Artworks

Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Shutov Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 24x24 Giclée print on Hahnemuhle fine art paper. Edition of 100

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Sighting Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Mario Wagner Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 11x14 From BLK/MRKT. Small Tape Markes From Mounting on Margin Corners

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Signal Fires Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 17x17 The Artistic Vision of Adrian Cox's Signal Fires Archival Print Adrian Cox's "Signal Fires" is a mesmerizing contribution to the evolution of Street Pop Art and graffiti Artwork. This archival pigment fine art limited edition print encapsulates the essence of merging traditional pop art sensibilities with street and graffiti art's bold, unrestrained spirit. Printed on 290gsm bright white Moab Entrada Rag Paper, a medium chosen for its superb archival qualities and exceptional color rendition, the artwork represents a modern take on pop art with a nod to the enduring influence of street art. The dimensions of this exclusive print measure 17x17 inches, forming a perfect square that is somewhat unconventional in the world of graffiti-inspired artwork, where asymmetry and irregularity often reign. The limited edition run of only 50 prints assures each collector of unique art history, with each print meticulously signed and numbered by Cox in 2023. This personalized touch is a hallmark of street art, where the artist's direct engagement with their work is paramount. Interpreting the Symbolism in Signal Fires "Signal Fires" captures the viewer's imagination through its arresting visual narrative, set against the backdrop of a dramatic sunset. The solitary figure standing at the sea's edge, draped in a vibrant blue cloak and holding aloft a beacon of light, invites a contemplation of solitude, guidance, and the search for connection. These themes resonate deeply within Street Pop Art and graffiti Artwork. The beacon, a luminous contrast to the twilight, suggests the enduring human desire to communicate and connect across vast distances. This concept mirrors how street art communicates with its audience across the urban landscape. The nuanced play of light and shadow, the meticulous rendering of the seascape, and the circular framing of the print all speak to the complexity and depth of street art, often dismissed as mere vandalism, yet here elevated to a form of high art, capable of invoking profound emotional responses. The print, much like a piece of graffiti, occupies a space at once a part of the natural world yet distinctly apart from it, creating a dialogue between the environment and the artwork. Cultural and Aesthetic Impact of Signal Fires The cultural significance of "Signal Fires" within the Street Pop Art and graffiti Artwork movement cannot be overstated. The piece embodies the core ethos of street art - accessibility, public engagement, and a democratized approach to art consumption. Yet, through the medium of fine art printmaking, Cox elevates these principles into a form that is both collectible and enduring. The selection of Moab Entrada Rag Paper further amplifies this, ensuring that the rich textures and colors of the print will withstand the test of time, in stark contrast to the transient nature of street art. This juxtaposition of the transient and the permanent reflects a more profound narrative within the street art community, where the act of creation is often a fleeting moment, subject to the elements and the shifting dynamics of the cityscape. In "Signal Fires," Cox captures and crystallizes this transient beauty, offering a moment of reflection and permanence in a world constantly in flux. Adrian Cox and the Continuum of Street-Inspired Art Adrian Cox's role in the ongoing discourse of modern art is further solidified with "Signal Fires." His work is a vibrant thread in the tapestry of Street Pop Art and graffiti Artwork, pushing the boundaries of these genres into new and exciting territories. Cox's print stands as a beacon of innovation and cross-genre synthesis in a world where the lines between different art forms are increasingly blurred. The piece is a visual feast and a conceptual pivot point that challenges the viewer to reconsider the boundaries between high art and street art, between the gallery and the alleyway. It is a testament to the power of art to transcend these boundaries, to communicate universally, and to touch the human spirit in profound ways. Adrian Cox's "Signal Fires" captures the essence of our time, a period characterized by the intersection of traditional art forms with the pulsating energy of the streets. It is a testament to the artist's vision and the enduring power of Street Pop Art and graffiti Artwork to resonate with audiences profoundly and meaningfully.

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Signal Flare Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Adam Caldwell Graffiti Street Artist Modern Pop Art. "This is a painting of one of my favorite models, Victoria. I painted her in front of a vintage photo of a railway signalman swinging a lantern at night. He’s sending information to the conductor of the train by moving the light in different patterns. There are also elements from an architectural model, a receding yellow fire hose, and some backward 1950’s ad copy. This piece was part of a recent show with Ekundayo and Joram Roukes "New Generation" at Thinkspace gallery in July 2013. I used ad copy, historical photos, and female figures as elements in most of the pieces. It’s a bit simpler than most of my compositions. The figure is really centered as well, I usually push for a more asymmetrical placement, but I like how it came out." - Adam Caldwell

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Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English- POPaganda Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

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Signs- Black Limited Edition Hand-Embellished HPM 2-Color Silkscreen on Fabriano Watercolor Paper by Copyright Graffiti Street Artist Modern Pop Art. Copyright (20th century) Signs (Black), 2016 Mixed media screenprint in colors on Fabriano Watercolor paper 19-3/4 x 13-3/4 inches (50.2 x 34.9 cm) (sheet) Ed. 2/13 Signed and numbered in ink along the lower edge.

