Artworks

Take Me To Your Dealer- Alien OG Nuggbot Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Czee13 x Nugg Life NY- Ian Ziobrowski. 2022 Limited to 150 Take Me To Your Dealer! Nuggbot, is the newest member of the CANZ family, a literal pothead, sprouting some herbal majesty straight from the cranium. With a brand new head sculpt, this trippy Canbot Canz collaboration with Czee13 will leave you in a proverbial purple haze. 5oz Size (5.5″ tall) and limited to only 150 pieces. Complete with trademark rattle, and GID Buds!

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Target Black & Gold Red Wall Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2013 Signed on Box Limited Edition of 500 Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke ChuehTarget Series Depicting a Bear Painting Target on the Chest Standing at a Red Firing Wall with Gold Target and Paint Bucket. Luke Chueh’s Target Black & Gold with Red Wall: A Bold Variation in Symbolic Street Pop Sculpture Released in 2013 as a limited edition of 500, the Target Black & Gold with Red Wall vinyl art toy by street pop and graffiti artist Luke Chueh introduces a dramatic reimagining of his widely recognized Target sculpture. Measuring 6.5 by 10.5 inches and packaged in a striking collector’s box signed by the artist, this edition retains the central visual theme of Chueh’s emotionally loaded bear while elevating the tension through color and material contrast. Here, the white figure is transformed into a matte black form, marked by a freshly painted gold bullseye. The bear stands against a blood-red brick wall punctuated with bullet damage, enhancing the narrative of self-imposed exposure and existential vulnerability. Redefined Aesthetics and Emotional Symbolism This version of Target amplifies the psychological themes that recur throughout Luke Chueh’s work—pain, isolation, and dark introspection presented through the disarming visual language of toy-like characters. The matte black bear, stripped of facial emotion, applies a gold target to its own chest with a removable red-handled brush, as a bucket of gold paint rests near its feet. The setting, a distressed red brick wall riddled with bullet holes, starkly contrasts the elegance of the gold against the brutality of its backdrop. Rather than suggesting chaos from an external force, the figure actively participates in its own targeting. This gesture speaks to cycles of shame, emotional self-destruction, and the absurdity of accepting suffering as identity. Street Pop Art & Graffiti Artwork in Three Dimensions The Target Black & Gold edition functions not only as a collectible vinyl art toy but also as a fine art object firmly rooted in street culture. Its clean, minimal character design channels modern pop aesthetics, while the bullet-pocked red wall and graffiti-inspired markings pay homage to the grittier textures of urban environments. Chueh bridges psychological depth and consumer culture with careful consideration of narrative, tone, and symbolism. Each element of the sculptural tableau is intentional, from the choice of a rich gold tone to the blood-red backdrop, framing the figure’s quiet act of defiance in a space of confrontation. Edition Significance and Collector Impact The black and gold Target with red wall remains one of the most sought-after variants in Luke Chueh’s sculpture portfolio, drawing attention from both contemporary art collectors and street art enthusiasts. Its combination of limited edition rarity, conceptual richness, and meticulously crafted presentation ensures its place within the upper echelon of modern Street Pop Art & Graffiti Artwork. By reducing his bear figure to the essence of expression through posture and context, Chueh achieves an emotional resonance that transcends traditional toy sculpture. This piece not only completes the narrative arc of the original Target series but reinvents its language through color, form, and raw visual poetry.

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Target Black HPM Shoot To Kill Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Black Target and Paint Bucket. Luke Chueh’s Target Black HPM Shoot To Kill Luke Chueh’s Target Black HPM Shoot To Kill stands as a hauntingly reflective and sharply executed vinyl art sculpture from one of the most compelling voices in Street Pop Art & Graffiti Artwork. Released in 2012 in a limited edition of 250 pieces, this figure comes from the renowned Target series. A selected number of these editions were hand-embellished with the artist’s signature dark humor and symbolic punch, featuring custom illustrations and text hand-drawn on the firing wall base behind the bear figure. This particular version includes the phrase “Shoot To Kill” written across the shattered backdrop, drawing a chilling contrast between innocence and violence. Visual Symbolism and Artistic Elements This 6.5 x 10.5 inch sculpture captures the essence of Chueh’s narrative style. A solemn white bear stands calmly, clutching a paintbrush and a red bucket while proudly displaying a freshly painted black target on its chest. Behind it, a fragmented concrete wall is peppered with bullet holes and adorned with a childlike drawing of the bear itself, eyes wide open, surrounded by damage. The words “Shoot To Kill” amplify the work’s confrontation with themes of vulnerability, targeting, and emotional exposure. Each component of the sculpture, from the character’s blank expression to the gritty base and graffiti-style marks, pushes the viewer to question where sympathy ends and complicity begins in a world desensitized to harm. Collectible Rarity and Conceptual Weight Produced by Munky King, this Target Black HPM version is not only limited in number but also customized, making it a valuable piece for collectors of contemporary vinyl and street pop culture art. The addition of hand-drawn embellishments directly onto the backdrop elevates this from a production piece to a hybrid of toy and original artwork. It sits at the intersection of narrative storytelling and conceptual critique. The packaging itself reinforces the piece’s gravity, with the original painting reproduced on the box and a molded insert that perfectly cradles the figure, brush, and paint can. Impact on Contemporary Street Pop Art & Graffiti Artwork Luke Chueh, an American artist known for exploring personal trauma and dark satire through minimalist, anthropomorphic characters, continuously blends pop iconography with raw human experiences. In this sculpture, he manipulates the cuteness of a cartoon bear and inserts it into a context of conflict and emotional volatility. The result is a poignant visual metaphor: self-inflicted exposure, where the artist literally becomes the target. Target Black HPM Shoot To Kill is not just a collectible. It is a statement about how pain is projected, how identity is marked, and how art reflects the raw discomfort of modern living with stunning simplicity and confrontational honesty.

