Artworks

Mike Gordon- LA 2014 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Mike Gordon of Phish. March 17th, Los Angeles CA, The El Rey Theatre

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Modest Mouse- Orlando 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. Modest Mouse Music Band, Orlando FL 2014 Beacham Theater. Modest Mouse, Orlando, Flordia, 2014, Beacham Theater, Music, Walkman, Cassette Tape, Band

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of TBD 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy. –Shepard is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy." –Shepard

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Mover Record Release Party 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik 7-10-1997

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Oasis 1000%- White Chrome BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Pearl Jam Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Proof. Rock music legends Pearl Jam.

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Portugal. The Man Seattle 2013 Music Limited Edition Gig Poster 10-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Smith for Portugal. The Man. AP Artist Proof

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Ramones '76 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. Having a sharp eye for the counterculture movement of the 60s and 70s, Tim Page, a photojournalist and author, managed to capture some of the most striking images of the Vietnam War. Despite being injured in combat on four separate occasions, Page's love for adventure kept him undaunted. He possessed a peculiar personality that inspired Dennis Hopper's character in the renowned film Apocalypse Now. With his intriguing life serving as the subject of numerous documentaries, ten books, and two films, Page even held the role of the UN's Photographic Peace Ambassador in Afghanistan for two years. His recent recognition as one of the "100 Most Influential Photographers of All Time" has cemented his place among the most exceptional artists.

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 In concert poster art, few names are as synonymous with the medium as Frank Kozik. His creation for the Red Hot Chili Peppers, Primus, and Mary's Danish gig at The Fillmore in San Francisco on September 15 and 16, 1989, is a vivid example of his dynamic contribution to the genre. The print, marked as F115 in the catalog of Bill Graham's legendary venue posters, represents an era when rock music and visual art found a harmonious and often rebellious coexistence. This hand-pulled silkscreen print, with dimensions of 13x19 inches, is more than a mere announcement of an event; it's a piece of art that captures the raw vigor of the late 1980s music scene in San Francisco. Featuring a striking illustration that embodies the psychedelic and funky vibes of the Red Hot Chili Peppers and the eccentricity of Primus, Kozik's work is a nod to the era's graphic sensibilities, mixing pop art influences with street art's accessibility and edge. Limited editions of such prints are sought after not just for their scarcity but also for their representation of a specific cultural moment. Kozik's prints are known for their bold lines, eye-catching color palettes, and unique interpretation of band personas, and this piece is no exception. The blending of vibrant pinks and purples with the striking image of a cartoonish skeleton figure reflects the energy and boundary-pushing styles of the featured bands. This particular print is a testament to the enduring legacy of a time when The Fillmore was as much a hub for visual innovation as it was for musical performances. Kozik's artwork for this show stands as an iconic piece of pop and street art, bridging fans with the memorable experience of live music and the tactile quality of fine art paper. It encapsulates a period when posters were not only promotional tools but also collectible works of art that fans and art lovers would cherish for decades.

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Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17.5x22.5 Silkscreen Print Event Gig Poster by Frank Kozik Red Baron-like monster flying bi-wing plane drinking beer. Frank Kozik is a renowned graphic artist widely known for his distinctive style that's been instrumental in reviving the lost art of the concert poster. His creations are typically vibrant and often use a blend of cultural references, creating unique and intriguing visual narratives.

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Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

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Ritual Device Fueled Bottom AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 100 Artwork Size 16x22 Silkscreen Print Band Gig Poster by Frank Kozik Ritual Device Fueled Bottom July 29th 1995 San Fransisco California Bottom of the Hill. Frank Kozik is an American graphic artist known for his music poster art in the 1990s. He was a central figure in the revitalization of poster art, particularly in the punk rock and independent music scenes. His work is characterized by saturated colors, cartoony figures, and a distinctive illustrative style. Kozik has created posters for a wide range of bands and music events, particularly in and around the San Francisco area. Many of his works are silkscreen prints, a technique that allows for vibrant, dense color and is particularly suited to his style.

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Scooter Rage XII 1998 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1998 Signed by Kozik & Numbered Limited Edition of VERIFY Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik Helium Angel, In-Citers, The Hi-Fives Jan 2 3 4 1998 SSC/SF

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Sex Bob-omb 2010 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Music group Sex Bob-omb from the movie Scott Pilgrim vs. the World. Sex Bobomb, Rock It, Crash & The Boys, August 10th 2010 Toronto Canada

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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Stains Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. A fictional band from movie Ladies and Gentlemen, the Fabulous Stains.

