Artworks

Euphoria Black Error Silkscreen Print by Buff Monster, a hand-painted on Fine Art Paper Limited Edition Artwork. 2021 Stamped As Error Unique Artwork Size 18x24 Silkscreen Print of Melty Misfit Icecream Stylized Melting. This Was Considered a Error During the Printing Process by Artist Due To Backround Color Changes. Unsigned. A Playful Exploration of Sweet and Subversive Imagery Euphoria Black Error Silkscreen Print by Buff Monster encapsulates the artist’s enthusiasm for bright colors, cartoon-like creatures, and the melting forms that have become his signature. This hand-painted edition, produced on fine art paper in 2021, stands out from the primary run due to a background color shift that occurred during the printing process. Buff Monster deemed it an error and stamped it accordingly, leaving the piece unsigned yet highly prized among followers of Street Pop Art & Graffiti Artwork. The gleeful chaos of melting ice cream figures evokes a sense of lighthearted fantasy, while the color palette—featuring black drips and vibrant swirls—amplifies the sense of urban energy. Fans of Buff Monster’s work often note how the cheerful mood disguises deeper themes of transformation, fleeting pleasures, and the fluidity of modern pop culture. Long known for fusing carefree, childlike motifs with a slick, urban sensibility, Buff Monster has developed a style that lends itself easily to silkscreen prints. In this artwork, the melty misfit creatures take center stage, giving the composition a sense of movement as one shape oozes into the next. The black overlays create sharp contrasts against the swirls of pastel, bright pink, and citrus-colored tones. Each cyclopean face expresses cartoonish personality—oddly endearing despite the drips. Set against a background that was never intended for the final design, these mischievous figures become still more compelling, suggesting the unpredictable nature of art-making. Street Pop Art & Graffiti Artwork Inspirations Euphoria Black Error Silkscreen Print owes much to traditions rooted in street-based practices. Buff Monster’s choice of textural layering, bold outlines, and playful, irreverent elements ties him to the ongoing dialogue of Street Pop Art & Graffiti Artwork. While the image retains the polished edges of a screenprint, it clearly references the spontaneous energy of city murals, where bright paint and spray can drips push color into raw territory. The melting ice cream shapes suggest a blurring of boundaries between the innocent and the edgy, echoing how street art often merges pop icons with rebellious undertones. Viewers may recognize comedic nods to brand logos or childhood candy wrappers, updated and warped in a way that only exists in Buff Monster’s imaginative world. A Rare Variation Appreciated by Collectors The background color shift sets this piece apart from the intended edition, making it a unique collectible. Art enthusiasts who follow Buff Monster admire the unpredictable nature of the screenprinting process, acknowledging that small errors can yield unexpected treasures. This sense of rarity appeals to collectors seeking something more personal than a typical run-of-the-mill piece. The error stamp adds a layer of intrigue, sealing its status as an unplanned deviation. Despite the lack of a signature, the distinctive color palette and eye-catching characters prove that it carries the artist’s unmistakable fingerprints. Such changes in hue bring forth newly emphasized contours and shifts in mood, reminding viewers that even small print run variations can dramatically alter the energy of a composition. Continuing the Legacy of Vibrant Urban Aesthetics This artwork affirms Buff Monster’s position as a playful yet skilled creator, ready to celebrate unusual visuals and comedic twists on familiar motifs. The swirl of ice cream and singular-eyed creatures invites audiences to embrace fantasy and mischief while tapping into broader themes of consumerism and ephemeral pleasures. An underlying sense of positivity often emerges from the bright pigments and buoyant characters, adding a dash of whimsy to urban-inspired art. The synergy between the pop-inflected color schemes, the error-induced aesthetic, and the comedic forms underscores the spirit of Street Pop Art & Graffiti Artwork: a movement built on experimentation, layered messaging, and the celebration of unexpected outcomes. Euphoria Black Error Silkscreen Print exemplifies how a minor printing deviation can become an extraordinary artifact, carrying Buff Monster’s enduring signature of sugary optimism and eye-catching design.

