Artworks

Piranhas Club Man Man Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Neal Russler.

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Pitter Patta Goes My Heart Giclee Print by Kathy Ager Artwork Limited Edition Print on Hand Deckled 290gsm Rag Watercolor Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 22 Artwork Size 9x12 Exploring the Fusion of Classical and Contemporary in "Pitter Patta Goes My Heart" "Pitter Patta Goes My Heart," a giclée print by Kathy Ager, is a compelling artwork that seamlessly marries classical art sensibilities with the raw, vibrant ethos of Street Pop Art and graffiti Artwork. This limited edition piece, one of only 22, exemplifies the innovative trajectory of contemporary art. Measuring a modest 9x12 inches, the work is printed on hand-deckled 290gsm rag watercolor fine art paper, which adds a tactile, organic feel to the viewing experience. Kathy Ager, renowned for her unique blend of classical and modern art, presents a visual narrative that juxtaposes a Greco-Roman bust's timelessness with graffiti's ephemeral nature. The subject, a statue, is adorned with tattoos, an element borrowed from the world of street art, symbolizing the permanence of ink on skin contrasted with the enduring nature of marble. The tattoos are not mere decorations; they tell stories, reveal hidden truths, and express the silent words of the artwork's subject. The lush, vibrant flora surrounding the figure bursts forth with life and color, reminiscent of the still-life paintings of old masters, yet imbued with a sense of urgency and defiance characteristic of street art. This choice of composition creates a dialogue between the enduring and the transient, the revered and the rebellious. The Significance of Limited Editions in the Art Market In the realm of fine art prints, the scarcity of a limited edition run significantly enhances the value of each piece. "Pitter Patta Goes My Heart" is signed and numbered by the artist, which further authenticates its exclusivity and appeals to collectors who value the intersection of fine art and street culture. This limited availability often leads to a sense of urgency among buyers and collectors, keen to own a part of this transient art form that captures the zeitgeist of contemporary culture. Materials and Medium: The Choice of Giclée Printing Giclée printing is renowned for its high fidelity to the original artwork, capable of reproducing the nuances of color and texture with remarkable precision. By opting for giclée printing on hand-deckled watercolor paper, Kathy Ager ensures that each print of "Pitter Patta Goes My Heart" resonates with the quality and intention of her original painting. This medium also offers a nod to street art's preference for unorthodox canvases, reflecting the unpredictable and often fleeting canvases of urban landscapes upon which graffiti artists work. Impact of "Pitter Patta Goes My Heart" in Street Pop Art & Graffiti Artwork Kathy Ager's artwork is a testament to the evolving nature of Street Pop Art and graffiti Artwork. It pushes the boundaries by incorporating classical motifs, thus bridging the historical and the contemporary. The choice to infuse a classical bust with the sensibilities of street art is a powerful statement on the ever-changing definitions of high art and popular culture. This artwork is not simply a piece to be hung on a wall; it is a catalyst for conversation, a statement of cultural fusion, and a marker of artistic evolution. As Street Pop Art and graffiti Artwork continue to gain recognition in fine art, pieces like "Pitter Patta Goes My Heart" challenge traditional notions of what is considered 'gallery-worthy' and blur the lines between street and elite. In conclusion, Kathy Ager's "Pitter Patta Goes My Heart" is a striking example of contemporary art's power to transcend boundaries. It is an homage to the past, a commentary on the present, and a beacon for the future of art. By blending elements of classical art with the dynamism of Street Pop Art and graffiti, Ager has created a visual lexicon that speaks to a broad audience and carves a niche in the art market that is distinctly her own.

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Pixel Icons AP Silkscreen Print by Buff Monster Artist Proof Hand-Pulled Screen Print on 250gsm Cotton Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 of the Classic Melty Misfit One Eyed Ice Cream Drippy Monster in Pixel Style. A Digital Twist on a Street Pop Art Icon Pixel Icon AP Silkscreen Print by Buff Monster transforms the artist’s signature Melty Misfit character into a pixelated rendition, blending the nostalgia of early video game aesthetics with the vibrant energy of Street Pop Art & Graffiti Artwork. This 2023 Artist Proof, sized at 18x24 inches and printed on 250gsm cotton fine art paper, reimagines Buff Monster’s one-eyed, dripping ice cream creature in blocky, pixel-like shapes. The shift from smooth, organic drips to rigid, digital edges results in a striking visual contrast that merges two distinct artistic influences: the raw, expressive forms found in urban street culture and the nostalgic charm of 8-bit video game graphics. Rendered in a playful palette of green, pink, and yellow, the piece retains the creature’s quirky personality while immersing it in a new stylistic universe. The digital pixel effect brings a sense of retro gaming culture into Buff Monster’s well-established world of melting monsters. Despite the change in technique, the artwork remains instantly recognizable, proving that Buff Monster’s character design is so distinct that it can exist across multiple visual formats without losing its identity. The single, oversized eye stares directly at the viewer, drawing them into a world that fuses digital nostalgia with the unpredictability of pop-inspired street art. Street Pop Art & Graffiti Artwork Meets Digital Aesthetics Buff Monster’s work consistently pulls from bold, high-contrast colors and graphic compositions that align with the principles of Street Pop Art & Graffiti Artwork. However, this print introduces an unexpected layer of digital distortion by rendering the melting figure in pixel form. This artistic decision bridges the tactile and the virtual, referencing both the painted surfaces of city murals and the pixel-based constraints of early arcade games. The visual connection between these seemingly opposing aesthetics creates a unique hybrid, demonstrating that street art is not confined to physical spaces but can evolve through different cultural touchpoints. The halftone textures frequently seen in Buff Monster’s traditional prints take a backseat here, replaced by crisp, blocky edges that mimic digital renderings. The melting effect remains, though it appears structured, as if glitches in a video game environment are causing the character to dissolve in slow motion. This unexpected take on the classic Melty Misfit form introduces a fresh dynamic to Buff Monster’s ever-growing catalog, showing how elements of graffiti-inspired works can be adapted to new stylistic directions while maintaining their core energy. Artist Proof and Unique Collector Appeal Artist Proof editions often carry a heightened sense of rarity, serving as test prints or early variations that exist outside standard production runs. This particular AP print, marked and signed by Buff Monster, holds an exclusive status for collectors who appreciate experimental variations. The pixelated reinterpretation of the Melty Misfit character offers a unique departure from Buff Monster’s usual smooth, dripping lines, making it a standout piece for those who follow his evolving creative journey. The meticulous craftsmanship of the hand-pulled screen printing process contrasts with the intentionally jagged visual effect, emphasizing the intersection between digital aesthetics and traditional printmaking. Every layer of ink is carefully applied to retain the crisp edges of the pixel blocks, reinforcing the illusion of a digital screen while maintaining the tactile quality of fine art paper. This duality makes Pixel Icon AP an intriguing addition to collections that celebrate both contemporary street art and the broader pop culture movements that inform it. A Celebration of Nostalgia and Reinvention Pixel Icon AP Silkscreen Print encapsulates the essence of Buff Monster’s ability to reinvent his iconic characters while remaining true to his artistic roots. The fusion of video game nostalgia with the vibrant, rebellious energy of Street Pop Art & Graffiti Artwork results in a print that feels both familiar and refreshingly new. Fans of Buff Monster’s work will recognize the unmistakable charm of the Melty Misfit character, now reimagined in a form that pays homage to early digital aesthetics. This print challenges traditional expectations of what street-inspired artwork can be, demonstrating that visual storytelling in pop-infused street art can evolve across different mediums and styles. The pixelated approach does not diminish the organic humor and personality of Buff Monster’s work but rather amplifies it, proving that his artistic language transcends format. Whether viewed as a playful nod to retro gaming culture or a bold reinterpretation of a beloved character, this Artist Proof serves as both a collectible gem and an exciting visual experiment within Buff Monster’s ever-expanding creative world.

