Artworks

Chi-Noceros Silkscreen Print by Phineas X Jones Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Chicago City on the Horn of a Rhino Walking in the Sea. Chi-Noceros Silkscreen Print by Phineas X Jones Chi-Noceros, a silkscreen print by Phineas X Jones, is a surreal and visually striking fusion of urban architecture and wildlife, blending elements of street pop art & graffiti artwork with fine illustration techniques. This hand-pulled screenprint, created in 2013, captures the imaginative and detailed artistic approach for which Jones is known. The 18x24-inch artwork, produced as a signed and numbered limited edition of 100, depicts a rhinoceros walking through water with the iconic Chicago skyline integrated into its horn. This whimsical yet thought-provoking imagery transforms the animal into a living embodiment of the city, symbolizing both strength and resilience while blurring the lines between nature and man-made structures. The Artistic Composition and Symbolism Jones' illustration style in Chi-Noceros is defined by intricate linework and a deep attention to texture, giving the rhino’s skin a weathered, organic feel that contrasts sharply with the rigid architectural structures growing from its face. The use of the Willis Tower and other Chicago skyscrapers as the rhino’s horn is a bold artistic statement, reinforcing the city’s towering presence and its relationship to the natural world. The water surrounding the rhino creates an additional layer of intrigue, implying either movement through an untamed landscape or the gradual reclaiming of urban spaces by nature. The rhino’s body is also adorned with the four red stars from the Chicago flag, further emphasizing the city’s identity and making the creature a literal representation of its spirit. The integration of these symbols into the natural form of the animal adds a layer of civic pride while maintaining a sense of surrealism. The muted color palette, consisting of grays, blues, and reds, keeps the composition visually cohesive, reinforcing the detailed linework and giving the piece a timeless, almost vintage quality. Street Pop Art & Graffiti Artwork Influences Chi-Noceros aligns with the aesthetics of street pop art & graffiti artwork by incorporating bold reimaginings of urban culture, transforming everyday elements into something unexpected. The hybrid of an organic, powerful creature with rigid city structures mirrors the themes often found in street art, where the natural and industrial coexist in an ongoing dialogue. This interplay between nature and human development is a recurring motif in urban art, where murals, prints, and graffiti often depict the struggle between environmental forces and the relentless expansion of cities. Jones’ ability to merge intricate realism with surrealism gives his work an edge that fits within the larger movement of contemporary street pop art. The exaggerated proportions and unconventional subject matter challenge the viewer’s perception, much like how graffiti and street murals disrupt traditional urban spaces. His precise illustration techniques, combined with the organic flow of ink from the screenprinting process, further reinforce the handcrafted, raw energy that defines this style of art. The Collectibility and Cultural Impact of Chi-Noceros As a limited-edition, signed and numbered silkscreen print, Chi-Noceros holds value as both a collectible artwork and a cultural statement. The 18x24-inch format allows for the full appreciation of Jones’ meticulous detailing, ensuring that every line and texture remains sharp and impactful. The hand-pulled nature of the print gives each piece a unique character, making it a sought-after work for collectors of street pop art & graffiti artwork, as well as those with an affinity for Chicago-inspired design. The lasting appeal of Chi-Noceros comes from its ability to merge civic identity with artistic expression. It speaks to both urban dwellers and art enthusiasts, offering a playful yet meaningful reflection on how cities and nature intersect. The rhino, a creature known for its resilience and strength, becomes an emblem of Chicago itself, embodying its toughness, adaptability, and iconic skyline. Phineas X Jones has established himself as an artist who bridges fine illustration with the bold, dynamic qualities of urban art. Chi-Noceros stands as a testament to his creativity, transforming an ordinary subject into an extraordinary visual narrative. This silkscreen print not only showcases his technical skill but also cements his place within the evolving landscape of street pop art & graffiti artwork.