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Euphoria Pink Error Silkscreen Print by Buff Monster, a hand-painted on Fine Art Paper Limited Edition Artwork. 2021 Stamped As Error Unique Artwork Size 18x24 Silkscreen Print of Melty Misfit Icecream Stylized Melting. This Was Considered a Error During the Printing Process by Artist Due To Backround Color Changes. Unsigned. An Unexpected Twist on a Candy-Colored World Euphoria Pink Error Silkscreen Print by Buff Monster arrives from 2021 in a rare variation that highlights the artist’s passion for vibrant hues and whimsical motifs. Stamped as an error due to background color changes, this unique 18x24 piece stands apart from typical editions. Despite remaining unsigned, it possesses an authentic stamp acknowledging its accidental creation. This twist lends the artwork a special aura, prompting collectors to seek it out for both its visual appeal and its spontaneous backstory. Buff Monster’s signature melty misfit creatures appear front and center, oozing across the composition in shades of orange and green, accented by pink drips. The entire scene feels like an otherworldly candy meltdown, enhanced by the bright interplay of cheerful tones. The melting ice cream shapes, cyclopean characters, and bold cherry accents represent key hallmarks of Buff Monster’s style. The vividly colored figures often signify a playful approach to art that embraces comedic and childlike qualities without relinquishing an edgier, street-inspired side. Here, the swirl of colors merges with a background that inadvertently shifted tone, creating a visually striking collage of fun chaos. While printing errors can sometimes diminish the perceived value of an edition, this mishap elevates the piece’s desirability among fans who appreciate the unforeseen moments that give Street Pop Art & Graffiti Artwork its spark of authenticity. Capturing the Spirit of Street Pop Art & Graffiti Artwork Buff Monster’s work resonates with an urban flair, echoing the aesthetic of large-scale murals and rapid-fire graffiti tags. Vibrant color blocks clash and drip, recalling the allure of spray paint on concrete walls. Euphoria Pink Error Silkscreen Print exudes these impulses by displaying a cast of melting monsters that appear to dance across the paper. This style is consistent with the energy found in Street Pop Art & Graffiti Artwork, where bold outlines and layered pigments transform otherwise ordinary surfaces. The pink splotches on the top edge, for instance, could be remnants of a paint drip that just happened to come out differently than intended. The print thus captures the spontaneity that often characterizes street-based artistic processes. From Happy Accident to Coveted Variation The background shift that defines this print alters the environment in which Buff Monster’s creatures exist. In some areas, the pink is softer than usual, while in others, it appears saturated and intense. These discrepancies underscore how hand-pulled silkscreens can yield unexpected outcomes. Rather than discarding this variation, Buff Monster chose to document its uniqueness by stamping it as an error. Collectors with an eye for novelty prize these sorts of artistic anomalies, which reflect the freewheeling nature of contemporary urban expression. That sense of anything can happen not only aligns with the spirit of Buff Monster’s playful cast of characters, but it also captures the ethos of printmaking itself. Undeniable Character in Every Drip Even though Euphoria Pink Error Silkscreen Print remains unsigned, it features intricate details that link it unmistakably to Buff Monster’s broader repertoire. Viewers can spot hints of halftone textures and bold lines, elements that recur throughout his other forays into rainbow-splashed designs. The swirling meltdown effect leaves behind layers of color that appear to dissolve into one another, adding dimension and fueling the sense of sweet chaos. Cherry icons, goopy eyes, and lumpy shapes jostle together, bringing the piece to life in a swirl of pink and yellow. The result is an artwork that transcends a mere printing mishap, standing instead as an emblem of the charm and spontaneity that define Street Pop Art & Graffiti Artwork. This error edition, in all its bright and messy glory, provides a rare opportunity to glimpse Buff Monster’s willingness to embrace creative accidents and transform them into something fresh and irresistible.

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Europe Archival Print by Bezt- Etam Cru Archival Pigment Fine Art Limited Edition Print on 270gsm Radian White Paper Pop Artist Modern Artwork. 2022 Signed Limited Edition Artwork Size 15.75x19.75 Europe Archival Print by Bezt – A Haunting Reflection of Silence and Loss in Street Pop Art & Graffiti Artwork Europe by Bezt of the renowned Polish street art duo Etam Cru is a 2022 archival pigment print rendered on 270gsm radiant white fine art paper. This signed limited edition print, sized at 15.75 x 19.75 inches, translates the monumental presence of Bezt’s mural work into a refined and highly detailed collectible format. The piece presents a somber scene composed of three women, layered in muted blues and greys, walking in solemn procession. Each figure is painted with acute emotional resonance, their expressions a study in sorrow, contemplation, and mourning. The woman in the center, gripping a delicate white flower, becomes the emotional anchor of the work, her face bowed, hair obscuring her gaze, her entire being conveying quiet grief. The background features a sparse and haunting skyline dotted with tall, narrow trees, heightening the sense of isolation and solemnity. Bezt’s Narrative Voice Within the Framework of Modern European Tension Bezt, one half of Etam Cru, has built a reputation on infusing his large-scale murals and print editions with poetic visual language. His work often portrays personal or cultural narratives using figures set against surreal, symbolic backdrops. In Europe, Bezt channels a deep awareness of contemporary social and political undercurrents within the continent, particularly those surrounding displacement, grief, and cultural transformation. The three women are not passive symbols but deeply expressive entities. Each figure appears connected by emotion yet distant in posture, capturing the internalized impact of geopolitical unrest and human loss. The title of the piece becomes a pointed commentary, evoking the burdens carried by people—particularly women—through migration, conflict, and remembrance. Though minimal in palette, the composition is rich in story, painted with atmospheric tension that lingers long after viewing. Craftsmanship and Visual Depth in the Archival Edition The use of 270gsm radiant white paper enhances the contrast and detail in the print, allowing the soft washes of blue and the precise linework to emerge with clarity. Bezt’s technique marries the texture of mural realism with painterly subtlety, and this archival pigment print captures that balance impeccably. The figures are sculpted with light and shadow, while the background recedes into a haze, giving the print a cinematic, almost dreamlike tone. The sizing allows for intimate viewing, yet retains the presence and scale that typifies Bezt’s work on urban walls. Each limited print carries the artist’s hand-signed mark, affirming its place as part of a thoughtful, emotionally resonant body of work. Europe as a Statement in Street Pop Art & Graffiti Artwork Street Pop Art & Graffiti Artwork often speaks to identity, memory, and resistance. Europe by Bezt falls within this lineage by giving visual form to themes that are often too complex for simple slogans or symbols. It does not rely on overt protest imagery or aggressive colors but instead uses stillness and visual metaphor to evoke powerful narratives. The piece is reflective rather than declarative, and in that quietness, it delivers one of the strongest statements in contemporary street-influenced fine art. Bezt’s print invites viewers to contemplate not only the visual beauty of the composition but also the deeper social undertones embedded in the figures' silence. It is a work that honors emotion as a form of political voice, giving space to the unseen stories that shape modern Europe.

