Artworks

Combrat Rising Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Bumped Right Facing Extreme Edge Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 23.25 x 18 Inches Release: April 01, 2020

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Companion Flayed- Blush Red Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM KAWS' Companion Flayed in Blush Red: A Vibrant Expression in Street Pop Art The Companion Flayed in Blush Red is a vibrant beacon in the expansive body of work by KAWS, the renowned modern pop artist. As part of a comprehensive series launched in 2016, this limited open edition piece captivates with its striking color and intricate design. Enclosed in its original, unopened packaging, the figure measures 10.5 x 4.5 x 2.5 inches and profoundly expresses the interplay between street art sensibilities and the collectible art toy market. KAWS, real name Brian Donnelly, has established a legacy of creating figures that resonate deeply with Street Pop Art and Graffiti Artwork motifs. The Companion, perhaps his most famous creation, has been reimagined in various forms, each revealing a different aspect of its character and the artist's philosophy. The flayed versions, such as this one in blush red, lay bare the internal workings of the figure, offering a literal and figurative dissection of its form. The Cultural Resonance of KAWS' Companion Series The Companion Flayed Blush Red Edition embodies a significant cultural moment for KAWS and the broader art world, coinciding with his acclaimed "Where The End Starts" exhibition in Fort Worth, Texas. Like its counterparts, this figure stands at 11 inches tall, embodying a commanding and intimate presence. Released through platforms such as KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, the Companion series signifies the acceptance and celebration of street-influenced art within prestigious art spaces. The Companion Flayed series, with its exposed and vibrant innards, is a powerful commentary on the nature of emotional and physical exposure. The blush red colorway adds a dimension of warmth and connectivity, contrasting with street art's often cold and impersonal perception. KAWS plays with the dichotomy of the inner self versus the outer persona, inviting contemplation on the complexities of identity and the facades we maintain. Impact and Collectibility of KAWS' Flayed Companions The Companion Flayed Blush Red edition is not only a visually striking piece but also one of high collectible value. The decision to release the figure in an open edition format reflects KAWS' desire to democratize art ownership, allowing more enthusiasts to possess a piece of his vision. This approach aligns with the ethos of street art, which traditionally emphasizes accessibility and community engagement. With its unopened packaging and pristine condition, this particular edition is a coveted item for collectors of modern art toys and followers of KAWS alike. The piece's aesthetic appeal and significance in the trajectory of street pop art and graffiti artwork make it a multifaceted artwork that is both a cultural artifact and a testament to KAWS's enduring impact on contemporary art. The Companion Flayed in Blush Red is a bold statement on the permeable boundaries between commercial art, street culture, and fine art, a boundary that KAWS navigates with unparalleled finesse.

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Companion Flayed- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM Unveiling the Companion Flayed Brown by KAWS The Companion Flayed Brown Limited Edition Vinyl Art Toy Collectible is a distinctive artifact in the oeuvre of KAWS, an artist whose influence permeates the worlds of modern pop art, street pop art, and graffiti artwork. Released in a highly anticipated series in 2016, this piece showcases the flayed version of KAWS' Companion character. This icon has been reinterpreted across many mediums over the years. Encased in its original, unopened packaging, the figure is presented in a limited open edition, measuring 10.5 x 4.5 x 2.5 inches. The Companion series is, arguably, the most recognizable aspect of KAWS' work, embodying the cross-pollination of street culture and fine art. The flayed versions, such as this brown edition, offer a visceral look at the internal complexity of the character, juxtaposing vulnerability with the toy's stoic posture. Standing at 11 inches tall, the figures were released in conjunction with KAWS' "Where The End Starts" exhibition in Fort Worth, Texas, through various esteemed outlets, including KAWSONE, MoMA, and the Modern Art Museum of Fort Worth. The Companion Flayed Brown in the Context of Street Pop Art The Companion Flayed Brown emerges as a sought-after collectible and a significant commentary within street pop art and graffiti artwork. It continues KAWS' exploration of his characters' emotional and narrative depths, a theme consistent throughout his body of work. The figure's brown hue resonates with the earthiness and authenticity often associated with street art, grounding the otherwise ethereal character in the reality of the physical world. Like its counterparts, this edition offers a tangible connection between the artist's beginnings in graffiti and his ascension into the global art market. The release of such a piece through prominent cultural institutions underscores the recognition and acceptance of street-inspired art within formal art circles. The Companion Flayed Brown thus serves as both a milestone for KAWS and a symbol of the evolving perceptions of street pop art in contemporary culture. KAWS and the Evolution of Art Toys KAWS' Companion Flayed Brown symbolizes the evolution of the art toy movement, blurring the lines between plaything and high art. The careful crafting of this collectible, from its conceptual underpinnings to its meticulous production, highlights the artist's commitment to challenging the boundaries of traditional art forms. The flayed aesthetic invites viewers to confront identity's constructed nature and the layers comprising our public personas. The 2016 series of Companions, including the Brown Flayed edition, marks a pivotal moment in the history of art toys, propelling them into the realm of legitimate artistic collectibles. KAWS' approach to the Companion series reflects a nuanced understanding of the art toy as a medium capable of conveying complex themes akin to those found in street pop art and graffiti artwork. Through works like the Companion Flayed Brown, KAWS cements his status as an innovator who continuously redefines the interplay between commercial and fine art.