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Signs Of The Crimes- Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Goldenrod Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Hot Pink Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Lime Green Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Magenta Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Red Orange Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Signs Of The Crimes Red Orange by Ron English- POPaganda: Satirical Symbolism in Street Pop Art & Graffiti Artwork Signs Of The Crimes Red Orange is a 2020 limited edition artwork by street pop culture icon Ron English- POPaganda, executed as a 24x24 inch UV-cured archival print on high-definition aluminum panel. Framed and ready to hang, this signed edition of 100 merges vivid minimalist color with hyperrealist distortion, spotlighting English’s deep critique of consumer icons and psychological contradiction. The piece features a single yellow smiley face against a blazing red-orange background, but upon closer inspection, the traditional happy visage is interrupted by a grotesque anatomical mouth. A photorealistic human jaw grins behind the synthetic emoji facade, exposing bone structure, gums, and teeth. The work forces a confrontation between surface happiness and hidden discomfort, rendered in the visual language of Street Pop Art & Graffiti Artwork. Visual Deconstruction and Cultural Parody Ron English- POPaganda is known for his ability to remix and mutate universally recognized icons, turning them into visual parodies that question their original intent. In Signs Of The Crimes Red Orange, the smiley face becomes a vehicle for satire. Originally created in the 1960s as a symbol of corporate friendliness and later adopted by rave and acid house subcultures, the smiley is often associated with euphoria, innocence, and mass appeal. English rips that association open—literally—by replacing the expected line-drawn mouth with a surgically precise rendering of a human grin. The result is uncanny and confrontational. It invites the viewer to smile along while forcing them to feel disturbed. This kind of visual tension is central to Ron English- POPaganda’s approach, where popular symbols are disassembled, reassembled, and shown in their most honest or exaggerated forms. Material, Print Process, and Presentation The piece is produced using archival UV-cured inks on a varnished HD aluminum panel, a process that ensures both color intensity and long-term preservation. The surface is sleek and durable, allowing the bold saturation of the background and the contrasting precision of the smiley’s face to take center stage. The print’s varnished finish gives it a luminous quality under light, making it ideal for display in gallery, commercial, or private settings. Each edition is hand-signed by Ron English- POPaganda, affirming its place within his broader body of collectible visual disruptions. Framed and ready to hang, this work is not just an artwork but a fully realized object of commentary, crafted for immediate impact. Ron English- POPaganda’s Influence in Street Pop Art & Graffiti Artwork Born in the United States in 1959, Ron English- POPaganda is a foundational figure in Street Pop Art & Graffiti Artwork, often credited with pioneering techniques in billboard liberation and subvertising. His career spans fine art, vinyl toys, political murals, and commercial design—all approached with the same intent to reveal the truths beneath modern mythologies. English’s work is consistently fueled by a distrust of corporate language and a fascination with the seductive power of visual repetition. Signs Of The Crimes Red Orange encapsulates that ethos, taking one of the most globally recognizable icons and turning it into a symbol of suppressed aggression, synthetic identity, and media manipulation. The piece serves as both homage and critique, a striking example of how a simple form can carry deep complexity when viewed through the lens of Street Pop Art & Graffiti Artwork.

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Signs Of The Crimes- Purple Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Red Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Seafoam Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Signs Of The Crimes- Sky Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Silhouetted Reaper- Morning Dew Green Limited Edition 2-Color Silkscreen Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Soto’s infamous giant box robot creepin’ while ya sleepin’ against the night sky! This is a large two-color screenprint on 24? x 36? (61cm x 91cm) Cream Speckletone paper.

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Silver City Style B Day AP White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. AP Artist Proof 2012 Signed Limited Edition Artwork Size 24x18 Silver Metallic Ink City Style B Daytime 24x18

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Silver City Style A XL Day White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Daytime 36x24

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Silver City Style B Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 25 Edition Artwork Size 24x18 Silver Metallic Ink City Style B Nightime 24x18

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Silver City Style A XL Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Nightime 36x24

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Silver East Coast Legends 5oz Canbot Canz Pop Graffiti Art Toy by Crash- John Matos x Czee13 Limited Edition Spray Paint Can Figure Robot Artwork. 2023 Limited Edition of 100 New in Box Size 3x5.5 Silver Crash Graffiti Robot 5oz Canz Canbot Spray Paint Can Art Toy.   Crash's Canbot: A Homage to Graffiti's Spirit The Silver East Coast Legends Canbot is a limited-edition art toy that encapsulates the spirit and history of graffiti art in its design and conception. A collaborative effort by renowned graffiti artist John "Crash" Matos and artist Czee13, this collectible merges street art's rebellious energy with pop art's aesthetics. Released in 2023, this series was limited to a batch of 100, each piece a new-in-box robot figure styled after a spray paint can, the quintessential tool of the graffiti artist. Crafted with a metallic sheen, the Canbot embodies graffiti's industrial and provocative nature. The design is a tribute to Crash's legacy as a pioneer of the East Coast graffiti scene, his tag "CRASH" inscribed on the can's top. The robot's form takes on a personified spray can, with a cap for a head and a body adorned with Matos' iconic graffiti. This art toy does not merely represent a static figure but symbolizes graffiti art's movement and fluidity. Matos and Czee13: Bridging Street Art and Collectible Culture John Matos, better known as Crash, has been instrumental in elevating graffiti from the streets to the galleries, and his collaboration with Czee13 on the Canbot further bridges the gap between street art and collectible culture. The Canbot is not just an art toy; it is a piece of street pop art, merging the collectible market with the ethos of street art. Each Canbot's unique design is a testament to the individuality and creativity that defines the graffiti art form. This series extends the narrative of street art into collectors' homes and personal spaces, allowing for an intimate interaction with a piece of pop culture history. The Canbot, with its sleek design and historical significance, serves as a functional work of art, encapsulating the essence of street art's impact on contemporary culture and its persistent influence on various artistic mediums. The Canbot as a Statement Piece in Graffiti Artwork The Silver East Coast Legends Canbot is more than a mere homage; it is a statement piece that speaks to the endurance and evolution of graffiti artwork. The limited edition series highlights the transformative journey of street art from the fringes of public spaces to the center stage of art collector's showcases. Each Silver Canbot, with its brilliant finish and detailed design, carries the story of graffiti's past, its vibrant present, and its potential future. In a broader sense, the Canbot by Crash and Czee13 is a physical manifestation of the dialogues that street pop art and graffiti artwork inspire – conversations about art, accessibility, culture, and the ways these intersect within our modern world. Through this piece, the artists invite viewers to reflect on the intrinsic value of street art beyond the walls and into the realm of the every day, offering a tangible connection to the pulse of the city streets and the art that breathes life into them.