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Pixel Icons Silkscreen Print by Buff Monster Artist Proof Hand-Pulled Screen Print on 250gsm Cotton Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. 2023 Signed & Numbered Limited Edition of 80 Artwork Size 18x24 of the Classic Melty Misfit One Eyed Ice Cream Drippy Monster in Pixel Style. Pixel Icons Silkscreen Print by Buff Monster – Limited Edition Pop Street Artwork & Graffiti Buff Monster, an influential figure in Street Pop Art & Graffiti Artwork, continues to push creative boundaries with Pixel Icons, a hand-pulled silkscreen print that reimagines his signature Melty Misfit aesthetic through a pixelated lens. This limited-edition artwork, printed on 250gsm cotton fine art paper, is a signed and numbered series of only 80 pieces, making it a highly coveted collector’s item. The 18x24-inch print features Buff Monster’s classic one-eyed drippy monster, but instead of fluid, organic lines, the composition is rendered in a retro 8-bit pixelated style. The transformation of his melting ice cream-like character into a digital-inspired format reflects Buff Monster’s ability to merge nostalgia with contemporary Street Pop Art & Graffiti Artwork. The use of pastel green, pink, and turquoise creates a striking visual contrast, reinforcing the playful and surreal nature of the piece. The hand-pulled screen printing technique ensures that each print retains a level of texture and vibrancy that digital reproductions cannot replicate. Buff Monster and His Influence on Street Pop Art & Graffiti Artwork Born in Hawaii and now based in New York, Buff Monster has established himself as a leading artist in Street Pop Art & Graffiti Artwork. His work is known for its bright color palette, cartoonish characters, and heavy influences from Japanese culture, heavy metal, and vintage video games. His rise to prominence began with graffiti and wheat-pasting in the early 2000s, where he quickly gained attention for his eye-catching, candy-colored murals and posters. Over the years, Buff Monster has expanded his artistic reach beyond the streets, entering galleries, collaborating with major brands, and producing collectible art pieces. Despite these shifts, he maintains the rebellious energy and DIY ethos that defined his early career. His work bridges graffiti culture, fine art, and commercial design, proving that Street Pop Art & Graffiti Artwork can thrive across multiple platforms without losing its authenticity. Pixel Icons – The Fusion of Classic Video Game Aesthetics and Street Art Pixel Icons takes Buff Monster’s signature Melty Misfit character and reimagines it through the visual language of early video game graphics. The sharp edges and pixelated drips create a unique juxtaposition between organic melting forms and rigid digital aesthetics. This reinterpretation not only showcases Buff Monster’s adaptability as an artist but also highlights the enduring influence of retro gaming culture in modern Street Pop Art & Graffiti Artwork. The print’s vibrant pastel tones, thick outlines, and pixelated textures give it a distinctive, almost glitch-like quality. This aesthetic choice reinforces themes of nostalgia and transformation, drawing parallels between the evolution of digital media and the ever-changing landscape of graffiti and street art. The limited-edition nature of this piece makes it not only a striking visual statement but also a valuable artifact in contemporary art collecting. The Cultural Impact of Buff Monster’s Work Buff Monster’s art continues to shape and inspire the modern landscape of Street Pop Art & Graffiti Artwork. His ability to blend elements from pop culture, graffiti, and fine art has solidified his reputation as a pioneering force in the scene. His commitment to hand-crafted, screen-printed editions ensures that each piece carries a tangible, tactile quality that digital reproductions often lack. Pixel Icons exemplifies his innovative approach, bringing together street art techniques, pop surrealism, and retro gaming influences into a single, cohesive composition. The print serves as a reminder that Street Pop Art & Graffiti Artwork is constantly evolving, embracing new forms while staying true to its rebellious and playful origins. Whether displayed in a gallery, private collection, or urban space, Buff Monster’s work continues to challenge perceptions and celebrate the vibrancy of contemporary art.

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Pizza Time! Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Iam8bit.

