Artworks

Ice Cream Truck 10-Color Hand-Pulled Limited Edition Silkscreen Print on 250gsm Stonehenge Gray Paper by Giorgiko Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 60 Artwork Size 20x28 2022 GIORGIKO "Ice Cream Truck” Edition of 60 20 x 28 inches Hand-pulled 10 color screen print Printed on Stonehenge 250gsm grey 100% cotton fine art paper Hand-deckled edges Signed and numbered by both Darren and Trisha of Giorgiko Printed by Serio Press (Los Angeles).

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Iconic Bubble- Black 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Cope2 Rare Street Art Famous Pop Artwork Artist. Edition of 75 signed by the artist 8 color screenprint on 300 gsm somerset paper Dimensions: 75 x 55cm year 2019

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Iconic Bubble- White 24ct Gold Leaf 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Cope2 Rare Street Art Famous Pop Artwork Artist. Edition of 25 signed by the artist 8 colour screen print on 300 gsm somerset paper with 24ct Gold Leaf Dimensions: 75 x 55cm year 2019

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Icons Show- Charlie Chaplin Madonna Artwork Giclee Limited Edition Print on Glossy Paper by Pop Culture Graffiti Artist Mr Brainwash- Thierry Guetta. Super Rare Promo Poster in Great Condition From Mr. Brainwash's 2010 "Icons" show in NYC. Dimensions: 89 x 58.5 cm / 36 x 24 inches Offset lithograph print on glossy thin stock paper. Signed in the plate. 2010

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Idiot Giclee Print by Joan Cornellà Artwork Limited Edition Print on Archival Textured Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 25.59x21.25 Idiot Giclee Print by Joan Cornellà Idiot is a 2023 limited edition giclee print by renowned street pop artist Joan Cornellà. Signed and numbered, this piece is part of a collection of 100 prints, created on archival textured fine art paper. Measuring 25.59x21.25 inches, the artwork showcases Cornellà's distinctively humorous and absurd style, often characterized by simplistic cartoon figures and dark satirical themes. The image depicts a smiling man being scanned with a thermometer-like device reading "Idiot Certified," creating an immediate visual punch and exemplifying Cornellà’s signature approach to challenging societal norms. Joan Cornellà's Approach to Satire in Street Pop Art Joan Cornellà, a Spanish-born artist, is widely known for his minimalist, absurdist cartoons that take a critical look at modern society. His work frequently uses humor, often dark and uncomfortable, to shine a spotlight on the trivialities and absurdities of human behavior. Idiot is no exception, and in this print, Cornellà uses simple lines and bright colors to convey a biting critique on the ease with which society labels individuals, often without deeper understanding or nuance. Cornellà’s characters typically have smiling, vacant expressions, which only serves to heighten the absurdity of their situations. In Idiot, the juxtaposition of the smiling man with the thermometer reading “Idiot Certified” suggests a satirical commentary on the superficial judgments people face in a world driven by appearances and quick assessments. The "certification" of idiocy highlights the ridiculousness of relying on superficial indicators or societal validation to define self-worth or intelligence. This kind of critique is a hallmark of street pop art, where everyday symbols and elements are often recontextualized to critique social behavior and norms. The use of minimalistic, flat designs is a stylistic choice that enhances the immediacy of the message. Cornellà uses a bold color palette and simple lines to make the work visually striking, creating an art piece that immediately grabs attention while allowing viewers to quickly grasp its satirical meaning. The exaggerated, cartoon-like figures may appear simple at first glance, but they carry complex undertones about the human condition and the absurdity of modern societal structures. The Role of Dark Humor in Cornellà's Graffiti and Pop Art Cornellà’s work has been likened to graffiti and street pop art in that it distills complex social critiques into instantly recognizable images. His use of dark humor—a staple of his work—sets him apart within the pop art landscape. Idiot relies on a form of humor that is both biting and subtle, allowing viewers to laugh at the absurdity of the situation while recognizing the deeper societal issues being critiqued. The simplicity of the image belies the complexity of its social commentary, offering layers of interpretation. In street pop art, humor is often used as a tool to subvert traditional art norms or challenge authority. Cornellà's approach can be seen as a continuation of this tradition, where humor acts as a vehicle to critique social, political, and cultural systems. The absurdity in Idiot draws attention to how people often willingly conform to ridiculous standards without question. It reflects the increasingly superficial nature of society, where quick judgments based on surface-level interactions—much like a thermometer scan—can lead to reductive, often harmful, labels. The use of a medical device to certify idiocy also evokes a commentary on the over-reliance on technology or systems that dehumanize people. Cornellà’s work often critiques the technological and bureaucratic systems that strip individuals of their humanity, reducing them to a set of labels or metrics. This resonates with the broader themes in street pop art and graffiti, where artists often challenge the dehumanizing aspects of modern life, from politics to mass surveillance. Giclee Print as a Modern Medium for Street Pop Art The choice of giclee printing for Idiot aligns with the artist’s commitment to quality and the longevity of his artwork. Giclee printing is a process that uses high-resolution digital images and archival inks to create prints that are as close to the original as possible. This method ensures that the vibrant colors and sharp lines in Cornellà’s work are preserved over time. The use of archival textured fine art paper further enhances the print’s quality, providing a tactile, almost painterly feel to the image. Giclee printing is often used by modern street pop artists who want to maintain the integrity of their work while making it more accessible to collectors. In the case of Idiot, the giclee print allows Cornellà’s satirical cartoon to be appreciated in a physical format that retains all of the detail and color of the original digital design. By producing a limited edition of 100, Cornellà ensures that the artwork remains exclusive, while still making it available to a wider audience. In street pop art, the medium is often just as important as the message. By using high-quality printing techniques, Cornellà ensures that his satirical message—both humorous and critical—can stand the test of time, while also contributing to the ongoing conversation about what constitutes fine art in the context of street art and graffiti. The print is both a collectible item and a work of art with a strong social message. The Role of Social Commentary in Joan Cornellà's Artwork Cornellà’s artwork often revolves around themes of identity, societal expectations, and the absurdity of modern life. Idiot is a perfect example of how Cornellà uses simple imagery to dissect these complex ideas. The smiling man in the image, unperturbed by his "certified" idiocy, reflects the way individuals can become complicit in their own dehumanization by accepting societal labels. Cornellà’s work frequently critiques how people allow themselves to be categorized and diminished, all while maintaining a cheerful or passive demeanor. The absurdity of the situation is heightened by the fact that the character being labeled an "idiot" seems entirely unaware or unconcerned by the judgment being passed. This plays into Cornellà’s larger body of work, where individuals are often depicted as detached from the consequences of their actions or the systems that control them. In street pop art, this detachment is a common theme, reflecting how urban environments and societal structures can alienate individuals from themselves and each other. Idiot by Joan Cornellà is a masterful example of how street pop art and graffiti-inspired artwork can blend humor, absurdity, and critical social commentary. Through the use of minimalistic design, bright colors, and satirical humor, Cornellà challenges viewers to question how society defines intelligence, self-worth, and identity. The high-quality giclee print on archival fine art paper ensures that this artwork will remain a lasting and impactful piece within the world of contemporary art.

