Artworks

Modern Living- Brown 6-Color Hand-Pulled Hand-Embellished HPM Limited Edition Silkscreen Print on 290gsm Coventry Cotten Rag by Faile Rare Street Art Famous Pop Artwork Artist. Hand-painted Varied Edition of 250 Acrylic & Silkscreen Ink Heavyweight Archival Paper Signed, Stamped & Embossed Size 19.5 x 25 inches (50 x 63.5cm) approx Signed on the front by Faile Numbered on the back the back also contains a large print by Faile Due to the handmade bespoke nature of this artwork, some small creases and bleedthrough can be found throughout.

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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MOG Lips East Coast Legends Canbot Canz by Lady Pink x Czee13 Limited Edition Spray Paint Can Figure Robot Artwork. 2023 Limited Edition of 150 New in Box Size 3x5.5 Lady Pink Graffiti Robot 5oz Canz Canbot Spray Paint Can Art Toy with Trow Ups & Tags in Yellow Pink Gradient Coloring Marijuana Leaf on Back. Empowering Street Aesthetics: Lady Pink's MOG Lips Canbot The MOG Lips East Coast Legends Canbot is a profound statement in the street pop and graffiti art scene. This limited edition piece results from a collaborative effort between the legendary Lady Pink and artist Czee13, released in 2023. With only 150 pieces, each Canbot is a new-in-box collector's item at 3x5.5 inches. Lady Pink, known as the "first lady of graffiti," infuses each robot with her iconic style, featuring vibrant throw-ups and tags in a yellow-pink gradient and a striking marijuana leaf adorning the back. This art toy pays homage to the roots of graffiti while addressing contemporary themes and expressing a bold attitude toward societal norms. The MOG Lips Canbot isn't just a representation of Lady Pink's pioneering status in graffiti art; it's also a symbol of empowerment, diversity, and counterculture celebration within the urban art landscape. Lady Pink's Vision in Pop Street Art and Collectible Culture Lady Pink's contributions to street art have been groundbreaking, and her venture into the art toy realm with the MOG Lips Canbot underscores her commitment to bringing the vibrancy of street art into new forms and spaces. Her artwork in the Canbot series goes beyond aesthetic appeal; it carries the message of female strength and resilience in a traditionally male-dominated field. The Canbot, with its detailed design and bold coloration, is a testament to Lady Pink's artistry and ability to adapt her street art sensibilities to a tangible medium. The limited edition nature of the Canbot makes it a sought-after item, merging the collectible toy culture with street art's authenticity and raw energy. Each piece serves as a functional work of art that collectors can interact with, providing a personal connection to the pulsating heart of city life and the spray-paint narratives that adorn its walls. Canbot: A New Medium for Street Art Expression The MOG Lips East Coast Legends Canbot by Lady Pink and Czee13 is a testament to the evolving narrative of street art. It's a tangible piece of the rich tapestry of urban art culture, making a powerful statement on the walls of collectors' homes as it would on the streets. The Canbot is more than a collector's item; it's a medium through which Lady Pink communicates her story, influences, and vision for the future of street art. This art toy captures the dynamic spirit of graffiti culture, embodying both the history and the progressive momentum of street art. Each Canbot is a celebration of Lady Pink's legacy as an artist who witnessed the evolution of street pop art and actively shaped it. Through this piece, collectors and admirers are invited to engage with the dialogue that Lady Pink has been championing throughout her career – one that speaks of empowerment, creativity, and the indomitable spirit of the street art movement.

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Moments Before Crisis Artwork Giclee Limited Edition Print on Hahnemuhle Fine Art Rag Paper by Pop Culture Graffiti Artist Nimit Malavia. Nimit Malavia is a Canadian visual artist and illustrator known for his intricate and imaginative artworks. His style often combines delicate line work with a strong sense of narrative, drawing inspiration from various sources such as mythology, fairy tales, and contemporary culture. Malavia's work typically incorporates a mix of traditional and digital media, including ink, watercolor, and Photoshop.