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Platinum Plus Limited Edition 9-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 80 Artwork Size 24x18 Platinum Plus by Denial: Financial Icons and Identity Crisis in Street Pop Art & Graffiti Artwork Platinum Plus is a 2020 hand-pulled silkscreen print by Canadian graffiti and pop artist Denial, created in a signed limited edition of 80. Measuring 24 x 18 inches, this nine-color artwork is printed on fine art paper and boldly juxtaposes the visual identity of consumer banking with emotional expression and symbolic critique. Set against the form of a Bank of America Platinum Plus Visa card, the piece features a blonde woman draped in the American flag with her face seductively tilted and eyes closed. The credit card’s numbers and logos remain visible, as does the name Mary E. Jane, tying the visual commentary to themes of consumption, patriotism, and societal projection. The work stands as a charged example of Street Pop Art & Graffiti Artwork, where everyday corporate imagery is recontextualized to expose the surreal intersections between money, power, identity, and desire. Consumerism as Character Design Denial transforms the sterile design of a credit card into a visual battlefield of emotion, nationhood, and critique. The background is a direct replica of a platinum credit card, complete with issuer branding and typographic data, grounding the piece in the iconography of American capitalism. At the forefront, however, is a woman painted in a pop comic style, her face covered in the American flag. The use of the stars and stripes over her skin serves as a metaphor for national branding and the commodification of identity, where people themselves become surfaces for advertisement. Her lipstick is hot pink, her nails electric red, and her hair neon yellow—amplified hues that speak to artificial beauty standards and performative femininity. The figure’s sensual pose, coupled with the cold structure of financial documentation, embodies the paradoxes that run deep in Street Pop Art & Graffiti Artwork. Printmaking Technique and Fine Art Execution This silkscreen was produced using nine individual color separations, which allowed Denial to layer bold, solid inks with precision and clarity. The color saturation remains rich and flat, honoring the aesthetic of vintage commercial printing and comic-style graphics. The use of fine art paper adds weight and texture, positioning the work in a gallery context while retaining the visual urgency of street-level messaging. The edges of each color plane are sharp and deliberate, emphasizing the constructed nature of the piece both visually and conceptually. As part of Denial’s ongoing series of financial and identity-based critiques, Platinum Plus functions as a high-quality physical object and a powerful cultural intervention. Denial’s Sociopolitical Voice Through Branding Subversion Denial, whose real name is Daniel Bombardier, has become a defining voice in North American graffiti and contemporary pop critique. Emerging from the subversive world of sticker bombing and billboard hijacking, Denial now works across multiple mediums while maintaining his commitment to questioning authority, media, and economic control. In Platinum Plus, the artist pulls from a language of corporate aesthetics to question the myths of upward mobility, American exceptionalism, and financial aspiration. The work is both seductive and confrontational—encouraging viewers to examine the ways that financial institutions, advertising, and personal fantasy collide. Within the vocabulary of Street Pop Art & Graffiti Artwork, Platinum Plus is both a visual satire and an emotional outcry, mapping the price of belonging and the cost of visibility in a world built on credit and control.

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Playbot 1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. Signed limited run for Sneaker Con 2021

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Playbot 2 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. Signed limited run for Sneaker Con 2021

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Pleasure Paradise 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by DXTR counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Plowshire Terrace- Hohokum Limited Edition Giclee Print on Fine Art Paper by Richard Hogg counter-culture street artist art. Original Print Hohokum video game art series from Richard Hogg.

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Point Break- 100% Pure Adrenaline- Test Print Foil v2 Limited Edition 13-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Patrick Connan Graffiti Street Artist Modern Pop Art. Test Print Version 2. One of a Kind Test Print From Artist. 13 Color Screen Print on Foil Paper Test Print Edition of 1 24" x 36" Signed / Numbered & Stamped.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Polikarpov-Gill Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 14x11.5 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Pool Party Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2020 Limited Edition of 40 Fine Art Giclee Print 16x20 Signed and numbered

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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Pop Can- Yellow 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. 2019 Signed Limited Edition of 40 Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism. “In my experience, if you can make someone laugh you can make them think. I use humor in some of my works for this fact, to open the dialogue. I really don’t know why people buy my work but I am grateful to have fans and collectors that help perpetuate my career.

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Pop Sub Final #1 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Florian Bertmer, Graffiti Street Artist, Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #1 Silkscreen Print by Florian Bertmer: Macabre Iconography in Modern Pop Form Pop Sub Final #1 by Florian Bertmer is a bold and visually aggressive piece that crystallizes the intensity and subversive themes of Street Pop Art & Graffiti Artwork. Released in 2014 as a numbered limited edition of 100, this 12x12 inch four-color hand-pulled silkscreen print embodies the tension between chaos and control through its fusion of skull iconography, punk motifs, and meticulous detail. The artwork presents a highly stylized skull adorned with a military-style cap, gritting a cigarette between jagged teeth, and crossed bones forming a menacing understructure. The bandana-style border, filled with symbols and intricate textures, adds to the tension and balance within the visual composition. Underground Influence and Symbolic Precision Florian Bertmer is a German-born artist whose work is deeply rooted in underground music, hardcore punk, and countercultural aesthetics. His command of line, symmetry, and iconography in Pop Sub Final #1 reflects his deep history in album cover design and screen printing culture. The crisp four-color palette, dominated by muted golds, reds, and navy tones, evokes a sense of timelessness and menace. The precision of the silkscreen process amplifies the tension in every detail—from the skull’s expression to the layered background that reads like a cryptographic tapestry. The military cap, rendered in dark maroon with pin-sharp hatching, implies authority, but the skull's manic grin and defiant cigarette shift the tone toward irreverence. This contrast is central to Bertmer’s visual language, which questions power, mortality, and self-determination in the modern age. Aesthetic of Rebellion in Street Pop Art & Graffiti Artwork Pop Sub Final #1 communicates its defiant tone without the need for slogans or text. The skull’s gaze, slightly off-kilter, and the tension in its expression speak directly to the viewer. The crossed bones, while referencing classic skull-and-crossbones symbology, are given new energy through Bertmer’s stylized rendering and surreal detail. Graffiti and pop art often rely on immediacy and semiotic familiarity, and this piece plays with those concepts by embedding iconographic layers into a deceptively simple format. The background acts like a visual echo chamber, with skull motifs, geometric shapes, and occult-like patterns swirling around the central subject. The effect draws the viewer inward, revealing more with each inspection. Collectibility and Cultural Weight This 2014 edition represents a moment in Street Pop Art & Graffiti Artwork when handmade processes like silkscreen printing reclaimed prominence against digital overload. The fact that Pop Sub Final #1 is hand-pulled and limited to only 100 copies elevates its importance as both a collectible and cultural artifact. Each piece is numbered, and many include subtle variations in ink application, further rooting the work in the ethos of punk DIY ethics and authenticity. Bertmer’s print captures the raw intersection of dark fantasy, social commentary, and graphic mastery, continuing to resonate with audiences seeking artwork that is both confrontational and obsessively crafted. Through Pop Sub Final #1, Florian Bertmer contributes a signature vision that pushes street and pop aesthetics into deeply personal and evocative territory.

