Artworks

One Third Barack Obama Giclee Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on 12pt C2S Cardstock Paper Pop Artist Modern Artwork.  2012 Signed & Numbered Limited Edition of 50 Artwork Size 12x18 Barak Obama 3 Ways One Third Barack Obama Giclee Print by Serge Gay Jr – Limited Edition Street Pop Art & Graffiti Artwork Serge Gay Jr., an artist known for his intricate and socially conscious compositions, presents One Third Barack Obama, a striking 12x18-inch archival pigment fine art print created in 2012. Released as a signed and numbered limited edition of 50, this piece captures the former U.S. president in a fragmented, multi-dimensional portrait that challenges the viewer’s perception of identity, history, and cultural symbolism. Printed on 12pt C2S cardstock paper, the artwork merges realism with abstraction, layering different facets of visual storytelling in a way that speaks to the complexity of political imagery in Street Pop Art & Graffiti Artwork. The composition is divided into three distinct sections, each portraying a different aspect of Barack Obama’s persona. The first segment features a traditional African mask, evoking deep ancestral roots and the history of cultural heritage. The second reveals a skeletal, almost decayed version of his face, a stark contrast to the refined, public-facing image. The third, painted in hyperrealistic detail, presents Obama as a polished, composed figure—his gaze intense and unshaken. The use of bold color shifts and fragmented framing techniques creates a powerful visual dialogue between identity, perception, and legacy. The Symbolism Behind One Third Barack Obama This piece is a layered exploration of leadership, representation, and the way historical narratives shape public figures. By incorporating an African mask, Serge Gay Jr. acknowledges the deep cultural significance of ancestry and the unspoken narratives tied to Obama’s heritage. The skeletal imagery, often a symbol of mortality and hidden truths, suggests the weight of history, perhaps alluding to the struggles, contradictions, and political challenges faced by leaders in modern society. The final third, the most recognizable, serves as a reminder of the carefully crafted public persona that defines leadership in the contemporary political landscape. Street Pop Art & Graffiti Artwork has often been used as a medium to deconstruct powerful figures, challenging the way they are perceived and interpreted. This artwork dissects the visual iconography of Obama, questioning what lies beneath public admiration, media representation, and personal legacy. The use of fragmented portraiture creates an intentional disruption, forcing viewers to examine not just what is seen, but what is implied. Serge Gay Jr.’s Influence in Street Pop Art & Graffiti Artwork Serge Gay Jr. has established himself as an artist who blends fine art techniques with urban influences, creating visually stunning and socially charged pieces that resonate beyond the gallery space. His work often carries a strong narrative, whether addressing political themes, cultural identity, or the human experience. His attention to texture, contrast, and symbolism allows his pieces to communicate complex themes while maintaining a visually captivating aesthetic. Incorporating both traditional and modern techniques, his style is a fusion of realism and surrealism, often employing sharp contrasts in color and form. His ability to manipulate historical references alongside contemporary themes has made his work stand out in the world of Street Pop Art & Graffiti Artwork. One Third Barack Obama is a testament to this approach, presenting a subject that is instantly recognizable yet layered with deeper, thought-provoking elements. The Impact of One Third Barack Obama in Contemporary Urban Art One Third Barack Obama remains a powerful piece within contemporary Street Pop Art & Graffiti Artwork, reflecting the intersection of culture, politics, and artistic expression. By dissecting a highly recognizable political figure into multiple visual components, the piece challenges the audience to reconsider how identity is shaped by both personal history and public perception. The deliberate use of cultural symbolism, juxtaposed with hyperrealism and abstraction, forces the viewer to engage with the complexity of representation in modern society. The limited edition nature of the print makes it highly collectible, as it encapsulates a moment in time when political discourse, cultural identity, and artistic critique converged in a single image. Serge Gay Jr. continues to push boundaries within urban contemporary art, using his talent to create thought-provoking, visually striking pieces that leave a lasting impact. One Third Barack Obama stands as a bold example of how street art can serve as both a political statement and a deep exploration of identity, ensuring its relevance in the ongoing dialogue between art and society.

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Only Have Eyes On You Black_White UltraGiclée Print by Jasper Wong Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Limited Edition of TBD Artwork Size 22x22 Bape 30th Anniversary Collection Inclusive connections through art are the focus of Jasper Wong's career. Wong, a curator, illustrator, and artist, has exhibited globally; he believes that art and NFTs can reframe discussions on private and public spaces, facilitating new connections. Wong founded Hong Kong's Above Second gallery and co-founded Lane Lane Studios, a community art center. He is also the Creator and Lead Director of World Wide Walls, formerly known as POW! WOW! During his free time, Wong teaches art courses at Palama Settlement, a community center serving an underserved community.

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Only The Finest Poison Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 24x24 Silkscreen Print "This “Only the Finest Poison” print is a critique of the many methods the oil industries use to maintain business as usual, including deceptive marketing, bribing politicians, discrediting science, and concealing the truth. The news clipping included in the piece is a portion of an article revealing that ExxonMobile has known, based on their internal scientific research, for over 40 years that burning fossil fuels is warming the planet. Yet, they hid the research and publicly denied the impact of fossil fuels on climate change. It is challenging to break through the formidable layers of deterrence put in place by the powerful corporations who put profits before people and the planet, but breaking through is essential to a healthy future. A portion of proceeds from this print will benefit Greenpeace USA to support their work to fight climate change. Thanks for caring. The speckletone paper used in this print is composed of recycled material." -Shepard Fairey "Only the Finest Poison" is an exceptional work of art by Shepard Fairey, a renowned figure in the pop and street art scene. Released in 2023, this silkscreen print showcases Fairey's adeptness in merging provocative political commentary with visually compelling artistry. Limited to an edition of 550, each piece is hand-pulled on Speckletone Fine Art Paper, a unique medium composed of recycled material, further emphasizing the artist's commitment to environmental responsibility. The artwork stands as a stark critique of the global oil industry and its harmful practices. Fairey powerfully employs the use of imagery and text to shed light on the industry's egregious actions—distorting facts, undermining science, bribing political figures, and prioritizing profit over the planet's wellbeing. A crucial element of the piece is the inclusion of a news clipping, a snip from an exposé revealing ExxonMobile's long-concealed knowledge of the detrimental climate effects of burning fossil fuels. Fairey's print is an example of how art can serve as a powerful medium for social and political critique, calling viewers to contemplate the issues presented and challenging them to take action. Echoing the urgent need for change, Fairey's print not only criticizes the oil industry but also extends a helping hand towards environmental causes. A percentage of the proceeds from the sale of this print is donated to Greenpeace USA, an organization known for its relentless fight against climate change. This brilliant artwork, in its thematic exploration and socio-political impact, is a testament to Fairey's role as a critical commentator in the realm of street and pop art.