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IHOP Limited Edition Giclée Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. giclee print 12 x 12 inches unframed signed and numbered, limited edition of 75

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I'm Sorry, I'm on Fire AP Artist Proof 2-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Print 2011 Signed & Marked AP Artwork Size 6x10 Letterpress Print Fine Art. I'm Sorry, I'm on Fire by Dan Christofferson: Emotional Symbolism in Street Pop Art & Graffiti Artwork I'm Sorry, I'm on Fire is a 2011 artist proof letterpress print by Dan Christofferson, widely known by his artist name Beeteeth. This rare 6 x 10 inch hand-pulled work exemplifies Christofferson’s approach to narrative symbolism through graphic minimalism and emotionally charged iconography. Printed in two colors, a muted coral red and deep maroon, the piece captures a burning moment of self-awareness and collapse, rendered through the haunting figure of a woman mid-transformation. With smoke rising from her lips and plumes of fire erupting from her head, the image rests between introspective grief and mythological catharsis. The AP marking and signature affirm its status as a one-of-a-kind proof from the edition, enhancing its rarity among collectors of Street Pop Art & Graffiti Artwork. Symbolism Through Human Form and Mythic Fire The visual narrative unfolds with a bare female figure whose elongated neck and stylized hands echo religious iconography, while the turbulent plumes of smoke and flame emerging from her skull evoke chaos, pain, and psychic overload. Christofferson’s use of thick, clean outlines and selective crosshatching pulls from traditional comic aesthetics while amplifying the surreal quality of the scene. Her gaze is unwavering, defiant, and exhausted, suggesting an emotional combustion that is more internal than external. The print compresses human vulnerability and divine spectacle into a concise composition that maintains tension and stillness simultaneously. It is not a literal fire but an existential flare, making the title feel like a quiet scream. Mastery of Letterpress Technique and Limited Color Dan Christofferson’s work often fuses historical printing methods with contemporary design principles. This letterpress print emphasizes texture and depth in ways that digital work cannot replicate. The slight embossment of ink against thick fine art paper gives the artwork a tactile weight that enhances the themes of physicality and damage. The use of only two ink colors forces a visual economy that sharpens the contrast and pulls the eye toward the core gesture of flame, smoke, and flesh. This minimal palette creates maximum emotional resonance, mirroring the internal friction represented in the subject. As an artist proof, it showcases Christofferson’s hands-on control during the printing process, reinforcing the personal imprint left on each piece. Dan Christofferson’s Emotional Lexicon in Street Pop Art As Beeteeth, Dan Christofferson has developed a visual language rooted in sacred iconography, regional mysticism, and a clear emotional current. Based in Salt Lake City, his works often explore myth, ritual, and personal trial using contemporary symbolism and design precision. I'm Sorry, I'm on Fire stands apart as one of his most intimate illustrations, transcending literal storytelling to present a visceral metaphor for burnout, identity, and unresolved internal conflict. Its scale may be modest, but the emotional breadth and graphic boldness make it a significant artifact in the ongoing evolution of Street Pop Art & Graffiti Artwork. This print exists as a small yet powerful meditation on transformation, despair, and resilience.

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Imagine Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Leslie Ditto. Artist: Leslie Ditto Title: Imagine Medium: Giclee Print Size: 16 x 20 Inches Edition: 100

