Artworks

123Klan- Gold Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. 2016 Limited Edition of 500 Montana MTN Spray Paint Cans 123Klan Gold Limited Edition Rare Spray Paint Can Artwork Crossover by Montana MTN The 123Klan Gold Limited Edition Spray Paint Can is a rare and sought-after collector’s item that embodies the fusion of Street Pop Art and Graffiti Artwork. Released in 2016 by Montana MTN, one of the most respected graffiti paint makers in the world, this limited edition can was produced in a run of only 500. It features a bold and dynamic design by 123Klan, an internationally renowned graffiti collective originating from France. Known for their signature blend of street art, graphic design, and hip-hop aesthetics, 123Klan transformed this Montana MTN spray can into a striking piece of collectible urban art. 123Klan and Their Influence on Street Pop Art and Graffiti Artwork Founded by Scien and Klor in 1992, 123Klan is a French graffiti duo that has made a significant impact on contemporary urban art. Their work seamlessly merges graffiti lettering with vector-based graphic design, creating a highly stylized and instantly recognizable aesthetic. Their influence extends beyond walls and galleries, as they have collaborated with major brands, fashion labels, and global streetwear movements. This Montana MTN Gold Limited Edition spray can showcases 123Klan’s signature style, featuring cartoon-inspired graffiti characters, bold linework, and a vibrant yellow-and-black color scheme. The design is not just decorative but represents the rebellious, energetic spirit of graffiti culture. With a nod to both classic street art motifs and modern design elements, this spray can serves as both an art object and a symbol of 123Klan’s influence on contemporary visual culture. Montana MTN and Its Legacy in Graffiti Culture Montana MTN, based in Barcelona, Spain, is one of the most respected and widely used brands in graffiti and street art. Known for their high-quality paint, innovative color palettes, and artist collaborations, Montana MTN has played a crucial role in the global development of graffiti culture. The brand has a history of releasing limited edition artist series cans, turning functional spray paint into collector’s items that celebrate the artists who push the boundaries of street art. The 123Klan Gold Limited Edition can is a prime example of this tradition. By blending fine art with the raw, expressive nature of graffiti, Montana MTN elevates the spray can from a tool of artistic expression to a work of art in its own right. The custom wooden display box further reinforces its status as a premium collectible, appealing to graffiti enthusiasts, collectors, and fans of Street Pop Art and Graffiti Artwork alike. Significance of Limited Edition Spray Cans in Street Pop Art and Graffiti Artwork Limited edition spray cans like the 123Klan Gold release represent the evolution of graffiti culture from underground movement to mainstream artistic recognition. These collaborations between legendary artists and leading paint manufacturers create a bridge between functionality and artistic value. Collectors and graffiti artists alike seek out these cans, not just for their usability but for their cultural significance. The rarity of this piece, combined with its visually compelling design, makes it a highly desirable artifact within the urban art community. It embodies the rebellious energy, DIY ethos, and bold creativity that define Street Pop Art and Graffiti Artwork. Whether displayed in a collector’s showcase or preserved as a piece of art history, the 123Klan Gold Limited Edition Montana MTN spray can stands as a testament to the enduring impact of graffiti culture on the contemporary art world.

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161 Street-Yankee Station- Gold HPM Hand-Embellished Limited Edition Screenprint Art on #100 Cougar Smooth Fine Art Paper by Artist Cope2- Fernando Carlo Subway Artwork. 2022 Signed & Numbered HPM Hand Embellished Limited Edition of 30 Artwork Size 24x12 Graffiti Spraypaint Tag Different on Each HPM, Exact Print You Recieve Will Vary From Image. Hand-Embellished 3-Color Screen Print on Cougar 100# Smooth Fine Art Paper Size: 24 x 12 Inches Release: July 19, 2022 Run of: 30

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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24k Gold Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by street graffiti artist Rip N Dip. 14 inch 24K Gold Lord Nermal Vinyl Figure Only 500 made Dissected Art Toy.

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2Vth Revolution Under Construction Artwork Giclee Limited Edition Print on Cotton Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Revolution Under Construction" 2018 30.6"x25" Giclée on Cotton Rag Each print is Signed, Numbered & Branded

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4th of July MC Supersized Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by street graffiti artist Ron English- POPaganda. 2019 Ron English- POPaganda, 8 Inches Tall, Signed By Ron English- POPaganda, SFBI. Displayed With Box

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9 Lives Artwork Giclee Limited Edition Print on Holographic Lenticular Paper by Pop Culture Graffiti Artist Marwan Shahin. New Collaboration with Fraktality "9 Lives” 2020 Holographic Lenticular fine art print Limited Edition of 39, Only 39 will ever be made. 16"x20" Comes framed with a Certificate of Authenticity.