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Only Wild Around People Limited Edition Archival Pigment Prints on Fine Art Paper by Ben Kehoe Graffiti Street Artist Modern Pop Art.

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Onward, Illinois! Silkscreen Print by Jay Ryan Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 230 Artwork Size 18x24 Silkscreen Print Onward, Illinois! Silkscreen Print by Jay Ryan Jay Ryan’s Onward, Illinois! silkscreen print is a celebration of movement, community, and artistic storytelling, blending his signature playful creatures with a uniquely structured composition. Created in 2013, this limited edition, hand-pulled screenprint captures the essence of street pop art & graffiti artwork, where vibrant characters symbolize the energy and resilience of Illinois. With its 18x24-inch format, the piece uses bold muted color tones and fluid linework, a hallmark of Jay Ryan’s artistic approach. Symbolism and Artistic Style This artwork presents a stylized map of Illinois, bursting with expressive animal characters that appear to be in motion, charging forward together. The dynamic arrangement of creatures, including rabbits, dogs, and abstract figures, conveys a collective sense of progress and unity. A notable feature in the composition is a single yellow flag held high, reinforcing themes of leadership, movement, and perseverance. Ryan’s signature hand-drawn textures and organic lines enhance the visual depth, while the limited color palette of blues and greens adds a distinct character to the piece. The use of subtle shading and layered screenprinting techniques gives the print a sense of motion, creating an engaging and almost animated effect. Street Pop Art & Graffiti Artwork Influence Jay Ryan’s work has been an integral part of street pop art & graffiti artwork, blending DIY aesthetics with contemporary printmaking techniques. His bold linework, narrative-driven visuals, and use of animals as symbolic figures align with many of the themes found in modern street art. While his work is often associated with gig posters and independent art scenes, it also shares a common visual language with urban graffiti artists, who use symbolism and repetition to tell stories in public spaces. This print exemplifies the crossover between fine art screenprinting and the raw energy of street art, making it a standout in contemporary poster design. Its hand-pulled nature and limited edition status add to its authenticity, reinforcing the importance of tactile, handcrafted art in an increasingly digital world. Legacy and Cultural Impact As a piece rooted in Illinois culture and artistic heritage, Onward, Illinois! serves as both a tribute to the state and a broader reflection on unity and perseverance. The print’s narrative of progress and shared journey resonates with collectors and street art enthusiasts alike, making it a sought-after addition for those who appreciate handmade, narrative-driven art. Jay Ryan continues to influence modern screenprinting, independent poster art, and street pop aesthetics, ensuring that works like Onward, Illinois! remain highly regarded representations of contemporary visual storytelling.

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OP OP OP Silkscreen Print by John Harman x Lefty Out There Hand-Pulled 1-Color on 100lb Recycled Archival French Black Licorice Construction Paper Limited Edition Pop Street Art Artwork. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 36x24 Silkscreen Print The world of pop and street art saw a unique confluence when John Harman collaborated with Lefty Out There to create the "OP OP OP" silkscreen print in 2020. This exclusive piece encapsulates the vibrant energy of the streets, expressed through the use of a single color scheme, invoking a stark contrast with the 100lb recycled archival French black licorice construction paper it is printed on. The choice of this specific paper is a nod to sustainable practices, balancing the harmony between art and environmental awareness. Harman and Lefty Out There are known for their daring visual language that oscillates between the pop art and street art genres. This print is a reflection of their shared artistic vision, blending minimalistic yet bold impressions in an elusive dance of interpretation. The "OP OP OP" silkscreen print draws the observer into a maze of enigmatic layers, with each viewing experience likely to reveal a fresh perspective. This artwork stands at an imposing 36x24 inches, making it a commanding centerpiece in any collection. The creation process entailed the traditional method of hand-pulling the silkscreen, which further accentuates the artisanal quality of the piece. The physical engagement of this technique lends a tangible rawness to the print, reminding us of the unfiltered emotion and spontaneity associated with street art. This silkscreen print is a limited-edition offering, with only 25 such pieces in existence. Each print is signed and numbered, adding a personal touch from the artists and enhancing the artwork's authenticity and collectibility. For connoisseurs of pop and street art, the "OP OP OP" silkscreen print is more than just a piece of art – it's a snapshot of the cultural zeitgeist of its time, captured through the collaborative vision of two accomplished artists.

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Open Mouth FL Red & Green Emote Monoprints Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 3-Color Split-Fountain on Hand- Deckled SuperFine UltraWhite Mohawk Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 2 Artwork Size 22x30 Silkscreen Print of a Close Up To A Womans Face & Lips With Red Skin Plus Open Mouth "Open Mouth FL Red & Green Emote Monoprints" stands as a testament to the evocative potential of contemporary art. Created by Pose, the pseudonym for the renowned artist Jordan Nickel, this silkscreen print is a masterful fusion of pop art, street art, and graffiti aesthetics. The hand-pulled 3-color split-fountain technique enhances the vibrancy and depth of the imagery, drawing the observer into the raw emotions and narratives encapsulated within the artwork. Silkscreen printing, historically embraced by iconic figures in pop art such as Andy Warhol, has been given a fresh, street-wise reinterpretation by Pose. Here, the stark contrast between the bold red and green hues, coupled with the image of a woman's face, specifically focusing on her open mouth and vivid red skin, captures a moment that's both intimate and universal. The choice of hand-deckled SuperFine UltraWhite Mohawk Fine Art Paper provides a tactile dimension, adding to the print's allure and making it a centerpiece for any art enthusiast. The exclusivity of the piece is emphasized by its limited availability. Restricted to a 2023 edition, with only two signed and numbered pieces in existence, this artwork measures an impressive 22x30 inches. It is not merely a depiction but an invitation to delve into the evolving conversations surrounding pop art's relationship with its street and graffiti counterparts. Pose's creation serves as a reminder of how traditional techniques can be reimagined and recontextualized in modern art, all while preserving the raw, uninhibited essence that defines the spirit of street culture.