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In Heaven Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Richey Beckett’s In Heaven Blotter Paper Print and the Evolution of Street Pop Art & Graffiti Artwork In Heaven, released on April 19, 2021, is a limited edition archival pigment print created by Welsh artist Richey Beckett. The artwork is printed on perforated blotter paper, a material historically linked to LSD distribution and countercultural iconography. Measuring 7.5 x 7.5 inches, this edition was signed, numbered, and released with a certificate of authenticity. Zane Kesey, son of author and LSD advocate Ken Kesey, hand-perforated the paper, further rooting this piece in the legacy of psychedelic art and its ties to anti-establishment narratives. By producing fine art on blotter paper, Beckett directly engages with the visual vocabulary of altered consciousness and underground rebellion, core themes in the lineage of Street Pop Art & Graffiti Artwork. This release exemplifies the crossover between traditional illustration and pop culture ephemera. Beckett’s piece does not merely exist as a static image; its medium evokes a specific subculture, inviting associations with the experimental, the taboo, and the liberated. In the same way that graffiti artists claim space in public areas to provoke reaction, blotter art inserts radical imagery into intimate settings, often passed hand to hand. Beckett’s choice to print on this medium reclaims that tactile immediacy, transforming a potentially disposable object into a collectible form of resistance and reflection. Symbolic Imagery and Technique in In Heaven The visual content of In Heaven features Beckett’s signature intricacy, with an image that appears to blend elements of divine ecstasy and personal transcendence. The composition is dominated by flowing forms, sacred geometry, and naturalistic detail. Stylized feathers, ornate jewelry, and celestial motifs flood the image with a sense of ritual and myth. The figure appears both regal and vulnerable, lying in a position that suggests transformation or surrender. The intense use of contrast between rich jewel tones and dark linework reflects Beckett’s mastery in using color to evoke emotion and mystery. These qualities position the piece within the evolving definitions of Street Pop Art & Graffiti Artwork. Where much of the street aesthetic leans toward immediacy and scale, Beckett's work is about intensity and intimacy. Yet it shares the same cultural foundation: artwork meant to resonate on a visceral level, addressing themes of identity, mortality, freedom, and beauty in ways that resist traditional gallery constraints. His use of traditional ink work merged with psychedelic color palettes speaks directly to the contemporary appetite for spiritually infused, richly detailed visual experiences. Psychedelic Legacy and the New Canvas of Street Pop Art Printing on perforated blotter paper is a deliberate artistic choice that carries decades of countercultural history. In the 1960s and 70s, LSD blotters were often printed with iconic pop imagery or abstract symbolism, making them both functional and expressive. Beckett’s decision to produce In Heaven on this same canvas transforms the piece into an artifact that blurs the lines between ritual, memory, and visual protest. This aligns with how graffiti once evolved from tagging to muralism, and how pop art transitioned from satire to social critique. Beckett’s contribution lies in his fusion of classical technique with rebellious format. Just as graffiti transformed neglected walls into sacred spaces for truth-telling, this work transforms psychedelic delivery paper into a platform for artistic elevation. The limited nature of the release—handled entirely by hand and steeped in cultural reference—demands that viewers reconsider the boundaries of what qualifies as fine art. Richey Beckett’s Role in Reimagining Psychedelic Art Forms Richey Beckett continues to innovate within Street Pop Art & Graffiti Artwork by pushing beyond standard materials and formats. With In Heaven, he presents a format historically tied to experiences of awakening, danger, or freedom, and recontextualizes it through precise, sacred visual language. This blend of mythic illustration and tactile culture makes his work accessible while carrying deep spiritual charge. As blotter art regains attention from collectors, Beckett’s contribution is notable not just for its aesthetic depth, but for the cultural conversation it reignites. By collaborating with figures like Zane Kesey and using formats that defy conventional norms, Beckett upholds the core principles of modern street-influenced art: provocation, reinvention, and an unwavering commitment to personal truth rendered in physical form. In Heaven is more than an image—it is a physical, emotional, and symbolic experience framed within one of the most subversive print mediums ever used in art.

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In Your Arms Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by ThankYouX Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 "I created this print special for 1xRUN. The image shows a girl letting go and throwing her hands up while being taken over by color, feelings, and emotions. It was inspired by a remix I did for a DJ Producer named Michael Woods. The song's lyrics were inspiring and made me want to create something unique.I feel that music and art can be one. When I make music, it makes me want to create more paintings; when I paint, it makes me want to get back in the studio and make more music. I want to continue this Art/Music project for the rest of the year. "- ThankYouX ThankYouX's Artistic Symphony ThankYouX, renowned for his vivid and expressive pieces, has made a distinct mark on modern pop art with his limited edition archival pigment prints. His work "In Your Arms" is a captivating example, blending street art's energy with pop art's sensibility into a creation rich in emotion and color. Released in 2016 as a limited edition of 50, each piece is signed and numbered, making it a treasure for collectors and enthusiasts. "In Your Arms" measures 16x20 inches and is printed on 310gsm fine art paper, a testament to the artist's commitment to quality and longevity. ThankYouX's approach to this piece was inspired by a remix he produced for DJ Michael Woods. The synergy between the music's lyrics and ThankYouX's visual imagination gave birth to an image that captures the essence of letting go, represented by the figure of a girl surrendering to a whirlwind of color and sentiment. This work is an emblem of the artist's belief in the unity of music and visual art. ThankYouX emphasizes the cyclical inspiration he derives from both disciplines, where painting fuels his musical creativity, and music, in turn, urges him to pick up the brush again. The artist intends to sustain this Art/Music project, exploring the harmonious relationship between the auditory and visual realms. Emotional Resonance in Street Pop Art The emotional resonance of "In Your Arms" is palpable; the subject is caught in a moment of ecstatic release, with vibrant splashes of color that seem to emerge from the very soul of the figure. This piece embodies the core of street pop art & graffiti artwork, where the raw and refined converge, and emotion can be as vividly portrayed on paper as on the urban canvas's walls. ThankYouX's work, mainly "In Your Arms," reflects the dynamic street art scene, where storytelling is visceral and direct. The figure's posture, the explosion of hues, and the invisible yet tangible energy emanating from the print are characteristic of street art's expressive power. It is an art that speaks to the eyes and heart, encouraging viewers to feel first and analyze later. In the grand tapestry of street pop art & graffiti artwork, "In Your Arms" is a thread that weaves together the intimacy of personal experience with the universality of music and art. It invites introspection and evokes a sense of shared humanity, bridging the gap between artist and audience. ThankYouX's creation is a reminder of art's enduring capacity to encapsulate and communicate the profound moments of our existence. Collectors of ThankYouX's prints are invited to participate in this symphony of art and music to own a piece of a narrative that transcends the boundaries of traditional art forms. "In Your Arms" is not just a visual treat; it is a sensory journey that encapsulates the artist's vision of a world where art and music dance in unison, enriching the other and creating a legacy that will resonate for years.

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Incognito- Black 20-Color Hand-Pulled Limited Edition Silkscreen Print on Radiant White 100% Cotton Paper by Tavar Zawacki- Above Rare Street Art Famous Pop Artwork Artist. Paper size is 84 cm wide X 116 cm tall // 33 inch wide X 45.5 inch tall Somerset, 330gsm Acid Free, Radiant White 100% cotton. All prints have hand deckle edge. PRINT FEATURES: Incognito was printed @ Mother Drucker Print Studio in Berlin. Incognito is a traditional CMYK color process of screen printing. There are over 20 different colors seen in the print design. All prints are Signed, dated, custom embossed and stamped on reverse of print.