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Silver Haze Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by Marijuana Artists Nugg Life NY- Ian Ziobrowski. 2022 Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run of 20 signed and numbered.

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Silver Moon Limited Edition 3-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Rag Vellum by Erik Otto Graffiti Street Artist Modern Pop Art. "Where my mother grew up in Texas, one of the largest employers was NASA, and she was fortunate enough to be present during the Apollo 11 mission that resulted in man's first step on the moon. Through this influence and my early discovery of Carl Sagan, I developed a curiosity for the solar system, the elements that connect us all, and the many symbols different cultures apply to the cosmos. The silver moon concept combines the self-reflective qualities of silver and the healing powers of the moon. Separated marks carefully arranged and suspended within the composition each depict natural elements while producing a suggestive horizon with the moons sitting still in its fullness on a seemingly endless black surface. This piece was created during a time of reinvention within the studio as I committed to producing an all-new body of work exploring the symbolic characteristics of waves and water. " - Erik Otto

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Silver Seascape Original Guerra Pigment Painting by Richard Hambleton of, a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 2002 Signed & Dated Guerra Pigment & Paint Framed Painting Original Artwork Size Framed 33.5x28 with COA & Letter From Robert Murphy Richard Hambleton's Artistic Mastery in "Silver Seascape" Richard Hambleton, a luminary in the world of street pop art and graffiti artwork, left an indelible mark on the canvas of urban art history. His unique contribution to the genre is encapsulated in works like the original "Silver Seascape" painting. This piece is not merely a visual treat but a narrative of the artist's profound relationship with the natural elements, painted with the Guerra pigment and paint that became part of his signature technique. Completed in 2002, it is a one-of-a-kind artwork on fine art paper, framed and ready to inspire onlookers in any setting. Seascape stands out as a testament to Hambleton's artistic versatility and ability to transcend street art's traditional boundaries. Known predominantly for his shadowy figures that lurked on the walls of city buildings, this seascape presents a softer, no less impactful, side of his oeuvre. The 33.5x28 framed artwork captures the ethereal interplay between light and shadow, a dance of natural forces rendered in the moody tones of Hambleton's palette. The artwork, signed and dated by Hambleton, carries the authenticity of his vision, attesting to the originality that was the artist's hallmark. The signature aluminum art Guerra pigment combined with black art Guerra paint creates a texture and depth that lends the piece a three-dimensional quality, blurring the line between the tangible and the ephemeral. The Provenance and Legacy of Hambleton's "Silver Seascape" The provenance of this artwork adds to its allure. Having belonged to the collection of Robert Murphy, a close associate of Hambleton's and a figure prominent enough to be featured in the documentary "Shadowman," this piece is steeped in personal history. The Certificate of Authenticity (COA) accompanying the painting, provided by Murphy and a second COA from Dirtypilot, underscores the artwork's legitimacy and the close connection between the artist and his confidants. This painting is a visual representation of Hambleton's talent and a slice of his personal journey with his contemporaries. Impact and Influence of "Silver Seascape" Hambleton's "Silver Seascape" is not merely a decorative piece but a conduit for the raw and compelling energy that characterized his street pop art and graffiti work. The piece resonates with the spirit of freedom and spontaneity often associated with the best of street art. At the same time, its execution and presentation echo the discipline and finesse of fine art. It's a bridge between worlds, embodying the rebellious heart of street art within the refined context of a gallery-worthy piece. This artwork carries within it the echoes of the streets where Hambleton began, transformed into a form that commands contemplation and respect in the silence of a collector's enclave. The seascape genre, often used to portray the sublime and the tumultuous nature of the sea, is adeptly harnessed by Hambleton to reflect similar emotions he stirred through his street art. The dynamic and ever-changing sea, a metaphor for life and art itself, is depicted with a brooding, timeless, and immediate intensity. It reflects Hambleton's understanding that art, like the sea, is never static, always leaving an impression unique to the viewer's perception. Richard Hambleton's "Seascape" is a remarkable work that offers a distinct departure from the artist's urban street art, guiding viewers to a contemplative horizon where the sea meets the sky. It is a masterful creation that brings together the disparate elements of street pop art and fine art, framed and presented in a manner that is both accessible and profound. This piece celebrates Hambleton's legacy, a visual poem composed in the language of color and form, ready to hang and transform any space it occupies.