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Mona Ape Pop Street Artwork Limited Edition Giclee Print on 300gsm Velvet Rag Paper by Urban Graffiti Modern Artist SSUR- Ruslan Karablin. 2022 Signed Limited Edition of 50 Artwork Size 20.87x30.32 Handling Creasing To Middle Image Area

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Mona Linesa- Black Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Mona Linesa- Blue Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Mona Linesa- Pink Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Mondriart Basketball Sports Ball Object Art by Mr Brainwash- Thierry Guetta Limited Edition Designer Collectible Pop Artist Artwork. 2023 Signed Limited Edition of 200 Rare Basketball Sports Ball Object Art Size 27x27

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Money GID Glow 3oz Kickstarter Exclusive Canbot Canz Art Toy by Czee13 Limited Edition Spray Paint Can Figure Robot Pop Graffiti Artwork. 2021 Glow in the Dark GID Kickstarter Exclusive Limited Edition New in Box Size 1.5x3 Robot Canz 3oz Canbot Canz Spray Paint Can Art Toy. Money GID Glow 3oz Canbot by Czee13 – Limited Edition Kickstarter Exclusive Spray Can Art Toy The Money GID Glow 3oz Canbot by Czee13 is a striking fusion of collectible designer toy culture and the rebellious aesthetics of graffiti and pop surrealism. Released in 2021 as a Kickstarter exclusive, this glow-in-the-dark limited edition figure stands at approximately 3 inches tall and comes boxed in its original custom display packaging. The Canbot series, known for transforming spray paint cans into charismatic robot-inspired figures, exemplifies how urban art can be reimagined into sculptural form. Czee13, a prolific UK-based artist and toy designer, created the Canbot platform to merge graffiti iconography with the playfulness of vinyl toys, all while maintaining artistic integrity in concept and execution. Glow-in-the-Dark Innovation in Designer Toy Culture What sets the Money GID Glow Canbot apart is its ability to glow in the dark, making it both a functional art object and a vibrant visual experience. The translucent green hue of the figure comes to life under blacklight or in the dark, turning the minimalist form into a glowing beacon of creative energy. Its surface is detailed with Czee13’s signature drips and mystical symbology, including the all-seeing eye and esoteric icons. This interplay of light, material, and message creates a piece that feels alive, resonating with the viewer through its tactile appeal and illuminated energy. The Canbot’s form, with its domed spray-can head and attitude-infused stance, reflects street art’s gritty heritage while speaking to a new generation of collectors who crave both nostalgia and innovation. From Spray Paint Can to Street Pop Art Sculpture The Canbot transforms the utilitarian spray paint can into a figurative statement of artistic rebellion. It draws directly from graffiti culture, referencing the tool of the tagger and muralist, while anthropomorphizing it with arms, legs, and expressive body language. As an edition rooted in the DIY spirit of Kickstarter campaigns, the 3oz Money GID Glow Canbot stands as an independent achievement in designer toy history. It bridges the accessibility of mass-produced vinyl art with the exclusivity and craft of street pop art. Czee13's ability to mix sleek minimalism with subversive cultural symbols positions the Canbot line squarely within the visual language of contemporary street art. Czee13 and the Expansion of Graffiti Art into Designer Toys Czee13, hailing from the UK, has earned acclaim for pushing the limits of graffiti-based sculpture and collectible vinyl art. His Canbot platform has seen numerous artist collaborations, but the Money GID Glow edition, created exclusively under his own aesthetic direction, represents the purity of his creative vision. Clutter Studios and the artist’s imprint ensured high-quality production and precise detailing, making this edition one of the most desirable among Canbot collectors. The Canbot series exemplifies how street pop art and graffiti artwork continue to evolve—transcending walls and trains to exist in the hands of collectors, on display shelves, and within curated collections of modern pop culture ephemera.

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Monkey- Lava Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Joe Ledbetter. 2014 Limited Edition of 100 Artwork Size 10x8 Displayed In Box "Monkey," is based on the original painting "Good Morning Sunshine" by Joe Ledbetter. One of Joe's most post popular characters, Monkey looks the way we feel as we wake up and trudge through the jungle of life. Joe's ever-popular traditional LAVA colorway debuted at our booth (#4851) at San Diego Comic-Con 2014. Limited to 100 pieces.