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Target Red King #2 HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red King #2 HPM SDCC 12 Vinyl Art Toy by Luke Chueh Luke Chueh’s Target Red King #2 HPM SDCC 12 vinyl art toy stands out as one of the most emotionally evocative and conceptually striking releases in the Street Pop Art & Graffiti Artwork category. Released in 2012 as a San Diego Comic-Con exclusive and produced by Munky King, this limited edition figure is part of a larger series based on Chueh’s original Target painting. This particular version, hand-embellished with the artist’s own unique illustration on the firing wall, encapsulates Chueh’s deeply introspective themes through a sculptural medium that resonates with collectors, critics, and fans of dark, conceptual pop art. This figure is a continuation of Chueh’s exploration of vulnerability, self-awareness, and the relationship between creator and subject. Design, Details, and Physical Structure This collectible measures 6.5 x 10.5 inches and is crafted in vinyl with a mixed-media sculptural base. The figure depicts Chueh’s iconic bear character, rendered in a minimalist palette, painting a blood-red concentric target over its own chest while standing in front of a cracked wall riddled with bullet holes. The backdrop serves as a sculptural representation of vulnerability, punctuated with a bold hand-drawn bear head and crown motif signed by Luke Chueh. This version, known as Red King #2, is part of a select sub-edition of the original run of 250, featuring individually hand-drawn graffiti-style customizations on the wall base, turning each one into a distinct piece of hand-painted art. The inclusion of the removable brush and bucket gives the figure a tragic sense of complicity—blurring the line between empowerment and self-destruction. Conceptual Narrative and Symbolism Target is not merely a title; it is a statement about identity and visibility. By painting the target on its own body, the character becomes both artist and object, aggressor and victim. The wall behind it, resembling an urban execution backdrop, intensifies the piece’s tension. With this Red King edition, the additional crown scrawled above the bear adds a layer of sovereignty or martyrdom—elevating the character to a symbol of sacrifice. This duality has long been a hallmark of Luke Chueh’s work, combining cute and tragic elements into a surreal pop art narrative that reflects his ongoing commentary on anxiety, depression, self-image, and the burdens of self-expression. Legacy in Contemporary Urban Art Luke Chueh, born in the United States in 1973, is a pivotal figure in the Street Pop Art & Graffiti Artwork movement. His use of simplified, iconic characters and a muted color palette enables him to channel raw emotion through clean lines and impactful staging. Munky King’s collaboration with Chueh on the Target series represents one of the most successful translations of gallery-oriented character art into three-dimensional collectibles. Each edition, especially rare variants like Red King #2, carries with it the emotional depth and visual simplicity that Chueh has cultivated across mediums. The SDCC exclusive aspect of this release only enhances its rarity and desirability, cementing it as a significant artifact in the narrative of modern collectible sculpture.

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Target Red King HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red HPM SDCC 2012 Limited Edition by Luke Chueh The 2012 Target Red HPM SDCC Limited Edition vinyl sculpture by Luke Chueh stands as a pivotal example of how emotionally resonant themes can be rendered through collectible art. Released as an exclusive for San Diego Comic Con in 2012, this hand-embellished edition of the Target series was produced by Munky King and remains one of the most sought-after releases in Chueh’s career. The artwork is based on his iconic painting which portrays a solitary bear marking himself with a target, standing in front of a bullet-riddled execution wall. This sculpture not only captures the essence of self-awareness and vulnerability but adds a raw layer through its physical dimensionality and hand-drawn elements unique to each piece. Hand-Embellished Detail and Signature Themes This particular Target figure, sized at 6.5 by 10.5 inches, is presented new in its box and includes removable accessories: a brush and a paint bucket. It is housed in molded packaging that mimics the stone wall backdrop of the original painting. What sets this SDCC 2012 edition apart from standard Target releases is the hand-drawn embellishment on the back panel. In this HPM version, Luke Chueh drew a bear with a crown and his own signature on the firing wall, using bullet hole placement to enhance the sense of mortality and critique. Some versions feature additional phrases like shoot to kill, injecting a powerful sense of danger and societal commentary. The red target on the bear’s chest, hand-painted to appear freshly applied, stands in sharp contrast to the surrounding destruction. Luke Chueh’s Street Pop Art & Graffiti Artwork Legacy Luke Chueh, a Los Angeles-based street pop art and graffiti artwork practitioner, has established a reputation for using minimalist figures and iconic bear characters to explore deeply psychological themes. His work merges pop surrealism with street sensibilities and draws heavily from his own personal experiences. Often cast in muted palettes, Chueh’s figures are vehicles for exploring alienation, depression, and self-destruction. In the Target Red HPM SDCC edition, he compresses the full weight of such emotions into a single moment of performative vulnerability—his bear choosing to mark itself for destruction, while standing against a wall already pockmarked with history. The use of humor, darkness, and childlike iconography invites audiences into a disarming confrontation with deeper truths. Collectibility and Cultural Commentary Limited to just 250 pieces, with only a select portion containing original hand-drawn details, the Target Red HPM SDCC figure remains a grail item for serious collectors of street pop art and graffiti artwork. Each sculpture captures a static yet emotionally turbulent moment that mirrors larger cultural critiques—on violence, societal pressures, and identity in the age of hyper-visibility. The fact that it debuted at San Diego Comic Con speaks to Chueh’s roots in pop culture and his ability to subvert it from within. This edition not only symbolizes the convergence of art toy culture and fine art, but it underscores Luke Chueh’s place as one of the most conceptually driven artists working in designer toys and modern narrative art.