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Operation Oil Freedom Black PP HPM Wood Silkscreen Print by Shepard Fairey- OBEY Printers Proof Hand-Pulled 1-Color Screen Print on Cradled Wood Embellished Limited Edition Pop Street Art Artwork. PP Printers Proof 2007 Signed & PP Marked HPM Hand Pulled Artwork Size 18x24 Oil Freedom. Shepard Fairey (b. 1970) Operation Oil Freedom (Black), 2007 Hand pulled multiple on panel 24 x 18 inches (61 x 45.7 cm) P.P. Signed, dated, and annotated in pencil along lower edge Published by Obey Giant, Los Angeles Print Grade: 7/10 Moderate overall craquelure; mild surface soiling. Framed Dimensions 24.5 X 18.5 Inches Operation Oil Freedom Black PP HPM Wood Silkscreen Print is a piece of artwork created by Shepard Fairey, also known as OBEY, an American contemporary street artist, graphic designer, and activist. Shepard Fairey gained widespread recognition through his "OBEY Giant" campaign and his iconic "Hope" poster of Barack Obama. His work often combines elements of street art, propaganda, and activism, drawing attention to social and political issues. This particular piece, "Operation Oil Freedom Black PP HPM Wood Silkscreen Print," likely addresses the politics surrounding oil, energy consumption, and environmental concerns. As with many of Fairey's works, this piece employs a mix of bold fuel visuals and thought-provoking eagle burd imagery to engage the viewer and spark conversation about the subject matter. The use of silkscreen printing and wood as a medium further emphasizes the unique style and texture of the piece. Without seeing the artwork, it's difficult to provide a more detailed analysis of its specific visual elements or its exact meaning. However, it is likely that the piece carries a strong political and social message in line with Fairey's usual style.

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Ophelia Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Rich Pellegrino. 2012 Signed & Numbered Limited Edition of 200 by Rich Pellegrino Artwork Size 16x20

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Ophelia Legs #1 Limited Edition Hand-Embellished HPM 1-Color Silkscreen Print on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. #1 of 15

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Optimus Prime Transformer Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 6x8 Archival Pigment Fine Art Optimus Prime Transformer Standing in Glitch Style. Optimus Prime: A Modern Artifact in Pop Art Expression In the dynamic interplay between popular culture and art, the figure of Optimus Prime stands as a monumental icon. Adam Lister's 2023 archival print captures the formidable Transformer leader in a style that harmonizes the aesthetic of vintage video games with the cutting-edge trends of contemporary art. This limited edition series, with only 50 pieces in existence, is a testament to the exclusive nature that is often sought after in the domains of pop graffiti and street art. Each print is meticulously crafted on 300gsm Hot Press Matte Fine Art Paper, lending a tangible quality to the otherwise digital nature of the glitch art style. Lister's interpretation of Optimus Prime in a glitch style serves as a powerful visual narrative that delves into themes of heroism, technology, and transformation. The use of archival pigment ensures that each fine art piece not only vividly presents the character but also withstands the test of time, much like the enduring legacy of the Transformers franchise itself. The 6x8 size of the artwork invites the viewer to engage with the piece on a personal level, resonating with the intimate experience of viewing street pop art in a public space. From Animation to Archival Print: The Evolution of a Leader The evolution of Optimus Prime from an animated character to a subject of fine art is a reflection of the changing perceptions of what constitutes art in the modern era. As a central figure in the Transformers saga, Optimus Prime embodies qualities of leadership, strength, and moral integrity. Lister's decision to capture this character in the pixelated glitch style speaks volumes about the intersection of childhood influences with the sophistication of modern art. The transformation of this character from the screen to a limited edition print mirrors the transformation of street art from an underground movement to a respected form of artistic expression. This particular piece by Adam Lister draws on the nostalgia of the 1980s, the era when the Transformers first captured the imaginations of children and adults alike. By portraying Optimus Prime in a modernist art form, Lister bridges the gap between past and present, offering commentary on the enduring influence of pop culture icons. His work also alludes to the transformation of media, highlighting the progression from hand-drawn animations to digital creations, and now, to mixed media artworks that fuse digital design with traditional fine art printing techniques. Adam Lister and the Aesthetic of Digital Nostalgia Adam Lister, an artist from the United States, is renowned for his ability to distill complex images into their geometric essences. By choosing to depict Optimus Prime, a character often associated with change and adaptability, Lister reflects on the transformative power of art. His unique approach to fine art — drawing inspiration from street pop art and graffiti artwork — challenges the traditional boundaries of artistic mediums. Optimus Prime, as portrayed by Lister, is not just a representation of a character but an embodiment of the digital age's influence on art. The glitch style, with its suggestion of digital fragmentation and reconstruction, echoes the digital world's impact on culture and society. Lister's work is a dialogue with the viewer, inviting them to consider the role of technology in art and the power of pop culture icons to transcend their original mediums. Through his limited edition prints, Adam Lister provides collectors and enthusiasts with the opportunity to own a piece of art that is at once a modern artifact and a nod to the past. The Optimus Prime print, standing in bold colors and sharp lines, is a celebration of pop culture's capacity to inspire and the artist's skill in harnessing this inspiration to create something unique and thought-provoking. It is a testament to the continuing relevance of characters like Optimus Prime and the ability of art to transform them into new forms for new audiences.