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EVE 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 EVE a.k.a Extraterrestrial Vegetation Evaluator Disney Pixar's Wall-E movie features a small waste-collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind. Wall-E's friend, EVE is re-imagined onto Medicom Toy's 400% Bearbrick silhouette. This 400% Bearbrick stands at 28cm / 11 inches tall.

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Eve Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Evel Fett - Bronze Metallic Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Retro Outlaw. 2020 Evel Fett Bronze Metallic Sculpture Art Toy by Retro Outlaw Displayed With Box Evel Fett - Bronze Metallic Edition. Evel Knievel / Boba Fet. Need a new color way to your collection of The Evel Fett by RETRO OUTLAW x 3DRetro? Galactic Bounty Hunter Stuntman – Evel Fett. This pop culture mash-up of Boba Fett and Evel Knievel stands 12″ tall and has a removable cape and “swagger” stick.

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Ever Increasing Speed Archival Print by Michael Polakowski Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 19x24 Archival Pigment Fine Art Vaporwave Style Car Driving In Desert At Night Highly Stylized In Pink & Purple Artistic expression is a fascinating journey that provides a platform for creators to convey their unique perspectives, with each piece being a new invitation for us to explore their world. One such captivating masterpiece is the limited edition "Ever Increasing Speed Archival Print" by renowned artist Michael Polakowski. His work is a fresh addition to the pantheon of modern art, offering a confluence of pop graffiti and street art, elements often found at the heart of his creations. Created in 2023, this signed and numbered print is an exclusive, limited edition release, with only 25 prints available globally. The scarcity and uniqueness of the prints add to their value and desirability, making them a treasure for both avid collectors and casual enthusiasts. Sized at 19x24, each print is large enough to dominate a wall, yet compact enough to fit within a variety of spaces. The "Ever Increasing Speed" print is crafted on 290gsm Moab Entrada fine art paper, a meticulously chosen medium known for its ability to showcase the most vibrant of hues and the deepest of blacks. It's revered by artists for its archival quality and incredible color reproduction capabilities. The use of such high-quality paper ensures that the artwork not only looks breathtaking on display but also stands the test of time, retaining its pristine condition for generations to come. This piece is a unique display of Polakowski's mastery over the Vaporwave aesthetic, a subculture rooted in the 80s and 90s nostalgia, often characterized by surreal landscapes and neon, cyberspace-inspired palettes. His rendition presents a highly stylized car journeying through a desert landscape at night, an image brimming with both intrigue and allure. The car, speeding in the moonlight, provides a kinetic energy that courses through the image, highlighting the concept of "ever increasing speed." Aesthetically, Polakowski relies heavily on a palette of pink and purple hues to style the scene. These colors, often associated with the Vaporwave genre, invoke a sense of dreamy nostalgia and retro-futurism. He paints the night sky with shades of purple and uses hues of pink to illuminate the desert, contrasting the monotonous bleakness of the landscape with bold, vibrant colors. The illuminated car - also depicted in pink - races through the desert, symbolizing the relentless march of time in the face of an unfathomable void. As a contemporary artist, Polakowski challenges the boundary between high art and low art through his creations, as he juxtaposes pop graffiti and street art elements with traditional fine art media. His work questions the line between popular culture and the sanctified realm of fine art, offering a fresh perspective that resonates with a broad range of audiences. This beautiful confluence of styles, mediums, and themes makes the "Ever Increasing Speed Archival Print" a must-have for any art connoisseur who appreciates the depth and complexity of modern artistic expression.

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Every Ancient Village Has A Creepiness Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos.

