Artworks

Risky E Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24. From the first "Beyond The Streets" exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat. Risk Rock's "Risky E Graffiti Alphabet Letter" and Its Place in Street Pop Art The "Risky E Graffiti Alphabet Letter" giclée by Risk Rock is a vibrant piece that encapsulates the dynamic interplay between typography and abstraction in street pop art and graffiti artwork. As a limited edition fine art paper print from 2012, this work forms part of the exclusive "Beyond The Streets" exhibit collection, showcasing the evolution of street art from public spaces into galleries. Limited to 100 signed and numbered editions, the artwork measures 24x24 inches, offering a substantial visual statement in size and impact. Although there is minor to light yellowing on the margins of the museum-quality paper, the image remains pristine—a testament to the lasting power of street art when transferred to a more permanent medium. Risk Rock, a celebrated figure within the street art community, is known for his bold use of color and innovative approach to graffiti lettering. The "Risky E" is a prime example of his style, blending graffiti's raw, kinetic energy with the precision of printmaking. The giclée process, renowned for its high fidelity to the original artwork, allows the piece's intricate details and vibrant colors to be preserved, creating a lasting impression akin to that of a mural encountered on the street. The Cultural Resonance of Risk Rock's Artistic Expression The "Risky E Graffiti Alphabet Letter" is more than a mere decorative piece; it is a cultural statement that resonates with the ethos of street and pop art. It represents a moment when graffiti, once relegated to the fringes of the art world, began to be recognized for its artistic value and cultural significance. The piece, birthed from the "Beyond The Streets" exhibit, symbolizes graffiti's transition from an act of rebellion to a form of artistic expression embraced by museums and collectors alike. Risk Rock's contribution to the street art movement is immortalized in this print, reflecting the artist's mastery over form, color, and composition. The letter "E" is transformed into a standalone piece of art, showcasing the potential of typography to transcend its functional roots and become a medium for creative expression. This transformation is characteristic of street pop art, where everyday elements are recontextualized to challenge perceptions and engage viewers in a dialogue. The Significance of Giclée in Preserving Street Art Aesthetics Giclée prints like "Risky E" have played a significant role in preserving the aesthetics of street art for future generations. By capturing the vibrancy and detail of the original artwork on fine art paper, the giclée process ensures that the transient nature of street art can be enjoyed long after the original piece might have faded or been painted over. With its limited edition status, this print elevates the ephemeral nature of graffiti into a collectible form, allowing fans and new audiences alike to own a piece of street art history. The slight aging of the paper's margins does not detract from the artwork's value; instead, it adds a layer of authenticity reminiscent of the aging walls that host graffiti art in the urban landscape. The promise that the image can be easily matted and preserved speaks to the adaptability of street art and its ability to find new life in different contexts and formats. Risk Rock's "Risky E Graffiti Alphabet Letter" giclée is a testament to the enduring appeal and significance of street pop art and graffiti artwork. As a limited edition print, it represents the intersection of street culture and fine art, embodying the spirit of an art movement that continues to influence and redefine the boundaries of artistic expression. The piece is a tribute to the artists who have brought the language of the streets into the galleries and the collectors who have helped pave the way for graffiti to be recognized as a legitimate and impactful art form.

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Risky F Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky G Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky H Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky I Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky J Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky K Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky M Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky N Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky O Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky P Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky Q Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky S Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky T Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky U Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky V Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky W Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky X Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky Y Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky Z Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24. From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Road Signs- Big Boy Limited Edition Hand-Embellished Serigraph on Heavy paper by Risk Graffiti Street Artist Modern Pop Art. Hand-Embellished Serigraph on Heavy paper- 18x23 Inches- Date Made: 2018- Incorporates Risk's now-famous "license plate, road sign, and Bob's Big Boy" background. Each print is "hand-embellished" by the artist.