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ABC Camo Shark- Gold 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bape x Bearbrick Medicom Collectible Size 400% New In Box In the dynamic sphere of contemporary urban culture, few collaborations resonate as profoundly as the union between Bape and Bearbrick Medicom. With the release of the ABC Camo Shark-Gold 100% & 400% Bape BE@RBRICK in 2022, the two brands solidify their standing as influential frontrunners in street-inspired design and artistry. This limited edition vinyl artwork toy, gleaming in radiant gold, captures the essence of street art's transformative influence on modern design aesthetics. Reflecting Bape's signature ABC Camo pattern, coupled with the distinctive shark face, the figure becomes a beacon of urban motifs that have punctuated the streets and fashion world alike. Its glistening gold finish not only elevates its visual appeal but also makes a bold statement about the luxe side of street culture. While many perceive street art, pop art, or graffiti as counter-culture movements, pieces like this Bearbrick stand testament to their integration into mainstream art and their undeniable influence on design evolution. Such collectibles are more than mere playthings. They are emblematic of the seamless blend between fashion, design, and art, celebrating the energy and creativity of urban spaces. This piece, housed in a pristine box and magnified at a 400% size, will be a cherished acquisition for fans of street culture and art connoisseurs. It is a constant reminder of how street art continues to challenge, redefine, and inspire contemporary design narratives.

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ABC Camo Shark- Gold 1000% Bape BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2022 Bape Bearbrick Medicom Collectible Size 1000% A Bathing Ape

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Alien Hidden Glow in the Dark Papyrus Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 45 Size 14x17 Alien Pharaoh on Papyrus Silkscreen That Glows in the Dark in Egyptian African Gold Style

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Alien Hidden Glow in the Dark Papyrus Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 25 Size 14x17 Alien Pharaoh on Papyrus Silkscreen That Glows in the Dark in Egyptian African Gold Style Delving into the mystique of street art, one encounters a realm where the grit and glamour of everyday life find an elevated, often incandescent expression. The work of Marwan Shahin stands as an example of this interplay between the real and surreal, and is particularly embodied in the 2023 Signed & Numbered Limited Edition "Alien Hidden Glow in the Dark Papyrus Hand-Pulled Diamond Dust Silkscreen Print." This unique piece of art amalgamates the mysticism of ancient Egypt with an offbeat contemporary perspective, showcasing a dynamic dialogue between past and present, tradition and rebellion, and thus cementing Shahin's position as a prominent figure in pop and street art. The ingenuity of the piece is defined by its striking aesthetics, which take root in its unique physical components. Shahin, a celebrated Egyptian artist, hand-pulls this diamond dust silkscreen print on authentic Egyptian papyrus paper. This choice of material not only pays homage to Shahin's heritage, but also infuses the artwork with a sense of timelessness. The papyrus, resonating with history and authenticity, serves as a canvas for a limited edition series, each piece signed and numbered, asserting its exclusivity and rarity. Drawing upon the aesthetic of African Gold style, the print features an Alien Pharaoh - a potent symbol that intertwines the sacred and profane, the terrestrial and extraterrestrial. This whimsical take on the iconic Pharaoh, a recurring motif in Shahin's work, is further heightened by an unexpected feature - the figure glows in the dark. This quality propels the artwork from the realm of the visually intriguing to the experientially engaging, enabling the artwork to transition and transform according to the play of light and darkness, adding another layer of intrigue and profundity to the piece. True to his reputation as a street artist, Shahin's choice to incorporate glow-in-the-dark elements captures the raw energy of graffiti and street art. These disciplines often thrive in the obscurity of the night, their messages illuminated under the cover of darkness. With this piece, the viewer can experience that same thrill, as the Alien Pharaoh comes alive in darkness, its golden aura casting an ethereal glow that compels one to reconsider what is known and what is yet to be discovered. Limited to only 25 editions, the 14x17 "Alien Hidden Glow in the Dark Papyrus Hand-Pulled Diamond Dust Silkscreen Print" stands as an opulent testament to Shahin's skill, vision, and distinctive artistic voice. It is an amalgamation of art and alchemy, a product of Shahin's explorations of both visual and material textures. The artwork's diamond dust finish not only adds a literal and figurative sparkle, but also enhances the tactile experience of the artwork, enticing the viewer to engage with it beyond mere observation. All these elements come together to create a unique visual journey that reflects Marwan Shahin's talent, vision, and innovative approach to pop and street art. His work speaks volumes about the power of art to transcend time and space, to blend the ordinary with the extraordinary, and to illuminate the darkness with the glow of creativity.

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Alliance of Magicians Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Gold Metallic Ink Arrested Development Tribute

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Amelia Earharts Lockheed Vega 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Laura Weaver Huff Rare Street Art Famous Pop Artwork Artist. Laura Weaver Huff, Amelia Earhart’s Lockheed Vega, 1985. Screenprint, 32″ x 23″. Scuffing/Creasing Located in a few Areas, See Images, in Good Condition.

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An Eye For An Eyrie- Red Gold Original Hand-Painted Multiple Spraypaint, Acrylic & Screenprint on CNC Cut Wood Panel ready to hang by Prefab77 Graffiti Street Artist Modern Pop Art. "We have always loved the portrait, our current style is one of mixing allegorical portraiture with our hard, fast edged style, often with secret messages, religious affiliations, and pop iconography woven into the art. We have explored the Totemic style in this release to carry these messages and to create a visually beautiful way to express an abstract idea or to convey and meaning not explicitly set out in the narrative. Like a really good 3-minute pop/rock track in can be a fable, a story or a Warning!" - Prefab77

