Artworks

Warning: Addictive- Orange Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. Signed on Front With Marker. Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard

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Warning: Addictive- Red Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard 2020 Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey.

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Warp Zones! Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

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Warrior Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

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Wary Wanders Limited Edition Etching Print on Fine Art Paper by Urban Graffiti Modern Artist Nicole Gustafsson. Number 1 of 13, 2008 Signed & Numbered Limited Edition

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Waste Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Saif Chilmiran Graffiti Street Artist Modern Pop Art. "This piece is part of the series, “Trash” which is currently on display at Courtyard Gallery as part of the “Pop Wall” exhibition. As a contemporary street art exhibition, my work corresponded to the gritty, do-it-yourself atmosphere of the collection. I think it fits well alongside the Dotmasters’ amazing stencils of trash bags since both series portray trash in different ways. Each of the originals took between 5 to 8 weeks. I use various elements from my garbage with some metalwork and plenty of epoxy. The items used are the disposable aftermath of my other works, taken from empty spray paint canisters, paintbrushes, markers, lighters and what happens to be occupying my workspace at the day." - Saif Chilmarin

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Waste of Space Archival Print by Joe Ledbetter Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2007 Signed & Numbered Print Limited Edition of 125 Artwork Size 16x25 Archival Pigment Fine Art  Waste of Space Archival Print by Joe Ledbetter – Limited Edition Street Pop Art & Graffiti Artwork Joe Ledbetter, a renowned figure in Street Pop Art & Graffiti Artwork, presents Waste of Space, a striking archival pigment fine art print that encapsulates his distinctive aesthetic. Released in 2007 as a signed and numbered limited edition of 125, this 16x25-inch print is a standout piece within his body of work. The composition features a melancholic yet expressive monkey slouched on a tattered couch, surrounded by remnants of a seemingly wasted existence—discarded drinks, empty snack containers, a video game controller, and an overall atmosphere of stagnation. The use of a monochromatic blue palette intensifies the emotional weight of the piece, reinforcing themes of isolation, apathy, and introspection. Ledbetter’s signature cartoon-influenced linework adds a playful contrast to the otherwise somber subject matter. The exaggerated features of the monkey, particularly its large, expressive eyes and slumped posture, evoke a sense of both humor and sadness, a balance that defines much of Ledbetter’s work in Street Pop Art & Graffiti Artwork. Joe Ledbetter’s Influence in Street Pop Art & Graffiti Artwork Joe Ledbetter has established himself as a key artist within contemporary Street Pop Art & Graffiti Artwork, blending influences from classic animation, vinyl toy culture, and traditional graffiti techniques. His bold use of thick outlines, clean yet dynamic compositions, and surreal anthropomorphic characters set his work apart. Ledbetter’s art often features animals depicted in exaggerated, almost tragicomic situations, using humor and satire to explore themes of existentialism, consumerism, and modern alienation. His artistic background in both graphic design and fine art contributes to his ability to create compositions that feel both structured and spontaneous. His work has been featured in galleries worldwide, yet it maintains the raw energy and accessibility associated with graffiti and street art. The storytelling elements in his pieces often elevate them beyond mere illustration, making them resonate deeply with collectors and fans of modern pop culture. Waste of Space – A Reflection on Modern Life Waste of Space is a visually compelling critique of modern leisure culture, portraying a character trapped in self-inflicted inertia. The scattered objects in the scene—video games, alcohol, junk food—serve as symbols of both indulgence and escapism. The title itself adds another layer of interpretation, forcing the viewer to consider whether the piece is a self-reflection or a broader social commentary. The background’s splattered textures and sketch-like details reinforce the graffiti influences within the artwork, maintaining a sense of urban grit despite its polished execution. The contrast between Ledbetter’s smooth, refined lines and the chaotic composition of the environment suggests an internal struggle between control and disorder. The choice of blue tones creates an almost melancholic atmosphere, making the piece feel introspective rather than purely humorous. The Lasting Impact of Waste of Space in Contemporary Art Joe Ledbetter continues to be an influential voice in Street Pop Art & Graffiti Artwork, pushing boundaries by merging fine art techniques with pop surrealism. Waste of Space remains one of his most memorable works due to its relatability and emotional depth. The combination of social critique, satirical humor, and an unmistakable artistic style ensures that this piece remains relevant even years after its initial release. This limited edition print serves as a powerful statement on modern existence, capturing the tension between comfort and complacency, self-indulgence and self-destruction. The artwork’s ability to engage audiences on multiple levels—whether as a visually engaging pop art piece or as a more profound commentary on contemporary life—solidifies its place as an important work within Street Pop Art & Graffiti Artwork. Through meticulous craftsmanship and an unflinching artistic vision, Ledbetter continues to challenge perceptions and inspire both collectors and fellow artists.

