Artworks

Signs Of The Crimes- Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Goldenrod Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Hot Pink Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Lime Green Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Magenta Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Red Orange Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Signs Of The Crimes Red Orange by Ron English- POPaganda: Satirical Symbolism in Street Pop Art & Graffiti Artwork Signs Of The Crimes Red Orange is a 2020 limited edition artwork by street pop culture icon Ron English- POPaganda, executed as a 24x24 inch UV-cured archival print on high-definition aluminum panel. Framed and ready to hang, this signed edition of 100 merges vivid minimalist color with hyperrealist distortion, spotlighting English’s deep critique of consumer icons and psychological contradiction. The piece features a single yellow smiley face against a blazing red-orange background, but upon closer inspection, the traditional happy visage is interrupted by a grotesque anatomical mouth. A photorealistic human jaw grins behind the synthetic emoji facade, exposing bone structure, gums, and teeth. The work forces a confrontation between surface happiness and hidden discomfort, rendered in the visual language of Street Pop Art & Graffiti Artwork. Visual Deconstruction and Cultural Parody Ron English- POPaganda is known for his ability to remix and mutate universally recognized icons, turning them into visual parodies that question their original intent. In Signs Of The Crimes Red Orange, the smiley face becomes a vehicle for satire. Originally created in the 1960s as a symbol of corporate friendliness and later adopted by rave and acid house subcultures, the smiley is often associated with euphoria, innocence, and mass appeal. English rips that association open—literally—by replacing the expected line-drawn mouth with a surgically precise rendering of a human grin. The result is uncanny and confrontational. It invites the viewer to smile along while forcing them to feel disturbed. This kind of visual tension is central to Ron English- POPaganda’s approach, where popular symbols are disassembled, reassembled, and shown in their most honest or exaggerated forms. Material, Print Process, and Presentation The piece is produced using archival UV-cured inks on a varnished HD aluminum panel, a process that ensures both color intensity and long-term preservation. The surface is sleek and durable, allowing the bold saturation of the background and the contrasting precision of the smiley’s face to take center stage. The print’s varnished finish gives it a luminous quality under light, making it ideal for display in gallery, commercial, or private settings. Each edition is hand-signed by Ron English- POPaganda, affirming its place within his broader body of collectible visual disruptions. Framed and ready to hang, this work is not just an artwork but a fully realized object of commentary, crafted for immediate impact. Ron English- POPaganda’s Influence in Street Pop Art & Graffiti Artwork Born in the United States in 1959, Ron English- POPaganda is a foundational figure in Street Pop Art & Graffiti Artwork, often credited with pioneering techniques in billboard liberation and subvertising. His career spans fine art, vinyl toys, political murals, and commercial design—all approached with the same intent to reveal the truths beneath modern mythologies. English’s work is consistently fueled by a distrust of corporate language and a fascination with the seductive power of visual repetition. Signs Of The Crimes Red Orange encapsulates that ethos, taking one of the most globally recognizable icons and turning it into a symbol of suppressed aggression, synthetic identity, and media manipulation. The piece serves as both homage and critique, a striking example of how a simple form can carry deep complexity when viewed through the lens of Street Pop Art & Graffiti Artwork.

Read more less

Signs Of The Crimes- Purple Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Red Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Seafoam Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Signs Of The Crimes- Sky Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Smiley Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mike Giant pop culture LSD artwork. "The Smiley graphic is one of my graffiti throw-ups, a “GI”. I started writing it on walls in the mid-1990s. This is 1 of 6 LSD graphics I illustrated in early 2017 after reminiscing about my days as a regular LSD user (at least once a week). 3 of the 6 graphics in this series were based on real LSD that I ate and sold. The other 3 are things I thought would work great as blotter art. I researched blotter art and found some that I remember eating and selling. The others I made up. They’re really special when compared to what I usually offer and I’ll bet they’ll be worth some money someday as this is the only time I’ve drawn LSD blotter art." - Mike Giant