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Anonymous Pharaoh 2Vth Blacked Out Papyrus Artwork Giclee Limited Edition Print on Black Egyptian Papyrus by Pop Culture Graffiti Artist Marwan Shahin. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 14x17 Acrylic Silkscreen & Aluminum Paint Guy Fawkes Stylized Anonymous Pharaoh Blacked Out Papyrus Paper. In a harmonious amalgamation of ancient Egyptian allure and contemporary symbolism, Marwan Shahin's "Anonymous Pharaoh 2Vth Blacked Out" emerges as a beacon of artistic fusion. This 2022 masterpiece intricately combines the regal imagery of the Pharaoh with the emblematic Guy Fawkes' stylization, often associated with the 'Anonymous' movement, presenting a compelling narrative of resistance and identity. Spanning a dimension of 14x17 inches, the artwork is rendered meticulously on black Egyptian papyrus. This choice of medium is deliberate, offering an authentic and rich texture that accentuates the acrylic silkscreen and aluminum paint detailing. The gleam of the silver signature and numbering heightens its exclusivity, reiterating the limited edition of just 25 pieces. A tribute to Shahin's commitment to individuality, each piece is handcrafted, ensuring that every print retains its distinct character. Revisiting Shahin's acclaimed street art from the tumultuous times of the Egyptian revolution in 2011, this blacked-out version offers a fresh perspective, marking a milestone in his artistic journey. It beautifully combines tradition with innovation, represented by the combination of the silkscreened acrylic and aluminum detailing on the papyrus. Furthermore, the incorporation of modern technology in the form of an NFT crypto-chip not only authenticates the artwork but bridges the gap between tangible art and the digital realm. Each purchase grants collectors a digital counterpart on the Polygon blockchain, sealed with a digital Certificate of Authenticity. This holistic approach encapsulates the zeitgeist of our times, where art, technology, and history converge, reflecting the dynamic spirit of pop art, street art, and graffiti art.

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Anonymous Pharaoh 2Vth Papyrus Artwork Giclee Limited Edition Print on Egyptian Papyrus by Pop Culture Graffiti Artist Marwan Shahin. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 13.77x17.71 Drawing from the fervent spirit of the Egyptian revolution in 2011, Marwan Shahin's "Anonymous Pharaoh" seamlessly melds historical reverence with contemporary dissent. Crafted in 2021, this artwork on genuine Egyptian Papyrus not only captures the zeitgeist of a pivotal moment in Egypt's modern history but also elevates it into the realm of high art. This unique piece measures 35cm x 45cm, creating a space where the iconic symbolism of the pharaoh, reminiscent of ancient Egyptian glory, is juxtaposed against the modern emblem of resistance - the face of 'Anonymous'. The artwork's potency is further intensified by its gilding with black diamond dust, adding a shimmering layer of intrigue and depth. While Marwan Shahin's street art rendition of the "Anonymous Pharaoh" was celebrated amidst the tumult of the revolution, this fine art print is the first of its kind, marking its inaugural release on papyrus since its inception. The exclusivity of this creation is highlighted by its limited availability, with only 50 prints ever made, each handcrafted meticulously at Shahin Studios in Egypt. What further sets this artwork apart is its incorporation of modern technology. Each piece comes equipped with a crypto-chip, allowing for the artwork's registration and authentication on the blockchain. This ensures the piece's provenance and solidifies its place as a collector's item. With his signature, numbering, and branding, Shahin not only authenticates each artwork but also embeds a piece of his soul, making "Anonymous Pharaoh" a beacon of pop art, street art, and graffiti art convergence.

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Antisoul 2Vth Diamond Dust Papyrus Artwork Giclee Limited Edition Print on Egyptian Papyrus by Pop Culture Graffiti Artist Marwan Shahin. "ANTISOUL” 2021 Diamond Dust Papyrus fine art print Limited Edition of 99, Only 99 will ever be made. 35cm x 45cm ANTISOUL is hand-made by Shahin Studios in Egypt in celebration of Marwan Shahin's new solo exhibition 'Pyramid Schemes' opening in Los Angeles on November 6th 2021 at done galleries. Each Papyrus print comes with a crypto-chip registering and authenticating the work on the blockchain. Signed, numbered, branded by Marwan Shahin, and contains a crypto NFC chip for authentication by the Fine Art Ledger.

