Artworks

No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Mixed Media Spray Paint & Acrylic Painting Original Artwork Size 43x53 on Unstretched Canvas Explosion of Color: Fernando Carlo's "No Cure" Fernando Carlo, known in the street pop art and graffiti art world as Cope2, is a Bronx-born artist whose work vibrates with the pulse of urban life. His piece titled "No Cure Original Acrylic Spray Paint Painting" is a spectacular canvas that showcases the raw energy and colorful chaos that defines street art. Created in 2020, this one-of-a-kind artwork is an amalgam of acrylic and spray paint, reflecting Cope2's dexterity with mixed media and his deep roots in graffiti culture. Spanning an impressive 43x53 inches on unstretched canvas, "No Cure" stands as a testament to Cope2's enduring influence in the realm of contemporary street art. In the canvas, we see a riot of colors and shapes, clashing and blending in an almost musical harmony. The artwork is signed by the artist, which not only ascertains its authenticity but also marks it as a significant piece within his extensive body of work. Cope2's signature is recognized worldwide, a symbol of credibility in the constantly evolving graffiti scene. With "No Cure," Cope2 demonstrates his versatility and his commitment to the craft, delivering a visual feast that is both a nod to the past and a step into the future of street art. The Bold Artistry of Cope2 Fernando Carlo's journey as Cope2 is a story etched onto the very streets of New York. Since the 1980s, he has been a figure synonymous with the graffiti scene, often regarded as one of the godfathers of New York City subway graffiti. His style has evolved over the decades, yet it retains the essence of the movement — bold, confrontational, and unapologetically public. "No Cure" captures this evolution, its canvas a dynamic collision of traditional graffiti elements with experimental pop art aesthetics. The title "No Cure" itself evokes a sense of raw, uncontained expression. It suggests an ailment for which there is no remedy, perhaps a reference to the addictive nature of artistic creation, especially within the context of street art where the act of painting can be as compelling as the art itself. This painting does not seek to cure but to capture and convey the complex layers of city life, the artist's inner narrative, and the vibrant cultural dialogue of the streets. The unapologetic presence of text, abstract motifs, and splattered paint illustrates Cope2's fearless approach to art and life. Contextualizing "No Cure" in Street Pop Art "No Cure" is not just an artwork but a visual representation of the culture from which it emanates. To understand this piece is to delve into the history of street art and its transition into the gallery space. Street pop art, with its roots in the countercultural movements of the 20th century, seeks to bring the vitality of street culture into the often sterile world of fine art. Cope2 does this masterfully, drawing on his experiences as a Bronx native to infuse his work with an authenticity that cannot be manufactured. The year 2020, when "No Cure" was created, marked an era where street art had firmly established itself as a genre that could command the walls of high-end art spaces while retaining its street cred. In this light, Fernando Carlo's work is a bridge, connecting the gritty sidewalks lined with aerosol to the white walls of art collectors seeking a piece of the street for themselves. "No Cure" embodies the zeitgeist of contemporary urban art, a beacon of the enduring spirit and evolving nature of street pop art and graffiti artwork. In the broader discourse of street pop art, Cope2's "No Cure" is a vibrant chapter that speaks to the diversity and complexity of graffiti art. It stands as a colorful testament to the artistic force of Fernando Carlo and the indelible mark he has left on the cultural fabric of the urban landscape. As the lines between street art and fine art continue to blur, pieces like "No Cure" remind us that at the heart of this movement is the power of raw, unedited expression — a power that indeed has no cure.

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No Lifeguard On Duty Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Jessica Hess Graffiti Street Artist Modern Pop Art. "Friends have been telling me for years that I needed to explore Detroit. I finally had the opportunity to do so last summer (2014). It was an urbex wonderland! I only had two short days to gather photo references of the city for my paintings and was overwhelmed by the volume of material. My paintings seek to capture the wonder and excitement in exploring what was once familiar, now otherworldly, the beauty in decay. My painting " No Lifeguard in Duty" was from the Brewster Wheeler Recreation Center. I am told that it has now been slated for redevelopment. I guess the graffiti party is over. Sadly, the majority of my subjects disappear soon after I paint them. It makes me feel like some kind of Grim Reaper of architecture. But for years now I have had remarkable luck in capturing them before they go." - Jessica Hess

