Artworks

Happy 3D Die-Cut Wood UV Archival Print on Laser Cut Wood Panel ready to hang by Buff Monster Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 205 Happy 3D UV Colorway Artwork Size 14.5 x 13.5 inches (37 x 34 cm) "I painted a similar (and smaller) painting on wood for my show last year, and it sold immediately. So I've redrawn the line work for this new print, which measures approximately 14.5" x 13.5". The art is UV printed on wood, the sides are painted by hand, and the back is signed and numbered.." -Buff Monster. Happy 3D by Buff Monster: Playful Psychotropia in Laser-Cut Form Happy 3D is a standout die-cut wood UV archival print created by the New York-based artist Buff Monster in 2020. This hand-finished limited edition of 205 pieces measures approximately 14.5 x 13.5 inches and features his signature aesthetic: one-eyed monsters dripping with joy, eccentricity, and visual sugar overload. Laser-cut into a custom silhouette and UV printed on wood, the piece fuses high-gloss production with raw material texture. The surfaces are inked with a 3D anaglyph color palette of red and blue hues, lending an electric illusion of motion and dimension. Each print is signed and numbered on the back, with hand-painted edges adding a personal and tactile layer to the fabrication. The finished piece is ready to hang, fusing collectible art toy sensibilities with gallery-ready Street Pop Art & Graffiti Artwork presentation. Buff Monster and the Visual Language of Joy Buff Monster, born in the United States as Herschel Baltrotsky, is widely known for his candy-coated world filled with melting eyeballs, ice cream monsters, and playful cosmic abstractions. Emerging from the Los Angeles street art scene and later relocating to New York City, he became a dominant force in Street Pop Art & Graffiti Artwork. His work regularly blends Japanese pop culture, graffiti influences, punk music, and 1980s aesthetics into pieces that celebrate color, texture, and exaggerated emotion. Happy 3D builds on these themes with its hallucinogenic palette and glossy finish, continuing Buff Monster’s exploration of tactile forms and dimensional storytelling. With a career rooted in murals, stickers, and collectible vinyl figures, his shift to wood panels and UV technology shows his embrace of new formats while maintaining the irreverent visual DNA of street culture. Materiality, Technique, and Street Pop Identity Happy 3D is not a traditional flat print—it is a sculptural expression of digital and manual craftsmanship. The UV archival process enables full-color printing with vibrant precision directly onto wood, giving the illustration a textured permanence. Laser cutting gives the outline a dynamic silhouette, enhancing the monster’s bulbous shape and playful presence. Buff Monster’s choice to hand-paint the edges affirms the artist’s commitment to the handmade within a technologically assisted process. These material decisions speak to the ethos of Street Pop Art & Graffiti Artwork, where production methods are as critical as imagery. Here, the cheerful grotesqueness of the subject—a single eye creature made of cloudlike ooze—becomes more than character design. It becomes a tactile object, an emblem of visual fantasy grounded in punk DIY traditions. A Collectible of Controlled Chaos Limited to 205 editions, Happy 3D is part sculpture, part print, and part wall-mounted artifact. It blends humor and horror with contemporary pop execution. The subject matter evokes Buff Monster’s recurring themes of ephemeral delight and surreal emotion. Its eye gazes directly outward, commanding attention, while its melting body suggests instability beneath the surface charm. This piece sits comfortably between a street art relic and a collectible design object. It captures the bold optimism and visual indulgence at the heart of Buff Monster’s practice, proving that Street Pop Art & Graffiti Artwork continues to evolve with new tools and formats without losing its loud, weird, and joyful core.

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Happy All-Stars 1 Original One-of Kind Mixed Media Spray Paint & Acrylic Painting Artwork on Gallery Wrapped Linen Canvas by Popular Street Graffiti Artist Pez. 2021 Signed Mixed Media 24x24 Gallery Wrapped Canvas Ready To Hang The artistic creations of El Pez are distinguished by their vivid, striking hues and lighthearted, jovial themes. His emblematic beaming fish frequently appear alongside other characters, such as birds, cats, and a range of anthropomorphic beings. El Pez's distinctive fish have been painted on walls and various surfaces across the globe, in cities such as Barcelona, Miami, London, Paris, and beyond. The recurring fish motif represents the pure delight and happiness of life, which El Pez strives to share through his art. A significant presence in the world of graffiti and street art, El Pez has taken part in numerous festivals and art events, and his work has been displayed in galleries worldwide. He has joined forces with other renowned street artists and is regarded as a pivotal figure in the realm of modern urban art.

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Happy Bears Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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Happy Endings Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face Hands Holding Spray Paint Can Spraying Line Across Faces Eyes. Happy Endings: A Bold Statement in Street Pop Art Happy Endings by OG Slick, created in collaboration with The Beautiful Losers, is a provocative piece of Street Pop Art and Graffiti Artwork. This hand-pulled silkscreen print is meticulously crafted on a 30-inch circular piece of hand-deckled fine art paper, capturing the essence of bold visual storytelling. Released in 2024, this limited edition of 99, signed and numbered by the artist, is a striking representation of OG Slick’s iconic Smiley Face motif. With a spray paint can in hand, the figure disrupts its own face by drawing a single red line across the eyes, offering a sharp commentary on perception, expression, and rebellion. OG Slick and the Subversive Power of Happy Endings OG Slick, a pioneering figure in graffiti and street art, is known for blending urban grit with pop culture motifs. In Happy Endings, his signature Smiley Face evolves into a thought-provoking emblem of modern discontent. The playful yet subversive act of the character spraying a line across its own eyes challenges viewers to reflect on self-censorship, identity, and societal norms. By partnering with The Beautiful Losers, a collective known for elevating street-inspired narratives, OG Slick amplifies the piece’s cultural significance. The work juxtaposes innocence and rebellion, using vibrant colors and bold imagery to make a powerful visual statement. Symbolism and Techniques in Happy Endings Happy Endings embodies the dynamic interplay between simplicity and complexity, a hallmark of Street Pop Art. The vibrant yellow Smiley Face, a universal symbol of joy, is disrupted by a crimson red spray line that bisects its eyes, creating a jarring visual contrast. This act of defacement serves as a metaphor for challenging traditional expectations and questioning the nature of happiness. The use of silkscreen printing enhances the artwork’s depth, allowing the bright colors and clean lines to stand out. The hand-deckled edges of the fine art paper add a tactile quality, grounding the piece in the raw authenticity of street art. Collectibility and Impact of Happy Endings Happy Endings is a testament to OG Slick’s ability to blend pop culture symbolism with the raw energy of graffiti. Each print, meticulously hand-pulled and limited to an edition of 99, is a highly sought-after collector’s item. The collaboration with The Beautiful Losers further solidifies its place in contemporary art history, merging the worlds of high art and street culture. The piece not only celebrates the rebellious spirit of graffiti but also invites viewers to reconsider their perspectives on joy, identity, and artistic expression. Happy Endings stands as a bold and thought-provoking addition to the canon of Street Pop Art and Graffiti Artwork.