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Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Moon Over Biloxi- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. White Variant Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 200 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of TBD 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy. –Shepard is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy." –Shepard

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Moooo Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Xiau-Fong Wee. Xiau-Fong Wee - "Moooo" limited edition fine art giclee print edition of 40 copies signed and numbered

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Morning Wood Limited Edition Archival Pigment Prints on 300gsm Cotton Rag Fine Art Paper by Ces One- Rob Provenzano Graffiti Street Artist Modern Pop Art. “Morning Wood was part of an exhibition here in NYC put on by Carhartt.” - Ces One- Rob Provenzano

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Mossiae- Burgundy Hand-Pulled 24-Color Silkscreen Print on 330gsm Somerset Satin Paper by Pop Graffiti Artist Fin DAC Rare Street Art Limited Edition Findac Artwork. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 24.8031x33.8583 Fin DAC's "Mossiae- Burgundy": A Symphony in Silkscreen Fin DAC's "Mossiae- Burgundy" exemplifies street pop art transcending into the realm of fine art through the meticulous silkscreen printing process. This hand-pulled 24-color silkscreen print on 330gsm Somerset Satin Paper is a rare piece within the artist's oeuvre, embodying the intersection of street art's raw dynamism with the precision of high-end art production. Limited to a series of 150, each piece is meticulously signed and numbered by Fin DAC, indicating the work's exclusivity and the artist's direct involvement in its creation. Understanding Fin DAC's Artistic Nuance in "Mossiae- Burgundy" The artwork, measuring 24.8031x33.8583 inches, showcases Fin DAC's distinct aesthetic, which he has coined 'Urban Aesthetics.' In "Mossiae- Burgundy," the subject is a female figure rendered almost ethereal, juxtaposed against a deep burgundy backdrop. The visage is marked by Fin DAC's trademark style—stark, clean lines and a splash of vibrant color across the eyes, which serves as both a mask and a window to the soul. This visual motif is a nod to his influences from classical portraiture and a contemporary twist that captures the essence of pop graffiti art. Cultural Impact and Reception of Fin DAC's "Mossiae- Burgundy" Fin DAC's impact on street pop art is underscored by pieces like "Mossiae- Burgundy," which are sought after by collectors and enthusiasts. The limited edition print is not just a visual statement but a cultural artifact that captures the spirit of modern street art. The reception of the artwork is indicative of the growing acceptance and celebration of graffiti-inspired art within the context of fine art collections. The Artist's Vision in Limited Edition Prints The choice of silkscreen printing for "Mossiae- Burgundy" is deliberate, allowing Fin DAC to explore the interplay of texture and color on paper, a medium that retains the tactile essence of street art. The limited edition nature of the print ensures that each piece holds a unique place in the continuum of Fin DAC's artistic journey while offering the collector a tangible connection to the artist's vision. In essence, "Mossiae- Burgundy" is a testament to Fin DAC's mastery of his medium and ability to communicate profound narratives through the visual language of street pop art. As an artist, his work bridges the spaces between street-level expression and gallery-grade sophistication, marking him as a pivotal figure in contemporary art.

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Mountain God Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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MQ- Chrome Silver Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. No Box 2009 MQ Planet- Mque x Montana MTN Spray Paint. For more than a decade, the New York City-born artist has made a name for himself in graffiti by not being afraid and staying true to street culture. The distinctive style of MQ letters has influenced a generation of bombers. His work can be found from the sides of ships in San Francisco to the brick walls of New York City. MQ Chrome Silver Limited Edition: A Monument in Street Pop Art In the dynamic sphere of street pop art and graffiti artwork, the MQ Chrome Silver Limited Edition Spray Paint Can is a testament to the fusion of artistic ingenuity and cultural influence. This rare piece, a crossover project by the acclaimed graffiti paint maker Montana MTN, marks a significant point in the career of the New York City-born artist MQ Planet, or by his real name, Mque. Since its inception in 2009, this limited edition spray paint can have become a symbol of Mque's fearless approach to street culture and his lasting impact on a generation of graffiti artists, or 'bombers,' as often referred to. Mque's Influence on Street Art and Graffiti Mque's journey in graffiti began on the vibrant streets of New York City, where he honed his distinctive style of MQ letters, a style that would come to influence countless others. His bold, unapologetic approach to art was characterized by embracing street culture in its rawest form. Mque's artwork, spanning from the maritime canvases of ships in San Francisco to the historic brick walls of New York, showcases his adaptability and commitment to the essence of street art. The Chrome Silver Limited Edition spray paint can is not just a tool but a piece of history, embodying the spirit and tenacity of the artist. The Significance of the MQ Chrome Silver Limited Edition Can The MQ Chrome Silver Limited Edition spray paint can by Montana MTN is more than an artist's signature on a product; it is a collaborative emblem of the street art community. This rare item encapsulates the synergy between artist and manufacturer, highlighting Montana MTN's recognition of Mque's contribution to the art form. Collectors and admirers of street pop art and graffiti artwork see the can as a collector's item. Still, for a pra beacon of inspiration, urging practitioners to push boundaries and make their mark with the same daring spirit Mque displayed. In the world of street pop art, where the cityscape becomes a canvas and the spray can a paintbrush, the MQ Chrome Silver Limited Edition is a tribute to the ever-evolving narrative of graffiti. It honors the legacy of an artist who stayed true to the ethos of street culture and yet managed to leave an indelible mark on its history. Mque's work, his collaboration with Montana MTN, and the resulting Chrome Silver spray paint remain pivotal in the discourse of street pop art and graffiti artwork for years to come.