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Inferno Welcome to Hell 2000 Wild Brain Event Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 22x36 Silkscreen Print Band Gig Poster by Frank Kozik WildBrain.com Event Promo September 8th 2000, Pig with gun in hell surrounded by fire. Frank Kozik is well known for his music posters and artwork in the pop culture and music industry, particularly in the punk rock scene. His work is characterized by its distinctive and bold style, often involving surreal or subversive themes. Silkscreen print is a printmaking technique that involves pushing ink through a mesh screen onto a substrate. It's known for allowing vibrant, bold colors and is often used for posters, fine art prints, and in the fashion industry. Wild Brain is a renowned animation studio.

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Infinite Pressuregrinder Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Nopattern- Chuck Anderson. Skate Deck 32 x B x.25 in (81.3 x 20.3 x .64 cm) Edition of 50, w/ Signed COA NoPattern is the Chicago-based studio of artist, designer, photographer and creative director Chuck Anderson. Known for his surreal use of color and light, pioneering juxtapositions of traditional & digital mediums and endless experimentation, Chuck's work has become highly sought-after by a wide spectrum of brands spanning the fashion. advertising, entertainment, tech, and sports worlds.

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Interstellar Jelly Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Fine Artwork Artist Tara McPherson. 2022 Limited Edition of 50 Skateboard Artwork Size 8x32 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 28, 2022

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It's Time Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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It's Your Birthday Pink Paint Limited Edition Hand-Embellished HPM 1-Color Silkscreen & Acrylic Paint Print on Hand Deckled Fine Art Paper by Mr. Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Framed Signed & Numbered Pink Paint HPM Hand-Embellished Limited Edition of 30 Artwork Size 50x38 Single-color Screen Print with Hand Finishing on Archival Fine Art. Uniqueness of Hand-Embellished Prints by Mr. Brainwash In modern pop art and graffiti, few pieces stand out quite like "It's Your Birthday" by the street artist Mr. Brainwash, also known as Thierry Guetta. This piece encapsulates the spirit of street art with its hand-embellished, hand-deckled fine art paper and a splash of pink acrylic paint that defies convention. The 2018 limited edition piece is a testament to the artist's dedication to the craft and his commitment to injecting his personality into each print. Under his moniker, Mr. Brainwash, Thierry Guetta has become an intriguing figure in street pop art. Guetta has earned both criticism and acclaim by bursting onto the scene with a style that combines elements of street art's rawness with the polish of gallery pieces. "It's Your Birthday" showcases his penchant for bold statements and the use of popular imagery recontextualized through a street art lens. The piece's single-color silkscreen base is transformed with hand-finishing, ensuring no two prints are identical. The "It's Your Birthday" series is a limited edition of 30, each piece uniquely hand-finished by Mr. Brainwash himself. The hand-embellished process involves the application of pink acrylic paint, a signature touch that adds dimension and texture, distinguishing each print as a standalone artwork. This technique bridges the gap between the mass-produced and the one-of-a-kind, reflecting the artist's philosophy that art should be accessible yet exclusive. Significance of Silkscreen in Mr. Brainwash's Work Silkscreen printing has a storied history in pop art, and Mr. Brainwash's use of this technique is a nod to the tradition while pushing its boundaries. The "It's Your Birthday" print, sized at a striking 50x38 inches, is a bold canvas for the artist's experimentations with color and form. The use of archival fine art paper as a base material ensures the longevity of the artwork, marrying the ephemeral nature of street art with the permanence valued by collectors. Since his emergence in the art world, Mr. Brainwash has been a polarizing figure, with debates surrounding his authenticity and style. Yet, pieces like "It's Your Birthday" solidify his status in the art market. The limited edition print's size, the quality of materials, and the personalized touch of hand embellishments make it highly sought after by collectors. It celebrates street art's influence on contemporary culture and how artists like Mr. Brainwash continue to innovate within the genre. Mr. Brainwash's contributions to pop art, street art, and graffiti cannot be understated. With each hand-embellished print, he challenges preconceived notions about what street art can be and how it should interact with the world of fine art. "It's Your Birthday" is a colorful beacon of Mr. Brainwash's artistry, a limited edition piece that captures street pop art's exuberant and transformative spirit.

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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It´s a Living- White Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. IT’S A LIVING is not just a statement but it is also a life philosophy for Ricardo Gonzalez, a designer, and artist from Durango México currently living in Brooklyn. His signature script style can be easily recognized from large-scale murals to commercial work for some of the biggest brands to a simple sticker in the streets. The ambiguity in the typographical messages continually creates a dialog between the viewer and the artwork. “A word is an image” and an image can be interpreted in so many ways, the direct approach of typography has been an exploring path where the main goal is to question our daily living and to produce a positive impact. After all, it’s a living.

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Jazz Baby Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. INFO

