Artworks

Hooray Coffee Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition of 60 Artwork Size 8x10

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Hooray Coffee- Teal Green- AP Artist Proof Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 8x10

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Hope Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Cezar Brandao.

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Hopes and Fears- Diptych Red Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Desirable Artist Copyright Limited Edition Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 13 Artwork Size 11.81x11.81 2 Artworks

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Hopper Taos- Hand Deckled Limited Edition Hand Deckled 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 Artist: Aelhra Technique: Serigraph Size: ca. 18" X 24" Markings: Signed & Numbered Hand Deckled Edition

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Hopper Taos Limited Edition Hand Deckled 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 Artist: Aelhra Technique: Serigraph Size: ca. 18" X 24" Markings: Signed & Numbered

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Horizon Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2014 Signed & Numbered Limited Edition of 350 Artwork Size 8.5x11

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Hot Buttered Rum Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for band Hot Buttered Rum. "You never should have a finished idea in your head. Staring at a blank page is the worst thing you can do—start with anything and just keep letting it evolve.”- John Vogl

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Hotline Kids OG Original Acrylic Spray Paint Mixed Media Painting by Faile One of a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic Silkscreen Spray Paint Painting Original Artwork Size 25x38 Stylized Vaporwave Style Punk Woman Talking on Phone With 2 Men During Summer Layered With Text "Hotline Kids OG" stands as a striking and representative piece within the evolving landscape of contemporary pop and street art. Its creator, renowned artist Faile, has seamlessly merged the worlds of graffiti and fine art to create a visually dynamic and highly thought-provoking piece. This original artwork is a one-of-a-kind acrylic spray paint mixed media painting, deftly executed on fine art paper. Faile's ingenious fusion of art forms and innovative use of mediums result in an exciting dialogue between the traditionally disparate worlds of street art and high-end galleries. The artwork itself is signed and dated to 2023, asserting its position within the current moment of artistic production and thought. It is a mixed media work, demonstrating the artist's adept manipulation of materials such as acrylic and silkscreen, as well as his command of spray paint, a tool synonymous with the world of graffiti and street art. Measuring 25x38, it is a sizable work that commands the viewer's attention, demanding a thorough and appreciative examination of its layered complexity. "Hotline Kids OG" presents an intriguing scene rendered in a stylistic fusion of vaporwave and punk aesthetics. A woman is seen talking on a phone, flanked by two men, all set against the backdrop of summer. This scene may appear mundane at first glance, yet, upon closer observation, it is an incisive commentary on contemporary societal interactions and power dynamics. Faile utilizes the 'everyday' as a canvas to draw out the often overlooked nuances of human communication and relationships. The layers of this artwork extend beyond the narrative depicted. Faile has incorporated text within the painting, creating a dynamic interplay between visual and linguistic elements. This approach further emphasizes the layered nature of human interactions and underlines the impact of technology on communication. Furthermore, this textual integration harks back to graffiti's subversive tradition of utilizing public spaces as platforms for dialogue and expression. In the rich tapestry of street and pop art, "Hotline Kids OG" marks a significant contribution. It encapsulates the ethos of its creator, Faile, and his desire to push the boundaries of artistic conventions. It challenges traditional distinctions between high art and street art, bridging the gap and illustrating the potential for their synergistic coexistence. This artwork exemplifies the potency of contemporary art to reflect, critique, and shape societal narratives. It stands as a testament to the dynamic and evolving nature of the art world and, in particular, the continually thriving and expanding genres of pop and street art.

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How Does It Make You Feel Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Victor Castillo, Street Pop Art Graffiti Legend. 2022 Victor Castillo "La Tierra de la Culebra" Archival Pigment Print Signed and Numbered by the Artist Edition of 75 18x18

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Hows Annie Limited Edition Giclee Print on Fine Art Paper by Jon Smith counter-culture street artist art. Spoiler Alert Series is a new print series showcasing the most epic shocking events in major cult television history! At this point, if you’re not up to speed on Breaking Bad, Twin Peaks, and Game Of Thrones you’re shit out of luck.

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HR Giger Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Hug Life- Beast 3D Within Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Philip Lumbang Graffiti Street Artist Modern Pop Art. Printed with a basic Red/Blue 3D effect.

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Hulk Boy Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2007 Digital print in colors on wove paper 20 x 20 inches (50.8 x 50.8 cm). 100 Signed and numbered in pencil along the lower edge

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Hum- Chicago 2011 Music Limited Edition Gig Poster 7-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Hum. The Hideout Block Party / AV Fest, Chicago, 09/10/11 18 x 24 inches. Seven screens printed on French Speckletone "starch mint". Signed and numbered edition of 400.

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Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson.  Humboldt Park Silkscreen Print by Ian Ferguson – Hydeon The Humboldt Park silkscreen print by Ian Ferguson, also known as Hydeon, is a masterful piece in the Neighborhood Art Series, showcasing the intricate and layered storytelling for which the artist is known. This one-color hand-pulled silkscreen print is a signed and numbered limited edition from 2013, measuring 16x20 inches on fine art paper. It represents a unique vision of Humboldt Park, one of Chicago’s most historically and culturally significant neighborhoods. Ferguson’s work blends architectural precision with surreal urban landscapes, capturing the vibrancy, energy, and layered history of the community through a composition filled with intricate details and symbolic elements. The Architectural and Cultural Essence of Humboldt Park Ferguson’s illustration style is deeply rooted in architectural line work, and this piece is no exception. Humboldt Park’s ornate buildings, historic facades, and bustling street scenes are carefully drawn with a high level of detail, reflecting the neighborhood’s diverse influences. The artwork brings together an array of visual motifs, including classic Chicago brick buildings, vintage automobiles, bicycles, and elements of the urban landscape that define the area’s character. The use of black and white enhances the structural complexity of the illustration, allowing each line to tell a story. Beyond its architectural depth, Humboldt Park is widely recognized for its cultural history, particularly its strong connection to Puerto Rican heritage and Latin American influences. Ferguson pays homage to this identity by incorporating imagery such as a mariachi musician, elements of Puerto Rican symbolism, and nods to the community’s long-standing contributions to Chicago’s street pop art & graffiti artwork. The piece blends these cultural elements with its urban setting, creating an evocative snapshot of a neighborhood filled with life and resilience. Surrealism and Symbolism in the Artwork A defining characteristic of Ferguson’s work is the interplay of realism and surrealism. In this print, seemingly familiar structures are reimagined in dreamlike ways—architecture floats among the clouds, structures merge into one another, and perspectives shift fluidly across the composition. The Humboldt Park lagoon is a focal point, drawn with reflections that add depth and a sense of movement. Meanwhile, griffin-like mythical creatures appear in the sky, reinforcing a sense of mystery and wonder, which is a signature of Ferguson’s work. The print also includes elements that hint at the neighborhood’s present and past—its food truck scene, vintage signage, public parks, and bustling street life. These details provide layers of meaning, allowing the viewer to explore different aspects of Humboldt Park’s identity. Ferguson’s ability to infuse narrative into his illustrations elevates this piece beyond mere documentation; it becomes an experience, a visual representation of a living, breathing urban environment. Hydeon’s Influence on Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series has established him as a leading figure in street pop art & graffiti artwork, offering an alternative to traditional muralism by using hand-pulled silkscreen techniques to create highly detailed urban narratives. Unlike large-scale street art that often relies on bright colors and broad strokes, Ferguson’s method focuses on intricate line work and layered storytelling. This approach aligns with the historical documentation of urban spaces, much like how early cartographers mapped cityscapes, but with a modern artistic twist. Through this series, Ferguson captures the soul of Chicago’s neighborhoods, transforming them into surreal, poetic compositions that resonate with residents and art collectors alike. The Humboldt Park silkscreen print is a tribute to the area’s resilience, history, and artistic energy, preserving its cultural identity through a limited edition, hand-pulled artwork that continues to inspire admiration within the street pop art & graffiti artwork community.

