Artworks

Risky C Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky D Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky E Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24. From the first "Beyond The Streets" exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat. Risk Rock's "Risky E Graffiti Alphabet Letter" and Its Place in Street Pop Art The "Risky E Graffiti Alphabet Letter" giclée by Risk Rock is a vibrant piece that encapsulates the dynamic interplay between typography and abstraction in street pop art and graffiti artwork. As a limited edition fine art paper print from 2012, this work forms part of the exclusive "Beyond The Streets" exhibit collection, showcasing the evolution of street art from public spaces into galleries. Limited to 100 signed and numbered editions, the artwork measures 24x24 inches, offering a substantial visual statement in size and impact. Although there is minor to light yellowing on the margins of the museum-quality paper, the image remains pristine—a testament to the lasting power of street art when transferred to a more permanent medium. Risk Rock, a celebrated figure within the street art community, is known for his bold use of color and innovative approach to graffiti lettering. The "Risky E" is a prime example of his style, blending graffiti's raw, kinetic energy with the precision of printmaking. The giclée process, renowned for its high fidelity to the original artwork, allows the piece's intricate details and vibrant colors to be preserved, creating a lasting impression akin to that of a mural encountered on the street. The Cultural Resonance of Risk Rock's Artistic Expression The "Risky E Graffiti Alphabet Letter" is more than a mere decorative piece; it is a cultural statement that resonates with the ethos of street and pop art. It represents a moment when graffiti, once relegated to the fringes of the art world, began to be recognized for its artistic value and cultural significance. The piece, birthed from the "Beyond The Streets" exhibit, symbolizes graffiti's transition from an act of rebellion to a form of artistic expression embraced by museums and collectors alike. Risk Rock's contribution to the street art movement is immortalized in this print, reflecting the artist's mastery over form, color, and composition. The letter "E" is transformed into a standalone piece of art, showcasing the potential of typography to transcend its functional roots and become a medium for creative expression. This transformation is characteristic of street pop art, where everyday elements are recontextualized to challenge perceptions and engage viewers in a dialogue. The Significance of Giclée in Preserving Street Art Aesthetics Giclée prints like "Risky E" have played a significant role in preserving the aesthetics of street art for future generations. By capturing the vibrancy and detail of the original artwork on fine art paper, the giclée process ensures that the transient nature of street art can be enjoyed long after the original piece might have faded or been painted over. With its limited edition status, this print elevates the ephemeral nature of graffiti into a collectible form, allowing fans and new audiences alike to own a piece of street art history. The slight aging of the paper's margins does not detract from the artwork's value; instead, it adds a layer of authenticity reminiscent of the aging walls that host graffiti art in the urban landscape. The promise that the image can be easily matted and preserved speaks to the adaptability of street art and its ability to find new life in different contexts and formats. Risk Rock's "Risky E Graffiti Alphabet Letter" giclée is a testament to the enduring appeal and significance of street pop art and graffiti artwork. As a limited edition print, it represents the intersection of street culture and fine art, embodying the spirit of an art movement that continues to influence and redefine the boundaries of artistic expression. The piece is a tribute to the artists who have brought the language of the streets into the galleries and the collectors who have helped pave the way for graffiti to be recognized as a legitimate and impactful art form.