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Orange- Retratos Zupi Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

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Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster Screen Print on Card Stock Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 9x12 With Heavy Drips of Hand Painted Areas. Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster The Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster is a dynamic expression of Street Pop Art & Graffiti Artwork. Created in 2023 as part of a signed and numbered limited edition of 50, this piece is a vibrant testament to Buff Monster’s signature visual language. At 9x12 inches, it may appear compact, but it radiates an oversized impact with its combination of hand-painted energy and silkscreen clarity. The Mister Melty character—a one-eyed melting creature—serves as both mascot and metaphor, embodying themes of transformation, absurdity, and surreal joy through explosive color and iconic simplicity. Visual Design and Layered Techniques This particular version features a fiery orange and yellow background with hints of magenta and red, layered beneath a carefully rendered silkscreen outline of Mister Melty. Dominated by a single, centered eye ringed in pink and grey, the character floats in a warped box frame that offers structure to the otherwise chaotic drips and paint splashes. Buff Monster used heavy acrylic embellishments to add texture and visual chaos, with paint layered thickly across the surface in a way that emphasizes spontaneity and kinetic motion. The background reveals halftone patterns and splatter marks, blending graffiti textures with pop art flatness. The Importance of HPM in Buff Monster’s Process HPM, or Hand-Painted Multiple, is key to the collectible nature of this print. Each version within the edition features unique hand-done elements added after the initial silkscreen pass. This not only makes every print one-of-a-kind but also injects a raw, painterly quality into what would otherwise be a tightly controlled print run. In this Orange Mister Melty variant, those embellishments take the form of vivid drips, erratic brushwork, and unexpected overlays, offering a visual punch that resonates with both street art authenticity and studio craftsmanship. Buff Monster’s Influence on Modern Street Pop Art Buff Monster, born in the United States, has long stood at the intersection of collectible toy culture, street graffiti, and psychedelic pop art. His work incorporates recurring motifs such as ice cream, goo, eyeballs, and drips, and reflects a fascination with Japanese pop aesthetics and underground comics. Mister Melty is one of his most recognized characters and functions as a canvas for creative experimentation. The Orange Mister Melty HPM print reflects Buff Monster’s continued push into handcrafted detail while maintaining the reproducible aesthetics of printmaking. It represents a collision of factory polish and street-level freedom, crafted for collectors who value unique, emotionally charged design. This print exists not just as a collectible, but as an energetic piece of the modern visual narrative that defines Street Pop Art & Graffiti Artwork today.

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Orientations of the Night I Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of 50 Artwork Size 12x16 Silkscreen Print. Orientations of the Night I by Cleon Peterson Orientations of the Night I is a 2025 silkscreen print created by contemporary American artist Cleon Peterson. Produced as a signed and numbered limited edition of 50 on hand-deckled 290gsm Coventry Rag fine art paper, this artwork measures 12 by 16 inches. With a stark contrast of black and white figures on a shimmering gold background, the piece speaks to Peterson’s longstanding exploration of dominance, submission, and the conflict between order and chaos. Known for his unsettling yet elegant style, Peterson crafts a visual language that feels both timeless and urgent, aligning with the tradition of Street Pop Art & Graffiti Artwork that pushes political and psychological boundaries. Visual Style and Symbolic Structure The print features Peterson’s signature figures rendered in flat silhouettes with smooth yet aggressive curves. In Orientations of the Night I, a black figure and a white figure are locked in a visually intense and ambiguous pose, emphasizing power dynamics and emotional tension. The golden backdrop contrasts sharply with the monochromatic bodies, heightening the theatricality and symbolic charge of the scene. The composition captures a sense of fluid motion and struggle while maintaining a rigid, almost classical structure. Peterson’s use of minimalism, symmetry, and stark abstraction invites viewers to question what they see and how they interpret conflict and vulnerability. Medium and Production Created using a traditional silkscreen process, this print reflects Peterson’s meticulous control over production. The gold background, layered beneath matte black and bright white inks, is printed on Coventry Rag paper, which is known for its archival quality and soft, deckled edges. This choice of materials not only enhances the visual impact but also reinforces the historical connection between fine art and street culture, where silk screening has long served as a vehicle for political posters, zines, and graffiti-based messages. The limited edition nature of the piece heightens its status within the Street Pop Art & Graffiti Artwork world, transforming a graphic aesthetic into a collectible fine art object. Cleon Peterson’s Role in Street Pop Art & Graffiti Artwork Cleon Peterson, born in the United States, has built a distinct and confrontational visual voice in contemporary art. His work draws from both classical composition and raw, urban immediacy. While not traditionally a graffiti writer, his practice is rooted in the spirit of street art, using visual boldness and social critique to question power, justice, and societal control. His figures are often seen in dystopian scenarios where authority and resistance clash violently. Orientations of the Night I embodies this duality, depicting a struggle that feels psychological, mythological, and institutional all at once. The piece is a reflection of Peterson’s ongoing interest in exploring systems of dominance and the thin line between protection and oppression within modern life. Through his precise technique and symbolic storytelling, Peterson continues to contribute to the evolving discourse of Street Pop Art & Graffiti Artwork with uncompromising force.