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Jelly Monster Pink Unique Original Silkscreen Print by Buff Monster Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2006 Signed & Dated Unique Original Silkscreen on Wood Panel Artwork Size 10.13x10.13  Jelly Monster Pink by Buff Monster – Playful Chaos in Street Pop Art & Graffiti Artwork The 2006 Jelly Monster Pink unique silkscreen print by Buff Monster represents one of the early and defining works of the American artist’s irreverent and sugar-soaked approach to Street Pop Art & Graffiti Artwork. Hand-pulled on a 10.13 x 10.13 inch wood panel, this signed and dated original is more than a print—it is a hybrid of painting, pop artifact, and graffiti statement. The pink jelly-like figure at the center is rendered in bold black outlines, exuding Buff Monster’s trademark aesthetic of cheerful grotesquery. Swirled hypnotic eyes, a stitched mouth, and a body resembling soft candy or alien confectionery play with themes of innocence and surrealism. The surface texture of the wood adds a tactile element that enhances the artwork’s physical presence, grounding its bright colors and playful form in something more rugged and permanent. Buff Monster and the Visual Language of Urban Candyland Buff Monster, born in Hawaii and based in New York, is a prominent figure in the evolution of Street Pop Art & Graffiti Artwork. Known for his obsessive use of pink and his fusion of Japanese kawaii culture with punk rock and heavy metal aesthetics, he has developed a distinctive style rooted in contradictions. Jelly Monster Pink is emblematic of this duality—it is adorable yet unsettling, cute but disorderly. The character presented in this piece embodies Buff Monster’s interest in creating a world where mutant mascots and saccharine colors disarm the viewer, only to provoke a second glance where unease and irony begin to surface. This work from 2006 falls within a period when the artist was expanding his presence in the street art community, translating his hand-painted monsters into prints, toys, murals, and exhibitions. Medium, Material, and Street Culture Permanence Unlike typical silkscreen works on paper, Jelly Monster Pink is printed directly onto a wood panel, emphasizing durability and blurring the line between print and object. The wood grain subtly visible through the pink ink provides a contrast that amplifies the artificial vibrancy of the character. Buff Monster’s process of hand-pulling these prints ensures that no two are completely alike, reinforcing the handmade, graffiti-influenced ethos that runs through all of his practice. This piece carries the same energy of his early street pastings and character stickers, but in a format suited for gallery or collector display. It represents how artists rooted in graffiti culture have embraced traditional art materials without abandoning their visual urgency. Cartoon Absurdity and Candy-Coated Dissent Jelly Monster Pink speaks through cartoon logic and sugary visuals, yet its undercurrents are deeply subversive. The figure’s crossed-out mouth, vacant spiraled eyes, and protruding teeth suggest something lost in translation—an emotion masked in sweetness or a creature caught in perpetual confusion. This blend of innocence and distortion captures Buff Monster’s ethos of using cute forms to express chaos, uncertainty, and satire. In the larger world of Street Pop Art & Graffiti Artwork, his work disrupts expectations by channeling nostalgia through a distorted mirror. It transforms symbols of childhood into sophisticated commentary on identity, culture, and art itself. Jelly Monster Pink stands as a playful yet potent example of this ongoing practice, combining clean design with wild imagination and a hint of irreverence that never fully fades.

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Jellyfish Eyes Black 1 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75 Jellyfish Eyes Black 1 by Takashi Murakami – A Psychedelic Icon of Street Pop Art & Graffiti Artwork Jellyfish Eyes Black 1 is a 2004 signed and numbered limited edition lithograph by renowned Japanese contemporary artist Takashi Murakami, measuring 19.75 x 19.75 inches. Issued in an edition of 300, the print features a cluster of floating, stylized eyes with jellyfish-like appendages, hovering across a black background with vibrant, pulsating color. The concentric orbs and whimsical lashes form an enigmatic composition that is both playful and surreal, drawing viewers into Murakami’s immersive visual universe. This work exemplifies Murakami’s ability to merge traditional Japanese aesthetics with global pop culture, injecting high-energy iconography into the realms of Street Pop Art & Graffiti Artwork. Neo-Pop Formalism Meets Subcultural Visual Language The hypnotic design of Jellyfish Eyes Black 1 showcases Murakami’s deep engagement with visual repetition and pop surrealism. Each eye radiates concentric bands of neon pink, electric blue, acid green, and gold—colors more commonly associated with commercial animation, toy design, and graffiti murals than traditional lithography. The black background intensifies the floating sensation of these biomorphic forms, transforming the space into a dreamlike field of suspended consciousness. Murakami’s roots in Nihonga painting and Edo-period compositions are evident in the fluid arrangement and balance, while the synthetic palette and digital smoothness embrace the commercialized intensity of pop iconography. In Street Pop Art & Graffiti Artwork, this blend of classical order with radical form asserts Murakami’s place as both historian and provocateur. Eyes, Surveillance, and the Otaku Psyche The eyes that populate Jellyfish Eyes Black 1 are not passive. They gaze back with unsettling presence, creating a dynamic tension between observer and observed. The motif reflects Murakami’s frequent exploration of otaku culture, surveillance capitalism, and the consumer gaze. These eyes are playful, even cute, but also obsessive, invasive, and endlessly watching. Some appear innocent; others twitch with layered concentric pupils and pupil-like satellites. This multiplicity mirrors the fragmentation of identity in digital and urban life. As seen across the broader scope of Street Pop Art & Graffiti Artwork, these eyes function as pop sigils—icons that entertain, disturb, and invite deeper inspection. Takashi Murakami and the Legacy of Superflat in Street Art Takashi Murakami’s impact on both fine art and street culture cannot be overstated. Through his Superflat theory, he developed a framework for collapsing the boundaries between high and low, ancient and hyper-modern, traditional painting and graffiti-inspired visual immediacy. Jellyfish Eyes Black 1 exists within that lineage as a work that is collectible, cultural, and subversively simple. The lithograph form nods to limited edition printmaking history while its aesthetic remains grounded in the saturated language of mass media and youth culture. As Street Pop Art & Graffiti Artwork continues to evolve globally, Murakami’s work offers a lens into how Japanese visual codes, anime motifs, and psychedelic surface treatments can coexist with the raw expressiveness of street-born art forms. Jellyfish Eyes Black 1 does not demand translation—it simply stares back, glowing in the dark, inviting you to feel.