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Risky F Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky G Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky H Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky I Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky J Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky K Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky M Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky N Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky O Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky P Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky Q Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky S Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky T Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky U Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky V Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky W Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky X Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky Y Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky Z Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24. From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Rita Gold Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Gold Paper Collage of THE Woman Amara Karan From India & Movie The Darjeeling Limited Stylized Look. Kevin Stanton's "Rita Gold": A Harmony of Tradition and Innovation Kevin Stanton's "Rita Gold" stands as a profound expression of creativity and cultural homage within the modern art scene, particularly within the genres of Street Pop Art and Graffiti Artwork. This piece is a hand-cut HPM (hand-painted multiple) Giclee print. This limited edition fuses traditional paper-cutting techniques with the contemporary flair of spray paint and the luxury of a gold paper collage. Released in 2013, "Rita Gold" is an exclusive series with only four signed and numbered prints. Each piece measures 11.75x15.75 inches and is presented on layered glitter fine art paper, further hand-embellished by the artist. The work reflects Stanton's intricate paper-cutting skills, a foundational aspect of his artistic journey that shapes his systematic approach to composition—prioritizing the form and silhouette before the detail of line. Capturing Cultural Essence Through Cut-Paper Artistry "Rita Gold" is a celebration of Indian aesthetics, depicted through the stylized portrayal of a woman whose gaze and posture exude a sense of contemplative serenity. Stanton's use of gold paper collage works with hand-embellishments to elevate the artwork, infusing it with a tactile depth that cannot be replicated by digital means alone. The contrast between the reflective gold elements and the matte textures of the spray-painted background creates a dynamic visual experience that draws the viewer into a deeper engagement with the piece. The artwork's layered composition is a nod to the complexity of Indian culture and its rich tapestry of symbols, colors, and historical references. Stanton's work delves into storytelling through visual cues, where each cut and hue is a deliberate choice meant to convey meaning and provoke thought. Blending Fine Art with Street Art Sensibilities Street pop art and graffiti artwork are often characterized by their public accessibility and vibrant immediacy, qualities that Kevin Stanton skillfully incorporates into "Rita Gold." By choosing to work on a small scale and with a limited edition series, Stanton bridges the typically vast and open-ended world of street art with the exclusivity and intimacy of fine art. This piece embodies the versatility and adaptability of street art influences when placed in the hands of an artist who respects the medium's history while pushing its boundaries. The hand-cut elements and spray paint application are reminiscent of the graffiti artist's stencil and can technique, yet the final product is more delicate and refined. Kevin Stanton: An Artist of Precision and Passion Kevin Stanton's commitment to his craft is evident in the meticulous execution and thoughtful presentation of "Rita Gold." His dedication to blending traditional art forms with modern techniques makes his work stand out in a crowded field of contemporary artists. The limited nature of this print series speaks to his artwork's exclusivity and bespoke quality, ensuring that each piece is not merely a visual spectacle but also a collector's item. Stanton's "Rita Gold" is more than a print; it is a testament to the power of art to transcend cultural barriers and to resonate with a universal audience. The print remains a captivating piece within Stanton's oeuvre, capturing the essence of street pop art and graffiti artwork through a unique lens that is both innovative and respectful of its diverse influences.

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Ritual Device Fueled Bottom AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 100 Artwork Size 16x22 Silkscreen Print Band Gig Poster by Frank Kozik Ritual Device Fueled Bottom July 29th 1995 San Fransisco California Bottom of the Hill. Frank Kozik is an American graphic artist known for his music poster art in the 1990s. He was a central figure in the revitalization of poster art, particularly in the punk rock and independent music scenes. His work is characterized by saturated colors, cartoony figures, and a distinctive illustrative style. Kozik has created posters for a wide range of bands and music events, particularly in and around the San Francisco area. Many of his works are silkscreen prints, a technique that allows for vibrant, dense color and is particularly suited to his style.