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Pop Sub Final #2 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Baizley Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #2 by John Baizley: A Vivid Collision of Decay and Desire Pop Sub Final #2 is a hand-pulled silkscreen print created by American artist John Baizley and released in 2014 as part of a numbered limited edition of 100. Measuring 12x12 inches and executed in four striking colors, the artwork combines the aesthetics of horror, iconography, and surrealism with the visual punch of Street Pop Art & Graffiti Artwork. The central image is a fusion of a bright violet apple and a human skull, masterfully rendered with intricate linework and surreal anatomical blending. Floating against a golden yellow background, the apple-skull hybrid pulses with visual tension—temptation and mortality locked in a single symbolic form. The work is immediately engaging and powerfully disturbing, pushing pop symbolism into darker terrain without sacrificing design clarity or impact. John Baizley: Musician and Street Pop Visionary John Baizley is a multidisciplinary creative based in the United States, widely recognized as the frontman and visual artist for the band Baroness. His contributions to the visual arts often explore themes of life, death, beauty, and corruption, all channeled through a precise illustrative style. Baizley’s artworks consistently merge symbolic storytelling with gothic sensibilities, positioning him uniquely in the Street Pop Art & Graffiti Artwork movement. His pieces feel both ancient and modern—referencing religious iconography, botanical studies, and comic book panels—while embracing the raw, bold aesthetics of silkscreen street prints. Pop Sub Final #2 is a clear extension of his visual ethos: detailed, emotionally evocative, and unafraid of confronting the darker truths hidden beneath seductive imagery. The Apple and Skull: A Pop Street Paradox This print centers on a singular image—a fruit with a skull embedded within its flesh. The apple’s familiar shape recalls cultural references to temptation, sin, and forbidden knowledge, while the embedded skull disrupts that familiarity with a message of inevitability and rot. The surreal juxtaposition evokes themes of consumption and consequence, presented with enough vibrancy to seduce before shocking. In the context of Street Pop Art & Graffiti Artwork, this visual strategy is essential. It lures with surface aesthetics but delivers substance through contradiction and discomfort. The use of bold pinks and golds, as well as the high-contrast rendering style, makes the image feel like it belongs on a wall, a poster, or a protest—alive in public, not locked in a gallery. Limited Print as Cultural Emblem Produced in a strictly limited edition of 100, Pop Sub Final #2 reinforces the handmade authenticity that defines effective street pop art. Each 12x12 print was screenprinted by hand, giving the work a tactile, material presence that mirrors the grit and immediacy of its subject. Unlike digital reproductions, this piece carries the imperfections and textures of the printing process, reinforcing the physicality of the art form. Baizley’s contribution to the Pop Sub series is not just an exercise in visual storytelling, but a testament to the role of contemporary printmakers in pushing graffiti and street aesthetics into layered, fine-art territories. This piece reminds the viewer that street pop can be both seductive and scathing, decorative and deadly.

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Pop Sub Final #4 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Bannon Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #4 by Jacob Bannon: A Dark Emblem of Street Pop Expression Pop Sub Final #4 is a visually arresting 7x7 inch one-color silkscreen print by Jacob Bannon, released in 2014 as a numbered limited edition of 100. Printed on fine art paper, this haunting monochromatic image encapsulates Bannon’s signature visual language—one that thrives on raw emotion, layered texture, and existential symbolism. The design appears as a spectral fusion of a skull and a cratered celestial surface, evoking lunar imagery overlaid with a decayed human face. Rendered in coarse halftones and distressed gradients, the print does not merely suggest decay but embraces it as the very fabric of visual construction. The tactile roughness and obscured features challenge the viewer to interpret the image emotionally rather than analytically. This technique aligns the piece firmly within Street Pop Art & Graffiti Artwork, where instinct often overrides polished perfection. Jacob Bannon: Raw Signal in Urban Silence Jacob Bannon is a multidisciplinary American artist known for his work in visual art, graphic design, and music, particularly as the vocalist for the band Converge. His creative practice merges visceral abstraction with thematic intensity, often touching on mortality, emotional fracture, and spiritual displacement. His artworks are marked by dense visual layering, distressed surfaces, and a commitment to translating sound into image. Pop Sub Final #4 reflects this approach perfectly—an artwork that resonates like feedback from an amplifier. It captures the ghostly echo of urban anxiety, a worn currency of identity that has passed through too many hands. This print does not shout, it vibrates. It is not an illustration but a signal. Printmaking as Annihilation and Revelation As a one-color hand-pulled silkscreen print, the physical process behind Pop Sub Final #4 is as integral to its meaning as the image itself. The ink is uneven, the textures are chaotic, and the breakdown of form into shadow and void mirrors the themes Bannon regularly explores. At 7x7 inches, the small scale intensifies the print’s claustrophobic energy, drawing the viewer in for a closer inspection of what feels like a decayed artifact. This limited edition format speaks to the ethos of Street Pop Art & Graffiti Artwork—accessible, raw, and designed for impact without dilution. It is not simply hung on a wall but pressed into the experience of the viewer like a worn badge or underground symbol. Symbolism and Dissonance in Street Pop Language The circular format enclosing a skull-like visage evokes universal symbols of mortality and time. Bannon’s print pushes against decorative tendencies by refusing to clarify its meaning, instead evoking a sensation of unrest, loss, and timeless ruin. Unlike clean vectors or digital graphics, this work feels buried in a deeper emotional register. Pop Sub Final #4 communicates in tones of erosion, deterioration, and silence. Within the wider street and pop art culture, where loud colors and recognizable icons often dominate, Bannon's approach provides an antidote—proof that Street Pop Art & Graffiti Artwork can whisper with the same power it screams. His print is a meditation, a relic, and a confrontation, all in one stark square.