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Hungry Eyes Original Pen Pencil Paint Drawing by Atomik Modern Street Pop Artwork. 2025 Signed Original Ink Paint Pencil Graphite on Paper Drawing Size 5x8 of the Famous Miami Florida Atomik Orange. Hungry Eyes Original Drawing by Atomik: A Raw Expression of Graffiti Culture in Street Pop Art The 2025 piece titled Hungry Eyes by Miami-based graffiti artist Atomik is a potent example of raw Street Pop Art & Graffiti Artwork captured in traditional media. Known globally for his animated orange character, Atomik channels his origins from the streets of Florida into this expressive 5x8 inch work executed in pen, pencil, ink, and white paint on paper. The drawing preserves the energetic curves, exaggerated facial features, and strong iconography that define his visual language, yet it diverges by focusing on depth, texture, and mood rather than public wall space or train cars. This signed original holds particular weight because it brings Atomik’s explosive style into a more intimate and tactile dimension, highlighting the same mischievous gaze and stylized emotion that viewers typically encounter on a city wall or boxcar. The Miami Influence and the Evolution of Atomik’s Orange Atomik, born and based in Miami, Florida, has been a key figure in the visual evolution of graffiti across the southeastern United States. His signature orange character was born out of a tribute to a lost local landmark—the Miami Orange Bowl—and has since morphed into a universal symbol of urban rebellion, humor, and resilience. Hungry Eyes strips down that icon into its most fundamental parts. Drawn with ballpoint pen, graphite, and accented with sharp white strokes, this piece introduces nuance and technique often overlooked in outdoor works. Swirls and crosshatch marks surround and define the facial contours, merging classical drawing skills with street sensibility. The background of kraft-tone paper gives the composition a raw, unpolished energy, consistent with the artist’s handstyle and sense of immediacy. Even in this format, the image demands attention as if it were wheatpasted across a city block. Street Pop Art Translated to Fine Drawing While Atomik’s graffiti legacy is built upon bright enamel hues and fatcap spray lines across highly visible surfaces, Hungry Eyes functions as an alternate lens into the graffiti psyche—quiet, detailed, and full of coded visual emotion. The angular ink strokes channel years of tagging and can control, while the whimsical circular gradients embedded in the eyes mimic bubble letters and aerosol flares. The use of hand-drawn highlights instead of reflective gloss draws from a comic-book aesthetic while simultaneously staying grounded in graffiti's DIY tradition. This drawing proves that Street Pop Art & Graffiti Artwork can exist with just as much presence and weight on paper as it does on steel or concrete. Signature and Collectibility in Contemporary Street Art The reverse of the artwork is inscribed in pencil with the artist’s signature, a stylized flourish of the name Atomik and the date 25. This mark authenticates the piece not only in terms of authorship but also as a deliberate object within the continuum of street artist editions and originals. Collectors and fans of graffiti culture recognize works like Hungry Eyes as evidence that street artists are not limited to spray paint and murals. Atomik’s ability to transfer his identity onto fine art media makes this piece a collector-worthy addition for any serious archive of modern graffiti or pop-inspired street visuals. The drawing stands as a reminder that graffiti is not only about location or defiance—it is about mark-making, identity, and the ability to repurpose commercial and personal symbols into resonant visual statements.

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Hurricanes- Come Out To Play Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Robin Boyden. Come Out To Play- an illustrated tribute series to 1979 cult movie classic The Warriors!

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Hush-Hush Archival Print by Giorgiko Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of TBD Artwork Size 30x36 Archival Pigment Fine Art of Boy or Girl Holding a Cookie. Image size is 27" x 33" with 1-1/2" white borders. Printed by Static Medium. Hush-Hush by Giorgiko – Limited Edition Archival Print in Street Pop Art & Graffiti Artwork Hush-Hush is a 2023 archival pigment print by the artist duo Giorgiko, printed by Static Medium on cotton fine art paper. Measuring 30 x 36 inches with an image area of 27 x 33 inches surrounded by 1.5-inch white borders, this piece embodies Giorgiko’s signature blend of innocence, introspection, and symbolic contradiction. In this limited edition release, a gender-neutral character—marked by the classic blank, oval eyes and soft, rounded facial features familiar to Giorgiko’s recurring figures—is shown holding a cookie while wearing a ruffled Renaissance collar and a dark cap, standing against a dreamy, cloud-filled sky. The soft, glowing light paired with high-fidelity textures gives the character an almost mythic presence, while the humorous absurdity of the cookie grounds the image in modern whimsy. Visual Juxtaposition and Emotional Stillness Hush-Hush merges visual contradiction with narrative subtlety. The Renaissance collar and puffy jacket evoke historical formality and ceremonial grandeur, yet the baseball cap and chocolate chip cookie undercut this formality with quiet absurdity. The contrast creates a tension between tradition and playfulness, high art and youth culture. The character’s expression, despite lacking defined features, suggests hesitation or contemplation. Giorgiko’s approach to emotional storytelling relies not on overt gestures but on posture, silhouette, and context. The figure appears paused in motion, mid-thought, suspended between indulgence and restraint. This ambiguity creates an emotional space in which the viewer can insert their own reflection, making the piece as much about internal narrative as it is about aesthetic execution. Technique and Symbolism in Contemporary Street Pop Art Giorgiko’s Hush-Hush is printed using archival pigment on high-quality cotton paper, delivering vivid tonal transitions and painterly textures that highlight the studio’s hybrid technique. While Giorgiko often draws influence from classical oil painting, their compositions are informed by urban and graffiti-inspired aesthetics, using minimalism and cartoon stylization to generate universal emotional resonance. The oversized collar nods to portraiture traditions from Western art history, while the cap and modern streetwear textures tie the figure back to contemporary cultural identity. The cookie, humorous and unthreatening, becomes a symbol of simplicity and self-soothing, a quiet rebellion against the weight of the world. Through this intersection of classical reverence and everyday absurdity, Hush-Hush extends the language of Street Pop Art & Graffiti Artwork to embrace stillness, contradiction, and narrative restraint. Giorgiko’s Unique Voice in Modern Figurative Work As a collaborative project between Darren and Trisha Inouye, Giorgiko continues to create a distinct narrative space where archetypes, emotional silence, and visual poetry intersect. Hush-Hush exemplifies their ability to take a single moment and elevate it into an archetype of modern emotional experience. Rather than relying on overt protest or visual chaos, the duo uses softness, ambiguity, and surreal calm to explore identity, detachment, and the quiet humor embedded in life’s contradictions. In the broader field of Street Pop Art & Graffiti Artwork, Giorgiko’s work stands out for its subtle yet immersive world-building, inviting viewers to pause, reflect, and find connection in the stillness of a cookie held quietly against a pastel storm.