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Mr André- Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. 2021 Mr André Glossy Black Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Mr André Glossy Black Spray Paint Can by Montana MTN – Street Pop Art & Graffiti Artwork The Mr André Glossy Black Limited Edition Spray Paint Can, released in 2021 by Montana MTN, stands as an iconic artifact in the culture of street pop art and graffiti artwork. Produced in a highly collectible edition of just 500, this 3x8 inch can is filled with glossy black spray paint and presented in a custom wood box etched with the artist’s signature and the Montana Limited Edition insignia. The visual design of the can is unmistakably linked to André Saraiva’s infamous graffiti alter ego Mr A. The character’s simplified linework face, topped with exaggerated symbols like X and O, is a visual shorthand for decades of international street influence. As both a functional spray can and a standalone art object, this release occupies a hybrid territory that fuses utilitarian graffiti culture with high-concept collectible art. Mr André: Graffiti Artist and International Street Pop Icon André Saraiva, born in Uppsala, Sweden and raised in Paris, France, is a globally recognized street pop art figure whose graffiti roots stretch back to the early 1990s. He rose to prominence through his creation of Mr A, a character that would become emblematic of romantic rebellion and irreverent joy across global cityscapes. Seen on rooftops, alleyways, and walls from Paris to Tokyo to New York, Mr A’s wide grin and looped limbs established a visual brand that is as subversive as it is playful. Mr André has not limited himself to street walls. His visual language has transcended into collaborations with luxury fashion, hospitality, and design industries, without losing the grit and spontaneity of his graffiti foundations. Whether on canvas or subway walls, his work maintains its bold narrative identity, reinforcing the significance of visual storytelling in public spaces. Montana MTN’s Artist Series and Object Culture Montana Colors, based in Barcelona, has long been the gold standard in spray paint for graffiti artists worldwide. Their Artist Series elevates the humble spray can into a platform for artistic collaboration, giving space to pioneers like Mr André to reinterpret the object through their own visual lexicons. The 2021 Mr André Glossy Black edition reflects the artist’s clean line art and urban minimalism. The deep black backdrop and orange graphic elements lend the piece a totemic presence that speaks to both its street roots and gallery-level presentation. Montana’s use of high-quality materials, matched with limited edition packaging and artist-focused branding, transforms the can from tool to artifact. Street Pop Art Legacy Encapsulated in the Mr André MTN Can This limited edition piece is not only a celebration of Mr André’s global artistic reach but also a testament to the cultural significance of graffiti in the evolution of contemporary art. The fusion of street rawness with gallery-grade presentation encapsulates the progression of graffiti from subculture to respected creative movement. The Mr André Glossy Black spray can is a physical expression of this evolution—a collectible sculpture that symbolizes movement, rebellion, and stylistic clarity. For collectors and followers of street pop art and graffiti artwork, it represents both a tangible and symbolic connection to one of the most recognizable artists in the genre.