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Anubis Afterlife 4-Color Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Street Art Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 30 Size 14x17.5 "Shahin Studios is delighted to present ANUBIS AFTERLIFE by Marwan Shahin; this is the conclusion of months of experimenting with different stains to age the Papyrus paper. The new edition of the artwork is interpreted with hand-pulled four color Silkscreen print on Soy-Stained Authentic Egyptian Papyrus, and each print intricately arranged with a lattice of black Diamond Dust, to produce visually intoxicating kaleidoscope-like effects." -Marwan Shahin. The Creative Odyssey of Marwan Shahin's "Anubis Afterlife" "Anubis Afterlife," a mesmerizing creation by Marwan Shahin, represents a striking convergence of ancient tradition and contemporary artistic practice. As a street pop artwork, this limited edition silkscreen print on Egyptian papyrus paper encapsulates the spirit of modern pop art while paying homage to the rich iconography of ancient Egypt. The use of authentic papyrus as a medium is a salute to the time-honored methods of artistic expression, further enhanced by Shahin’s innovative aging techniques that lend the work an air of antiquity. Artistic Alchemy on Papyrus Shahin, an Egyptian street art pop artwork artist, embarked on a meticulous process of experimentation to perfect the aging of the papyrus, aiming to achieve a soy-stain effect that imbues the paper with an ethereal quality reminiscent of historical artifacts. The artwork, a limited edition of 30 and 14x17.5 inches, features the god Anubis, the ancient Egyptian deity associated with mummification and the afterlife. This figure is intricately detailed with four hand-pulled silkscreen layers, culminating in a visually arresting and richly symbolic composition. The incorporation of black diamond dust in the artwork adds a tactile dimension that catches the light, creating kaleidoscopic effects that enhance the mystical aura of the piece. Diamond dust, a material once popularized by Andy Warhol, reflects Shahin's ingenuity in combining traditional screen-printing techniques with the luxurious embellishments in pop art. The resulting work is an homage to Shahin's homeland's cultural heritage, street art's vibrant energy, and the glossy sheen of pop art. Marwan Shahin's Visual Fusion of Past and Present "Anubis Afterlife" is a testament to Marwan Shahin's creative vision, where Egyptian art's rich legacy intersects with street pop art's bold immediacy. Through the figure of Anubis, Shahin bridges millennia, conversing with the symbols of ancient mythology while engaging with the aesthetics of the present. The choice of Anubis, a deity symbolizing the passage to the afterlife, suggests exploring themes such as transition, transformation, and the eternal cycle of life and death. This piece's introduction of street pop art into the pantheon of Egyptian motifs presents a unique narrative layer. In much the same way street art often appropriates and recontextualizes images and symbols from mainstream culture, Shahin reclaims an icon from his cultural history, reinterpreting it through a modern lens. This reimagining places "Anubis Afterlife" within the lineage of pop art that challenges and redefines the boundaries between high and low culture. A Tapestry of Time Woven by Marwan Shahin Marwan Shahin's "Anubis Afterlife" is a luminous example of how contemporary artists can delve into the wellspring of their heritage while contributing to the global convert conversation, underscores the potential of street pop art and graffiti to serve as a platform for cultural storytelling and artistic innovation. Through his fusion of mediums and motifs, Shahin crafts a visual tapestry that spans the ancient and the avant-garde, inviting onlookers to contemplate the seamless continuity between history and modernity. In pop art and street art, Shahin's work exemplifies how traditional elements can be re-envisioned to resonate with new audiences. His intricate layering of colors and materials transcends mere reproduction, offering an immersive experience that reflects the past and is a beacon for the future of artistic expression. "Anubis Afterlife," with its textured narrative and visual splendor, is a fine art collectible and a piece that captures the dynamic spirit of street art, embodying the pulse of a culture that reverberates through time.

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Aquaman: No Sea, No Life- Gold/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Meggs Rare Street Art Famous Pop Artwork Artist. Aquaman: No Sea, No Life" by Meggs 18 x 24 Inches R (Gold/Black): 2-color screen print | Signed & numbered limited edition of 25 "I wanted to re-interpret a mix of the classic & contemporary Aquaman in the form of a worn & well-loved comic book cover. " -Meggs

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Arches Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Awakening Surreal Artwork Limited Edition Giclee Print on 100% Cotton Rag Fine Art Paper by Popular Artist Naoto Hattori. 2012 Signed & Hand-Numbered Limited Edition of 50 Artwork Size 5.5x5.5 Original Printing

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Baby Huey- Blue Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. It’s all about that fade baby! Pretty hard to step into your Dad’s shoes, even if you have teeny tiny little feet, but a real playa has to try. Relish the opportunity to possess a little whiny evil dictator all your own, this 8″ figure comes in Supervillain Blue from the twisted mind of Frank Kozik!

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Baby Milo Metal Chrome Sculpture by Bape- A Bathing Ape Limited Edition Pop Artwork Street Artist Fine Art. 2023 Signed Sculpture Limited Edition Artwork Size TBD Metal Chrome Ape Animal Stylized Baby Anime Bape Sculpture Displayed with Custom Box. Bape Play A Bathing Ap30th0h Anniversary. Commemorating a Streetwear Icon: Baby Milo Metal Chrome Sculpture by Bape The Baby Milo Metal Chrome Sculpture is a striking testament to the enduring legacy of Bape, also known as A Bathing Ape, in street pop art and contemporary culture. As part of the brand's 30th-anniversary celebrations, this limited edition sculpture embodies the fusion of streetwear and high art, translating the iconic Baby Milo character into a fine art collectible. The use of metal chrome elevates the figure to a luxurious object and reflects the brand's influence on the aesthetic of street art and pop culture. The Significance of Baby Milo in Pop Art and Street Culture Baby Milo has long been synonymous with Bape, a character transcending its initial role as a streetwear mascot to become an emblem of the brand's creative expression. With its reflective chrome finish, this particular sculpture is a bold interpretation of the Baby Milo motif. It stands as a symbol of the brand's journey from the streets of Tokyo to international acclaim, marked by the embrace of pop art sensibilities and the influence of graffiti art's raw energy. The custom box accompanying the sculpture indicates Bape's attention to detail and commitment to delivering an immersive brand experience. It is a protective vessel that doubles as a part of the artwork, complete with branding and design elements that fans of Bape will instantly recognize. This packaging further solidifies the sculpture's status as a collectible and highlights the intersection of utility and artistry that street pop art and graffiti artwork often inhabit. The Baby Milo Metal Chrome Sculpture by Bape is a gleaming homage to the brand's street art roots and its evolution into a pop culture mainstay. It's a fitting tribute to A Bathing Ape's 30 years of innovative design and cultural impact, offering collectors and enthusiasts a tangible piece of the legacy that Bape has crafted within the world of street pop art.