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Rock Climber PP Giclee Silkscreen Print by Martin Whatson Printers Proof Hand-Pulled 18-Color Screen Print on 300gsm Somerset Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2021 Signed & Marked P/P Limited Edition Run Artwork Size 31.5x31.5 Giclee Over Silkscreen Print. Martin Watson Artistic Approach "Rock Climber PP" is a giclée and silkscreen print by Martin Whatson, a notable figure in contemporary street pop art and graffiti. As a Printer's Proof (PP) from a limited edition run in 2021, this piece captures the dynamic essence of urban art. Signed and marked by the artist, "Rock Climber PP" spans 31.5 inches by 31.5 inches and showcases Whatson's adeptness in blending giclée precision with the rawness of hand-pulled screen printing. Martin Whatson's art is recognized for its vivid portrayal of motion and emotion, often juxtaposed against a monochrome background. In "Rock Climber PP," Whatson employs an 18-color screen print on 300gsm Somerset fine art paper, a medium well-regarded for its texture and durability, which is crucial for the layered technique used in the work. The artwork is distinguished by its hand-pulled screen printing method, which ensures that each color layer is applied with personal attention, contributing to the print's depth and vibrancy. Convergence of Techniques in "Rock Climber PP" The combination of giclée and silkscreen print in "Rock Climber PP" exemplifies the convergence of digital precision and traditional printmaking. Giclée prints are known for their high-resolution and sharp detail, derived from digital printing. This modern technique allows for the gradations and nuances of the original artwork to be captured with exceptional clarity. On the other hand, silkscreen printing is a manual process that involves forcing ink through a mesh screen to create an image. It's a method deeply rooted in the history of street art and pop art due to its directness and capacity for bold, saturated colors. Cultural Impact of Watson's Work "Rock Climber PP" is more than a mere amalgamation of techniques; it is a visual narrative that speaks to the urban experience and its inherent search for meaning. The figure of the rock climber, striving upward amidst the chaotic splashes of color, symbolizes the human quest for progress and the challenges faced in the climb. This imagery represents street pop art's core themes: struggle, resilience, and the beauty found in the act of creation. The Significance of Limited Edition Prints As a Printer's Proof, "Rock Climber PP" holds a special place in collectible art. The printer or artist typically retains these proofs and are not part of the numbered edition, making them rarer than the standard prints. Collectors highly prize them for their exclusivity and the insight they provide into the artist's process. In addition, Watson's signature and the PP mark on the artwork seal authenticity, further elevating the print's value and desirability. In conclusion, "Rock Climber PP" by Martin Watson stands as a vibrant embodiment of the street pop art and graffiti movement. It captures the essence of urban art through the interplay of giclée and silkscreen techniques, resulting in an intricate and explosive piece. The print is a testament to Whatson's skillful navigation of art forms and ability to convey profound messages through his distinctive visual language. This artwork resonates with the energy of the streets and the spirit of contemporary art, encapsulating the genre's vitality.

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Roid- Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Born in 82, London Based artist Roid began painting in the late 90’s spending the last ten years building a solid in- international reputation for innovation and technical skill. His constant evolution of the conventions of New York Subway graffiti has never stayed still and neither has he. After his sellout debut solo show in summer 2012 he is now working as a fine artist and creative director from his south London studio, continuing to influence and change the way people think about graffiti.

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RR Crossing- True Legend Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. Paint on Street Sign Size: 30 x 30 Inches Release: March 24, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Rua da Fábrica Limited Edition Archival Pigment Fine Art Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Graffiti Street Art and Pop Culture Artist Stephanie Buer. 2020 Signed Limited Edition Rua da Fábrica • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 12 x 12 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20

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SABER ONE Hand-Pulled 5-Color Silkscreen Print on Cotton Fine Art Paper by Desirable Artist Saber Limited Edition Pop Art Artwork. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 20x16 SABER ONE, 2009 5-Color Screen Print on 100% cotton archival paper 20 x 16 in (50.8 x 40.64 cm) Limited Edition of 100 Signed and Numbered by the Artist

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Sam Flores- Light Blue Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. No Box. Sam Flores is a contemporary American artist from New Mexico who has been living on the West Coast for years. Strongly influenced by graffiti, it's not uncommon for him to paint live with writers. His unique art blends characters inspired by Japanese art with Latin imagery and its profusion of flowers and colors.