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Otaku- Blueberry Magenta Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Otaku Offset Lithograph Portfolio Art 4x Print Set by Glenn Barr Die Cut Foil Stamped Print on Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2018 Signed & Numbered Limited Edition of 450 Offset Lithograph Print Set of 4 Artworks Size 11x12.63 Glenn Barr's Otaku Offset Lithograph Portfolio: A Limited Edition Street Pop Artwork Collection In Street Pop Art and Graffiti Artwork, Glenn Barr's "Otaku Offset Lithograph Portfolio Art Print Set" is a compelling testament to his artistic prowess. Released in 2018, this limited edition set vividly embodies Barr's distinct style, which seamlessly melds influences from pop culture, street aesthetics, and the ethereal realms of the imagination. Limited to an edition of 450, each set in this collection is signed and numbered by the artist, reinforcing its exclusivity and appeal to collectors and fans alike. Each print in the Otaku Print Set measures 11 by 12 5/8 inches, a deliberate choice that reflects Barr's attention to detail and his intent to create a cohesive visual experience. The prints come in a custom-designed portfolio that boasts intricate die-cutting and is foil-stamped in two colors, further accentuating the set's artistic and collectible value. Choosing fine art paper for the prints ensures that each piece captures Barr's creative intent and stands the test of time as collectible art. Cultural Significance and Artistic Merit of Barr's Otaku Prints The Otaku Print Set is more than just a collection of images; it is a narrative woven through visual art. The term "Otaku" is a nod to the Japanese subculture obsessed with computers and particular aspects of popular culture, a fitting title for Barr's work, which often delves into the depths of subculture and the esoteric. Each lithograph in the set serves as a window into Barr's world, where the lines between reality and fantasy blur, and characters are entangled in scenes that suggest stories beyond the canvas. The talent for storytelling through Street Pop Art is evident. This print set includes characters and motifs that resonate with the observer, often evoking a sense of nostalgia while simultaneously propelling them into a surreal narrative. This blend of the familiar with the mysterious is a hallmark of Barr's style and one that he executes with precision in this print set. This unique quality makes the Otaku Offset Lithograph Portfolio resonate with the essence of street and graffiti art while maintaining a distinct identity within the genre. Collectibility and Impact of Glenn Barr's Lithograph Prints The limited nature of the Otaku Print Set, along with Barr's signature and the sequential numbering, provides a level of collectibility that is highly sought after in art. Collectors and enthusiasts are drawn not only to the aesthetic and thematic elements of the prints but also to their potential as investments. The artistry and rarity combined make the Otaku Print Set a coveted item for those who appreciate the finer nuances of Street Pop Art and Graffiti Artwork. Furthermore, the presentation of the prints within their custom portfolio reflects Barr's understanding of his audience's desire for a comprehensive artistic package. The portfolio is a piece of art carefully designed to enhance and protect the prints it houses. This attention to the overall experience of the collector demonstrates Barr's commitment to quality and his understanding of the art market. Glenn Barr's "Otaku Offset Lithograph Portfolio Art Print Set" is a remarkable collection that captures the spirit of Street Pop Art and Graffiti Artwork. It stands as a testament to Barr's skill as an artist who can traverse the realms of pop culture and street art, creating evocative and engaging works. With thoughtful curation and presentation, this limited edition leaves an indelible mark on contemporary art, embodying the vibrancy and dynamism that define Barr's artistic journey.

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Our True History Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 100 Artwork 18x24

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Outlook Not So Good Archival Print by Luke Chueh Limited Edition on MEDIUM Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 75 Artwork Size 18x22 Archival Pigment Fine Art of White Bear Looking at Magic 8-Ball. Street Pop Art Melancholy Through Minimalist Icons Outlook Not So Good by Luke Chueh is a masterful example of contemporary Street Pop Art & Graffiti Artwork, offering a deeply personal yet universally relatable image. Printed in a 2025 signed and numbered limited edition of 75, this archival pigment fine art print is sized at 18 by 22 inches. It depicts Chueh’s iconic white bear character solemnly studying a black Magic 8-Ball with the phrase “Outlook Not So Good” hovering in stark white text above. The expressionless character holds the ball as if searching for clarity or resolution, yet is met with uncertainty—an artistic metaphor captured with elegant precision. Luke Chueh's Style and Symbolism Luke Chueh, a painter based in Los Angeles, United States, has garnered widespread acclaim for his ability to blend personal anguish with the visual simplicity of pop culture. His work combines the aesthetics of soft, emotive cartoon-like figures with raw psychological depth. The white bear has become his signature—a blank-faced vessel often depicted in emotionally charged or surreal scenarios. The use of the Magic 8-Ball, a familiar consumer object associated with chance and fate, adds a layer of cultural iconography to the work that resonates with modern uncertainty and introspection. The stark contrast between the deep blue background and the desaturated tones of the bear and the black ball underscores the emotional gravity of the piece. Contextual Placement in Modern Street Pop Art As Street Pop Art continues to evolve, artists like Luke Chueh are crucial in pushing its emotional boundaries. While many works in the genre favor overt rebellion, satire, or vibrant chaos, Chueh’s aesthetic embraces quietness, vulnerability, and psychological honesty. Outlook Not So Good joins the ranks of impactful visual statements that use simplicity and metaphor to articulate a generational sense of alienation, frustration, or existential contemplation. Chueh’s style fits seamlessly into both gallery walls and street culture, bridging fine art and urban voice with seamless integration. The print echoes the tension between internal struggle and outward stillness—traits seen in some of the best-known graffiti and post-pop works of the last two decades. Medium, Format, and Collector Relevance Produced on archival-quality pigment paper, this edition maintains a museum-standard level of fidelity and longevity. The richness of the tones, paired with the smooth gradients that define Chueh’s hand-rendered brushstrokes, are fully preserved in this medium. The 18x22 format provides a commanding wall presence without overwhelming, making it suitable for personal collections focused on urban art, contemporary pop narrative, and emotionally driven minimalism. As a signed edition of only 75, it also holds significant collector value, particularly for enthusiasts of Chueh’s body of work and modern graffiti-based emotional iconography. Outlook Not So Good stands as a meaningful entry in Street Pop Art & Graffiti Artwork, reflecting the quiet storms many people navigate behind composed faces and familiar symbols. Luke Chueh’s ability to mine emotion from minimal composition once again delivers a timeless work with enduring impact.