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No Skateboarding Freestyle Blotter Paper Archival Print by Cope2- Fernando Carlo Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper, a type of thick absorbent paper, is traditionally used in fields like chemistry for drying samples or in the art world for watercolor painting. However, it has found a unique niche in the world of graffiti and street art for the creation of "blotter art", which is often associated with psychedelic art due to its historical use as a medium for distributing LSD. Experience the convergence of fine art and counterculture with our Fine Art Archival Prints on Perforated Blotter LSD Paper. These prints, a nod to the psychedelic era, are designed to deliver stunning visual impact. They are printed on high-quality blotter paper, which was traditionally used for LSD tabs, but now repurposed for this unique art form. Each piece is a work of masterful creativity, providing an experience that is both aesthetically pleasing and culturally significant. Printed with archival inks to ensure longevity, these prints are not only collectibles but also lasting symbols of a vibrant subculture.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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Norma Jean- Gold 1-Color Hand-Pulled Limited Edition Silkscreen Print on Gold Foil Paper by Paul Jackson Rare Street Art Famous Pop Artwork Artist. 18 inch by 36-inch screenprint on Gold Foil Paper, edition of 100.

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Not Bad for a Girl Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Paper by Graffiti Street Art and Pop Culture Artist Indie184. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 Indie184 "Not Bad for a Girl" - Archival Print, Limited Edition of 15 - 13 x 17" Not Bad for a Girl ( Rita Moreno) • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 13 x 17 inches Hand-signed and numbered by artist Indie 184 in a limited edition of 15

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NY Tripway Map I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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NY Tripway Map II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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NY Tripway Map III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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NY Tripway Map IV Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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NY Tripway Map V Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Cope2. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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NYC Subway Map VII Bronx Legend Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art NYC Subway Map VII Bronx Legend is a visually striking archival print created by Cope2, also known as Fernando Carlo, a respected figure in the street art scene. This limited edition print, confined to a series of just 35 signed and numbered pieces, brings a slice of New York's vibrant street culture to the world of fine art collectors. Each print, sized at 14x19 inches, is printed on premium 290gsm Moab Entrada fine art paper, known for its ability to present rich, lasting colors and sharp detail. Fernando Carlo's roots in the graffiti movement are evident in this piece, where he incorporates elements of the New York City subway map into his artwork, a nod to the historical significance of subway graffiti in the city's culture. The piece is a riot of color, typography, and symbolism that captures the gritty essence of Bronx street art. The artwork is a dynamic composition of tags, a signature element of graffiti, overlaid on a background that features the familiar layout of the subway system. This palimpsest effect, where newer layers of paint and text overlay older ones, is reminiscent of the subway cars that served as canvases for graffiti artists in the 1970s and 1980s. Carlo's work is not only a visual feast but also a narrative of the urban landscape and its continuous evolution, mirroring the ever-changing streets of New York City. Each print in the series is imbued with the spontaneous energy of street art despite being carefully reproduced to maintain the integrity of the original work. NYC Subway Map VII Bronx Legend is not just a representation of Cope2's artistry; it is also a cultural artifact that stands as a testament to the enduring influence of graffiti art within the broader context of contemporary art. Collectors of this print own a piece of New York City's legacy, as well as a moment in the timeline of an art form that continues to challenge and redefine the boundaries of visual expression.

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NYC Subway Map VII The Goat Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art "NYC Subway Map VII The Goat" is a captivating archival print by the acclaimed street artist Cope2, also known as Fernando Carlo. This piece, limited to an exclusive set of 35, is signed and numbered by the artist himself, signaling its rarity and collectible value. The artwork, with dimensions of 14x19 inches, is rendered on 290gsm Moab Entrada fine art paper, which is a testament to its high-quality production. The paper's reputation for durability and color rendition ensures that the vivid pigments and dynamic lines retain their visual impact over time. This print by Cope2 is a celebration of the New York City graffiti tradition, encapsulating the raw energy and bold expressiveness associated with this art form. Against the backdrop of the iconic NYC subway map, a symbol intrinsically linked to the origins of street art culture in the metropolis, Cope2 overlays his distinctive tags and lettering. The term "The Goat," often used to denote 'The Greatest of All Time,' in this context, could be interpreted as the artist's nod to the legendary status of New York's graffiti scene or perhaps a self-reference to his own standing within the street art hierarchy. Carlo's choice of vibrant colors and the inclusion of layered text create a sense of depth and complexity, inviting viewers to explore the intersections of art, urban life, and public space. His work is not just an aesthetic achievement but also an urban chronicle that preserves the ephemeral nature of street art in a more permanent form. The print serves as a visual archive of the city's urban fabric, the artist's personal history with graffiti, and the evolution of street art into the realm of fine art. For art enthusiasts and collectors, owning a piece from "NYC Subway Map VII The Goat" series is an opportunity to hold a fragment of street art history, as Cope2's prints are held in high esteem within the graffiti community and beyond. His work stands as a vibrant bridge connecting the energy of street-level creativity with the refinement of fine art, all the while maintaining the spontaneous spirit that is the essence of graffiti art.