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Companion- Blush Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM KAWS' Companion-Blush: A Symbol of Modern Street Pop Art & Graffiti Artwork In the vibrant spectrum of modern pop art, KAWS stands out as an artist who seamlessly blends commercial design with fine art. His Companion series, especially the "Companion- Blush Limited Edition Vinyl Art Toy Collectible," has become a cultural landmark within street pop art and graffiti Art. The Companion-Blush, with its distinctive color and the classic KAWS motif, was released as a limited open edition collectible in 2016, encapsulating the artist's iconic design in a tangible form. Like its counterparts, this piece measures 10.5 x 4.5 x 2.5 inches, striking a balance between being conspicuous yet compact enough for personal display. Each figure in this series stands 11 inches tall, allowing for detailed appreciation without overwhelming the space it inhabits. The unopened package of the Companion-Blush edition signifies its mint condition, preserving the artwork's integrity and the excitement of a first-hand reveal by a collector. Relevance and Reception of KAWS' Companion-Blush in Artistic Circles The Companion-Blush is more than a collectible; it's a narrative piece that has evolved from KAWS' graffiti roots to a celebrated icon in the street pop art movement. With its crossed-out eyes and abstracted features, the character carries the emotional depth and commentary often found in graffiti art. Its release through renowned channels such as KAWSONE, MoMA, and the Modern Art Museum of Fort Worth underscores the blurring lines between mainstream and subculture, a testament to the Companion's universal appeal. The timing of this release, coinciding with KAWS's "Where The End Starts" exhibit, was pivotal, marking a period of high demand and intense interest in KAWS's work. The decision to release a series of six different Companions, including both entire body and flayed versions, catered to a broad audience spectrum, from art connoisseurs to pop culture enthusiasts, further cementing the Companion's status in the art world. The Impact of KAWS' Companion-Blush on the Evolution of Street Art The Companion-Blush exemplifies the evolution of street art into a refined form celebrated for its artistic value and cultural significance. Through his Companion series, KAWS has challenged traditional notions of graffiti artwork, transforming it into a high-demand collectible. With its vibrant hue and meticulous design, the Companion-Blush is a beacon of street pop art's transformative power, showcasing how street art's raw energy can be encapsulated in a form that resonates with a broader public audience. This collectible is a piece of KAWS' artistic journey and a fragment of the larger narrative of street art's integration into the global art market. It symbolizes when street-inspired artwork began to command the attention and respect previously reserved for more conventional art forms. The Companion-Blush, therefore, is not just an object of art; it is a cultural artifact that represents the dynamic and ever-changing landscape of modern Street Pop Art and graffiti Artwork.

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Consistency- 5 Original Painting Spray Paint, Acrylic, Mixed Media on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. In recent years Cope2 has been commissioned by Time Magazine, Converse, Adidas among others. His work has even crossed into the virtual realm with appearances in video games such as Mark Eckos: Getting up and Rockstar Games: Grand Theft Auto IV. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Cops & Cans Giclee Print by Taz- Jim Evans x Risk Rock Artwork Limited Edition Print on 290gsm Coldpress Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 38x17 Known for his distinctive style in the realm of pop art, street art, and graffiti, Taz (Jim Evans) has continually pushed boundaries with his imaginative collaborations. The artwork "Cops & Cans" is a giclee print, the result of his remarkable collaboration with Risk Rock, another highly respected street artist. This artwork vividly brings together the dynamics of street culture and the power of pop art in an eclectic and provocative representation. "Cops & Cans" as an artwork is marked by a distinct richness of color and a raw yet refined composition, reflecting the unique stylistic inclinations of both Taz and Risk Rock. The giclee print, a method known for its high-quality inkjet printing, captures the intricate detailing and vibrant hues of the original piece in a reproducible form. This allows both the artists and the audience to appreciate the work's nuances and complexity in a high-resolution format, extending its reach beyond the singular original. Firmly grounded in street art, the 'Cops & Cans' print explores the themes of authority, rebellion, and the socio-cultural implications of graffiti as an art form. It integrates iconography typical of Taz's works, while Risk Rock's influence is evident in the stylized detailing and poignant subtext. This collaboration between the two legendary figures has resulted in an artwork that transcends the traditional confines of pop and graffiti art, making it a coveted piece among collectors and enthusiasts alike. "Cops & Cans" is a testament to the transformative power of street art and its influence in contemporary art. It captures the essence of the streets, crystallizing it into a lasting image that is as thought-provoking as it is aesthetically appealing. Both Taz and Risk Rock have ensured through this work that the rebellious spirit and vibrant energy of street art continue to echo in the galleries and homes of those who admire this dynamic art form.

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Cornerstore Marquise Henry Reddi Wip 8.25 Skateboard Art Deck by DKG Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2021 Limited Edition Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Skate Pro Marquise Henry x DGK Reddi Wip Whipped Cream Stylized Board. Cornerstore Marquise Henry Reddi Wip Skateboard Deck by DGK: A Statement in Street Pop Art & Graffiti Artwork The Cornerstore Marquise Henry Reddi Wip Skateboard Deck by DGK, released in 2021, is a powerful fusion of sports culture and visual art. Created as part of DGK’s Cornerstore series, this limited edition deck brings together the raw, unfiltered energy of street skating with the visual punch of Street Pop Art & Graffiti Artwork. Sized at 8.25 inches wide by 32 inches long, with a 14.25-inch wheelbase, medium concave, and steep kick, the deck is made in Mexico using high-quality wood that caters to both collectors and skaters alike. The artwork features a stylized whipped cream can design, a parody of the iconic Reddi Wip can, with a twist of satire and cultural commentary that DGK is known for. Centered on the phrase Quise’s Whip, the design nods to professional skater Marquise Henry while cleverly referencing themes of indulgence, hustle, and the pursuit of cash in urban skate life. Visual Identity and Cultural Messaging in the Deck Design The design of the Reddi Wip deck functions as more than a simple branding homage. It operates on the language of Street Pop Art & Graffiti Artwork, borrowing from consumer culture to comment on the commodification of identity and skateboarding itself. With whipped cream rendered with googly eyes and piles of dollar bills beneath it, the message is both playful and sharp. The can is emblazoned with catchphrases like All Day and Always on Top, which serve as tongue-in-cheek affirmations rooted in skate hustle culture. Marquise Henry’s presence on the board grounds the product in authenticity, reflecting his real influence on street skating and urban fashion. The exaggerated parody of a grocery store product becomes a powerful symbol when placed in the context of the street, transforming everyday visual references into cultural signals that challenge and engage the viewer. Skateboard as a Canvas for Street Pop Art & Graffiti Artwork The use of skate decks as platforms for fine art has gained prominence within both contemporary street culture and the art world. This DGK board embraces that movement, turning a functional sports object into a collectible art piece. Printed on wood, the graphic utilizes bold colors, satirical typography, and character-driven elements to elevate the work beyond traditional branding. Skateboards like the Reddi Wip edition represent a fusion of physical performance and cultural expression, where the streets serve as both gallery and testing ground. DGK, founded by Stevie Williams, has consistently pushed these boundaries, offering products that reflect not only aesthetic tastes but also the values and struggles of the communities they represent. Limited Edition Object and Relevance in Modern Art As a limited edition 2021 print, this skateboard deck captures a moment in modern street art and skate history. With its unique design and connection to pro skater Marquise Henry, the Reddi Wip deck is more than just equipment. It becomes a curated art object, collectible and expressive of a lifestyle rooted in rebellion, perseverance, and style. Made with precision and integrity, the deck bridges skate functionality with the spirit of urban art commentary. The use of parody and consumer reference aligns it closely with the ethos of Street Pop Art & Graffiti Artwork, transforming a commercial parody into a powerful statement piece that stands tall in the overlapping worlds of art, design, and skateboarding culture.