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Happy Endings Skateboard Art Deck by OG Slick x The Beautiful Losers  Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2024 Limited Edition of 99 Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Smiley Face with Hand Spray Painting a Line Across The Face. Happy Endings Skateboard Art Deck: A Bold Fusion of Street Pop Art and Graffiti Culture The Happy Endings Skateboard Art Deck by OG Slick, created in collaboration with The Beautiful Losers, is a striking example of Street Pop Art and Graffiti Artwork. Released in 2024 as a limited edition of 99, this 8x31-inch skateboard deck transforms a functional object into a bold statement of urban art. Featuring OG Slick’s iconic Smiley Face motif, disrupted by a red spray-painted line across the eyes, the design evokes a thought-provoking blend of playfulness and rebellion. The incorporation of a gloved hand holding a spray paint can adds depth and narrative, making this piece as much about the act of creation as the final result. OG Slick and the Subversive Vision of Happy Endings OG Slick, a renowned artist with roots in graffiti culture, has built a career on merging pop culture symbols with the raw energy of street art. The Happy Endings Skateboard Art Deck embodies his signature aesthetic, using the universally recognized Smiley Face as a canvas for a commentary on perception and identity. The addition of the red spray-painted line across the face disrupts the familiar image, inviting viewers to reconsider their interpretations of happiness and conformity. By partnering with The Beautiful Losers, a collective known for celebrating the intersection of street culture and fine art, this collaboration elevates the piece to a broader cultural conversation. Design and Symbolism of the Skateboard Deck The minimal yet impactful design of the Happy Endings Skateboard Art Deck is a testament to OG Slick’s ability to convey powerful messages through simplicity. The bright yellow background serves as a stark contrast to the bold black and red elements, drawing immediate attention to the central Smiley Face. The red line, sprayed across the eyes, symbolizes censorship, disruption, or the act of redefining societal norms. The gloved hand at the bottom holding a spray paint can captures the essence of graffiti culture, emphasizing the artist’s role in reshaping familiar images. The skateboard’s shape and size provide a unique medium that blends the functionality of sports equipment with the storytelling potential of art. Functional Art for Collectors and Enthusiasts The Happy Endings Skateboard Art Deck is more than just a piece of sports equipment; it is a collectible artwork that embodies the rebellious spirit of Street Pop Art and Graffiti Artwork. Crafted from high-quality wood and printed with precision, the deck is designed to be both durable for use and visually striking for display. With only 99 pieces in this signed and numbered edition, the deck holds significant value for art collectors and street art enthusiasts alike. This collaboration between OG Slick and The Beautiful Losers transforms a simple object into a cultural artifact, highlighting the evolving role of street art in contemporary creative expression.

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Happy Helmet Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Currently exhibits locally and internationally, while his work has been presented in multiple exhibitions in the USA, Europe, and Asia. One of the first things that one notices in the art of Frost is the unconventional media and means, from traditional square-shaped canvas to cardboard boxes and from acrylic paint to aerosol spray. It is not random that a great portion of his art consists of appropriated imagery of animations, just like the Simpsons, Looney Tunes, Smurfs, Winnie the Pooh, etc., which are placed into a new artistic context, without losing their original connotations.

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Happy Hits 1 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rich Browd pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Happy Hits 2 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rich Browd pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Happy Hits 3 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rich Browd pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Happy Hour Artwork Giclee Limited Edition Print on 290gsm Natural White Paper by Pop Culture Graffiti Artist Sol Linero. The Happy Hour Poster is an edition of 100 prints by Sol Linero. With a small border for framing, the print is sized to fit a standard 8" by 10" frame. Archival prints with a certificate of authenticity. The artwork has been printed on a heavy 290gsm natural white paper.

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Happy House- Champagne Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2015 Signed & Numbered 9x12 Edition of 20

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Happy House- Martini Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2015 Signed & Numbered 9x12 Edition of 20

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Happy House- Whiskey Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2015 Signed & Numbered 9x12 Edition of 20

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Happy Mushroom Porcupine Squirrel Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 50 Artwork Size 18x24

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Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Happy OG San F30 by OG Slick: Sticker Bomb Rebellion in Street Pop Art & Graffiti Artwork Happy OG San F30 is a 2025 hand-embellished giclee print by West Coast graffiti innovator OG Slick. Released in an extremely limited edition of only 25, this 30x30 inch print is executed on 310gsm deckled fine art paper and enhanced individually by hand with spray paint, splatter, and stencil work. Each version is signed, numbered, and uniquely altered, turning every piece into a one-of-one collectible. The imagery is anchored by OG Slick’s instantly recognizable happy face character with an eyepatch, surrounded by a wall of bombed stickers—layered logos, graffiti tags, and Japanese script overlaid in chaotic repetition. The background pulses with energy and contradiction, channeling the language of street saturation into the framework of gallery presentation, firmly anchoring this work within the domain of Street Pop Art & Graffiti Artwork. Graffiti Identity and Urban Overload At the center of Happy OG San F30 is a three-dimensional illusion of Slick’s mascot-style smiley face, set against a cluttered backdrop of stickers and branding. The character’s face is mischievous and iconic—bright yellow, eyepatched, and grinning—set deep into a surface of repeated OG Slick tags, gloved hands, Japanese type, and portrait-style graphics. These elements, often seen wheatpasted across real city walls, are turned into a visual mosaic of cultural imprint. Each piece from the edition features variations in embellishment—some drenched in white-out buffing drips, others slashed with graffiti textures and flares of color. This intentional randomness echoes the street’s unpredictability and the performative nature of tagging, remixing, and rewriting public space. In Street Pop Art & Graffiti Artwork, identity is layered and questioned, and this piece captures that through repetition and distortion of self-referential branding. OG Slick’s Signature Blend of Humor and Rebellion OG Slick, based in Los Angeles with roots in Hawaii, has spent decades merging graffiti technique with pop culture critique. His work has long balanced playful iconography—like his recurring glove and smiley face figures—with gritty rebellion. In Happy OG San F30, Slick tackles the commercialization of graffiti itself, packaging it as fine art without compromising the aggressive messiness that gives it power. The sticker-bomb aesthetic recalls DIY zine culture, punk graphics, and urban tagging. It creates a claustrophobic yet rhythmic canvas that mimics actual urban surfaces layered over time. The eyepatch on the smiley face injects attitude and defiance into what might otherwise feel nostalgic or naïve. It’s a declaration: this is not just happiness, it’s earned chaos. Limited Edition Print as Urban Object and Subversive Gesture Printed with high-resolution giclee techniques and hand-embellished with spray and buff, each copy of Happy OG San F30 serves as a tactile collision between fine art and unsanctioned creativity. The deckled edges and archival-quality paper elevate the print’s object status, while the embellishments make every piece unstable, immediate, and alive. The randomness of spray, layering, and buffing across the edition mirrors the real-world ephemerality of graffiti—where no wall stays the same, and no tag is sacred. OG Slick invites collectors into a moment of street chaos preserved on paper, where symbols of rebellion are recast as aesthetic icons. As a component of Street Pop Art & Graffiti Artwork, this print acts as both artifact and intervention—marking where subculture meets spotlight and turning visual overload into something permanent, beautiful, and defiant.