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NYC Subway Map VII True Legend Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art "NYC Subway Map VII True Legend" stands as a vibrant testament to Cope2's, aka Fernando Carlo, influence and stature in the street art community. This limited-edition archival print is a confluence of the gritty energy of New York's underground scene and the refined technique of contemporary fine art. With only 35 signed and numbered pieces available, the artwork exudes exclusivity and significance. Measuring 14x19 inches, the piece is printed on 290gsm Moab Entrada fine art paper, renowned for its ability to present rich, accurate colors and to maintain the integrity of the original work for years to come. Cope2's dynamic piece pulses with the lifeblood of urban culture, a tribute to the artist's deep roots in the Bronx and the indelible mark he has left on the global graffiti landscape. The print is layered with his iconic bubble letters, wildstyle tags, and bold throw-ups that have become his signature. Embedded within the chaos of color and form is the NYC subway map, a nod to the artist's beginnings and the subway's role as the moving canvas of choice for early graffiti writers. It's here that Cope2 declares himself a "True Legend," a status earned through decades of contributing to the evolving language of street art. This piece, while celebratory, is also a dialogue with the viewer, challenging perceptions of what constitutes legitimate art. Cope2 brings the raw authenticity of the streets into a format traditionally associated with the art gallery, thereby erasing the boundaries between high art and street culture. Collectors of "NYC Subway Map VII True Legend" acquire more than just a piece of art; they are preserving a snapshot of a culture in constant motion, a culture that has sprawled from the subways of New York to capture the world's imagination. This print symbolizes the enduring legacy of street art and its unstoppable ascent into the art world's consciousness.

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Oil and Water IV The Year that Took the Wind Out of Our Sails 2020 AP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2020 Signed & Marked AP Limited Edition 4/10 Artwork Size 18x24 Archival Pigment Fine Art "Oil and Water IV The Year that Took the Wind Out of Our Sails" stands as a testament to the prowess of Dave Pollot, a revered name in contemporary pop art. This piece, created in 2020, exemplifies Pollot's unique ability to extract meaning from mundane objects and translate it into visually compelling narratives. Conceived as an archival pigment print on matte velvet rag fine art paper, the artwork is steeped in Pollot's signature style and offers a thoughtful commentary on the challenging year that was 2020. The piece is part of a limited edition series, signed and marked as Artist's Proof (AP), and assigned the distinct serial 4/10. These marks authenticate its exclusivity, affirming the artist's hands-on involvement in the creation process, ensuring each piece's uniqueness. Measuring 18x24 inches, the print is designed to stand out, creating a striking impression that encapsulates the artist's knack for turning everyday images into poignant masterpieces. Pollot's work transcends the traditional boundaries of pop art, drawing influence from street and graffiti art in its aesthetic and thematic expression. The juxtaposition of oil and water in this piece serves as a metaphor, alluding to the incompatibility and conflict faced in 2020. Like oil and water, the year saw the world's population struggling to mix, separated by invisible barriers of fear and uncertainty, a theme which the artist deftly brings to life. "Oil and Water IV The Year that Took the Wind Out of Our Sails" is not merely a captivating piece of visual art; it is an archival record of a difficult historical moment, viewed through the lens of a talented pop artist. Its distinctive combination of archival pigment on matte velvet rag paper enriches its impact, granting it a timeless appeal. This artwork is a must-have for modern art aficionados who appreciate the narrative depth and visual charm of pop art, as well as the novel perspectives it brings to the events of our time.