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Everything Under the Sky- The Saved HPM Acrylic 1-Color Hand-Pulled Limited Edition Hand-Painted Multiple Silkscreen Print on Lenox Fine Art Paper by Faile Rare Street Art Famous Pop Artwork Artist. Everything Under the Sky (The Saved), 2012 Acrylic and screenprint in colors on Lenox paper 19 x 12-1/2 inches (48.3 x 31.8 cm) (sheet) Ed. 75/250 Signed in pencil along lower edge; stamped, numbered, and dated to reverse Published by the artist. Several pieces of hinging tape to reverse. The sheet is loose. Unframed.

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Exclamation- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on Coventry Rag, 100% Cotton Custom Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. The evolution of Andre produced the simplified Obey icon face, the Obey star, and the Obey red box logo, which was inspired by the work of Barbara Kruger. These icons, along with various elements from the original sticker, became the building blocks of Shepard Fairey’s visual repertoire. Their repeated incorporation into the artwork is to mimics the strategic mechanism used by brands and advertising. Serigraph on Coventry Rag, 100% Cotton Custom Archival Paper with hand-deckled edges. 30 x 41 inches. Signed by Shepard Fairey. Numbered edition of 89.

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Supreme Exit- Black Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Supreme. Released in March of 2021 as a part of Supreme's SS21 season, the Supreme Exit Skateboard was a hit with skaters and collectors alike. The deck features the classic Supreme box logo alongside a running person image, typically associated with an exit sign.

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Supreme Exit- Red Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Supreme. Released in March of 2021 as a part of Supreme's SS21 season, the Supreme Exit Skateboard was a hit with skaters and collectors alike. The deck features the classic Supreme box logo alongside a running person image, typically associated with an exit sign.

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Expedition Hope Ultrachrome Giclee Print by Dulk- Antonio Segura Donat Artwork Limited Edition Print on Deckled 320gsm Textured Cotton Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 140 Artwork Size 19.7x25.6 Hand Deckled Fine-art Glicée Ultrachrome print on 320 gr Fine Art textured cotton paper "With this project, I want your support and raise funds to publish my second book, Dulk- Antonio Segura Donat, The Art of Antonio Segura. In this book, I would like to show all the works that I produced from 2017 to 2022, but not only that. Here, you will find the true essence of myself as an artist. My inspiration sources are the photographs of my travels worldwide to live nature firsthand, the creativity and sketch process behind my work, and the final artwork. The complete book until the date where you will find sketches, paintings, sculptures, murals, museum exhibitions, and my biggest, most recent and exciting project, the main "Falla" of Valencia." -Dulk- Antonio Segura Donat A Journey Through Nature and Imagination "Expedition Hope" by Dulk (Antonio Segura Donat) is a visually captivating Ultrachrome giclée print that is a vibrant testament to the artist's creative journey and commitment to environmental themes. Released in 2022 as a limited edition of 140, each signed and numbered by the artist, this work exemplifies the intricate detail and vivid storytelling characteristic of Dulk's. Printed on 320gsm textured cotton fine art paper with hand-deckled edges, "Expedition Hope" is a fine art piece that bridges the gap between the natural world and fantastical realms, a hallmark of Dulk's style. The artwork, measuring 19.7x25.6 inches, showcases a surreal landscape where the maritime and terrestrial converge, inhabited by diverse creatures that seem to defy the laws of nature. Dulk's artistry is rooted in his experiences traveling the globe, where he gathers inspiration from the wonders of nature and the diverse wildlife he encounters. These real-world elements are then reimagined through his vivid imagination, resulting in works that are both an homage to the natural world and a commentary on its fragility. Environmentalism in Street Pop Art "Expedition Hope" is not merely an aesthetic endeavor; it carries an environmental message that aligns with the ethos of contemporary street pop art and graffiti artwork. The print's title suggests a narrative of exploration and conservation, echoing Dulk's passion for raising awareness about preserving our planet's ecosystems. The artwork invites the viewer to embark on a visual expedition, encouraging contemplation of humanity's role in safeguarding the diversity of life. Artistic Contribution and Impact Dulk's work, including "Expedition Hope," reflects his multifaceted approach to art, encompassing sketches, paintings, sculptures, murals, and museum exhibitions. This piece, in particular, introduces his upcoming book, which aims to capture the full spectrum of his artistic practice from 2017 to 2022. In this book, Dulk intends to reveal the essence of his artistic identity, sharing his finished works and the creative processes behind them—from initial inspirations and photographs to sketches and ideation phases. His commitment to chronicling his artistic evolution offers insight into his conceptual development and the depth of his engagement with his subjects. Dulk's "Expedition Hope" is a remarkable addition to the street pop art and graffiti art field, encapsulating the artist's dedication to craft, storytelling, and environmental activism. The print is a snapshot of Dulk's artistic journey and a beacon of hope, embodying the power of art to inspire change and reflect the beauty of the natural world. Through this and other works, Dulk leaves an indelible mark on contemporary art, inviting viewers to join him in his mission to celebrate and protect the environment.