Read more less

Smiley Days with Ms. Flower to You! 8-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 19.7x19.7 Rare Takashi Murakami TM/KK Ms. Mr. Rainbow Flower Silkscreen Print Artwork. Small handling bumps to the left/right lower corner, small bump to the upper right corner. Takashi Murakami's Smiley Days with Ms. Flower to You!: Flattened Joy in Pop Art Precision Takashi Murakami’s Smiley Days with Ms. Flower to You! encapsulates his signature blend of cheerful imagery, cultural layering, and ultra-clean graphic execution. Created in 2020 as an 8-color hand-pulled silkscreen print, this limited edition of 100 works stands at 19.7 x 19.7 inches and is signed and numbered by the artist. The artwork features the instantly recognizable flower motif with alternating petal colors and an exaggerated smile across the central face. What appears at first to be a playful, almost childlike symbol of joy is, in Murakami’s visual language, a deeply coded cultural artifact that questions the nature of happiness, identity, and image saturation in the contemporary world. The symmetrical structure and bold outlines suggest cartoon aesthetics, yet Murakami’s execution is far from spontaneous. Every curve, gradient, and color choice is calculated to reinforce a sense of artificial perfection. The smiling flower character, often mistaken for simplistic pop decoration, emerges from a broader lineage of Japanese visual culture—including Edo-period painting, kawaii consumer goods, and the hyper-saturated imagery of anime and manga. By distilling all of these elements into a single figure, Murakami has produced a contemporary symbol that functions across cultures and commercial systems. Superflat Theory and the Deconstruction of Depth Murakami’s Smiley Days with Ms. Flower to You! is a direct application of his Superflat philosophy, which merges traditional Japanese aesthetics with the shallow perspective of digital-age visual consumption. The flatness in this print is not merely stylistic but ideological. It represents a collapse of distinction between fine art and mass media, high culture and consumer object. The lack of depth in the flower’s face, along with the pristine uniformity of the petals, draws attention to how culture packages emotion and sells it as aesthetic surface. Rather than invite introspection through complexity, Murakami’s print bombards the viewer with immediate, digestible visual pleasure. But that sensory overload is deceptive. The flower’s manic grin—framed by perfectly arranged petals in pastel and neon hues—suggests an almost disturbing insistence on happiness. It becomes a symbol not of actual emotional expression but of imposed positivity. The eyes, colored with soft gradients and cartoon sparkle, recall the exaggerated features of anime mascots but also serve as hollow portals in an otherwise flattened identity. Street Pop Art & Graffiti Artwork Rendered with Surgical Cleanliness Though not rooted in traditional graffiti practice, Murakami’s work has been deeply influential in the evolution of Street Pop Art. He merges the visual appeal of mass-produced graphic design with the thematic subversions common in graffiti. The flower motif, while seemingly benign, has appeared on luxury fashion collaborations, vinyl toys, and fine art prints alike, highlighting how symbols circulate between subculture and commerce. Murakami’s deliberate use of commercial channels does not dilute his message—it amplifies it. The print’s pristine execution and wide appeal comment on the mechanisms of art as commodity, without needing to stage rebellion through messiness or illegality. The silkscreen process used in this edition aligns with Murakami’s obsession with perfection. Each color layer is meticulously printed, ensuring consistency and uniform saturation, mimicking the effect of digital art but with the tangible value of a handmade print. This duality—the tactile reality of traditional craft paired with the aesthetics of digital media—reinforces the thematic content of the flower itself: joy as production, identity as design, emotion as product. Murakami’s Smiley Days with Ms. Flower to You! ultimately operates as both a visual balm and a conceptual warning. In Street Pop Art & Graffiti Artwork, surface often holds as much power as meaning, and Murakami leverages that to brilliant, unsettling effect. The flower smiles because it must. Its joy is performative, its beauty standardized—and in that, it holds a mirror to the world that created it.

Read more less

Smiley Face Balloon- Yellow Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Smiley Face Balloon: Yellow • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Smiley Face Balloon: Yellow" - Unique Hand-Painted Print - 24 x 24"

Read more less

Smiley Grin Piggy Bank Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. 2010 Signed Limited Edition Vinyl 3 7/10 × 3 9/10 in 9.5 × 10 cm. Ron English- POPaganda's 2010 solo show at Status Factory NYC, Made by Monsters. Open/Loose in Perfect Condition

Read more less

Smiley Mona Lisa- Gold Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Chinatown Market x Mighty Jaxx. Designed in Los Angeles, Officially licensed collaboration with Smiley and Mighty Jaxx, Heavy-duty vinyl figure, Co-branded felt lining on bottom so ur shelves don't get scratched, Super duper collectible item, Size: 10" height x 6" width x 7" length

Read more less

Spray Happiness- Blue Limited Edition 3-Color Hand-Pulled Serigraph Print With Acrylic Paint Embellishments on Hand Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 30x22.5 3 color screen print and hand-finished paint splatter on hand torn archival art paper 57.2 x 76.2 cm (30 x 22 in) Edition of 75

Read more less

Spray Happiness- Red Limited Edition 3-Color Hand-Pulled Serigraph Print With Acrylic Paint Embellishments on Hand Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 30x22.5 3 color screen print and hand-finished paint splatter on hand torn archival art paper 57.2 x 76.2 cm (30 x 22 in) Edition of 75

Read more less

Starskull Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Stormtrooper Grin PP Printer Proof Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 12x12 Dissecting "Stormtrooper Grin" by Ron English- POPaganda "Stormtrooper Grin" is a provocative work by Ron English- POPaganda, a revered name in modern pop art, street art, and graffiti art. This Printer's Proof (PP) limited edition archival pigment print from 2020, signed and marked in English, is a testament to his signature fusion of high art and street culture. Presented on 290gsm Moab Fine Art Paper, this print, measuring 12x12 inches, captures the essence of English's impactful aesthetic. Known for his use of color and distortion, English transforms familiar imagery from popular culture into something new, often with a subversive twist. Ron English- POPaganda's Vision in Pop Art and Street Culture English's "Stormtrooper Grin" reimagines the iconic helmet of the Stormtrooper from the Star Wars franchise, overlaying it with a human skull. This juxtaposition is emblematic of English's style, often combining a bright, almost cartoonish palette with darker themes. His work is recognized for its critical commentary on consumerism, corporate strategies, and idolizing popular culture icons. By placing a skeletal grin within the context of a symbol associated with conformity and the loss of individuality, English invites viewers to reflect on the nature of identity and mortality within the seemingly benign trappings of entertainment. Impact of Ron English- POPaganda's Work on Street Pop Art Ron English- POPaganda is credited with the proliferation of "culture jamming," a practice where familiar visual symbols are altered to challenge the status quo. His "Stormtrooper Grin" directly reflects this, taking a ubiquitous symbol from science fiction and turning it into a conversation piece that questions the narratives we consume and the ideologies they perpetuate. The print embodies the transformative potential of street pop art and graffiti artwork, where the lines between commercial and countercultural are blurred, creating a space for dialogue and dissent. The meticulous craftsmanship in "Stormtrooper Grin" is evident in the precision of the archival pigment print, a method chosen for its fidelity to the artist's original vision. This technique allows for a wide range of vibrant colors and deep blacks, ensuring that the work is a piece of street pop art and a fine art collectible. English's choice of fine art paper and archival pigments serves to solidify the permanence of a piece that, in another context, might have been a temporary fixture on a city wall. Through "Stormtrooper Grin," Ron English- POPaganda continues to challenge perceptions, using his art to provoke thought and encourage a deeper examination of the symbols that permeate our culture. His ability to bring street art sensibilities into the realm of fine art printmaking has established him as a pivotal figure in the street pop art movement. Like much of English's oeuvre, this artwork serves as a stark reminder of the power of visual language in articulating, critiquing, and redefining the narratives fed to society by mass media and entertainment conglomerates.