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Sinew Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Aaron Nagel Graffiti Street Artist Modern Pop Art. "This piece was created for the “20 Years Under the Influence of Juxtapoz” show curated by Thinkspace and Copro that opened in LA last month. It’s still up actually, at the LA Municipal Art Gallery at Barnsdale Park. This was the first larger piece in a while that wasn’t created as part of a larger body of work actually. I’m in-between shows at the moment, so right now I’m trying some new things, playing with new ideas that may or may not carry over into a larger body of work. This piece has since led me into some much weirder territory — that will hopefully see the light of day." - Aaron Nagel

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Sinner AP Artist Proof Silkscreen Print on 410gsm Somerset Satin Paper by Lee Eelus Street Art Pop Artwork. AP Artist Proof 2022 Signed Limited Edition of 3 Artwork Size 22.64x30.12

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Sirens Of The Night White Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Printed on 290gsm Coventry Rag paper with deckled edges. Sirens Of The Night White by Cleon Peterson – 1-Color Silkscreen in Street Pop Art & Graffiti Artwork Sirens Of The Night White is a 2022 hand-pulled silkscreen print by American artist Cleon Peterson, known for his graphic depictions of violence, power, and resistance. This limited edition artwork measures 24 x 18 inches and is printed on 290gsm Coventry rag paper with deckled edges, combining street-level symbolism with fine art craftsmanship. Limited to 100 signed and numbered prints, the piece features a dynamic white silhouette of a nude woman on horseback, swinging a golden sword amidst a storm of jagged, electrified forms. The figure, both elegant and commanding, charges forward against a pitch-black backdrop, surrounded by lightning-like patterns that suggest chaos, rage, and transformation. The striking use of white and gold on black intensifies the impact of the composition, transforming a classical equestrian pose into a modern mythology of power and defiance. Feminine Force and Symbolic Weaponry In Sirens Of The Night White, Peterson reimagines the female form not as a passive muse but as an active embodiment of disruption. The central figure rides bareback, sword raised, poised in a moment of deliberate motion. Her nudity does not imply vulnerability but instead emphasizes fearlessness and purity of purpose. The minimal linework allows the viewer to focus on the rhythm and energy of the pose, while the controlled use of gold in the sword and lightning accents infuses the piece with spiritual and revolutionary undertones. The storm that surrounds her is not one of destruction but of awakening, a visual metaphor for resistance in the face of oppressive structures. Her presence becomes a call to arms, confronting viewers with a raw form of feminine agency rarely seen in such stylized modern iconography. Cleon Peterson’s Allegorical Combat in Street Pop Art & Graffiti Artwork Cleon Peterson is a Los Angeles-based artist whose work addresses themes of brutality, lawlessness, and the collapse of social order. Through minimalist, silhouette-based figures often caught in ritualistic violence, he creates a visual world where power is always contested and morality is ambiguous. Sirens Of The Night White continues his exploration of domination and rebellion but through a more mythic lens. Within the tradition of Street Pop Art & Graffiti Artwork, Peterson’s aesthetic pulls from ancient reliefs, propaganda posters, and graphic design, reconfiguring them into stark allegories for the modern psyche. His visual narratives reject the sanitized optimism of traditional pop art, instead embracing the darker currents that shape contemporary life. This print stands as a meditation on both destruction and rebirth—told not through words, but through form, color, and motion. Print Quality and Collector Value This silkscreen edition is meticulously printed on heavyweight 290gsm Coventry rag paper, a premium surface known for its durability and rich texture. The deckled edges give each print a handmade, archival quality that reinforces its position as fine art. As a limited edition of 100, each print is signed and numbered by Cleon Peterson, ensuring its authenticity and collectibility. The monochromatic palette, accented by gold, ensures that the piece can hold visual presence in any setting while carrying deep conceptual weight. For collectors of Street Pop Art & Graffiti Artwork, Sirens Of The Night White represents not just a work of visual power, but a statement of urgency, resistance, and unapologetic force—etched in stark contrast and timeless symbolism.