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UnReal Estate- Mr St Hilary- Glow Followed Limited Edition Glow In The Dark 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Transformers, Superhero, TV, Movie, Spaceship, Mountain, Plane, Jet, Woods, Nature, UnReal Estate

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MSK Taft Building 08 Limited Edition Hand-Embellished HPM 2-Color Silkscreen Print on Wove Paper by Saber Graffiti Street Artist Modern Pop Art. 2008 Signed & Numbered Saber MSK Taft Building 08, 2008 Screenprint in colors with hand-embellishment on wove paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 200 Signed, numbered and dated in pencil along lower edge Published by Poster Child Prints, Los Angeles MSK Taft Building 08 by Saber: A Monument of Graffiti Excellence Saber's "MSK Taft Building 08" is a seminal work of art that stands as a monument to the graffiti movement and its indelible mark on the fabric of urban landscapes. As a limited edition hand-embellished, two-color silkscreen print on woven paper, this piece from 2008 is part of an exclusive edition of 200. Each print is meticulously signed, numbered, and dated by the artist, underscoring the authenticity and collectibility of the work. Published by Poster Child Prints in Los Angeles, the 24 x 18 inches artwork captures the bold and rebellious spirit that Saber and his MSK crew, also known as Mad Society Kings, are renowned for. Saber, born in 1976, has been a pivotal figure in the evolution of Street Pop Art & Graffiti Artwork, pushing the boundaries of what can be achieved with spray paint and beyond. His works are characterized by a mastery of letter forms, a vibrant palette, and an innovative approach to texture and layering. "MSK Taft Building 08" is a powerful representation of Saber's style, showcasing the artist's capacity to transform a traditional print medium into a dynamic reflection of street art culture. Cultural Significance and Impact of Saber's Work The cultural significance and impact of Saber's work cannot be overstated. His contributions to the graffiti art scene have helped elevate the genre to new heights, garnering respect and admiration from the art world and the public. The "MSK Taft Building 08" print embodies the essence of Los Angeles's graffiti art at a time when the medium was experiencing a renaissance, moving from the shadows of illegality to the spotlight of mainstream recognition. With its hand-embellishments, this piece offers a glimpse into the meticulous process and attention to detail that Saber employs in his craft. The hand-finishing touches on each print ensure that no two pieces are identical, granting each work its unique identity. This practice of hand-embellishing is reminiscent of the graffiti artist's touch on city walls, where each spray, line, and mark is a testament to the artist's presence and interaction with the canvas. In essence, Saber's "MSK Taft Building 08" is more than a piece of art; it is a historical document that captures the zeitgeist of a particular era in Los Angeles's street art narrative. It is a testament to the talent and influence of Saber and the MSK crew, who have left an indelible mark on the evolution of graffiti and street pop art. This artwork is not only a prized possession for collectors but also a source of inspiration for aspiring artists and a symbol of the transformative power of street art.

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Mt. Frackmore Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art.

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MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25

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MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic MTA subway sign this is an authentic 14x51inches metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Mugshot Original Acrylic on Wood Panel Painting by AL Grime One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Original Painting Size 12x12 AL Grime's Mastery of Medium and Form "Mugshot," an original acrylic on wood panel painting by AL Grime, represents a compelling fusion of the raw essence of street art with the meticulous detail of fine art. Created in 2023, this signed 12x12 inch painting epitomizes the spirit of Street Pop Art and graffiti Artwork with its one-of-a-kind portrayal that captures the attention of art critics and enthusiasts alike. AL Grime demonstrates a profound command over acrylics, utilizing its versatility to produce stark contrasts and nuanced textures that give "Mugshot" its life-like depth and intensity. The wood panel is an unconventional canvas that adds a natural texture to the artwork, echoing the often improvised surfaces used in street art. The artwork's aesthetic is a complex interplay of geometric and organic forms, creating a visual language that speaks to the chaos and order found within urban environments. This dichotomy is a hallmark of graffiti art, which often finds beauty in the overlap of the planned and the spontaneous. AL Grime's "Mugshot" is no exception, with its layered composition that invites viewers to delve into a deeper narrative beyond the surface. Innovation in Street Art As a piece of modern Street Pop Art and graffiti Artwork, "Mugshot" does more than occupy space; it serves as a cultural commentary, reflecting the artist's perspective on contemporary issues. The title suggests an exploration of identity and perception, themes that are recurrent in AL Grime's body of work and resonate with the broader discourse in modern art. AL Grime's innovative approach to traditional portraiture through "Mugshot" showcases the evolving nature of street art. The fragmented, almost digital-like representation challenges conventional concepts of portraiture, blending them with the disruptive energy of street art to create something entirely new and thought-provoking. The impact of "Mugshot" within the art community is underscored by its originality and the artist's signature, marking it as a significant piece within the Street Pop Art and graffiti Artwork movement. It stands as a testament to the enduring nature of street art and its capacity to push the boundaries of artistic expression continually. "Mugshot" by AL Grime is a powerful representation of contemporary art's intersection with street culture, offering a fresh perspective on the medium of acrylic painting and the traditional wood panel. It exemplifies the transformative potential of street art and its ability to convey complex narratives through a visually striking and accessible form.