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Target Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2014 Signed on Box Limited Edition of 1000 Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Firing Wall.  Luke Chueh’s “Target” Vinyl Art Toy: A Study in Vulnerability and Self-Perception Created in 2014 by acclaimed street pop and graffiti artist Luke Chueh, the “Target” vinyl art toy presents one of the artist’s most emotionally charged and visually symbolic designs. Issued as a limited edition of 1000, this sculpture captures the deeply personal and psychological tone that defines Chueh’s work. Standing at 6.5 by 10.5 inches, the figure is accompanied by a display wall riddled with bullet holes, a small bucket of black paint, and a removable brush held by the bear character itself. On the figure’s chest is a freshly painted target, an image that communicates complex ideas of self-sabotage, exposure, and emotional conflict. Signed on the box and rendered with stark simplicity, the piece transforms a stylized bear into a powerful statement on psychological torment wrapped in innocent aesthetics. Symbolism and the Language of Self-Inflicted Pressure In “Target,” Luke Chueh employs his signature visual language of minimalism and narrative design to evoke feelings of isolation and vulnerability. The white bear, often used in his broader body of work, represents a surrogate for internal emotions—emotionally vacant on the surface but charged with meaning through posture and surrounding context. The target on its chest is not placed by an outside force but rather painted by the bear itself, symbolizing the voluntary exposure to judgment, pain, or blame. The nearby paint bucket reinforces the conscious act of making oneself a subject, whether for criticism, emotional attack, or misunderstanding. This self-imposed act turns the sculpture into a moment frozen between aggression and acceptance, a duality frequently explored in Chueh’s graffiti-influenced street pop art. Pop Minimalism Rooted in Street Culture While many works in Street Pop Art & Graffiti Artwork celebrate rebellion and public expression, Chueh takes a more introspective route. “Target” reflects the internal consequences of living in a world that often externalizes suffering. His use of toy-like aesthetics—soft curves, matte finish, and gentle expressions—stands in sharp contrast to the wall’s bullet holes and the symbolic nature of a target chest. The piece serves both as an art toy and a fine art sculpture, drawing collectors who resonate with the merging of narrative and form. The emotional weight embedded in the clean, modern silhouette aligns closely with the urban art world’s deeper themes of identity, trauma, and the search for meaning. Legacy and Collectibility of the Target Series “Target” became one of Luke Chueh’s most recognized and widely discussed sculptures, extending the legacy of his broader Target Series into the realm of tangible art objects. Each element of the toy—the red-tipped brush, the dripping black paint, the detailed concrete-style backdrop—has been carefully constructed to support the narrative of self-awareness and psychological struggle. The decision to equip the bear with tools of its own torment makes the figure an artifact of choice rather than victimization, a recurring thread in Chueh’s body of work. With its limited run of 1000 pieces and signature packaging, the “Target” figure has gained strong collector value and stands as a defining contribution to contemporary Street Pop Art & Graffiti Artwork.

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Temper Tot- Mad Lad Pose Limited Edition Vinyl Art Toy Collectible Artwork by pop modern artist Ron English- POPaganda. Ron English- POPaganda Temper Tot 10” figure: Mad Lad Pose. Everyone’s favorite Angry Baby is back, bigger and madder than ever! The open edition colorway features the classic green body and blue pants. English coined the term POPaganda to describe his signature mash-up of high and low cultural touchstones, from superhero mythology to totems of art history, populated with his vast and constantly growing arsenal of original characters.

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The 94 Lil' Qwiky Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x QUICCS. 2021 5oz (5.5inch) Limited Edition of 299 New in Box The 94 Lil' Qwiky Canbot Canz : A Symbol of Street Art in Collectible Form The 94 Lil' Qwiky Canbot Canz is a striking symbol of the vibrant intersection between collectible culture and street art. This limited edition vinyl art toy, a collaboration between the imaginative prowess of street graffiti artists Czee13 and QUICCS, encapsulates the essence of street pop art & graffiti artwork in a tangible form. Released in 2021, each piece in this limited run 299 exemplifies a blend of urban aesthetic and designer art toy culture. This collectible stands at 5.5 inches, a nod to the classic 5-ounce spray can, a quintessential tool in the graffiti artist's arsenal. The Canbot Canz series celebrates the ubiquitous nature of the spray can in the graffiti community, elevating it from a mere vessel of paint to an icon of artistic rebellion and identity. This particular edition, The 94 Lil' Qwiky, is new in the box, retaining the pristine condition coveted by collectors. It is ready to take its place as a coveted item in the pantheon of urban art collectibles. The number 94 holds a particular resonance in the world of graffiti – often associated with the brand of a popular spray paint used by street artists. By incorporating this into the name and design, Czee13 and QUICCS pay homage to the history and culture of street art, acknowledging the significance of the medium and its tools. With its handcrafted details and hand-finished touches, this vinyl toy stands as a testament to the craftsmanship and creativity underpinning the street art community. Through creating The 94 Lil' Qwiky Canbot Canz , the artists bridge the gap between the street and the home, allowing enthusiasts to hold a piece of the street art spirit. It is a celebration of the street art form, translated into a 3D object that carries the weight of cultural significance and artistic passion. As street art continues to gain recognition and legitimacy within the broader art world, The 94 Lil' Qwiky Canbot Canz stands as a reminder of this movement's origins and heart and graffiti's ongoing evolution as both an art form and a cultural phenomenon.