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On the Shoulders of Tiny Giants I Limited Edition Archival Pigment Fine Art Prints on Canvas by Graffiti Street Art and Pop Culture Artist Dave Pollot. 2021 #1/25 Signed & Numbered Limited Edition of 25 Artwork Size 31x40 Large Format Canvas Print on pH neutral 17 mil canvas. 2" of white margin surrounding the image. On the Shoulders of Tiny Giants I: Archival Pigment Fine Art Print by Dave Pollot On the Shoulders of Tiny Giants, I is an archival pigment fine art print on canvas created by the graffiti street art and pop culture artist Dave Pollot. Released in 2021, this piece is a limited edition of 25, signed and numbered by the artist, with the first print (#1/25) measuring a substantial 31x40 inches. Pollot's ability to blend traditional landscape paintings with modern pop art and graffiti elements is showcased in this large-format artwork. The use of pH-neutral 17 mil canvas ensures the longevity of the print, providing both durability and a rich, textured appearance. Exploring the Layers of Tradition and Modernity in Pollot's Work Dave Pollot's work often centers around the playful intersection of classical art forms and contemporary cultural references. In On the Shoulders of Tiny Giants I, Pollot takes what appears to be a traditional landscape painting at first glance and disrupts it with a graffiti-inspired burst of modernity. The foreground of the piece depicts a peaceful, pastoral scene, with trees lining a tranquil river. The colors are muted, evoking the soft, earthy tones characteristic of 19th-century landscape art. The landscape itself seems to invite the viewer into a serene world where time stands still. However, Pollot's signature approach is to blend these traditional elements with a bold, contemporary twist. In the center of the image, the painting seems to tear away, revealing a chaotic, cartoon-like graffiti pattern underneath. This underlayer is filled with abstract doodles and tiny characters, evoking a sense of frenetic energy and urban street art culture. The effect is both jarring and mesmerizing, as if the tranquil surface of the painting has been ripped apart to expose the vibrant and often chaotic world that lies beneath. This contrast between the old and the new, the serene and the chaotic, is a central theme in much of Pollot's work. He invites viewers to question their assumptions about art and culture, asking whether the old and the new can truly coexist or whether one will always dominate the other. In this piece, Pollot seems to suggest that the two are inextricably linked — that modern culture, with all its noise and chaos, is built upon the foundations of the past. The Influence of Street Pop Art and Graffiti Pollot's use of graffiti-inspired visuals in On the Shoulders of Tiny Giants I ties directly into the tradition of street pop art. Street pop art often takes elements of urban graffiti and recontextualizes them within the framework of fine art. In this piece, Pollot does just that, using the ripped-away section of the canvas to reveal an intricate world of graffiti-like doodles and characters. The characters in the underlayer are reminiscent of the playful, sometimes absurd figures often found in street art, lending a sense of humor and whimsy to the piece. At the same time, the graffiti element serves as a commentary on the tension between high and low art forms. Traditional landscape paintings are often seen as part of the "high art" canon, while graffiti is typically associated with street culture and countercultural movements. By combining the two, Pollot challenges the viewer to question the hierarchies that exist within the art world. Is one form of art inherently more valuable or legitimate than the other, or do both have something important to offer? Pollot's choice to depict the graffiti layer as something hidden beneath the surface of the traditional painting also raises interesting questions about what is visible and what is concealed in art and culture. Graffiti is often created in public spaces, yet it is frequently painted over or removed, its presence deemed undesirable in certain contexts. In On the Shoulders of Tiny Giants I, Pollot brings this hidden layer to the forefront, forcing the viewer to confront the vibrant, chaotic world that is often just out of sight. The Technique and Materiality of the Print Pollot's attention to detail is evident not only in the composition of the piece but also in the materials and techniques used to create it. The archival pigment printing process ensures that the colors remain vibrant and true to the artist's vision over time. This is particularly important for a piece like On the Shoulders of Tiny Giants I, where the contrast between the muted tones of the landscape and the bold, colorful graffiti layer is central to the overall impact of the artwork. The use of pH-neutral 17 mil canvas provides a sturdy, high-quality surface for the print, allowing the texture of the canvas to enhance the richness of the image. The size of the print, at 31x40 inches, makes it a statement piece. The large format allows the viewer to fully appreciate the intricate details of both the landscape and the graffiti elements. Pollot's use of a 2-inch white margin surrounding the image further enhances the sense of depth and space, drawing the viewer's eye inward toward the center of the piece. This margin also serves a practical purpose, making it easier to frame the print while maintaining the integrity of the image. The Evolution of Modern Art in Pollot's Work On the Shoulders of Tiny Giants I is a prime example of how modern artists like Dave Pollot are rethinking the boundaries of art. Pollot's work is part of a larger movement within contemporary art that seeks to break down the distinctions between high and low culture, tradition and modernity, fine art and street art. By blending these elements together, Pollot creates a visual dialogue that speaks to the complexity of modern life. Pollot's decision to incorporate graffiti elements into a traditional landscape also reflects the growing influence of street art within the world of contemporary fine art. Artists like Banksy and Shepard Fairey have brought street art into the mainstream, challenging conventional ideas about what art is and where it belongs. Pollot's work builds on this tradition, using the language of street art to disrupt the conventions of classical painting. On the Shoulders of Tiny Giants I is a testament to Pollot's ability to navigate the complex terrain of modern art. His work is both a celebration of the past and a commentary on the present, inviting viewers to reconsider their assumptions about art, culture, and the world around them. The limited edition nature of the print, combined with Pollot's signature style, makes this piece a valuable addition to any collection of contemporary art, particularly for those who appreciate the intersection of street pop art and graffiti culture with traditional fine art forms.

