Artworks

Peace Bone Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 16x19 Silkscreen Print of a Skull & Its Grin. The realm of contemporary art has seen an evocative fusion of traditional art forms with urban and street art influences, resulting in masterpieces that resonate deeply with a modern audience. Among the notable contributors to this amalgam is Cleon Peterson, whose works are often distinguished by their dark themes, confronting aesthetics, and provocative imagery. "Peace Bone", a silkscreen print, stands testament to Peterson's mastery over the craft and his ability to merge pop art undertones with elements emblematic of street art. This magnificent piece has been meticulously crafted on a Hand Deckled 290gsm Coventry Rag Fine Art Paper, a material renowned for its premium quality and the subtleness it brings to artworks. It's no surprise that Peterson chose this medium, as it accentuates the intricate details, bringing depth and dynamism to the piece. Limited to just 75 pieces, each silkscreen print is signed and numbered, indicating its exclusivity and the artist's personal touch. With dimensions of 16x19 inches, the artwork predominantly showcases a skull and its evocative grin – a motif frequently seen in street art, representing various themes from rebellion, impermanence, to societal commentary. Such limited edition artworks not only enrich the collector's portfolio but also add an emblem of modern pop and street art history. As urban influences continue to permeate traditional art galleries and spaces, pieces like " Peace Gold" by Cleon Peterson reaffirm the powerful narrative that street and pop art bring to the global art discourse.

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Peace Fingers Geometric Setup Original Stencil Painting by Shepard Fairey x Ernesto Yerena Montejano One of a Kind Artwork on Cotton Rag Paper by Street Art Pop Artist. 2022 Signed Spray Paint Stencil Original Painting Size 20.5x26.5 Ernesto Yerena Montejano- Hecho Con Ganas x Shepard Fairey- Obey Hand Spray Painted with Stencils on 100% Cotton Rag Paper Setup Sheet 1 of 1 Signed by Shepard Fairey in 2021 Comes with a Certificate of Authenticity Hecho Con Ganas publishing chop in lower left corner. first to make sure all the stencil This piece is one of a kind. I painted this separations where working correctly. This piece is super clean with solid paint colors. Meaning there is NO collage stencils no acrylic medium embossing that the final VSE edition had in it. 26.5x20.5 inches

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Peace Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 16x19 Silkscreen Print of a Skull & Its Grin. The realm of contemporary art has seen an evocative fusion of traditional art forms with urban and street art influences, resulting in masterpieces that resonate deeply with a modern audience. Among the notable contributors to this amalgam is Cleon Peterson, whose works are often distinguished by their dark themes, confronting aesthetics, and provocative imagery. "Peace Gold", a silkscreen print, stands testament to Peterson's mastery over the craft and his ability to merge pop art undertones with elements emblematic of street art. This magnificent piece has been meticulously crafted on a Hand Deckled 290gsm Coventry Rag Fine Art Paper, a material renowned for its premium quality and the subtleness it brings to artworks. It's no surprise that Peterson chose this medium, as it accentuates the intricate details, bringing depth and dynamism to the piece. Limited to just 75 pieces, each silkscreen print is signed and numbered, indicating its exclusivity and the artist's personal touch. With dimensions of 16x19 inches, the artwork predominantly showcases a skull and its evocative grin – a motif frequently seen in street art, representing various themes from rebellion, impermanence, to societal commentary. Such limited edition artworks not only enrich the collector's portfolio but also add an emblem of modern pop and street art history. As urban influences continue to permeate traditional art galleries and spaces, pieces like " Peace Gold" by Cleon Peterson reaffirm the powerful narrative that street and pop art bring to the global art discourse.

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Peace Guard 2 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2016 Signed & Numbered Screen Print PEACE GUARD 2 Screen Print 18 x 24 inches Edition of 450 November 29, 2016 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Peaceful Warrior- Silver Buddha Pop Street Artwork Limited Edition Giclee Print on 340gsm Heavy Hahnumühle Photo Rag Metallic Paper by Urban Graffiti Modern Artist Risk Rock. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 20x24 Peaceful Warrior Silver” - Iconic Risk “Warrior” Image with his “Keep On Keepin On” motto. On Metallic Silver Paper. Hand signed and numbered.Printed at Risk Rock Studios through our new partnership with Glicee LA. Giclee Print on Heavy Hahnumühle Photo Rag Metallic Paper 340gsm. 20x24 Inches Edition of 25