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Hush-Hush Archival Print by Giorgiko Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of TBD Artwork Size 8x10 Archival Pigment Fine Art of Boy or Girl Holding a Cookie. Image size is 6x8" with 1" white borders. Printed by Static Medium. Hush-Hush Mini by Giorgiko – Archival Pigment Print in Street Pop Art & Graffiti Artwork Hush-Hush Mini is a 2023 archival pigment print by Giorgiko, created as a scaled-down version of their larger works, printed on cotton fine art paper by Static Medium. Measuring 8 x 10 inches with an image size of 6 x 8 inches and 1-inch white borders, this signed and numbered limited edition captures the emotional intensity and stylistic duality that define Giorgiko’s visual voice. The piece features their signature gender-neutral character, with rounded features and blank eyes, holding a chocolate chip cookie while dressed in a Renaissance-style ruff and a modern streetwear jacket and cap. This blend of soft expression, historical reference, and pop cultural cues is emblematic of Giorgiko’s ability to bridge fine art with a quiet sense of modern dissonance. Emotive Symbolism in a Minimal Format The small size of Hush-Hush Mini does not lessen its emotional resonance. Giorgiko’s recurring character, visually simple but rich in suggestion, stands alone beneath a muted sky of soft pink clouds. The figure’s sideways gaze, almost hesitant or curious, reinforces the artwork’s theme of quiet observation and personal pause. The contrast between the ornate collar and the casual cap speaks to the clash of identity across time, tradition, and street culture. The cookie, held in the character’s hand, becomes a symbol of innocence, simplicity, or even indulgence—a grounding object in a surreal and emotionally weighty setting. This visual restraint and ambiguity invite the viewer to create their own narrative, a technique Giorgiko employs to great effect across all their works. Craftsmanship and Storytelling in Street Pop Art Giorgiko’s art is rooted in precision, mood, and minimal yet evocative storytelling. Their fusion of pop surrealism with classical painting techniques sets them apart in the field of Street Pop Art & Graffiti Artwork. In Hush-Hush Mini, the artists combine cartoon-like simplification with painterly depth, creating a character who lives somewhere between fantasy and everyday life. The decision to pair delicate rendering with street culture elements like the cap and bomber-style jacket furthers their aesthetic of quiet contradiction. The ruff collar, painted with a nearly translucent quality, elevates the piece into an almost ceremonial portrait. The careful use of soft lighting and pastel tones adds a dreamlike glow, enhancing the figure’s sense of emotional stillness and contemporary melancholy. Giorgiko’s Role in Modern Figurative Urban Art As a collaborative project between Darren and Trisha Inouye, Giorgiko’s work reflects a shared sensibility that centers on visual quietude, identity, and solitude. Hush-Hush Mini is a distillation of their broader themes into a compact, highly collectable format. It is not loud or overt in its messaging but speaks through mood, posture, and subtle visual cues. In the context of Street Pop Art & Graffiti Artwork, this piece reflects a softer side of the genre, focusing on introspection rather than rebellion. Giorgiko captures the emotional landscape of modern life through characters that say little but feel much. Hush-Hush Mini is both accessible and enigmatic—a visual whisper that lingers with the weight of unspoken thoughts.

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I Ain't Nobody's Bitch Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Daryl Dixon's Crossbow and Motorcycle Chopper From The Walking Dead TV Show. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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I Believe You Have My Stapler Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Office Space Movie Red Stapler of Milton Fame. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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I Heart Hello Kitty! Artwork Giclee Limited Edition Print on Fine Art Paper by Modern Artist Natalia Fabia.

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I Heart Vodka Artwork Giclee Limited Edition Print on Fine Art Paper by Modern Artist Natalia Fabia.

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I Hope Your Flowers Bloom Giclee Print by Kathy Ager Artwork Limited Edition Print on 290gsm Rag Watercolor Fine Art Paper Graffiti Pop Street Artist. 2021 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 The Visual Language of "I Hope Your Flowers Bloom" by Kathy Ager Kathy Ager's "I Hope Your Flowers Bloom" is a captivating giclée print that channels the essence of Street Pop Art and graffiti Artwork through a lush tableau of flora intertwined with a pristine pair of sneakers. As a limited edition release, the artist signed and numbered this artwork, further securing its status as a collectible. With only 200 prints, it measures 18x24 inches and is presented on 290gsm rag watercolor fine art paper, which enriches the print's visual texture and color depth. This piece stands out in Ager's oeuvre as a symbolic work that blends the urban with the natural, the every day with the extraordinary. The hyperrealistic depiction of the sneakers—a staple of street fashion and urban identity—is enveloped by an explosion of floral elements, echoing the organic growth patterns found in nature. This juxtaposition is a metaphor for the bloom of ideas and creativity that Street Pop Art and graffiti Artwork represent in the concrete jungles of city landscapes. Materials and Techniques: The Artistry Behind the Print The medium of giclée printing is chosen for its ability to reproduce the vibrant hues and intricate details of the original artwork with exceptional clarity. Using 290gsm rag watercolor paper provides a fine art texture more commonly associated with traditional painting techniques, thus elevating the piece from a mere reproduction to an artwork in its own right. This strategic choice of materials underscores the high value placed on quality within Kathy Ager's art practice, ensuring that each edition of "I Hope Your Flowers Bloom" resonates with her vision's authenticity and aesthetic appeal. Symbolism and Cultural Relevance in Kathy Ager's Artwork The imagery of "I Hope Your Flowers Bloom" delves deep into the cultural significance of its subjects. Sneakers have long been a symbol of contemporary culture, often associated with youth, vitality, and the street culture from which graffiti arises. The presence of these shoes amidst a traditionally beautiful setting of flowers and wildlife suggests a harmony between human-made and natural beauty, between urban life and the growth it can foster. This work emulates the transformative power of Street Pop Art and graffiti Artwork, which often takes ordinary urban elements and recontextualizes them in ways that challenge our perceptions of beauty and art. Impact and Reception of "I Hope Your Flowers Bloom" Since its release in 2021, "I Hope Your Flowers Bloom" has garnered attention for its bold thematic approach and technical prowess. It has been embraced by art collectors and enthusiasts who appreciate the innovative fusion of street culture with acceptable art principles. The limited edition nature of the print has not only made it a sought-after piece for private collections but also sparked discussions on the value of scarcity and exclusivity in the art world. In the broader context of Street Pop Art and graffiti Artwork, Kathy Ager's print mirrors the societal shift towards a greater acceptance and integration of street art into the fine art canon. It reflects a world where the once clear-cut boundaries of 'high' and 'low' art are increasingly blurred, where the visceral impact of graffiti is as esteemed as the studied finesse of gallery exhibits. "I Hope Your Flowers Bloom" stands as a testament to this cultural shift and to contemporary art's dynamic, ever-evolving landscape.