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urchase One Love 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by 123Klan Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 4 color screenprint on 100 lb, acid-free paper Signed and numbered limited edition of 100  Printed by Ben LaFond.

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Opal IV #5 Limited Edition Hand-Embellished HPM Spray Paint Archival Pigment Prints on Hahnemühle Fine Art Paper by Indie 184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Hand Embleshed Painted Limited Edition of 5HPM Artwork Size 18x24 Signed Limited Edition Opal IV • Autographed hand-embellished archival pigment print • Aerosol on Hahnemühle William Turner matte fine art paper, 310 GSM • Hand-varnished • 18 x 24 inches Hand-embellished, signed and numbered by artist Indie 184 in a special edition of 5 HPM.

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Open Arms- Light Red Limited Edition Spray Paint Can Artwork Crossover by Famous Graffiti Paint Maker Montana MTN. 2021 Spray Paint Can & Wood Box Limited Edition of 500 Artwork Size 3x8 400ml Can "Open Arms is a non-governmental non-profit organization dedicating to safeguarding the lives of people who try to reach Europe by sea; fleeing war conflicts, persecution or poverty. Through surveillance and boat rescue in the central Mediterranean, its solidarity work extends to other areas like advising and training people who migrate, developing alternatives to irregular migration and social awareness through reporting injustices." -Montana MTN

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Orange Umber #1 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she won't give it up! The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Orange Umber #2 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she wont give it up!The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Own Your Power Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 "Both of these pieces were originally created for my first solo exhibit "Go Hard" in LA. The title and theme of the show came about from an epiphany I had and a motto that I live by. In my life, I have many roles and at the end of the day, no one is going to show me or tell me how to do it. My success all depends on how hard I want to go. I am my own artist. All the pieces are worlds of personal declarations; they are constant reminders to help me stay empowered. Basically, lots of self-motivation, fear conquering, and an undeniable twist of feminism in most of my work. The female icons I used not only for the purpose of their stunning beauty but also their story of how they came, conquered, and rocked the world. "Don't Get It Twisted" with Maria Montes, Queen of Technicolor, and "Own Your Power" with Marquita Rivera- Queen of Latin Rhythm. I loved how they were small-town girls, pursued their dreams, broke barriers, and made it to worldwide legendary status, thinking BIG. I like that badass female touch to the pieces. " - Indie

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Oxnard Orange SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure In the second colorway of the Kali Kolors Kranky, Superplastic & Sket One have teamed up once again to bring you a burst of Oxnard Orange to your Kranky Collection! Freshly squeezed, this TANGY new addition to the Kranky fam. This will satisfy your daily dose of vitamin C. 8inches tall.

