Artworks

Sterling Spoon Janes Addiction Calavera AP Artist Proof Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Sterling Spoon Janes Addiction Calavera AP Artist Proof stands as a testament to the convergence of pop art and street art, epitomized in the modern art scene. Produced in 2016, this silkscreen print, crafted meticulously on fine art paper, is the brainchild of the acclaimed Latino artist, Ernesto Yerena Montejano, who is widely recognized under the banner "Hecho Con Ganas." Montejano's artistry is renowned for weaving cultural narratives and themes, particularly from his Latino heritage, into contemporary artistic expressions that resonate across a global audience. Diving deeper into the artwork, one cannot overlook its size – an impressive 18x24 inches – that commands attention and ensures that the details and nuances are not lost on the viewer. The choice of the Calavera, or skull, as a motif is not arbitrary. It embodies themes of mortality, celebration, and remembrance, often associated with the Day of the Dead celebrations in Latin cultures. This ties the work to a deep-rooted tradition while presenting it through the lens of modern-day pop and street art. What sets this piece apart, even more, is its exclusivity. As an Artist Proof, it is not just a mere representation of Montejano's vision but also offers a closer, more personal glimpse into his creative process. Marked with the artist’s signature, this limited edition piece serves as a bridge between the urban streets from where street art draws its inspiration and the polished galleries that pop art often finds its home. Such a piece not only speaks of its inherent artistic value but also stands as a chronicle of the times, cultures, and emotions that birthed it.

Read more less

Street Weapons Danceright Music Club Event Limited Edition Metallic Gold Ink Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. Shepard and I ran a club night in Downtown LA from 2006 to 2014 called Dance Right. During that time, I created a flyer every week and from those flyers came a bunch of designs that ended up becoming clothing designs for OBEY Clothing and a collab poster that Shepard and MFG- Matt Goldman released in 2006. 18 x 24 inches Screen Print Black, Dark Red, Metallic Gold Cream Speckletone Paper Edition of 300 Signed and numbered by Shepard Fairey & MFG- Matt Goldman Released 2006

Read more less

Summer of Love- Full Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 4.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

Read more less

Summer of Love LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

Read more less

Supernova - Dec. 20th, 1995 at The Whiskey Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. 2016 Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop Coop has become popular with certain bands and labels and has provided art for several Sympathy for the Record Industry releases as well as the posters for Reverend Horton Heat, Lords of Acid, Green Day, Nirvana, Soundgarden and The Foo Fighters.

Read more less

Supersuckers New Bomb Turks AP 1994 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Numbered Limited Edition of AP Artwork Size 22.5x17.75 Silkscreen Print Band Gig Poster by Frank Kozik Supersuckers, New Bomb Turks, Putters, Weathered Wall, Seattle WA 1st of July 1994

Read more less

System of a Down- San Bernardino- 2021 Limited Edition Music Gig Poster 4-Color Silkscreen Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Posters measure 18” x 24” and are limited edition screen prints for System of a Downs October 13th show at the Glen Helen Amphitheater in San Bernardino, CA.

Read more less

Taste of Mexico 2014 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 100 Artwork 18x24 Taste of Mexico Food Festival in Los Angeles CA 2014 Event Art Print.

Read more less

The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. The Clarke Nova Stiff Richards Loudspeaker The Kilowatt Club San Francisco California 10-19-1995 The Clarke Nova Stiff Richards gig poster, created by the renowned artist Frank Kozik in 1995, is a quintessential piece of pop and street art history. As a silkscreen print, it captures the vibrant energy of San Francisco's underground music scene of the mid-90s. Kozik's work is widely recognized for its strong visual impact and its commentary on culture, which is vividly displayed in this particular artwork. Limited to an artist-proof (AP) edition of only 50, each piece was meticulously hand-pulled on fine art paper, ensuring a high level of quality and individuality. Measuring 17.5x22.5 inches, the print features bold colors and a cartoonish design characteristic of Kozik's style during that era. It reflects an intersection of music and art that Kozik navigated so well, capturing the essence of the performances by The Clarke Nova, Stiff Richards, and Loudspeaker at The Kilowatt Club on October 19, 1995. Frank Kozik's approach to band gig posters was instrumental in defining the visual language of pop art within the music industry at the time. The striking use of color and the playful imagery are not only indicative of the pop art style but also convey the dynamism of the San Francisco street art movement. The artwork has become an iconic piece, sought after by collectors and enthusiasts who see Kozik's prints as a valuable part of the narrative that documents the alternative culture and its influence on the aesthetics of the time. This particular silkscreen print not only advertised an event but also served as a standalone piece of art, merging commercial intent with artistic expression. Its collectibility lies not just in its visual appeal but also in the unique story it tells about a specific time, place, and subculture within San Francisco. The gig poster has become a historical reference point, an artifact that encapsulates the spirit of a vibrant scene and continues to influence contemporary pop and street artists.