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Cornetto Trilogy- Shaun of the Dead Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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Cosmic Cat- Red Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dabs Myla x Beyond The Streets. 2022 Limited Edition of 150 Artwork Size 7x12 New In Box Cosmic Cat (Red), 2022 Limited Edition 12" Vinyl Toy 12 x 7 x 5 in (30.5 x 17.8 x 12.7 cm) Figure 13.2 x 9.5 in (33.5 x 24.1 cm) Cylindrical Box Edition of 150 Cosmic Cat Red Art Toy Print is a fascinating piece of work from Dabs Myla, a dynamic duo known for their distinctive contribution to the realms of pop art, street art, and graffiti. Initially hailing from Melbourne, Australia, this power couple has made a name for themselves by blending elements of fantasy, color, and charm to create a style that's distinctly their own. Their creation, the Cosmic Cat Red Art Toy Print, marries both their love for cartoonish designs and their keen sense for adding a vibrant touch of color to the world. It's a dazzling testament to their belief that art should be fun, and their dedication to spreading positivity through their work. This print showcases a cat character, distinguished by its bright Red color, set against a backdrop of cosmic themes. It incorporates playful imagery with a degree of complexity, which is a clear hallmark of their work. Notably, Dabs Myla's style of art evokes a sense of nostalgia, harking back to the golden era of cartoons, while also integrating a modern, street-art influence. The Cosmic Cat Red Art Toy Print demonstrates this intricate interplay perfectly, proving a shining example of their unique style. This print, with its distinctive Red cat character, is an imaginative journey into a universe of their creation, combining influences from pop and graffiti art to make a piece that is engaging, cheerful, and visually intriguing. Dabs Myla's work, including the Cosmic Cat Red Art Toy Print, is indicative of the growing popularity and acceptance of street and graffiti art in the broader art world. Their innovative art toy print contributes significantly to the landscape of pop culture art, setting new trends, and inspiring countless artists globally. This piece is more than just a creation; it's an embodiment of the duo's passion, humor, and an invitation to viewers to see the world through a colorful and whimsical lens.

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Cosplay for the Cause Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Artist Robert Wilson IV. Limited Edition of 110 Cosplay for the Cause approached us to help produce their fund-raiser incentive poster for Wizard World Austin last month, and we placed them with artist extraordinaire Robert Wilson IV! This 4-color hand-printed silkscreen measures 18x24 inches.

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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Count Calorie- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English- POPaganda. Comes with deck tape.

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Couture Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Cotton Rag Paper by Artists Faile, Urban Pop Art Legends. 2022 Signed & Numbered Limited Edition of 300 Size 26x24 Signed, stamped, and embossed in the studio, Couture is an edition of 300. The print captures all the detail and painted texture right down to the drips. It's a luscious, vibrant archival pigment print on heavyweight matte art paper. Couture Print 26 x 24 inches Edition of 300 Archival Pigment Ink on Entrada 290gsm Cotton Rag Signed, Stamped, and Embossed 2022