Read more less

Teletubbies Status Factory Poster 2010 Vintage Poster on Glossy Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. Ron English- POPaganda Status Factory 2010 Event Poster Gin Smiley Skeleton Smile. Some creases around edges.

Read more less

The Divine Smile Original Mixed Media Painting by Phil Simpson One of a Kind Artwork on Wood by Street Art Pop Artist. 2021 Signed Spray Paint Mixed Media Acrylic Painting Original Artwork Wood Craddled Size 16x16 The Divine Smile by Phil Simpson – Emotional Simplicity in Street Pop Art & Graffiti Artwork The Divine Smile is a 2021 original mixed media painting by American artist Phil Simpson, executed on a 16 x 16 inch cradled wood panel. Using a combination of spray paint and acrylic, Simpson presents his iconic smiling face motif rendered in bold color blocks, thick black outlines, and a radiant gradient backdrop. This one-of-a-kind piece captures the artist’s signature style—simple, saturated, emotionally direct, and universally approachable. Simpson’s aesthetic lives in the space where graffiti sensibility meets the graphic clarity of pop design, offering a symbol of joy that functions both as visual affirmation and cultural commentary. With its crisp lines and expressive facial geometry, the artwork becomes a statement of emotional presence through formal restraint, aligned perfectly within the evolving language of Street Pop Art & Graffiti Artwork. Symbolism of the Smile as Visual Healing Phil Simpson’s smiling face is more than a repeated motif—it is a philosophy embedded in form. In The Divine Smile, the expression is wide, symmetrical, and balanced by blush-like dots on both cheeks and oversized eyes that reflect light with cartoon purity. The simplicity of the face contrasts with the complexity of its emotional impact. The smile radiates calm, reassurance, and sincerity, reminding the viewer of the power of optimism in an urban world often defined by cynicism and noise. The use of vibrant purples, electric blues, and sharp white further amplifies this positivity. The smile does not mock or hide—it invites. Within the context of Street Pop Art & Graffiti Artwork, the smile becomes both a tag and a message, a symbol placed across walls, canvases, and communities with consistent visual and emotional clarity. Medium, Surface, and Street Precision on Wood Panel The use of wood as a surface provides a textured, stable base that enhances the contrast of spray paint gradients and acrylic detail. The edges of the piece are crisp, but the transitions in background color suggest the mist of aerosol—soft clouds of purple that glow behind the character’s blue face. Simpson’s linework is thick and assertive, shaped to define rather than complicate. The work’s 16 x 16 inch square format reinforces its graphic symmetry, creating a sense of intentional balance that resonates with the theme of emotional equilibrium. Every mark is placed with confidence, transforming minimal components into a maximal visual experience. The Divine Smile’s execution speaks to Simpson’s roots in street-based art practices while also elevating the work into a fine art object with permanence and intimacy. Phil Simpson and the Joy of Repetition as Resistance Phil Simpson’s work exists as a visual meditation on happiness, rendered again and again with sincerity and clarity. His practice does not rely on shock or irony but instead leans into joy, repetition, and design logic to offer a different kind of power. In The Divine Smile, Simpson does not create a portrait—he creates an emotional icon, one that speaks across language, age, and geography. As part of Street Pop Art & Graffiti Artwork, this piece reflects a belief in accessibility, honesty, and the possibility of shared connection through form. The smile becomes not just a face but a flag—a symbol for optimism painted loudly enough to be heard in a world that often forgets to look up. Through his work, Simpson builds a universe where positivity is visual, repetition is radical, and the message is always simple: the smile is the art, and the art is alive.

Read more less

The LA Fill Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face LA Hands. The LA Fill: A Bold Collaboration in Street Pop Art The LA Fill by OG Slick in collaboration with The Beautiful Losers is a striking silkscreen print that captures the bold energy of Street Pop Art and Graffiti Artwork. Created as a 30-inch circular print on hand-deckled fine art paper, this 2024 release is a signed and numbered limited edition of 99. The artwork showcases OG Slick’s iconic Smiley Face LA Hands design, blending bold graphic elements with vibrant yellow and black tones. This hand-pulled silkscreen print stands as a testament to the enduring appeal of graffiti aesthetics merged with pop culture symbolism. OG Slick and the Influence of Graffiti Culture OG Slick, a renowned artist originally from Hawaii, now based in Los Angeles, is known for his contributions to graffiti culture and his unique ability to infuse street aesthetics with pop art motifs. His Smiley Face LA Hands motif has become an iconic symbol of Los Angeles, representing a playful yet powerful nod to the city’s culture and history. In The LA Fill, Slick collaborates with The Beautiful Losers, a collective celebrated for its focus on street-inspired art and urban narratives, amplifying the cultural resonance of the piece. The juxtaposition of the smiling face and hand gestures encapsulates the essence of graffiti art as a medium for bold self-expression. Symbolism and Design in The LA Fill The circular design of The LA Fill reflects the cohesive nature of the piece, drawing viewers into its vibrant and dynamic composition. The smiling face, a universal symbol of positivity, is reimagined with OG Slick’s signature LA Hands, which spell out the letters L and A in a graffiti-style gesture. This dual symbolism celebrates both Los Angeles as a cultural hub and the universality of street art’s playful rebellion. The surrounding graphic elements, including bold lettering and contrasting black and white details, create a layered effect that invites deeper engagement with the artwork. The vibrant yellow backdrop adds an element of joy and energy, reinforcing the optimistic tone of the piece. Hand-Pulled Craftsmanship and Collectibility The LA Fill exemplifies the meticulous craftsmanship that goes into high-quality Street Pop Art. Each print is hand-pulled using a silkscreen process, ensuring rich colors and sharp details that cannot be replicated digitally. The use of hand-deckled fine art paper adds a tactile quality, enhancing the artwork’s authenticity and appeal. Limited to only 99 editions, each signed and numbered by OG Slick, this piece holds significant value for collectors and enthusiasts of graffiti and pop art. As a collaborative effort with The Beautiful Losers, The LA Fill is both a celebration of urban culture and a testament to the enduring impact of graffiti-inspired art in contemporary society.