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Sirens Of The Past Day Silkscreen Print by Cleon Peterson Hand-Pulled on Hand Deckled 290gm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x22 Silkscreen Print of Stylized Gold & Black 3 Nude Siren Greek Myth Legends The realm of pop art, street art, and graffiti art has seen the emergence of countless unique and thought-provoking pieces, and the work of Cleon Peterson stands as a testament to the raw power and passion that can be infused within such creations. Peterson's piece titled "Sirens Of The Past Day" is a silkscreen print that draws on various elements of Greek mythology, merged with his iconic street art style, representing an intriguing blend of the old and the new. Hand-pulled on 290gm Coventry Rag Fine Art Paper, "Sirens Of The Past Day" presents the viewer with a bold portrayal of three nude Sirens, characters from Greek myth legends, known for their enchanting voices and deceptive allure. Peterson adopts a stylized approach in creating this masterpiece, using a striking combination of gold and black. This choice of colors lends the artwork a distinct aesthetic appeal, reminiscent of both pop art's simplicity and street art's dynamic energy. "Sirens Of The Past Day" measures 18x22, making it an ideal size for collectors looking for a piece of artwork that could stand out in a variety of settings, be it a private collection, a gallery, or a public space. The artwork is a limited edition of 75, ensuring the exclusivity of the piece. Each print is hand-signed and numbered by Cleon Peterson himself, adding a personal touch to this remarkable creation and underscoring the authenticity of the work. Cleon Peterson, known for his hard-hitting and often controversial themes, draws on a wide range of influences, from classical mythology to contemporary societal issues. In "Sirens Of The Past Day", Peterson breathes life into the age-old legends of the Sirens, presenting them in a modern context that resonates with the ethos of pop and street art. His signature style shines through the bold, stark lines and striking color palette, transforming the Sirens from ancient myths into powerful symbols of seduction and danger in the contemporary world. Peterson's unique ability to blend pop art's boldness with the raw edginess of street art is reflected beautifully in "Sirens Of The Past Day". This limited edition silkscreen print is a reflection of Peterson's artistic prowess, a masterpiece that draws the viewer in and invites them to delve deeper into the intricate world that Peterson creates with his art. With its intense imagery and thought-provoking theme, "Sirens Of The Past Day" is a testament to Cleon Peterson's skill and vision, making it a notable addition to any collection of pop or street art.

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Sirens Of The Past Night Silkscreen Print by Cleon Peterson Hand-Pulled on Hand Deckled 290gm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x22 Silkscreen Print of Stylized Gold & Black 3 Nude Siren Greek Myth Legends Emerging from the realm of pop art, street art, and graffiti, is an incredibly captivating piece of artwork, "Sirens Of The Past Night" silkscreen print, hand-pulled by Cleon Peterson. This magnificent piece, released in 2023, embodies an illustrious fusion of traditional silkscreen methods and modern artistic ideologies. Known for his expressive and provocative style, Peterson has once again crafted a masterpiece that stands as a testament to his prodigious talent. The artwork is one among a limited edition, with just 75 numbered pieces, each signed by the artist himself, rendering each print a unique collector's item. The print is presented on 290gm Coventry Rag Fine Art Paper, a medium well-regarded for its capability to carry intricate designs and bold colors, a signature aspect of Peterson's work. The size of the artwork, at 18x22, offers a compelling canvas for Peterson to wield his creative prowess, while also making it a perfect addition to any art collection, whether for personal pleasure or public display. "Drenched in the hues of gold and black, "Sirens Of The Past Night" is a celebration of Greek mythology, portrayed through the lens of modern pop art. The focal point of the artwork revolves around the representation of three nude sirens, figures known in ancient tales for their enchanting voices and mesmerizing beauty. The sirens have been depicted with great detail and attention, their forms styled in a manner that is quintessentially Peterson - a fusion of raw street art elements and refined pop art aesthetics. The stylistic elements in the piece are intentionally provocative, echoing the artist’s commentary on societal conflicts and human nature. Peterson is renowned for his compelling visual narratives that delve into the paradoxical aspects of the human condition, the nuances of which can be observed in this print. The sirens symbolize not only their mythical attributes but can also be interpreted as metaphoric reflections of the human psyche, a recurring theme in his body of work. The artwork's choice of contrasting gold and black adds another layer of intrigue, signifying the perpetual conflict between light and darkness, good and evil. These dichotomies that persist in Peterson's work effectively entice the viewer into a profound exploration of the piece. The stark contrast between the luminous gold and the profound black, both in color and what they represent, further enhances the mesmerizing allure of the depicted sirens. "Sirens Of The Past Night" not only pays homage to Greek mythology but also contributes significantly to the evolution of pop and street art. Peterson’s keen ability to articulate complex narratives through his distinctive aesthetic language ensures this limited-edition print will be a coveted piece for art collectors and enthusiasts alike. With each stroke, each contrast, and each meticulously crafted siren, Cleon Peterson encapsulates the very essence of what makes street art a riveting genre, all the while honoring the rich narratives of ancient legends. A testament to his incredible talent, "Sirens Of The Past Night" stands as an artistic beacon in contemporary pop and street art.

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Sirens- Red Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Signed 2021 26 x 32 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”

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Sirens- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Signed 2021 26 x 32 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. “One of the main inspirations that I have is anger. If I can be angry about something, it means I feel passionate about it. It makes me want to make art about it”, he says. Nonetheless, his art is not dealing with violence on a superficial level and it is not used as a tool of provocation per see." - Cleon Peterson

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Six Swans Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art.

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Skate or Diet- Oversized Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Denial. 2021 Signed & Numbered Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 24 x 36 Inches Release: November 04, 2021 Run of: 25 Minor Handling Creases The media and means used by the artist vary from aerosol spray painting to printmaking and from sculpturing to wood creations. The thematic of his works is equally diverse and extends from critiquing capitalism and major brands to mocking conspiracy

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Skeleton and Roses- Airbrushed Embellished Limited Edition Hand-Embellished HPM 1-Color Silkscreen on Fine Art Paper by Stanley Mouse Low Brow Street Artist Modern Pop Art. 2021 Signed & Numbered Artwork Size 17x22 Original one-of-a-kind airbrushed skeleton with roses embellished HPM from Grateful Dead music fame.