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Wasted AP Artist Proof 6-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Low Bros Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2015 Signed & MArked AP Limited Edition Artwork Size 18x24 Silkscreen Printed by SerioPress. Distinction of Artist Proofs in Street Pop Art & Graffiti Artwork Artist Proofs, commonly denoted as AP, represent a tradition in printmaking where a small number of prints are made for the artist's personal use. In the context of Street Pop Art and graffiti Artwork, these proofs are often viewed as more valuable due to their rarity and the artist's personal touch. "Wasted" by Low Bros is a striking example of an AP Artist Proof, a 6-color hand-pulled silkscreen print showcasing the artists' meticulous craft and creative prowess. Creation and Significance of "Wasted" by Low Bros The "Wasted" AP silkscreen print stands out with its 6-color hand-pulling technique, executed on Coventry Rag Paper. This choice of paper is significant for its texture and durability, which is particularly conducive to the silkscreen process, allowing for a high-quality finish that captures the vivid color palette and intricate details of the artwork. The piece's dimensions, 18x24 inches, make it a commanding presence, ideal for collectors who appreciate the interplay of fine art techniques within the street art genre. Limited Edition and Collectibility As an AP limited edition, "Wasted" holds a special place in the collection of Low Bros works. Signed and marked as an Artist Proof, this print was created in 2015 and serves not only as a piece of art but also as an artifact within the Street Pop Art and graffiti Artwork movement. The artist's signature on an AP print is a testament to its authenticity and a direct connection to the creators' hands. These factors contribute to the print's desirability and potential investment value. Silkscreen Printing by SerioPress The production of "Wasted" was in the hands of SerioPress, a fine art printer known for its expertise in silkscreen printing. This collaboration between the artists and the printer ensures that each print meets the high standards expected in fine art circles. The process involves layering each color individually and pulling them by hand, a labor-intensive method that results in a work of art with depth and texture. Artistic Impact of "Wasted" The artwork itself, with its bold graphics and symbolic imagery, reflects the core themes explored by Low Bros in their body of work. The title "Wasted" could allude to various interpretations, ranging from commentary on societal excesses to the transient nature of street art. This complexity of meaning, paired with the striking visual design, encapsulates the essence of the Low Bros' impact on Street Pop Art and graffiti Artwork. "Wasted" AP Artist Proof by Low Bros is a significant contribution to the genres of Street Pop Art and graffiti Artwork, merging traditional printmaking techniques with street art's edgy and dynamic energy. Its status as an Artist Proof elevates its importance, offering collectors a rare opportunity to own a piece closely tied to the artists themselves. As street art continues to gain recognition, such limited edition prints by prominent artists like Low Bros are pivotal in bridging the gap between street culture and the high art world.