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Cradle AP Silkscreen Print by Add Fuel Hand-Pulled 7-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. AP Artist Proof 2023 Signed & Marked AP Limited Edition Artwork Size 19.69x19.69 Silkscreen Print of Stylized Tile Like Medical Caduceus Symbols, Hearts & Steam Punk Machine Like Elements.  "As part of the creation, install and public reveal of CRADLE, I created this limited edition screen print based on the visual aesthetic of the tile installation.
This edition is (was?) not available for sale." -Add Fuel. The Intersection of Traditional Imagery and Modern Techniques in Add Fuel's Cradle AP Silkscreen Print Add Fuel's "Cradle AP" is an exemplary piece of Street Pop Art and graffiti Artwork, a silkscreen print that intricately weaves historical symbolism with contemporary design. This hand-pulled, 7-color print on 320gsm Astropack fine art paper stands out in its limited edition form, with each piece marked as an artist proof (AP) and signed by the artist in 2023. With artwork dimensions of 19.69x19.69 inches, "Cradle AP" is a testament to the meticulous craft of silkscreen printing and the innovative spirit of modern street-inspired artwork. The print's visual lexicon is a tapestry of stylized tile-like patterns, medical caduceus symbols, hearts, and steampunk machine-like elements. This blend of iconography is a hallmark of Street Pop Art and graffiti Artwork, where artists often employ familiar motifs unexpectedly to challenge the viewer's perceptions and invite more profound reflection on the intersection of past and present, tradition and innovation. Add Fuel's Artistic Language: A Blend of Heritage and Rebellion "Cradle AP" speaks a complex visual language that is both a homage to and a reinterpretation of historical art forms. The use of tile-like patterns references the ancient practice of ceramic tiling, a craft steeped in cultural heritage and often seen in historical buildings. Yet, Add Fuel infuses the work with contemporary relevance and pop culture connectivity by incorporating modern symbols such as the caduceus – associated with medicine and healing – and hearts. The inclusion of steampunk elements furthers this blend of times and traditions, introducing a subculture that embodies a fusion of Victorian-era industrial steam-powered machinery with futuristic concepts. This anachronistic style is particularly resonant in Street Pop Art and graffiti Artwork, where artists frequently mix eras and ideas to create something entirely new and thought-provoking. Materiality and Method: The Significance of Silkscreen Printing in Street Pop Art The silkscreen printing method used in "Cradle AP" is significant within the context of Street Pop Art and graffiti Artwork. Silkscreen, or serigraphy, is a printing technique embraced by various art movements throughout the 20th century, most notably pop art. It allows for the vibrant and precise application of color, evident in the rich textures and layers in this print. By choosing Astropack fine art paper, Add Fuel ensures that the print has a high-quality finish and longevity, mirroring street art's lasting impact on urban landscapes. This choice of medium reflects a reverence for the durability of street art. At the same time, the limited edition nature of the work introduces an element of exclusivity akin to the unique location-specific nature of graffiti. Collectibility and Cultural Resonance of Cradle AP The limited edition "Cradle AP" holds a special place in collectible Street Pop Art and graffiti Artwork. As an artist's proof, it serves as a testament to the creative process, offering insight into the artist's work before the final edition is run. Street art collectors are often drawn to the authenticity and rawness of artist proofs, finding value in the visible iterations and refinements that lead to the final piece. Add Fuel's signature on each print, which serves as a direct connection between the artist and the collector, a significant element in street art where the artist's identity and personal touch carry substantial weight. This aspect of "Cradle AP" is a nod to the origins of graffiti, where the artist's tag is both a signature and a claim to space. The Evolution of Street Art: Add Fuel's Contribution Add Fuel's "Cradle AP" represents a point in the evolution of Street Pop Art and graffiti Artwork where artists explore new methods and mediums while staying true to the ethos of street art. With its intricate design and layered meanings, this piece exemplifies the dynamic nature of street-inspired art, pushing beyond the confines of urban spaces and into the realm of fine art collections. The work is a celebration of the power of street art to transform spaces and ideas, merge the historical with the contemporary, and create dialogues that cross cultural and temporal boundaries. "Cradle AP" is not just a print but a narrative woven in color and form that continues the ever-evolving story of Street Pop Art and graffiti Artwork.

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CRASH 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2020 Crash x Bearbrick Crossover in Box

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Creativity, Equity, Justice Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print "This print is a portrait of Anjel Newmann, Director of Programs and Youth Director of AS220 – a non-profit community arts organization based in downtown Providence with whom I’ve worked since the ’90s. AS220 is important to me because they have cultivated a creative community that continues to have a profoundly transformative impact on the city. I’m inspired by Anjel’s dedication to this organization, where she’s been a member since she was 13 years old, learning from a diverse set of communities and facilitating access to opportunities for young people across the city of Providence. Thank you Anjel and AS220 for all that you do for the people of Rhode Island!⁠" -Shepard Fairey- OBEY In the vibrant intersection where art meets activism, Shepard Fairey’s silkscreen print stands as a testament to the power of creative expression as a tool for social change. Released in 2019, this limited edition piece, signed and numbered with a run of 450, encapsulates Fairey’s longstanding commitment to community engagement through art. The 18x24 artwork, hand-pulled on Cream Speckletone fine art paper, is not only a visual treat but a beacon of inspiration, embodying the themes of creativity, equity, and justice. At the heart of this print is a portrait of Anjel Newmann, a figure who represents the enduring impact of AS220, a non-profit community arts organization in Providence, Rhode Island. Newmann's involvement with AS220 began at the tender age of 13, and her journey to becoming the Director of Programs and Youth Director showcases the nurturing power of such institutions in cultivating artistic talent and leadership among the youth. Fairey, having collaborated with AS220 since the 1990s, celebrates not only the individual journey of Newmann but also the broader ethos of the organization. AS220’s pivotal role in fostering an inclusive arts community and providing a platform for marginalized voices is central to Fairey's narrative. The artwork itself is a visual confluence of Fairey's signature style with poignant messaging. Words like "Creativity," "Equity," and "Justice" are prominently featured, aligning with the larger message that Fairey perpetuates through his work—art as a mechanism for societal upliftment and personal liberation. His use of bold, contrasting colors and geometric patterns draws the eye, compelling the viewer to contemplate the interconnectedness of the artistic elements with the profound themes presented. Fairey’s choice of Anjel Newmann as the subject speaks volumes about the role models that inspire his work. By highlighting Newmann's dedication to AS220, Fairey not only honors her and the organization but also emphasizes the importance of creative communities in driving positive social change. This print transcends its aesthetic appeal, standing as a symbol of hope and a call to action, urging viewers to rise above challenges and contribute to the collective journey towards a just society. It is a celebration of Fairey’s enduring relationship with AS220 and his unwavering belief in art as a catalyst for progress.

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Creature Comforts Artwork Giclee Limited Edition Print on Museo Portfolio Rag Paper by Pop Culture Graffiti Artist Anthony Clarkson. Edition of 25 14x14 inches Fine art print on Museo Portfolio Rag Paper Hand signed and numbered by the artist