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Happy Pill Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Jason Freeny pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Happy Stache Labbit 10 Inch Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. These gorgeous 'Stache labbits are perfect modern accessories for your home. These glossy beauties will bring a smile to you and your guest's faces daily.

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Harbinger of Death 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Anville - "Harbinger of Death" 4 color screen print on 100# White Cougar paper signed and numbered edition of 130 18" x 24"

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Hard: Holy Ship 1- 2012 Music Event Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Max Goldman for Holy Ship 2012 Music Festival. EDM Music Bands: Fatboy Slim, Boys Noize, Laidback Luke, Rusko, Diplo, A-Trak , Steve Aoki , Skrillex, Tommy Lee & DJ Aero, Brodinski, Buraka Som Sistema,Gesaffelstein,Justin Martin ,Zedd , DJ Craze,Dillon Francis , Housemeister , Strip Steve ,DJEDJOTRONIC ,Destructo, Danny Brown ,Dave Nada,Egyptrixx , Rory Phillips,Club Cheval, Jason Bentley, Posso ,Doorly, Oliver, Gina Turner,Nick Catchdubs,Arthur Baker , Paul Devro ,Ble Jemz , Lloydski, Contra , Mike Deuce , Fool's Gold Records , Boys Noize Records, Mad Decent ,Paris Social Club , Dance Right

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Hard: Holy Ship 4- 2015 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Max Goldman for Holy Ship 2015 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Green, Fluorescent Pink, Fluorescent Yellow, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2015 EDM Music Bands: Knife Party , Pretty Lights , Flume , Boys Noize , A-Trak , RL Grime , Laidback Luke , Maya Jane Coles , Duke Dumont , Annie Mac , Armand Van Helden , Rudimental , What So Not , Clockwork , Busy P , Griz , Justin Martin , Destructo , Alex Metric , Dusky , Odesza , Oliver , Rustie , Henry Fong , Gorgon City , Cyril Hahn , Salva , Jimmy Edgar , Congorock , Craze , Branchez , Spank Rock , DJ Sliink , Shiba San , Sharam Jey , Snakehips , DJ Falcon , Kidnap Kid , Hannah Wants , Motez , Teki Latex , Gina Turner , Wax Motif , Ape Drums , Tommy Kruise , Doorly , Djedjotronic , Vanilla Ace , Cory Enemy , Yogi , T. Williams

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Hard: Holy Ship 5- 2015 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2015 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Blue, Fluorescent Yellow, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2015 EDM Music Bands: Skrillex , Fatboy Slim , Baauer , DJ Snake , Tommy Trash , Basement Jaxx , Claude Vonstroke , Ty Dolla Sign , Sub Focus , DJ Mustard , Jack Beats , Busy P , Green Velvet , Mat Zo , Breakbot , Brodinski , Destructo , Justin Martin , Alex Metric , Galantis , Cajmere , Tchami , Araabmuzik , Martin Buttrich , Lee Foss & Anabel Englund , Soul Clap , Mercer , Huxley , The M Machine , J Phlip , AC Slater , Kill Frenzy , Justin Jay , Milo & Otis , Valentino Kahn , Louisahhh!!! , Curses , Boston Bun , Wax Motif , Kastle , Friends Within , Anna Lunoe , Club Cheval , Shift K3y , Panteros 666 , So Me , Amtrac , DJ Pone , Sweater Beats , Posso , Cut Snake

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Hard: Holy Ship 8- 2017 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2017 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Pink, Bright Blue, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2017 EDM Music Bands: DJ Snake , Tchami , Duke Dumont , Boys Noize , A-Trak , Marshmello , Big Gigantic , Rudimental , Kill the Noise , Destructo , Justin Martin , Nghtmre , Jai Wolf , Snails , Rüfüs Du Sol , Bob Moses , Busy P , Anna Lunoe , Malaa , Mercer , Slander , Louis the Child , Troyboi , Totally Enormous Extinct Dinosaurs , Wax Motif , Jimmy Edgar , Danny Daze , Ghastly , Shiba San , Graves , Jonas Rathsman , STWO , Amtrac , Kastle , Nina Las Vegas , Joyride , Curses , Louisahhh , Hotel Garuda , Ardalan , Para One , Boston Bun , Drezo , Ulike Pluto , Gina Turner , Spank Rock vs Lil Internet , Djedjotronic , Worthy , Christian Martin , Rory Phillips , Will Clarke , Kaneholler , Point Point , Manila Killa , Dombresky , Lucky Charmes , Sita Abellan , Aazar , Nvoy , JSTJR , Cardopusher , Gunslinger , Dena Amy , Bones , The Interns , Cameron Graham , DJ Black Frames