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Ozymandias Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Palm Trees Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Pasadena Pink SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure Sket One has delivered his 3rd Kali Kolor, Nozzle, removable cap & that OG RATTLE all covered by an electric pink.

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People’s Discontent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 550 Artwork Size 24x18 Silkscreen Print of CHild Spray Painting Back of Bus With Graffiti "I teamed up with my good friend and documentary photographer, Martha Cooper, on a new print release called “People’s Discontent.” Martha Cooper has been photographing creative kids in action on city streets since the mid-1970s. I remixed one of Martha’s iconic photos from her book, Street Play, titled “Hitchhiking a Bus on Houston Street” that she shot in 1978 in the Lower East Side of New York City. There was no advertisement on the back of the bus in her original photo, and since disco was the rage in the late ’70s, I thought it made sense for me to add a disco radio station with the slogan, “Listen To The Sounds of People’s Disco.” I added the “DISCO-ntent” and the spraypaint can in the kid’s hand as if he sprayed that on there. It’s a nod to that era but also to what’s going on now with the unrest around social justice issues. This limited edition print was first released through Urban Nation Museum in Berlin as part of their current show “Martha Cooper: Taking Pictures” curated by Jaime Rojo and Steven P. Harrington of Brooklyn Street Art." -Shepard Fairey People’s Discontent Silkscreen Print is a powerful example of the intersection between pop art, street art, and graffiti art. Shepard Fairey, better known by his moniker 'OBEY,' collaborated with renowned documentary photographer Martha Cooper to create this piece, drawing inspiration from the vibrant street culture that emerged in New York City in the 1970s. This print showcases Fairey's creative remix of an iconic photo by Cooper, titled “Hitchhiking a Bus on Houston Street.” The print is an intricate hand-pulled silkscreen creation on cream Speckletone Fine Art paper. Fairey added his own touch to the original photograph by inserting a disco radio station advertisement and a spray paint can in the child's hand, evoking the rebellious spirit of graffiti art. The juxtaposition of the disco radio station and the defiant "DISCO-ntent" slogan signify the sociopolitical unrest of the period, with a particular nod to the burgeoning disco movement. Fairey, while staying true to his street art roots, successfully adds a layer of pop art through the use of vibrant, mass-culture imagery, capturing a transformative period in urban history. By contextualizing this piece within the larger narrative of social justice issues, Fairey's artwork exemplifies the power of pop and street art to comment on, challenge, and shape societal norms. This limited edition print of 550 is a part of Urban Nation Museum's exhibition “Martha Cooper: Taking Pictures," curated by Jaime Rojo and Steven P. Harrington of Brooklyn Street Art. People’s Discontent Silkscreen Print represents a fusion of artistic styles, functioning as both a snapshot of a moment in time and a commentary on social issues, making it a unique and coveted piece among collectors and enthusiasts.

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Persue Invincible Collab Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Persue. 2021 Signed in Metallic Marker on Deck Face Graffiti Edition of 50

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Pesimo- Bishop Violet Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Pesimo is an acclaimed street artist from Peru. He has been popping up on walls in his city since 1998 and his work is recognized both locally and internationally. In 2001 he studied at the National School of Fine Arts and became the first graffiti artist to exhibit in a Peruvian gallery. His foray into the exhibition space and constant hard work have enabled him to participate in several festivals and events worldwide, positioning him as an important, referential street artist in Latin America and a symbol of the emerging urban art scene in Peru.