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Credit Limit- Bank of Ugh-Merica Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Bank of Ugh-Merica Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Bank of Ugh-Merica by Denial Credit Limit: Bank of Ugh-Merica is a powerful archival pigment fine art print created by street pop art and modern culture artist Daniel Bombardier, known as Denial. This artwork, released in a limited edition of 25, reflects Denial's sharp critique of consumerism and the financial systems that dominate modern life. Printed on 290gsm MOAB fine art paper, this 24x18-inch piece combines vivid colors, pop culture references, and satirical imagery to challenge the viewer’s perception of wealth, credit, and societal values. Each print is signed, numbered, and stamped on the reverse, making it a highly collectible piece within the street pop art and graffiti artwork community. The Visual Commentary on Consumerism Credit Limit: Bank of Ugh-Merica transforms the iconic design of a credit card into a biting critique of financial systems and American consumer culture. The central figure—a woman with the American flag painted across her face—symbolizes the allure and burden of patriotism tied to economic identity. Her exaggerated expression conveys disillusionment, mirroring the emotional weight of consumer debt and financial dependence. The replacement of the credit card’s typical branding with Denial’s satirical take highlights the disconnect between the promises of prosperity and the realities of economic inequality. This artwork encapsulates the power of street pop art to deliver meaningful social commentary through familiar visual cues. Denial’s Approach to Modern Pop Culture Art Daniel Bombardier, a Canadian artist, has built a career on critiquing consumerism, politics, and societal norms through his street pop art and graffiti artwork. Credit Limit: Bank of Ugh-Merica exemplifies his signature style of combining bold graphic elements with thought-provoking themes. By appropriating the imagery of a credit card—a symbol of wealth and status—Denial invites viewers to reconsider the systems they take for granted. His meticulous attention to detail, from the crisp archival pigment print to the high-quality MOAB fine art paper, ensures that the message is delivered with both clarity and impact. The Cultural Relevance of Credit Limit This artwork resonates in an era where conversations about economic disparity, debt, and consumer habits are more relevant than ever. Credit Limit: Bank of Ugh-Merica not only critiques the structures that perpetuate inequality but also questions the cultural obsession with material wealth and financial power. The limited edition nature of this piece enhances its significance, making it a statement of both artistic and cultural value. As a representation of Denial’s ability to merge humor, critique, and pop culture into a cohesive and impactful artwork, this piece stands as a testament to the enduring power of street pop art and graffiti artwork in challenging societal norms.  

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Cruelty Is the Message Red Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Deciphering the Red Palette: "Cruelty Is the Message" by Cleon Peterson Cleon Peterson's "Cruelty Is the Message Red" silkscreen print unfolds a visually compelling narrative steeped in street pop art's stark contrasts and graffiti artwork's rebellious ethos. With its release in 2024, this limited edition piece joins the pantheon of Peterson's work, known for its unflinching portrayal of violence, power, and chaos. The artwork, spanning a commanding size of 44x14 inches, is a testament to Peterson's unyielding exploration of societal undercurrents, meticulously hand-deckled on 290gsm Coventry Rag fine art paper. Peterson's Vivid Interpretation of Societal Dynamics The limited series, numbering merely 125, is an exclusive collection wherein each print is signed and numbered, underscoring the value and collectibility of Peterson's work. With its bold red and black hues, this edition draws the viewer into a tumultuous world where conflict and turbulence are the prevailing themes. The color red, often associated with danger, passion, and aggression, pulsates throughout the composition, enhancing the impact of the depicted struggles and confrontations. Peterson's choice of fine Coventry Rag paper elevates the silkscreen print, a medium traditionally linked with high art and mass production, further blurring the lines between gallery art and street expression. The hand-deckled edges add an individual touch to each print, hinting at the personalized nature of street art despite the work's existence within a limited series. The Cultural Resonance of Peterson's Artwork "Cruelty Is the Message Red" holds a mirror to the society it critiques, showcasing Peterson's ability to navigate the interplay between art as a vehicle for aesthetic pleasure and art as a means for profound commentary. The scale and execution of this piece place it firmly within the discourse of street pop art, which often challenges viewers to confront uncomfortable realities and engage with the underlying messages conveyed through stark, uncompromising imagery. Through his distinctive visual language, Peterson not only chronicles the darker aspects of human behavior but also invokes reflection on the cyclical nature of dominance and submission, control, and uprising. His work resonates within the zeitgeist of contemporary social issues, serving as a stark reminder of the ongoing struggle against oppression and injustice. Cleon Peterson's "Cruelty Is the Message Red" is impactful in street pop art and graffiti artwork. It is a bold assertion of the artist's vision, offering a narrative that is as aggressive as it is intricate. This silkscreen print solidifies Peterson's reputation as a seminal figure in modern art. It continues to provoke, challenge, and inspire audiences, reaffirming the power of visual art to encapsulate and question the dynamics of power within society.

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Cruiser- Red Fine Art Limited Edition Screen Print on Wood Skateboard Deck by Street Artwork Graffiti Artist Gats- Graffiti Against The System. 2018 Rare Edition of 25 Skateboard Deck. SpokeArt produced cruiser by GATS PTV for ComplexCon 2018 Red Edition of 25 Screen Printed Skate Deck Size: 9" x 32" from Oakland, CA. The Artistic Revolution on Wheels: "Cruiser - Red" by GATS The "Cruiser - -Red" skateboard deck, a limited edition piece by the street artist GATS, is a symbolic piece that showcases the fusion of street pop art & graffiti artwork with the cultural phenomenon of skateboarding. Produced by SpokeArt for ComplexCon in 2018, this rare collectible is one of only 25 pieces, making it an exclusive acquisition for art collectors and skate enthusiasts. This unique screen print on wood measures 9 inches by 32 inches and originates from Oakland, CA, a city known for its rich street art scene. GATS, an acronym for Graffiti Against The System, is an artist whose identity remains as enigmatic as the masked figures that populate his works. His art is a social commentary, often touching upon anonymity, freedom, and resistance against societal structures. The "Cruiser - Red" deck features a striking red background that amplifies the intricate black and white illustration, a hallmark of GATS' distinctive style. The central motif – a pair of eyes within a mask – is a recurring element in GATS' work, symbolizing the gaze of the disenfranchised and the overlooked. The screen print on wood infuses the skateboard deck with a dual nature: a functional object meant to traverse the urban landscape and a portable canvas that carries the weight of a message. This duality encapsulates the essence of street art – its mobility, accessibility, and ability to engage with the public in a dialogue about the space it occupies. Collectible Artistry: GATS' "Cruiser - Red" in the Pantheon of Pop Art In the pantheon of contemporary art, "Cruiser-Red" by GATS occupies a unique position. The limited edition nature of the piece – with only 25 in existence – elevates it from a mere object to a sought-after piece of collectible art. Each skateboard deck is a testament to the artist's commitment to creating art that is not only visually compelling but also scarce and special. A deep understanding of graffiti's cultural and political undertones characterizes GATS's artistry. His work on the "Cruiser - Red" deck celebrates the defiant spirit of street art and its ability to communicate complex messages through simple yet powerful imagery. The deck serves not just as a piece of art to be hung on a wall but as a statement piece that challenges the conventions of what constitutes fine art. GATS' choice of medium – a skateboard deck – is a nod to the subversive culture of skateboarding, which, much like street art, has its roots in the fringes of society, embodying a sense of rebellion and nonconformity. The "Cruiser-Red" is thus more than an object; it's a cultural artifact that captures the spirit of its time and the ethos of its creator. Street Pop Art & Graffiti Artwork: The Movement and the Medium Street pop art & graffiti artwork is a movement that blurs the lines between illicit street graffiti and the curated spaces of galleries. Artists like GATS bridge this divide by creating works capable of existing in both realms. The "Cruiser-Red" is a prime example of this crossover, a piece that carries the raw edge of street graffiti into the world of fine art collecting. The artwork speaks to a broader audience, drawing in those who might not traditionally engage with graffiti and inviting them to appreciate the nuances of this vibrant art form. The limited edition "Cruiser-Red" is more than a mere expression; it is a physical embodiment of the artist's message, a medium through which GATS communicates his worldview. In owning a piece like the "Cruiser-Red," collectors hold a snapshot of the artist's narrative, a piece of the conversation that GATS is having with the world through his art. It is an ever-evolving narrative, much like the streets from which it was born and the culture it represents. In the realm of street pop art & graffiti artwork, GATS' "Cruiser - -Red" is a landmark creation. It encapsulates the essence of street art – its vibrancy, immediacy, and ability to convey profound messages in the most unexpected places. Through works like the "Cruiser-Red," the conversation about what art can be and where it can exist continues, as does the legacy of artists who dare to make their marks on the world.