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SAMO©...Reclining on a Car Seat, West Broadway, 1978 Archival Pigment Fine Art Limited Edition Print on 310gsm Hahnemühle William Turner Matte Fine Art Paper by Modern Pop Street Graffiti Artist Al Diaz. Al Diaz "SAMO©...Reclining on a Car Seat, West Broadway, 1978" - Limited Edition of 25 - 18 x 24" SAMO©...RECLINING ON A CAR SEAT, WEST BROADWAY, 1978 • Autographed archival pigment print • Printed on Hahnemühle William Turner matte fine art paper, 310 GSM • Custom hand-torn deckled edges • Hand-varnished • 18 x 24 inches Hand-signed, numbered and dated in ink by Al Díaz in a limited edition of 25 • With additional "WE WERE SAMO©..." ink inscription

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SAMO©…SINCE 1978... Deluxe Collectors Set Archival Pigment Fine Art Limited Edition Print, Photos, Book & Marker on Fine Art Paper by Modern Pop Street Graffiti Artist Ali Diaz. 2018 Signed & Numbered Al Daiz Portfolio Art Set of Prints, Art Objects, Media & Photographs. The Samo©… Since 1978… Deluxe Collectors Set Includes The Following Items: A signed first-edition book with an exclusive inscription by Al Díaz and Mariah Fox. A signed and numbered archival print measuring 8 x 8 inches is a photograph by Al Díaz from circa 2018. An 11-piece archival print set of vintage SAMO© photography, each measuring 4 x 6 inches, with photographs by Al Díaz, Natalya Maystrenko, and Jane Burrell Yadav from around 1978/79. A signed paint marker that was used to create an original SAMO© piece of art. A hand-screened canvas tote bag, printed on each side, measuring 15 x 20 inches. An enamel cross pin. A sticker pack. A bookmark. A blue marker. A signed Letter of Authenticity. Historical Significance and Composition of the SAMO©…SINCE 1978... Deluxe Collectors Set Released in 2018, this limited edition portfolio by Al Diaz is a comprehensive assembly that includes various items, each rich with the essence of street pop art. A signed first edition book with an exclusive inscription provides insight into the SAMO© tag's inception and evolution, a narrative co-created with Mariah Fox. Accompanying the book is a signed and numbered archival print, an 8 x 8-inch photograph Diaz took, offering a visual narrative that complements the written word. The realm of modern street pop art and graffiti artwork is ever-evolving, often blurring the lines between an art piece and a historical document. The "SAMO©…SINCE 1978..." Deluxe Collectors Set is a prime example of this intersection, offering a tangible connection to the roots of street art as seen through the lens of influential artist Al Diaz. This set is not just an amalgamation of art objects; it's a capsule of cultural heritage that chronicles the rise of one of the most enigmatic tags in the history of graffiti. Further delving into the historical context, the set includes eleven archival prints measuring 4 x 6 inches, featuring vintage SAMO© photography by Al Diaz, Natalya Maystrenko, and Jane Burrell Yadav. These images capture the rawness of the late 1970s and early 1980s in New York, where SAMO© became a recognized symbol of rebellion and artistic freedom. Including a signed paint marker used to create an original SAMO© piece signifies the authenticity of the art-making process, bridging the past with the present. The Artistic and Collectible Value of Al Diaz's Work The Deluxe Collectors Set assembles art objects extending beyond prints and photographs. This eclectic mix includes a hand-screened canvas tote bag, an enamel cross pin, a sticker pack, and a bookmark. Each item is a piece of memorabilia and a slice of the artistic journey that Diaz has embarked upon. Notably, the set has a blue marker and a signed letter of authenticity, sealing its value as a collectible. Al Diaz's contributions to the graffiti art scene are deeply etched into the cultural fabric of urban art. His work, especially the SAMO© tag, co-created with the legendary artist Jean-Michel Basquiat, has become a symbol of street art's DIY ethos and provocative nature. This Deluxe Collectors Set does not merely reflect Diaz's artistic footprint; it serves as a conduit for the stories, the era, and the movement that SAMO© represents. Legacy of the SAMO© Tag The legacy of the SAMO© tag immortalized in this Deluxe Collectors Set is multifaceted. It's a testament to the power of words and images in the public domain, a reminder of street art's transitory yet impactful nature. The tag's cryptic messages once sparked curiosity and dialogue among passersby on New York's streets. Through this set, they continue instigating thought and appreciation among collectors and art enthusiasts. In essence, the "SAMO©…SINCE 1978..." Deluxe Collectors Set by Al Diaz is more than just an item of monetary value; it is an essential piece for anyone interested in the history and evolution of street pop art and graffiti artwork. Through this collection, Diaz cements his place in art history and invites others to explore and understand street art's profound impact on society and culture. As a limited edition of just 25 sets, it holds a unique place in the pantheon of modern art collectibles, embodying the spirit of a time when art took to the streets, challenging conventions and forever changing the face of urban expression.