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Wasted 6-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Low Bros Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Limited Edition of 60 Artwork Size 18x24 Silkscreen Printed by SerioPress. Street Pop Art & Graffiti Artwork Street Pop Art and graffiti Artwork have become a vital facet of contemporary art, often blurring the lines between legality and artistry, between the gallery and the street. In this realm, the "Wasted" silkscreen print by the artist collective Low Bros stands out as a quintessential piece. Created in 2015, this artwork is part of a limited edition of just 60 prints, highlighting the exclusivity and demand for this unique piece of art. Creation and Technique The Low Bros, known for their angular and geometric figures that often include anthropomorphic characters, have utilized a six-color hand-pulling technique to create "Wasted." This method, while traditional, requires immense skill to ensure that each layer of color is meticulously applied. Coventry Rag Paper, chosen for its high quality, offers a durable and pristine canvas that complements the silkscreen printing process carried out by SerioPress, a well-respected name in the fine art printing industry. Dimensions and Design The artwork measures 18x24 inches, a size that is substantial enough to command attention yet suitable for display in various settings, from a personal collection to a gallery wall. The design of "Wasted" is complex, featuring a melange of abstract and figurative elements that are hallmarks of the Low Bros' style. The use of space and color within the print captures the viewer's gaze and invites them to contemplate the juxtaposition of shapes and patterns. Significance in Street Art This piece is not merely an artwork but a commentary on the culture of street art and pop art, where the disposable is often celebrated. The title "Wasted" itself might be interpreted in various ways, from a reference to the excesses of modern society to the repurposing of space and materials in street art. By bringing this piece to a limited edition print, the Low Bros bridges the gap between the ephemeral nature of street art and the permanence collectors seek. Collectibility and Value Signed and numbered by the artists, each print of "Wasted" carries the hallmark of authenticity and the promise of increasing value. Collectors and enthusiasts of street art and pop art find significant value in these limited editions, representing a snapshot of the artist's work at a particular time in their career. The rarity of these prints adds to their collectibility, making them sought-after pieces for art lovers and investors. Impact on Pop and Graffiti Art The Low Bros' "Wasted" is a testament to the evolving nature of pop and graffiti art. It encapsulates the movement's spirit, often taking the ordinary and making it extraordinary. The artwork stands as a cultural artifact, embodying the energy and innovation of street pop art, and continues to influence emerging artists within the scene. It is a vibrant example of how traditional techniques can be reinvented to create something that resonates with the contemporary zeitgeist. The "Wasted" print by Low Bros is a compelling illustration of how street pop art and graffiti have permeated contemporary art's fabric. Its limited edition nature, distinctive style, and meticulous creation underscore its importance and appeal. As a piece of art, it carries the narrative of street art into the homes and galleries of enthusiasts, ensuring that the vibrancy and message of the streets are preserved in a tangible form for generations to

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Wasted Youth- Your Eyes Here Cac Malaga Edition 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x D*Face Rare Street Art OBEY Pop Artwork Artist. Signed By F*Face & Shepard Fairey, Numbered Screen Print “WASTED YOUTH / YOUR EYES HERE” (CAC MALAGA EDITION) Screen Print 18 x 24 inches Edition of 400 July 16, 2015 D*Face and I enjoy collaborating and we both agreed that it would be great to do a print to celebrate our simultaneous shows at the CAC Málaga. We used very different color palettes in our murals there so we decided that since we both liked black, red, and silver – that we could put our chromatic differences aside and join forces on those three colors for the print. I’d still recommend seeing the murals in person if you have the opportunity, but this print is an avatar I can be proud of. All of the prints are signed by me and D*Face so you know that meant they had to travel to Spain and back – luckily, they’re all in good shape. Thanks to the CAC Málaga for facilitating such a great show for both of us! -Shepard

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Wasteland Black Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 22x22 22 x 22 inch, hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 100.

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Wasteland Bone Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 22x22 22 x 22 inch, hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 100.

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Watch Over Us Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Watch over us" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