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Baby Milo X Hajime Sorayama- Gold 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Bape- A Bathing Ape. 2022 A Bathing Ape BAPE x Hajime Sorayama Rare Bearbrick Collectible New In Box

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Baby Milo X Hajime Sorayama- Gold 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Bape- A Bathing Ape x Medicom. 2022 A Bathing Ape Rare Bearbrick Collectible New In Box

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Battle Damaged Qwiky Signed Gold & Black Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x QUICCS. 2020 Signed Autograph Gold & Black Battle Damaged Colorway Limited Edition of 200 New in Box Artwork Size 3x5.5 Canz Art Toy. Vast Majority Not Signed. The Intersection of Street Pop Art and Vinyl Collectibles: The Battle Damaged Qwiky Canbot Canz The street pop art and graffiti world has always been vibrant and constantly evolving, with artists seeking new mediums to express their unique visions and connect with audiences. Among these mediums, vinyl art toys have emerged as a powerful form of collectible artwork, seamlessly blending the ethos of street art with the culture of collectible memorabilia. A shining example of this fusion is the Battle Damaged Qwiky Signed Gold & Black Canbot Canz , a limited edition vinyl art toy collectible created by a collaboration between the renowned street graffiti artist Czee13 and the prolific creator QUICCS. This piece is not just a toy; it's a statement, a slice of the street brought into the collector's domain. The Battle Damaged Qwiky Canbot Canz stands out with its distinctive colorway—a stark, contrasting scheme of gold and black. It symbolizes the wear and tear of urban art, the marks of time and experience that give graffiti its character. Limited to an edition of 200, this Canbot Canz is a rare piece, with the vast majority of the collection not signed. Those that bear Czee13's autograph are thus highly sought after by collectors and fans of street pop art and graffiti artwork. The Essence of Collaboration in Street Art Translated into Vinyl The collaboration between Czee13 and QUICCS is a testament to the collaborative spirit inherent in street pop art. Their partnership for the Battle Damaged Qwiky Canbot Canz showcases a blend of their styles—QUICCS's love for mecha aesthetics and hip-hop influences converges with Czee13's organic and raw street art visuals. Each Canbot Canz reflects a narrative that speaks of resilience and survival in the urban jungle. Measuring 3x5.5 inches, this Canbot Canz is a compact powerhouse of artistic expression. It's important to note the significance of the toy's condition, dubbed 'battle damaged.' This term references the visual storytelling standard in street art, where every scratch and mismatched spray line tells a story of the artwork's life in the public sphere. This Canbot Canz 's design deliberately includes elements that mimic such 'damage,' turning what would traditionally be imperfections into badges of honor, much like in real-life street art that stands the test of time and the elements. The Cultural Impact of Limited Edition Art Toys The rarity of the Battle Damaged Qwiky Canbot Canz adds to its appeal and is a strategic move that mirrors the fleeting nature of street art—often here today, gone tomorrow. Limited to 200 pieces, this exclusivity creates a sense of urgency and a deeper appreciation for the artwork, much like the impermanent graffiti that may only exist briefly before being painted over or removed. This scarcity also reflects the underground roots of street art, where access and knowledge of certain pieces create a subcultural currency of cool. While most of these collectibles are not signed, those featuring Czee13's signature are elevated in status. They become a direct link to the artist, akin to having a piece of signed wall art in miniature form. This personalized touch is a nod to the tradition of graffiti artists leaving their mark and tag as a signature on their works, making each signed Canbot Canz a coveted piece for those who collect street pop art and graffiti artwork. The Canbot Canz as a Medium of Street Pop Art Expression The Battle Damaged Qwiky Signed Gold & Black Canbot Canz by Czee13 and QUICCS transcends being merely a collectible piece of contemporary street pop art that carries the essence of graffiti culture into a new form. It's a manifestation of street art's dynamism, a tangible piece that captures the spirit of the streets in a way that can be held, displayed, and treasured. For collectors, it's not just about owning a piece of vinyl; it's about holding a fragment of street art history, a moment of artistic collaboration, and a symbol of the culture they admire and want to preserve. This Canbot Canz is a statement, a conversation starter, and ultimately, a bridge between the tactile world of art collectors and the often ephemeral realm of street graffiti.

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Beer Hops Mandala 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 125 Artwork Size 18x24 Gold Metallic Ink

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Beer POP Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Clint Wilson Graffiti Street Artist Modern Pop Art.

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Blackjack HPM Hand-Embellished Mixed Media Silkscreen Art on Framed Canvas by Artist Steve Kaufman SAK Contemporary Pop Artwork. 2000 Signed & Numbered on Back HPM Hand Embellished Limited Edition of 25 Artwork Size 16x16

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Bling Box Logo Deck- Gold Limited Edition Skateboard deck art by Designer Brand Supreme FW22 2022 Supreme skate deck with natural veneer and black top ply. Printed logo on bottom with printed World Famous and box logo on top.