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Pearls Artwork Giclee Limited Edition Print on 80lb White Cougar Cover Stock Fine Art Paper by Pop Culture Graffiti Artist Neal Russler. 2013 Signed & Numbered Limited Edition of 10 Giclee Print Artwork Size 7x7 in Basic Small Black Frame Size 8x8 Number 10/10 The Artistic Narrative of "Pearls" by Neal Russler "Pearls," a compelling artwork by Neal Russler, is a striking example of how contemporary issues and classical beauty can be interwoven to create thought-provoking pieces within the genres of street pop art and graffiti artwork. This intricate giclée print, meticulously crafted in 2013, is part of a limited edition series signed and numbered by Russler, reflecting his dedication to both the accessibility of street art and the exclusivity of fine art. The print, presented on high-quality paper, captures the complex interplay between the allure of adornment and the stark realities of human and environmental interactions. In "Pearls," the viewer is confronted with juxtaposing a woman's visage and the rich textures of a mass of tentacles adorned with pearls. The detailed stippling technique employed by Russler creates a tangible sense of depth and movement, inviting the observer to ponder the relationship between the luxury suggested by pearls and the potential darkness they can represent. The artwork challenges the viewer to consider the cost of beauty and luxury, invoking themes of exploitation and the often unseen consequences of desire. Exploring Symbolism and Technique in Russler's Work Russler's choice of symbolism in "Pearls" is multifaceted, with the pearls themselves serving as a classical emblem of elegance and the tentacles perhaps hinting at the entanglement of nature with human consumption. The pearls, traditionally associated with purity and wealth, are presented here in a context that suggests a more complicated narrative that may comment on the tension between natural beauty and human appropriation of natural resources. The technique Russler employs in this piece is critical to its impact. The monochromatic palette focuses on the textural contrasts and the intricate linework that defines Russler's artistic signature. Each dot and line is deliberately placed, contributing to a delicate and haunting overall effect. The stark black and white tones of the giclée print underscore the duality in the artwork, emphasizing the dramatic interplay between light and shadow, softness and strength. "Pearls" by Neal Russler significantly contributes to the contemporary dialogue of street pop art and graffiti artwork. Through this print, Russler offers a narrative rich in allegory and technique, evoking a range of responses from its audience. As with much street-inspired art, the piece is rooted in accessibility but is elevated by its execution and the thoughtfulness of its thematic content. "Pearls" is not just a visual experience; it is an invitation to delve into a deeper exploration of the values and implications of the beauty we seek and the objects we treasure.

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Pedestal 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print PEDESTAL Screen Print 18 x 24 inches Edition of 450 August 8, 2013 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Pedro, My Son's Deformed Artwork Giclee Limited Edition Print on 100% Cotton Rag Archival Paper by Pop Culture Graffiti Artist Barnaby Ward. This is a gallery-quality giclée art print on 100% cotton rag archival paper, printed with archival inks. Each art print is listed by sheet size and features a minimum one-inch border.

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Peoples Power Original Painting Mixed Media Stencil & Spray Paint on Cut Out Wood Panel by Icy & Sot Graffiti Street Artist Modern Pop Art. 2015 Signed Original Spray Paint & Stencil Painting on Cut-Out Wood Artwork Size 21x46 "Life Size" "American Dream is inspired by the homeless guy holding ag Starbucks cup and asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the Empire State Building so he can be noticed more." - Icy &. Sot Decoding the Visual Language of 'People's Power' The artwork titled 'People's Power' by the street artist duo Icy & Sot is a striking example of modern pop art that interweaves the raw intensity of graffiti with the engaging allure of stencil work. Created in 2015, this original piece was meticulously crafted using mixed media, predominantly stencil and spray paint, on a cut-out wood panel. The artists' choice of materials and their technique tell of their deep roots in the traditions of street pop art and graffiti artwork, where the use of spray paint is iconic, and stencils allow for sharp, repeatable imagery that can be rapidly executed in the often tricky environments of public spaces. Artistic Expression on Social Realities 'People's Power' resonates with the ethos of street art by boldly tackling socio-political themes. Icy & Sot's work often reflects a keen awareness of contemporary issues; this piece is no exception. The narrative behind the 'American Dream' — the inspiration for 'People's Power' — stems from the artist's observation of a homeless individual in New York City, cradling a Starbucks cup while begging for money. This poignant scene, set against the backdrop of towering skyscrapers, sparked the creation of an artwork that seeks to amplify the presence of the often overlooked and marginalized figures in urban landscapes. The Symbolic Imagery of 'People's Power' In 'People's Power,' the central figure is depicted as larger than life, overshadowing the iconic Empire State Building. This artistic choice elevates the subject, literally and figuratively, granting him a visibility that is usually denied in real life. The mixed crowd surrounding the central figure appears to be in solidarity, suggesting a collective uprising or a unified stand against societal issues. The vibrant colors splashed across the face of the central figure add a sense of vitality and perhaps a glimmer of hope amidst the stark black and white of the crowd. Technique and Form in Icy & Sot's Creative Process The technical prowess of Icy & Sot is evident in the stencil work's precision and the spray paint's controlled chaos. By opting for a wood panel as the substrate, the artists step away from the transient nature of street walls, allowing 'People's Power' to exist as a portable manifesto of their artistic and ideological stance. The cut-out form of the artwork disrupts the conventional rectangular canvas, giving the piece an almost sculptural presence that echoes the three-dimensional experience of encountering street art in the wild. Contextualizing 'People's Power' Within Street Pop Art 'People's Power' is more than a visually captivating piece; it is a cultural artifact that encapsulates the spirit of street pop art. Icy & Sot have successfully harnessed the expressive potential of graffiti artwork to communicate with a broad audience, transcending linguistic and cultural barriers. The artwork's accessibility is crucial to its impact, following the tradition of street art that speaks directly to the public, unfiltered by the gatekeeping norms of traditional galleries and museums. Impact and Legacy of 'People's Power' The legacy of 'People's Power' lies in its ability to confront and converse with its audience about uncomfortable truths. As with many seminal works in the street pop art genre, this piece's value is amplified by its relevance to contemporary societal discourses. Icy & Sot's commitment to addressing the uncomfortable facets of modernity is what positions 'People's Power' as not only an object of aesthetic admiration but also as a beacon of social consciousness in the realm of modern art.