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The Beatles Anthology 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Medicom Toys Anthology Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. This is a 1000% Bearbrick and it stands at 70 cm tall.

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The Beatles- Anthology 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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The Cognition Enhancement Engine- Blue Dunny Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Doktor A. Limited to 1000 pieces worldwide this is the regular Blue edition. Nanoclockwork is taking the world by storm. Super fast and super compact. The ultimate in cognitive engineering. A must-have item for any Mechtorian undergoing a re-fit, to bring them into the new information age. Ronson Travithick found a way to create super miniaturised clockwork mechanisms and employed them as the perfect system to generate brains. A thousand times more complex, faster and smarter than the previous system of pulleys and levers installed in most Mechtorian heads. Combining this with some patented Teslastein Static Injectors, enhances the process even further! Now the super fast and super compact cognitive engineering can complete your collection with the Kidrobot 8-Inch Cognition Enhancer Dunny by Doktor A

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The Devil Likes Lo/Fi Low Fidelity Music Bear Vinyl Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition of 300 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Devil Bear in Hoodie and Headphones Chilling. The Devil Likes Lo/Fi by Luke Chueh: A Vinyl Meditation on Mood in Street Pop Art & Graffiti Artwork The Devil Likes Lo/Fi is a 2024 limited edition vinyl art toy by artist Luke Chueh, issued in a run of 300 pieces. Standing 7 inches tall and 4 inches wide, the figure features Chueh’s unmistakable bear character reimagined in fiery red, wearing a black hoodie emblazoned with a devil dog graphic and the word Possessed, paired with oversized headphones. This fine art sculpture arrives boxed in a custom-designed display package that mirrors the figure's brooding silhouette and subdued posture. With hands tucked into his hoodie and a stare that reflects both intensity and introspection, the figure taps into the emotional atmosphere of lo-fi culture while grounding itself within the visual and philosophical framework of Street Pop Art & Graffiti Artwork. Design, Posture, and Attitude in Chueh’s Devil Bear The character in The Devil Likes Lo/Fi is calm yet emotionally heavy, caught in a moment of isolation that feels deeply familiar. The bear’s red vinyl body symbolizes temptation, rebellion, and discomfort, softened by the relaxed shape of the hoodie and the universal symbol of personal space: a pair of headphones. The blend of casual clothing and stark character design echoes themes of disconnection and inner retreat. The simple black-on-red contrast and minimalist sculpting highlight Chueh’s commitment to emotional clarity over complexity. This figure is not about narrative—it is about presence. It radiates the feeling of being alone but not lost, withdrawn but still engaged with the quiet rhythm of low fidelity music and thought. In this sense, the toy embodies the kind of inner-world expression that defines Street Pop Art & Graffiti Artwork, using iconography and stylization to communicate deeper emotional truths. Luke Chueh’s Expanding Universe of Emotional Objects Luke Chueh, based in Los Angeles, continues to be one of the most compelling figures in modern designer toy culture and Street Pop Art & Graffiti Artwork. His ability to distill complex emotional experiences into deceptively simple characters has established him as both a visual storyteller and a sculptor of silence. The Devil Likes Lo/Fi is a continuation of Chueh’s exploration into mood, perception, and the aesthetics of withdrawal. With subtle design cues and an emphasis on posture over expression, this piece joins a long lineage of bears and devils used by Chueh to externalize the internal. His work transforms pop figures into cultural touchstones for psychological reflection, and with this edition, he brings contemporary audio culture into conversation with his ongoing visual language of melancholy and solitude. Collectibility and Conceptual Resonance in Street Pop Art Form As a limited edition of 300, The Devil Likes Lo/Fi functions not only as a collectible but also as a sculptural reflection on modern emotional states. The figure's stillness, the headphone motif, and its choice of color all reinforce its narrative of personal space, lo-fi rhythm, and quiet rebellion. Packaged with precision and conceptually bound by Chueh’s visual language, this figure stands out as a meditation on being present without performance. Its small scale amplifies its message, embodying the idea that meaningful expression often comes not through loudness, but through controlled, crafted subtlety. In the broader context of Street Pop Art & Graffiti Artwork, this sculpture is a physical playlist of emotion—rendered in vinyl, wrapped in symbolism, and waiting to be understood in silence.