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Crystal Cranium 9-Color Hand-Pulled Limited Edition Silkscreen Print on Citrine 290gsm Colorplan Fine Art Paper by Sheefy McFly- Tashif Turner Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Signed 9-Color Screen Print on Citrine 290gsm Colorplan Fine Art Paper Size: 18 x 24 Inches Release: August 06, 2021 Run of: 100

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Cup & Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size 3x10 BMW Car Logo on Tall Slim Cup with Paintbrushes in It That Have Been Used With Colorful Paint Statue. Cup & Brushes by Joshua Vides: Handcrafted Commentary in Street Pop Art & Graffiti Artwork Cup & Brushes is a 2023 original ceramic sculpture by Joshua Vides, hand-painted and sculpted as a one-of-a-kind piece within his Shattered Dreams series. Standing at 10 inches tall and 3 inches wide, the sculpture is composed of ceramic and acrylic paint, presenting a stylized painter’s cup filled with color-dipped brushes. The object is marked with a distorted BMW logo, rendered with Vides’ signature black-and-white linework and cartoonish imperfection. The result is a satirical fusion of commercial branding and art studio realism, executed in static ceramic form but resonating with the vibrant and disruptive energy of Street Pop Art & Graffiti Artwork. The sculpture immediately strikes as an everyday object captured in transition. The tall, slim cup mimics a standard plastic or glass container typically found in a working artist’s space, now elevated to ceramic permanence. Inside it, five brushes—each dipped in a different primary color—rise with varying angles and tips, frozen mid-use. Paint splatters decorate the brush handles, hinting at past action, movement, and human presence. The BMW logo appears deliberately imprecise, drawn with an uneven hand, suggesting critique or humor rather than admiration. Vides transforms corporate symbolism into a malleable texture, destabilizing its glossy authority by recontextualizing it within the raw environment of creative labor. Material Tension and Visual Commentary Joshua Vides is known for his ability to distort reality through sculptural forms that look like sketches, flattening three-dimensional objects into cartoon-like representations. In Cup & Brushes, that visual illusion is secondary to texture and concept. The glossy ceramic surfaces are accented with drips, smudges, and brush marks, celebrating the mess of making while pointing to the polished image culture that often erases labor. By painting a luxury car logo onto a utilitarian cup used for cleaning brushes, Vides creates a sharp contrast between aspiration and effort, between consumer fantasy and creative reality. This kind of visual subversion is central to Street Pop Art & Graffiti Artwork. Vides uses the physicality of the sculpture to question the perceived value of brand versus process. The brushes, often overlooked tools in the creation of spectacle, become the spectacle themselves. The cup—humble and functional—now becomes a pedestal for critique. By freezing a studio scene in ceramic, Vides invites viewers to consider what is glorified and what is hidden behind polished design and global branding. Joshua Vides and the Language of Line in Three Dimensions Joshua Vides has become internationally recognized for his monochromatic comic-style transformations of everyday objects, environments, and fashion collaborations. While many of his installations utilize hard lines and sharp contrast to simulate two-dimensionality, Cup & Brushes allows texture, color, and volume to take center stage. It represents a matured shift in his practice—one where he does not rely on flat outlines but instead builds emotional and cultural critique through object and form. The Shattered Dreams series, from which this sculpture originates, is an ongoing exploration of how ambition, identity, and artistic purpose interact with capitalism and brand loyalty. The BMW emblem, distorted and casually placed, functions as a stand-in for broader themes of consumption and the dream of success. The sculpture implies that behind every polished brand lies a messy cup of brushes—used, dipped, stained, and repurposed in pursuit of creative expression. Cup & Brushes as Static Protest and Artistic Tribute Cup & Brushes is more than a still-life tribute to tools—it is a sculptural poem about the invisible effort behind visual culture. It challenges the viewer to look past the logo, past the clean gallery space, and into the workspace of the artist, where objects are not sacred until they are signed, not valued until they are sold. Joshua Vides brings this tension to the surface, capturing it in ceramic and sealing it in the aesthetics of Street Pop Art & Graffiti Artwork. This sculpture stands as a reminder that even luxury begins in labor, and that every mark of paint holds a story worth sculpting.