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River of Blood Bone Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Deckled Coventry Rag Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print of 3 Nude Stylized Women Depressed or Sad or in Confusion in a River. Cleon Peterson's "River of Blood Bone" seamlessly marries the rawness of human emotions with the abstract elegance of silkscreen printing. Manifesting on deckled Coventry Rag fine art paper, this artwork emerges as a remarkable epitome of what modern pop, street, and graffiti art seek to convey. The two-color, hand-pulled print draws the viewer's attention immediately, commanding both reflection and admiration. With an 18x24 inch dimension, the piece displays three stylized nude women embodying sadness, confusion, and perhaps a yearning for clarity. Their presence amidst the flowing river becomes a potent metaphor for life's unpredictable currents, occasionally overwhelming, and the profound emotions that navigate through them. The contrasting shades not only amplify the drama but also introduce a duality that’s intrinsic to human nature. The choice of silkscreen printing, an art form that stands at the crossroads of meticulous craftsmanship and mass production, further emphasizes Peterson’s intent to communicate a universally relatable narrative while retaining a unique artistic voice. This artwork, limited to only 100 prints, each duly signed and numbered, is not just a testament to Peterson’s craftsmanship but also to his profound understanding of human intricacies. The monochromatic tones, the fluidity of the lines, and the evocative portrayals make "River of Blood Bone" a prized possession for any art enthusiast, echoing stories of the human heart and its myriad emotions.

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River of Blood Gold Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Deckled Coventry Rag Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print of 3 Nude Stylized Women Depressed or Sad or in Confusion in a River. Diving deep into the modern dimensions of artistry, Cleon Peterson's "River of Blood Gold" captures raw emotion with eloquence and profundity. This meticulously hand-pulled 2-color silkscreen print, set on the rich texture of deckled Coventry Rag fine art paper, speaks to the confluence of visceral human experiences and abstract artistic expression. Through the haunting portrayal of three nude, stylized women seemingly immersed in feelings of despair, sadness, or confusion, Peterson manages to convey a narrative that resonates with the chaos and introspection often inherent in the human experience. Rendered 18x24 inches, the artwork's striking monochromatic scheme is punctuated with intricate details, bringing forth an evocative depth. Each figure's posture and expression beckon the viewer to introspect, contemplate, and find a personal connection, thereby transcending the boundaries of mere observation. As they lay amidst the mysterious river, their presence becomes a potent symbol of vulnerability, inner turmoil, and the omnipresence of emotions in our lives. Peterson's piece, a signed and numbered limited edition of only 100, embodies the essence of pop, street, and graffiti art. It exemplifies the artist's ability to harness conventional artistic forms and infuse them with layers of meaning, inviting appreciation and deep contemplation. "River of Blood Gold" stands as a testament to Peterson's prowess, his understanding of human nuances, and his undying commitment to pushing the boundaries of visual storytelling.

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Roach Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 16x12

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Roach Skull, One of a Kind Test Print 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Joe King Rare Street Art Famous Pop Artwork Artist. One-of-a-kind test print with hand emblements and notations by Joe King. There are also figure prints from Joe King, the artist.

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Road to Sanctuary- Gold Variant 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Gold Variant 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 10

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Road to Sanctuary 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 40

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Robocopus Hypercubus Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Bijou Metro & Blunt Graffix event, Eugene OR. Tim Doyle’s hit mash-up between religious icons Robocop and Salvador Dali. This hand-printed 18×24 silkscreen poster is signed and numbered by the artist in an edition of only 100 worldwide.