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People’s Discontent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 550 Artwork Size 24x18 Silkscreen Print of CHild Spray Painting Back of Bus With Graffiti "I teamed up with my good friend and documentary photographer, Martha Cooper, on a new print release called “People’s Discontent.” Martha Cooper has been photographing creative kids in action on city streets since the mid-1970s. I remixed one of Martha’s iconic photos from her book, Street Play, titled “Hitchhiking a Bus on Houston Street” that she shot in 1978 in the Lower East Side of New York City. There was no advertisement on the back of the bus in her original photo, and since disco was the rage in the late ’70s, I thought it made sense for me to add a disco radio station with the slogan, “Listen To The Sounds of People’s Disco.” I added the “DISCO-ntent” and the spraypaint can in the kid’s hand as if he sprayed that on there. It’s a nod to that era but also to what’s going on now with the unrest around social justice issues. This limited edition print was first released through Urban Nation Museum in Berlin as part of their current show “Martha Cooper: Taking Pictures” curated by Jaime Rojo and Steven P. Harrington of Brooklyn Street Art." -Shepard Fairey People’s Discontent Silkscreen Print is a powerful example of the intersection between pop art, street art, and graffiti art. Shepard Fairey, better known by his moniker 'OBEY,' collaborated with renowned documentary photographer Martha Cooper to create this piece, drawing inspiration from the vibrant street culture that emerged in New York City in the 1970s. This print showcases Fairey's creative remix of an iconic photo by Cooper, titled “Hitchhiking a Bus on Houston Street.” The print is an intricate hand-pulled silkscreen creation on cream Speckletone Fine Art paper. Fairey added his own touch to the original photograph by inserting a disco radio station advertisement and a spray paint can in the child's hand, evoking the rebellious spirit of graffiti art. The juxtaposition of the disco radio station and the defiant "DISCO-ntent" slogan signify the sociopolitical unrest of the period, with a particular nod to the burgeoning disco movement. Fairey, while staying true to his street art roots, successfully adds a layer of pop art through the use of vibrant, mass-culture imagery, capturing a transformative period in urban history. By contextualizing this piece within the larger narrative of social justice issues, Fairey's artwork exemplifies the power of pop and street art to comment on, challenge, and shape societal norms. This limited edition print of 550 is a part of Urban Nation Museum's exhibition “Martha Cooper: Taking Pictures," curated by Jaime Rojo and Steven P. Harrington of Brooklyn Street Art. People’s Discontent Silkscreen Print represents a fusion of artistic styles, functioning as both a snapshot of a moment in time and a commentary on social issues, making it a unique and coveted piece among collectors and enthusiasts.

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Perfect Family One of a Kind Original Pastel Graphite Drawing Artwork on Paper by Popular Street Graffiti Artist Christabel Christo. Signed 2010 10.5x8 Perfect Family Original Drawing by Christabel Christo

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Perroquet Limited Edition 4-Color Hand-Pulled Silkscreen Print on 275gsm Fine Art Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Perseverance- Sustain Series Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Dave Kinsey. Fine art giclée prints on Italian produced cold press water color paper with hand deckled edges. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Pez Dispenser Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The "Pez Dispenser (Jean-Michel Basquiat)" giclee print by Adam Lister is a contemporary art piece inspired by the iconic American artist Jean-Michel Basquiat. Basquiat was known for his bold and expressive style, which often incorporated text and imagery from popular culture and street art. The print features Basquiat's signature crown motif and the familiar shape of a T-Rex. The use of pixelated blocks of color gives the print a modern and digital feel, while still referencing Basquiat's raw and emotive style. Giclee printing is a high-quality reproduction technique that uses fine art printers to produce prints with exceptional color accuracy and detail. The resulting print is a vibrant and durable work of art that captures the energy and spirit of the original painting. Overall, the "Pez Dispenser (Jean-Michel Basquiat)" giclee print is a unique and engaging tribute to one of the most influential artists of the 20th century, and a great addition to any contemporary art collection.

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Phantom Surfers - Jan. 24th, 1997 at The Trocadero Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. Phantom Surfers Jan 24th 1997 The Trocadero Silkscreen Print by Coop Coop, real name Chris Cooper, is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as "Insensitive Artiste". His work consists primarily of barely clothed Bettie Page-style 1950s soft pornography and/or B-movie monsters, with the female characters often taking the role of "Devil-Women". The image most often associated with his work is however slightly more tame: the face of a grinning devil with a smoking cigar clamped in its teeth.