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Expert Supervision Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Bask Graffiti Street Artist Modern Pop Art. Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

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Exploding Bunnykitty Giclee Print by Nychos x Dave Persue Artwork Limited Edition Print on Velvet Cotton Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 111 Artwork Size 38.5x25 Fine art print of painting "Exploding BunnyKitty" by artist Nychos and Persue. Giclee print on velvet fine art paper. Edition of 111 Signed and numbered by both artist. 25" Tall x 38.5" Wide

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Explore the Weird Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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Exscape- Embellished Limited Edition Hand-Embellished Archival Pigment Print on 300gsm Water Color Cotton Paper by Denial & NoseGo Graffiti Street Artist Modern Pop Art. 2016 Signed Limited Edition of 20 Artwork Size 24x17.25 This piece was recently created in Windsor, Canada, while NoseGo was in town for Denial's recent mural project, "Free For All Walls," which connects artists for public murals throughout the city of Windsor. In the world of Denial, memory is crucial because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar as it is disturbing because it reveals the most unsettling parts of society, the ones we are in “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Eye Heart NY 2-Color Hand-Pulled Limited Edition Risograph Print on Fine Art Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami TM/KK Hand-Pulled on Wove Fine Art Paper Framed Limited Edition Screenprint Artwork. 2003 Signed & Numbered Louis Vuitton x Takashi Murakami Limited Edition of 50 Artwork Size 6.9x11.75 Silkscreen Print in Custom Copper Style Frame. Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami The Eye Love Superflat Pink silkscreen print, created in 2003 by Takashi Murakami in collaboration with Louis Vuitton, represents a critical moment in the convergence of high fashion and contemporary street pop aesthetics. This hand-pulled silkscreen, produced in a limited edition of 50, is printed on wove fine art paper and features Murakami’s signature fusion of luxury iconography and playful visual language. Measuring 6.9 x 11.75 inches, this artwork exemplifies the Japanese artist’s influential position within the movement of Street Pop Art & Graffiti Artwork during the early 2000s. Murakami’s Superflat Philosophy in Fashion and Art This print merges the bold branding of Louis Vuitton with Murakami’s signature Superflat style, a term he coined to describe the aesthetic and cultural flattening of traditional and digital art, consumerism, and fine art. The work presents a centrally aligned vertical composition featuring Louis Vuitton emblems—two Monogram Flowers and the iconic LV initials—framing Murakami’s jellyfish-eye motif at the center. The eye, detailed with contrasting jewel tones and dynamic, cartoon-like lashes, is one of Murakami’s recurring characters, reflecting both playfulness and cultural commentary. The stark contrast between the clean white vertical strip and the surrounding off-white border amplifies the minimalist elegance of the piece. Framed in a lavish copper-toned custom frame, the presentation further highlights the intersection between Murakami’s subversive artistry and the world of luxury branding. The juxtaposition of street culture aesthetics with the world-renowned Louis Vuitton brand underscores a larger commentary on consumerism and identity in the 21st century. Collaborative Cultural Significance The collaboration between Louis Vuitton and Murakami was a landmark event in the evolution of both street pop and luxury branding. Murakami’s reinterpretation of the LV monogram led to an iconic rebranding of the fashion house’s image, energizing it with a youthful, irreverent tone. The Eye Love Superflat series became a crucial collectible component of this moment, celebrated for its rare print editions and its position at the forefront of fashion-art collaborations. Each silkscreen is signed by Takashi Murakami and marked with edition numbering, reinforcing its status as a museum-quality fine art multiple. The use of hand-pulled silkscreen techniques gives the work a tactile and layered depth, contrasting the flatness of the Superflat theory while embracing the visual simplicity of Murakami’s cartoon-inspired visual storytelling. Legacy and Collectible Appeal This print, created during the height of Murakami’s engagement with global luxury, continues to resonate with collectors and cultural institutions alike. Its value is driven not only by its scarcity—limited to just 50 signed pieces—but by its historical significance as part of an artist-brand alliance that changed the dialogue around fashion, art, and consumerism. The framed presentation elevates it beyond print into the realm of formal art display, reinforcing the seriousness of Murakami’s playful yet incisive visual commentary. As an emblem of Street Pop Art & Graffiti Artwork, the Eye Love Superflat Pink silkscreen remains a pivotal expression of postmodern art culture.

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Eye of The Lion 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x20 Metallic Ink

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Eye of the Serpent 4-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster x Brian Ewing Rare Street Art Famous Pop Artwork Artist. 18"x24" Coventry Rag 335 gsm Signed & Numbered (by both artists) in an edition of 200 with Metallic Ink

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Eye Patch Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Chueh's work has been featured in galleries around the world, and some of his paintings have also been reinterpreted into vinyl toys.

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Eye Text Tag Original Permanent Marker Slap-Up Label Drawing Art on Mailing Label by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4.25x5.5 Marker Tagged on USPS Priority Mailing Label.

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Eyes Like Those Original One of a Kind Mixed Media Spray Paint Collage Painting Artwork on Stretched Canvas by Pop Artist Indie184- Soraya Marquez. 2017 Signed Original One of a Kind Painting Size 35.5x48 Unlined canvas.