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Jellyfish Eyes Black 2 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75. Comes Framed in 2 Frame Styles, Modern Blck Frame Size 22x22, Beige Matte Frame Size 28.75x28.75 Jellyfish Eyes Black 2 by Takashi Murakami – Floating Optics in Street Pop Art & Graffiti Artwork Takashi Murakami’s 2004 lithograph Jellyfish Eyes Black 2 stands as a vibrant continuation of his exploration into recurring motifs of vision, surveillance, and playful abstraction. Measuring 19.75 x 19.75 inches, the print is part of a signed and numbered limited edition of 300, released under the TM/KK imprint. Executed on fine wove art paper, the composition features a constellation of color-saturated, stylized eyes that hover and merge across a velvety black field. The piece is available in two distinct presentation options—modern black frame at 22 x 22 inches, and an elegantly soft beige matte frame at 28.75 x 28.75 inches—each emphasizing the spatial fluidity of Murakami’s floating forms. In the context of Street Pop Art & Graffiti Artwork, this piece emerges as both a study in surface aesthetics and a philosophical meditation on perception and presence. Murakami’s Animated Language of Form The visual structure of Jellyfish Eyes Black 2 builds upon the iconography of its predecessor, deploying a series of floating eyeball-like entities that fuse pop animation with organic drift. Set against a deep black background, the circular forms appear to pulse and glow, shifting subtly in tone and layering. Each figure is constructed with concentric rings of bold color—lime greens, blush pinks, scarlets, turquoise, ochres—punctuated with lashes, droplets, and slight distortions. The connective tissue that flows between the eyes resembles both mycelium and neural pathways, suggesting a symbiotic or collective intelligence. Within the lexicon of Street Pop Art & Graffiti Artwork, this mapping of interlinked optics translates as a metaphor for social networks, media vision, and collective consciousness. Murakami’s abstraction is not random; it is tightly ordered chaos, echoing both Japanese folklore and cybernetic futurism. Optical Play and the Superflat Aesthetic True to Murakami’s Superflat manifesto, Jellyfish Eyes Black 2 rejects the illusion of spatial depth while simultaneously creating tension and layering. The eyes are rendered in a graphic, poster-like style, referencing both commercial design and the techniques of Japanese anime and manga. The lithographic medium allows for pristine color reproduction, retaining Murakami’s digital sharpness and uniform flatness. This results in a visual experience where each element competes equally for attention, much like signage in urban space or characters in graffiti murals. The framing options further influence viewer reception—one suggesting sleek modernity and the other a nostalgic museum-grade presentation. Both emphasize the contrast between high-end collectibility and subcultural rawness. Eyes as Agents of Identity and Control In Jellyfish Eyes Black 2, the floating eyes are both whimsical and menacing. They call to mind not only the innocence of animated characters but the omnipresence of surveillance and digital observation. Murakami leverages the symbol of the eye to reflect the watching, documenting, self-aware nature of modern identity. The multiplicity of eyes within the same space speaks to fragmentation, overload, and an inability to escape the gaze—whether from others, institutions, or ourselves. In the realm of Street Pop Art & Graffiti Artwork, eyes often appear as markers of territory, vision, and spiritual assertion. Here, they become avatars of psychological atmosphere. Takashi Murakami’s Enduring Influence in Global Pop Visual Culture Takashi Murakami continues to serve as one of the most influential artists at the intersection of commercial design, conceptual painting, and urban culture. His approach unites Japanese Edo traditions with the immediacy of contemporary visual storytelling. Jellyfish Eyes Black 2 is emblematic of this approach—deceptively simple, richly layered, and hauntingly joyous. It occupies a space where traditional craftsmanship meets hyper-modern aesthetics, and where personal mythologies intermingle with digital consumer culture. The piece is not merely collectible—it is a portal into a stylized cosmos of symbolic resonance, humor, and introspection, rendered in flawless print form for the language of the street and the gallery alike.

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Jerry Garcia Symphonic Celebration- Warren Haynes 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl. AP Artist Proof. Jerry Garcia (Grateful Dead) Symphonic Celebration featuring Warren Haynes poster at PNC Bank Arts Center, in Holmden, NJ, August 9th, 2014. 3 color poster, 18x24, AP Edition of 50.

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Jewel Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Taylor White pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Jim Morrison's Doors, an Original Mixed Media Acrylic Painting by Bobby Hill, a Kind of Artwork on Fine Art Paper by a Street Art Pop Artist. 2010 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 14x22 Matted on Board 20.5x29 Artwork Size 14x22 Capturing the spirit of the legendary frontman of The Doors, Jim Morrison, artist Bobby Hill delivers a powerful mixed-media acrylic painting street art's raw intensity with the vibrant poppaletteettep art. Created in 2010, this original piecombinesher acrylic and spray paint techniques onto fine art paper, resulting in a visual experience as enigmatic as Morrison's persona. The artwork is 14x22 inches and matted on board to 20.5x29 inches, the piece is a substantial tribute that harmoniously fits within the collector's space and the gallery wall. Hill's portrayal of Morrison is not just a link but is an echo of the singer's influence, with every brushstroke and spray of paint adding to a narrative as layered as the music Morrison left behind. The vivid colors and the way they overlay and interact with each other reflect the complexity of Morrison's character and his legacy, resonating with fans and art lovers alike. Signed by the artist, this one-of-a-kind artwork carries the authentic flair that one would expect from a piece inspired by one of rock's most iconic figures. In this creation, Bobby Hill has successfully married the spontaneity and defiance of street art with the iconic, bold imagery characteristic of pop art. This piece does not merely showcase Jim Morrison's image but instead communicates a larger story about the impact of a cultural icon. It is a manifestation of how street art and pop art can cross paths to produce something that is not only visually striking but also emotionally stirring. The legacy of Morrison is thus perpetuated through this contemporary artistic lens, inviting viewers to explore the depths beneath the celebrity's surface. This painting by Bobby Hill serves as a testament to the enduring nature of Jim Morrison's influence, capturing the essence of his spirit in a way that continues to speak to the rebellious, the dreamers, and those who find beauty in the unconventional. It's a piece that, much like Morrison's own life, challenges the norm and invites more profound contemplation, mirroring the complexities of the human experience through street and pop art.