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Pharaoh Skull- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Phase 1 PP Printer Proof Archival Print by Sket-One Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x13 Archival Pigment Fine Art Phase 1 Colorway Rainbow Colorful Drip Smiley Face. Sket-One's "Phase1 PP Printer Proof": A Chromatic Symphony in Street Pop Art "Phase1 PP Printer Proof" by Sket-One represents a vivid intersection of street pop art and graffiti artwork with the vibrant aesthetics of pop art. This limited edition print on 310gsm museum fine art paper showcases Sket-One's ability to manipulate color and form to create a visually arresting piece. As a signed and marked Printer's Proof from 2016, it captures the essence of Sket-One's artistic philosophy, combining the dynamism of street art with the polished finish of modern pop art in a singular, compelling artwork. The dimensions of "Phase1," at 24x13 inches, provide a broad canvas for Sket-One's colorway rainbow, a spectrum that is both a technical marvel and a feast for the eyes. His colorful drip technique imbues the piece with movement and fluidity, suggesting a moment frozen in time where colors run and blend into each other. This movement is juxtaposed with the iconic smiley face, a motif synonymous with the artist's work. The smiley face in this piece is deconstructed, its elements scattered across the composition, playing with the viewer's perception and inviting them to piece it back together visually. The archival pigment used in "Phase 1" ensures that the print's colors remain as vivid and impactful as the day they were printed. This high-quality ink and fine art paper guarantees longevity and resistance to the elements, a crucial consideration for collectors and enthusiasts of street pop art and graffiti artwork. The PP designation is critical, as Printer's Proofs are often considered more valuable than standard prints due to their limited quantity and role in the printmaking process. Sket-One's work has always been at the forefront of street pop art, a genre that borrows from the iconography and accessibility of pop culture and infuses it with the raw energy of street art. "Phase 1" is no exception. It is a bold declaration of the artist's command over his medium and his willingness to push the boundaries of what is possible within the confines of a print. The piece is not just a reflection of Sket-One's artistic prowess but also of the broader movement of street pop art, which continues to challenge and redefine the limits of contemporary art. Sket-One's "Phase 1 PP Printer Proof" symbolizes the transformative power of street pop art and graffiti artwork. It is a testament to the artist's vision and contribution to the evolution of these genres. The print is a dialogue between the artist and the audience. This colorful exploration bridges the gap between street art's rebellious spirit and the art gallery's curated experience. As such, it is both a valuable piece of modern art and a vibrant addition to pop and street art discourse in the 21st century.

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PI 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Pop Artist Sam Chivers. 3.141592653589793 Math Pi, Edition of 22

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Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Caledonia Curry Street Pop Art: Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon Pigeon Feeding Family Brooklyn 2005 is a signed and numbered giclee print by American Street Pop Art & Graffiti Artwork icon Caledonia Curry, known globally under the name Swoon. Originally wheatpasted on a weathered Brooklyn wall, the work was photographed and transformed into a fine art edition, capturing the raw texture of the urban environment and the tenderness of everyday moments. Printed on heavy fine art rag paper, this piece measures 19 by 13 inches and was released in 2016 as part of a limited edition of 175. The work is part of the Swoon Street Series Print Collection, which immortalizes her ephemeral street interventions as collectible fine art. Swoon’s Human-Centered Street Pop Art & Graffiti Artwork Caledonia Curry’s practice blends compassion and community with socially charged visuals. This giclee print documents a street paste-up of a family in a moment of simple care and connection, feeding pigeons against a hand-painted wall. The mother figure anchors the composition with calm resilience while the children appear in varying poses of curiosity and support. This is a recurring hallmark in Swoon's Street Pop Art & Graffiti Artwork — intimate portraits of humanity created through hand-carved linoleum blocks, paper cutouts, and site-specific installations. Each subject is rooted in real communities and stories, often reflecting Curry’s collaborative work with underserved populations across the globe. Brooklyn as a Canvas for Caledonia Curry’s Social Aesthetic During the early 2000s, the streets of Brooklyn served as an active surface for many emerging artists, and Caledonia Curry’s large-scale paste-ups gained particular recognition for their emotional detail and craftsmanship. The original installation of Pigeon Feeding Family was not merely decorative but deeply site-specific, activating the decaying wall with human presence. Swoon’s commitment to public art goes beyond aesthetics. It embodies a form of street-level storytelling that addresses displacement, economic hardship, and resilience. The scene rendered in this giclee print speaks to those themes by elevating a humble act — feeding pigeons — into a portrait of survival and grace amid hardship. Legacy and Preservation in the Swoon Street Series Print Collection The 2016 release of Pigeon Feeding Family Brooklyn 2005 as a signed and numbered giclee was part of a broader effort to archive Swoon’s disappearing wall pieces from the early stages of her career. The Street Series Print Collection allows collectors and institutions to preserve this pivotal period of Street Pop Art & Graffiti Artwork that otherwise lives only in photographs or memory. Each print in the series is produced with precision to reflect the texture, color, and environmental context of the original installation. With Caledonia Curry’s growing impact in both the fine art world and social practice circles, works like this continue to hold value as artifacts of a moment where street art was both protest and poetry.