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The Doors Strange Days 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 The Doors Strange Days Music x Bearbrick 1000%

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The Gipper Ultra-Violence- Copper Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2012 Displayed in Box Limited Edition of 50 Copper/Bronze Brown Colored Vinyl Artwork Frank Kozik brings us yet another brilliant bust. You can either stare into the eyes of the devil...err Gipper, or cover them up with a detachable DESTROY sign that comes along with your bust of glory.  The Gipper Ultra-Violence Copper Limited Edition Art Toy by Frank Kozik The Gipper Ultra-Violence Copper Vinyl Art Toy is a striking and provocative piece by Frank Kozik, a celebrated figure in the world of street pop art and graffiti artwork. Known for his unflinching satire and commentary on politics and culture, Kozik's creation features a bust that challenges viewers with its bold symbolism and meticulous detail. Limited to just 50 pieces, this copper-toned artwork, released in 2012, stands as a collector's treasure. A Bold Satirical Statement Frank Kozik's bust portrays an exaggerated and caricatured image of Ronald Reagan, often nicknamed "The Gipper." The copper-brown vinyl figure captures a sense of both nostalgia and critique, an ongoing theme in Kozik's portfolio. The detachable DESTROY sign that comes with the bust offers an interactive element, allowing collectors to decide whether to obscure the eyes of the figure, which symbolically addresses themes of political manipulation and blindness to societal realities. Kozik’s sharp commentary on authority and governance shines through, making it a standout piece in the realm of street pop art. The Influence of Frank Kozik Frank Kozik, originally from Spain and later based in the United States, has left a lasting imprint on the world of pop and graffiti art. Born in 1962 and passing in 2023, Kozik became synonymous with bold, often controversial pieces that fused elements of punk rock, politics, and pop culture. His work frequently employs vivid colors and a subversive sense of humor, drawing inspiration from both historical and contemporary figures. The Gipper Ultra-Violence Copper Bust is a testament to his ability to transform familiar imagery into sharp social commentary. Limited Edition Collectibles and Legacy This 2012 release, part of a limited run of only 50 pieces, reflects Kozik's commitment to exclusivity and craftsmanship. Crafted from vinyl and finished in a rich copper-brown hue, the bust is as much a fine art piece as it is a collectible. Accompanied by a box featuring bold graphic art, the packaging itself becomes an extension of Kozik's artistic vision. The bust encapsulates the rebellious spirit of graffiti artwork, appealing to both street art enthusiasts and collectors of modern political art. The Gipper Ultra-Violence is more than just a collectible; it is a conversation starter. It invites viewers to question societal narratives and consider the role of art in political discourse. For admirers of street pop art and Kozik's boundary-pushing creations, this piece remains an enduring symbol of his impact on contemporary art.

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The Gipper Ultra-Violence- Glow In The Dark Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Limited Edition of 50 Artwork Size 6x18 Glow in the Dark Displayed With Box Vinyl Bust of Ronald Regan Destroy Sculpture. We knew what really lurked behind Reagan’s benign smile and twinkling eyes… Now Frank Kozik embodies the spirit of America’s 40th president with the brilliant Gipper Bust. Standing 16" tall, the Kozik Gipper Bust comes with a detachable DESTROY sign, which gives you the option of staring straight into the face of evil. Plus, the Glow in the Dark colorway casts a ghastly glow when you turn out the light. The spirit of the 80s is alive on your shelf, day or night. The Glow in the Dark Kozik Gipper Bust was produced in a limited edition of 50. The Gipper Ultra-Violence Glow In The Dark by Frank Kozik The Gipper Ultra-Violence Glow In The Dark Vinyl Art Toy is a captivating and satirical creation by Frank Kozik, a trailblazer in the world of street pop art and graffiti artwork. Released in 2019 as a limited edition of 50, this glow-in-the-dark vinyl bust stands at an impressive 16 inches tall. It reimagines Ronald Reagan in Kozik’s signature style, blending bold critique with pop culture aesthetics. The piece comes with a detachable "Destroy" sign, offering an interactive element that allows collectors to engage directly with the provocative theme. A Glow-in-the-Dark Statement This unique version of the Gipper Bust elevates its presence with a luminous glow-in-the-dark finish, ensuring it makes an impact whether displayed in light or darkness. The glowing effect casts an eerie radiance, amplifying the sinister undertones of the bust’s design. Kozik’s depiction of Reagan, complete with his trademark grin, serves as a biting commentary on the duality of charm and power. The detachable "Destroy" sign across the eyes reinforces the message, inviting viewers to confront their perceptions of authority and the legacy of the 1980s political landscape. The Vision of Frank Kozik Frank Kozik, born in Spain in 1962 and later based in the United States, was a revolutionary artist who challenged traditional art norms with his bold, subversive creations. His works often delved into political and cultural themes, using humor and sharp commentary to provoke thought. Kozik’s art spans posters, sculptures, and designer toys, all marked by his distinctive aesthetic. The Gipper Ultra-Violence series encapsulates his ability to blend satire with high-quality craftsmanship. Kozik passed away in 2023, leaving behind a legacy that continues to inspire artists and collectors worldwide. A Rare and Collectible Masterpiece With only 50 pieces in existence, the Glow In The Dark Gipper Bust is a highly sought-after collectible. Each bust is meticulously crafted from durable vinyl and comes with a custom-designed box featuring Kozik’s iconic artwork. Its large size and interactive design make it a standout piece for any collection of street pop art or political commentary. The glowing feature adds an extra layer of intrigue, ensuring it remains a conversation starter in any setting. The Gipper Ultra-Violence Glow In The Dark by Frank Kozik is more than just a collectible; it is a provocative work of art that challenges viewers to reflect on the intersections of politics, power, and culture. Its limited availability, bold design, and glowing finish make it a must-have for fans of street pop art and graffiti artwork. This sculpture continues to embody Kozik’s unyielding spirit and his ability to turn familiar symbols into powerful statements.