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Water Fall Brick Wall Tats Cru Original Spray Paint Painting by BG183 One of a Kind Artwork on Gallery Wrapped Canvas by Street Art Pop Artist. 2017 Spray Paint Painting Original Ready to Hang Artwork Size 12x12 Water Fall Brick Wall by BG183 of Tats Cru – Original Spray Paint Artwork in Street Pop Art & Graffiti Artwork Water Fall Brick Wall is a 2017 original spray paint painting on a 12 x 12 inch gallery wrapped canvas by BG183, a founding member of the legendary graffiti collective Tats Cru. This one-of-a-kind piece is a visual embodiment of New York’s graffiti legacy, blending illustrative mastery with the texture and iconography of urban decay. The title references both a literal cascade of water and the rhythmic flow of paint across a weathered surface, evoking the layered history of graffiti walls where years of tags, buff marks, and new burners converge into visual sediment. BG183 channels that history through a meticulously controlled aerosol technique, using soft gradients, bold shapes, and textured overlays to mimic the depth and permanence of a brick wall weathered by time, spray, and spirit. BG183 and the Tats Cru Tradition As one of the core members of Tats Cru, BG183 has played a key role in redefining what graffiti can be both on the street and in gallery spaces. Known for his technical range, from wildstyle burners to hyper-detailed characters, BG183’s work always maintains the energy of the street even when translated to canvas. Water Fall Brick Wall reflects that ability to carry raw graffiti aesthetics into the language of fine art without diluting its power. The composition is bold and balanced, structured with layers that feel both spontaneous and composed, a characteristic mark of a writer with decades of experience navigating walls, trains, and community murals. Tats Cru’s influence on hip hop visual culture, public art, and muralism flows directly into this piece, grounding it in authenticity and authority. Spray Paint Texture and Surface Depth The surface of Water Fall Brick Wall is alive with texture—misty edges, hardline fades, and drip formations that simulate the stratification of layered graffiti over time. BG183 uses the canvas not as a flat background but as a sculptural element, giving visual weight to each spray layer. The color palette leans into cool blues and warm earth tones, referencing water movement against brick decay, while still maintaining vibrancy. The edges of the piece echo the softness of aerosol dispersal, blending into the gallery-wrapped sides in a way that allows the work to exist without a frame. This ready-to-hang presentation reinforces the idea of street art entering fine art space without losing its connection to outdoor surfaces and uncurated expression. Urban Energy in Street Pop Art & Graffiti Artwork Water Fall Brick Wall stands as a concentrated burst of graffiti’s raw language reassembled for interior contemplation. It is a homage to the layers of city infrastructure—walls that hold names, messages, and identities built up over time. BG183 does not attempt to replicate graffiti; he reinterprets its essence, offering a piece that is both a portrait of a wall and a standalone visual narrative. In the broader conversation of Street Pop Art & Graffiti Artwork, this painting represents the bridge between street-coded authenticity and studio execution. It holds graffiti’s visual rhythm, spatial awareness, and cultural reverence in every layer of paint and in every inch of surface tension. It is not just an artwork—it is a declaration from a writer who has earned his mark, signed in spray and built from brick and motion.

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Watermelon Pimp- Blue Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. The Bird is the Word Pop Art Toy.

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Watermelon Pimp- Green Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. The Bird is the Word Pop Art Toy.

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Watermelon Pimp- Orange Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. The Bird is the Word Pop Art Toy.

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Watermelon Pimp- Yellow Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. The Bird is the Word Pop Art Toy.

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Watership Down Limited Edition Giclee Print on 300gsm Silk Paper by Andy Fairhurst counter-culture street artist art. Limited Edition of 50 digital print on 300gsm silk paper. Hand-signed and numbered by the artist. Based on the 1978 animated film. 18x24 inches.

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Wave Jumpers Archival Pigment Fine Art Limited Edition Print on 310gsm Canson Aquarelle Paper by Modern Pop Street Graffiti Artist Kilian Eng. 18 x 24 Inches Full-bleed Printed on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 250 Numbered.

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Wave Jumpers- Variant Archival Pigment Fine Art Limited Edition Print on 310gsm Canson Aquarelle Paper by Modern Pop Street Graffiti Artist Kilian Eng. 18 x 24 inches Hand-deckled edges 2021 Printed on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 125 Numbered