Read more less

The La Fill Skateboard Art Deck by OG Slick x The Beautiful Losers  Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2024 Limited Edition of 99 Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Smiley Face with LA Hands. The La Fill Skateboard Art Deck: A Fusion of Street Pop Art and Graffiti Culture The La Fill Skateboard Art Deck by OG Slick in collaboration with The Beautiful Losers is a vibrant expression of Street Pop Art and Graffiti Artwork. Released in 2024 as a limited edition of 99, this 8x31 skateboard deck merges functional design with bold artistic expression. Featuring OG Slick’s iconic Smiley Face adorned with LA Hands, the piece reflects a blend of playful symbolism and urban aesthetics. Each deck is signed and numbered, enhancing its value as a collectible art object that bridges the world of sports and street art. OG Slick and the Legacy of Skateboard Art OG Slick is renowned for his ability to infuse urban culture with pop-inspired motifs, and The La Fill Skateboard Art Deck is a testament to his creative vision. By collaborating with The Beautiful Losers, a collective that celebrates street-inspired narratives, Slick brings his signature style to a new medium. Skateboard decks have long served as a canvas for graffiti and pop art, representing freedom, rebellion, and creativity. The Smiley Face with LA Hands motif adds a layer of cultural identity, paying homage to Los Angeles while connecting with the global skateboarding community. Design and Symbolism of The La Fill Deck The La Fill Skateboard Art Deck features a visually striking composition, blending bold black and white graphics with vibrant yellow hues. The Smiley Face, a universal symbol of positivity, is paired with the LA Hands gesture, creating a sense of place and identity. The layered design incorporates graffiti-style lettering and textures, emphasizing the raw, expressive nature of street art. This juxtaposition of clean, playful imagery with gritty urban aesthetics reflects the duality of skate culture, which combines artistry with action and individuality with community. Art as a Functional Object Skateboard decks like The La Fill Art Deck blur the lines between functional sports equipment and collectible art objects. Crafted from high-quality wood and printed with precision, this deck is both durable for skating and visually stunning for display. Its limited-edition status makes it a prized item for collectors of Street Pop Art and Graffiti Artwork. The collaboration between OG Slick and The Beautiful Losers elevates the piece beyond a simple skateboard, turning it into a statement of urban culture and artistic innovation. The La Fill Skateboard Art Deck is a celebration of creativity, movement, and the enduring influence of street art on contemporary culture.

Read more less

The Phase Train MTA Subway Train Car AP Art Toy by Sket One Limited Edition Metal Sculpture Collectible Artwork by Pop Street Artist. AP Artist Proof 2022 Signed & Marked AP Limited Edition of 10AP Artwork Size 7x1 New In Box Exclusivity and Design of The Phase Train AP Edition The Phase Train MTA Subway Train Car AP Art Toy by Sket One emerges as a prestigious and highly coveted object within pop art and street art. This Artist Proof (AP) 2022 edition is a testament to Sket One's innovative vision, offering a limited edition run of only 10 AP pieces, each marked with the artist's signature, and serving as a tangible intersection of metal sculpture art and urban street culture. The exclusivity of the AP edition of The Phase Train lies in its limited quantity and its designation as an artist proof, a term traditionally reserved for prints or works directly off the press that is used for quality checking before the entire run is produced. Collectors often highly prized these pieces for their rarity and closeness to the artist's original intent. Sized at 7x1 inches and presented new in the box, The Phase Train AP edition is a collectible that resonates with the essence of Street Pop Art and graffiti Artwork, combining the tactile sensation of a die-cast sculpture with the visual impact of street art. Cultural Significance of Sket One's Art Toy Sket One's collaboration with Hip-Hop Toys and Definitive Projects for The Phase Train signifies a harmonious blend of various facets of street culture, from the underground graffiti artistry to the mainstream appeal of hip-hop. The result is a die-cast NYC MTA subway car steeped in the streets' authenticity and refined into a first-edition collectible with a special status among art toys. The Phase Train AP edition represents more than an art toy; it is a cultural artifact that captures the evolution of graffiti art from its illicit beginnings to its present status as a respected artistic practice. The subway car, a symbol of New York City's bustling life and a historical canvas for graffiti artists, is transformed under Sket One's deft touch into a miniature street art gallery, encapsulating the rebellious and creative spirit that fuels the genre. Artistic Merit and Collectibility The artistic merit of Sket One's Phase Train AP edition is inherent in the detailed work that adorns the miniature subway car, reflecting a deep understanding of the aesthetic and thematic elements that define Street Pop Art and graffiti Artwork. As a collectible, the AP edition holds a significant allure, marked by the personal touch of the artist's signature and the prestige of owning a piece of a minimal series. In the landscape of contemporary art, The Phase Train MTA Subway Train Car AP Art Toy by Sket One is not merely a representation of street culture but an embodiment of it. It stands as a testament to the enduring appeal of street-inspired art and its successful foray into the domain of collectible sculptures, bridging the gap between underground artistry and mainstream art appreciation.