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Hard: Holy Ship 9- 2017 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2017 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Turquoise, Sky Blue, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2017 EDM Music Bands: Fatboy Slim , Griz , Claude Vonstroke , Jauz , Maya Jane Coles , Hoy Since 82 , GTA , Gorgon City , Destructo , Getter , Justin Martin , Jack Beats , Felix da Housecat , Mija , AC Slater , DJ Tennis , Slow Magic , Ilovemakonnen , Hannah Wants , Soul Clap , Motez , Chris Lorenzo , Wolf + Lamb , Ookay , Slushii , Herobust , Kayzo , Wax Motif , J. Phlip , Thugfucker , Giraffage , Justin Jay , Rezz , Hucci , Gerd Janson , Oshi , Doorly , Party Favor , Craze , Gina Turner , Kaz James , Chris Lake , Kim Ann Foxman , Bot , Barclay Crenshaw , Mambo Brothers , Kidnap Kid , Horse Meat Disco , Cut Snake , Doc Martin , Will Clarke , Eli & Fur , Stranger , Nick Monaco , Jerry Folk , Oliver , Redlight , Golf Clap , Josh Pan , Newcleus Live , Vincent , Marques Wyatt , Thee Mike B , DJ Soup , Mr Kool Aid , Arthur Baker , Bones , Dateless , Subset , The Interns , Anakim

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Hardcore Energy Original Spray Paint Marker Painting by Optimo NYC One of a Kind Artwork on Fine Art Paper Street Art Pop Artist. 2022 Signed Magic Marker & Spray Paint Painting Original Artwork Size 7x9 Hardcore Energy by Optimo NYC – Original Spray Paint and Marker Artwork in Street Pop Art & Graffiti Artwork Hardcore Energy is a 2022 original 7 x 9 inch mixed media painting by Optimo NYC, created using spray paint and marker on fine art paper. This one-of-a-kind piece distills the essence of street presence and visual rhythm into a compact, raw, and stylized composition. The central figure is drawn with a minimalist elegance—defined by sharp, fluid marker lines that outline a faceless figure in a tall hat and coat. The phrase Hardcore Energy is written boldly across the chest, doubling as both a message and a visual anchor. The background pulses with a swirl of red, white, blue, and black spray paint, applied in layered motions that evoke aerosol mist, light reflection, and the raw dust of a late-night wall hit. The contrast between the soft haze of paint and the rigid black ink form captures the duality at the heart of graffiti—chaotic energy and stylized control. Visual Identity and Iconic Character Work Optimo NYC’s signature character, often seen in his street work and fine art pieces, returns here in refined linework. The top hat, angled shoulders, and long silhouette are unmistakable and iconic, calling back to mid-1980s New York street iconography while asserting a timeless visual presence. This figure appears detached yet commanding, anonymous yet memorable—a marker of both style and persona. The handwritten Hardcore Energy across the figure's chest is not a title but a pulse, vibrating with the spirit of the street and the momentum of New York graffiti lineage. The small triangle below the lettering further suggests a coded mark, emblematic of the way graffiti often carries layered meanings hidden in plain sight. Spray Technique and Urban Abstraction The spray paint background carries a rough elegance, with cloudy fades and directional bursts that ground the figure in atmosphere. Red and purple undertones swirl behind soft powdery whites, while black and silver speckles anchor the composition at its base. This layering is more than decorative—it replicates the texture of the city, the grime of asphalt, and the paint overspray found on buffed walls and metal surfaces. Optimo NYC blends these textures into a tight format, allowing the viewer to engage with an entire world of movement and mood in a 7 x 9 inch space. The composition never stands still; it hums with residual motion and the memory of action. New York Attitude in Street Pop Art & Graffiti Artwork Hardcore Energy is not a slogan, it is an ethos, and in this artwork, it defines the tone, composition, and visual voice of Optimo NYC. As an original signed piece by an artist with deep roots in graffiti culture, this work exists at the intersection of raw gesture and stylized iconography. The tight paper format amplifies its intensity rather than limiting it, turning every inch into a field of tension between abstraction and symbolism. For collectors and followers of Street Pop Art & Graffiti Artwork, this piece offers not only an image but a flash of the culture’s speed, stance, and coded energy. It is an authentic visual object powered by the street’s unfiltered rhythm and the artist’s sharpened instinct.

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Harder Faster Stronger- Chrome Ink (OPN HEART 008) HPM Limited Edition Giclee Print Hand-Painted Multiple with Hand Embellishment on Heavy Matte Paper by Jason Naylor Spray Paint street artist art. Limited Edition 18 x 24 Giclée Print on heavy matte paper with spray paint embellishments in Chrome. Edition of 15 each. This print is (OPN HEART 008)

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Harder Faster Stronger- Glitter Ink (OPN HEART 008) HPM Limited Edition Giclee Print Hand-Painted Multiple with Hand Embellishment on Heavy Matte Paper by Jason Naylor Spray Paint street artist art. Limited Edition 18 x 24 Giclée Print on heavy matte paper with spray paint embellishments in Glitter. Edition of 15 each. This print is (OPN HEART 008)

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Harder Faster Stronger- Holographic Ink (OPN HEART 008) HPM Limited Edition Giclee Print Hand-Painted Multiple with Hand Embellishment on Heavy Matte Paper by Jason Naylor Spray Paint street artist art. Limited Edition 18 x 24 Giclée Print on heavy matte paper with spray paint embellishments in Holographic. Edition of 15 each. This print is (OPN HEART 008)