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 MartÍ Sawe Glossy Black Spray Paint Can Artwork by Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 MartÍ Sawe Glossy Black Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Sawe Glossy Black Spray Paint Can by Montana MTN in Street Pop Art & Graffiti Artwork In 2024, Barcelona-based graffiti artist Sawe released a limited edition collaborative piece with Montana Colors, featuring a fully wrapped design on a glossy black spray paint can. Known for his exaggerated character design and wild-style letterforms, Sawe’s work often merges graffiti technique with a playful cartoon aesthetic. This collectible spray can release is a continuation of Montana MTN’s tradition of elevating artist-designed objects into hybrid works of art and utility. Produced as a limited edition of 500, the can is both a functional piece filled with black paint and a standalone object artwork housed in a custom wood box, making it a rare fusion of street art culture and collectible design. With a size of 3x8 inches, it maintains the familiar proportions of a graffiti tool while functioning as a three-dimensional canvas. Artwork Composition and Visual Identity The Sawe can artwork presents a vibrant, animated composition using bold color shifts, clean black outlines, and exaggerated volumes. The visual treatment includes Sawe’s signature use of soft, inflated shapes and character-driven abstraction. The can’s front displays bulbous, interwoven forms in hues of pink, copper, green, and blue, suggesting anthropomorphic figures or surreal graffiti tags. The rear side includes the artist’s tag in stylized white across a fade of pastel tones and blurred textures. This level of illustration and print application demonstrates Montana Colors’ commitment to reproducing high-fidelity versions of original art on unconventional surfaces. Sawe’s ability to balance chaos with humor and clarity is at the core of his visual identity, and this can captures that tension in a compact, cylindrical format that holds both paint and narrative energy. Artist Background and Stylistic Influence Sawe, born and raised in Barcelona, is known across Europe for his cartoon-meets-lettering approach to graffiti. He frequently experiments with character design, urban intervention, animation, and mural work, establishing a flexible identity that shifts between comic surrealism and graffiti traditions. His style often blurs the boundary between graffiti writing and visual storytelling, where letters take on anthropomorphic qualities and scenes evolve into layered worlds. Montana MTN’s decision to work with Sawe in their 2024 artist series places him among a select group of creators who bridge raw graffiti roots with contemporary art contexts. His work speaks to a generation raised on animation, digital art, and comics, while maintaining street credibility grounded in tagging and muralism. Limited Edition Form and Collector Significance The Sawe Glossy Black can is presented in a signed wood box with a clear protective front, designed to allow full visibility of the artwork. Each can is an officially numbered part of a 500-unit run, filled with Montana MTN Glossy Black paint. This fusion of street tool and art object elevates the can beyond commercial material into the category of collectible sculpture. The packaging reinforces this intent, with the artist’s tag also appearing on the box, further connecting the item to graffiti culture. As both a tribute to the act of painting and a document of Sawe’s visual legacy, this release stands out in the landscape of Street Pop Art & Graffiti Artwork, offering a tangible piece of one artist’s imagination and his place in the international street art conversation.

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SECHOR roller Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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SECHOR train #2 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Sechor. 2021 Signed, 7x2 inches, Custom painted Vintage ho scale train with acrylic paint.

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Seen UA- Cascade Green Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. - No Box Writer, illustrator, and tattooist, he has maintained a development linked to the world of graffiti that has served as an example to thousands of young people around the world. He was in NYC in the late 1970s, he was part of the generation that made graffiti a popular phenomenon and enjoys, to this day, representation around the world. Long live graffiti godfather. Living legend.

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Sen2- Light Blue Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Born in Puertorico, grown in the Bronx, representing worldwide, SEN2 (4Burners) is an NYC icon who developed his style with respect for the wild style tradition and interest for the European styles.