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The Gipper Ultra-Violence- Green Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Signed Limited Edition of 50 Artwork Size 6x18 Displayed With Box Vinyl Bust of Ronald Regan Destroy Sculpture. The Gipper Ultra-Violence Green by Frank Kozik The Gipper Ultra-Violence Green Vinyl Art Toy is a provocative and collectible piece by Frank Kozik, a renowned figure in street pop art and graffiti artwork. Released in 2019 as a limited edition of 50 pieces, this signed vinyl sculpture boldly reimagines Ronald Reagan in Kozik’s signature satirical style. Standing at 6x18 inches, the vibrant green bust captures the attention of art enthusiasts and collectors alike with its striking design and thought-provoking message. A Powerful Commentary in Street Pop Art This artwork is a vivid commentary on political and cultural power structures, using Reagan’s likeness as a symbol of authority. The neon green bust, adorned with a detachable “Destroy” sign across the eyes, challenges traditional perceptions of leadership and societal control. The vibrant green color amplifies its pop art aesthetic, creating an eye-catching contrast against the backdrop of its accompanying graphic box, which is adorned with Kozik’s bold designs and messaging. The interactive “Destroy” sign adds a layer of depth, encouraging viewers to engage with the piece on multiple levels. The Vision of Frank Kozik Frank Kozik, born in Spain in 1962 and later based in the United States, was a trailblazer in blending graffiti artwork with pop art influences. Known for his bold use of color and biting political commentary, Kozik redefined contemporary art through pieces that resonated with both humor and critique. His work often drew from punk culture and social dynamics, making strong statements about power, identity, and consumerism. The Gipper Ultra-Violence series is a testament to Kozik’s ability to transform familiar symbols into provocative works of art that challenge viewers to rethink societal norms. Kozik passed away in 2023, leaving behind an impactful legacy in the art world. A Rare and Iconic Collectible With only 50 pieces in existence, The Gipper Ultra-Violence Green is a highly sought-after collectible. Each bust is meticulously crafted from vinyl, signed by the artist, and accompanied by a custom-designed box that enhances its presentation. Its compact size of 6x18 inches makes it a versatile addition to any art collection, while its bold design ensures it remains a focal point. The limited-edition nature of the piece adds to its exclusivity and value, making it a prized possession for collectors of street pop art and political satire. The Gipper Ultra-Violence Green by Frank Kozik exemplifies the power of street pop art to provoke thought and spark dialogue. Through its vibrant color, interactive design, and sharp commentary, this sculpture stands as both a work of art and a cultural statement, reflecting Kozik’s enduring influence on the contemporary art scene.

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The Gipper Ultra-Violence- Silver Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. The Gipper Silver Edition Edition size: 50 Size: 16" Material: rotocast vinyl

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The Gipper Ultra-Violence- Yellow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Signed Limited Edition of 50 Displayed with Box Yellow Vinyl Ronald Regan Destroy Bust Artwork The Gipper Ultra-Violence Yellow Limited Edition Art Toy by Frank Kozik The Gipper Ultra-Violence Yellow Vinyl Art Toy is an exceptional creation by Frank Kozik, a pioneering figure in street pop art and graffiti artwork. Released in 2019 as a signed limited edition of only 50 pieces, this sculpture exemplifies Kozik’s ability to merge sharp political commentary with visually striking designs. The bust, rendered in vibrant yellow vinyl, pays homage to Ronald Reagan while challenging viewers to confront deeper questions about authority, culture, and history. A Bold Fusion of Art and Critique Frank Kozik’s Gipper Ultra-Violence series stands out for its audacious take on political figures, and the yellow variant is no exception. This piece reimagines Reagan’s likeness as an exaggerated, almost cartoonish bust that blends humor with biting critique. The detachable green DESTROY sign adds an interactive component, inviting collectors to consider themes of power and destruction. The bright yellow finish amplifies the artwork’s pop art aesthetic, making it a bold statement in any collection. Kozik’s ability to fuse vibrant visuals with provocative messaging highlights his mastery in street pop art and graffiti-inspired works. The Vision of Frank Kozik Frank Kozik, born in 1962 in Spain and later based in the United States, was a visionary artist whose work pushed boundaries across multiple mediums. Known for his contributions to music poster art, designer toys, and graffiti-inspired creations, Kozik infused his work with a rebellious spirit and sharp wit. He passed away in 2023, leaving behind a legacy that continues to influence the world of contemporary art. The Gipper Ultra-Violence series reflects his unique ability to turn familiar imagery into powerful cultural statements, blending satire with an unmistakable pop art aesthetic. A Rare and Coveted Collectible The Gipper Ultra-Violence Yellow Bust is a testament to Kozik’s dedication to limited-edition, high-quality creations. With only 50 pieces produced, each bust is hand-signed by the artist, emphasizing its exclusivity and value to collectors. The accompanying box, designed with Kozik’s signature graphic style, enhances the artwork’s overall presentation. Measuring an imposing size, the bust is a standout in any display, captivating both art enthusiasts and collectors of street pop art. This yellow vinyl bust is not just a collectible but a work of art that challenges conventions and sparks dialogue. Through bold design, interactive elements, and cultural critique, it embodies the spirit of street pop art and graffiti artwork. The Gipper Ultra-Violence Yellow Bust is a striking reminder of Kozik’s ability to use art as a medium for both entertainment and reflection.