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Wavelengths Sunrise PP Printer Proof HPM Hand Embellished Print Silkscreen Print by Erik Otto Hand-Pulled 4-Color Screen Print on Deckled 335gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & Marked PP HPM Hand Embellished Print Limited Edition Run Artwork Size 16x20 Erik Otto's "Wavelengths Sunrise": A Harmonious Blend of Artistic Disciplines Erik Otto's "Wavelengths Sunrise" is a striking example of the convergence of pop street artwork, graffiti, and delicate art sensibilities. Released as a Printer's Proof (PP) in 2019, this hand-embellished silkscreen print is part of a limited edition series that captures the essence of contemporary art's diverse expressions. The hand-pulled print features a four-color screen process on deckled 335gsm Coventry Rag fine art paper. The artwork size is 16x20 inches, a dimension that allows the intricate patterns and vibrant colors to stand out, engaging the viewer in a visual dialogue. This PP HPM (Hand-Painted Multiple) print is a testament to Otto's craftsmanship and attention to detail. Each print in the series is signed and marked by the artist, indicating its status as a unique work within the edition. Hand embellishment means that while the prints are part of a series, each piece contains individual strokes of the artist's brush, adding a layer of exclusivity and personal touch that collectors and enthusiasts highly value. Integrating Fine Art Techniques with Street Art Aesthetics The "Wavelengths Sunrise" print illustrates Otto's ability to blend the precision of fine art printmaking with the spontaneity and boldness characteristic of street pop art and graffiti. The deckled edges of the Coventry Rag paper contribute to the print's tactile quality, imbuing the work with an organic feel that contrasts with the meticulous screen printing process. The choice of paper is crucial, as Coventry Rag is known for its durability and luxurious texture, making it an excellent medium for silkscreen printing. Otto's choice of a four-color screen print process allows for the layering of colors, creating a depth and complexity that mimics the dynamism of a sunrise. The process also nods to the origins of pop art and its embrace of mass production techniques, yet Otto's hand embellishments ensure that each print remains a singular piece of art. The result is a harmonious balance between uniformity and individuality, mass production, and artisanal creation. The Visual Language of "Wavelengths Sunrise" in the Art World "Wavelengths Sunrise" speaks the visual language of motion and rhythm through its concentric patterns and waves, a motif that resonates with street art's fluidity and ever-changing nature. The work's title itself suggests a natural phenomenon that is both constant and variable, much like the street art scene that continually evolves and adapts to the cultural zeitgeist. Otto's print captures this essence, inviting contemplation on the cyclical patterns in nature, art, and urban life. In summary, Erik Otto's "Wavelengths Sunrise" stands as a captivating piece within pop street artwork and graffiti. As a limited edition PP HPM print, it bridges the gap between street art's immediacy and fine art printmaking's calculated finesse. Otto's work reflects the current state of street pop art, where traditional boundaries are redefined, and new forms of artistic expression emerge. His contribution to the art world with "Wavelengths Sunrise" is a vibrant testament to the potential of modern art to innovate and inspire across various platforms and audiences.

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Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 175 Artwork Size 24x18 Pulp Fiction Movie Tribute, 4th Unreal Estate show

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Way of the Cross Silver Obscure Serigraph Print by Zes Zeser Limited Edition Hand Pulled Artwork on Fine Art Paper Modern Street Graffiti Pop Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 28x19.5 With Artist Signed COA Way of the Cross Silver Obscure Serigraph Print by Zes Zeser Way of the Cross Silver by Zes Zeser is a haunting visual document steeped in the tension and silence that defines the urban environment after dark. Released in 2014 as a signed and numbered limited edition of only 25, this 28x19.5 inch serigraph pushes the language of Street Pop Art & Graffiti Artwork into poetic, cinematic terrain. Printed on fine art paper through traditional hand-pulled screen print techniques, the piece captures a uniquely nocturnal visual experience with a stark monochromatic silver palette that references both the photographic roots of graffiti documentation and the emotional gravity of solitary exploration. Atmosphere and Iconography in Urban Decay The piece presents a lone figure standing on a lattice of metal girders, possibly a bridge or part of industrial infrastructure, with the electrical wires above and the sprawl of Los Angeles dimly glowing in the background. The central subject faces away from the viewer, anonymous yet human, framed by a linear burst of converging lines formed by both architectural elements and the city’s electrical veins. The title, Way of the Cross, evokes religious pilgrimage, struggle, and suffering—a layered allusion that transforms this suspended moment into a metaphor for endurance and isolation in contemporary city life. The visual elements suggest risk, abandonment, and confrontation with personal demons, all hallmarks of Zes Zeser’s intensely autobiographical approach to street art. Zes Zeser’s Impact on Street Art Culture Zes Zeser, known for his deep roots in the Los Angeles graffiti scene, blends raw graffiti aesthetics with a refined compositional eye often associated with gallery work. His use of grayscale, combined with sparse but precise composition, bridges the divide between photographic realism and the ephemeral energy of graffiti bombing. With a background as both a vandal and a trained artist, Zeser’s serigraphs like this one become maps of his emotional and physical journeys across the city, often created under duress, in the margins of legality and personal risk. Way of the Cross Silver represents a crystallization of Zeser’s dual identity—anonymous tagger and fine art practitioner. The bleak elegance of the piece is intensified by the use of silver ink, which gives the work a cold, reflective quality, enhancing the mood of desolation and existential weight. The limited edition run of just 25, each signed and accompanied by a Certificate of Authenticity, cements its place as a collector’s artifact that merges subcultural graffiti heritage with contemporary art relevance. A Cinematic Freeze Frame in the Urban Landscape This artwork is more than a static image; it functions as a freeze-frame of movement, a visual distillation of street-level poetry. It occupies a space between documentary and dreamscape, a whispered narrative about the soul of a city as experienced by those who climb, tag, and wander its skeletal scaffolding under cover of darkness. In the context of Street Pop Art & Graffiti Artwork, Way of the Cross Silver remains a bold testament to introspection amidst chaos—silent, silver-toned, and unforgettable.