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Several Signatures Archival Pigment Fine Art Limited Edition Print on 308gsm Hahnemühle Photo Rag Paper by Modern Pop Street Graffiti Artist Sheefy McFly- Tashif Turner. 2021 Signed & Numbered Limited Edition of 10 Artwork Size 17x17 Artist: Tashif "Sheefy Mcfly" Turner Description: SEVERAL SIGNATURES Limited Edition Print: Archival Pigment Print Paper: Hahnemühle Photo Rag 308 Size: 17" x 17" (Inches) Edition Size -10 Hand-signed & Numbered by Artist Blind Stamped by Duboski Art Collab

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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Shadow Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Shadow Limited Edition Archival Pigment Print by DAIM Shadow by DAIM is a striking three-dimensional graffiti composition that explores the contrast between depth, structure, and abstraction. This archival pigment print on museum fine art paper presents the artist’s trademark illusion of sculptural lettering, where sharp, angular forms appear to emerge from and recede into the background. The play of light and shadow in this work enhances its monumental presence, making it a prime example of modern graffiti transformed into fine art. Three-Dimensional Lettering and Architectural Influence DAIM, born Mirko Reisser, is internationally recognized for his pioneering role in three-dimensional graffiti lettering. His approach integrates architectural precision with abstract movement, resulting in compositions that seem to break free from the two-dimensional plane. Shadow embodies this mastery by using layered depth, shading, and an interplay of light and darkness to create the illusion of floating structures. This piece utilizes a muted palette of grays, blacks, whites, and hints of blue, creating a stark, industrial aesthetic. The shadows cast by each fragment of the lettering give the impression that the composition exists within an atmospheric void, emphasizing the dynamic energy of destruction and reconstruction within the piece. The letterforms remain highly stylized yet nearly deconstructed, symbolizing the fluidity of identity and artistic evolution. Personal Evolution and Graffiti as Self-Reflection For DAIM, graffiti is more than a visual statement—it is a self-portrait. His approach to lettering has evolved over the decades, becoming increasingly complex and introspective. He has described his work as a reflection of personal growth, with each composition marking a distinct phase in his artistic and personal journey. Shadow represents a refinement of his three-dimensional technique, stripping down elements to their most essential yet impactful forms. The controlled chaos of the composition reflects a balance between movement and stillness, showcasing DAIM’s ability to create a harmonious tension within his work. The controlled drips along the edges of the piece allude to the organic roots of graffiti, reminding viewers of the raw, urban origins of the art form. The Impact of DAIM on Street Pop Art & Graffiti Artwork DAIM’s contributions to street pop art & graffiti artwork have established him as a leading figure in three-dimensional urban lettering. His work blurs the lines between graffiti, architecture, and contemporary abstraction, challenging traditional notions of what street art can achieve. Shadow stands as a testament to the depth and sophistication of graffiti as an art form, pushing the boundaries of lettering into the realm of fine art and modern design. By mastering light, perspective, and structure, DAIM has elevated graffiti into a fully immersive visual experience, leaving an indelible mark on the art world. His ability to transform simple letters into multidimensional sculptures continues to inspire the next generation of urban artists.

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Untitled- Shark Creatures Running Original One of a Kind Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Street Art Pop Culture Artist El Pez. 2015 Signed Original Spray Paint & Silkscreen Marked 1/1 Painting Size 19.75x27.63 El PEZ (b. 1976) Untitled, early 21st-century Screenprint with spray paint hand-embellishments on paper 27-5/8 x 19-3/4 inches (70.1 x 50.2 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along lower edge

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Shark USPS Priority Original Spray Paint & Permanent Marker Slap-Up Label Drawing Art by Tru Graffiti Artist Shark Toof Modern Street Artwork. 2015 Signed Orignal Spray Paint Mixed Media Marker Slap Up Graffiti Drawing Artwork Size 4.75x3.5 Slap Up Graffiti Art Tag 4.75x3.5 Spray Paint & Marker Tagged on USPS Label.

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SheOne- Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. English writer SheOne recently dropped his own limited edition ALIEN spray can from Montana. Known for his collaborations with Addict clothing and multiple works from New York & Los Angeles to Tokyo and Sydney, the famed artist finds his latest project alongside the top name in graf products, Montana. Only 500 units were produced.

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Shizentomotel Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Oga Namahage Graffiti Street Artist Modern Pop Art. Shizentomotel a mural based in Shonan [Shizentomotteru] They are a variety of characters that can be called their own background has continued to transmit the message along with the "natural" that name also attached to the parallel course of things.

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