Read more less

The Swallow (Save Our Seas) Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Meggs Graffiti Street Artist Modern Pop Art. PangeaSeed’s Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). The festival will feature 30 world-renowned contemporary artists from across the globe, collaborating to bring vital ocean environmental issues into the spotlight. The festival’s educational workshops will engage local youth to learn more about critical marine environmental issues affecting their home island, and what they can do to help save our seas. Sea Walls aims to educate and inspire individuals and communities to protect the planet’s most important ecosystem: the ocean.

Read more less

Trespassing Blotter Paper Archival Print by Jay Kaes Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

Read more less

Tribute to Murakami #1 Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x8.5 Adam Lister is a contemporary graffiti artist who has captivated audiences worldwide with his unique fusion of street art and geometric abstraction. Known for his signature pixelated style, Lister's creations are a visual delight that breathe new life into familiar subjects. By combining the energy and spontaneity of graffiti with the precision and control of digital design, he has developed an innovative aesthetic that continues to redefine the boundaries of urban art. Tribute to Murakami, an enigmatic and innovative graffiti artist, has gained worldwide recognition for his distinctive style and daring technique. His artwork seamlessly fuses traditional Japanese aesthetics with contemporary urban culture, creating a mesmerizing visual experience that has captured the attention of art enthusiasts and collectors alike. By skillfully blending vibrant colors and intricate patterns, Murakami produces pieces that are both edgy and deeply meaningful, offering a fresh perspective on the graffiti art movement. His work has been showcased in prominent galleries and exhibitions around the globe, garnering critical acclaim and solidifying his status as a rising star in the art world.

Read more less

Tribute to Murakami #1 Original Watercolor Painting by Adam Lister One of a Kind Artwork on 140lb Cold-Press Watercolor Fine Art Paper by Street Art Pop Artist. 2023 Signed Date & Title on Back Watercolor Original Painting Size 8.5x8.5 Adam Lister's Watercolor Ode to Murakami "Adam Lister's Tribute to Murakami #1" is a vibrant homage to the intricate dance of color and form seen in the works of Takashi Murakami, one of the most celebrated figures in contemporary art. Lister, with this original watercolor painting on 140lb cold-press watercolor fine art paper, delves into the realm of pop art through a street art lens, offering a unique and compelling interpretation that captures the playful essence and graphic boldness associated with Murakami's style. Dated and signed in 2023, the artwork, sized at a precise 8.5x8.5 inches, presents a meticulous arrangement of hues and shapes, revealing Lister's mastery over the medium and his ability to translate complex visual languages into his distinct voice. Lister's work exemplifies the principles of Street Pop Art & Graffiti Artwork through its accessible imagery, clear lines, and the profound depth of its apparent simplicity. The piece resonates with the vibrancy of street art and the keen sensibility of pop art, capturing the observer's imagination with its playful geometry and familiar yet fresh aesthetic. Each color block within the piece is meticulously placed, contributing to an overall harmony. At the same time, the apparent influence of digital pixelation and 8-bit graphics nods to the modern era's intersection with traditional techniques. The Intersection of Digital and Traditional in Modern Art The painting serves as a reflection on the intersection of digital and traditional media in modern art. Lister's choice to employ watercolor, a medium often associated with more classical art forms, in depicting a decidedly modern and pop-culture-oriented subject is a conscious celebration of the versatility and enduring relevance of traditional artistic methods in the digital age. This blending of old and new is at the heart of Lister's approach, which frequently involves reimagining iconic images from popular culture through the lens of his geometric abstraction. In "Tribute to Murakami #1," Lister plays with the concept of pixelation, where each square serves as a reminder of the digital screens that dominate contemporary life. However, using watercolors, he breathes life into the pixels, transforming them into a fluid and dynamic arrangement that seems to pulsate with organic energy. This deliberate juxtaposition elevates the piece beyond mere replication, allowing Lister to explore themes of technology, art history, and visual perception within a unified work. Collectibility and Cultural Significance of Lister's Work The collectibility and cultural significance of Adam Lister's "Tribute to Murakami #1" are intrinsic to its creation. As a signed, one-of-a-kind piece, it occupies a unique place in the art market, appealing to collectors who value the originality and thoughtfulness of Lister's vision. The fact that the title and date are inscribed on the back further authenticates the work, ensuring that it is recognized and valued as a genuine Lister creation. Lister's work, particularly this piece, contributes to the ongoing dialogue between street art and the broader art world. It encapsulates the essence of Street Pop Art & Graffiti Artwork, which often seeks to break down barriers between 'high' and 'low' culture, questioning the hierarchies that traditionally govern art valuation. In "Tribute to Murakami #1," Lister respects a figure known for doing precisely that while establishing his place within the contemporary art narrative. In essence, "Tribute to Murakami #1" by Adam Lister celebrates the convergence of street art sensibilities with pop culture references rendered through watercolor. This piece is a testament to the evolving nature of art in the public domain, the continual blurring of lines between different movements, and how contemporary artists like Lister reshape the landscape of visual culture. Through works like this, Lister not only honors the legacy of icons like Murakami but also carves out his niche within the vibrant tapestry of modern art.