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The Kidd Tengu Red 5oz Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist IMCMPLX x Czee13. 2022 Limited to 100- This 5oz futuristic warrior turned Canbot Canz combatant wears the traditional Tengu mask and sits amongst a pantheon of Gods within the stylized IMCMPLX universe known as The God Complex series. Includes IMCMPLX Signed Tagged & Numbered Sticker #11 of 20

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The Night Shift Art Toy by Esow Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition of 200 Artwork Size 11.3 New In Box Printed & Numbered Japanese Man With Spray Paint Can and Beer Crate Ready To Tag Graffiti Fine Art Vinyl Toy. New in Box The Night Shift Art Toy by Esow The Night Shift by Esow is a captivating limited-edition vinyl art toy that perfectly encapsulates the spirit of street pop art and graffiti culture. Released in 2023, this collectible sculpture is a tribute to the nocturnal creativity and urban rebellion that graffiti represents. Limited to just 200 pieces, the meticulously crafted figure is a testament to Esow’s ability to merge fine art with the grit and personality of street art. A Visual Story of Graffiti Culture Standing 11.3 inches tall, The Night Shift art toy portrays a uniquely styled Japanese man ready to leave his mark on the urban landscape. Equipped with a spray paint can in each hand and accompanied by a beer crate, the figure exudes the essence of a graffiti artist preparing for a long night of tagging. Esow’s attention to detail is evident in the character’s patterned black-and-white clothing, sharp features, and casual pose, capturing the defiance and humor often associated with street artists. The inclusion of the beer crate is particularly symbolic, adding a layer of relatability and grounding the character in the human experience of late-night artistry. The playful yet serious demeanor of the figure reflects Esow’s signature style, blending traditional Japanese aesthetics with modern street pop art influences. Esow’s Artistic Vision Esow, a renowned pop street artist, is celebrated for his ability to fuse cultural identity with contemporary urban themes. The Night Shift showcases his mastery of storytelling through sculptural design, presenting a snapshot of a graffiti artist’s world. The character’s sharp, angular features and bold geometric patterns draw from Japanese art traditions, while the urban motifs speak to the global graffiti movement. Esow’s work often celebrates the dualities of urban life—chaos and creativity, rebellion and artistry. The Night Shift is no exception, reflecting the artist’s deep understanding of the cultural significance of graffiti as both an act of self-expression and a statement of defiance against societal norms. A Must-Have Collectible The Night Shift art toy is more than just a collectible; it is a celebration of street pop art and the global graffiti movement. Each piece is printed, numbered, and presented in its original box, making it a prized addition to any collection. Its limited production run of 200 ensures its exclusivity and highlights its value as a piece of modern urban art history. Esow’s The Night Shift art toy is a remarkable representation of the intersection of traditional artistry and contemporary street culture. It stands as a tribute to graffiti’s enduring impact on art and society, making it a cherished piece for collectors and enthusiasts alike.

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The Showroom NYC MC Supersized- Mono Grey Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by street graffiti artist Ron English- POPaganda. Ron English- POPaganda X The Showroom NYC MC Supersized (Mono Grey), 2004 Painted cast vinyl 9-1/2 x 8 inches (24.1 x 20.3 cm) Edition of 100 Produced by The Showroom NYC, New York "From Ron's website, "MC Supersized was English's hijacking of a popular fast food restaurant's mascot. Since then, MC Supersized has become one of Ron's most iconic images, having been featured in his paintings, posted on billboards, and used in the hit documentary Supersize Me." The Showroom NYC was Toy Tokyo's gallery space. They were the first to release Ron's iconic character in three-dimensional form. Three of the four colorways are being offered at Heritage for the first time. This character has been in production from over a dozen companies in every conceivable size and material since 2004 but these are the most significant limited editions of this character. If you are looking for the Mickey Mantle rookie card of one of the most significant artists of our time, this is it." -Dov Kelemer

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The Stars My Destination- Astronaut Aces Limited Edition Dunny Kidrobot x Tristan Eaton Vinyl Art Toy Collectible Artwork. From the dawn of space exploration to current and ongoing missions... Here’s to space travel! This summer, Kidrobot takes one giant leap for DUNNY transporting us to a new destination with the first Astronaut The Stars My Destination “ACES” 8-inch Dunny. Dunny is prepared to explore the extraordinary in a fabric Kidrobot Dunny Astronaut space suit and shielded helmet. 3... 2... 1... Blastoff! Coming 2021 from Kidrobot.

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The Stars My Destination- Orion Limited Edition Dunny Kidrobot x Tristan Eaton Vinyl Art Toy Collectible Artwork. Kidrobot takes one giant leap for DUNNY transporting us to a new destination with the Virtual Con 2021 Exclusive Astronaut The Stars My Destination “ORION” 8-inch Dunny. Dunny is prepared to explore the extraordinary in a fabric Kidrobot Dunny Astronaut space suit and shielded helmet. 3... 2... 1... Blastoff! Coming packaged in a premium box for display.