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Outside Of Space And Time Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2021 Signed & Numbered 11x14 Edition of 20 Artwork Size 11x14

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Outta Time Controller 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Tom Mac counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Outta Time Plate 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Velvet Spectrum counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Overloading The Grid David Byrne AP Silkscreen Print by Shepard Fairey- OBEY x Bobby Grossman Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2024 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Talking Heads Singer David Byrne Photo by Bobby Grossman. "I’ve been a fan of the Talking Heads since I was a kid and heard songs like “Once in A Lifetime” and “Burning Down the House” on the radio, well before I discovered punk rock and understood the Talking Heads’ important role in the nascent punk scene as it developed in NYC at CBGB’s in the mid-70’s. I remember seeing the film Stop Making Sense on HBO as a teen and thinking the Talking Heads singer, David Byrne, was very weird and very fearless to dance around in an absurdly oversized suit. I didn’t yet realize that exploring the awkward nature of existence was precisely Byrne’s strong suit! Later, as I got a little more sophisticated, I realized how creatively adventurous the Talking Heads were both musically and with their visuals." -Shepard Fairey Overloading The Grid David Byrne AP by Shepard Fairey and Bobby Grossman The Overloading The Grid Artist Proof silkscreen print from 2024 brings together two highly influential figures of countercultural visual language: Shepard Fairey and Bobby Grossman. This hand-pulled screen print features the likeness of David Byrne, the iconic frontman of the Talking Heads, based on a classic photograph by Grossman and reimagined through Fairey’s unmistakable graphic aesthetic. Printed on cream Speckletone fine art paper and signed and marked AP by Shepard Fairey, this 18x24 inch edition merges photography, music history, and political design into a single portrait that reflects both artistic legacy and cultural disruption. The Legacy of David Byrne in Visual and Sonic Innovation David Byrne’s influence transcends music and bleeds into the worlds of performance art, fashion, and design. As the lead singer of Talking Heads, Byrne’s cerebral yet experimental style embodied the sensibilities of the downtown New York scene during the punk explosion of the 1970s. With an offbeat stage presence and a flair for embracing discomfort as a thematic device, Byrne made awkwardness a mode of expression and communication. His contributions to music videos, album artwork, and stage productions helped define the visual language of new wave and post-punk, laying the groundwork for a visual narrative style that continues to influence contemporary art and design. Shepard Fairey’s Graphic Interpretation Through Street Pop Art & Graffiti Artwork Shepard Fairey’s reinterpretation of Bobby Grossman’s photograph speaks directly to the ethos of Street Pop Art & Graffiti Artwork. With signature grid overlays, limited color palettes, and stark shadows, Fairey constructs a visual tension between formality and rebellion. His use of contrast and stylized design imbues the portrait with a power often reserved for propaganda art, reflecting his career-long interest in political messaging and iconography. The screen print format itself holds deep roots in street art and DIY culture, enhancing the piece’s connection to underground aesthetics. Fairey's technique amplifies Byrne’s gaze, turning the portrait into a symbol of creative defiance and urban sophistication. Bobby Grossman’s Influence on Cultural Memory Photographer Bobby Grossman captured the raw, behind-the-scenes energy of New York’s downtown scene with honesty and intimacy. His photography functioned not just as documentation but as an active component of the era’s aesthetic. This collaboration with Fairey pays tribute to Grossman’s influence as an image maker and archivist of punk, pop, and street art culture. His image of Byrne—now stylized, reframed, and elevated—finds new resonance within the larger context of contemporary art. By pairing Grossman’s lens with Fairey’s visual voice, the print becomes more than a portrait; it is a statement on the enduring impact of artists who shaped the language of resistance and reinvention through Street Pop Art & Graffiti Artwork.

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Ozymandias Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 60 Artwork Size 18x24 Some Staining and Minor Creases. A very cool Pablo Escobar wanted poster is depicted in this artwork print. Printed across his picture is the work Muerto, or DEAD. Rare special limited edition out-of-production art print. Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print by SSUR - Ruslan Karablin The Pablo 2-Color Hand-Pulled Limited Edition Silkscreen Print by SSUR - Ruslan Karablin is a provocative and rare example of street pop art & graffiti artwork, directly referencing the cultural and historical impact of Pablo Escobar through an iconic wanted poster. Created in 2014, this signed and numbered limited edition of 60 print captures the intersection of political commentary, crime history, and street art aesthetics. Measuring 18x24 inches, the artwork delivers a raw, impactful statement with a minimalist yet bold design that enhances its message. SSUR and the Influence of Counter-Culture Street Art Ruslan Karablin, known under the alias SSUR, is a counter-culture street artist who has built a reputation for fusing historical and political themes with bold visual storytelling. His work often critiques power, capitalism, and the glorification of infamy, making this Escobar-inspired print a natural extension of his artistic practice. SSUR has long utilized propaganda-style imagery, high-contrast prints, and subversive messaging, techniques that align perfectly with the punk-inspired rebellion of street pop art & graffiti artwork. The Pablo print exemplifies his ability to reframe historical figures in a modern, hyper-commercialized context, turning wanted posters, revolutionary imagery, and capitalist symbols into collectible artworks. The silkscreen process, known for its rich textures and bold contrast, adds a level of authenticity to the print, reinforcing its underground aesthetic while maintaining high artistic value. Symbolism and Cultural Impact of the Pablo Print This limited edition artwork is a reinterpretation of an actual Colombian government wanted poster issued for Pablo Escobar, the infamous drug lord whose criminal empire and mystique have continued to permeate pop culture, cinema, and street art. In place of an ordinary mugshot, SSUR adds a red censorship bar over Escobar’s eyes, with the word Muerto (meaning Dead) imprinted in bold, striking typography. The use of red over black-and-white imagery symbolizes violence, censorship, and the brutal finality of Escobar’s legacy. By using this historical imagery in a street pop art format, SSUR raises questions about the mythologizing of criminals, the commodification of crime in pop culture, and the relationship between propaganda and consumer culture. The Pablo print, much like the artist’s broader body of work, challenges viewers to reconsider power structures and the ways in which figures like Escobar are immortalized and romanticized in contemporary media. Rarity and Collector's Value This out-of-production special edition print is considered a rare collector’s item within the world of street pop art & graffiti artwork. With only 60 prints ever made, its hand-pulled silkscreen technique ensures that each piece retains a unique quality, reinforcing the authenticity and exclusivity of the artwork. Some prints may show minor creases and staining, which only add to their raw, street-art-inspired appeal. Collectors of urban contemporary art, political pop art, and subversive street culture pieces seek out works like this due to their commentary on history, power, and crime. The Pablo print by SSUR stands as a bold example of modern propaganda art, turning a government-issued bounty into a statement piece that blurs the lines between historical record and contemporary street art aesthetics.