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Robot #1 Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Vision Behind Robot Silkscreen Print by Zane Thomas Robot, a limited edition 5-color hand-pulled silkscreen print by Zane Thomas, is a striking example of street pop art and graffiti artwork. Created in 2013 as part of a signed and numbered edition of 50, this piece embodies Thomas’s ability to blend structured design elements with the raw energy of urban art. Measuring 8.5 x 11 inches, the artwork showcases his precision in layering multiple colors through silkscreen printing, a process that enhances depth, texture, and vibrancy. The robotic theme speaks to contemporary ideas of technology, automation, and the evolving relationship between humans and machines, making this piece both visually compelling and conceptually relevant. The Role of Robotics in Street Pop Art and Graffiti Artwork The depiction of robots in street pop art and graffiti artwork often reflects cultural discussions about innovation, artificial intelligence, and industrialization. In the case of Robot by Zane Thomas, the composition likely references these themes while incorporating bold graphic elements that make it stand out within the street art movement. The mechanical aesthetic, combined with a dynamic use of color, positions the piece within a broader narrative that explores the intersection of technology and creativity. The clean yet expressive linework suggests an appreciation for both precision and spontaneity, a balance that is essential in modern urban art. Silkscreen Printing and Its Impact on the Artwork Silkscreen printing is an integral part of the artistic process in Robot, allowing for a controlled yet experimental application of color and form. The five-color layering technique enhances contrast and depth, giving the print a rich visual presence. Hand-pulled silkscreens have long been associated with street pop art and graffiti artwork due to their ability to produce multiple yet distinct variations of an image. Each print in the edition carries slight variations that make it unique, reinforcing the idea that urban art is about craftsmanship and authenticity rather than mass production. The Cultural Significance of Robot by Zane Thomas Robot serves as a reflection of contemporary anxieties and fascinations with artificial intelligence and mechanization. By incorporating robotic imagery into a hand-crafted medium like silkscreen printing, Zane Thomas bridges the gap between technological progress and traditional artistic techniques. This contrast highlights the ongoing dialogue between digital and analog processes in art, mirroring broader societal shifts. The piece remains relevant in discussions about the role of technology in everyday life while maintaining the aesthetic appeal of street pop art and graffiti artwork. As a limited-edition print, it holds value for collectors who appreciate the fusion of futuristic themes with the raw energy of hand-pulled printing techniques.

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Robot #2 Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Vision Behind Robot Silkscreen Print by Zane Thomas Robot, a limited edition 5-color hand-pulled silkscreen print by Zane Thomas, is a striking example of street pop art and graffiti artwork. Created in 2013 as part of a signed and numbered edition of 50, this piece embodies Thomas’s ability to blend structured design elements with the raw energy of urban art. Measuring 8.5 x 11 inches, the artwork showcases his precision in layering multiple colors through silkscreen printing, a process that enhances depth, texture, and vibrancy. The robotic theme speaks to contemporary ideas of technology, automation, and the evolving relationship between humans and machines, making this piece both visually compelling and conceptually relevant. The Role of Robotics in Street Pop Art and Graffiti Artwork The depiction of robots in street pop art and graffiti artwork often reflects cultural discussions about innovation, artificial intelligence, and industrialization. In the case of Robot by Zane Thomas, the composition likely references these themes while incorporating bold graphic elements that make it stand out within the street art movement. The mechanical aesthetic, combined with a dynamic use of color, positions the piece within a broader narrative that explores the intersection of technology and creativity. The clean yet expressive linework suggests an appreciation for both precision and spontaneity, a balance that is essential in modern urban art. Silkscreen Printing and Its Impact on the Artwork Silkscreen printing is an integral part of the artistic process in Robot, allowing for a controlled yet experimental application of color and form. The five-color layering technique enhances contrast and depth, giving the print a rich visual presence. Hand-pulled silkscreens have long been associated with street pop art and graffiti artwork due to their ability to produce multiple yet distinct variations of an image. Each print in the edition carries slight variations that make it unique, reinforcing the idea that urban art is about craftsmanship and authenticity rather than mass production. The Cultural Significance of Robot by Zane Thomas Robot serves as a reflection of contemporary anxieties and fascinations with artificial intelligence and mechanization. By incorporating robotic imagery into a hand-crafted medium like silkscreen printing, Zane Thomas bridges the gap between technological progress and traditional artistic techniques. This contrast highlights the ongoing dialogue between digital and analog processes in art, mirroring broader societal shifts. The piece remains relevant in discussions about the role of technology in everyday life while maintaining the aesthetic appeal of street pop art and graffiti artwork. As a limited-edition print, it holds value for collectors who appreciate the fusion of futuristic themes with the raw energy of hand-pulled printing techniques.