Read more less

The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

Read more less

The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

Read more less

The Last Card in the Deck- Why? Boston 2013 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Speckletone Fine Art Paper by James R Eads for Why?. The Last Card in the Deck" is an 18" x 24" three-color screen printed gig poster for WHY?'s June 19th tour date at Brighton Music Hall, Boston, MA. The gig poster is inspired by WHY?'s album Mumps

Read more less

The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

Read more less

The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

Read more less

The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

Read more less

The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1996 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22 Silkscreen Print Band Gig Poster by Frank Kozik. The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Fort Point Pier The Mermen AP 1996 San Francisco, CA silkscreen print is a symbolic piece by the acclaimed artist Frank Kozik, whose work is often associated with the vibrant energy of pop and street art. Kozik's distinctive style is characterized by a blend of bold colors, cartoon-like figures, and a touch of satirical humor, all of which are palpably present in this artwork. This piece, crafted explicitly as a gig poster for a performance at Fort Point Pier on October 4, 1996, captures the essence of the San Francisco music scene of the time. Hand-pulled on fine art paper, the print is part of an exclusive Artist Proof (AP) edition, limited to 50 signed and numbered pieces. Measuring 17.5x22 inches, it's a significant work that embodies the culture and vibrancy of its era. Kozik's use of the silkscreen technique lends the piece a tactile quality that is often lost in digital reproduction, giving each print a unique texture and depth. The imagery in this particular print, featuring a park ranger character brandishing a sign that protests against beach parties, flanked by an unconscious figure surrounded by litter, serves as a witty commentary on environmental conservation and personal responsibility. This reflects Kozik's knack for engaging with social and cultural themes through his art, a trait he shares with many street artists who use public spaces to comment on societal issues. Kozik's work has been instrumental in defining the visual landscape of music culture in the 1990s, with his posters becoming synonymous with the era's underground music scene. The Mermen AP print is not just a piece of memorabilia but also a slice of pop culture history, encapsulating the intersection of music, art, and social commentary. Its existence as a limited edition work heightens its collectibility. It serves to preserve a moment when street art aesthetics infiltrated mainstream visual culture, thereby solidifying Kozik's legacy within the art community.

Read more less

Nomads 15th Anniversary Party 1996 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 675 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik Nomads, Studion, Stockholm Sweden 5-6-1996 Depicts A Muscle Car Burning Out Celebrating the 15th anniversary of the legendary Nomads, this distinctively vibrant silkscreen print from 1996 holds a significant place in the world of pop street art. Created by the inimitable Frank Kozik, renowned for his poster art, this artwork is more than a mere decoration - it serves as a testament to the era it embodies, an artifact of the vibrant street art culture of the late 20th century. Hand-pulled on high-quality fine art paper, this print radiates a raw, authentic feel. Its dimensions, 22.5x17.5 inches, make it a robust statement piece. With a limited edition of just 675, each copy is signed by Kozik himself and meticulously numbered. This meticulousness in the production process elevates the work beyond the ephemeral nature usually associated with street art, making it a collectible piece. Staged at the Studion in Stockholm, Sweden, on the 5th of June, 1996, the Nomads' anniversary gig was immortalized by this striking print. It depicts a muscle car engaged in an electrifying burnout, a bold image that vibrates with the punk-infused energy of the Nomads' music and the rebellious street art spirit that Kozik champions. The imagery is both a tribute to the heady power of the automobile and a symbol of the band's audacious spirit. This piece doesn't merely commemorate a concert, but a particular moment in time and the cultural shifts happening within it. The explosive vehicular illustration is a tangible representation of the era's energy, capturing the essence of the Nomads' music, and the fiery spirit of Kozik's artistry. The juxtaposition of a refined fine art print with a subject steeped in grit and rebellion makes for a captivating paradox. The 1996 Nomads 15th Anniversary silkscreen print by Frank Kozik is indeed a hallmark of pop street art, a tangible connection to a pulsating past.