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Three-Eyed Face 8 Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by pop artist Keith Haring. 2020 Limited Edition Kidrobot x Keith Haring Dunny Artwork Size 6x8 New Sealed In Box.  Kidrobot and Keith Haring: Merging Art with Collectibles Kidrobot stands at the forefront of intertwining the realms of art and collectibles, providing a fusion of aesthetic pleasure and collectible appeal. Their Three-Eyed Face 8 Limited Edition Dunny is a vinyl art toy that exemplifies this blend, showcasing the legendary work of Keith Haring. This collaboration is a colorful celebration of Street Pop Art & Graffiti Artwork, bringing the vibrancy of Haring's vision into the hands of collectors and art enthusiasts alike. Keith Haring rose to prominence in the 1980s, when the street became a canvas and public art a powerful medium for social expression. Haring's Three-Eyed Face, a standout in his iconography, encapsulates his spirit of innovation and commitment to making art universally accessible. The partnership with Kidrobot propels Haring's legacy forward, translating his iconic Three-Eyed Face into a tangible form for a new cadre of art lovers. Craftsmanship of the Three-Eyed Face Dunny The Three-Eyed Face Dunny is a testament to the meticulous craftsmanship that Kidrobot is known for. Sized at a commanding 6x8 inches, it is ideally suited for display and crafted to be a conversation starter. Each Dunny arrives in a specially designed display box that underscores its limited edition status. It is a contemporary artifact of Haring's profound impact on Street Pop Art & Graffiti Artwork. Kidrobot has long been a trailblazer in the art toy industry, bridging the gap between art and playful collectibles. They collaborate with Keith Haring's estate to bring a piece of art history into the present-day collector's market. The Three-Eyed Face 8 Limited Edition Dunny continues Kidrobot's commitment to artistry, collectibility, and accessibility, encapsulating the essence of Haring's artistic and societal contributions. Street Pop Art & Graffiti Artwork's Place in Modern Culture Street Pop Art & Graffiti Artwork have challenged and redefined the parameters of traditional art. Keith Haring played a crucial role in this cultural shift, using his art to communicate, engage, and inspire. The Three-Eyed Face Dunny is a medium through which his enduring influence persists, allowing his art to resonate with contemporary audiences and maintain its societal relevance. The collectible nature of the Three-Eyed Face 8 Limited Edition Dunny cannot be overstated. As a limited edition release, it occupies a niche within the collectible sphere coveted for its rarity and artistic merit. Sealed and preserved in its original packaging, it is not just a toy but a piece of collectible history, merging the worlds of high art and high collectibility.

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Throwback Silver Canbot Canz HPM Hand Painted Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13. 2021 Signed Hand Painted HPM Edition of 20. Hand-painted rust-colored Canbot Canz by Czee13. Riffing on the OG silver bot, this is your chance to own a piece of Canbot Canz history, painted by the creator, and in one of the most sought-after designs! New In Box

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Tiger Mask- First Generation 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 Tiger Mask is the persona of several different Japanese professional wrestlers. This version of Tiger Mask pays homage to the First Generation of Tiger Mask wrestlers. This 400% Bearbrick stands at 28cm / 11 inches tall.

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TikkyWow MEGA TEQ63 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Quiccs x Martian Toys. 2021 Tikkywow MEGA TEQ63 12” Vinyl Figure by Tikkywow x Quiccs x Martian Toys. Comes in Artist Series MegaTEQ 01 Box Edition of only 222 pieces. Bulletpunk The Endgame Quest.

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TikkyWow Mini TEQ63 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Quiccs x Martian Toys. 2021 Tikkywow MEGA TEQ63 3” Vinyl Figure by Tikkywow x Quiccs x Martian Toys. Bulletpunk The Endgame Quest.

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7" TMNT Vandul- Green #4 Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Vandul. 2022 TMNT Green VANDUL Limited Editon of 5 3D Printed Hand Made Artwork Size 3x7

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Together Black Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Black Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and his distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, with its portrayal of two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it's a reflection of street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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Together Brown Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Brown Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, portraying two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it reflects street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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Together Grey Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Grey Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and his distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, with its portrayal of two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it's a reflection of street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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Tom- Flocked 100% & 400% Tom & Jerry BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 Medicom Toy Tom and Jerry Bearbricks are now available with a flocked texture to add some "realism" to our cartoon friends! Both Tom and Jerry are available as 100% + 400% Bearbrick Set and a 1000% Bearbrick, each sold seperately. Stands at 7cm and 28cm tall.

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Toronto Red Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Sket-One, Toronto Collective Exclusive. 2021 Box Stamped Size 5.5" Limited Edition of 250 Displayed In Box "Sket One has teamed up with Czee13 & Clutter to bring you a killer series of Canz that are Classics. The third of the new series of Canz by Sket-One is the Toronto Red One Formula releasing exclusively through Toronto Collective Standing at 5.5” with its trademark rattle, this dope Canbot Canz fits perfectly with the rest of the Canz family! Limited to 250 pieces worldwide!" -Clutter

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Toy Story Alien 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures The Alien from Toy Story Bearbrick Set includes a 100% and a 400% figure and stands at 7cm and 28cm tall.

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Toyer Z Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Frank Kozik SIGNED 2010 Toy2R 11" Toyer Z LE 500 Figure AUTOGRAPHED

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Train Hanshin Jet 5700 100%- Silver BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures. 'Be@rbrick Train: Hanshin Jet-Silver 7500' by Be@rbrick x Medicom Toy, 2019 2.8 Inches (100% figure) 7.75 Inches (train) 5.8 x 4.9 x 1.5 Inches (package) Collectible painted vinyl figure + toy train in carded blister-pack.

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Trap Former$ Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Fatoh. 2021 Transformer Hip-hop clutter fashion robot Lamborghini, 7-8inch . Edition of 10, with poster!

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Tristan Eaton DesignerCon 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 Bearbrick x Tristan Eaton DesignerCon Exclusive 400%

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Trunk Elephant Gold Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. 2020 Gold Variant Limited Edition New In Box. This 6" vinyl figure comes with a removable hairpiece designed by Ron English- POPaganda.

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