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Cup of Beer PP Printer Proof Archival Print by Nicer- Hector Nazario Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 17x14 Archival Pigment Fine Art. The Creative Essence of "Cup of Beer" by Nicer - Hector Nazario "Cup of Beer" is a Printer's Proof (PP) archival print that captures the vibrant and dynamic essence of street pop art and graffiti artwork. Created by Nicer-Hector Nazario, a vital member of the legendary Tats Cru, this 2021 piece is an exemplar of his distinct style and artistic philosophy. The artwork, measuring 14x17 inches, is printed on 290gsm Moab Entrada Fine Art Paper. It is renowned for its ability to present colors with clarity and depth, enhancing the visual impact of the archival pigment fine art. Symbolism and Technique in Nicer's Work Nicer's "Cup of Beer" juxtaposes the playful image of a man enjoying a casual drink with the bold, stylized lettering typical of graffiti art. This print reflects the cultural nuances and street aesthetics that have been the hallmark of Nicer's work for decades. His use of caricature to portray the joyous and carefree moments of urban life is underscored by the meticulous craftsmanship and attention to detail that Nicer applies to his work. The choice of subject, coupled with the graffiti art form, reveals a celebration of the every day, a theme often explored in pop art. The print is not merely a static image; it is a dialogue with the viewer, offering a glimpse into the communal and accessible aspects of street culture. The lively colors and expressive illustration within "Cup of Beer" are characteristic of the street pop art movement, where the blend of graphical elements and urban motifs create a language that speaks to a diverse audience. Nicer's work encapsulates the spirit of graffiti as an art form that is inherently public and engaging, inviting interaction and reflection. Nicer's Influence on Street Art and Pop Culture Nicer's contribution to the world of street art extends beyond his technical skill. As an influencer in the graffiti art scene, his work has played a significant role in bringing the vibrancy of street art into the fine art domain. "Cup of Beer," like much of Nicer's oeuvre, showcases the urban environment's cultural richness and graffiti's potential for its origins as a subversive act to become a celebrated art form. By signing and marking each PP of "Cup of Beer," Nicer ensures the authenticity and collectibility of his work, a reflection of the growing appreciation for graffiti artwork in the art market. His legacy has helped pave the way for future generations of street artists, advocating for the recognition and respect of street pop art within the broader artistic community. Through works like "Cup of Beer," Nicer-Hector Nazario continues challenging perceptions, celebrating urban culture, and pushing the boundaries of street pop art and graffiti artwork. His dedication to his craft and ongoing contributions to the art world affirm his status as a pioneer and innovator in the street art movement.

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Curt Wild 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Curt Wild from the movie Velvet Goldmine.

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Cut it Up Do it Yourself 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 550 Print Size 18x24 May 8, 2018 "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey

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Cybertronic Spree 2019 Music Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen on Foil Paper Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree, Transformers band. Small crease to the extreme left facing lower corner out of the image.

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Cylon- Red Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the TV show Battlestar Galactica. 2 color 9″ x 24″ screen-printed posters.

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Daft Punk- Tron Metallic Gold Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Daft Punk- Tron Metallic Silver Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Dali's Mustache- Embellished Print on Wood Panel HPM Framed Ready to Hang by Jeff Soto Graffiti Street Artist Modern Pop Art. 10 x 15 in. (25.4 x 38.1 cm) Fine art wood print on 3/4" sustainable Birch, bright white finish Hand signed and numbered fine art wood canvas print, each one is hand-embellished by Jeff Soto DesignerCon 2017 Exclusive print release.

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Damaged Bear 72 Original Color Marker Drawing by Jermaine Rogers on Wove Fine Art Paper Modern Street Pop Artwork. 2007 Signed Original Marker Ink Drawing Size 6.5x10. "Something is very wrong with me: I am falling apart...'" Damaged Bear 72 by Jermaine Rogers – Psychological Symbolism in Street Pop Art & Graffiti Artwork Damaged Bear 72 is a 2007 original marker ink drawing by American artist Jermaine Rogers, executed on wove fine art paper and measuring 6.5 x 10 inches. Signed by the artist, the piece is an emotionally raw and visually haunting entry in Rogers’s ongoing exploration of vulnerability, identity, and collapse. The drawing features a wide-eyed bear figure rendered in loose, expressive linework with patches of red that appear as wounds or signs of decay. Numbered 72 on its forehead and accompanied by hand-lettered text reading Something is very wrong with me: I am falling apart, the artwork merges character design with psychological confession. This bear is not a mascot or a toy—it is a vessel for emotional trauma, painted with urgency, humor, and existential dread. The piece exists as a stark and poignant work within the world of Street Pop Art & Graffiti Artwork, where imagery speaks louder than exposition. Visual Language of Inner Collapse The bear figure is a recurring character in Jermaine Rogers’s visual universe, often used to explore themes of innocence broken and identity under pressure. In Damaged Bear 72, the character’s sagging posture and panicked eyes suggest disorientation and surrender. Red ink blots mark its body like open wounds, and its blank, swirling irises indicate an emotional unraveling. The text above the figure reads like a journal entry or whispered confession, turning the drawing into a narrative fragment that blends visual and literary anxiety. Rogers uses minimal color—mostly black, pink, red, and cyan—but every mark contributes to the sense of urgency and internal fragmentation. The simplicity of materials contrasts the complexity of message, a method that aligns with the unfiltered nature of Street Pop Art & Graffiti Artwork. Marker Drawing as Emotional Broadcast Executed entirely in marker on fine art wove paper, the drawing reflects immediacy and tactile presence. The lines are loose, intentional, and flawed in a way that enhances their sincerity. Rogers’s use of bleeding ink and uneven pressure brings a sense of performance to the act of drawing, capturing not just form but emotional atmosphere. The paper holds every smudge and hesitation, turning what could be a sketch into a finished emotional document. The bear’s open expression, numbered forehead, and decaying appearance resonate as symbols of individuality lost in systemic tension. In the context of graffiti and pop character traditions, Rogers’s bear stands apart by leaning into fragility instead of bravado. Jermaine Rogers and the Anatomy of Emotional Resistance Damaged Bear 72 represents Jermaine Rogers at his most exposed, offering a piece that is both a visual statement and a confessional artifact. His work operates where emotion meets iconography, turning cartoonish figures into messengers of truth and despair. In the world of Street Pop Art & Graffiti Artwork, this piece is not about street dominance or design flash—it is about the quiet, painful moments that define human experience. Rogers’s ability to inject philosophical and emotional gravity into character-driven imagery places him among the most nuanced voices in the genre. This bear does not roar—it pleads, stares, and disintegrates in front of the viewer, offering no solutions, only honesty. That honesty is what transforms Damaged Bear 72 from a sketch into a relic of modern anxiety, drawn in lines that refuse to lie.