Read more less

The Provocateurs- Chicago 2014- Blue Limited Edition Event Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Shepard Fairey for The Provocateurs Chicago Art Show. The Provocateurs (Chicago) Shepard Fairey Gold Version Screen Print 18 x 24 inches Signed and Numbered Edition of 450

Read more less

The Provocateurs- Chicago 2014- GoldLimited Edition Event Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Shepard Fairey for The Provocateurs Chicago Art Show. The Provocateurs (Chicago) Shepard Fairey Gold Version Screen Print 18 x 24 inches Signed and Numbered Edition of 450, Gold Metallic Ink

Read more less

The Underground Music Showcase Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl at Denver Post. The Underground Music Showcase by John Vogl- The Underground Music Showcase from the Denver Post was held from July 24-27 2014 in Denver, CO. This gig poster commemorates that music festival and depicts a large Tyrannosaurus Rex fighting a Triceratops dinosaur. Limited edition silkscreen art print artwork by famous artist John Vogl.

Read more less

The West Coast Migration Road Tour 2014 Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Danny Miller. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

Read more less

These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

Read more less

They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

Read more less

Together Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 8 x 10 inches. Four screens on French Speckletone cover. Signed and numbered edition of 180. Released 28 November 2014.

Read more less

Tomorrow's Another Night Blue PP Printers Proof 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. PP Printer Proof 2019 Signed & Numbered Blue Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Niagara and Shepard Fairey's 'Tomorrow's Another Night': A Striking Silkscreen Collaboration 'Tomorrow's Another Night,' a captivating blue PP Printer's Proof silkscreen print, stands as a testament to the collaborative genius of Niagara and Shepard Fairey. This limited edition piece, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, encapsulates the essence of modern street pop art and graffiti with its bold imagery and nuanced undertones. Each print, part of a limited edition run of 150, is signed and numbered, underscoring its exclusivity and the meticulous craftsmanship invested into every screen. Released on July 2, 2021, the artwork measures 18 x 24 inches, allowing intricate details and striking color contrasts to command attention. The print portrays two figures, Ron and Niagara, in a complex interplay of visual tension and harmony. Shepard Fairey's description of the piece reveals a deliberate balance between the overt aggression shown by Ron's direct eye contact and raised fist and Niagara's ostensibly gentle embrace. Yet, as Fairey notes, the true power lies with Niagara, whose understated demeanor masks a controlling presence, symbolized by the switchblade subtly caressed by her finger. This addition by Fairey amplifies the femme fatale motif and ties in with his original concept for the print, suggesting a narrative of concealed strength and influence. Exploring the Visual and Conceptual Depth of 'Tomorrow's Another Night' In creating 'Tomorrow's Another Night,' Fairey and Niagara delve into the dynamics of power, control, and the role of iconography in art. The piece's title and the imagery together weave a tale of anticipation and the recurring cycles of life's drama. The use of a limited color palette accentuates the graphic strength of the work. At the same time, the choice of a high-quality silkscreen process ensures that each color pops against the paper, offering a texture and depth that resonate with the layered meanings of the artwork. The collaboration between the two artists brings together distinct styles and perspectives, marrying the raw edge of street art with the finesse of fine art printmaking. Fairey's background in street pop art and activism and Niagara's punk rock aesthetic combine to create a print that is both a visual feast and a piece of social commentary. The contrast between Ron's defiant gesture and Niagara's subtle dominance challenges traditional gender narratives and invites viewers to look beyond appearances to the complex stories beneath. Cultural Significance and Artistic Legacy of the Print 'Tomorrow's Another Night' is more than just a piece of art; it is a cultural artifact that captures a moment in the evolution of street art and its intersection with pop culture. The collaboration between Niagara and Shepard Fairey represents a bridging of generational talents, fusing the spirit of punk rock with contemporary street art to create something nostalgic and fresh. The Printer's Proof status of the print adds to its cultural weight, as these proofs are typically reserved for the artist's and printer's archives, representing the gold standard of the print edition. Collectors and enthusiasts of street pop art and graffiti artwork value PP editions for their closeness to the artist's original intent and the fine quality of the print. In essence, 'Tomorrow's Another Night' is a shining example of the vibrant and transformative power of collaboration in street pop art and graffiti. It reflects the ongoing narrative of rebellion and the subversion of societal norms that street art embodies. Through this print, Fairey and Niagara offer a thought-provoking and visually impactful piece, solidifying their roles as influential figures in contemporary art.