Read more less

Tribute to Murakami #2 Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x8.5 Tribute to Murakami #2 Giclee Print by Adam Lister, a contemporary graffiti artist who has captivated audiences worldwide with his unique fusion of street art and geometric abstraction. Known for his signature pixelated style, Lister's creations are a visual delight that breathe new life into familiar subjects. By combining the energy and spontaneity of graffiti with the precision and control of digital design, he has developed an innovative aesthetic that continues to redefine the boundaries of urban art. Tribute to Murakami, an enigmatic and innovative graffiti artist, has gained worldwide recognition for his distinctive style and daring technique. His artwork seamlessly fuses traditional Japanese aesthetics with contemporary urban culture, creating a mesmerizing visual experience that has captured the attention of art enthusiasts and collectors alike. By skillfully blending vibrant colors and intricate patterns, Murakami produces pieces that are both edgy and deeply meaningful, offering a fresh perspective on the graffiti art movement. His work has been showcased in prominent galleries and exhibitions around the globe, garnering critical acclaim and solidifying his status as a rising star in the art world.

Read more less

Tribute to Murakami #3 Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x8.5 Tribute to Murakami #3 Giclee Print by Adam Lister, a contemporary graffiti artist who has captivated audiences worldwide with his unique fusion of street art and geometric abstraction. Known for his signature pixelated style, Lister's creations are a visual delight that breathe new life into familiar subjects. By combining the energy and spontaneity of graffiti with the precision and control of digital design, he has developed an innovative aesthetic that continues to redefine the boundaries of urban art. Tribute to Murakami, an enigmatic and innovative graffiti artist, has gained worldwide recognition for his distinctive style and daring technique. His artwork seamlessly fuses traditional Japanese aesthetics with contemporary urban culture, creating a mesmerizing visual experience that has captured the attention of art enthusiasts and collectors alike. By skillfully blending vibrant colors and intricate patterns, Murakami produces pieces that are both edgy and deeply meaningful, offering a fresh perspective on the graffiti art movement. His work has been showcased in prominent galleries and exhibitions around the globe, garnering critical acclaim and solidifying his status as a rising star in the art world.

Read more less

Untitled III Original Acrylic Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Acrylic Painting Original Artwork Size 12x12 Smiling Atomik Orange Untitled III by Atomik: The Smiling Orange as Icon of Street Pop Art & Graffiti Artwork Untitled III is a 12 x 12 inch original acrylic painting on canvas by Atomik, a Miami-based artist widely recognized for his recurring character—the grinning orange with exaggerated features and slick green leaves. Created in 2020, this one-of-a-kind signed piece captures the energy and wit that defines Atomik’s work in the worlds of Street Pop Art & Graffiti Artwork. The subject, affectionately known as the Atomik Orange, emerged as a response to the demolition of Miami’s Orange Bowl in 2008 and has since evolved into a vibrant symbol of community memory, local pride, and artistic defiance. In Untitled III, the orange character is presented in a tightly cropped view, its cartoonish grin stretched across the lower canvas, eyes glinting with thick, comic-style highlights. The paint is layered with precision, bold black linework creating a crisp barrier between vivid orange and lime green tones. Shades of blue and white bring depth to the character’s eyes and smile, while the use of directional hatching nods to print-era comic illustrations. The background, rendered in a calm sky blue, allows the character’s electric palette to explode off the canvas. This color relationship enhances the orange’s buoyant personality, which is humorous, manic, and defiant all at once. The Atomik Orange and the Language of Urban Reclamation The character at the center of Untitled III represents more than just visual branding—it is a reclamation of space and memory. When the Orange Bowl was razed, a piece of Miami’s identity was lost. Atomik, born and active in the United States, responded with a visual intervention that turned grief into vibrancy. His orange character began to appear across the city on walls, mailboxes, rooftops, and abandoned buildings, acting as both a tribute and a defiant marker of presence. In canvas form, as seen here, the character retains all of its street energy while transitioning into a collectible artifact. The cheeky grin and raised brow act as visual shorthand for Miami’s blend of attitude, warmth, and creative resistance. Atomik’s work embodies the style and function of Street Pop Art & Graffiti Artwork, where characters serve as symbolic graffiti tags, social commentary, and public avatars. His orange exists in multiple states—rebel, clown, mascot—and its simplicity is its power. The use of expressive line, exaggerated proportion, and strategic highlights is directly linked to the language of muralism and comic book art, both of which feed into graffiti’s visual vocabulary. From Street to Canvas: Atomik’s Expansion into Gallery Culture Untitled III represents an important aspect of Atomik’s practice: the movement of street-born characters into formal art spaces without sacrificing edge or identity. By bringing his orange to canvas, Atomik maintains the same boldness and accessibility found on city walls. The work is not diluted but concentrated, focusing all its pop intensity into a contained format. The painting retains the urgency and charm of its graffiti roots, made sharper through studio technique and acrylic detail. This transition from public wall to private collection is central to many Street Pop Art & Graffiti Artwork artists, who continue to operate in both spheres simultaneously. Atomik remains prolific in Miami’s streets, but his gallery pieces like Untitled III allow collectors to engage with the movement in intimate, long-lasting ways. These pieces become cultural documents, embodying not only the energy of a character but the broader movement it represents. Visual Identity and Cultural Commentary in the Work of Atomik Atomik’s orange is more than an aesthetic motif—it is a cultural signal. The bold grin, the splash of citrus color, and the playful features all contribute to a language of visual activism. It communicates joy while remembering loss, mischief while asserting presence. Untitled III, with its clean composition and signature style, preserves this energy on canvas in a way that invites repeated viewing. The piece pulses with the same character-driven ethos that has defined pop art figures since the mid-twentieth century, while remaining grounded in graffiti’s rebellious tradition. As a singular work of Street Pop Art & Graffiti Artwork, Untitled III captures a moment in time when characters were not just imagined but lived across a city’s architecture. Atomik’s orange continues to smile—on walls, on canvases, in print, and in spirit—reminding viewers that personality and protest often share the same line.