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JP Money Bear Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist King Saladeen. 2021 10" tall Custom Display Box With Artworks & Foam $ Signs "Hello, I’m JP the MoneyBear, totally inspired by King Saladeen best friend, John “JP” Thompson who passed away from brain cancer in 2013. He was my number 1 motivator to Take my passion for art serious, and continuously told me I was a King even when I thought it wasn’t! This is not a toy, it’s a piece of my life, apart of why I create and motivate others to be Great. While showing me the highlights of life and that we could do anything we dreamed of wit teamwork and faith! JP lives on through my Art forever! displayed for the first time ever Complex Con On JP’s actual birthday November 3, 2018 This is for motivational and inspirational purposes only Let’s create our way out of the dark with color, style, and individuality. Love what you do." – King Saladeen

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JP the Money Bear 20x30 Archival Pigment Fine Art Limited Edition Print on 310gsm Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: JP the Money Bear 20x30 Size: 20 x 30 in. Edition of 427 Signed and numbered by King Saladeen

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JP the Money Bear Wave Deck- Pink Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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JungleCity Giclee Print by Rosy One Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Rosy One JungleCity Giclee Print Limited Edition Street Pop Artwork The 2024 JungleCity Giclee Print by Rosy One is a dynamic explosion of color and cartoon-inspired street storytelling. Printed as a limited edition of just 100 pieces on fine art paper and sized at 19.69 by 27.56 inches, this work showcases Rosy One's unique position at the crossroads of graffiti culture, underground comics, and Street Pop Art & Graffiti Artwork. With signature precision and humor, she transforms an urban landscape into a chaotic, character-filled fantasy world where vibrant figures animate the streets and surreal city scenes unfold with each glance. The detail-rich composition acts like a still frame from an animated feature, full of references to hip-hop, street art history, and raw city life. Rosy One's Role in Contemporary Graffiti Pop Culture Rosy One, a Swiss graffiti artist born in Lausanne, has long been recognized for her powerful and whimsical fusion of classic graffiti techniques with comic book aesthetics and cultural satire. Her work often features cartoon characters, bubble letters, and bold linework that blends storytelling with street energy. As one of the prominent female figures in graffiti since the 1990s, she has consistently celebrated hip-hop culture through her visual language, while also challenging stereotypes in a male-dominated genre. JungleCity is a continuation of her playful yet sharp social commentary, packed with satirical details and urban iconography that invite viewers to examine themes of community, chaos, and character. Visual Breakdown of JungleCity's Street Pop Art Composition JungleCity bursts with personality, layering buildings, subway cars, signage, characters, and colorful ooze into a rich tapestry of graffiti-influenced design. Divided into upper and lower city levels, the print cleverly juxtaposes above-ground vibrancy with underground rawness. The upper city is filled with quirky inhabitants and anthropomorphic creatures, all engaged in expressive acts like tagging, rapping, or lounging in surreal scenarios. Meanwhile, the underground reveals a gritty MTA-style train labeled with graffiti tags and a subway tunnel morphing into dripping jungle roots. Skulls, rats, and signage like Jungle Street and Tuff City embed coded references to hip-hop’s birthplaces and graffiti’s rebel roots. Every inch is meticulously detailed, drawing the eye in countless directions, yet maintaining cohesion through Rosy One’s sharp black outlines and neon palette. JungleCity as a Statement in Street Pop Art & Graffiti Artwork This giclee print not only captures Rosy One’s distinctive voice but also encapsulates the enduring energy of graffiti as a living cultural force. Her approach to Street Pop Art & Graffiti Artwork fuses comic absurdity with graffiti realism, allowing the work to function both as visual entertainment and sociocultural critique. JungleCity is more than an aesthetic statement; it is a celebration of urban survival, creative freedom, and the interconnection between the visual languages of the street and printmaking. As both an art object and narrative map, the piece exemplifies how street culture continues to evolve and inspire.

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Kaleidopop 7- Pink Yellow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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Kaleidopop 8- Variant 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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Kaleidoscopic Psyche I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Vexta pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Kaleidoscopic Psyche II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Vexta pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Keiko the Koi! 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Clint Wilson Rare Street Art Famous Pop Artwork Artist. 2013 5x5 Keiko is actually a Ryukin goldfish. She lives in Japan where she has been adopted by families of Koi. The Japanese tea gardens offer Keiko a plush life with plenty of food and good company. She often wonders what life would be like in the oceans. Someday maybe she will meet a special someone from the ocean to tell her all about it.

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Knockout 11 Limited Edition 1-Color Hand-Pulled Silkscreen Acrylic, Spray Paint & Collage on 250gsm Paper Print by Greg Gossel Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered HPM Limited Edition of 18 Embleshed Artwork Size 18x22 "The Knockout! series is kind of a companion print to my Superficial! release from last year. This series is the other side of the coin to the aggressive punching character in last year's release, which I look at as a metaphor for the ups and downs of daily life. As for the creative process itself, this series is one of my more heavily layered editions. Each piece began with a layer of collaged vintage comic book pages to create a unique base texture. The pieces were then sanded, hand deckled, and built up with a variety of screen-printed layers, acrylic washes, and spray-painted textures giving the series a very rich and complex surface.This labor-intensive process mimics the layering and decay of old signage & street advertising and leaves each print in the series completely unique from the next." - Greg Gossel

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Knockout 17 Limited Edition 1-Color Hand-Pulled Silkscreen Acrylic, Spray Paint & Collage on 250gsm Paper Print by Greg Gossel Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered HPM Limited Edition of 18 Embleshed Artwork Size 18x22 "The Knockout! series is kind of a companion print to my Superficial! release from last year. This series is the other side of the coin to the aggressive punching character in last year's release, which I look at as a metaphor for the ups and downs of daily life. As for the creative process itself, this series is one of my more heavily layered editions. Each piece began with a layer of collaged vintage comic book pages to create a unique base texture. The pieces were then sanded, hand deckled, and built up with a variety of screen-printed layers, acrylic washes, and spray-painted textures giving the series a very rich and complex surface.This labor-intensive process mimics the layering and decay of old signage & street advertising and leaves each print in the series completely unique from the next." - Greg Gossel