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I Love Only You Silkscreen Print by Gary Taxali Hand-Pulled 6-Color on Cover White Arches Fine Art Paper Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 29x23 Silkscreen Print The Significance and Craft of Gary Taxali's "I Love Only You" Silkscreen Print Gary Taxali's "I Love Only You" silkscreen print is a vibrant example of contemporary Street Pop Art and graffiti Artwork. This limited edition piece, created in 2014, demonstrates Taxali's unique blend of vintage comic strips, advertising aesthetics, and playful imagery that firmly roots his work in the legacy of Pop Art while pushing its boundaries into the street and graffiti art scenes. Taxali, known for his distinctive style, often marries the retro with the modern, and this artwork is no exception. It is a hand-pulled 6-color print on Cover White Arches Fine Art Paper, a choice that speaks to the artist's dedication to craftsmanship and quality. Arches Paper is revered among artists for its texture and durability, serving as a testament to its longevity and collectibility. The limited-edition nature of "I Love Only You," with only 50 signed and numbered prints, increases its exclusivity and desirability among collectors. The artwork's approximately 29x23 inches size makes it a substantial piece suitable for prominent display. Silkscreen printing, a method famously used by Pop Art icon Andy Warhol, allows Taxali to achieve vivid colors and sharp images that are striking and emotionally resonant. Exploring the Pop Art Continuum in Street Art through Taxa li's Work Gary Taxali's work is often celebrated for its ability to capture the spirit of Pop Art and transpose it onto the more raw and expressive canvas of street art. "I Love Only You" exemplifies this cross-pollination. The subject matter—a whimsical character engaging directly with an inanimate object, infusing it with affection and personality—encapsulates the heart of Pop Art's interest in the mundane and the commercial. However, Taxali's bold lines and the print's presence as a piece of Street Pop Art and graffiti Artwork also evoke the unrefined, immediate quality of street art and graffiti. Taxali's characters are reminiscent of 1930s cartoons, yet they carry a contemporary edge that speaks to today's audience. The playful nature of the piece, combined with its direct and simple message, is characteristic of street art's ability to communicate with a broad audience. This overlap of high art and low art, of gallery walls and street corners, is a defining feature of Taxali's artistic practice and places "I Love Only You" within the ongoing dialogue of art as a public and personal experience. Cultural and Artistic Value of Taxali's Silkscreen Print "I Love Only You" not only represents a blend of artistic styles but also embodies a cultural statement that resonates with the ethos of Pop and Street Art. Both movements have often sought to blur the lines between 'high' and 'low' culture, and Taxali's print contributes to this discourse. It juxtaposes commercial art techniques with acceptable art practices, suggesting that art can be both accessible and sophisticated. Taxali's print holds an esteemed place in the art world for its aesthetic appeal and commentary on love, consumerism, and the interplay of text and image. The phrase "I Love Only You," juxtaposed with various objects, speaks to the commodification of emotions and relationships, a theme frequently explored in pop and street art. By presenting this commentary through silkscreen—a technique associated with mass production—Taxali underscores the tension between uniqueness and ubiquity, a conversation ever-present in public art discussions. The Enduring Appeal of Gary Taxali's "I Love Only You" Gary Taxali's "I Love Only You" is a testament to the artist's role as a bridge between past and present, fine art and street culture. Through his meticulous crafting of this print and careful selection of medium, Taxali has created a piece that is visually captivating and rich in meaning and context. As a piece of Street Pop Art and graffiti Artwork, it continues to engage viewers, spark conversations, and hold a mirror to the culture it both represents and critiques. The rarity and handcrafted nature of the print further cement its status as a desirable collector's item, embodying the spirit of both Pop Art and the irreverent, democratic ethos of street and graffiti art. In "I Love Only You," Taxali has captured a moment in art history while contributing to its evolution.

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I See Static Blue AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2016 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Static Is All That I See. Increase The Peace. I See Static Blue AP by Shepard Fairey The 2016 I See Static Blue Artist Proof silkscreen print by Shepard Fairey exemplifies the tension between distortion and perception in contemporary Street Pop Art & Graffiti Artwork. Executed with masterful precision on cream Speckletone fine art paper and signed and marked AP by the artist, this 18x24 inch hand-pulled silkscreen is a cryptic visual dialogue between media influence and the pursuit of peace. Fairey’s use of sharply defined geometry, vertical interference patterns, and symbolic layering invites the viewer into a hypnotic confrontation with sensory noise and propaganda. Visual Language Rooted in Power and Media Critique Fairey’s visual lexicon in I See Static Blue merges optical disruption with ideological clarity. The text Static Is All That I See appears embedded in a field of radiating blue lines, visually mimicking the interference of analog television static while metaphorically addressing the mental fog created by constant messaging and surveillance. Faces flank the central axis, fragmented by distortion lines, evoking themes of fractured identity in the information age. Below them, an all-seeing eye hovers—laced with a skull at its center—underscoring themes of control, mortality, and the ever-present gaze of media authority. The piece unravels the saturation of images that both numb and command attention, serving as a commentary on cognitive overload and ideological indoctrination. Street Pop Art & Graffiti Artwork as Message and Medium Fairey’s artwork lives at the junction of rebellion and refinement, where street aesthetics are elevated through design discipline. I See Static Blue carries influences from the psychedelic era’s visual frequencies and fuses them with propaganda art’s structural rigidity. Shepard Fairey, born in the United States in 1970, has remained one of the most politically vocal figures in Street Pop Art & Graffiti Artwork, using repetition, limited color palettes, and iconographic symbols to dismantle corporate and governmental narratives. The presence of Obey beneath the eye recalls his original campaign of subversion, turning advertising into art and instruction into satire. The visual message is never passive—it compels awareness. Color, Symbolism, and the Artist Proof Format Rendered in cool hues of cobalt blue, muted crimson, and cream, this print carries a colder psychological weight than many of Fairey’s politically aggressive pieces. The symmetry and balance suggest duality, yet the design’s eye strain effect disorients and provokes. This AP edition holds further value not just as a Shepard Fairey work, but as a limited variant meticulously signed and marked by hand. The combination of sharp lines and symbolic complexity elevates the piece into both an aesthetic and intellectual exercise, reflecting Fairey’s continued relevance in using the visual structure of Street Pop Art & Graffiti Artwork to reflect and resist.