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Wazzbone Squad Series 12 Limited Edition Vinyl Art Toy Collectible Artwork by toy sculpture artist Jason Freeny. 12” tall ABS, PVC, and alloy Art toy Produced by LAMTOYS & Mighty Jaxx Designed by Jason Freeny, INSON-SONG, and HEBZ WAZZUPbaby meets the edgy dissection style of Jason Freeny! In collaboration with the WAZZUPfamily, Jason Freeny shows us what it’s like to be street-style, inside and out! Inspired by street culture and extreme sports, the WAZZBONE Squad Series stands for freedom, creativity, and personal style. Go big and loud with this 12” figurine featuring neon green dissection in this cool chameleon!

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WCA MSK Billboard Limited Edition Plastic & Ink Sculpture Artwork by Street Artist Risk Rock Fine Art. 2022 Sculpture Limited Edition of 50 Artwork Size 9.5 x 13.5 x 2.5 RISK tag billboard collectible, featuring RISK, WCA and MSK in the details. Replica of one of Risk's first LA Billboards 9.5 x 13.5 x 2.5 inches. Edition of 50

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We Are Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Silkscreen Print Add Fuel's Artistic Vision in "We Are" "We Are" by Add Fuel is a captivating silkscreen print that epitomizes the innovative spirit of street pop art and graffiti artwork. The 2023 limited edition piece, signed and numbered with a release of only 100 copies, measures 19.69x27.56 inches and is a testament to the meticulous craft of hand-pulled printing. Created on 320gsm Astropack fine art paper, the work showcases a 6-color process that vividly brings to life the intricate patterns and bold graffiti elements that are the signature of Add Fuel's style. Add Fuel, the artist behind "We Are," reinterprets the traditional blue and white ceramic tile aesthetic with a contemporary twist, infusing the classic medium with the energy and boldness of street art. The print features an array of tile designs, each detailed with unique patterns, forming a more significant, cohesive image. At first glance, the artwork pays homage to the historical art form, but upon closer inspection, the disruptive force of graffiti tears through the surface, creating a striking contrast. The artwork's juxtaposition of historical art motifs with modern graffiti techniques speaks to the evolving nature of street pop art. Add Fuel's work is a dialogue between past and present, suggesting that both traditional art forms and contemporary expressions have a place in today's cultural landscape. Like much of street pop art, this piece is not confined to the walls of galleries; it carries the vibrancy of the streets and the weight of history, bridging different art movements and eras. The Significance of Hand-Pulled Silkscreen in Art Hand-pulled silkscreen as the medium for "We Are" highlights the importance of craftsmanship in an age of mass production. Each print in the limited series results from a laborious process requiring precision and patience, ensuring that every piece is imbued with the artist's touch. Using multiple colors in printing allows for depth and complexity, making each print a rich visual experience. Silkscreen printing, especially when done by hand, is a nod to traditional art creation techniques. In an era where digital art is becoming increasingly prevalent, Add Fuel's commitment to hand-pulled prints emphasizes art-making's tactile and physical aspects. It is a celebration of the artist's hand in an age where it can often be absent from the creative process. Street Pop Art and Graffiti Artwork's Influence on "We Are" "We Are" is firmly rooted in street pop art and graffiti art traditions. These movements have long been characterized by their willingness to challenge conventional ideas about where art belongs and what forms it can take. Add Fuel's print extends this tradition, demonstrating that the disruptive spirit of street art can find harmony with more classical art forms. The cultural influence of street pop and graffiti artwork is evident in the reception of pieces like "We Are." They resonate with a broad audience, appealing to those who appreciate street art's rebellious nature and traditional designs' intricate beauty. This blend of styles has become a hallmark of contemporary art, reflecting a society that values diversity and the fusion of ideas. In the broader context of modern art, "We Are" symbolizes unity and progress. Add Fuel's innovative approach to his craft indicates a more significant movement within the art that seeks to honor the past while boldly stepping into the future. His work visually represents the possible dialogue between different artistic disciplines and a reminder that art is a constantly evolving conversation. "We Are" by Add Fuel is a striking example of the potential for street pop art and graffiti artwork to transcend boundaries and create something new and vibrant. The limited edition silkscreen print is a testament to the power of art to unite diverse elements into a cohesive and compelling whole. It celebrates art's capacity to connect us to our heritage while pushing us to explore new horizons. Through works like "We Are," the conversation between traditional art forms and contemporary expressions continues, enriching the cultural fabric of our time.