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Pop Sub Final #5 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ayejay Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #5 Silkscreen Print by Ayejay: Crunk Culture in Raw Graphic Form Pop Sub Final #5 by Ayejay is a loud, irreverent piece of Street Pop Art & Graffiti Artwork that celebrates the exaggerated spirit of subcultural identity through bold minimalism. Released in 2014 as a numbered limited edition of 100, this 7x7 inch hand-pulled two-color silkscreen print is a striking piece that fuses humor, rebellion, and a gritty edge into a compact format. The skeletal figure, mid-toast with a branded cup labeled Crunk Juice, is a humorous yet pointed visual that merges late-2000s crunk hip-hop culture with punk and hardcore visual traditions. The phrase Crunk’s Not Dead explodes in jagged blood-red text above the figure, capturing a defiant message in a style that is equal parts parody and allegiance. Ayejay’s Graphic Voice in Street Pop Expression Ayejay, also known as Justin Aversano, is an American artist who channels the aesthetics of zine culture, punk flyers, and underground graphics into clean, impactful compositions. Pop Sub Final #5 showcases Ayejay’s knack for distilling complex cultural commentary into raw, visceral visual language. The black and white skeletal figure, detailed yet exaggerated, leans into grotesque cartooning, while the high-contrast red typography punctuates the piece with an almost anarchic urgency. At only two colors, the print thrives on its simplicity, allowing the energy of the composition to take full control of the viewer’s attention. It plays with the absurd while honoring the visual traditions of street culture, making it both comedic and culturally incisive. Subversive Nostalgia and Street Humor This artwork captures a very specific cultural moment while critiquing the fleeting nature of trends through the permanence of print. The skeletal form holding up a celebratory drink is a sarcastic tribute to crunk as both a musical and cultural phenomenon. Rather than fading away, the spirit of the genre is rendered as undead, satirical, and unrelentingly confident. The use of skeletal imagery ties this work to classic punk motifs and tattoo iconography, while the exaggerated text mimics hardcore record art and DIY poster design. By compressing all this visual and cultural density into a 7x7 inch print, Ayejay emphasizes how small-scale works can still deliver outsized impact when rooted in honest cultural expression. Edition Craftsmanship and Cultural Relevance Printed in a limited run of 100, each piece in this edition carries the hand-pulled quality that is central to Ayejay’s art practice and the ethos of Street Pop Art & Graffiti Artwork. The use of fine art paper and screen printing techniques grounds the work in tradition, but the message and delivery are unmistakably modern. Pop Sub Final #5 stands as a visual artifact of irreverent humor and cultural preservation. It celebrates the endurance of underground voices while mocking the idea that any scene or spirit can ever truly die. Through this print, Ayejay reinforces the notion that bold, satirical art can preserve and mutate cultural memories into permanent, punchy symbols of resistance.

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Pop Sub Final #6 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Matt Loomis Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #6 by Matt Loomis: Mysticism and Mortality in Ink Pop Sub Final #6 by Matt Loomis is a hauntingly intricate 12x12 inch one-color silkscreen print released in 2014 as part of a limited edition of 100. Printed by hand on fine art paper, this piece delivers powerful visual storytelling through expertly rendered black ink. The print depicts a vaporous skull fused with cosmic elements, holding a blade that slices across a night sky filled with stars and a crescent moon. Its monochromatic palette enhances the contrast between detail and negative space, pushing the viewer’s attention toward the surreal entanglement of death, night, and cosmic symbolism. With technical precision and a bold conceptual core, the work occupies a distinct space within Street Pop Art & Graffiti Artwork, channeling both illustrative mastery and street culture ethos. Matt Loomis and the Depth of Symbolic Street Imagery Matt Loomis is an American illustrator known for fusing fantasy, folklore, and esoteric iconography with contemporary design. His work often explores transformation, mythic duality, and the poetic violence embedded in subconscious landscapes. Pop Sub Final #6 exemplifies this approach. The skeletal form is not simply a depiction of death but a spirit being, wreathed in smoke, conjuring visions of the void. The scythe cutting across the circular night sky references the passage of time, the reaping of existence, and perhaps, the cyclical nature of rebirth. While Loomis’s style borrows from tattoo culture and heavy metal aesthetics, it transcends decorative boundaries to engage philosophical narratives. Within the broader movement of Street Pop Art & Graffiti Artwork, Loomis positions himself not as a provocateur but a mystic, visualizing ancient fears and eternal questions through modern ink. Print Process and Visual Intent This silkscreen edition is a testament to the power of one-color printing when applied with vision and precision. Every detail in the swirling smoke, lunar background, and spectral anatomy is carved into stark relief by the unforgiving medium. The decision to limit the palette allows viewers to focus on line weight, negative space, and compositional flow, reinforcing the idea that minimal tools can yield maximum psychological impact. The fine art paper serves as a clean stage for the spectral inkwork, adding physical presence to an image that feels otherworldly. The print’s 12x12 format enhances its sense of containment—an entire cosmic ritual encased in a square foot of surface. Street Pop Art Meets Occult Futurism Pop Sub Final #6 stands as a refined yet raw example of how graffiti-adjacent artists like Matt Loomis reinterpret classic themes such as death, night, and mystery through the lens of modern subcultures. While not characterized by traditional tagging or bold color fields, the print aligns with Street Pop Art & Graffiti Artwork in its irreverent spiritualism and boundary-defying content. By embedding ritualistic imagery into street-informed formats, Loomis speaks to the part of urban life that searches for meaning in chaos. This edition acts as a visual incantation—summoning attention, provoking introspection, and whispering dark truths into the eye of anyone willing to look closer.