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Muhammad Ali Heavyweight Ideals Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print of Boxer Muhammad Ali Face As Young Man in A Suit. "Based on an incredible photo by Howard Bingham provided by his son Dustin, I wanted to emphasize Ali's role as an outspoken citizen and activist. Ali was a civil rights activist, a conscientious objector to the Vietnam War, a philanthropist, and a U.N. Messenger of Peace. I admire that Ali stood up for what he believed even when he potentially faced jail and the end of his boxing career. The Chestnut St. YMCA, where we painted the Ali mural, is blocks from Ali's childhood school and a place he frequented in his youth. I'm very grateful to the YMCA for providing an incredible wall with an authentic connection to Ali's life. A project of this magnitude can't come to fruition without many people collaborating generously." -Shepard Fairey. Few names in pop and street art have achieved as much recognition and influence as Shepard Fairey, the creative force behind the OBEY brand. Fairey's "Muhammad Ali Heavyweight Ideals" silkscreen print is a testament to his craftsmanship as an artist and his dedication to spotlighting iconic figures with profound cultural significance. Drawing inspiration from a striking photograph by Howard Bingham, Fairey's depiction of a young Muhammad Ali in a suit is a compelling reflection of the boxer's legacy beyond the ring. This piece doesn't just highlight Ali as a world-class athlete but as a man deeply embedded in the socio-political issues of his time. Ali's vehement opposition to the Vietnam War, his role in the civil rights movement, and his later endeavors as a philanthropist and U.N. Messenger of Peace symbolize a life of purpose and conviction. In his tribute, Fairey magnifies these ideals, portraying Ali as a boxing legend and an activist willing to jeopardize his career and personal freedom for his beliefs. The choice of venue for the mural, the Chestnut St. YMCA, holds a poignant significance. Located blocks from Ali's childhood school and a regular spot for the young boxer, the YMCA wall is an authentic canvas, connecting Ali's formative years with his enduring legacy. Through this artwork, Fairey's intricate detailing, combined with his nuanced understanding of Ali's life, elevates the narrative of street and pop art. It underscores the potential of this medium to not only captivate visually but to instigate reflection on the profound impact of its subjects on history and culture.

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Multi Tags Series 7912 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 30x42 Multi Tags Series 7912" is an original graffiti painting by Seen UA, an influential artist. Seen UA, also known as Richard Mirando, is a pioneer in graffiti with a career spanning over four decades. He started in the late 1970s, tagging New York City's subway trains and streets with his iconic, dynamic lettering style. As the name suggests, "Multi Tags Series 7912" is likely part of a series of works featuring multiple graffiti tags in different styles and colors. The series might showcase Seen UA's diverse graffiti techniques and the evolution of his style over the years. UA's work has gained international recognition, and he has transitioned from the streets to the fine art world. His art has been exhibited in galleries and museums globally, earning him a place among history's most respected graffiti artists. Collectors appreciate Seen's work for its vibrant colors, bold lettering, and intricate designs, reflecting the energy and spirit of the urban landscape.

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Mur Original One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Copyright. 2000 Signed Framed Original Painting Size 32x40 Framed Dimensions 41.5 X 33.5 Inches

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MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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Muse #564 Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

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Music in Motion 8.0 Black Silkscreen Print by Shane Turner Hand-Pulled 6-Color on Plike Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 19.68x31.5 Silkscreen Print "Music in Motion 8.0 Black" is a silkscreen print by Canadian artist Shane Turner. Silkscreen printing is a technique in which a mesh screen is used to transfer ink onto a substrate, except in areas blocked by a stencil. This technique is often used for creating vibrant, multi-layered prints and is especially popular among artists for its ability to produce vivid colors and sharp images. Shane Turner is a contemporary artist known for his detailed and colorful artwork, often exploring human emotion, music, and movement themes. His work combines traditional and digital techniques, resulting in intricate designs that showcase his exceptional skill and talent. "Music in Motion 8.0 Black" is part of a series in which Turner captures the essence of music and its impact on human emotions. The silkscreen print features a vibrant, energetic dancing woman ballerina that visually represents the movement and rhythm of music. The use of bold colors and fluid shapes creates a sense of movement and energy, conveying that music is a powerful force that can evoke various emotions and sensations while the drip melts into the viewer. This version features a black background.

