the medium of art toys can become a canvas for critical discourse and artistic expression. Ron English- POPaganda utilizes the familiar and commercial to provoke thought, embedding complex ideas within the playful and accessible form of a toy. His work challenges the viewer to question the interplay between consumerism and culture, all the while delivering his message through the guise of humor and color. As such, English's work is not just a representation of street pop art aesthetics but a narrative device that speaks to the power of imagery in our daily lives. The "Philippines MC Supersized Grin" is a striking example of how the lines of art, commentary, and collectibility can intersect to produce pieces that are as thought-provoking as they are visually compelling.

Read more less

Picnic Limited Edition Hand-Embellished Hand-Painted Stencil on Prolux 300gsm Base Paper by MAD Graffiti Street Artist Modern Pop Art. Picnic Unique HPM Stencil Print by Mad He has presented his unique works on walls and art galleries of numerous countries around the world including Iran, US, Netherlands, UK, Norway, and Turkey.

Read more less

Pineal Gland Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2020 Signed & Numbered 18.2x24 Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered The pineal gland seems to have eye-like functions. It contains structures similar to the photoreceptors of our eyes. The entrance of light has an impact on the gland’s activity, including the hormonal regulation of our sleep and waking cycle. This involves brain wave changes. During meditative states, the pineal gland is similarly active as during nighttime. It helps the mind to enter a more relaxed state. -Nychos

Read more less

Pineapple Yellow SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure Sket is brightening up the SuperKranky fleet with his next vintage shade! Pop the cap for a sweet injection of limited-edition flavor! 8 big inches of juicy soft vinyl. Rattles when you shake it! Just 700 made!!

Read more less

Pinnacle Indian Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. With this Indian image it goes from the original poster in 1968, then to the Traffic poster, then to the Hippie Nation poster in 2007, then the image we have today as a blotter." - John Van Hamersveld

Read more less

Pip Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Urban Pop Artist Darien Birks. 2020 Signed & Numbered Limited Edition of 98 Artwork Size 12x12 Scottie Pippen Chicago Bulls Basketball Sports Print "Being born in the early 80's, growing up in the 90's—and being a basketball fanatic, naturally I gravitated to the iconic Michael Jordan and the Chicago Bulls. This artwork is inspired by 'The Last Dance' documentary that chronicles the dynasty in a way that we've never seen before—while re-introducing this team to the current generation. I was compelled to tap in to that nostalgia and celebrate my favorite players from the franchises greatest run." - Darien Birks

Read more less

Plastic Sea Pop Street Artwork Limited Edition Giclee Print on 100lb Italian Coldpressed Paper by Urban Graffiti Modern Artist Ilya Kuvshinov. 2020 Plastic Sea by Ilya Kuvshinov Fine-art Giclée print on Italian cold-press watercolor paper 20 x 20 Inches 1/2 inch border Limited Edition of 100 Numbered

Read more less

Platinum Plus Limited Edition 9-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 80 Artwork Size 24x18 Platinum Plus by Denial: Financial Icons and Identity Crisis in Street Pop Art & Graffiti Artwork Platinum Plus is a 2020 hand-pulled silkscreen print by Canadian graffiti and pop artist Denial, created in a signed limited edition of 80. Measuring 24 x 18 inches, this nine-color artwork is printed on fine art paper and boldly juxtaposes the visual identity of consumer banking with emotional expression and symbolic critique. Set against the form of a Bank of America Platinum Plus Visa card, the piece features a blonde woman draped in the American flag with her face seductively tilted and eyes closed. The credit card’s numbers and logos remain visible, as does the name Mary E. Jane, tying the visual commentary to themes of consumption, patriotism, and societal projection. The work stands as a charged example of Street Pop Art & Graffiti Artwork, where everyday corporate imagery is recontextualized to expose the surreal intersections between money, power, identity, and desire. Consumerism as Character Design Denial transforms the sterile design of a credit card into a visual battlefield of emotion, nationhood, and critique. The background is a direct replica of a platinum credit card, complete with issuer branding and typographic data, grounding the piece in the iconography of American capitalism. At the forefront, however, is a woman painted in a pop comic style, her face covered in the American flag. The use of the stars and stripes over her skin serves as a metaphor for national branding and the commodification of identity, where people themselves become surfaces for advertisement. Her lipstick is hot pink, her nails electric red, and her hair neon yellow—amplified hues that speak to artificial beauty standards and performative femininity. The figure’s sensual pose, coupled with the cold structure of financial documentation, embodies the paradoxes that run deep in Street Pop Art & Graffiti Artwork. Printmaking Technique and Fine Art Execution This silkscreen was produced using nine individual color separations, which allowed Denial to layer bold, solid inks with precision and clarity. The color saturation remains rich and flat, honoring the aesthetic of vintage commercial printing and comic-style graphics. The use of fine art paper adds weight and texture, positioning the work in a gallery context while retaining the visual urgency of street-level messaging. The edges of each color plane are sharp and deliberate, emphasizing the constructed nature of the piece both visually and conceptually. As part of Denial’s ongoing series of financial and identity-based critiques, Platinum Plus functions as a high-quality physical object and a powerful cultural intervention. Denial’s Sociopolitical Voice Through Branding Subversion Denial, whose real name is Daniel Bombardier, has become a defining voice in North American graffiti and contemporary pop critique. Emerging from the subversive world of sticker bombing and billboard hijacking, Denial now works across multiple mediums while maintaining his commitment to questioning authority, media, and economic control. In Platinum Plus, the artist pulls from a language of corporate aesthetics to question the myths of upward mobility, American exceptionalism, and financial aspiration. The work is both seductive and confrontational—encouraging viewers to examine the ways that financial institutions, advertising, and personal fantasy collide. Within the vocabulary of Street Pop Art & Graffiti Artwork, Platinum Plus is both a visual satire and an emotional outcry, mapping the price of belonging and the cost of visibility in a world built on credit and control.

Read more less

Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Hand cast and painted 3.75" scale carded resin figure. Signed and numbered by Ron English- POPaganda on the back. Signed by the HipHop trooper on the front. Numbered out of 100.

Read more less

Poo Fairy- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English- POPaganda. Comes with deck tape.

Read more less

Pool Party Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2020 Limited Edition of 40 Fine Art Giclee Print 16x20 Signed and numbered

Read more less

Powderpuff Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant. Artist: Alex Garant Title: "Powderpuff" Medium: Archival Pigment Print Edition: 50 Markings: Signed and numbered by the artist Dimensions: 18" x 18"

Read more less

Power Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Power, 2020 Screenprint in colors on Arches Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 94/100 Signed, numbered, and dated in pencil along lower edge Published by the artist The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

Read more less

Pretence- Green Limited Edition 4-Color Hand-Pulled Silkscreen Print on 315gsm Fine Art Paper by MAD Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 20 Artwork Size 19.7x27.5 MAD (born 1987) is a street artist from Tabriz, Iran since 2008. His major interests include combining critical social and cultural commentary with a dose of humor and metaphor, war, peace, freedom, humanity, etc.

Read more less

Processed and Enriched Original Painting Oil on Found Art Canvas by Dave Pollot Graffiti Street Artist Modern Pop Art. ‘Processed and Enriched’-Original oil on found art by Dave Pollot- Background is a framed painting on canvas- Signed in oil by Artist-Includes signed Measures 17.5 x 24″ including frame

Read more less

Psychedelic Andre - Endless Summer Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

Read more less

Psychedelic Andre- Pinnacle Blue Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

Read more less

Psychedelic Andre- Classic Red Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

Read more less

Psychedelic Andre- ‘92 Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

Read more less