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Eyes Royal Blue & Fuchsia Emote Monoprints Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 3-Color Split-Fountain on Hand- Deckled SuperFine UltraWhite Mohawk Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 2 Artwork Size 22x30 Silkscreen Print of a Close Up To A Womans Face & Eyes With Blue Skin "Eyes Royal Blue & Fuchsia Emote Monoprints" stands as a testament to the evolution and intersection of pop art, street art, and graffiti art. Crafted meticulously by Pose- Jordan Nickel, this silkscreen print showcases an arresting close-up of a woman's face, focusing on her eyes, veiled with a captivating hue of blue skin. The title itself conjures a depth of emotions, hinting at a myriad of interpretations; the royal blue and fuchsia, perhaps, represent not just colors, but a spectrum of feelings and expressions. Jordan Nickel's choice of medium and technique adds layers of intricacy to this piece. The hand-pulled 3-color split-fountain technique is a nod to traditional printmaking, ensuring that each artwork is distinct and possesses its unique charm. Complementing this is the hand-deckled SuperFine UltraWhite Mohawk Fine Art Paper, chosen for its unparalleled quality and texture, which adds another dimension to the artwork, making it tactile and immersive. Within the realms of pop art, graffiti, and street art, close-ups, particularly of faces, have always held significant importance. They capture the essence, emotions, and sometimes, the silent narratives of urban life. Pose- Jordan Nickel’s limited edition artwork, restricted to just two signed and numbered pieces, each sized 22x30, exemplifies this tradition. The emphasis on the eyes and the choice of blue skin might be symbolic of contemporary societal issues or could be an exploration of identity in an ever-changing urban landscape. The allure of "Eyes Royal Blue & Fuchsia Emote Monoprints" lies in its duality. On one hand, it's a meticulous representation of craft, technique, and material; on the other, it’s a profound commentary, resonating with the ethos of its art genres. It's an emblematic piece, marking Pose- Jordan Nickel's indelible mark on the canvas of pop and street art.

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Eyes They May Be Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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Ezekiel 25:17 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Signed & Numbered. Briefcase from Pulp Fiction Cult Classic Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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FA Venus Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. Over the years we’ve met quite a few collectors that share the same passion for subculture and collecting. These passions culminate for us by collecting specifics artists, iconography, and imagery that shapes each of our collections. On rare occasion, we’re asked to offer vintage items on the site, and we have from time to time. Well last week profoundly changed our lives and we’re excited to share that, will you? After spending a few days learning about the stories of 1 collector that has been in the game for the past few decades we found signed prints from many of the artists that built the foundation for collecting art prints. With the likes of Bill Graham, Gary Grimshaw, Coop, Derek Hess, and beyond, stored safely in flat files, we sifted through and pulled a few hundred prints. Now that we’re back home we’re doing our best to process this collection, the grade for quality, photograph and add to the site.

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Fab 5 Colorado Red Spray Paint Can Artwork by Fab 5 Freddy- Fred Brathwaite x Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 Fab 5 Colorado Red Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Wildstyle Rapper Musician Artist Fab 5 Freddy African American Man Vintage Style Photo Stylized Graffiti Spray Paint Can Art. Fab 5 Freddy and Montana MTN: A Spray Can Revolution The collaboration between Fab 5 Freddy, born Fred Brathwaite, and Montana MTN in 2024 produced a unique artifact that fuses the energy of street art with the essence of collectible design. The "Fab 5 Colorado Red" spray paint can is not just a tool for creating graffiti but a standalone piece of art. With only 500 made, each can is a limited edition work that captures the spirit of Fab 5 Freddy's influence on graffiti and hip-hop culture. The custom wood box packaging elevates the can from a simple container of paint to an object of art, underscoring the importance of presentation in the world of art collectibles. Each can, sized at a modest 3x8 inches, is filled with the vibrant "Colorado Red" hue of paint, a nod to the bold and impactful color choices often made by graffiti artists. The design of the can features a vintage-style photo of an African American man, representing Fab 5 Freddy himself, stylized in a way that marries graffiti's wildstyle lettering with a classic portrait. This design encapsulates Fab 5 Freddy's legacy within the worlds of street pop art and graffiti artwork, bridging the divide between the street and the gallery. Legacy of Wildstyle: Fab 5 Freddy's Impact on Graffiti Art Fab 5 Freddy's contributions to the culture of graffiti are monumental. He was among the first to bring graffiti and hip-hop from the streets of New York to a global audience, transforming the perceptions of graffiti from acts of vandalism to recognized forms of art. His wildstyle graffiti, characterized by intricate, interlocking letters and symbols, was revolutionary, influencing countless artists and cementing his place in street art history. The "Fab 5 Colorado Red" spray paint can artwork continues this legacy, serving as a tribute to the style and influence of Fab 5 Freddy. The can’s artwork tells a story of the streets, of the evolution of graffiti as an art form, and of the man who helped propel it into the cultural mainstream. Each limited edition can is a celebration of the history and progression of street pop art, embodying the creative spirit that Fab 5 Freddy represented. The Art Object Phenomenon: From Utility to Icon The phenomenon of transforming utilitarian objects like spray paint cans into icons of art has become increasingly prevalent in the world of pop graffiti and street art. These objects, once solely seen as the tools of the trade for street artists, have become canvases in their own right, offering artists a new medium to express their vision. The "Fab 5 Colorado Red" spray paint can by Montana MTN is a prime example of this trend, where the object itself becomes a piece of art, coveted by collectors and enthusiasts alike. The collaboration between Fab 5 Freddy and Montana MTN is more than a business venture; it's a symbolic convergence of art and utility, of the street and the establishment. Each can, with its vibrant color and striking design, is a testament to the power of street art to innovate and inspire, to transcend its roots and become an integral part of the art world’s lexicon. These limited edition cans are not only vessels of paint but vessels of history, carrying the legacy of street pop art and graffiti artwork forward for new generations to discover and appreciate. In the art community, collaborations like the "Fab 5 Colorado Red" are reminders of the transformative power of art, of its ability to reshape objects and perceptions. They stand as monuments to the artists like Fab 5 Freddy who have paved the way for the recognition and celebration of street art, ensuring that the essence of the streets—the bold, unapologetic voice of the graffiti artist—continues to be a vital part of the conversation in the world of art.