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Pilsen Chicago 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ian Ferguson- Hydeon Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2013 Signed & Marked AP Limited Edition Pilsen by Ian Ferguson 1-Color Screen Print Size: 16" x 20" Neighborhood Art Series Pilsen Silkscreen Print by Ian Ferguson – Hydeon Pilsen is a highly detailed one-color hand-pulled silkscreen print by Ian Ferguson, also known as Hydeon, a prominent name in street pop art & graffiti artwork. This signed and marked artist proof from 2013 represents a rare and sought-after limited edition that captures the unique energy and architectural beauty of Pilsen, a historically rich neighborhood known for its deep artistic roots and cultural vibrancy. With a print size of 16x20 inches, this piece showcases Ferguson’s signature illustrative style, which merges urban storytelling with intricate line work and surreal visual elements. This artwork highlights Pilsen’s strong connection to Chicago’s street art and mural culture, preserving its historic buildings and lively streetscape in Ferguson’s distinct approach. Through bold composition and dynamic structural renderings, this print reflects the neighborhood’s identity as a hub for creativity and artistic expression. By presenting Pilsen in an imaginative and fluid arrangement, Ferguson gives the piece an almost dreamlike quality while staying true to its architectural essence. The Architectural Identity of Pilsen Ian Ferguson’s work is known for its architectural complexity, and Pilsen is no exception. This print captures the neighborhood’s diverse architectural landscape, from historic brick buildings and classic storefronts to residential facades that reflect the area’s immigrant history. Ferguson’s ability to manipulate perspective and structure creates a layered visual experience, allowing the viewer to see the neighborhood in a way that feels alive and evolving. Pilsen has long been a center for artistic expression, known for its large-scale murals and independent galleries. Ferguson’s interpretation reflects this artistic spirit, incorporating elements that speak to the creativity embedded in the neighborhood. The detailed rendering of buildings and urban textures showcases his dedication to precision, while his stylized distortions add a sense of movement and energy to the composition. This combination of realism and abstraction makes Pilsen not just a location but a character in itself, embodying the artistic pulse of the city. Symbolism and Cultural Representation Beyond its architectural focus, Pilsen also conveys themes of cultural identity and community resilience. The neighborhood has long been home to immigrant communities, particularly those with Mexican heritage, and has developed a distinct artistic voice through its vibrant street murals, festivals, and local galleries. Ferguson’s piece captures this essence by layering familiar urban motifs with his own signature aesthetic, reinforcing the deep connection between place and culture. The monochromatic approach to this piece enhances the fine details, drawing attention to the precision of the line work while maintaining a timeless quality. Unlike traditional full-color street pop art & graffiti artwork, Ferguson’s use of a single color creates a sense of nostalgia, reminiscent of old architectural sketches or historical city maps. This allows the piece to exist both as a contemporary work of art and as a document of a neighborhood rich in history and artistic innovation. Hydeon’s Impact on Urban Art Narratives Ian Ferguson’s ability to translate the energy of urban environments into highly detailed compositions has made him a significant figure in street pop art & graffiti artwork. Pilsen exemplifies his artistic approach, blending meticulous craftsmanship with a deep understanding of place-based storytelling. Unlike conventional street art, which often relies on bold colors and rapid execution, Ferguson’s work is deliberate and intricate, requiring viewers to engage closely with the piece to uncover its many layers. Through his work, Ferguson preserves the identity of urban spaces, celebrating their history while reimagining them through his unique artistic perspective. Pilsen stands as both a tribute to the neighborhood’s past and a representation of its future, ensuring that its artistic legacy continues to inspire new generations. As part of his broader body of work, this print reinforces Hydeon’s role in shaping how contemporary artists depict and interact with cityscapes, solidifying his influence in the evolving landscape of street pop art & graffiti artwork.

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Pin Cushion Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Artist Luke Chueh. 2010 Signed & Numbered Limited Edition of 100 Artwork Size 20x20 Luke Chueh's "Pin Cushion" captures contemporary discomfort meshed with childlike simplicity, characteristic of the pop art movement's fusion of popular culture and fine art. Released in 2010, this limited edition giclee print resonates with the qualities of street art through its accessibility and the immediacy of its emotional impact. With its production limited to 100 signed and numbered pieces, it's crafted on 290gsm Moab Entrada paper, a choice that ensures longevity and enhances the visual experience with its textured surface. In the artwork, a seemingly innocent and straightforward character—a bear—becomes a vessel for a complex expression of emotion. The bear, punctuated by pins with tiny red hearts, stands against a deep red backdrop. This stark color palette is visually arresting and symbolic, possibly signifying pain, love, or a combination. The juxtaposition of an endearing childhood toy against the brutal reality of pain, suggested by the pins, strikes a powerful chord. It reflects Chueh's ability to navigate the nuances of human emotion, making a statement about the pain often hidden behind a calm exterior. "Pin Cushion" is more than a decorative piece; it's a commentary, subtle yet sharp, on the nature of suffering and the human tendency to conceal emotional distress. Luke Chueh himself is known for his anthropomorphic figures that tackle themes of despair with a satirical edge. Giclee printing, a process favored for fine art reproductions, retains the detail and color of Chueh's original work, ensuring that each piece in the limited series reflects the artist's intent with clarity and precision. Collectors and enthusiasts of modern art view "Pin Cushion" as a poignant addition to pop art and street art, where the ordinary is transformed into a platform for extraordinary commentary. Chueh's work sits comfortably in the urban contemporary art scene, often discussed alongside graffiti art for its bold visuals and the urban culture influences that inform its aesthetic and thematic qualities. This piece is a symbol of modern emotional expression, wrapped in the cloak of pop art's visual appeal.