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Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Cold Crush Brothers Rap Music Group in Vintage Gangster Costume and Outfits at Harlem World. Harlem World CCB Gangsters 81 Photo Print by Joe Conzo Jr The Harlem World CCB Gangsters 81 photo print by Joe Conzo Jr is a remarkable representation of hip-hop’s early visual aesthetic and theatricality. This 2023 limited-edition archival pigment print, produced on 290gsm Moab Entrada Fine Art Paper, captures the legendary Cold Crush Brothers in vintage gangster-inspired costumes. The 20x16 artwork, signed by Conzo, offers a window into the creativity and flair that defined the group’s performances, blending music, style, and Street Pop Art. The Cold Crush Brothers: Style Icons of Hip-Hop The Cold Crush Brothers were instrumental in shaping the culture and sound of hip-hop during its formative years in the late 1970s and early 1980s. Known for their lyrical prowess, elaborate stage routines, and eye-catching costumes, the group set a standard for showmanship and innovation. This photograph, taken at Harlem World in 1981, highlights their flair for dramatics. It features the group dressed in dapper suits and fedoras and accessorized with prop weapons, channeling the look of classic gangsters. Harlem World, a prominent venue in the Bronx during the golden age of hip-hop, served as a cultural hub for live performances, battles, and community gatherings. The Cold Crush Brothers often performed there, bringing their unique blend of storytelling and stage presence to captivated audiences. This image showcases their ability to merge music and fashion into a cohesive narrative, further solidifying their place in hip-hop history. Joe Conzo Jr: Documenting Hip-Hop’s Evolution Joe Conzo Jr is celebrated as one of the first photographers to document hip-hop’s emergence in New York City. His work captures the movement's pioneers' raw energy, individuality, and artistry. Known as the man who took hip-hop’s baby pictures, Conzo’s lens immortalized the vibrant culture of the Bronx and the figures who defined it. His photographs serve as a bridge between music and Street Pop Art, offering a unique perspective on the cultural intersections of the era. This photograph reflects Conzo’s eye for composition and detail, emphasizing the Cold Crush Brothers’ personalities and the deliberate craftsmanship of their image. The gangster motif seen in this photoshoot demonstrates how hip-hop artists adopted and reinterpreted cultural symbols to express power, confidence, and creativity. Artistic and Historical Significance The Harlem World CCB Gangsters 81 photo print exemplifies the interplay between music, fashion, and art that defined early hip-hop. The archival-quality materials used in its production ensure that the image’s intricate details, from the textures of the suits to the expressions of the group members, are preserved. The 20x16 size amplifies the photograph’s visual impact, making it a must-have piece for collectors and enthusiasts of Street Pop Art and graffiti artwork. This limited-edition print not only celebrates the Cold Crush Brothers as pioneers of hip-hop but also serves as a testament to the creative synergy between music and visual art during this transformative period. Through Joe Conzo Jr’s lens, the image captures the spirit of innovation and self-expression that continues to influence contemporary culture. The Harlem World CCB Gangsters 81 photo print is both a historical artifact and a dynamic piece of modern art that pays homage to the roots of hip-hop.

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Harley Quinn Batman Animated 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures In celebration of its the 80th Anniversary of Batman, Harley Quinn gets yet another Bearbrick treatment. This time, it's based off the 1992 American animated television show, Batman: The Animated Series which was based on the original DC Comics. The show ran for three years and is now packaged as a collectable piece of art by Japanese toy powerhouse, Medicom Toy. This Bearbrick Set includes a 100% and a 400% figure and stands at 7cm and 28cm tall.

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Harper and John R Archival Pigment Fine Art Limited Edition Print on 290gsm Museo Portfolio Rag Paper by Urban Pop Artist Stephanie Buer Modern Artwork. 2015 Signed & Numbered Limited Edition of 20 Artwork Size 20x16

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Harriette Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 8x10.25 Female Skull with Blond Hair & Feather. Introducing "Harriette" by Bec Winnel Bec Winnel's "Harriette" is a giclée print that captivates the viewer with its haunting beauty and intricate detail. This 2014 creation is part of a limited edition series of 25, each piece signed and numbered by the artist, with dimensions of 8x10.25 inches. The artwork's subject, a female skull adorned with blonde hair and a feather, is not just an exploration of mortality but a deeper delve into the themes of ephemeral beauty and the intersection of life and death. The Ethereal Aesthetics of Winnel's Portraiture Winnel is renowned for her ability to capture the essence of her subjects with a palpable tenderness. In "Harriette," juxtaposing a lifeless skull with vibrant, lifelike hair and a delicate feather creates a stark, unsettling, and beautiful contrast. This contrast is heightened by the presence of a butterfly—a symbol of transformation and rebirth—hinting at the cycle of life and the inevitability of change. The artwork is a testament to Winnel's mastery of mixed mediums, as she employs pastel, pencil, watercolor, and metallic elements to build up layers of texture and color. This layering technique results in a soft, almost otherworldly visual experience characteristic of her style. The gentle gradations and the meticulous attention to detail in "Harriette" invite the viewer to ponder the transient nature of beauty and the permanence of art. Street Pop Art and Graffiti Influences While Winnel's work traditionally occupies the space of fine art, the limited edition nature of "Harriette" and its striking visual impact resembles the ethos of street pop art and graffiti. Like street artists' fleeting yet powerful statements, "Harriette" commands the viewer's attention; its limited availability adds to its allure and value. The work engages with pop culture's fascination with the macabre and the beautiful, combining them in a way that would not be out of place on the walls of a metropolitan alley or a modern art museum gallery. Winnel's artistry blurs the lines between traditional portraiture and the rebellious spirit of street art, creating pieces that are both accessible and profound. Reflections on Femininity and Mortality "Harriette" reflects Winnel's ongoing exploration of femininity, romanticism, and nature. The skull, void of life yet adorned with symbols of beauty and nature, speaks to the complex relationship between life's fragility and the enduring nature of feminine spirit. Winnel's choice to blend these elements against a dark background further accentuates the subject, emphasizing the recurring theme of emerging and fading in her works. This piece is more than a simple portrait; it is a narrative of life's delicate balance, a commentary on the dichotomy between the temporal and the eternal. Winnel's exploration of aesthetic nostalgia is evident in the work's vintage feel, reminiscent of a time when such representations were common in literature and art, intended to remind of life's impermanence. Bec Winnel's "Harriette" is a compelling piece that encapsulates the artist's signature style while engaging with broader themes prevalent in pop and street art. It is an artwork grounded in the fundamentals of fine art yet speaks a language that resonates with the contemporary viewer, bridging the gap between different art forms and periods. Through "Harriette," Winnel invites us into a contemplative dialogue about beauty, life, and the legacies we leave behind.