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StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

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Sterling Spoon Janes Addiction Calavera AP Artist Proof Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Sterling Spoon Janes Addiction Calavera AP Artist Proof stands as a testament to the convergence of pop art and street art, epitomized in the modern art scene. Produced in 2016, this silkscreen print, crafted meticulously on fine art paper, is the brainchild of the acclaimed Latino artist, Ernesto Yerena Montejano, who is widely recognized under the banner "Hecho Con Ganas." Montejano's artistry is renowned for weaving cultural narratives and themes, particularly from his Latino heritage, into contemporary artistic expressions that resonate across a global audience. Diving deeper into the artwork, one cannot overlook its size – an impressive 18x24 inches – that commands attention and ensures that the details and nuances are not lost on the viewer. The choice of the Calavera, or skull, as a motif is not arbitrary. It embodies themes of mortality, celebration, and remembrance, often associated with the Day of the Dead celebrations in Latin cultures. This ties the work to a deep-rooted tradition while presenting it through the lens of modern-day pop and street art. What sets this piece apart, even more, is its exclusivity. As an Artist Proof, it is not just a mere representation of Montejano's vision but also offers a closer, more personal glimpse into his creative process. Marked with the artist’s signature, this limited edition piece serves as a bridge between the urban streets from where street art draws its inspiration and the polished galleries that pop art often finds its home. Such a piece not only speaks of its inherent artistic value but also stands as a chronicle of the times, cultures, and emotions that birthed it.

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Supersuckers New Bomb Turks AP 1994 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Numbered Limited Edition of AP Artwork Size 22.5x17.75 Silkscreen Print Band Gig Poster by Frank Kozik Supersuckers, New Bomb Turks, Putters, Weathered Wall, Seattle WA 1st of July 1994

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The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. The Clarke Nova Stiff Richards Loudspeaker The Kilowatt Club San Francisco California 10-19-1995 The Clarke Nova Stiff Richards gig poster, created by the renowned artist Frank Kozik in 1995, is a quintessential piece of pop and street art history. As a silkscreen print, it captures the vibrant energy of San Francisco's underground music scene of the mid-90s. Kozik's work is widely recognized for its strong visual impact and its commentary on culture, which is vividly displayed in this particular artwork. Limited to an artist-proof (AP) edition of only 50, each piece was meticulously hand-pulled on fine art paper, ensuring a high level of quality and individuality. Measuring 17.5x22.5 inches, the print features bold colors and a cartoonish design characteristic of Kozik's style during that era. It reflects an intersection of music and art that Kozik navigated so well, capturing the essence of the performances by The Clarke Nova, Stiff Richards, and Loudspeaker at The Kilowatt Club on October 19, 1995. Frank Kozik's approach to band gig posters was instrumental in defining the visual language of pop art within the music industry at the time. The striking use of color and the playful imagery are not only indicative of the pop art style but also convey the dynamism of the San Francisco street art movement. The artwork has become an iconic piece, sought after by collectors and enthusiasts who see Kozik's prints as a valuable part of the narrative that documents the alternative culture and its influence on the aesthetics of the time. This particular silkscreen print not only advertised an event but also served as a standalone piece of art, merging commercial intent with artistic expression. Its collectibility lies not just in its visual appeal but also in the unique story it tells about a specific time, place, and subculture within San Francisco. The gig poster has become a historical reference point, an artifact that encapsulates the spirit of a vibrant scene and continues to influence contemporary pop and street artists.

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The Clash Under Westway Overpass Notting Hill London UK 1982 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. With a keen eye for the counter culture of the 60s and 70s, Tim Page, an author and photojournalist, captured some of the most unforgettable images of the Vietnam War. Despite being wounded in battle four times, Page's thrill-seeking nature kept him undeterred. His eccentric personality inspired Dennis Hopper's character in the famous movie Apocalypse Now. Page's fascinating life has been the subject of numerous documentaries, ten books, and two films. He even served as the UN's Photographic Peace Ambassador in Afghanistan for two years. Recently, he was recognized as one of the "100 Most Influential Photographers of All Time," cementing his place in the pantheon of great artists.

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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The Last Card in the Deck- Why? Boston 2013 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Speckletone Fine Art Paper by James R Eads for Why?. The Last Card in the Deck" is an 18" x 24" three-color screen printed gig poster for WHY?'s June 19th tour date at Brighton Music Hall, Boston, MA. The gig poster is inspired by WHY?'s album Mumps

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The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

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The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1996 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22 Silkscreen Print Band Gig Poster by Frank Kozik. The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Fort Point Pier The Mermen AP 1996 San Francisco, CA silkscreen print is a symbolic piece by the acclaimed artist Frank Kozik, whose work is often associated with the vibrant energy of pop and street art. Kozik's distinctive style is characterized by a blend of bold colors, cartoon-like figures, and a touch of satirical humor, all of which are palpably present in this artwork. This piece, crafted explicitly as a gig poster for a performance at Fort Point Pier on October 4, 1996, captures the essence of the San Francisco music scene of the time. Hand-pulled on fine art paper, the print is part of an exclusive Artist Proof (AP) edition, limited to 50 signed and numbered pieces. Measuring 17.5x22 inches, it's a significant work that embodies the culture and vibrancy of its era. Kozik's use of the silkscreen technique lends the piece a tactile quality that is often lost in digital reproduction, giving each print a unique texture and depth. The imagery in this particular print, featuring a park ranger character brandishing a sign that protests against beach parties, flanked by an unconscious figure surrounded by litter, serves as a witty commentary on environmental conservation and personal responsibility. This reflects Kozik's knack for engaging with social and cultural themes through his art, a trait he shares with many street artists who use public spaces to comment on societal issues. Kozik's work has been instrumental in defining the visual landscape of music culture in the 1990s, with his posters becoming synonymous with the era's underground music scene. The Mermen AP print is not just a piece of memorabilia but also a slice of pop culture history, encapsulating the intersection of music, art, and social commentary. Its existence as a limited edition work heightens its collectibility. It serves to preserve a moment when street art aesthetics infiltrated mainstream visual culture, thereby solidifying Kozik's legacy within the art community.