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Pacific Rim 10-Color Hand-Pulled Limited Edition Metallic Ink Silkscreen Print on Fine Art Paper by Todd Slater Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. 24 x 36 inches /// 10 screens (with a metallic keyline layer) signed and numbered edition of 175, AP edition of 75 "When I first began seeing the early images for Pacific Rim I was immediately struck but the scale of the Jaeger’s versus the humans. These pictures served as a reminder of how fragile human life is and I decided to create my image around this thought. There's a tenderness to Guillermo's spanish films that I wanted this print to touch on. I wanted to depict these giant machines as the protectors of humanity from the mysterious beasts that emerged beneath the ocean." -Todd Slater

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Painter Girl Original Pop Modern Street Art Ballpoint Pen and Collage Drawing on Fine Art Paper by Artist James Wilson. 2022 Signed Original Drawing. Ballpoint Pen, Cut Out Paper, Newspaper and Collage Size: 5.875 x 8.25 Inches Release: February 10, 2022 "The term 'Off the Grid' comes with a romanticized view of self-sustainability, getting back to nature and going back to 'a simpler time', this often neglects the forgotten trappings involved with stepping outside of your comfort zone. "This body of work can be seen as an aesthetic and thematic sequel to the previous 'Breakups and Breakdowns' collection where the idea of a broken relationship was the focus, it’s now been shifted to exploring new uncharted territory. Building on the pen on paper approach by physically cutting windows into the pieces takes them outside of the known and familiar into experimental and uncharted territory. "These works continue to look at escapism through different lenses whether it's a digital realm achieved by VR, the hopes poured into crypto, liquid courage found in alcohol or the distracting thrill gained by high risk environments, they all offer a reward but also contain their own risks. It’s through exploring outside the comforts of the safe and known without the usual safety nets where you find danger and risk, but the unknown is also where the most potential and growth can be found." –James Wilson

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Painter's Tower Archival Print by Adrian Cox Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 22x28 Archival Pigment Fine Art.  The Essence of Adrian Cox's "Painter's Tower" Adrian Cox's "Painter's Tower" is a compelling piece that captures the essence of contemporary art through the lens of Street Pop Art and Graffiti Artwork. As an archival print, this work is part of a limited edition of 50, each piece signed and numbered, suggesting exclusivity and a personal touch from the artist. Printed on Moab Entrada fine art paper, a 290gsm cotton rag optimized for high-resolution detail, the artwork exhibits a richness in color and texture characteristic of Cox's meticulous approach. The dimensions of the artwork, 22x28 inches, offer a substantial visual field for Cox's intricate and mythical subject matter. Reflecting the Street Pop Art & Graffiti Artwork Aesthetic "Painter's Tower" is a testament to Cox's ability to interweave the sensibilities of pop art and the raw expressive power of graffiti. His portrayal of the 'Borderlands'—a serene yet complex world inhabited by 'Border Creatures'—challenges the viewer's perceptions. The creatures engage in creative acts, painting within a tower that defies conventional physics and logic. This blend of reality and fantasy, the natural and the supernatural, reflects street pop art and graffiti art's transformative power, often turning the ordinary into something extraordinary. A Visual Journey into Adrian Cox's Mythological Realm The print invites viewers on a visual journey into Cox's expansive mythological realm. The central figure, a 'Border Creature,' is engaged in painting, surrounded by a landscape that is both familiar and alien. It is a scene that captures the essence of creation—art-making art. The environment around the painter is alive with other 'Border Creatures', vibrant flora, and mystical structures, all under a sky transitioning from dusk to night. This scene is rich with symbolism and hints at the cycle of creation and transformation, resonating with the ever-evolving nature of Street Pop Art and graffiti Artwork. Adrian Cox's "PaintCox'sT" embodies the principles of modern artwork within the framework of street pop art and graffiti artwork. The limited edition print bridges the gap between fine art and the more publicly accessible street art, bringing mythological storytelling into a personal and universally relevant context. Cox’s work continues to inspire and captivate audiences, proving that the narratives of street art and pop graffiti can find harmony with the refined techniques of modern acceptable art practices.

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Palette I Archival Print by Jessica Hess Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 15 Artwork Size 14x17 #1

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Palette II Archival Print by Jessica Hess Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 15 Artwork Size 14x17 #1

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Panacea Silkscreen Print by MEUBON Hand-Pulled on Superfine Eggshell White Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 20.25x15.75 Silkscreen Print. ยาตำราหลวง สถานที่จำหน่าย มาตำราหง เภสัชกรรม- Royal Medicine, Place of Sale, Ma Tamra Hong Pharmacy Panacea by MUEBON – Satirical Remedy in Street Pop Art & Graffiti Artwork Panacea is a 2022 limited edition silkscreen print by Thai artist MUEBON, hand-pulled on Superfine Eggshell White fine art paper and sized at 20.25 x 15.75 inches. Signed and numbered in an edition of 300, the print fuses traditional Thai aesthetics with a satirical street art vocabulary. The composition mimics the layout and tone of a vintage Thai pharmacy sign, including typographic references to royal medicine, location details, and regulatory insignia. Into this framework, MUEBON inserts his signature character—a mischievous black bird with a human-like stance—tending to rows of vibrant cannabis plants. The juxtaposition of state authority, medical legitimacy, and pop rebellion is executed with surgical visual clarity and conceptual sharpness. Every line, crack, and graphic element contributes to a broader message about legality, hypocrisy, and shifting cultural norms. Medicinal Symbolism and Sociopolitical Irony MUEBON’s use of the title Panacea speaks to the idea of a cure-all, a universal solution to societal ailments—yet the print suggests that what is marketed as remedy is often framed through layers of control and contradiction. The character, rendered in precise color and personality, waters marijuana plants with the casual indifference of someone who has normalized the taboo. The background replicates worn wall textures and weathered signage, suggesting an official public notice, now subverted. Thai script boldly states phrases such as ยาตำราหลวง and สถานที่จำหน่าย—Royal Medicine and Place of Sale—while the central figure undermines the bureaucratic tone with punk defiance. This visual collision is classic MUEBON: combining cartoonish humor with institutional critique in the style of Street Pop Art & Graffiti Artwork that functions as both documentation and protest. Silkscreen Technique and Aesthetic Precision The print is produced through traditional silkscreen methods, allowing each color to hold intense saturation and edge integrity. Printed on Superfine Eggshell White paper, the artwork’s subtle surface texture enhances the vintage signage effect, reinforcing the piece’s illusion of age and wear. The controlled layering of imagery—grime, text, plants, stamps, and character—demonstrates MUEBON’s precision in translating complex political narratives into vibrant, accessible artworks. While rich in local cultural codes, the piece is globally readable, making it a standout example within Street Pop Art & Graffiti Artwork of how regional voice can achieve international resonance through strong visual composition and thematic clarity. MUEBON and the Cultural Anatomy of Legitimacy Panacea is not merely a print—it is a conversation between law, commerce, and personal autonomy. MUEBON uses humor and pop-inflected satire to explore Thailand’s evolving relationship with medical cannabis, government oversight, and cultural taboos. His signature bird character becomes a stand-in for the everyday citizen, navigating a system that selectively legalizes what it once criminalized. The work functions as a visual metaphor for the ways power, propaganda, and public health intertwine. In the context of Street Pop Art & Graffiti Artwork, Panacea delivers a multilayered narrative disguised as public signage. It invites laughter, sparks dialogue, and challenges viewers to reconsider what authority looks like when it is repackaged in colorful ink and symbolic contradiction. MUEBON continues to assert himself as a master of visual irony and cultural dissection through the lens of urban resistance.