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Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 75 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print London Elizabeth Tower aka Big Ben From Movie Harry Potter Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that merges the iconic architecture of London with the cinematic magic of the Harry Potter universe. This 18x24-inch artwork, produced as a signed and numbered limited edition of 75, transforms one of the most recognized landmarks in the world into a mysterious, almost supernatural vision. The print’s deep, ethereal color palette and minimalist design capture the gothic mystique that London embodies in both real life and in the world of wizardry. Surreal Composition and Magical Atmosphere The silkscreen print presents the silhouette of the Elizabeth Tower, also known as Big Ben, against a vast, celestial-toned sky. The darkened structure looms with an ominous presence, its clock faces glowing in stark contrast, creating a sense of mystery and intrigue. The clever placement of curved, crescent-shaped elements surrounding the tower alludes to magical forces at work, almost as if the structure itself exists between dimensions. The presence of a single flying figure in the distance subtly nods to the fantastical world of Harry Potter, evoking imagery of enchanted journeys across London’s skyline. The use of negative space enhances the illusion that the tower is suspended in time, standing against an endless void. The dramatic lighting and textural layering add depth, making the piece feel almost cinematic. The careful balance of shadow and light transforms the familiar landmark into something out of a dream, a perfect representation of London’s dual identity—both grounded in history and teeming with untold stories. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s work aligns with the visual aesthetics of Street Pop Art & Graffiti Artwork, employing high-contrast elements, minimalist abstraction, and a bold graphic approach. The monochromatic treatment of the tower, juxtaposed with the deep, midnight-blue background, reflects the stencil-like precision found in street murals and wheatpaste posters. The textured gradients within the sky mimic the layered, distressed quality of urban art, reinforcing the idea that even the most historic landmarks can be reinterpreted through a contemporary lens. The floating crescent forms that encircle the structure add a modern twist to the gothic-inspired aesthetic, blending surrealism with an urban art sensibility. The intentional use of muted highlights and atmospheric depth gives the piece a spectral quality, as if the tower itself exists between different realities. These stylistic choices echo the way street artists manipulate architectural symbols to create new narratives, turning familiar imagery into something unexpected and thought-provoking. London, Fantasy, and the Iconography of Big Ben London has long been a source of inspiration for artists, storytellers, and filmmakers, and this print encapsulates the city's enigmatic charm. The Elizabeth Tower, with its towering gothic spires and timeless clock face, serves as a visual anchor in both real and fictional landscapes. In the Harry Potter series, London plays a crucial role as the gateway between the mundane and the magical, with landmarks like Big Ben existing as silent witnesses to extraordinary events. This screenprint captures that duality by stripping the landmark down to its essential form while enhancing its mystique. The piece does not rely on direct references but instead creates an atmosphere that transports viewers into a space where fantasy and reality blur together. For fans of Street Pop Art & Graffiti Artwork, this print serves as a masterful example of how urban symbols can be transformed into artistic storytelling, making even the most recognizable structures feel fresh and otherworldly. As a hand-pulled, limited-edition silkscreen print, this artwork holds value not just for collectors of contemporary urban art but also for those who appreciate the way art can reinterpret and elevate cultural landmarks. The fusion of historical architecture, cinematic magic, and modern design makes this piece a powerful statement about how art continues to shape and redefine the way people see the world around them.

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Harry Potter Super Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell Counter-Culture Street Artist. 2013 Signed & Numbered on Back Limited edition of 150 Artwork Size 4x6 Giclee Print by Mike Mitchell of Superman Clark Kent Pose Stylized with Harry Potter Movie Clothing. From Super Series. Harry Potter Super in Street Pop Art & Graffiti Artwork Mike Mitchell’s Harry Potter Super giclee print offers a striking fusion of pop culture and superhero iconography. Released in 2013 as a signed and numbered edition of 150, this 4x6-inch artwork is part of the artist’s celebrated Super Series. By merging the iconic imagery of Superman’s powerful stance with the instantly recognizable aesthetic of the Harry Potter franchise, Mitchell crafts a piece that is both playful and thought-provoking. The artwork blends elements of street pop art and graffiti artwork, resulting in a bold, graphic interpretation that transforms a beloved character into an unexpected heroic figure. Harry Potter Reimagined as a Superhero Harry Potter’s character has long been associated with resilience, destiny, and the battle between good and evil. However, Mitchell’s interpretation shifts the focus from the traditional image of the boy wizard to one that embodies exaggerated physical strength and confidence. By placing the character in the classic hands-on-hips Superman stance, the piece humorously suggests that Harry’s magic might not be his only source of power. The oversized muscular body juxtaposed with Harry’s head and traditional Hogwarts uniform creates an intentionally absurd contrast. This humorous exaggeration emphasizes themes of transformation and identity, two core elements present in both comic book superheroes and the Harry Potter series. The reimagined portrait invites viewers to consider how society defines power and heroism while simultaneously poking fun at the idolization of both superheroes and literary figures. Mike Mitchell’s Satirical Approach to Iconography Mitchell is known for his ability to deconstruct cultural icons and present them in ways that challenge traditional perceptions. His Super Series is a prime example of this, featuring various pop culture figures placed into the exaggerated physique and pose typically associated with Superman. The result is a series that humorously critiques the rigid expectations of heroism while celebrating the enduring popularity of these characters. The Harry Potter Super piece follows this trend, emphasizing the unlikely combination of a young wizard and the exaggerated muscular structure often seen in vintage comic book heroes. The choice to retain elements of Harry’s Gryffindor uniform while exaggerating his proportions further enhances the absurdity, making it clear that the artwork is both a loving tribute and a sharp satire of the way pop culture builds mythologies around fictional characters. Why This Artwork Resonates in Pop Culture Mitchell’s work aligns perfectly with the principles of street pop art and graffiti artwork, which often take mainstream imagery and reimagine it in bold, subversive ways. This print speaks to the intersection of fantasy and comic book fandoms, offering a visual joke that is immediately recognizable to fans of both genres. The stark contrast between Harry’s traditional image and the hyper-masculine Superman stance underscores the ways in which heroism is visually and culturally constructed. Collectors of pop culture-inspired artwork will appreciate this piece for its clever fusion of two beloved franchises. The limited edition nature of the print enhances its value, ensuring that it remains a sought-after work within the world of contemporary street pop art. Whether viewed as a playful critique of superhero tropes or a lighthearted celebration of Harry Potter’s enduring legacy, this print captures the humor, nostalgia, and subversion that define Mitchell’s approach to art.

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Harryhausen Land 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Haru Original Ink Hand Mini Drawing on Fine Art Paper by modern trending street art artist Nicole Gustafsson. 2012 Signed Original Drawing 5x5

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Harvest Of Souls Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos.

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Harvest Pixies Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Amy Ross. Harvest Pixies" is an edition of 100 prints by Amy Ross. The artwork has been sized to fit a standard 11" by 17" frame. The archival artwork has been printed on a heavy 290gsmnatural white print-making paper made from 90% bamboo fibers and 10%cotton.