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Kong Adidas- Beyond The Streets Limited Edition Silkscreen Skateboard deck art by street pop culture artist KC Ortiz. Kc Ortiz Kong Adidas Limited Edition Beyond The Streets Skateboard Deck Retna

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Kool Living 24-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Cotten Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed and Numbered Limited Edition Artwork Size 24x30 Reflections on Modern Society in FAILE's Kool Living "Kool Living," a vibrant 24-color hand-pulled limited edition silkscreen print by FAILE, presents a rich tapestry of contemporary society's motifs and the urban landscape's energy. Crafted on 290gsm Coventry Cotton Rag, this print resonates with the depth of color and detail synonymous with the finest street pop art and graffiti artwork. FAILE, a collaborative duo known for their dynamic and multifaceted approach to art, created this piece to reflect their "Off The Walls" show at Danysz Gallery in Paris in 2020. Artistic Techniques and Archival Quality in Kool Living The techniques employed by FAILE in creating "Kool Living" are a testament to their commitment to quality and detail. The use of archival ink on Entrada Cotton Rag ensures that each print captures the nuance and vibrancy of the original canvas. This dedication to preserving the integrity of their work is what makes the print a sought-after piece for collectors and enthusiasts of street pop art. Each print's embossing, signing, and numbering underscore its exclusivity and the artist's engagement with its audience. Social Commentary Through Street Pop Art "Kool Living" stands out as a poignant social commentary, combining elements of pop culture, commercial imagery, and street art's raw, gritty aesthetic. The piece features a skeleton toting a branded shopping bag, a familiar cartoon character looking on, and other elements that critique consumer culture and modern life's ephemeral nature. This artwork is a feast for the eyes and the mind, encouraging viewers to contemplate the world around them and their place within it. The Impact of FAILE's Work on Contemporary Art FAILE's "Kool Living" is a powerful example of how street pop art and graffiti artwork can transcend the boundaries of traditional art spaces and enter the realm of cultural artifacts. By utilizing a fine art paper like Coventry Cotton Rag, FAILE bridges the gap between the impermanent nature of street art and the lasting legacy of fine art. The print is a snapshot of the artists' broader body of work, consistently pushing the envelope regarding technique, medium, and message. In essence, "Kool Living" by FAILE is more than a silkscreen print; it is a statement on the fleeting moments of contemporary society, the all-consuming nature of consumer culture, and the vibrancy of street art as a form of expression. Its place on Coventry Cotton Rag elevates the piece, allowing the raw energy of the streets to be experienced in a format that is both enduring and

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La Marne Artwork Archival Pigment Print Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sergio Lopez. Sergio Lopez's "La Marne." Archival Pigment Print Signed and numbered by the artist Edition of 40 18" x 20"

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La Signora Capo HPM Limited Edition Hand-Embellished HPM Silkscreen on Hand Deckled Fine Art Paper by Dain Graffiti Street Artist Modern Pop Art. 2022 Signed Edition of 28- 24x36- Each piece is a one-color screen print on 24 inches by 36-inch deckled edge fine art paper. The prints are heavily hand-embellished by the artist making each print unique. From an edition of 28 these prints are extremely limited. One of the most influential street artists to emerge from New York, DAIN combines the visual language of graffiti with collaged old portraits of Hollywood glamour stars. Crossing genres and often working single pieces back and forth between the street and studio, DAIN combines wheatpasting, silkscreening, spray paint, collage, and acrylic.

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Lady Pink Erika Spray Paint Can Artwork by Montana MTN Limited Edition Crossover. 2018 Spray Paint Can Signed Box Limited Edition of 500 Artwork Size 3x8 Can & Box Celebrating Street Art Heritage: Lady Pink Erika Spray Paint Can Artwork The Lady Pink Erika Spray Paint Can, a collaboration between the iconic graffiti artist Lady Pink and the esteemed spray paint brand Montana MTN, is a collectible that encapsulates the essence of street pop art and graffiti artwork. Released in 2018 as a limited edition of 500, each can and its accompanying signed box size of 3x8 inches is a testament to the enduring influence of graffiti culture within the art world. This edition transcends the conventional use of a spray can as a tool for graffiti artists; it is transformed into an art object that celebrates the legacy of one of the pioneering figures in street art. Lady Pink, known as "the first lady of graffiti," has been a formidable figure in the community since the early 1980s. Her collaboration with Montana MTN to create a limited edition spray paint can bridge the raw, energetic spirit of street art and the collector's desire for tangible pieces of this culture. The artwork on the can features a depiction of the artist herself, engaged in the act of creation, capturing the vibrancy and rebellious energy that graffiti is known for. The signed box adds a layer of authenticity and exclusivity, elevating the spray can to a piece of art history. The Impact of Lady Pink's Work on Street Art and Pop Culture Lady Pink's work has profoundly impacted street art and pop culture, challenging perceptions and paving the way for future generations of artists. Her work on the streets and in galleries has consistently pushed boundaries, exploring themes of femininity, empowerment, and social commentary. The limited edition spray paint can artwork by Montana MTN continues her legacy, merging her impactful visual style with a medium synonymous with the street art movement. The "Lady Pink Erika" celebrates the artist's contributions and is an homage to the graffiti culture. It highlights the art form's journey from the fringes of public spaces into the world of collectibles and fine art. The rich color and life design reflects Lady Pink's vibrant murals, adorned city walls, and enlivened urban landscapes. The Lady Pink Erika Spray Paint Can by Montana MTN is a significant piece that stands at the intersection of street pop art, graffiti artwork, and collectible culture. It represents the fusion of art and utility, past and present, as a tangible reminder of the transformative power of street art and its capacity to influence, engage, and inspire across decades. Through this limited edition work, Lady Pink's artistry continues to resonate, cementing her status as an icon of street art and a trailblazer for artists worldwide.

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