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Face Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Melissa A Mitchell. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 11 x 14 Inches Release: May 07, 2021 Run of: 50

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Face Invader- Buttons Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Creep Mode Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Pork Chop Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Resting Bitch Face Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Sugar High Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Yachting 84 Original One-of-a-Kind Oil Mixed Media Painting Artwork on Masonite Board by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 24x12 Original Peter Keil Painting of a large face and Boats on the Lake Peter Keil's Child's Face '84: A Fusion of Expressionism and Street Pop Art The "Child's Face '84" by Peter Keil stands as a vibrant example of how modern impressionist techniques can intersect with the ethos of Street Pop Art and Graffiti Artwork. Measuring 12x16 inches, this original oil mixed media painting on cardboard brings forth the distinct style of Keil, often recognized for his spontaneous, bold approach to modern art. The painting, which presents a giant boy's face, encapsulates the innocence and expressiveness associated with children, rendered through the lens of Keil's vivid, impressionistic style. Characteristic of Peter Keil's original works, this piece exhibits some paint chipping on the cheek, a natural consequence of the artist's heavy impasto technique and the delicate nature of cardboard as a medium. The chips do not detract from the artwork's impact; instead, they add to the piece's narrative, reflecting the passage of time and the tactile history of Keil's artistic process. This textural element, common in Keil's originals, underscores the raw, unfiltered emotion he seeks to capture in his subjects. Interpreting Keil's Artistic Language in Child's Face '84 Interpreting Keil's "Child's Face '84" requires an appreciation of his artistic language, which merges the abstracted forms of impressionism with street art's vibrant colors and emotional immediacy. Keil's portrayal goes beyond simply representing a child's features; it explores character and emotion conveyed through exaggerated forms and a rich color palette. The large, luminous eyes dominate the composition, serving as windows to the child's soul and echoing the depth of human experience that Keil aims to explore through his art. The choice of cardboard as a substrate for this piece mainly tells of Keil's intention to bridge the gap between conventional fine art and the more accessible, everyday materials often used in Street Pop Art and Graffiti Artwork. This unconventional choice reflects a democratization of art, a key theme in street art, where the emphasis is on making art available and relatable to a broad audience. By utilizing cardboard, Keil challenges traditional art norms and aligns himself with a form of artistic expression grounded in the realities of urban life. The Lasting Influence of Keil's Approach to Portraiture The lasting influence of Peter Keil's approach to portraiture is evident in "Child's Face '84." His work, often categorized under the umbrella of modern impressionism, resonates with a broader range of art forms, including Street Pop Art and Graffiti Artwork. Keil's contribution to these genres lies in his ability to infuse traditional portrait painting with a sense of immediacy and street-wise rawness often found in urban art. This painting, with its bold contours and striking colors, is a testament to Keil's innovative spirit and impact on contemporary art. Furthermore, the painting's vibrant quality, a defining characteristic of Keil's work, underscores the expressive potential of Street Pop Art and Graffiti Artwork. "Child's Face '84" exemplifies how these genres can convey complex emotional narratives, challenging the perception that street art is solely concerned with public commentary or social critique. Keil's portrait is a celebration of individuality and the human spirit, encapsulated within the gaze of a child and articulated through the medium of paint. Peter Keil's "Child's Face '84" is a significant piece that captures the intersection of modern impressionism with the dynamic world of Street Pop Art and Graffiti Artwork. The painting's spontaneous execution, vibrant colors, and textural nuances contribute to its enduring appeal and status as a meaningful representation of Keil's artistic vision. As a piece that bears the marks of its creation, it continues to engage and inspire, offering a window into the depth and diversity of Keil's oeuvre.