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I'll Love You Till The End Of The World Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Josh Keyes 'I'll Love You Till the End of the World' Edition of 300 Fine art print on 290gsm paper 16x25.5 inches / 40.6x64.7cm Hand-signed, numbered and titled by the artist The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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I'm No One- Night 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Doyle Rare Street Art Famous Pop Artwork Artist. 2022 Signed Open Edition Out of Print 30x20

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I'm Sick Of That Fake Thug Dead Prez Silkscreen Print by Mark Drew Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 200 Artwork Size 17x11 Silkscreen Print of Lucy van Pelt & Pig Pen Thinking "I'm Sick Of That Fake Thug RNB Rap Scenario" Mark Drew's Street Pop Commentary through Peanuts and Dead Prez Mark Drew’s 2019 silkscreen print titled I'm Sick Of That Fake Thug serves as a sharp and insightful fusion of music culture and nostalgic cartoon imagery. Known for his signature remixing of Peanuts characters with classic hip-hop lyrics, Drew pulls from the revolutionary voice of Dead Prez to create a vivid commentary on authenticity and street culture within the music industry. This hand-pulled silkscreen edition, limited to 200 signed and numbered pieces, measures 17 by 11 inches and utilizes bold visual contrast to reinforce its message. The print features Lucy van Pelt and Pig Pen in a stark black outline against a warm yellow-and-white backdrop, where Drew captures a moment of critique from Dead Prez's lyricism, visually anchoring it within the innocence of Schulz’s comic strip. Stylistic Juxtaposition and Cultural Subversion The work thrives on juxtaposition. The childlike familiarity of Peanuts is set against one of the most politically charged and socially aware hip-hop acts of the 2000s. Pig Pen, known for his disheveled appearance, is placed as the unexpected mouthpiece of frustration with inauthentic portrayals in the RNB and rap industry. This contradiction enhances the viewer’s engagement, forcing a reconsideration of cultural consumption. Drew’s consistent technique of overlaying vintage cartoon simplicity with potent hip-hop text transforms his prints into vehicles of cultural dialogue. This particular work uses its clean, silkscreened forms and expressive typography to deliver a punch of truth masked in humor and nostalgia. Process and Limited Format in Street Pop Art Executed as a traditional hand-pulled silkscreen print, Drew’s method aligns with the tactile history of street pop art and graffiti artwork. Each copy in this edition of 200 reflects the artist’s direct involvement and commitment to authenticity—ironically reinforcing the very critique embedded in the print’s message. The controlled color palette of black, yellow, and white gives the piece a visual rhythm that supports its lyrical source material while maintaining accessibility through recognizable characters. Drew’s prints are not mass-reproduced digital pieces but collectible fine art that maintains the rebellious soul of graffiti. Mark Drew’s Ongoing Hip-Hop Narrative Based in Tokyo, Mark Drew continues to elevate conversations around hip-hop, nostalgia, and cultural commentary through his street pop art works. His recontextualization of familiar American pop icons with global hip-hop culture continues to resonate across generations. By pairing Dead Prez’s critique with characters like Lucy and Pig Pen, Drew not only pays homage to lyricism and activism but also highlights how visual art can amplify the emotional and social truths found in music. Each print in this series carries not just artistic value, but a reflection of the ongoing dialogue between art, resistance, and authenticity.

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I've Lost All Memory of The World They Belong To Artwork Giclee Limited Edition Print on Hahnemuhle Fine Art Rag Paper by Pop Culture Graffiti Artist Nimit Malavia. Nimit Malavia is a Canadian visual artist and illustrator known for his intricate and imaginative artworks. His style often combines delicate line work with a strong sense of narrative, drawing inspiration from various sources such as mythology, fairy tales, and contemporary culture. Malavia's work typically incorporates a mix of traditional and digital media, including ink, watercolor, and Photoshop.

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Ian Curtis Heart and Soul Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 3-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "I first discovered Joy Division through my friend Jay Haley in 1985-86. Jay was a little more open-minded than I was, so he was listening to aggressive punk and hardcore, but also, more moody music like The Smiths, The Cure, early Cult, and Joy Division. I initially liked some of Joy Division’s melodies, but I generally found the music a bit cold, sparse, and haunting on the verge of depressing. However, the music grew on me over time and the qualities I just described as liabilities became assets. As I grew out of my punk rock orthodoxy phase I realized no band sounded quite like Joy Division. My love of Joy Division has only grown over the years along with my appreciation for their imagery. Joy Division’s image of elegant austerity is often connected to their artwork by Peter Saville, but a lot of credit should go to Kevin Cumminsfor his noir portraits of the band. I’ve loved Cummin’s photography for years, so I was delighted when he agreed to collaborate on a portrait of Ian Curtis, Joy Division’s singer who took his own life in 1980 at 23. Curtis was a unique singer but also a powerful lyricist, so the lyrics to the song Heart and Soul are woven through the art along with an angular divide through Curtis’s figure symbolizing the tension between heart and soul. Since Kevin actually knew Ian, I appreciated that he would allow me to interpret his iconic photo!" -Shepard Fairey- OBEY Shepard Fairey's "Ian Curtis Heart and Soul" silkscreen print is a powerful tribute to the enigmatic Joy Division frontman and his profound impact on music and visual culture. Released in 2023, this limited edition print encapsulates Fairey's deep personal connection to Curtis and the band's enduring legacy. The artwork, sized at 18x24 inches and limited to a series of 500, is meticulously hand-pulled, showcasing three colors on cream speckletone fine art paper, underscoring the raw and textured essence of the subject matter. Fairey's engagement with Joy Division's work began in the mid-1980s, a time marked by a musical awakening as he transitioned from a strict punk perspective to a broader appreciation of the haunting, sad sounds that defined Joy Division's discography. Fairey candidly discusses how the initial perception of the music as 'cold and haunting' eventually morphed into an understanding of its depth and uniqueness, revealing a narrative of personal and artistic growth. Integral to this print is Fairey's collaboration with Kevin Cummins, a photographer renowned for his poignant portraits of Joy Division, which have significantly shaped the band's visual narrative. The decision to weave the lyrics of "Heart and Soul" into the fabric of the portrait is both a literal and figurative intertwining of Curtis's lyrical genius with his visual representation. This design choice also hints at the complexities of Curtis's personal struggles, echoed in the stark contrast that bisects his figure in the artwork—a poignant reminder of the internal discord between passion and reason, emotion and intellect. Fairey's print is not merely a visual piece but a narrative collage that pays homage to the artistic influence and legacy of Ian Curtis. By embedding the soul-stirring lyrics of "Heart and Soul" within the artwork, Fairey invites viewers to engage with the piece on multiple levels: aesthetically, emotionally, and intellectually. The print transcends mere representation, becoming a conduit for the artist's reverence for Curtis's talents as a singer and lyricist and the enduring impact of Joy Division on music and popular culture, ensuring that the heart and soul of Ian Curtis's artistry continue to resonate through time.