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Nomads 15th Anniversary Party 1996 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 675 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik Nomads, Studion, Stockholm Sweden 5-6-1996 Depicts A Muscle Car Burning Out Celebrating the 15th anniversary of the legendary Nomads, this distinctively vibrant silkscreen print from 1996 holds a significant place in the world of pop street art. Created by the inimitable Frank Kozik, renowned for his poster art, this artwork is more than a mere decoration - it serves as a testament to the era it embodies, an artifact of the vibrant street art culture of the late 20th century. Hand-pulled on high-quality fine art paper, this print radiates a raw, authentic feel. Its dimensions, 22.5x17.5 inches, make it a robust statement piece. With a limited edition of just 675, each copy is signed by Kozik himself and meticulously numbered. This meticulousness in the production process elevates the work beyond the ephemeral nature usually associated with street art, making it a collectible piece. Staged at the Studion in Stockholm, Sweden, on the 5th of June, 1996, the Nomads' anniversary gig was immortalized by this striking print. It depicts a muscle car engaged in an electrifying burnout, a bold image that vibrates with the punk-infused energy of the Nomads' music and the rebellious street art spirit that Kozik champions. The imagery is both a tribute to the heady power of the automobile and a symbol of the band's audacious spirit. This piece doesn't merely commemorate a concert, but a particular moment in time and the cultural shifts happening within it. The explosive vehicular illustration is a tangible representation of the era's energy, capturing the essence of the Nomads' music, and the fiery spirit of Kozik's artistry. The juxtaposition of a refined fine art print with a subject steeped in grit and rebellion makes for a captivating paradox. The 1996 Nomads 15th Anniversary silkscreen print by Frank Kozik is indeed a hallmark of pop street art, a tangible connection to a pulsating past.

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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Ty Segall- The Blind Pig 2014 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler for Ty Segall. The Blind Pig

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U.V.B.C. Love Thy Neighbor 1997 Montreal Canada Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 350 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. U.V.B.C. Paper Route Tricky Woo Bionic S.S.G. Showcase 3-8-1997 Immersed in the distinctive visual culture of the late 20th century, the "U.V.B.C. Love Thy Neighbor" silkscreen print by Frank Kozik stands as a testament to the artist's influential role in pop art, street art, and graffiti movements. Created for a musical showcase in Montreal, Canada, on March 8th, 1997, this piece is a striking amalgamation of rock 'n' roll ethos and a call for communal harmony, encapsulated by the phrase "Love Thy Neighbor" prominently displayed across a montage of band memorabilia. The hand-pulled print on fine art paper exudes Kozik's signature style—bold, graphic, and often imbued with a sense of irony. The limited edition print, with only 350 copies signed and numbered by Kozik, presents a collection of items traditionally associated with the punk and rock subcultures, including a grenade and a knuckle duster. These symbols, entwined with the olive branches and the commandment to love one's neighbor, create a juxtaposition that challenges viewers to question societal norms and the often contradictory nature of human behavior. This artistic expression goes beyond simple concert promotion, delving into the realm of social commentary while remaining rooted in the visual language of pop and street art. The event itself, featuring U.V.B.C., Paper Route, Tricky Woo, and Bionic at The 360 in Queen West, is memorialized in a manner that elevates the ephemeral nature of a gig poster to a lasting piece of art. Kozik's work, including this print, serves as a cultural milepost that captures the zeitgeist of its time—a visual lexicon for the music and the message, embodying the D.I.Y. aesthetics that define the era's underground music scenes. The print's size and the vibrancy of its colors command attention, with each element meticulously chosen to convey the artist's vision and immortalize a moment in Montreal's vibrant music history.

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UMBowl 5- New York 2014- Umphreys McGee Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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Umphreys McGee Red Rocks 2010 Limited Edition Event Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Hand deckled bottom edge. Umphrey's McGee and Galactic at Red Rocks in Morrison, CO in 2010.

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Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Unsane Sweet Diesel Lollipop The Kilowatt San Francisco Ca March 9, 1996

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Wu-Tang is for the Children Limited Edition Giclee Print on Fine Art Paper by Jason Naylor counter-culture street artist art.

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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