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Born To Ride Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Born to Ride" from Marwan Shahin's archives, one of the most renowned works from the "BANNED" series discussing women driving in the Middle East. "Born to Ride” 2012 27x39 Giclée on Etching Rag Signed print AP Edition, the same exact print was exhibited at The Wignall Museum of Contemporary Art 1/1 AP Artist Proof Damaged, Medium Scratches Along Black Bottom, Small Scratches Throughout, Still Presentable, See Detailed Photos

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C3PO Laser Etched Copper Metal by Joshua Budich Graffiti Street Artist Modern Pop Art. Title: "C3PO" Copper edition Medium: Laser etching on copper Edition: 100 copies Markings: Signed and numbered on verso

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Captain America Flag Patch HPM Silkscreen Print by Matt Dye- Blunt Graffix Hand-Pulled on White Gold Metallic Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered Gold Metallic Embellishments Limited Edition of 50 Artwork Size 18x24 Silkscreen Print of The Iconic Captain America flag patch worn by actor Peter Fonda in the film Easy Rider sold at auction in 2007 for $89,625. Part of the Art Show "“Beauty of the Beast". Small Skuff to Right Mid Lower Margin. Captain America Flag Patch HPM Silkscreen Print by Matt Dye – Blunt Graffix The Captain America Flag Patch HPM silkscreen print by Matt Dye of Blunt Graffix is a powerful homage to one of the most recognizable artifacts of counterculture history. This limited edition, hand-pulled screenprint, produced in 2014, features gold metallic embellishments on fine art paper, bringing a unique depth and richness to the distressed American flag imagery. The artwork captures the iconic flag patch worn by Peter Fonda in the legendary film Easy Rider, a piece of cinematic history that was later sold at auction in 2007 for $89,625. As part of the "Beauty of the Beast" art show, this silkscreen print embodies the raw energy, rebellion, and freedom associated with both the film and the broader cultural movement it represents. The Visual Composition and Artistic Execution Matt Dye’s artistic approach in this piece highlights the fusion of street pop art & graffiti artwork with a classic American icon. The composition focuses solely on the flag patch, isolated from its original context and magnified to emphasize its texture, wear, and historical significance. The distressed quality of the print reflects the rugged, anti-establishment ethos of Easy Rider, making the flag appear battle-worn and well-traveled. The choice of gold metallic fine art paper adds a stark contrast between the image’s roughness and the refined elegance of its material, reinforcing the idea that rebellion itself can be a form of artistry. The flag’s faded blue and red tones, combined with the visible fraying at the edges, create a sense of imperfection that aligns with the aesthetics of street pop art & graffiti artwork. The imperfections in the flag mirror the imperfections in the counterculture movement, where freedom often came at the cost of conflict and defiance. The use of screenprinting as a medium further enhances this effect, with ink textures and layering techniques adding a raw, handmade quality that mass production could never replicate. The Cultural Symbolism Behind the Artwork The Captain America flag patch from Easy Rider stands as one of the most significant symbols of rebellion in American pop culture. The film itself represented a generation’s disillusionment with authority, the pursuit of personal freedom, and the struggle against societal norms. By isolating this element and transforming it into a piece of street pop art & graffiti artwork, Matt Dye breathes new life into a historical artifact, reframing it within the context of modern artistic movements. The worn and frayed look of the flag patch suggests a deeper commentary on American identity, questioning whether the ideals of freedom and independence remain intact or have become faded over time. The print challenges the viewer to reconsider the flag’s meaning, whether as a symbol of unity, resistance, or defiance. The artistic choice to magnify the patch allows it to be viewed not just as a costume prop but as a relic of countercultural resistance, making it feel relevant in contemporary discussions of freedom, individualism, and political expression. The Impact and Collectibility of the Limited Edition Print With only 50 prints in existence, each signed and numbered by Matt Dye, the Captain America Flag Patch HPM silkscreen print is a rare and highly collectible piece. The 18x24-inch format ensures that the intricate details of the artwork remain visible, from the stitching of the flag to the delicate imperfections in the print. The hand-pulled screenprinting process further enhances the uniqueness of each print, as variations in ink application and texture make every piece one-of-a-kind. Blunt Graffix is known for pushing the boundaries of traditional screenprinting, blending pop culture nostalgia with the raw energy of street pop art & graffiti artwork. This piece stands as a testament to that vision, capturing the essence of a bygone era while keeping its message relevant in contemporary culture. The incorporation of gold metallic embellishments adds an additional layer of depth, making the artwork feel as though it belongs in both an urban setting and a fine art collection. The Captain America Flag Patch HPM silkscreen print is more than just a tribute to Easy Rider—it is a reflection of artistic rebellion, cultural commentary, and the enduring power of visual storytelling. It serves as a reminder that symbols, once worn and weathered, can still hold immense significance, reshaped by the artists who continue to reinterpret them for future generations.

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Carhartt- Orange Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN 2008 Spray Paint Can Limited Edition Carhartt Clothing Brand Cross Over with Montana MTN Spray Paint Cans The Carhartt-Orange Limited Edition spray paint can represents a unique intersection between street culture and commercial branding, a collaboration between the renowned workwear brand Carhartt and the iconic graffiti paint producer Montana MTN. Released in 2008, this limited edition spray paint can symbolizes a crossover that encapsulates the essence of street pop art and graffiti artwork, blending practical utility with artistic expression. The collaboration is an homage to the shared history of street art and the Carhartt brand, which has been embraced by various urban subcultures over the years. Montana MTN, famous for its high-quality spray paints favored by graffiti artists worldwide, provides the perfect canvas for this union. The Carhartt-Orange color itself is a vibrant testament to the brand's recognizable palette, a hue that stands out on any surface and has become synonymous with the durability and ruggedness associated with Carhartt's clothing line. The design of the can is a collector's item, featuring splatters of the iconic Carhartt orange color against a sleek black background, reflecting the energy and dynamism of graffiti art. This piece is not only a tool for creating street art but also an artifact that captures a moment in time when two influential brands came together to celebrate and elevate the art of the streets. Limited edition items like the Carhartt-Orange spray paint can are a testament to the cultural resonance of street pop art and graffiti. They showcase how the practical tools of street artistry can themselves be transformed into collectible works of art, blurring the lines between function and aesthetics. This crossover highlights the evolving relationship between street culture and commercial brands, offering a narrative that extends beyond the art to include fashion, identity, and the power of collaboration in the modern creative landscape.