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Icarus 5-Color Hand-Pulled Limited Edition Silkscreen Print on Yellow Fine Art Paper by Raid71 Rare Street Art Famous Pop Artwork Artist. Planet of the Apes Space Ship Airplane Reference.

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Ice Queen Jogjakarta Indonesia Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Ice Queen Jogjakarta by Caledonia Curry aka Swoon Ice Queen Jogjakarta Indonesia is a powerful giclee print by Caledonia Curry, the American Street Pop Art & Graffiti Artwork artist internationally recognized under the name Swoon. Created in 2016 as part of her Street Series Print Collection, this work captures a moment of street intervention in Jogjakarta, Indonesia, and preserves it on 19x13 inch heavy fine art rag paper. The print is part of a signed and numbered limited edition of 175 and reflects Swoon’s enduring commitment to documenting ephemeral urban installations through high-quality archival prints that communicate the immediacy of her public work in permanent form. Street Pop Art Expression in Swoon’s Global Installations In Ice Queen Jogjakarta, Swoon presents a portrait of a regal, nature-bound figure pressed against an urban wall layered with graffiti tags and weathered textures. Rendered in her signature woodcut-inspired style, the Ice Queen wears an intricate arrangement of leaves and feathers, projecting strength, poise, and mysticism. The subject appears both delicate and formidable, staring off into the distance as the marks of graffiti culture swirl around her. The print captures the original street piece’s juxtaposition between handmade beauty and the unpredictable conditions of outdoor walls, delivering a dialogue between the natural and constructed. As with much of Swoon’s Street Pop Art & Graffiti Artwork, the work centers human presence in the urban context and makes a visual offering to the local environment. Caledonia Curry’s Practice and Global Footprint Caledonia Curry was born in the United States and emerged from the early 2000s street art movement in New York with her iconic wheatpaste portraits. As her practice evolved, she expanded her work to cities around the world, leaving pieces that speak to local identity, shared humanity, and social history. Ice Queen Jogjakarta is an example of her international reach and cultural sensitivity. The artwork not only documents her physical intervention in Indonesia but also reflects her collaborative and immersive approach to making art in unfamiliar settings. Each figure Curry creates has a presence that speaks beyond nationality, embodying archetypes of resilience and grace amid visual disorder. This piece, like others in her print catalog, is a distilled snapshot of a larger global narrative she continues to build. Preserving Street Ephemera through Fine Art The Ice Queen Jogjakarta giclee print encapsulates Curry’s ability to transform fleeting wheatpaste work into collector-grade fine art without losing its original emotional power. Printed on museum-quality rag paper, this edition respects the raw materiality of the street while elevating the work into the realm of collectible Street Pop Art & Graffiti Artwork. It stands as both an artwork and a historical document, preserving a specific moment in a foreign urban space. The entire Street Series Print Collection honors this dual purpose. For those interested in contemporary street culture and international artistic practice, this print offers a glimpse into the heart of Swoon’s creative mission and her lasting impact on public art.

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Ice Tiger Camo UltraGiclée Giclee Print by Simone Legno Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 17.71x23.62 Bape 30th Anniversary Collection With COA Simone Legno, hailing from Italy, stands tall in the contemporary art scene, having carved a niche with his distinct blend of Japanese-inspired motifs and pop art flavors. He is the brain behind the renowned "tokidoki" brand, a testament to his ability to blend colorful and adorable characters seamlessly. Over the years, his artwork has ventured into collaborations with a plethora of fashion and lifestyle bigwigs, amplifying his already substantial influence in the art world. The "Ice Tiger Camo UltraGiclée Giclee Print" is a shining beacon of Legno's artistic prowess. This piece is a part of the Bape 30th Anniversary Collection and was meticulously crafted in 2023 as a limited edition, with only 300 prints available for avid art aficionados. Each piece is signed and numbered by the artist himself, vouching for its authenticity and uniqueness. Delving into the specifics of the piece, one is immediately drawn to the detailed "Ice Tiger Camo" pattern. This design is a masterful concoction of snowy camouflage infused with the fierceness of tiger motifs, embellished further with iconic tokidoki elements that are quintessentially Legno. What's more, the medium chosen for this piece — the UltraGiclée print — showcases Legno's commitment to quality. This giclée process, revered for reproducing digital images with a rich color spectrum and unmatched detail, is utilized here on the finest SIHL Ivory White Matt Paper. The result? A piece that resonates with the ethos of street art and graffiti, capturing the dynamism and vibrancy of urban culture, while also paying homage to the subtle intricacies of pop art. Simone Legno is an Italian artist, graphic designer, and creator of the famous "tokidoki" brand. He is best known for his cute and colorful characters and his collaborations with various fashion and lifestyle brands. Legno's artwork combines Japanese culture and pop art elements to create a unique visual aesthetic. An UltraGiclée print typically refers to a high-quality, limited-edition print made using the giclée process. This method involves using an inkjet printer to reproduce digital images on various substrates, such as canvas or paper. The result is a print with a wide color gamut and superior detail, making it popular among artists and collectors. In the context of this artwork, "Ice Tiger Camo" is a pattern design created by Simone Legno, featuring elements of icy and snowy camouflage with stylized tiger motifs and other signature tokidoki elements.