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Pink Elephant DesignerCon 2017 Blacklight Limited Edition Hand Pulled 6-Color Serigraph Print on Fine Art Paper by Joe Ledbetter Graffiti Street Artist Modern Pop Art. 18" x 24" Serigraph blacklight print on paper. Black flocking, Signed, numbered, and watermarked de-bossed for authenticity. Limited edition of 100.

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Pink Nose Limited Edition Giclee Print on 308gsm Hahnemuhle Cotton Paper by Modern Artist Mysterious Al. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 23.62x23.62

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Pink One Formula Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Sket-One. 2021 Box Stamped Size 5.5" Limited Edition of 250 "Sket One has teamed up with Czee13 & Clutter to bring you a killer series of Canz that are Classics. The first of the new series of Canz by Sket-One is the Pink One Formula releasing exclusively through Clutter. Standing at 5.5” with its trademark rattle, this dope Canbot Canz fits perfectly with the rest of the Canz family! Limited to 250 pieces worldwide!" -Clutter

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Pip Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Urban Pop Artist Darien Birks. 2020 Signed & Numbered Limited Edition of 98 Artwork Size 12x12 Scottie Pippen Chicago Bulls Basketball Sports Print "Being born in the early 80's, growing up in the 90's—and being a basketball fanatic, naturally I gravitated to the iconic Michael Jordan and the Chicago Bulls. This artwork is inspired by 'The Last Dance' documentary that chronicles the dynasty in a way that we've never seen before—while re-introducing this team to the current generation. I was compelled to tap in to that nostalgia and celebrate my favorite players from the franchises greatest run." - Darien Birks

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Piranhas Club Man Man Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Neal Russler.

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Pitter Patta Goes My Heart Giclee Print by Kathy Ager Artwork Limited Edition Print on Hand Deckled 290gsm Rag Watercolor Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 22 Artwork Size 9x12 Exploring the Fusion of Classical and Contemporary in "Pitter Patta Goes My Heart" "Pitter Patta Goes My Heart," a giclée print by Kathy Ager, is a compelling artwork that seamlessly marries classical art sensibilities with the raw, vibrant ethos of Street Pop Art and graffiti Artwork. This limited edition piece, one of only 22, exemplifies the innovative trajectory of contemporary art. Measuring a modest 9x12 inches, the work is printed on hand-deckled 290gsm rag watercolor fine art paper, which adds a tactile, organic feel to the viewing experience. Kathy Ager, renowned for her unique blend of classical and modern art, presents a visual narrative that juxtaposes a Greco-Roman bust's timelessness with graffiti's ephemeral nature. The subject, a statue, is adorned with tattoos, an element borrowed from the world of street art, symbolizing the permanence of ink on skin contrasted with the enduring nature of marble. The tattoos are not mere decorations; they tell stories, reveal hidden truths, and express the silent words of the artwork's subject. The lush, vibrant flora surrounding the figure bursts forth with life and color, reminiscent of the still-life paintings of old masters, yet imbued with a sense of urgency and defiance characteristic of street art. This choice of composition creates a dialogue between the enduring and the transient, the revered and the rebellious. The Significance of Limited Editions in the Art Market In the realm of fine art prints, the scarcity of a limited edition run significantly enhances the value of each piece. "Pitter Patta Goes My Heart" is signed and numbered by the artist, which further authenticates its exclusivity and appeals to collectors who value the intersection of fine art and street culture. This limited availability often leads to a sense of urgency among buyers and collectors, keen to own a part of this transient art form that captures the zeitgeist of contemporary culture. Materials and Medium: The Choice of Giclée Printing Giclée printing is renowned for its high fidelity to the original artwork, capable of reproducing the nuances of color and texture with remarkable precision. By opting for giclée printing on hand-deckled watercolor paper, Kathy Ager ensures that each print of "Pitter Patta Goes My Heart" resonates with the quality and intention of her original painting. This medium also offers a nod to street art's preference for unorthodox canvases, reflecting the unpredictable and often fleeting canvases of urban landscapes upon which graffiti artists work. Impact of "Pitter Patta Goes My Heart" in Street Pop Art & Graffiti Artwork Kathy Ager's artwork is a testament to the evolving nature of Street Pop Art and graffiti Artwork. It pushes the boundaries by incorporating classical motifs, thus bridging the historical and the contemporary. The choice to infuse a classical bust with the sensibilities of street art is a powerful statement on the ever-changing definitions of high art and popular culture. This artwork is not simply a piece to be hung on a wall; it is a catalyst for conversation, a statement of cultural fusion, and a marker of artistic evolution. As Street Pop Art and graffiti Artwork continue to gain recognition in fine art, pieces like "Pitter Patta Goes My Heart" challenge traditional notions of what is considered 'gallery-worthy' and blur the lines between street and elite. In conclusion, Kathy Ager's "Pitter Patta Goes My Heart" is a striking example of contemporary art's power to transcend boundaries. It is an homage to the past, a commentary on the present, and a beacon for the future of art. By blending elements of classical art with the dynamism of Street Pop Art and graffiti, Ager has created a visual lexicon that speaks to a broad audience and carves a niche in the art market that is distinctly her own.

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Pizza Time! Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Iam8bit.