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Skeleton Board Cutout Ornament- Bone Pop Street Artwork Limited Edition Giclee Print on Articulated Paper Object by Urban Graffiti Modern Artist KAWS. 2021 Printed Moveable KAWS Skull 20x40 New in Original Packaging KAWS and the Intersection of Art and Anatomy KAWS, whose real name is Brian Donnelly, is renowned for his ability to navigate between various art forms, from graffiti to high-end fashion to toys. This piece, produced in 2021, showcases a moveable KAWS skull, highlighting the artist's fascination with the skeletal form — a recurring motif throughout his work. The skeleton, often seen as a symbol of mortality, is recontextualized by KAWS as a playful yet poignant reminder of the human condition. The articulated paper suggests movement and life, contrasting with the static notion of death typically associated with skeletons. The "Skeleton Board Cutout Ornament" by KAWS is a distinct piece that merges the artist's graffiti roots with a sophisticated approach to art production, reflecting the evolution of Street Pop Art and its place in contemporary culture. This limited edition giclee print on articulated paper objects is a fine example of how urban graffiti artists like KAWS have transitioned from illicit street tags to creating highly collectible and sought-after art pieces. The Artistry Behind the 'Skeleton Board Cutout Ornament' Giclee printing, known for its high quality and longevity, is utilized here to create a premium representation of KAWS' artwork. The print spans an impressive 20x40, making it a significant statement piece for collectors and enthusiasts of Street Pop Art. By translating his work onto a medium that allows for movement and interaction, KAWS invites viewers to engage with the art tactilely, further blurring the lines between traditional art forms and contemporary art toys. Like many of KAWS' works, this piece is imbued with the artist's signature aesthetic — the crossed-out eyes that have become synonymous with his name. This detail not only brands the work as distinctly KAWS but also serves as a commentary on the artist's view of the modern world: a place where the connection is often obstructed, and isolation can be prevalent. Cultural Significance of KAWS' Limited Edition Prints The limited edition nature of the "Skeleton Board Cutout Ornament" elevates its status within the art community, ensuring its place as a coveted item. Limited edition prints are a hallmark of KAWS' strategy to democratize art — by making it more accessible — and maintain a sense of exclusivity. This duality is a cornerstone of Street Pop Art, which often seeks to challenge established ideas about art and its audience. KAWS' choice to present the skeletal figure in a cutout format also pays homage to the DIY ethos of street art, where artists often create work with whatever materials and means are available. This approachability and inventiveness are critical aspects of what makes Graffiti Artwork resonate with a broad audience. It speaks to the ingenuity and resourcefulness often required in urban environments. Impact of KAWS' Work on the Art Market The art market's reception of KAWS' pieces, like the "Skeleton Board Cutout Ornament," reflects the shifting dynamics of what is considered valuable and collectible art. As street artists gain prominence in art, works that would have once been dismissed as mere novelties are now revered as important cultural artifacts. KAWS has played a significant role in this transformation through its strategic releases and partnerships. The "Skeleton Board Cutout Ornament" is not just a print; it is a statement on the permeability of art genres and the breaking down of barriers between high art and popular culture. It exemplifies how Street Pop Art can convey deep themes under the guise of simplicity and how an artist like KAWS can continue to influence and redefine the boundaries of contemporary art. Through such works, KAWS has cemented his place in the pantheon of artists who have successfully bridged the worlds of street art and fine art, thus enriching the narrative of both fields.

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Skeleton Board Cutout Ornament- Green Pop Street Artwork Limited Edition Giclee Print on Articulated Paper Object by Urban Graffiti Modern Artist KAWS. 2021 Printed Moveable KAWS Skull 20x40 New in Original Packaging Skeleton Board Cutout Ornament- Green Street Pop Art & Graffiti Artwork Street pop art, an evolution of traditional pop art, merges iconic pop culture imagery with street art's raw, unfiltered nature. This fusion is characterized by its accessibility, both in terms of its visual language and its placement in public spaces. Graffiti artwork, traditionally seen as a form of vandalism, has been elevated to a recognized art form that often conveys powerful social and political messages. Artists like KAWS have been pivotal in this transformation, bridging the world of fine art with the rebellious streak of urban graffiti. The artwork, described as a "Skeleton Board Cutout Ornament- Green Pop Street Artwork," represents a unique blend of urban graffiti aesthetics with contemporary pop art themes. The skeleton motif is a common element in street art, symbolizing a raw and honest confrontation with themes of mortality and the human condition. The use of green, a color often associated with vitality and energy, juxtaposed with the skeletal image creates a striking contrast typical of street pop art's approach to visual storytelling. Articulated Paper Objects in Modern Urban Art Articulated paper objects have a storied history in folk art and have found a new expression in contemporary street art. Artists use the flexibility of paper to create movable art pieces, which are often interactive and can mimic the motion of the human body or other figures. In this "Skeleton Board Cutout Ornament," the articulated design means that each part of the skeleton can likely move independently, adding a dynamic quality to the static image. This interactivity invites viewers to engage with the artwork physically, a characteristic deeply rooted in street pop art's inclusive ethos. Such artworks are often released as limited edition giclee prints, a high-quality inkjet print that captures the color and detail of the original piece. This reproduction method allows for the widespread dissemination of the artist's work, making it more accessible to a broader audience. The mention of a "Limited Edition Giclee Print" suggests that this artwork is a visual art and a collectible item. KAWS and the Legacy of Pop Street Art KAWS, whose real name is Brian Donnelly, has become synonymous with the pop street art movement. His work is known for its bold colors, dynamic characters, and appropriation of familiar pop culture icons. The referenced artwork fits well within his oeuvre, which often includes a skull or a crossbones motif combined with playful elements. KAWS' ability to blend fine art, street art, and commercial imagery has made him a celebrated figure in contemporary art circles. The "2021 Printed Moveable KAWS Skull 20x40" may refer to the artwork's dimensions, suggesting a significant size that makes it a statement piece. The year 2021 might indicate the time of creation, placing this artwork in the recent phase of KAWS's career, which has seen a continued interest in exploring mortality and remembrance through his figures. The crossover into the three-dimensional form is a natural progression in pop and street art. From the graffiti-splattered walls of city alleys to the sleek galleries of high art, the journey of street art has been transformative. The ability to move from two-dimensional surfaces to movable paper objects allows street artists like KAWS to expand their creative expression and challenge the traditional boundaries of art.