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Pandemonium Silkscreen Print by TOMO77 x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by TOMO77 & Shepard Fairey & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print "TOMO77 has documented a period marked by isolation and confusion, from the earliest anxious days of the pandemic through more than a year of political and social unrest. Amid this graphic testimony of uncertainty, uproar, and division, TOMO77 leaves us with one question: Where do we want to go from here?" -Shepard Fairey- OBEY. The collaborative work of TOMO77 and Shepard Fairey in the "Pandemonium" silkscreen print profoundly represents the tumultuous period that marked the early 2020s. This limited edition piece, hand-pulled with four colors on cream speckletone fine art paper, stands as a cultural artifact, encapsulating the essence of street pop art and graffiti artwork. Signed by both TOMO77 and Shepard Fairey, the artwork is part of a limited run of 300, each piece numbered, indicating its value and scarcity. The artwork's dimensions, 18x24 inches, provide a substantial canvas for the intricate designs and stark contrasts that have become hallmarks of both artists. TOMO77's contribution to this piece is particularly poignant, as his work often grapples with themes of human behavior, social upheaval, and the influence of capitalism, especially within the context of an immigrant lens. The "Pandemonium" print reflects these themes, addressing the global disarray and introspection during significant societal and political unrest. Shepard Fairey's partnership with TOMO77 on this project enhances the narrative potency of the piece, as Fairey's legacy in street art and activism art adds depth to the print's conceptual framework. Through their combined efforts, "Pandemonium" becomes more than just an artwork; it is a visual question posed to the audience, challenging them to consider the direction of human progress in times of crisis. The print represents the artist's technical prowess and commitment to using art for reflection and potential change.

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Paradise UltraGiclée Print by Arkiv Vilmansa Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Limited Edition of TBD Artwork Size 25.59x22 Bape 30th Anniversary Collection Vibrant and lively, the works of Arkiv Vilmansa, a contemporary artist from Indonesia, channel the essence of cartoons in their bold and two-dimensional style. Vilmansa's training as an architect has given him a structured and critical approach to his art, which he combines with raw and unrestrained expression to create truly one-of-a-kind pieces. By using a formula that he has developed to control his paintings' surfaces and textures, Vilmansa explores the world of non-figurative art and cartoon character depictions, infusing them with organic shapes and canvas forms. His inspirations stem from creative industry trailblazers like NIGO and Takashi Murakami, whose influence can be seen in Vilmansa's use of lines, colors, and shapes.

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Paranoia #3- Neon Rainbow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. Tribute to actress Anita Ekberg Edition Size: 36 prints (all unique) Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 36 prints in this variant edition are unique with a split fountain background, and will never be reproduced.

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Paranoia- Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to actress Anita Ekberg Edition Size: 27 prints Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 27 prints in this edition are the same and are numbered 1 to 27.

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Paranoia- Hot Pink 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to actress Anita Ekberg Edition Size: 25 prints Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 25 prints in this edition are the same and are numbered 1 to 25.

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Paranoia- Yellow 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to actress Anita Ekberg Edition Size: 16 prints Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 16 prints in this edition are the same and are numbered 1 to 16.

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Parrotfish Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 10x6

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Partly Cloudy AP Pop Modern Movie Artwork Limited Edition Giclee Print on Fine Art Paper by Pixar Graffiti Modern Artist Raid71. AP Artist Proof 2022 Official Pixar print Partly Cloudy 5x6 Short Print Giclee Signed Hand-numbered edition

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Party Heads Silver Glitter Hand Finished Archival Print by Fanakapan Fine Art Limited Print on 300gsm Somerset Satin Paper Pop Artist Artwork. 2022 Signed & Numbered Limited Edition of 20 Artwork Size 35.43x24.4 Archival Pigment Print with 4 uv screen printed layers On 300 Gsm somerset satin Paper Hand finished by fanakapan in 5 UV spray colours Signed By The Artist Edition of 20 90 x 62 cm 2022

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Pass-Through I HPM Archival Print by Dave Pollot Limited Edition Hand Burnt Multiple on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Print Limited Edition of TBD Artwork Size 24x13.62 Archival Pigment Fine Art Each Artwork Is Uniquely Hand Burnt By Artist

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Pass-Through II HPM Archival Print by Dave Pollot Limited Edition Hand Burnt Multiple on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Print Limited Edition of TBD Artwork Size 24x16.87 Archival Pigment Fine Art Each Artwork Is Uniquely Hand Burnt By Artist

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