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Casque d'Or Golden Heart Original Metal French Mailbox Letterbox Sculpture by C215- Christian Guémy Artwork by Graffiti Street Artist. 2014 Signed Original Metal Hand Made Sculpture One of A Kind Artwork. Created in 2014, Casque d'Or is a spray-painted artwork on a reclaimed postal box measuring 47 x 12 x 12 inches (119.4 x 30.5 x 30.5 cm), with the artist’s signature and title inscribed on the top as "C215 / Casque d'Or." Part of a series honoring French cinema, this piece pays tribute to director Jacques Becker and features a striking portrait of Simone Signoret, the celebrated star of Becker’s 1952 film Casque d’Or ("Golden Helmet"). Casque d'Or Mailbox Sculpture by C215 – French Cinema Immortalized in Street Pop Art & Graffiti Artwork Created in 2014, Casque d'Or is a one-of-a-kind hand-painted sculpture by renowned French street artist Christian Guémy, known globally as C215. Measuring 47 x 12 x 12 inches, this imposing artwork is constructed from a reclaimed French metal mailbox, transformed into a monumental tribute to French cinema and urban heritage. The sculpture features luminous spray-painted portraits, most notably a hauntingly beautiful depiction of actress Simone Signoret, the star of Jacques Becker’s 1952 cinematic masterpiece Casque d’Or. With its vivid yellows and splattered patina, the mailbox retains its identity as a utilitarian public object, while C215 repurposes it as a canvas of homage and cultural memory. The piece is signed and inscribed on the top as C215 / Casque d'Or, anchoring it as both a personal expression and historical artifact within the artist's body of work. C215 and the Urban Poetics of the Forgotten Object Christian Guémy, born in France, has established a powerful voice in Street Pop Art & Graffiti Artwork through his use of layered stencils and emotionally resonant portraiture. Known for elevating everyday city elements—doors, utility boxes, abandoned walls—into platforms for human connection, C215 approaches this sculptural mailbox with the same reverence. His stencils are cut by hand, revealing a meticulous craftsmanship that balances street spontaneity with academic control. In Casque d'Or, Guémy turns attention to Simone Signoret not only as a film legend but as a symbol of strength and complexity. His line work captures her cinematic allure while the placement on a government-issued mailbox speaks to the intersection of national identity, communication, and nostalgia. It is a bold reclaiming of the public surface as sacred ground for cultural storytelling. Spray Paint as Medium, the Mailbox as Canvas Spray paint remains the primary medium in Casque d'Or, reinforcing the graffiti artist's vocabulary while pushing it into sculptural and archival territory. The bright orange and yellow hues reference the classic French postbox color but are intensified by Guémy’s application style—layered, textured, and aged. The mailbox itself, complete with slots and embossed lettering, retains its utilitarian geometry, grounding the fantastical imagery in physical infrastructure. It becomes a sculpture not through removal from the street, but through reinterpretation. The pedestal elevates it further, suggesting monumentality without separating it from its roots in civic architecture. As part of the larger tradition of Street Pop Art & Graffiti Artwork, this transformation embodies the genre’s power to repurpose the familiar as a vessel for personal and collective myth. Cinema, Identity, and the Legacy of French Culture Through Street Art Casque d'Or belongs to a broader series by C215 that celebrates French cinema icons, a project rooted in cultural reverence and creative activism. By choosing a symbol of public communication—the letterbox—as the foundation of this work, Guémy underscores the idea that art can speak from the street just as powerfully as from the screen. The portrait of Signoret carries with it layers of French history, femininity, and media influence, while the sculptural format makes it portable and permanent. This fusion of fine portraiture, graffiti tradition, and historic reference places the work firmly in the center of contemporary Street Pop Art & Graffiti Artwork. It is not only a tribute to a film, but a reminder that the city itself is a gallery, its surfaces waiting to speak, to remember, and to reimagine.

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Chairman Mao- Bird is the Word 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Artwork Artist. The Bird is The Word Chairman Mao Print. This Kozik Glicee Print was issued directly with Chairman Mao Bust. The print was not made available to the general public or sold in any stores. Gold metallic ink.