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Hawxs.EXE Giclee Print by Vincent Langaard Artwork Limited Edition Print on Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of 30 Artwork Size 34x32 Glitched Out Hawk Birds Hawxs.EXE by Vincent Langaard: Digital Disintegration in Street Pop Art & Graffiti Artwork Hawxs.EXE is a 2025 signed and numbered limited edition giclée print by Norwegian artist Vincent Langaard, produced in an edition of 30 and printed on Hahnemühle fine art paper. Measuring 34 x 32 inches, this print represents a visual onslaught of avian anatomy and technological glitch, merging Langaard’s signature collage chaos with themes of digital corruption and identity distortion. The composition is dominated by an army of hawks, falcons, and hybridized raptors spiraling across the surface in fractured motion, many of them multiplied, glitched, or duplicated into unreadable patterns. At the center, a prominent hawk figure is traced in neon pink, the only clearly defined presence in a storm of hyperreal feathers, digital noise, and synthetic color overlays. The artwork feels like a corrupted hard drive of wildlife photography, dissected and rewritten with code. Feathers stretch unnaturally. Wings replicate in stuttered loops. Beaks dissolve into data shards. All of it is suspended against a violently vibrant background of rainbow gradients, blue sky, and digital interference, where sharp realism collides with surreal artificiality. Embedded mathematical symbols, algebraic notations, and characters like *5F+1 float throughout the image, suggesting a system of encryption or conceptual logic behind the visual breakdown. This use of mathematical markup contributes to the theme of system overload, echoing the visual language of Street Pop Art & Graffiti Artwork through layering, repetition, and sensory attack. Mutation, Pattern, and the Glitch as Subject Hawxs.EXE functions as both a visual metaphor and a data stream. Langaard utilizes the hawk not just as a symbolic bird of prey but as a digital asset—duplicated, corrupted, and recompiled. The hawk’s role as a predator becomes more complex when viewed through the lens of system failure and identity distortion. This idea is reinforced through the use of pattern-based collage, where wings become abstract textures and animal forms disintegrate into ornamental chaos. The central hawk, outlined in neon, offers a flickering focus amid the wreckage, anchoring the viewer's gaze and framing the surrounding collapse. This tension between precision and collapse mirrors the energy of Street Pop Art & Graffiti Artwork. Artists in this space often repurpose mass media imagery and glitch-based aesthetics to disrupt expectation and communicate urgency. In Langaard’s hands, the hawk becomes a victim and vector of the glitch—a once-majestic figure now looped endlessly, data-sliced and recoded until it transforms into both warning and visual spectacle. Vincent Langaard’s Syntax of Digital Collapse Vincent Langaard continues to refine a language that draws equally from pop surrealism, internet decay, wildlife illustration, and graffiti’s aggressive composition style. His imagery blurs the boundary between illustration and system feedback, using distortion not only as a stylistic tool but as a conceptual anchor. In Hawxs.EXE, the chaos is intentional. The overloaded composition mimics the sensation of screen burn, buffering, and processor lag—only it plays out through feathers, beaks, and sharpened talons. Langaard’s print invites the viewer to interpret the natural world through a synthetic interface, questioning what is real, what is preserved, and what is now permanently corrupted. This work amplifies his reputation for character-centric abstraction and digital decay. It does not simply present hawks—it reinvents them as carriers of visual memory and error. The decision to print on Hahnemühle fine art paper preserves the detail and color clarity of each corrupted fold and motion trail, further reinforcing the tension between fine art production and graffiti-informed aesthetics. Hawxs.EXE as Collector Artifact and Aesthetic Warning The limited edition of 30 positions Hawxs.EXE not just as an artwork, but as a rare fragment of Vincent Langaard’s ongoing exploration of collapse, code, and identity. Each print is a snapshot of the moment just before total digital breakdown—a preserved warning system, captured through layered imagery and emotional overload. With its scale, visual aggression, and detailed texture, this work encapsulates the spirit of Street Pop Art & Graffiti Artwork while pushing it deeper into the conceptual architecture of post-digital narrative. Langaard’s hawks are not flying—they are falling, fracturing, and relaunching within a corrupted interface. Their transformation becomes an act of reflection on surveillance, data saturation, and the rewiring of visual systems. Through this collision of natural form and synthetic interruption, Hawxs.EXE announces itself as both a powerful collectible and a poetic artifact of future decay.

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HazMad Spray Can Mutant Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Jeremy MadL x Martian Toys. Vinyl Figure Colorway Designed by Jeremy Madl 8” Tall 6 points of articulation 2 sets of shoes, Eraser and Vans Really RATTLES!! Ed. Of 250 It’s not safe in the streets! Not only are you hiding from the 5-0, battling for wall space against the rival crews, but now it’s just being outside! Danger from every angle has got this MadCan suited up so it can still get out and up while staying protected. This Rattlin’ 8” Vinyl Mad Mutant Spraycan is here to tower over your vinyl, dominate your walls and remind you to wash your hands. Designed by legendary Jeremy Madl and made by those alien misfit toymakers, Martian Toys, get ready for a gang of grungy tough mentally disturbed Mutant Spray Cans to rattle your cage.

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He Andy 4-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Andy Warhol x He-Man MOTU. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: April 14, 2021 Run of: 25. This edition is uniquely hand-painted. Copyright: Copyright has been daubing the streets of the UK with his trademark pink roses for years. Fusing street art, graffiti, and more traditional styles, he uses a mixture of classic painting techniques and spray can art. He creates print styles with stencils, depth with spray paint, and texture with a paintbrush.