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Pop Tart Yellow Unique HPM Original Collage Silkscreen Print by D*Face- Dean Stockton Screen Print on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Collage HPM Embellished Unique Original Artwork Size 30x29 Framed Exploring the Vibrant Convergence of Street Pop Art & Graffiti Artwork The fusion of street pop art and graffiti artwork often creates a vivid tableau that not only captures the eye but also provokes thought and commentary on societal issues. The "Pop Tart Yellow Unique HPM Original Collage Silkscreen Print" by the renowned British artist D*Face, whose real name is Dean Stockton, exemplifies this dynamic. Produced in 2007, this limited-edition work is an engaging piece that is visually arresting and thematically complex. Dean Stockton and the Allure of Screen Printing Dean Stockton, better known as D*Face, has become a standout figure in contemporary street art. His work often critiques the consumerist culture, the mechanization of modern life, and the omnipresent media that shape our realities. Born in London, Stockton is alive as of my last update, and his work continues to influence the trajectory of street art globally. The "Pop Tart Yellow" work showcases"his distinctive approach to street pop art, infusing elements of graffiti with traditional pop art aesthetics. The silkscreen process, a hallmark of pop art since its popularization by figures like Andy Warhol, is central to the visual impact of "Pop Tart Yellow." "t allows Stockto" to layer colors and images, creating an almost tangible texture. This method, which entails pushing ink through a screen to transfer an image onto a substrate, adds to the uniqueness of each piece, especially when hand embellishments are involved. The Cultural Commentary of "Pop Tart Yellow" U" on observing" "Pop Tart Yellow" p" int, one is str"ck by its bold use of color and the juxtaposition of a skeletal figure adorned with cartoon-like features. The artwork is a veritable cornucopia of social commentary, steeped in the visual language of both street and pop art. The yellow backdrop serves as an eye-catching element and a symbol of caution, mirroring the cautionary tales often told by street artists about the world around us. The elements of collage and the hand-finished touches, indicated by "HPM" (Hand Painted Multiple), point" to "the unique nature of each print within the limited series. Stockon's choice to hand-embellish tStockon's underscores the street art ethos of originality and direct engagement with the artwork. The skeletal figure, a recurring motif in D*Face's work, invokes the temporaliD*Face'sman existence and the often superficial layering of societal expectations and norms. The imagery in "Pop Tart Yellow" reflects a disenchantment with the"police state and the perpetual cycle of violence, as suggested by the text fragments accompanying the visual elements. Stockton's work is rarely without a Stockton'sedge, and this piece continues in that vein, challenging the viewer to reflect on the structures of power and authority that govern everyday life. The artwork’s dimensions, 30x29 inches, make it a commanding presence in any space. As with many street art pieces, the scale contributes to the impact, and even when confined within a frame, "Pop Tart Yellow" retains the raw energy typically found in Stockton’s more enormous murals. The act of Stockton Street art, a form traditionally found in the brief space of the urban landscape, further blurs the lines between high art and accessible street culture. Legacy and Influence in Modern Street Art The legacy of street pop art and graffiti artwork like "Pop Tart Yellow" lies in its ability" to remain relevant over the years. Though created in 2007, the thematic concerns of the piece resonate strongly in today's social and political climate. Today's art has long been a medium for marginalized voices and a platform for alternative narratives in the public sphere. As a limited edition work, "Pop Tart Yellow" allows collectors "to hold a piece "of that conversation, a moment of that dialogue immortalized through the artist's lens. D*Face’s body of artwork D*Face's "Pop Tart Yellow" provides a critical"l lens through which to view our contemporary world. Stockton's art compels us to confront Stockton's mundane and the political in one fell swoop. His influence extends beyond the streets and into the galleries, bridging the gap between what art can be and what it has the potential to communicate. The vibrant interplay between color, text, and imagery in "Pop Tart Yellow" is a testament to "Tockton’s skill" in harnessing Stockton's pop art to open conversations and challenge perceptions. Much like the rest of his oeuvre, this piece will continue to captivate and inspire, inviting onlookers to partake in a visual feast that is both a reflection and a critique of the world we navigate.

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Poppy Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Allison Reimold. Artist: Allison Reimold Title: "Poppy" Medium: Archival Pigment Print Regular Edition: 40 Markings on Regular Edition: Signed and Numbered by the Artist

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Portrait Series- Live Original One of a Kind Marker Drawing Artwork on Fine Art Paper by Urban Street Artist JM Rizzi. 2022 Signed Original Marker DrawingDrawing Size 9x12

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Portugal. The Man Seattle 2013 Music Limited Edition Gig Poster 10-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Smith for Portugal. The Man. AP Artist Proof

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Possible Potentials Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jordan Buschur. 2014 COA Possible Potentials Giclee Print by Jordan Buschur

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Post It Skull HPM Archival Print by Joey Feldman Limited Edition Hand Painted Multiple on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Print Limited Edition of 12 HPM's Artwork Size 20x20 Archival Pigment Fine Art The "Post It Skull HPM" archival print is a piece of artwork created by Joey Feldman, an American illustrator and visual artist known for his energetic and expressive style. This piece features a skull with elements of Feldman's signature loose and gestural line work. "HPM" stands for Hand-Painted Multiple, meaning each print is slightly unique due to the artist's hand embellishments. Joey Feldman has a diverse portfolio of work, ranging from concert posters and album covers to limited-edition prints and illustrations for various clients. His distinctive style often incorporates vibrant colors, fluid lines, and a sense of controlled chaos. The "Post It Skull HPM Archival Print" is a fine example of Feldman's artistic prowess, demonstrating his ability to create captivating and memorable pieces. This particular print will be highly sought-after by collectors for its striking design and the artist's reputation. As an archival print, it is made using high-quality materials and processes that ensure the longevity and preservation of the artwork. Collectors can expect the print to maintain its color and quality over time, making it a valuable addition to their collections.

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POW! Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition Silkscreen Artwork Size 12x12.The Batmobile from the Classic Adam West Batman TV Show. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show comprises pieces featuring iconic places and things from your favorite movies and TV shows. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And, of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” -.DKNG DKNG's "POW!": A Nostalgic Ode in Silkscreen DKNG's "POW!" is a cultural emblem, a graphic encapsulation of a pop culture phenomenon rendered through the lens of modern pop art. This piece, part of the ICON series, celebrates the Batmobile from the classic Adam West "Batman" TV show. Limited to a 2014 signed and numbered edition, the 12x12 silkscreen print embodies the fusion of street art vibrancy with the meticulous craft of screen printing. Iconography and Pop Culture in Silkscreen In "POW!", DKNG studios — comprised of artists Dan Kuhlken and Nathan Goldman — employ a 4-color hand-pulled silkscreen process to immortalize the Batmobile. This piece isn't just an image of a car; it represents an era, an iconic slice of television history distilled into a single, stylized image. With their characteristic geometric precision and a palette that captures the vitality of the '60s, DKNG delivers an artwork that is both a tribute and a visual reinvention. The Batmobile is more than just a vehicle; it's a character in its own right, a symbol of justice, adventure, and the tongue-in-cheek campiness that characterized the original "Batman" series. Set against a sunset backdrop with palm trees that suggest the silhouette of Gotham (or, in a real-world sense, the streets of Los Angeles), the image portrays the Batmobile speeding off into another night of crime fighting. DKNG's ability to condense a complex narrative into a single frame is a testament to its design prowess and understanding of pop culture's visual language. Artistic Synthesis in "POW!" The artistry in "POW!" speaks volumes about DKNG's role in the pop art movement and its influence on street art aesthetics. The bold lines and dynamic composition are reminiscent of comic books, while the sophistication of the print reflects a deep appreciation for the art of silkscreen printing. The very nature of screen printing — layering colors, meticulously crafting each element — aligns with the laborious stencil work of street art, demanding precision and vision. Each piece in the ICON series, "POW!" included, acts as a standalone narrative, capturing the essence of its subject in a minimalistic yet detailed fashion. This approach is reminiscent of the philosophical underpinnings of street pop art and graffiti, where the artwork aims to connect quickly and powerfully with the viewer. DKNG manages to evoke the visual excitement of the "Batman" series and the emotional connections many fans have to the original show.  DKNG's Legacy in Contemporary Art DKNG’s work, including "POW!", is a contemporary homage to the moments that define pop culture. Through screen printing, the studio has carved a niche in the art world, blending commercial design with fine art and influencing the trajectory of pop art and street art. Their ICON series, and indeed their entire portfolio, demonstrates how classic techniques can be revitalized for the modern age, breathing new life into the imagery of our collective memory. "POW!" is a representation of DKNG's skill and a piece of nostalgia, appealing to those who are fond of the past while striking a chord with a new generation of design enthusiasts. The silkscreen print is a reminder of the enduring power of iconic imagery and the role of artists in shaping, preserving, and reinterpreting the visual language of pop culture. In essence, DKNG's "POW!" and the ICON series embody the spirit of street pop art and graffiti artwork, capturing the attention and imagination of viewers. Through their work, DKNG proves that art can transcend time, place, and medium to forge an indelible mark on both the past and present. The Batmobile, as presented by DKNG, races not just on the streets of Gotham but through the annals of pop art history, powered by the creativity and insight of two visionary artists.