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Robot #3 Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Vision Behind Robot Silkscreen Print by Zane Thomas Robot, a limited edition 5-color hand-pulled silkscreen print by Zane Thomas, is a striking example of street pop art and graffiti artwork. Created in 2013 as part of a signed and numbered edition of 50, this piece embodies Thomas’s ability to blend structured design elements with the raw energy of urban art. Measuring 8.5 x 11 inches, the artwork showcases his precision in layering multiple colors through silkscreen printing, a process that enhances depth, texture, and vibrancy. The robotic theme speaks to contemporary ideas of technology, automation, and the evolving relationship between humans and machines, making this piece both visually compelling and conceptually relevant. The Role of Robotics in Street Pop Art and Graffiti Artwork The depiction of robots in street pop art and graffiti artwork often reflects cultural discussions about innovation, artificial intelligence, and industrialization. In the case of Robot by Zane Thomas, the composition likely references these themes while incorporating bold graphic elements that make it stand out within the street art movement. The mechanical aesthetic, combined with a dynamic use of color, positions the piece within a broader narrative that explores the intersection of technology and creativity. The clean yet expressive linework suggests an appreciation for both precision and spontaneity, a balance that is essential in modern urban art. Silkscreen Printing and Its Impact on the Artwork Silkscreen printing is an integral part of the artistic process in Robot, allowing for a controlled yet experimental application of color and form. The five-color layering technique enhances contrast and depth, giving the print a rich visual presence. Hand-pulled silkscreens have long been associated with street pop art and graffiti artwork due to their ability to produce multiple yet distinct variations of an image. Each print in the edition carries slight variations that make it unique, reinforcing the idea that urban art is about craftsmanship and authenticity rather than mass production. The Cultural Significance of Robot by Zane Thomas Robot serves as a reflection of contemporary anxieties and fascinations with artificial intelligence and mechanization. By incorporating robotic imagery into a hand-crafted medium like silkscreen printing, Zane Thomas bridges the gap between technological progress and traditional artistic techniques. This contrast highlights the ongoing dialogue between digital and analog processes in art, mirroring broader societal shifts. The piece remains relevant in discussions about the role of technology in everyday life while maintaining the aesthetic appeal of street pop art and graffiti artwork. As a limited-edition print, it holds value for collectors who appreciate the fusion of futuristic themes with the raw energy of hand-pulled printing techniques.

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Robot #4 Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Vision Behind Robot Silkscreen Print by Zane Thomas Robot, a limited edition 5-color hand-pulled silkscreen print by Zane Thomas, is a striking example of street pop art and graffiti artwork. Created in 2013 as part of a signed and numbered edition of 50, this piece embodies Thomas’s ability to blend structured design elements with the raw energy of urban art. Measuring 8.5 x 11 inches, the artwork showcases his precision in layering multiple colors through silkscreen printing, a process that enhances depth, texture, and vibrancy. The robotic theme speaks to contemporary ideas of technology, automation, and the evolving relationship between humans and machines, making this piece both visually compelling and conceptually relevant. The Role of Robotics in Street Pop Art and Graffiti Artwork The depiction of robots in street pop art and graffiti artwork often reflects cultural discussions about innovation, artificial intelligence, and industrialization. In the case of Robot by Zane Thomas, the composition likely references these themes while incorporating bold graphic elements that make it stand out within the street art movement. The mechanical aesthetic, combined with a dynamic use of color, positions the piece within a broader narrative that explores the intersection of technology and creativity. The clean yet expressive linework suggests an appreciation for both precision and spontaneity, a balance that is essential in modern urban art. Silkscreen Printing and Its Impact on the Artwork Silkscreen printing is an integral part of the artistic process in Robot, allowing for a controlled yet experimental application of color and form. The five-color layering technique enhances contrast and depth, giving the print a rich visual presence. Hand-pulled silkscreens have long been associated with street pop art and graffiti artwork due to their ability to produce multiple yet distinct variations of an image. Each print in the edition carries slight variations that make it unique, reinforcing the idea that urban art is about craftsmanship and authenticity rather than mass production. The Cultural Significance of Robot by Zane Thomas Robot serves as a reflection of contemporary anxieties and fascinations with artificial intelligence and mechanization. By incorporating robotic imagery into a hand-crafted medium like silkscreen printing, Zane Thomas bridges the gap between technological progress and traditional artistic techniques. This contrast highlights the ongoing dialogue between digital and analog processes in art, mirroring broader societal shifts. The piece remains relevant in discussions about the role of technology in everyday life while maintaining the aesthetic appeal of street pop art and graffiti artwork. As a limited-edition print, it holds value for collectors who appreciate the fusion of futuristic themes with the raw energy of hand-pulled printing techniques.