Read more less

Vader Grin Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered #2 (Originally Reserved As PP Printers Proof) Limited Edition of 100 Artwork Size 12x12 Star Wars Darth Vader Skeleton Grin Smiley. Ron English's Vader Grin and the Warped Language of Iconography Ron English’s Vader Grin fuses dystopian sci-fi symbolism with the subversive vocabulary of Street Pop Art & Graffiti Artwork. Released in 2020 as a limited edition archival pigment print, the piece measures 12x12 inches and was produced on 290gsm Moab fine art paper. This particular edition, originally held as Printer’s Proof #2, forms part of a 100-print run, each signed and numbered by the artist. The work reimagines the helmeted visage of Darth Vader—one of cinema’s most recognizable figures—by seamlessly embedding English’s trademark skeletal grin beneath the mask. The result is a jarring yet alluring hybrid that simultaneously honors and mocks the power of cultural icons. The work relies on visual contradiction. The hyper-glossy black helmet, reflecting cool blues and menacing reds, feels ominous and theatrical. Yet the grin beneath it introduces grotesque levity. It is not merely a skull, but a warped, cartoonish smile that undermines the mythic power typically associated with the character. English uses this visual tension to create discomfort, inviting viewers to question what lies beneath their cultural obsessions. By merging a corporate media character with his skeletal smile, English distills themes of decay, commodification, and spectacle. Visual Tactics Rooted in Street Pop and Graffiti Art Ron English built his career on hijacking visual systems. His approach combines photorealism with absurdity, blending polished fine art techniques with aesthetics borrowed from street murals and graffiti culture. Vader Grin sits at the intersection of these traditions. Though the print is created with archival precision, the electric glow surrounding the helmet mimics the energy of neon street lighting or aerosol fades. The blue halo contrasts sharply with the blood-red reflections on one side of the mask, giving the image a radioactive aura that feels both synthetic and urgent. English’s background in billboard takeovers and illegal mural work informs every detail of the piece. His choice to deface an archetype of cinematic villainy with a smile nods to graffiti’s function as cultural resistance. It reflects the artist’s long-standing interest in how images dominate urban space and public imagination. Street Pop Art & Graffiti Artwork often collapses the barrier between fine art and mass media, and Vader Grin thrives in that collapse. It operates as both parody and portrait, critique and celebration. Skeletal Symbols and the Politics of Satire The skeletal grin, a recurring motif throughout Ron English’s body of work, serves as more than a visual joke. It operates as a critique of power, often layered over figures who symbolize authority, consumer manipulation, or mythologized violence. In Vader Grin, the deathly smile strips the character of gravitas, revealing a hollowed-out husk beneath layers of narrative and merchandising. The mask is no longer a tool of intimidation—it becomes a vessel of emptiness, the face of a brand designed for mass appeal but drained of human substance. The work fits into a broader history of Street Pop Art where artists interrogate the allure of media-generated heroes and villains. English’s satire does not merely poke fun at pop culture—it exposes how symbols are consumed without critical engagement. The skeletal transformation represents the erosion of meaning beneath constant reproduction. In Vader Grin, the viewer is left to contend with a familiar face turned alien, a symbol of evil turned into a smirking relic, smiling through the collapse of its own mythology.

Read more less

Welcome To Paradise Silkscreen Print by Buff Monster Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print The "Welcome to Paradise" silkscreen print by Buff Monster stands as a vibrant example of Street Pop Art and Graffiti Artwork, blending street art's energy with pop art's playful vibrancy. Created in 2008, this piece is part of a limited edition series, with only 100 signed and numbered prints available, making it a collectible item among enthusiasts. The artwork measures 18x24 inches, a size that is substantial enough to impact any wall it adorns. Buff Monster has been a notable figure in the street art scene, with his work often characterized by bright colors, bold lines, and whimsical characters, all evident in this print. His signature style often incorporates influences from various sources, including Japanese culture and classic graffiti art. This has earned him a dedicated following and places his work in a unique position within contemporary art. Hand-pulling silkscreen prints are traditional and meticulous, ensuring each piece is unique with slight variations that add to its character and authenticity. This print on fine art paper captures the essence of Buff Monster's artistic vision, with its meticulously layered colors and textures providing depth and a tactile quality that machine-made reproductions cannot replicate. As a work of Street Pop Art and Graffiti Artwork, "Welcome to Paradise" embodies the spirit of urban creativity and the blurring of boundaries between high and low art. It is a testament to the artist's ability to translate the spontaneity and rebelliousness of street art into a fine art context, preserving the raw appeal of graffiti while elevating it through a more formalized art-making process. For collectors and enthusiasts, acquiring a piece like this offers a visual delight and a slice of the dynamic and ever-evolving story of street art's influence on contemporary culture.