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Skeleton Board Cutout Ornament- Orange Pop Street Artwork Limited Edition Giclee Print on Articulated Paper Object by Urban Graffiti Modern Artist KAWS. 2021 Printed Moveable KAWS Skull 20x40 New in Original Packaging Exploration of Street Pop Art and graffiti Artwork through Articulated Paper Objects In the vibrant sphere of contemporary art, the amalgamation of street culture and pop art has led to the emergence of a distinctive style known as Street Pop Art. This style is a testament to the fluidity of art, as it transcends the traditional gallery spaces and melds into the urban landscape. Within this context, the "Skeleton Board Cutout Ornament- Orange Pop Street Artwork," a limited edition giclee print on articulated paper objects by the urban graffiti modern artist KAWS, gains significance. This piece is symbolic of the genre, capturing the essence of graffiti artwork with its bold lines and striking use of color. The orange hue, in particular, imparts a sense of vibrancy and is often associated with energy, creativity, and playfulness—attributes intrinsic to street pop art's ethos. The representation of the skeleton in this vibrant color disrupts the conventional association of such imagery with somber or macabre themes, instead injecting it with a sense of irreverence and contemporary edge characteristic of KAWS' artistic vision. KAWS: Synthesizing Commercial Imagery with Graffiti Artistry KAWS, an artist whose roots are firmly planted in the subcultures of skateboarding and graffiti, has become a quintessential figure in the Street Pop Art movement. The artist's work reflects the permeability between high and low culture, a concept expertly demonstrated in the "2021 Printed Moveable KAWS Skull 20x40." This title not only specifies the dimensions, reflecting the substantial presence of the artwork but also places it within a timeline, suggesting a continual evolution of the artist's thematic and stylistic concerns. The year 2021 serves as a chronological marker, possibly denoting the time of the artwork's conception or release. Within the art piece, the KAWS Skull is a recurring theme reimagined through various forms and media over the years. Here, it is rendered as an articulated paper object. This medium allows for movement and interaction, breaking down the barriers between the art and the observer. The movable nature of the skeleton invites the audience to engage with the piece on a tactile level, thus transforming the viewer from a passive spectator to an active participant. Articulated Paper in Street Pop Art Articulated paper art has a rich tradition that stretches back to puppetry and movable books, engaging the viewer with its kinetic potential. The choice of this medium by a modern urban graffiti artist such as KAWS is a nod to this tradition and an innovative vehicle for contemporary expression. The skeleton, a figure that can be traced back to historical memento mori, is recontextualized in this artwork to serve not as a reminder of death but as a playful commentary on the human experience. The term "Limited Edition Giclee Print" implies exclusivity and the utilization of advanced print technology to achieve high fidelity to the original. Giclee printing, known for its high-quality archival ink and sophisticated color accuracy, ensures that the vibrancy of the artwork is preserved. In the domain of street art and graffiti, the reproducibility of the artwork allows for a democratization of art ownership, making the once ephemeral nature of street graffiti into something that can be owned and cherished by art enthusiasts. The Color Orange in KAWS' Artwork The use of orange in this particular piece by KAWS is noteworthy. Color choice is never incidental, especially in pop art, where colors convey specific emotions and ideas. In the urban landscape, orange stands out; it is the color of caution signs, construction zones, and urban illumination. In the "Skeleton Board Cutout Ornament," orange could be seen as a deliberate choice to capture the viewer's attention, signal caution against daily life's mundanity, and celebrate the unorthodox. By creating a skeleton in such a vivid hue, KAWS transforms the archetype of death into a lively, approachable figure. This inversion of expectations is a hallmark of Street Pop Art, where juxtaposing disparate elements creates a new visual language. With its articulated limbs, the skeleton becomes not a static symbol but a dynamic, almost animated, presence within the space it occupies. In the broader context of KAWS' work, this piece is a continuation of the artist's exploration of humanity through figures that are at once universal and iconoclastic. The skeleton, stripped of individual characteristics, is a bare-bones representation of humanity. Yet, it is imbued with a distinct personality through its posture and the almost cartoonish exaggeration of its form. To engage with a piece like the "Skeleton Board Cutout Ornament- Orange Pop Street Artwork" is to participate in a dialogue that is at