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Virgil Abloh x He-Man Toy by Off White Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition Artwork Size 4x7 New In Box Printed. Virgil Abloh x MOTU He-Man Figure | "WOMAN" Stands 7 inches tall 30 points of articulation Comes with swappable hands, power sword, and shield Includes a comic book and art print designed by Reggieknow Comes in special monochromatic packaging. Virgil Abloh leaves his mark on Eternia. In shades of monochromatic nude, our iconic characters from Masters of the Universe are reimagined by the legendary artist (and long-time MOTU fan). Choose from He-Man, Skeletor, Battle Cat, and Skele-god. Each figure has accessories like swappable hands and battle weapons for epic displays. Also included is a comic book and art print illustrated by Reggieknow Virgil Abloh's Post-Modern Take on He-Man The Virgil Abloh x He-Man Toy by Off White is a bold re-envisioning of one of the most beloved characters from the 1980s cartoon and action figure series, "Masters of the Universe" (MOTU). Released as a limited edition vinyl sculpture in 2023, this collectible artwork stands at the intersection of pop culture, street art, and designer collectibles, reflecting a modern reinterpretation of classic icons. Measuring 4x7 inches and crafted with meticulous attention to detail, the figure displays a monochromatic nude palette, a signature choice of Abloh that strips the character down to its essential form, inviting a reevaluation of He-Man's symbolic meaning. With 30 points of articulation, the figure is engineered for dynamic posing, allowing collectors to interact with and display the piece in many heroic stances. Abloh's passion for MOTU shines through in his thoughtful inclusion of accessories such as swappable hands, a power sword, and a shield, each enhancing the narrative capability of the figure. Swapping hands or weapons goes beyond mere customization; it engages with the figure's underlying story of empowerment and heroism. Collectibility and Presentation Beyond its function as a play object, this He-Man figure is a work of art. It comes accompanied by a comic book and an art print designed by Reggieknow, extending the narrative from three-dimensional form into graphic art. Including these items adds layers to the figure's collectibility, ensuring that it is not just a singular piece but part of a broader artistic endeavor. Presented in special monochromatic packaging, the figure reflects Abloh's design philosophy, merging the worlds of fashion, music, and art. It's a presentation that elevates the figure from a mere collectible to a statement piece reflective of Abloh's cultural impact and his vision for redefining the aesthetics of pop and street art. Legacy of Virgil Abloh and Street Pop Art Abloh, before his untimely passing, was a cultural titan whose work transcended the conventional boundaries of art and design. His reimagining of He-Man is emblematic of his approach to creation—one that is unafraid to revisit and revolutionize popular narratives. As with his other endeavors, Abloh blurs the lines between street art's subversive edge and pop art's mass appeal, suggesting new ways to consider the influence of cultural icons. The Virgil Abloh x He-Man Toy is more than a tribute to a childhood favorite; it's a piece of street pop art and graffiti artwork that encapsulates the transformative vision of one of the contemporary art world's most influential figures. Through this figure, collectors and fans are invited to explore the realms of Eternia anew and to appreciate the enduring legacy of Virgil Abloh as an artist who redefined what it means to be a creator in the modern era.

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He-Man & Battle Cat Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe HE-MAN and BATTLE CAT Figures. The sculpture stands 16.75 inches tall. MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life HE-MAN® and BATTLE CAT® sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020. Measuring 17 inches tall and sculpted in an 80's cartoon style with a spray of jaw dropping modern-day street-style graffiti artwork, we proudly présent the most famous hero in all of Eternia", HE-MAN and the ferocious BATTLE CAT® in a manner that truly blurs the lines between toy and art masterpiece. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box MADSAKI x MOTU – He-Man & Battle Cat in Street Pop Art & Graffiti Artwork The He-Man & Battle Cat limited edition vinyl sculpture by MADSAKI, produced in collaboration with Mattel Creations in 2020, is a vivid collision of nostalgia, pop culture, and urban rebellion—an unmistakable contribution to the world of Street Pop Art & Graffiti Artwork. Originally unveiled as a centerpiece at MADSAKI’s 1984 solo exhibition at Tokyo’s Kaikai Kiki Gallery, this scaled-down 17-inch version captures the wild energy of its monumental counterpart while delivering a high-octane dose of '80s cartoon absurdity, rendered in riotous color and graffiti-style flair. With fluorescent green, electric pink, and piercing orange as the dominant palette, the piece transforms two of the most iconic characters from the Masters of the Universe franchise—He-Man and Battle Cat—into contemporary street art figures. Far from being a simple homage, MADSAKI’s version reimagines the figures as avatars of pop mythology filtered through a graffiti artist’s eye. The weaponry, armor, and pose remain true to the original animation aesthetics, but the exaggerated colors and chaotic paint styling push this artwork into a new domain where fine art, vinyl collectible, and graffiti sensibility coexist. Nostalgia Weaponized in Urban Neon MADSAKI’s approach is rooted in remix culture, a cornerstone of Street Pop Art. By appropriating the visual language of childhood—He-Man being one of the most recognized animated heroes of the 1980s—and subjecting it to the visual distortion of neon saturation and aggressive outlines, he elevates kitsch into critique. This isn't just about remembering Saturday morning cartoons. It’s about weaponizing those memories and examining how commercial entertainment shaped identity, masculinity, and fantasy in late capitalist culture. Battle Cat, usually a symbol of strength and raw primal energy, becomes a neon-soaked beast of postmodern absurdity, outfitted in shocking pink and radioactive green. MADSAKI transforms him from a beast of war into a graffiti-coded monument of cultural excess. He-Man, still holding his power sword aloft, looks less like a heroic defender and more like a psychedelic gladiator from the subconscious of a street artist raised on VHS and irony. From Canvas to Vinyl: MADSAKI's Street Pop Mutation MADSAKI is no stranger to remixing icons. Known for his drippy-eyed renditions of Western masterpieces and manga figures, he blends Japanese street sensibilities with New York-style graffiti lineage. His transition into vinyl sculpture with Mattel represents the natural evolution of Street Pop Art—where the gallery wall meets the collectible shelf, and where nostalgia is no longer passive but radicalized. This figure blurs lines between sculpture and street installation. The color choices mimic spray can aesthetics, and the glossy surfaces echo the polish of vinyl murals and toy design. Like KAWS, Sket-One, or Ron English, MADSAKI proves that sculptural vinyl can be a medium of confrontation—not just consumption. The figure comes with a hand-signed certificate and gloves for display, reinforcing its identity as both an artwork and a cultural artifact. MADSAKI’s Place in the Graffiti-Pop Canon MADSAKI’s He-Man & Battle Cat is a definitive artifact of modern Street Pop Art & Graffiti Artwork. It combines satire, technical precision, collectible appeal, and cultural critique. Rather than separating art from toy or low from high, MADSAKI merges all categories into one ferocious drop that challenges the viewer’s nostalgia and their assumptions about what constitutes fine art. This sculpture is not simply fan service—it’s subversion. It transforms childhood heroes into fluorescent avatars of postmodern identity, rendered in the chromatic chaos of graffiti language. By injecting the streets into the plastic skin of global pop icons, MADSAKI cements his place among the artists reshaping visual culture one spray, sculpt, and scream at a time.

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Head In The Clouds Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Maria Smith pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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