Read more less

Tomorrow's Another Night Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. 2021 Signed & Numbered Red Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Shepard Fairey's Collaboration with Niagara: 'Tomorrow's Another Night' 'Tomorrow's Another Night' is a testament to the dynamic collaboration between Shepard Fairey and Niagara, two pivotal figures in modern street pop art and graffiti artwork. This limited edition silkscreen print, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, showcases Fairey's masterful screen printing technique alongside Niagara's provocative artistic vision. Released on July 2, 2021, each print in the series is meticulously signed and numbered, indicating the exclusive nature of this artwork. The 18 x 24 inches dimensions make it ideal for collectors who appreciate the nuanced intersection of pop culture and fine art. The artwork features iconic imagery that reflects the rebellious spirit of the punk rock movement, imbued with a sense of in-your-face aggression and subtle manipulation. Ron's direct gaze and clenched fist are juxtaposed with Niagara's calculated and serene posture, a duality that Fairey emphasizes with the strategic placement of a switchblade. This element augments Niagara's allure nod to Fairey's original concept of the duo as a modern-day Bonnie and Clyde, suggesting a narrative of power and seduction that belies their outward appearance. Exploring the Visual Narrative and Artistic Merit of 'Tomorrow's Another Night' Shepard Fairey's decision to work with Niagara on 'Tomorrow's Another Night births a rich visual narrative of contrast and complexity. The stark black-and-white imagery is accented by the thoughtful use of three colors, which adds depth and draws the viewer into the story unfolding within the print. The art piece resonates with the energy of the street, where graffiti art traditionally challenges societal norms and provokes thought through visual storytelling. The screen print is a visual exploration of the dichotomy between appearance and reality, power dynamics, and the role of women as unseen orchestrators in a male-dominated society. Fairey's description of Niagara as someone who appears demure yet is 'pulling the strings' is a powerful commentary on the multifaceted nature of female strength and agency. Thus, the artwork becomes a platform for aesthetic appreciation and engagement with broader themes of gender and control. The Cultural Impact of Fairey and Niagara's Artistic Fusion 'Tomorrow's Another Night' represents a cultural milestone in street pop art and graffiti artwork. The collaboration between Shepard Fairey and Niagara bridges generations and artistic styles, creating a piece that is both a tribute to the past and a relevant commentary on contemporary issues. The limited edition nature of the print adds to its cultural significance, offering a snapshot of a moment when two artists from different backgrounds and with distinct voices came together to create something unique and impactful. Moreover, the piece contributes to the ongoing discourse about the place of street art within the broader context of art history. By bringing street art aesthetics into fine art through silkscreen printing, Fairey and Niagara challenge traditional boundaries and invite a reevaluation of what constitutes art in the modern era. 'Tomorrow's Another Night' is an artwork to be enjoyed for its visual appeal and a conversation starter that encourages viewers to delve deeper into the stories behind the images. In essence, 'Tomorrow's Another Night' is a vibrant embodiment of the collaborative spirit that defines street pop art. Through this print, Shepard Fairey and Niagara offer a piece steeped in the ethos of street culture while maintaining a polished finesse that appeals to the fine art collector. The artwork is a testament to the power of artistic collaboration and the enduring allure of street-inspired art.

Read more less

Travis Scott Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Proof. Rapper Travis Scott.