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Powderpuff Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant. Artist: Alex Garant Title: "Powderpuff" Medium: Archival Pigment Print Edition: 50 Markings: Signed and numbered by the artist Dimensions: 18" x 18"

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Power Sword Pop Street Artwork Limited Edition Giclee Print on Hand Deckled Fine Art Paper by Urban Graffiti Modern Artist Madsaki x MOTU. 2022 Limited Edition 19.3x24.75 Renowned Contemporary Artist Madsaki holds a special place in his heart for Masters of the Universe. When he first moved to America, the OG cartoon helped him to learn English while the ‘80s animation helped fuel his artistic imagination. This art print (based on his signature acrylic and aerosol on canvas style) features the Masters in action with his signature colors and flair. Action scene featuring He-Man and Man-At-Arms against Skeletor and Beast-Man

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Practical Guide To Spells Green Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Open Edition Artwork Size 18x24 "Expelliarmus! This educational and informational poster is a 2 color (green or metallic copper with a nice rich dark brown), hand-pulled screenprint. It measures 18” x 24” in size and is printed in a signed open edition! It depicts and Illustrates every one of the spells used in the Harry Potter Book Series. A “field guide” of sorts for the wizard in your life." -Nate Duval

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Prawn Stars Archival Print by Lauren YS Limited Edition on Juniper Baryta Cotton Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 10x12 Archival Pigment Fine Art The Fusion of Fantastical Elements in Lauren YS's "Prawn Stars" Lauren YS's "Prawn Stars" is a quintessential piece within the Street Pop Art and Graffiti Artwork genre, pushing the envelope of contemporary pop surrealism. This limited edition archival print, released in 2023, is a prized collector's item with only 50 signed and numbered prints available. Each piece is meticulously crafted on Juniper Baryta Cotton Fine Art Paper, measuring 10x12 inches, and brought to life with archival pigment fine art to ensure its lasting visual impact. The print features an enigmatic duo of mythical creatures, a fusion of human and aquatic elements, rendered with a striking vibrancy characteristic of Lauren YS's distinctive style. The artwork celebrates the fantastical, where otherworldly beings command the viewer's attention against the backdrop of a boldly pink universe. This imaginative portrayal is imbued with a sense of whimsy and wonder, inviting onlookers to delve into a narrative as intricate as it is mysterious. Lauren YS's Visionary Approach to Modern Art Lauren YS has cemented its place in the art world as a visionary, seamlessly blending the aesthetic of street art with the fantastical realms of their imagination. "Prawn Stars" encapsulates their unique ability to draw from a palette of the extraordinary, creating art that transcends the mundane and offers a portal into realms unexplored. The limited edition nature of this print underscores the exclusivity of owning a piece of this transcendent world, a snapshot of the boundless creativity that defines the artist's body of work. Using Juniper Baryta Cotton Fine Art Paper speaks to the quality and consideration Lauren YS invests in each print. The choice of materials ensures that the rich textures and depth of color are preserved, offering a tactile dimension that complements the visual feast. As Street Pop Art and Graffiti Artwork continue to evolve, artists like Lauren YS are at the forefront, pushing boundaries and challenging perceptions of what street art can encompass and convey. "Prawn Stars" is not just an artwork but a testament to the growing diversity and complexity within Street Pop Art and Graffiti Artwork. It exemplifies the power of modern art to not only decorate a space but also to enrich and provoke the imagination. As the print takes its place on the walls of collectors, it carries with it the spirit of innovation and the enduring allure of the streets, where art is for everyone, and every surface has the potential to become a canvas for the extraordinary.

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Pray Silkscreen Print by Vandul Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 30 Artwork Size 12x12 Image of a Vandul Figure On Knees In Prayer In the dynamic world of pop art, street art, and graffiti art, Vandul's "Pray Silkscreen Print" emerges as a profound statement on spirituality, introspection, and hope. Skillfully executed using a hand-pulled 1-color screen print technique on premium fine art paper, this artwork exemplifies Vandul's mastery in blending minimalist aesthetics with deep emotional resonance. At the core of the composition is the Vandul figure, depicted on its knees, immersed in prayer. This evocative posture captures the universal sentiments of seeking solace, guidance, and a connection to a higher power or inner self. The stark monochromatic scheme accentuates the raw emotion and earnestness of the figure, drawing the viewer into a contemplative space. It beckons one to reflect upon moments of vulnerability, faith, and the innate human desire to find meaning and purpose. Hailing from the year 2023, the artwork's exclusivity is underscored by its limited availability, with only 30 pieces in existence, each authentically signed and numbered by Vandul. Measuring 12x12, its compact size belies the depth of its narrative, proving that art need not be grand in scale to leave an indelible impact. Vandul's "Pray Silkscreen Print" is not just an artwork; it is an invitation to ponder life's mysteries, challenges, and moments of grace. In the ever-evolving landscape of contemporary art, this piece stands as a timeless testament to the power of art to echo the human spirit's complexities and aspirations.