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Cornerstore Marquise Henry Reddi Wip 8.25 Skateboard Art Deck by DKG Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2021 Limited Edition Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Skate Pro Marquise Henry x DGK Reddi Wip Whipped Cream Stylized Board. Cornerstore Marquise Henry Reddi Wip Skateboard Deck by DGK: A Statement in Street Pop Art & Graffiti Artwork The Cornerstore Marquise Henry Reddi Wip Skateboard Deck by DGK, released in 2021, is a powerful fusion of sports culture and visual art. Created as part of DGK’s Cornerstore series, this limited edition deck brings together the raw, unfiltered energy of street skating with the visual punch of Street Pop Art & Graffiti Artwork. Sized at 8.25 inches wide by 32 inches long, with a 14.25-inch wheelbase, medium concave, and steep kick, the deck is made in Mexico using high-quality wood that caters to both collectors and skaters alike. The artwork features a stylized whipped cream can design, a parody of the iconic Reddi Wip can, with a twist of satire and cultural commentary that DGK is known for. Centered on the phrase Quise’s Whip, the design nods to professional skater Marquise Henry while cleverly referencing themes of indulgence, hustle, and the pursuit of cash in urban skate life. Visual Identity and Cultural Messaging in the Deck Design The design of the Reddi Wip deck functions as more than a simple branding homage. It operates on the language of Street Pop Art & Graffiti Artwork, borrowing from consumer culture to comment on the commodification of identity and skateboarding itself. With whipped cream rendered with googly eyes and piles of dollar bills beneath it, the message is both playful and sharp. The can is emblazoned with catchphrases like All Day and Always on Top, which serve as tongue-in-cheek affirmations rooted in skate hustle culture. Marquise Henry’s presence on the board grounds the product in authenticity, reflecting his real influence on street skating and urban fashion. The exaggerated parody of a grocery store product becomes a powerful symbol when placed in the context of the street, transforming everyday visual references into cultural signals that challenge and engage the viewer. Skateboard as a Canvas for Street Pop Art & Graffiti Artwork The use of skate decks as platforms for fine art has gained prominence within both contemporary street culture and the art world. This DGK board embraces that movement, turning a functional sports object into a collectible art piece. Printed on wood, the graphic utilizes bold colors, satirical typography, and character-driven elements to elevate the work beyond traditional branding. Skateboards like the Reddi Wip edition represent a fusion of physical performance and cultural expression, where the streets serve as both gallery and testing ground. DGK, founded by Stevie Williams, has consistently pushed these boundaries, offering products that reflect not only aesthetic tastes but also the values and struggles of the communities they represent. Limited Edition Object and Relevance in Modern Art As a limited edition 2021 print, this skateboard deck captures a moment in modern street art and skate history. With its unique design and connection to pro skater Marquise Henry, the Reddi Wip deck is more than just equipment. It becomes a curated art object, collectible and expressive of a lifestyle rooted in rebellion, perseverance, and style. Made with precision and integrity, the deck bridges skate functionality with the spirit of urban art commentary. The use of parody and consumer reference aligns it closely with the ethos of Street Pop Art & Graffiti Artwork, transforming a commercial parody into a powerful statement piece that stands tall in the overlapping worlds of art, design, and skateboarding culture.

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We Are the Jocular Clan Offset Lithograph Print by Takashi Murakami TM/KK Print on Smooth Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2018 Signed & Numbered Limited Edition of 300 Offset Lithograph Artwork Print Size 19.63x19.63 Kaikai Kiki Co. Ltd., Tokyo. Decoding the Visual Symphony of Takashi Murakami's "We Are the Jocular Clan" The fusion of contemporary art and street culture is magnificently encapsulated in Takashi Murakami's offset lithograph print, "We Are the Jocular Clan." This limited edition piece, hand-pulled on smooth-wove fine art paper, is a quintessential example of street pop and graffiti artwork. Murakami, a stalwart in the post-modern art scene, is renowned for blurring the boundaries between high and low culture, a theme that resonates deeply in this 2018 creation. The artwork, signed and numbered, comprises a limited series of 300 prints, each sized at 19.63x19.63 inches, and presents a visual narrative that is both playful and profound. Takashi Murakami's Artistic Legacy and Street Pop Artistry Murakami's aesthetic, often categorized under the Superflat movement, indicates his deep engagement with the historical and contemporary visual language. "We Are the Jocular Clan" showcases Murakami's iconic design elements, such as the smiling flowers and whimsical eyes, that have become synonymous with his name. These motifs are not just recurring visual themes but are also imbued with cultural significance, drawing from Japanese art traditions and the global impact of anime and manga. The juxtaposition of traditional Japanese art with the anarchic energy of street art and graffiti forms a complex, layered tapestry of meanings that challenge the viewer's perception of art, culture, and society. Materiality and Craftsmanship in Murakami's Printmaking The craftsmanship in producing "We Are the Jocular Clan" is a testament to the meticulous processes behind fine art printmaking. The decision to use offset lithography is a nod to the democratization of art, a principle often celebrated in street pop art. This method allows for a wider dissemination of Murakami's work, making it accessible to a broader audience and not just the echelons of art collectors. The smooth-wove fine art paper is a canvas that captures the original artwork's vibrant colors and intricate details, ensuring that each piece, though part of a series, retains a sense of uniqueness and individuality. Cultural Dialogue Through Murakami's Visual Language "We Are the Jocular Clan" is not merely an object of visual delight but a cultural dialogue articulated through Murakami's distinct visual language. The piece embodies the essence of street pop art — it is accessible yet complex, severe yet playful, and individual yet universal. Murakami's work bridges the street and the gallery, inviting interpretations across diverse cultural and social contexts. It reflects the artist's philosophical inquiries into the nature of joy, the constructs of clan-like communities, and the role of art as a communal experience. In contemporary art, Murakami's work has consistently pushed the boundaries of what is considered art, just as graffiti once pushed against the boundaries of legality and acceptance in public spaces. "We Are the Jocular Clan" holds within its vibrant composition the revolutionary spirit of street art, the aesthetic pleasures of pop art, and the conceptual depth of contemporary art practices. Much like Murakami's oeuvre, this artwork catalyzes the ongoing discourse about the intersections and divergences within art forms and the evolving narrative of street pop art and graffiti artwork.

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