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Charlie Mask Grin- BTS Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Removeable Covid style mask made of cloth. Charlie Brown Cartoon Beyond The Streets Exclusive x Made By Monsters

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Chase Glitter Gold MC Supersized Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by street graffiti artist Ron English- POPaganda. 2020 Signed New In Box Limited Edition. Chase Glitter Gold Variant Colorway. Ron English- POPaganda, 8 Inches Tall, Signed By Ron English- POPaganda, SFBI. The Chase Glitter Gold MC Supersized Grin represents a fusion of street pop art and graffiti artwork, a genre in which Ron English- POPaganda has been a defining figure. This limited edition vinyl art toy captures the essence of English's provocative and whimsical style. Released in 2020, each figure stands at 8 inches tall and is signed by the artist, making it a coveted piece for collectors and enthusiasts alike. This particular variant, the Chase Glitter Gold, adds a layer of luxury and exclusivity with its sparkling colorway, setting it apart from the standard editions. The glittering gold finish not only enhances the aesthetic value but also suggests commentary on the commercialization of art and culture—a recurring theme in English's work. The choice of gold, often associated with wealth and success, can be seen as a satirical nod to the artist's critique of consumerist values. Part of the SFBI (SuperFictionalBrandItems) line, this collectible is a tangible representation of English's influence on the art toy movement, which blurs the lines between commercial branding and artistic expression. The 'Grin' series, in particular, is renowned for juxtaposing iconic childhood figures with a distorted, almost carnivalesque smile, evoking a sense of nostalgia while simultaneously challenging viewers to reconsider the symbols of their youth. The MC Supersized figure, with its oversized grin and exaggerated features, symbolizes Ron English- POPaganda's subversive approach to familiar corporate mascots. By transforming these figures into high art, English invites discourse on the impact of brand imagery in our daily lives and how it can be celebrated and critiqued. This Chase Glitter Gold MC Supersized Grin is more than a toy; it is a piece of contemporary art that encapsulates the playful yet critical spirit of street pop and graffiti artwork. Collectors who acquire it are not only obtaining a piece of Ron English- POPaganda's storied career but are also engaging with the broader dialogue about the intersection of art, commerce, and society.

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Chop Til You Drop 3-Color Hand-Pulled Limited Edition Gold Metallic Ink Silkscreen Print on Thick Fine Art Paper by Burrito Breath x Hanks Cycles Rare Street Art Famous Pop Artwork Artist.

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Cold Tenderness Stencil Original Gold Leaf Laser Cut Cardstock by Snik One of a Kind Framed Artwork by Street Art Pop Artist. 2019 Signed Gold Leaf on Laser Cut Cardstock Original Artwork Size 13.75x20 Framed 16x23  Cold Tenderness by Snik – Fragility in Precision with Gold Leaf in Street Pop Art & Graffiti Artwork Cold Tenderness is a 2019 original artwork by the UK-based stencil duo Snik, meticulously created using gold leaf on laser-cut black cardstock. Measuring 13.75 x 20 inches and framed at 16 x 23 inches, this one-of-a-kind piece exemplifies the artists’ signature balance of control and emotion, craft and atmosphere. The portrait of a woman, rendered through countless fine diagonal incisions, shimmers with subtlety and quiet elegance. As the light catches the metallic surface, her gaze emerges and recedes, revealing the tension between permanence and disappearance. In the broader scope of Street Pop Art & Graffiti Artwork, Cold Tenderness stands as a poetic experiment in surface fragility, using luxury material and industrial process to interrogate vulnerability, memory, and identity. Laser Cut Craft and Gold Leaf Emotion What distinguishes this work is the precision of its construction. Snik has employed laser cutting technology to produce a complex network of stencil lines, each stroke carefully engineered to deliver tonal variation and shadow depth. Onto this grid, sheets of gold leaf have been applied, resulting in a surface that shifts with light and viewer position. The technique transforms the cardstock into a reflective screen where the portrait flickers between image and abstraction. While street art is typically fast, raw, and transient, this work is methodical, deliberate, and archival. The gold leaf adds both opulence and decay—fragile to the touch, always on the edge of deterioration. This paradox enhances the emotional undertone of Cold Tenderness, making it a landmark contribution to Street Pop Art & Graffiti Artwork. The Face and the Void At the core of the composition is the female figure, her face turning softly into shadow. There is no background. The field of solid black functions as both silence and space, creating a void that frames the figure’s introspective stare. Every cut line and gold trace carries weight; the face is not painted or sketched but etched through absence. The subject appears not as a performer but as a witness—watching without explanation, present without certainty. This stripped-down approach to portraiture places emphasis not on narrative but on presence. In the language of Street Pop Art & Graffiti Artwork, this reduction magnifies meaning, allowing small gestures and subtle shifts to become the emotional core. Snik and the Alchemy of Stillness Cold Tenderness is emblematic of Snik’s evolution as artists who have redefined the stencil as a tool of quiet revolt and poetic assertion. By fusing handcraft with digital accuracy, industrial methods with organic subjects, they continuously explore the liminal space between design and emotion. The choice of gold leaf in this piece is not decorative—it’s symbolic. It speaks to value, erosion, time, and the way light can both reveal and conceal. This artwork is not loud, but it is profound. It demands close looking, slow reflection, and patient engagement. In Street Pop Art & Graffiti Artwork, few pieces communicate fragility and discipline with this level of care. Cold Tenderness offers no easy answers—only the glow of presence and the sharp truth that beauty, like memory, can be both solid and vanishing.

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Consistency- 5 Original Painting Spray Paint, Acrylic, Mixed Media on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. In recent years Cope2 has been commissioned by Time Magazine, Converse, Adidas among others. His work has even crossed into the virtual realm with appearances in video games such as Mark Eckos: Getting up and Rockstar Games: Grand Theft Auto IV. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Corey Kluber/ Old Miner- Indians Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Corey Kluber/ Old Miner- Indians

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Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Juane Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Juane Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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