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Faces- NYCC Exclusive Limited Edition Mixed Media, Silicone Sculpture Artwork by graffiti street artist modern pop artist Jake Waldron. The amazing Jake Waldron will bring you a 2014 New York Comic Con exclusive run of his "faces" line. Limited to an edition of just 10, each framed silicone-based mixed media sculptural face is signed and numbered.

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Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Fade Into The Dark Stars Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Camille Rose Garcia pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Fade Into The Dark Stars by Camille Rose Garcia – Street Pop Art & Graffiti Artwork on Blotter Paper Fade Into The Dark Stars is a striking 2021 archival pigment print on perforated blotter paper by pop surrealist Camille Rose Garcia. Measuring 7.5 x 7.5 inches and released on April 19, 2021, this limited edition artwork is signed, numbered, and comes with a Certificate of Authenticity. Hand-perforated by Zane Kesey, son of literary figure Ken Kesey, the print pays homage to the countercultural history of LSD blotter sheets while channeling Garcia’s visually explosive style. This edition transforms ephemeral materials into collectible objects, linking the legacy of psychedelia with contemporary street pop art and graffiti artwork. Surrealism and Symbolism in a Lurid Technicolor Fantasy The artwork presents a surreal and electrified composition bathed in luminous violets, acidic pinks, and spectral blues. At its center is a haunting figure with sharp fangs, a glam-inspired lightning bolt eye patch, and hair erupting in a blaze of neon. Branching antlers and dripping flora crown the figure, evoking mythology, fantasy, and decay. An ominous moth hovers above like a guardian or spectral watcher. The composition vibrates with visual tension—dream and nightmare, beauty and grotesque—rendered in Garcia’s precise yet dripping aesthetic. Each element echoes themes of transformation, vulnerability, and resistance. Camille Rose Garcia and the Dark Side of Pop Camille Rose Garcia, born in 1970 in California, is a foundational figure in the lowbrow and pop surrealist art movements. Her work is rooted in a hybrid of street culture, fairy tale, punk, and political commentary. Known for confronting systems of control and environmental destruction, she often uses feminine archetypes to subvert power structures. Fade Into The Dark Stars reveals Garcia’s capacity to blend bold, cartoonlike forms with disquieting narratives. Her stylistic vocabulary pulls from Disney animation, horror comics, and Day-Glo psychedelia, placing her firmly within the lineage of American street pop art & graffiti artwork. Blotter Art as Medium and Message The use of blotter paper ties this edition to the underground culture of LSD distribution, especially prominent in the 1960s and 70s. By printing on perforated sheets and collaborating with Zane Kesey, Garcia signals a dialogue between personal hallucination and collective protest. Blotter art, once purely functional, now becomes a canvas for transgressive, subversive expression. The physical format encourages intimacy and iconoclasm, distilling Garcia’s larger works into tactile moments of visionary rebellion. Fade Into The Dark Stars becomes a portal—small yet symbolically potent—where fine art meets rebellion, mythology merges with modernity, and street culture collides with psychedelic transcendence.

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Fagundes Masked- 7.9 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. Dwayne Fagundes Popsicle Deck, Traditional 7-PlyWood, Medium Concave

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Faile Girl HPM Acrylic Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Acrylic HPM Embellished Limited Edition of 16 Artwork Size 17.9x24 Faile is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Initially founded in 1999, the duo is known for their wide-ranging multimedia practice, recognized for its explorations of duality through a fragmented style of appropriation and collage. Working in the vein of popular culture and frequently referencing mass consumerism, Faile's work encompasses a variety of materials and techniques, including painting, silkscreening, stencils, stickers, sculpture, and more. Their art has been exhibited in a wide array of contexts, from city walls and lamp posts to galleries and museums around the world, such as Perry Rubenstein Gallery, New York; Dallas Contemporary, Dallas; and Palais de Tokyo, Paris. The name "Faile" is an anagram of "A life", which signifies the duo's shared philosophy towards their work. They are known to embrace the dichotomies of art and popular culture, acknowledging the fluidity and ubiquity of imagery in the modern world. HPM, or Hand-Painted Multiples, is a term used to describe a specific method of silkscreen printing. In HPM silkscreen printing, each piece of an edition is individually embellished or altered by the artist, thereby making each print within the edition unique. This technique can often be seen in street art and other forms of contemporary art. Silkscreen printing, also known as screen printing, is a process that involves pushing ink through a stenciled mesh screen to create a printed design. It's a popular technique used in a variety of different industries, such as fine art, fashion, and marketing, due to its versatility in adapting to different materials and surfaces. Artists like Faile often utilize HPM silkscreen printing to create limited editions of their work. This method allows them to produce a series of pieces that maintain a consistent theme or image, but with individual variations that make each piece unique. This can range from changes in color, to additional elements, to hand-finishing details. This results in each print being not just a copy, but a unique work of art.

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