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Iconic HPM Giclee Print by EASY Limited Edition Hand Painted Multiple on Fine Art Paper Pop Artist Modern Artwork. 2022 Signed & Numbered HPM Hand Embellished Print Limited Edition of 30 Artwork Size 17x11 Number 30 of 30

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Idiocracy AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. AP Artist Proof 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY The "Idiocracy" AP (Artist Proof) silkscreen print by Shepard Fairey is a thought-provoking piece, symbolizing a potent blend of street art ingenuity with biting social commentary. Released as a limited edition in 2016, each piece in the series of 550 is hand-signed and numbered, affirming its exclusivity and value in the art community. Measuring 18x24 inches, this work is meticulously crafted through a 4-color hand-pulled silkscreen process onto fine art paper, a testament to Fairey’s dedication to quality and detail. Shepard Fairey, a trailblazer in the modern pop and street art scene, often infuses his work with social and political subtext. His "Idiocracy" print draws from the satirical film of the same name, utilizing its thematic core as a springboard for his own artistic expression. The movie's critique of a society in intellectual decline resonates with Fairey's own observations of contemporary culture, where anti-intellectualism is increasingly mainstream. Fairey's print channels the film’s irony, using the medium of pop art to comment on the potential dangers of a society that devalues knowledge and critical thinking. Fairey acknowledges the power of art, humor, and entertainment as catalysts for discussion and reflection on societal norms. By embedding these elements into his "Idiocracy" print, he not only captures the essence of the film's warning but also amplifies its message through his unique artistic lens. The print, which features the movie’s signature branding "Brawndo" and the tagline "It's got electrolytes!", satirically suggests that the brain craves not intellectual stimulation but rather a fictional beverage. This piece stands as a cultural artifact within the sphere of graffiti art, encapsulating the genre's inherent confrontation with social issues. Shepard Fairey's work is often characterized by its ability to transcend the boundaries of traditional art spaces, engaging with the public in environments that are unconventional yet visually impactful. The "Idiocracy" AP print continues this trend, marrying the rebellious spirit of street art with the evocative power of cinema to challenge viewers to consider the trajectory of cultural evolution.

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Idiocracy Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Shepard Fairey's "Idiocracy" limited edition print encapsulates the convergence of pop culture and social critique through the lens of contemporary art. Renowned for his subversive street art and graphic designs, Fairey extends his canvas to fine art paper in this 2016 artwork, limited to 550 signed and numbered pieces. The 18x24 silkscreen print features a four-color palette and is a tangible expression of Fairey’s dedication to using art as a medium for commentary on societal issues. Drawing inspiration from Mike Judge's satirical film "Idiocracy," Fairey's print is not only a visual tribute but also a critique of the film’s themes—depicting the troubling rise of anti-intellectualism and the cultural dismissal of enlightenment and sophistication. Fairey himself praises the film's use of humor to present its social criticism in a more palatable form, creating a space for reflection rather than alienation. His artwork captures the film’s ironic humor, using a brain under the guise of a vending machine product—emblematic of commodification and the oversimplification of complex ideas. This print, like many of Fairey’s works, is imbued with a sense of urgency and a call to awareness. It encapsulates the artist's view that the realms of art, humor, and entertainment can effectively intersect to deliver powerful messages about the current state of society. Fairey’s "Idiocracy" is not merely a piece to be admired for its aesthetic appeal, but a statement piece that encapsulates the pressing cultural narrative around the value of intelligence and the dangers of its rejection in public discourse. The visual elements of the print—the juxtaposition of a brain with a hand grenade, the stark and commanding typography, and the bold colors—are characteristic of Fairey's style. They are employed here not only to draw the eye but also to provoke thought, embodying the essence of graffiti and street art as tools for social engagement. In a culture increasingly leaning towards anti-intellectual sentiment, Fairey’s "Idiocracy" stands as a critical beacon in modern pop art, reminding viewers of the power of art as a reflective and transformative force.

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Idiot Giclee Print by Joan Cornellà Artwork Limited Edition Print on Archival Textured Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 25.59x21.25 Idiot Giclee Print by Joan Cornellà Idiot is a 2023 limited edition giclee print by renowned street pop artist Joan Cornellà. Signed and numbered, this piece is part of a collection of 100 prints, created on archival textured fine art paper. Measuring 25.59x21.25 inches, the artwork showcases Cornellà's distinctively humorous and absurd style, often characterized by simplistic cartoon figures and dark satirical themes. The image depicts a smiling man being scanned with a thermometer-like device reading "Idiot Certified," creating an immediate visual punch and exemplifying Cornellà’s signature approach to challenging societal norms. Joan Cornellà's Approach to Satire in Street Pop Art Joan Cornellà, a Spanish-born artist, is widely known for his minimalist, absurdist cartoons that take a critical look at modern society. His work frequently uses humor, often dark and uncomfortable, to shine a spotlight on the trivialities and absurdities of human behavior. Idiot is no exception, and in this print, Cornellà uses simple lines and bright colors to convey a biting critique on the ease with which society labels individuals, often without deeper understanding or nuance. Cornellà’s characters typically have smiling, vacant expressions, which only serves to heighten the absurdity of their situations. In Idiot, the juxtaposition of the smiling man with the thermometer reading “Idiot Certified” suggests a satirical commentary on the superficial judgments people face in a world driven by appearances and quick assessments. The "certification" of idiocy highlights the ridiculousness of relying on superficial indicators or societal validation to define self-worth or intelligence. This kind of critique is a hallmark of street pop art, where everyday symbols and elements are often recontextualized to critique social behavior and norms. The use of minimalistic, flat designs is a stylistic choice that enhances the immediacy of the message. Cornellà uses a bold color palette and simple lines to make the work visually striking, creating an art piece that immediately grabs attention while allowing viewers to quickly grasp its satirical meaning. The exaggerated, cartoon-like figures may appear simple at first glance, but they carry complex undertones about the human condition and the absurdity of modern societal structures. The Role of Dark Humor in Cornellà's Graffiti and Pop Art Cornellà’s work has been likened to graffiti and street pop art in that it distills complex social critiques into instantly recognizable images. His use of dark humor—a staple of his work—sets him apart within the pop art landscape. Idiot relies on a form of humor that is both biting and subtle, allowing viewers to laugh at the absurdity of the situation while recognizing the deeper societal issues being critiqued. The simplicity of the image belies the complexity of its social commentary, offering layers of interpretation. In street pop art, humor is often used as a tool to subvert traditional art norms or challenge authority. Cornellà's approach can be seen as a continuation of this tradition, where humor acts as a vehicle to critique social, political, and cultural systems. The absurdity in Idiot draws attention to how people often willingly conform to ridiculous standards without question. It reflects the increasingly superficial nature of society, where quick judgments based on surface-level interactions—much like a thermometer scan—can lead to reductive, often harmful, labels. The use of a medical device to certify idiocy also evokes a commentary on the over-reliance on technology or systems that dehumanize people. Cornellà’s work often critiques the technological and bureaucratic systems that strip individuals of their humanity, reducing them to a set of labels or metrics. This resonates with the broader themes in street pop art and graffiti, where artists often challenge the dehumanizing aspects of modern life, from politics to mass surveillance. Giclee Print as a Modern Medium for Street Pop Art The choice of giclee printing for Idiot aligns with the artist’s commitment to quality and the longevity of his artwork. Giclee printing is a process that uses high-resolution digital images and archival inks to create prints that are as close to the original as possible. This method ensures that the vibrant colors and sharp lines in Cornellà’s work are preserved over time. The use of archival textured fine art paper further enhances the print’s quality, providing a tactile, almost painterly feel to the image. Giclee printing is often used by modern street pop artists who want to maintain the integrity of their work while making it more accessible to collectors. In the case of Idiot, the giclee print allows Cornellà’s satirical cartoon to be appreciated in a physical format that retains all of the detail and color of the original digital design. By producing a limited edition of 100, Cornellà ensures that the artwork remains exclusive, while still making it available to a wider audience. In street pop art, the medium is often just as important as the message. By using high-quality printing techniques, Cornellà ensures that his satirical message—both humorous and critical—can stand the test of time, while also contributing to the ongoing conversation about what constitutes fine art in the context of street art and graffiti. The print is both a collectible item and a work of art with a strong social message. The Role of Social Commentary in Joan Cornellà's Artwork Cornellà’s artwork often revolves around themes of identity, societal expectations, and the absurdity of modern life. Idiot is a perfect example of how Cornellà uses simple imagery to dissect these complex ideas. The smiling man in the image, unperturbed by his "certified" idiocy, reflects the way individuals can become complicit in their own dehumanization by accepting societal labels. Cornellà’s work frequently critiques how people allow themselves to be categorized and diminished, all while maintaining a cheerful or passive demeanor. The absurdity of the situation is heightened by the fact that the character being labeled an "idiot" seems entirely unaware or unconcerned by the judgment being passed. This plays into Cornellà’s larger body of work, where individuals are often depicted as detached from the consequences of their actions or the systems that control them. In street pop art, this detachment is a common theme, reflecting how urban environments and societal structures can alienate individuals from themselves and each other. Idiot by Joan Cornellà is a masterful example of how street pop art and graffiti-inspired artwork can blend humor, absurdity, and critical social commentary. Through the use of minimalistic design, bright colors, and satirical humor, Cornellà challenges viewers to question how society defines intelligence, self-worth, and identity. The high-quality giclee print on archival fine art paper ensures that this artwork will remain a lasting and impactful piece within the world of contemporary art.