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Plastic Sea Pop Street Artwork Limited Edition Giclee Print on 100lb Italian Coldpressed Paper by Urban Graffiti Modern Artist Ilya Kuvshinov. 2020 Plastic Sea by Ilya Kuvshinov Fine-art Giclée print on Italian cold-press watercolor paper 20 x 20 Inches 1/2 inch border Limited Edition of 100 Numbered

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Please Allow Me To Introduce Myself Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Skateboard deck art by street pop culture artist Dee Dee. PP Printers Proof 2019 Screen-printed signature Deck Hand Signed COA. Dee Dee is a New York City-based street artist who uses collage, paint, and silkscreen to bring surreal and cinematic daydreams and nightmares to life. It is in that world – between sleep and dream, between the surface and subconscious – where the viewer is invited to enter. The work encapsulates themes of the seen and unseen, the hidden and the revealed, the masks we wear, and the ones we choose to remove.

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Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda x Suckadelic. 2022 Signed & Numbered Hand cast and painted 3.75" scale carded resin figure. Numbered out of 100.

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Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Hand cast and painted 3.75" scale carded resin figure. Signed and numbered by Ron English- POPaganda on the back. Signed by the HipHop trooper on the front. Numbered out of 100.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Polyphora- Gold Emblished Artwork Giclee Limited Edition Print on Thick Fine Art Paper by Pop Culture Graffiti Artist Gene Guynn. Polyphora" is a limited edition of only 25 prints, and the first five prints are hand embellished with a special gold ink!

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Pool Party Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2020 Limited Edition of 40 Fine Art Giclee Print 16x20 Signed and numbered

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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Pop Can- Yellow 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. 2019 Signed Limited Edition of 40 Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism. “In my experience, if you can make someone laugh you can make them think. I use humor in some of my works for this fact, to open the dialogue. I really don’t know why people buy my work but I am grateful to have fans and collectors that help perpetuate my career.

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Pop Sub Final #4 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Bannon Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #4 by Jacob Bannon: A Dark Emblem of Street Pop Expression Pop Sub Final #4 is a visually arresting 7x7 inch one-color silkscreen print by Jacob Bannon, released in 2014 as a numbered limited edition of 100. Printed on fine art paper, this haunting monochromatic image encapsulates Bannon’s signature visual language—one that thrives on raw emotion, layered texture, and existential symbolism. The design appears as a spectral fusion of a skull and a cratered celestial surface, evoking lunar imagery overlaid with a decayed human face. Rendered in coarse halftones and distressed gradients, the print does not merely suggest decay but embraces it as the very fabric of visual construction. The tactile roughness and obscured features challenge the viewer to interpret the image emotionally rather than analytically. This technique aligns the piece firmly within Street Pop Art & Graffiti Artwork, where instinct often overrides polished perfection. Jacob Bannon: Raw Signal in Urban Silence Jacob Bannon is a multidisciplinary American artist known for his work in visual art, graphic design, and music, particularly as the vocalist for the band Converge. His creative practice merges visceral abstraction with thematic intensity, often touching on mortality, emotional fracture, and spiritual displacement. His artworks are marked by dense visual layering, distressed surfaces, and a commitment to translating sound into image. Pop Sub Final #4 reflects this approach perfectly—an artwork that resonates like feedback from an amplifier. It captures the ghostly echo of urban anxiety, a worn currency of identity that has passed through too many hands. This print does not shout, it vibrates. It is not an illustration but a signal. Printmaking as Annihilation and Revelation As a one-color hand-pulled silkscreen print, the physical process behind Pop Sub Final #4 is as integral to its meaning as the image itself. The ink is uneven, the textures are chaotic, and the breakdown of form into shadow and void mirrors the themes Bannon regularly explores. At 7x7 inches, the small scale intensifies the print’s claustrophobic energy, drawing the viewer in for a closer inspection of what feels like a decayed artifact. This limited edition format speaks to the ethos of Street Pop Art & Graffiti Artwork—accessible, raw, and designed for impact without dilution. It is not simply hung on a wall but pressed into the experience of the viewer like a worn badge or underground symbol. Symbolism and Dissonance in Street Pop Language The circular format enclosing a skull-like visage evokes universal symbols of mortality and time. Bannon’s print pushes against decorative tendencies by refusing to clarify its meaning, instead evoking a sensation of unrest, loss, and timeless ruin. Unlike clean vectors or digital graphics, this work feels buried in a deeper emotional register. Pop Sub Final #4 communicates in tones of erosion, deterioration, and silence. Within the wider street and pop art culture, where loud colors and recognizable icons often dominate, Bannon's approach provides an antidote—proof that Street Pop Art & Graffiti Artwork can whisper with the same power it screams. His print is a meditation, a relic, and a confrontation, all in one stark square.