Read more less

West Mash U30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. West Mash U30 by OG Slick: Hand Embellished Giclee Print as Street Pop Art & Graffiti Artwork West Mash U30 is a 2025 hand-embellished giclee print by renowned graffiti and street pop artist OG Slick. This limited edition artwork is released in a run of only 25 prints, each individually signed, numbered, and uniquely customized by the artist. Printed on 310gsm fine art deckled-edge paper and sized at 30 by 30 inches, this edition merges precision printing with raw artistic energy. The base giclee print is enhanced with hand-applied spray paint, splatter marks, brush strokes, and custom paint embellishments, ensuring that no two pieces are identical. Each variant showcases OG Slick’s signature blend of cartoon iconography, graffiti heritage, and layered cultural reference, reinforcing the work’s place within the language of Street Pop Art & Graffiti Artwork. Iconography, Layering, and Visual Tension The focal image of West Mash U30 is OG Slick’s stylized gloved hand, an emblematic reinterpretation of classic animation infused with West Coast attitude. The hand is presented in a bold graphic pose, popping out from a chaos of yellow and black wheatpaste-style backgrounds filled with repeat tags, stickers, and pop motifs. Slick’s name is woven throughout the collage in repetition, surrounded by screen-style illustrations of his iconic hand gesture and cartoon references. This layered backdrop creates both motion and noise, resembling a graffiti wall caked with years of tags and posters. The white hand in the center, outlined in bold black, emerges from this field with a controlled clarity that contrasts with the rawness of the embellishments. The addition of unique paint splatter, drips, and stroke work transforms each print into a singular artifact, reinforcing the handmade authenticity expected in Street Pop Art & Graffiti Artwork. OG Slick’s Cultural and Artistic Significance OG Slick, born in Hawaii and based in Los Angeles, is a pivotal figure in graffiti and street pop art culture. His work explores identity, rebellion, and cultural symbolism using a visual language built from animation history and West Coast graffiti traditions. The gloved hand motif, reimagined countless times in his oeuvre, serves as a stand-in for presence, power, and cultural commentary. With West Mash U30, OG Slick continues his tradition of remixing visual archetypes and layering them with satire and edge. His use of HPM—hand-painted multiples—blurs the lines between fine art print and street-marked original. The graffiti ethos of improvisation and raw visual spontaneity is alive in every embellishment, giving each collector a completely unique piece. Limited Edition Printmaking as Street Art Expression Each copy of West Mash U30 is printed using high-fidelity giclee technology, preserving the sharpness and color integrity of OG Slick’s original design. However, the real power of this edition lies in the embellishments. The hand-painted splatters and custom markings give every piece its own visual rhythm and attitude. The deckled edges add a tactile element, invoking traditional fine art printmaking, while the visual language remains grounded in contemporary urban aesthetics. The limited run of only 25 ensures rarity, and the fact that each HPM is assigned at random adds an element of surprise and authenticity. In the context of Street Pop Art & Graffiti Artwork, this print is not only a collector's item—it is a living extension of the artist’s wall-based practice, adapted for the gallery and personal collection with no loss of spontaneity or street-born energy.

Read more less

What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

Read more less

Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Where The Hose M30 by OG Slick: Urban Commentary and Graffiti Wit in Street Pop Art & Graffiti Artwork Where The Hose M30 is a 2025 hand-embellished giclee print by OG Slick, presented in a limited edition of 25. Each 30x30 inch print is produced on 310gsm deckled fine art paper, signed and numbered by the artist, and uniquely hand-finished using spray paint and various graffiti techniques. The central subject is a fire hydrant—painted, stickered, and transformed—set against a stark background, with the hand-scrawled question Where the hose at? hovering above in playful red script. The image merges cheeky wordplay with street realism, combining slick visual execution and raw cultural irreverence. Every HPM version differs, each featuring its own variation of paint splatter, spray application, and embellishment marks, reinforcing the individuality and rebellious spontaneity embedded in Street Pop Art & Graffiti Artwork. Symbolism, Humor, and Street-Level Critique The fire hydrant in Where The Hose M30 is rendered with a gritty aesthetic, adorned in layers of graffiti, tags, and stickers including OG Slick’s signature Japanese text, cartoon gloves, and pop references. These decals give the hydrant the look of a public object long claimed by urban artists. The playful title scrawled above evokes both literal and slang meanings, inviting multiple interpretations—part street joke, part cultural commentary. Whether read as a nod to graffiti beefs, territorial markings, or masculine bravado, the question itself is as much a provocation as it is a punchline. Some variants in the edition feature bursting spray streams, others are overlaid with bold magenta or buffed whiteout gestures, each echoing the transient, ever-changing nature of city surfaces and graffiti culture. Within Street Pop Art & Graffiti Artwork, OG Slick uses this hydrant not only as a subject but as a symbol of pressure, release, and public infrastructure hijacked by personal voice. OG Slick’s Artistic Practice and Visual Language OG Slick, a fixture of Los Angeles graffiti culture since the 1980s, is renowned for remixing commercial and municipal iconography through a filter of street aesthetics and satirical wit. His work blends cartoon-based visual familiarity with hardcoded graffiti influence, often embedding commentary on fame, ownership, and identity. In Where The Hose M30, he recontextualizes the mundane—turning a utilitarian fire hydrant into a sculptural character that carries attitude, history, and street-coded meaning. By layering his personal motifs over a public object, Slick continues his career-long tradition of turning the overlooked into a bold visual narrative. His attention to detail in both form and wordplay makes this piece an extension of the graffiti wall, a flat surface alive with attitude, cultural shorthand, and layered contradiction. Edition Variation and Urban Artifact Value As with all HPM releases by OG Slick, each copy of Where The Hose M30 is one of a kind. While the base giclee ensures fidelity to the original digital layout, the embellishments disrupt that uniformity, introducing chaos, imperfection, and hand-executed energy. Some prints are saturated in pink or buffed out with white spray, while others are activated with directional burst marks and smudges of black ink. These choices give each collector a unique relationship to the piece, similar to how different graffiti tags evolve across the city depending on who sees them, alters them, or covers them. OG Slick captures that energy in a fixed format that still feels in flux. The deckled paper adds a tactile frame to the work, reinforcing its status as both high art and cultural subversion. In Street Pop Art & Graffiti Artwork, Where The Hose M30 stands as a sharply humorous yet technically refined work that reclaims public visual space and retools it with attitude, commentary, and urban soul.

Read more less