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Piano Concerto 1 Limited Edition Graffiti Artwork Off-Set Screen Print on Thin Glossy Art Paper by Street Artist Crash- John Matos. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 The artwork titled "Piano Concerto 1" is a limited edition piece by the renowned street artist Crash, whose real name is John Matos. It's a dynamic example of how graffiti transcends the street context, entering the realm of fine art with boldness and authenticity. Created in 2021, this piece is part of an exclusive series, with only 35 signed and numbered editions, making each print a coveted item for collectors. The artwork size is 16x20 inches, a substantial format that allows the intricate details and vibrant colors to stand out, encapsulating the viewer in its visual rhythm. Crafted with off-set screen printing on thin glossy art paper, the piece reflects Crash's roots in the subway graffiti movement of New York City in the early 1970s. His work is characterized by a mastery of color and shape, bringing together the raw energy of the streets with the precision and skill of a classically trained artist. In "Piano Concerto 1," the influence of pop art is evident, with the inclusion of comic-strip motifs and bright, contrasting colors that pop against the glossy finish of the paper. Each print from the series showcases the unique blend of abstract and figurative elements that Crash is known for. What's particularly striking about this piece is the sense of movement conveyed through the composition — a symphonic burst akin to the musical crescendo of a piano concerto, hence the title. There's a playful yet deliberate layering of elements, from the cartoon-like hands to the splatters and drips, which creates an almost three-dimensional effect. This work is not just a static image; it captures the liveliness and improvisation central to street art and musical performances. "Piano Concerto 1" stands as a representation of how graffiti art continues to influence and be a significant part of the contemporary art scene. It demonstrates how artists like Crash can navigate street and studio spaces, creating works that resonate with a broad audience and contribute to the ever-evolving narrative of urban art culture.

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Supreme Pilot Marker- Red Limited Edition Paint Sculpture Designer Art. Season FW18 Color Red Release Date 10/11/2018.

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Pineapple Yellow SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure Sket is brightening up the SuperKranky fleet with his next vintage shade! Pop the cap for a sweet injection of limited-edition flavor! 8 big inches of juicy soft vinyl. Rattles when you shake it! Just 700 made!!

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Pink Nature Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim

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Pop Graff Original Painting Acrylic, Spray Paint Mixed Media on Canvas Gallery Wrap by Sen2 Graffiti Street Artist Modern Pop Art. "Having developed my style over the course of thirty years, I often use vibrant colors and funky lettering to capture the viewer's attention in an instant. While my graffiti is generally limited to the street, I decided to showcase three original canvases exclusively for 1xRUN.As an artist, I have deep and passionate respect for the forefathers of the Pop Art Movement. Some of my greatest influence has come from Andy Warhol and Roy Lichtenstein. They planted the seeds in the latter part of the 20th century which changed people's perception of art. It's remarkable when a handful of individuals can spawn a revolution that will continue for many years to come, well into the 21st century. They created a paradigm shift in how art was to be interpreted and became the legendary masters." - Sen2

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Popsicle Orange Artist Proof SuperKranky Set Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Sket- One AP Artist Proof 2022 Signed & Numbered Edition of Only 10 Jankey Superplastic Custom Super Kranky Hand Made Parts by Sket One. Comes Hand Embleshied with Paint Pool Underlayment 7 Mini Spray Can Element. These pieces come with: Custom paint splatter (Each one will be unique) 3d Resin Puddle Place Matt Resin Kranky Spraycan Signed and Numbered on Cap

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Popsicle Orange SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure

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Portrait Series- Live Original One of a Kind Marker Drawing Artwork on Fine Art Paper by Urban Street Artist JM Rizzi. 2022 Signed Original Marker DrawingDrawing Size 9x12

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Pose MSK Burn Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN x Pose- Jordan Nickel. 2021 Spray Paint Can Signed Box Limited Edition of 500 Artwork Size 3x8 Can Burn, 2021 by POSE MSK Created Exclusively for Beyond The Streets 2021 Produced by Montana Colors Limited Edition Wooden Display Color: Black From: New York

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Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.

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Priority 228-2016 Slap-Up Label Sticker Original Tag Art by Skewville Original Permanent Marker Art Drawing on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2021 Signed Original Slap Up Graffiti Art Tag 4x5.5 Marker Tagged on USPS United States Postal Service Mail Label Sticker 228-2016.  Skewville and the Art of the Slap-Up: A Street Art Staple The urban art landscape is adorned with various forms of expression, and one pivotal figure who has contributed significantly to this vibrant scene is the artist known as Skewville. With the 'Priority 228-2016 Slap-Up Label Sticker', Skewville offers a quintessential piece that epitomizes the slap-up style of graffiti art. This art form, which utilizes stickers - often postal labels - as the medium, has been a cornerstone of Skewville's work, allowing for a distribution of his art that transcends geographical boundaries.  Dissecting the Slap-Up Phenomenon The 'Priority 228-2016' piece by Skewville is a signed original featuring a robust slap-up tag rendered in permanent marker on a USPS mailing label. Measuring 4x5.5 inches, this work is emblematic of the artist's signature style - bold, assertive, and unapologetically street. The choice of the USPS label is deliberate and indicative of the slap-up genre, which often employs ready-made, adhesive surfaces to create art that can easily be affixed to various urban fixtures, thus integrating the artwork seamlessly into the city's fabric. Skewville's Artistic Influence and Legacy Skewville's work is not merely an act of artistic expression but a statement on the accessibility and democratization of art. By choosing to work with inherently mundane and practical materials, Skewville elevates the ordinary into the extraordinary. His tags, a visual signature, become synonymous with their environments, reflecting the artist's dialogue with the urban landscape. The impact of such works is significant, offering an uncurated and spontaneous encounter with art available to all who traverse the cityscape. Skewville's 'Priority 228-2016 Slap-Up Label Sticker' is more than just a piece of street pop art; it is a testament to the genre's enduring appeal and ability to communicate complex narratives through simple, powerful visual gestures. As a modern street artwork, it represents the continuous evolution of graffiti as a form and the artists like Skewville who have shaped its trajectory over the years.