Read more less

Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

Read more less

Tribute To Sammi Curr 2012 Movie Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Lakeridge High October 24th 2012- The Clowns, Black Roses, Holy Moses, Solid Gold, Rockula, Sammi Curr. Band from the horror movie Trick or Treat.

Read more less

Trips Festival Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 5.75 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

Read more less

Ty Segall- The Blind Pig 2014 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler for Ty Segall. The Blind Pig

Read more less

U.V.B.C. Love Thy Neighbor 1997 Montreal Canada Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 350 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. U.V.B.C. Paper Route Tricky Woo Bionic S.S.G. Showcase 3-8-1997 Immersed in the distinctive visual culture of the late 20th century, the "U.V.B.C. Love Thy Neighbor" silkscreen print by Frank Kozik stands as a testament to the artist's influential role in pop art, street art, and graffiti movements. Created for a musical showcase in Montreal, Canada, on March 8th, 1997, this piece is a striking amalgamation of rock 'n' roll ethos and a call for communal harmony, encapsulated by the phrase "Love Thy Neighbor" prominently displayed across a montage of band memorabilia. The hand-pulled print on fine art paper exudes Kozik's signature style—bold, graphic, and often imbued with a sense of irony. The limited edition print, with only 350 copies signed and numbered by Kozik, presents a collection of items traditionally associated with the punk and rock subcultures, including a grenade and a knuckle duster. These symbols, entwined with the olive branches and the commandment to love one's neighbor, create a juxtaposition that challenges viewers to question societal norms and the often contradictory nature of human behavior. This artistic expression goes beyond simple concert promotion, delving into the realm of social commentary while remaining rooted in the visual language of pop and street art. The event itself, featuring U.V.B.C., Paper Route, Tricky Woo, and Bionic at The 360 in Queen West, is memorialized in a manner that elevates the ephemeral nature of a gig poster to a lasting piece of art. Kozik's work, including this print, serves as a cultural milepost that captures the zeitgeist of its time—a visual lexicon for the music and the message, embodying the D.I.Y. aesthetics that define the era's underground music scenes. The print's size and the vibrancy of its colors command attention, with each element meticulously chosen to convey the artist's vision and immortalize a moment in Montreal's vibrant music history.

Read more less

UMBowl 5- New York 2014- Umphreys McGee Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

Read more less

Umphreys McGee Red Rocks 2010 Limited Edition Event Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Hand deckled bottom edge. Umphrey's McGee and Galactic at Red Rocks in Morrison, CO in 2010.

Read more less

Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Unsane Sweet Diesel Lollipop The Kilowatt San Francisco Ca March 9, 1996

Read more less

Wasted Youth- Your Eyes Here Cac Malaga Edition 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x D*Face Rare Street Art OBEY Pop Artwork Artist. Signed By F*Face & Shepard Fairey, Numbered Screen Print “WASTED YOUTH / YOUR EYES HERE” (CAC MALAGA EDITION) Screen Print 18 x 24 inches Edition of 400 July 16, 2015 D*Face and I enjoy collaborating and we both agreed that it would be great to do a print to celebrate our simultaneous shows at the CAC Málaga. We used very different color palettes in our murals there so we decided that since we both liked black, red, and silver – that we could put our chromatic differences aside and join forces on those three colors for the print. I’d still recommend seeing the murals in person if you have the opportunity, but this print is an avatar I can be proud of. All of the prints are signed by me and D*Face so you know that meant they had to travel to Spain and back – luckily, they’re all in good shape. Thanks to the CAC Málaga for facilitating such a great show for both of us! -Shepard

Read more less

We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

Read more less

We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

Read more less

Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Weapons of Mass Creation Fest, Cleveland Ohio June 8 9 10 2012. Perforated lower edge perfectly intact.

Read more less

Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

Read more less

Ween Roach Motel- Vermont 2007 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 2 color silkscreen – S/N edition of 200 – 2 blends. South Burlington, Vermont November 26 2007 Higher Ground

Read more less

Writing on the Wall- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2010 Signed & Numbered Screen Print Writing on the Wall (Red), 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles The illustration(minus spray can) is based on a photo by my friend Jim Jocoy who did a great book of late 70’s punk photos called “We’re Desperate”. Pick the book up if you can. -Shepard

Read more less

Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

Read more less