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Dance of the Dragons- Red Limited Edition 5-Color Hand-Pulled Silkscreen Print on French Speckletone in Natural 80lb Cover by Rhys Cooper Graffiti Street Artist Modern Pop Art. Melbourne boy Rhys Cooper has made a name for himself in the Rock poster scene over the past 10 years, working for such bands as Them Crooked Vultures, Rage Against the Machine, Queens of the Stone Age, Soundgarden and Pearl Jam amongst others. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Danger Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Pez. Pez (20th Century) Danger 2019 Giclee mini prints in colors on Somerset paper 11-1/2 x 7-7/8 inches (29.2 x 20.1 cm) Published by Graffiti Prints, United Kingdom

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Dare to Defy 3-Color Hand-Pulled Limited Edition Silkscreen Print on Heavy Fine Art Paper by Mear One Rare Street Art Famous Pop Artwork Artist. Artist: Mear One Creation Date: 2008 Edition: 80; signed and numbered Size: 18" x 24" Signed, numbered, and embossed by the artist in pencil, this 3-color silkscreen art print is on heavy weight archival white colored paper.

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Daredevil Sin Miedo Artist Proof Archival Pigment Fine Art Limited Edition Print on 80 Cover Stock Paper by Artist Peter Van Flores, Street Pop Art Graffiti Legend. AP Artist Proof Signed 2016 San Francisco Comic Con Daredevil Sin Miedo print. 16x20. Archival Ink on #80 Cover Stock Paper.

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Dark Icons- Spooky Mick Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Gus Fink. New Perfect Condition, FinkyToy Spooky Mickey 6x9 carded action figure by Gus Fink Signed & Numbered 2019

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Dark Phoenix X-Women 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Rockets Are Red Rare Street Art Famous Pop Artwork Artist. Dark Phoenix stylized Marvel Comics Superhero Character #135

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Dark Star Grin Bronze Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Hand cast and painted 3.75" scale carded resin figure. Signed and numbered edition of 50.

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Darth Bron Archival Pigment Fine Art Limited Edition Print on 340gsm Cold Press Natural Paper by Artist Naturel, Street Pop Art Graffiti Legend. 2022 Signed Limited Edition of 100 Size 13.5x19 Naturel's "Darth Bron" - A Cultural Synthesis on Canvas Within the ever-evolving sphere of Street Pop Art and Graffiti Artwork, artist Naturel stands out with his work "Darth Bron," a limited edition fine art print that encapsulates the fusion of popular culture and high art. In this 2022 signed limited edition of 100, measuring 13.5x19 inches, Naturel presents an iconic image rich in cultural references and artistic merit. Crafted on 340gsm Cold Press Natural Paper, the print boasts a quality that resonates with collectors and enthusiasts alike. The artwork is a fine example of the cross-pollination of street-style aesthetics with classical art techniques, a characteristic that defines Naturel's place in the art world. Lawrence Atoigue, professionally known as Naturel, hails from the United States. His work is a testament to his ability to blend contemporary subjects with a classical sense of composition and technique. "Darth Bron" showcases this blend in a vibrant display of geometric shapes and bold lines, portraying a thematic juxtaposition that has captured the attention of the global art community. A Visual Dialogue Between Modern Mythology and Sport "Darth Bron" is a striking piece that stands at the crossroads of modern mythology and the world of sports. Here, Naturel explores the conceptual likeness between the mythic figure of Darth Vader from the iconic Star Wars saga and the athletic prowess of LeBron James, a contemporary basketball legend. The artwork cleverly plays with the concept of identity and role, depicted through the portrayal of a cloaked figure presenting a basketball jersey. This image challenges and engages the viewer to decipher its multiple layers of meaning. This piece captures the zeitgeist by merging the timeless allure of a sci-fi character with the contemporary glory of a sports hero. It's a narrative of power, transformation, and identity that resonates with a broad audience. The artistry lies not just in the bold subject matter but also in the meticulous technique: archival pigment on fine art paper ensures longevity and depth of color, allowing the work to stand the test of time physically and thematically. Naturel's Technique and Influence Naturel's approach to art combines the immediacy and boldness of street art with the sophistication of fine art printing techniques. His use of cold press paper imbues the work with a textural depth that complements the visual complexity of his designs. The geometric abstraction and sharp lines are signature elements that contribute to the distinctive quality of his art. These elements merge to form a unique visual language that speaks to the dynamism of street culture while being rooted in a tradition of meticulous craftsmanship. Naturel's influence extends beyond the canvas; his work is a dialogue with popular culture, reflecting and shaping the narratives that define contemporary society. "Darth Bron" is not merely a static representation; it's an active participant in the cultural conversation. Through this print, Naturel contributes to the evolving story of how art interacts with and comments on popular media, societal values, and the human experience. In a world where visual culture is increasingly prominent, Naturel's "Darth Bron" serves as both an homage to and a critique of the icons that dominate our collective consciousness. His work encourages us to reflect on the figures we idolize, the stories we hold dear, and the values they represent. It's a testament to the power of Street Pop Art and Graffiti Artwork as platforms for commentary, expression, and artistic innovation. Naturel continues to inspire and provoke with his art, ensuring his place in the pantheon of artists who seamlessly bridge the gap between the gallery and the street.

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Das Boot 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ken Taylor Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 350 Artwork Size 24x36 Extremely Faint Storage Scuff, Hairline Thin To Lowest Black Area Above the Credits. Barely Noticeable & Indictitive To Age.

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