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Rock Climber PP Giclee Silkscreen Print by Martin Whatson Printers Proof Hand-Pulled 18-Color Screen Print on 300gsm Somerset Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2021 Signed & Marked P/P Limited Edition Run Artwork Size 31.5x31.5 Giclee Over Silkscreen Print. Martin Watson Artistic Approach "Rock Climber PP" is a giclée and silkscreen print by Martin Whatson, a notable figure in contemporary street pop art and graffiti. As a Printer's Proof (PP) from a limited edition run in 2021, this piece captures the dynamic essence of urban art. Signed and marked by the artist, "Rock Climber PP" spans 31.5 inches by 31.5 inches and showcases Whatson's adeptness in blending giclée precision with the rawness of hand-pulled screen printing. Martin Whatson's art is recognized for its vivid portrayal of motion and emotion, often juxtaposed against a monochrome background. In "Rock Climber PP," Whatson employs an 18-color screen print on 300gsm Somerset fine art paper, a medium well-regarded for its texture and durability, which is crucial for the layered technique used in the work. The artwork is distinguished by its hand-pulled screen printing method, which ensures that each color layer is applied with personal attention, contributing to the print's depth and vibrancy. Convergence of Techniques in "Rock Climber PP" The combination of giclée and silkscreen print in "Rock Climber PP" exemplifies the convergence of digital precision and traditional printmaking. Giclée prints are known for their high-resolution and sharp detail, derived from digital printing. This modern technique allows for the gradations and nuances of the original artwork to be captured with exceptional clarity. On the other hand, silkscreen printing is a manual process that involves forcing ink through a mesh screen to create an image. It's a method deeply rooted in the history of street art and pop art due to its directness and capacity for bold, saturated colors. Cultural Impact of Watson's Work "Rock Climber PP" is more than a mere amalgamation of techniques; it is a visual narrative that speaks to the urban experience and its inherent search for meaning. The figure of the rock climber, striving upward amidst the chaotic splashes of color, symbolizes the human quest for progress and the challenges faced in the climb. This imagery represents street pop art's core themes: struggle, resilience, and the beauty found in the act of creation. The Significance of Limited Edition Prints As a Printer's Proof, "Rock Climber PP" holds a special place in collectible art. The printer or artist typically retains these proofs and are not part of the numbered edition, making them rarer than the standard prints. Collectors highly prize them for their exclusivity and the insight they provide into the artist's process. In addition, Watson's signature and the PP mark on the artwork seal authenticity, further elevating the print's value and desirability. In conclusion, "Rock Climber PP" by Martin Watson stands as a vibrant embodiment of the street pop art and graffiti movement. It captures the essence of urban art through the interplay of giclée and silkscreen techniques, resulting in an intricate and explosive piece. The print is a testament to Whatson's skillful navigation of art forms and ability to convey profound messages through his distinctive visual language. This artwork resonates with the energy of the streets and the spirit of contemporary art, encapsulating the genre's vitality.