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Pop Sub Final #5 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ayejay Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #5 Silkscreen Print by Ayejay: Crunk Culture in Raw Graphic Form Pop Sub Final #5 by Ayejay is a loud, irreverent piece of Street Pop Art & Graffiti Artwork that celebrates the exaggerated spirit of subcultural identity through bold minimalism. Released in 2014 as a numbered limited edition of 100, this 7x7 inch hand-pulled two-color silkscreen print is a striking piece that fuses humor, rebellion, and a gritty edge into a compact format. The skeletal figure, mid-toast with a branded cup labeled Crunk Juice, is a humorous yet pointed visual that merges late-2000s crunk hip-hop culture with punk and hardcore visual traditions. The phrase Crunk’s Not Dead explodes in jagged blood-red text above the figure, capturing a defiant message in a style that is equal parts parody and allegiance. Ayejay’s Graphic Voice in Street Pop Expression Ayejay, also known as Justin Aversano, is an American artist who channels the aesthetics of zine culture, punk flyers, and underground graphics into clean, impactful compositions. Pop Sub Final #5 showcases Ayejay’s knack for distilling complex cultural commentary into raw, visceral visual language. The black and white skeletal figure, detailed yet exaggerated, leans into grotesque cartooning, while the high-contrast red typography punctuates the piece with an almost anarchic urgency. At only two colors, the print thrives on its simplicity, allowing the energy of the composition to take full control of the viewer’s attention. It plays with the absurd while honoring the visual traditions of street culture, making it both comedic and culturally incisive. Subversive Nostalgia and Street Humor This artwork captures a very specific cultural moment while critiquing the fleeting nature of trends through the permanence of print. The skeletal form holding up a celebratory drink is a sarcastic tribute to crunk as both a musical and cultural phenomenon. Rather than fading away, the spirit of the genre is rendered as undead, satirical, and unrelentingly confident. The use of skeletal imagery ties this work to classic punk motifs and tattoo iconography, while the exaggerated text mimics hardcore record art and DIY poster design. By compressing all this visual and cultural density into a 7x7 inch print, Ayejay emphasizes how small-scale works can still deliver outsized impact when rooted in honest cultural expression. Edition Craftsmanship and Cultural Relevance Printed in a limited run of 100, each piece in this edition carries the hand-pulled quality that is central to Ayejay’s art practice and the ethos of Street Pop Art & Graffiti Artwork. The use of fine art paper and screen printing techniques grounds the work in tradition, but the message and delivery are unmistakably modern. Pop Sub Final #5 stands as a visual artifact of irreverent humor and cultural preservation. It celebrates the endurance of underground voices while mocking the idea that any scene or spirit can ever truly die. Through this print, Ayejay reinforces the notion that bold, satirical art can preserve and mutate cultural memories into permanent, punchy symbols of resistance.

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Pop Sub Final #6 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Matt Loomis Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #6 by Matt Loomis: Mysticism and Mortality in Ink Pop Sub Final #6 by Matt Loomis is a hauntingly intricate 12x12 inch one-color silkscreen print released in 2014 as part of a limited edition of 100. Printed by hand on fine art paper, this piece delivers powerful visual storytelling through expertly rendered black ink. The print depicts a vaporous skull fused with cosmic elements, holding a blade that slices across a night sky filled with stars and a crescent moon. Its monochromatic palette enhances the contrast between detail and negative space, pushing the viewer’s attention toward the surreal entanglement of death, night, and cosmic symbolism. With technical precision and a bold conceptual core, the work occupies a distinct space within Street Pop Art & Graffiti Artwork, channeling both illustrative mastery and street culture ethos. Matt Loomis and the Depth of Symbolic Street Imagery Matt Loomis is an American illustrator known for fusing fantasy, folklore, and esoteric iconography with contemporary design. His work often explores transformation, mythic duality, and the poetic violence embedded in subconscious landscapes. Pop Sub Final #6 exemplifies this approach. The skeletal form is not simply a depiction of death but a spirit being, wreathed in smoke, conjuring visions of the void. The scythe cutting across the circular night sky references the passage of time, the reaping of existence, and perhaps, the cyclical nature of rebirth. While Loomis’s style borrows from tattoo culture and heavy metal aesthetics, it transcends decorative boundaries to engage philosophical narratives. Within the broader movement of Street Pop Art & Graffiti Artwork, Loomis positions himself not as a provocateur but a mystic, visualizing ancient fears and eternal questions through modern ink. Print Process and Visual Intent This silkscreen edition is a testament to the power of one-color printing when applied with vision and precision. Every detail in the swirling smoke, lunar background, and spectral anatomy is carved into stark relief by the unforgiving medium. The decision to limit the palette allows viewers to focus on line weight, negative space, and compositional flow, reinforcing the idea that minimal tools can yield maximum psychological impact. The fine art paper serves as a clean stage for the spectral inkwork, adding physical presence to an image that feels otherworldly. The print’s 12x12 format enhances its sense of containment—an entire cosmic ritual encased in a square foot of surface. Street Pop Art Meets Occult Futurism Pop Sub Final #6 stands as a refined yet raw example of how graffiti-adjacent artists like Matt Loomis reinterpret classic themes such as death, night, and mystery through the lens of modern subcultures. While not characterized by traditional tagging or bold color fields, the print aligns with Street Pop Art & Graffiti Artwork in its irreverent spiritualism and boundary-defying content. By embedding ritualistic imagery into street-informed formats, Loomis speaks to the part of urban life that searches for meaning in chaos. This edition acts as a visual incantation—summoning attention, provoking introspection, and whispering dark truths into the eye of anyone willing to look closer.

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Portal Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Mario Wagner Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 11x14 From BLK/MRKT. Small Tape Markes From Mounting on Margin Corners

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Portrait Series- Live Original One of a Kind Marker Drawing Artwork on Fine Art Paper by Urban Street Artist JM Rizzi. 2022 Signed Original Marker DrawingDrawing Size 9x12

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