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Prayer of the Ancestors Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 150 Artwork 24x18

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Praying Frog Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist. Naoto Hattori's Praying Frog: A Fusion of Surrealism and Street Aesthetics The 'Praying Frog' original hand-drawn art drawing is a compelling illustration of Naoto Hattori's capacity to intertwine the whimsical aspects of surrealism with the grounded, accessible elements characteristic of street pop art and graffiti artwork. This piece, brought to life in 2012, is a one-of-a-kind pencil/graphite drawing that has been carefully framed and matted by the artist, underscoring Hattori's personal involvement and artistic dedication to his work. Set in a square frame measuring 8.5x8.5 inches, the artwork occupies a 3x5 inch space on hand-deckled aged art paper, chosen for its textured quality and how it contributes to the overall aesthetic of the piece. The 'Praying Frog' stands out in its simplicity and the depth of its expression. The choice of subject, a frog caught in a moment of anthropomorphic posture, implies a narrative that goes beyond the visual, prompting reflection and inviting personal interpretation. This is a common thread in street pop art, where the imagery often serves as a portal to deeper contemplation, engaging the viewer in a dialogue that transcends the artwork itself. Hattori's decision to custom frame and mat the piece enhances its intimacy, suggesting that this small window into a surreal world is a complete universe in and of itself. The Intimacy of Hattori's Art in the Public Domain of Street Art The realm of street pop art and graffiti artwork is typically associated with large-scale works that command public spaces; however, Hattori's 'Praying Frog' challenges this notion by presenting a world contained within the modest dimensions of a small-scale drawing. The piece's intimacy reflects the ethos of street art, which is often about making personal statements in the public sphere. Hattori's work brings this sensibility into the private domain, allowing for a one-on-one interaction between the art and the viewer. The detailed graphite work, combined with the hand-deckled edges of the aged paper, creates a tactile experience that invites the viewer to lean in and engage with the subtle textures and shades that define the drawing. The artwork's presentation, with slight signs of handling and the artist's touch in its framing, resonates with the authenticity sought in street art. While serving to protect and showcase the drawing, the frame also bears witness to the passage of time, evidenced by the gentle marks and scuffs that tell of the artwork's journey from creation to curation. These marks of age and handling imbue the 'Praying Frog' with a history and presence often found in the patinated surfaces of urban street art. Transcending Boundaries: The 'Praying Frog' in the Context of Street Pop Art Naoto Hattori's 'Praying Frog' is a profound example of how the boundaries between different art forms can be transcended, creating a space where the surreal can coexist with the urban aesthetic of street pop art and graffiti artwork. Though confined to a small scale, the drawing is expansive in its emotional and imaginative reach. It captures the viewer's attention in much the same way that a mural might seize the gaze of passersby on a bustling street, proving that impact is not limited by size. The artwork's meticulous attention to detail and the thoughtful selection of aged paper demonstrate Hattori's reverence for materials with inherent stories within their fibers. This parallels how street art often incorporates the character of the urban landscape into its narrative, allowing the environment to become part of the artwork itself. Though removed from the city's walls, the' Praying Frog' carries the spirit of street art in its essence, bridging the gap between the gallery and the alleyway. 'Praying Frog' is a microcosm of Hattori's artistic philosophy, blending the dreamlike qualities of his surrealism with the grounded, emotive pull of street pop art. This piece not only represents a visual exploration of thematic depth but also serves as a physical artifact of Hattori's journey as an artist—a journey marked by the convergence of imagination and the tactile, textured world in which we live.

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Prehistoric Forest Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Tommy Boy Car Movie Reference "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Presence Limited Edition Hand Pulled 4-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "This piece is about a “presence”, higher power, greater conscience, god, or whatever you believe it to be. The words are “presence” written in many different languages to illustrate the universal presence. No one religion has a copyright on angels, they all basically come from the same source.The white of the wings and hair are the white of the paper." - Derek Hess

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Presidents Day- Chaplin 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Presidents Day- Hero 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Presidents Day- Punk 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Press Start Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

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Presto AP Pop Modern Movie Artwork Limited Edition Giclee Print on Fine Art Paper by Pixar Graffiti Modern Artist Raid71. AP Artist Proof 2022 Official Pixar print Presto 5x6 Short Print Giclee Signed Hand-numbered edition

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Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton Screen Print on Paperboard Framed Limited Edition Pop Street Art Artwork. 2007 Signed Unique Paint & Pencil HPM Embellished with Doodle on Front Framed Artwork Size 23.25x33. Initially, This Was a Design Used as Wheat Plasters Across Cities. It's Rumored This is one of 2 Versions Produced and Signed by D*Face on higher-grade paper. Custom Framed with Red Metal Frame. D*Face's Signature Style in Prey Red The confluence of pop art and street art finds a striking manifestation in the work of British artist Dean Stockton, better known as D*Face. Among his vast array of impactful artworks, the "Prey Red HPM Doodled Silkscreen Print" is a prime example of his skill in blending subversive street art techniques with the ethos of pop art. This limited edition piece, a silkscreen print on paperboard and an original work embellished with unique paint and pencil doodles by the artist himself captures the essence of his critique on consumerism and the cult of celebrity. Stockton's "Prey Red HPM Doodled Silkscreen Print" is not just another piece of street art; it reflects the artist's journey and commentary on society. The artwork features bold lines and stark contrasts, a hallmark of D*Face's aesthetic, which owes much to his early influences from skateboarding, graffiti, and punk music. The print, measuring 23.25 by 33 inches, is framed in a custom red metal frame that echoes the vibrancy of the artwork within. D*Face and the Pop Street Art Movement Originally conceived as a design for wheatpaste posters plastered across cities, "Prey Red" evolved into a more refined expression of DFace's art when it was reimagined as a high-grade paper print. This transition from street art to a gallery-worthy piece underscores the fluid boundaries between different art forms and the versatility of DFace as an artist. The fact that this piece was one of just two versions produced and signed by the artist adds to its exclusivity and allure. DFace's work is often seen as a bridge between the raw, rebellious energy of street art and the polished, image-focused world of pop art. DFace challenges preconceived notions about art and its place in society by bringing his work into galleries without losing the street-smart edge. The "Prey Red HPM Doodled Silkscreen Print" is a testament to this, embodying the artist's skill in bringing depth and multiple layers of meaning to his work. The Cultural Impact of D*Face's Artwork Beyond its visual appeal, "Prey Red" is a cultural critique, much like the rest of DFace's oeuvre. Through his art, DFace invites viewers to question the icons and symbols that populate our visual landscape. This print, with its sharp imagery and the word "PREY" emblazoned across it, suggests a deeper conversation about who the prey is in a world saturated with media and celebrity culture. DFace's "Prey Red HPM Doodled Silkscreen Print" is not merely a piece of art to be admired for its style; it is a conversation starter, a piece of cultural commentary, and a collector's item all at once. It represents the artist's ongoing commitment to challenging viewers and the art establishment, urging a reevaluation of what is displayed on city walls and gallery halls. As DFace continues to create and evolve, works like "Prey Red" ensure his place in the annals of contemporary art history, bridging the gap between the underground and the mainstream.

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Primal Scream- Red Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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