Artworks

Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Weapons of Mass Creation Fest, Cleveland Ohio June 8 9 10 2012. Perforated lower edge perfectly intact.

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Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

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Ween Roach Motel- Vermont 2007 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 2 color silkscreen – S/N edition of 200 – 2 blends. South Burlington, Vermont November 26 2007 Higher Ground

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WK- James Embellished Limited Edition Archival Pigment Fine Art Prints on 32lbs Bond Paper by Graffiti Street Art and Pop Culture Artist WK Interact. Customized with a unique Embellished Sprayed Paint UPS shipping label. Ink Injection 2 color print, on 32 lb. Bond paper Size 36" x 55" Limited edition of 15 Signed and fingerprint by artist

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Writing on the Wall- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2010 Signed & Numbered Screen Print Writing on the Wall (Red), 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles The illustration(minus spray can) is based on a photo by my friend Jim Jocoy who did a great book of late 70’s punk photos called “We’re Desperate”. Pick the book up if you can. -Shepard

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WTF Party Edition- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 11x15 "My work speaks of impending doom and many coarse, sinister themes, but that should not mean I want this to happen. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial's "WTF Party Edition- Mini": A Vibrant Statement in Street Pop Art In street pop art, the "WTF Party Edition- Mini" by Denial stands out as a vivid expression of contemporary sentiments. This original hand-painted multiple (HPM) on a wood-cradled panel is part of the True Facts Mini Multiple Series by the graffiti street artist Denial, Daniel Bombardier. Created in 2020, this piece is part of a limited edition series, numbered and signed by the artist, and comprises only 20 unique pieces, each with dimensions of 11x15 inches. The artwork captures the vibrant, often paradoxical spirit of modern life through the juxtaposition of bold letters and a lively background, encapsulating the essence of contemporary pop art. "WTF Party Edition- Mini" employs a visual language that is instantly recognizable, characterized by bright, contrasting colors and a playful yet impactful font style that screams for attention. The acronym "WTF" is a common expression of confusion or disbelief, and by placing it in the context of a 'party edition,' Denial injects a sense of irony and humor into the dialogue. The background, reminiscent of candy sprinkles, adds a layer of festivity and jest, further playing into the artwork's paradoxical theme. This piece reflects Denial's known approach to art: tackling serious and often sinister themes with a crass humor that invites viewers to ponder the absurdity of the situations presented. Exploring the Satirical Depths of Denial's Artistic Vision Denial's artistic vision extends beyond mere aesthetics; it delves into the satirical, often touching upon the pressing issues of our time with an irreverent and thought-provoking tone. The "WTF Party Edition- Mini" is emblematic of this approach, offering a critique of the contemporary human condition through street pop art. Denial's work is known for its engagement with themes of consumerism, politics, and the media, and this piece is no exception. By appropriating and recontextualizing common language and symbols, Denial invites viewers to reflect on the underlying messages that permeate their daily lives. The layered texture and rich colors of the "WTF Party Edition- Mini" are characteristic of Denial's work, blending graffiti's rawness with the polished sheen of pop art. With its hand-painted attention to detail and clear coat finish, this particular piece provides a tactile quality that emphasizes the message's immediacy. The choice of wood as a substrate adds a sense of durability and substance, grounding the fleeting expressions of street art in a lasting and collectible form. Cultural Commentary and Collectibility in Denial's Street Art Denial's "WTF Party Edition- Mini" is more than just a visually arresting piece; it is a cultural commentary that resonates with the shared experiences of navigating a world often filled with contradictions and unexpected turns. As a limited edition collectible, this artwork uniquely appeals to those who appreciate the intersection of street art with the more refined aspects of pop art. Collectors of Denial's works are drawn to the unique blend of humor, societal critique, and vibrant visual style that his pieces embody. The "WTF Party Edition- Mini" collectibility is heightened by its status within the True Facts Mini Multiple Series, a collection of works that explores similar themes across various contexts. Owning a piece from this series is not just an investment in a physical object; it is an engagement with the artist's broader narrative and an acknowledgment of the power of street pop art to influence and reflect culture. In the current art landscape, Denial's "WTF Party Edition- Mini" contributes to the dialogue surrounding the role of street pop art and graffiti artwork. It exemplifies how these art forms can transcend their origins, creating spaces for dialogue, reflection, and, importantly, a touch of fun. Through his creations, Denial continues to challenge perceptions, provoke conversation, and offer fresh perspectives on the complexities of contemporary life.

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Wu-Tang is for the Children Limited Edition Giclee Print on Fine Art Paper by Jason Naylor counter-culture street artist art.