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Priority Mail 228-2013 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.5x3.5 Color Marker on the USPS United States Postal Service Priority Mail Label 228-2013.  Street Art's Intersection with Everyday Objects The 'Priority Mail 228-2013' slap-up label sticker featuring original tag art by Saber is a remarkable embodiment of how modern street artwork intersects with everyday objects. Saber, a recognized name in graffiti, transforms a mundane USPS mailing label into a canvas for his artistic expression. This piece, a 4.5x3.5 color marker on the USPS United States Postal Service Priority Mail Label 228-2013, is 2020 original, showcasing the artist's unique ability to repurpose everyday items into art. Saber's Artistic Commentary on Communication This work is more than an act of creative repurposing; it serves as a commentary on communication and how messages are transmitted in the modern world. By choosing a Priority Mail label, Saber taps into the theme of urgency and the importance of messages that such labels signify. His artwork disrupts this narrative of swift communication with a personal and cryptic tag, suggesting that amidst the rapid exchange of information, there are layers of meaning waiting to be uncovered. The tag, applied with a color marker, flows across the label in a style reminiscent of Saber's street art murals. The vibrant green strokes against the white and red of the Priority Mail label create a stark contrast, symbolizing perhaps the clash between the institutional and the individual, the standardized and the personalized. The use of a USPS label also points to the public domain as a space ripe for artistic intervention, where the artist can leave a mark that is both provocative and publicly accessible. Modern Street Art and the Culture of Slap-Up Tags Saber's choice of a slap-up label adheres to the culture of street pop art, where quick, spontaneous creations are integral to the art form. Slap-up tags are known for their immediacy and are often used by artists to leave a quick signature in public spaces. This piece emulates that culture, with Saber's tag being a literal and figurative mark of the artist's presence. In the context of street pop art and graffiti artwork, Saber's 'Priority Mail 228-2013' label is a testament to the genre's evolving canvas. It moves beyond walls and subway cars to find a place on portable, everyday items, thus expanding the reach of street art. Saber, an American artist, is known for such innovations, constantly challenging the boundaries of where and what street art can be. In sum, the artwork on the Priority Mail label is a statement on the power of street art to transform the mundane into the extraordinary. It captures the essence of street pop art's spontaneity and Saber's role as a pioneer in the movement. The tag, a signature of the artist's identity, reminds of the personal touch in an increasingly impersonal world dominated by digital communication and standardized services.

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Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

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Priority Mail Double White 2021 Original Marker Slap-Up Label Painting/Drawing Art on USPS Label by Tru Graffiti Legend Sechor Modern Street Artist. 2021 Original Slap Up Graffiti Art Tag Sticker, Signed 4.25x5.5 Marker on USPS Priority Mail Label.

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Priority Mail GOAT Marker Original Sticker Drawing Slap-Up Label Painting/Drawing Artby Tru Graffiti Legend RD-357 Modern Street Artist. Original Slap Up Graffiti Art Tag, Signed 2021 4.25x5.5

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Priority Mail RD Blue Bubble Marker Original Sticker Slap-Up Label Painting/Drawing Artby Tru Graffiti Legend RD-357 Modern Street Artist. Original Slap Up Graffiti Art Tag, Signed 2021 5.5x4.25

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