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Rock Paper Scissors Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 60 Artwork Size 8x10 Marked #60 of 60

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Rocket Monkey Uncut Sheet Yellow Silkscreen Test Print by Dalek- James Marshall Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 5 Test Prints Artwork Size 18x24 Silkscreen Print Rocket Monkey Uncut Sheet Yellow by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Rocket Monkey Uncut Sheet Yellow is a 2025 silkscreen test print by American artist James Marshall, known professionally as Dalek. This print, produced in a signed and numbered limited edition of five, measures 18 by 24 inches and was hand-pulled on fine art paper provided by the French Paper Company. The yellow background is bold and electric, serving as the launchpad for four identical renderings of Dalek’s Rocket Monkey figure. These uncut sheets are typically used in the print production process to evaluate color alignment, layer accuracy, and visual balance. Far from being throwaway proofs, test prints like this one hold a unique place in Street Pop Art & Graffiti Artwork for capturing process as part of the final piece. Each screen registration mark, alignment target, and color note serves as a visible record of the print’s creation, transforming what is often hidden behind the scenes into a collectible object of its own. Character Design and Graphic Energy Rocket Monkey represents a stylistic evolution of Dalek’s early Space Monkey character, rendered with a streamlined silhouette and exaggerated cartoon proportions. The figure appears to be floating or hovering with the aid of a backpack-like structure, one hand holding a container that emits a curling tongue or stream of vapor. With large circular eyes and a pink tongue that curves outward like smoke, the character carries both innocence and intensity. The repetition of the image across the uncut sheet creates a rhythmic visual field that references both sticker culture and factory production. This setup speaks directly to graffiti’s mass-distribution mindset, where repetition and reproduction enhance visual dominance. Set against a pure yellow background, the turquoise, pink, green, and black inks pop with unmistakable clarity. The design is clean but retains the punk urgency and joyful absurdity that have become signatures of Dalek’s contributions to Street Pop Art & Graffiti Artwork. Process Visibility and the Test Print Format What makes Rocket Monkey Uncut Sheet Yellow particularly compelling is its transparency. Test prints are often used by screen printers to refine alignment and saturation before the final edition is produced. Dalek embraces this transitional stage, turning it into an intentional work. The registration marks and Pantone notes along the edges are printed data that would usually be trimmed off, but here they remain intact, reminding the viewer of the mechanical and manual labor involved in creating the image. This choice celebrates the silkscreen method and roots the work firmly in the traditions of street art, where process is often as important as product. The raw nature of the format speaks to graffiti’s improvisational quality, while the precision of the final image reflects Dalek’s disciplined, design-driven approach. Positioning in Contemporary Urban Print Culture Rocket Monkey Uncut Sheet Yellow exemplifies how Street Pop Art & Graffiti Artwork can blend mass production and fine art without losing its conceptual edge. By framing a production-stage object as finished artwork, Dalek draws attention to the stages of making that are typically invisible. It also challenges viewers to see beauty in repetition, imperfection, and structure. The small edition size adds exclusivity, while the content and format maintain accessibility through visual humor and street-level attitude. As with much of Dalek’s work, this piece offers cultural commentary through character-driven imagery, expanding the language of graffiti beyond lettering into full symbolic universes. Rocket Monkey floats above its cartoon context, part avatar, part design experiment, and part critique of how images are produced and consumed in both the streets and the studio.

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henery Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey

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Rolph Original Ink Hand Mini Drawing on Fine Art Paper by modern trending street art artist Nicole Gustafsson. 2014 Signed Original Drawing 5x5

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Room 237 AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. AP Artist Proof 2013 Signed & Marked AP Limited Edition Artwork Size 18x24 Room 237. A tribute to the film Room 237 is a movie about perceived meanings in Stanley Kubrick's film The Shining.

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Room 237 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. 2013 Limited Edition of 60 Room 237. A tribute to the film Room 237 is a movie about perceived meanings in Stanley Kubrick's film The Shining.

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Rose Bath Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Naoshi. 2014 Signed in Verso with Hand-Drawn Face Limited Edition of 100. 8.25x11.75 Based on Sunae Sand Art.

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