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XXXtentacion I Limited Edition Hand-Embellished HPM Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Signed Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper Size: 6 x 9 Inches Release: January 16, 2020 Run of: 10

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XXXtentacion III Limited Edition Hand-Embellished HPM Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Superbe Print Gray Silver White Signed Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper Size: 6 x 9 Inches Release: January 16, 2020 Run of: 5

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Yo Gabba Gabba! Muno Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 1st Edition

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Yo Radio 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Skewville Rare Street Art Famous Pop Artwork Artist. 2013 Hand Signed & Numbered Limited Edition Artwork Extra Thick Tar Paper Size 24x15 " A while ago we got an opportunity to paint a building that looked like a giant radio. So we painted a giant radio on it. Since then I wanted to pay a long over-due homage to this building in Bushwick, Brooklyn that no longer exists. The original mural was just flat black with metallic silver spray paint, so when I decided to finally make a print I felt like it had to have that same feel. So the only way I know how to get that really thick metallic look is to silkscreen print it with good ol' plastisol on tar paper." - Ad Deville of Skewville

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Yo Yo- Tar Paper Limited Edition Metallic Silkscreen Ink on Hand Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville 2016 Hand Signed & Numbered Limited Edition of 80 Artwork Extra Thick Tar Paper Size 24x16 " A while ago we got an opportunity to paint a building that looked like a giant radio. So we painted a giant radio on it. Since then I wanted to pay a long over-due homage to this building in Bushwick, Brooklyn that no longer exists. The original mural was just flat black with metallic silver spray paint, so when I decided to finally make a print I felt like it had to have that same feel. So the only way I know how to get that really thick metallic look is to silkscreen print it with good ol' plastisol on tar paper." - Ad Deville of Skewville

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You Sound Like A Broken Record Screen Original One of a Kind Ink on Nylon Mesh & Aluminum Frame Painting Artwork by Legendary Street Graffiti Artist House33. YOU SOUND LIKE A BROKEN RECORD (Screen), 2021 Ink on nylon mesh & aluminum frame 68 × 52 in 172.7 × 132.1 cm HOUSE33: BAD INFLUENCES, an exhibition celebrating the artists who’ve influenced HOUSE33 through the medium of the silkscreen: a tool that turns everyday objects into inspiring accessible art. The exhibition features a series of one-off screen-printed canvases, large-scale skateboard decks, printed baltic birch panels, a series of utilized original silkscreens, and a limited edition exhibition screenprint. HOUSE33, a deviation of the iconic design studio and font foundry House Industries, originated as a mutated design experiment between commercial and art, born from a conversation about album covers, Hot Rods, Chaos Theory, and Brothel Creepers between Andy Cruz founder of House Industries and British fashion designer Simon “Barnzley” Armitage of London streetwear myth and fame. That conversation led House Industries, Barnzley, and designer Jeremy Dean to collaboratively build HOUSE33 and its flagship store in Soho London in the early 2000s. What began as a muse for typographic and illustrative explorations, became a collaborative creative breeding ground for clothing, art, and lettering, rooted in the art of screen printing.

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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Zooka Pac Archival Pigment Fine Art Limited Edition Print on 308gsm Hahnemuhle Cotton Rag Paper by Marley Mcfly, Street Pop Art Graffiti Artist. 2022 Signed Limited Edition of 50 Artwork Size 18x24, #1 of 50 Marley Mcfly's "Zooka Pac": A Fusion of Street Art and Iconography Marley Mcfly's "Zooka Pac" is a compelling archival pigment fine art print that embodies the spirit of Street Pop Art and Graffiti Artwork. This limited edition of 50 prints, signed by the artist and spanning a canvas of 18x24 inches, is a vibrant blend of urban artistry and pop culture symbolism. Created in 2022, the work is part of a series that showcases Marley Mcfly's unique ability to blend graffiti's raw energy with the poignant stylings of pop art, culminating in a piece that is both a tribute and an original artistic statement. Marley Mcfly, a notable figure in the contemporary street art scene, uses 308gsm Hahnemühle cotton rag paper for this series, a medium known for its fine texture and durability. This choice underscores the importance of materiality in graffiti and street art, which often relies on the quality and character of surfaces to communicate messages. The "Zooka Pac" print stands out for its subject matter and meticulous attention to the craft of printmaking. Creative Expression in Archival Pigment Prints Creating an archival pigment print like "Zooka Pac" requires a balance of technical precision and creative flair. The archival nature of the pigment inks ensures that the artwork resists fading over time, preserving the vividness of Mcfly's color palette and the sharpness of his imagery. The 308gsm Hahnemühle paper, with its delicate yet robust composition, provides the perfect backdrop for the artist's dynamic interplay of color and form. In "Zooka Pac," Mcfly uses the visual language of graffiti art to pay homage to iconic figures, weaving together street art's spontaneity with pop art's focus on popular culture icons. The artwork features a graphic that captures the viewer's attention, a testament to McFly's skillful hand and ability to convey depth and personality within the confines of a two-dimensional space. The Impact of Marley Mcfly's Work Marley Mcfly's contributions to the evolution of Street Pop Art are significant. His works, including "Zooka Pac," are infused with the ethos of graffiti art while being meticulously crafted to meet the standards of fine art prints. This harmonious blend of street culture and acceptable art practices makes Mcfly's work highly sought after by collectors and enthusiasts who appreciate the confluence of different art forms. The release of "Zooka Pac" as a limited edition also plays into the exclusivity and community aspects of street art culture, where owning a piece of the edition can feel like belonging to an underground society of art connoisseurs. McFly's ability to create art that is accessible yet profound has cemented his reputation in the street art world as an artist who pushes boundaries and challenges perceptions. "Zooka Pac," as the inaugural piece of its series, marks the beginning of a journey into Marley Mcfly's exploration of pop culture through street art. The piece is not merely a representation of an iconic figure but a reflection of the era and a statement on the enduring influence of such figures in the collective memory. Through this work, Mcfly continues to foster a dialogue between street art's rebellious origins and its increasingly recognized status within the canon of contemporary art.

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