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If We Remain Standing Still HPM Giclee Print by Al Diaz Limited Edition Hand Painted Multiple on Fine Art Paper Pop Artist Modern Artwork. 2022 Signed & Numbered HPM Hand Embellished Print Limited Edition of 30 Artwork Size 17x11 Giclee Art. "If We Remain Standing Still We Die In Place" If We Remain Standing Still" is a piece of artwork by Al Diaz, an American artist known for his work as a street artist, graffiti writer, and collaborative efforts with Jean-Michel Basquiat on the SAMO© project. The HPM Giclee Print refers to a limited edition reproduction of the original artwork. HPM, or Hand-Painted Multiple, is a term used in the art world to describe a series of unique, hand-painted reproductions of an original piece of art. These editions are produced in small quantities, often signed and numbered by the artist. Like his street art and graffiti, Al Diaz's work often incorporates text and thought-provoking statements to engage the viewer and provoke conversation. "If We Remain Standing Still" likely includes a message or statement intended to inspire reflection and stimulate dialogue about social or political issues. The exact meaning of the phrase can be open to interpretation, as art is often meant to evoke individual thoughts and reactions from its viewers.

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IHOP Limited Edition Giclée Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. giclee print 12 x 12 inches unframed signed and numbered, limited edition of 75

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I'm Sorry, I'm on Fire AP Artist Proof 2-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Print 2011 Signed & Marked AP Artwork Size 6x10 Letterpress Print Fine Art. I'm Sorry, I'm on Fire by Dan Christofferson: Emotional Symbolism in Street Pop Art & Graffiti Artwork I'm Sorry, I'm on Fire is a 2011 artist proof letterpress print by Dan Christofferson, widely known by his artist name Beeteeth. This rare 6 x 10 inch hand-pulled work exemplifies Christofferson’s approach to narrative symbolism through graphic minimalism and emotionally charged iconography. Printed in two colors, a muted coral red and deep maroon, the piece captures a burning moment of self-awareness and collapse, rendered through the haunting figure of a woman mid-transformation. With smoke rising from her lips and plumes of fire erupting from her head, the image rests between introspective grief and mythological catharsis. The AP marking and signature affirm its status as a one-of-a-kind proof from the edition, enhancing its rarity among collectors of Street Pop Art & Graffiti Artwork. Symbolism Through Human Form and Mythic Fire The visual narrative unfolds with a bare female figure whose elongated neck and stylized hands echo religious iconography, while the turbulent plumes of smoke and flame emerging from her skull evoke chaos, pain, and psychic overload. Christofferson’s use of thick, clean outlines and selective crosshatching pulls from traditional comic aesthetics while amplifying the surreal quality of the scene. Her gaze is unwavering, defiant, and exhausted, suggesting an emotional combustion that is more internal than external. The print compresses human vulnerability and divine spectacle into a concise composition that maintains tension and stillness simultaneously. It is not a literal fire but an existential flare, making the title feel like a quiet scream. Mastery of Letterpress Technique and Limited Color Dan Christofferson’s work often fuses historical printing methods with contemporary design principles. This letterpress print emphasizes texture and depth in ways that digital work cannot replicate. The slight embossment of ink against thick fine art paper gives the artwork a tactile weight that enhances the themes of physicality and damage. The use of only two ink colors forces a visual economy that sharpens the contrast and pulls the eye toward the core gesture of flame, smoke, and flesh. This minimal palette creates maximum emotional resonance, mirroring the internal friction represented in the subject. As an artist proof, it showcases Christofferson’s hands-on control during the printing process, reinforcing the personal imprint left on each piece. Dan Christofferson’s Emotional Lexicon in Street Pop Art As Beeteeth, Dan Christofferson has developed a visual language rooted in sacred iconography, regional mysticism, and a clear emotional current. Based in Salt Lake City, his works often explore myth, ritual, and personal trial using contemporary symbolism and design precision. I'm Sorry, I'm on Fire stands apart as one of his most intimate illustrations, transcending literal storytelling to present a visceral metaphor for burnout, identity, and unresolved internal conflict. Its scale may be modest, but the emotional breadth and graphic boldness make it a significant artifact in the ongoing evolution of Street Pop Art & Graffiti Artwork. This print exists as a small yet powerful meditation on transformation, despair, and resilience.

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Imagine Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Leslie Ditto. Artist: Leslie Ditto Title: Imagine Medium: Giclee Print Size: 16 x 20 Inches Edition: 100

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