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Skeleton Board Cutout Ornament- Pink Pop Street Artwork Limited Edition Giclee Print on Articulated Paper Object by Urban Graffiti Modern Artist KAWS. 2021 Printed Moveable KAWS Skull 20x40 New in Original Packaging Street Pop Art & Graffiti Artwork: An Articulated Expression Street Pop Art and Graffiti Artwork embody contemporary urban culture's pulse, capturing city life's vibrant and often transient nature. The artwork described as "Skeleton Board Cutout Ornament- Pink Pop Street Artwork" is a quintessential piece that embodies the essence of this movement. As a limited edition giclee print on articulated paper objects by the modern urban graffiti artist KAWS, this piece stands out for its unique blend of delicate art sensibilities with street art's raw, energetic spirit. Pink in this artwork is a deliberate choice that challenges traditional color associations. Pink, often linked with softness and femininity, is repurposed here to create a bold statement. When applied to the skeletal form, this vivid hue injects the piece with an unexpected liveliness that contradicts the often somber symbolism of skulls. It is this kind of juxtaposition that street pop art thrives on a visual contradiction that prompts the viewer to question and reinterpret symbols and their meanings. KAWS and the Articulated Paper Object KAWS, whose work often blurs commercial and acceptable art boundaries, extensively utilizes articulated paper objects. This medium allows for interaction and physical engagement that is rarely found in traditional art forms. The "2021 Printed Moveable KAWS Skull 20x40" indicates the physical dimensions of the piece, suggesting a life-sized scale and the year of its creation, situating it within the context of KAWS's ongoing artistic journey. The notion of movement inherent in the articulated paper object challenges the static nature of death that the skeleton typically represents. Instead, KAWS's skull is dynamic, playful, and even whimsical, moving in a way that celebrates life and creativity. This movable aspect of the artwork reflects the streets from which this art form originated—alive, constantly changing, and engaging with those who encounter it. Giclee Print in Limited Edition Art The mention of the work being a "Limited Edition Giclee Print" highlights its exclusivity and the high-quality process used in its creation. Giclee printing is known for its ability to produce colors with depth and richness, making it a favored technique for reproducing artworks that demand high color fidelity. This method's use in street pop art represents a fascinating convergence of high-tech reproduction and the often DIY ethos of street art, allowing the artwork to be shared and experienced by a wider audience while maintaining a sense of scarcity and value. In this piece, the color pink serves a dual purpose—it draws the eye and serves as a commentary on the accessibility and democratization of art. By choosing a color that resonates with a wide range of viewers, KAWS invites a diverse audience to engage with his work. The skeleton becomes a universal symbol of humanity and a canvas for exploring societal themes such as identity, consumerism, and the commodification of art. The "Skeleton Board Cutout Ornament" in pink embodies the playful irreverence and critical engagement that characterizes KAWS's approach to art. It stands as a testament to the transformative power of street pop art. This movement has taken the raw energy of graffiti and channeled it into a sophisticated yet accessible form of artistic expression. With its articulated limbs and bright pink color, the piece is a vibrant conversation starter, inviting interpretations and interactions that bridge the gap between the artist's intention and the public's imagination.

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Sket-One Sharpie Chisel Tip Limited Edition Designer Art Object Collectible Artwork by Artist Sket-One 2022 Single Marker

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Skingirl II HPM Hand-Embellished Limited Edition Silkscreen Print Art on Wove Fine Art Paper by Artist Prefab77 Contemporary Pop Artwork. 2020 Signed & Numbered HPM Hand Embellished Limited Edition of 25 Artwork Size 27.5x39 Skingirl II HPM Silkscreen Print by Prefab77 "Skingirl II HPM" is a silkscreen print created by the British art collective Prefab77. Prefab77 is known for their striking, provocative, and politically-charged artwork that often combines elements of street art, pop culture, and punk rock aesthetics. Their work is heavily influenced by the 1970s punk movement, as well as the urban art scene that emerged in the early 2000s. The "Skingirl II HPM" (Hand Painted Multiple) silkscreen print is a limited-edition artwork that showcases the collective's unique style and attention to detail. The term "HPM" refers to the process where an artist creates a series of unique, hand-finished prints within a limited edition. This means that although the prints may share a common image, each one will have its own distinct characteristics, making them highly sought-after by collectors. In this particular piece, the central figure is a female character dressed in the classic "skinhead" style, which was popularized in the 1960s and 1970s. This style often included elements such as close-cropped hair or shaved heads, tight jeans or trousers, and heavy boots. The image also incorporates various symbols and elements that reflect the punk and street art influences that are signature to Prefab77's work. As a silkscreen print, "Skingirl II HPM" is created by applying layers of ink through a fine mesh screen, resulting in a bold and vibrant image. This technique allows for a high degree of detail and color saturation, which can be seen in the intricate patterns and shading within the artwork. Overall, "Skingirl II HPM" is a striking piece that captures the spirit of rebellion and defiance characteristic of Prefab77's work, making it a highly desirable addition to any contemporary art collection.

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Skrillex NY Takeover 1- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex and AC Slater at Webster Hall Poster features "S" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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Skrillex NY Takeover 2- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex, Zedd and Sazon Booya at Pacha Poster features "KR" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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