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Musica De Los Muertos 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Mutant Vinyl Hardcore 7-Color Hand-Pulled Limited Edition Silkscreen Print on Cream-Colored French Paper by Scarecrowoven Macabre Art Pop Artwork Artist. Printed on cold-press watercolor paper signed and numbered edition of 50. 18x24

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My Heart and Soul Blue Silkscreen Print by Raid71 Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 18x30 Silkscreen Print of Stylized Mickey Mouse with Disney & Star Wars Related Tattoos All Over. The Cultural Fusion in Raid71's Artwork Raid71, an artist known for his bold and often intricate work, has produced a silkscreen print that speaks volumes about the interplay between popular culture and art. This piece, hand-pulled on fine art paper, is a limited edition, signed and numbered by the artist, ensuring its status as a collectible item. The artwork measures 18x30 inches, a size that allows the details and colors to stand out, drawing the viewer into a closer inspection of the interwoven designs. At first glance, "My Heart and Soul" may seem like a simple homage to the classic character of Mickey Mouse. However, upon closer inspection, the print reveals a complex array of tattoos referencing other significant cultural icons, including elements from Disney and Star Wars. This amalgamation of symbols serves as an aesthetic choice and a narrative device, telling a story that spans across different eras and fandoms. Street Pop Art and graffiti Artwork have long been a vibrant and transformative force in visual culture, offering a canvas for artists to challenge norms, express societal commentary, and embrace iconic imagery with a twist. "My Heart and Soul Blue Silkscreen Print" by Raid71 encapsulates this spirit, presenting a familiar figure adorned with a tapestry of symbolic tattoos that merge the nostalgic with the contemporary. Technique and Tradition in Silkscreen Printing The technique of silkscreen printing, chosen by Raid71 for this artwork, is a meticulous and hands-on process revered for its ability to produce vibrant, saturated colors and sharp images. Hand-pulling a print requires precision and skill, making each piece unique. This traditional method of printmaking aligns with the ethos of Street Pop Art and graffiti Artwork, where the hand of the artist is valued, and the physical act of creation is part of the artwork's narrative. Silkscreen prints have a rich history in pop and street art, with artists like Andy Warhol popularizing the technique in the 1960s. Raid71's use of this method creates a direct lineage to the pop art movement, while the subject matter and styling of the piece place it firmly in the contemporary conversation of street art. Reflections of Pop Culture in Modern Art "My Heart and Soul" is more than a piece of art; it is a cultural artifact that reflects the pervasive influence of pop culture in modern society. The tattoos adorn the iconic character are not random; they are carefully chosen emblems that many viewers will recognize and connect with. By incorporating these symbols into the artwork, Raid71 invites reflection on the impact of media and entertainment on our collective consciousness. This blending of pop culture references within the artwork indicates a broader trend in Street Pop Art and graffiti Artwork, where the lines between high art and low art are blurred. Raid71's print stands as a testament to the democratization of art, showcasing how universally recognized imagery can be repurposed to create something new and thought-provoking. The Significance of Limited Edition Artworks The decision to produce "My Heart and Soul" as a limited edition print plays a significant role in its desirability and potential legacy. Collectors and enthusiasts of Street Pop Art and graffiti Artwork often seek out little edition pieces for their exclusivity and investment potential. The practice of numbering and signing each print also adds a personal touch from the artist, creating a connection between the creator and the collector. In the context of street art and pop art, limited editions help to bridge the gap between the often ephemeral nature of street art—typically seen on public walls and therefore subject to change—and the permanence sought by collectors. By offering a finite number of prints, Raid71 ensures that "My Heart and Soul" retains a sense of rarity and value. "My Heart and Soul Blue Silkscreen Print" by Raid71 is a vibrant intersection of artistry, pop culture, and printmaking tradition. It embodies the innovative and referential qualities that are hallmark traits of Street Pop Art and graffiti Artwork. As the piece makes its way into the collections of art lovers, it carries the spirit of the streets, the allure of pop culture, and the timelessness of fine art printmaking.

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