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We Are the Jocular Clan Offset Lithograph Print by Takashi Murakami TM/KK Print on Smooth Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2018 Signed & Numbered Limited Edition of 300 Offset Lithograph Artwork Print Size 19.63x19.63 Kaikai Kiki Co. Ltd., Tokyo. Decoding the Visual Symphony of Takashi Murakami's "We Are the Jocular Clan" The fusion of contemporary art and street culture is magnificently encapsulated in Takashi Murakami's offset lithograph print, "We Are the Jocular Clan." This limited edition piece, hand-pulled on smooth-wove fine art paper, is a quintessential example of street pop and graffiti artwork. Murakami, a stalwart in the post-modern art scene, is renowned for blurring the boundaries between high and low culture, a theme that resonates deeply in this 2018 creation. The artwork, signed and numbered, comprises a limited series of 300 prints, each sized at 19.63x19.63 inches, and presents a visual narrative that is both playful and profound. Takashi Murakami's Artistic Legacy and Street Pop Artistry Murakami's aesthetic, often categorized under the Superflat movement, indicates his deep engagement with the historical and contemporary visual language. "We Are the Jocular Clan" showcases Murakami's iconic design elements, such as the smiling flowers and whimsical eyes, that have become synonymous with his name. These motifs are not just recurring visual themes but are also imbued with cultural significance, drawing from Japanese art traditions and the global impact of anime and manga. The juxtaposition of traditional Japanese art with the anarchic energy of street art and graffiti forms a complex, layered tapestry of meanings that challenge the viewer's perception of art, culture, and society. Materiality and Craftsmanship in Murakami's Printmaking The craftsmanship in producing "We Are the Jocular Clan" is a testament to the meticulous processes behind fine art printmaking. The decision to use offset lithography is a nod to the democratization of art, a principle often celebrated in street pop art. This method allows for a wider dissemination of Murakami's work, making it accessible to a broader audience and not just the echelons of art collectors. The smooth-wove fine art paper is a canvas that captures the original artwork's vibrant colors and intricate details, ensuring that each piece, though part of a series, retains a sense of uniqueness and individuality. Cultural Dialogue Through Murakami's Visual Language "We Are the Jocular Clan" is not merely an object of visual delight but a cultural dialogue articulated through Murakami's distinct visual language. The piece embodies the essence of street pop art — it is accessible yet complex, severe yet playful, and individual yet universal. Murakami's work bridges the street and the gallery, inviting interpretations across diverse cultural and social contexts. It reflects the artist's philosophical inquiries into the nature of joy, the constructs of clan-like communities, and the role of art as a communal experience. In contemporary art, Murakami's work has consistently pushed the boundaries of what is considered art, just as graffiti once pushed against the boundaries of legality and acceptance in public spaces. "We Are the Jocular Clan" holds within its vibrant composition the revolutionary spirit of street art, the aesthetic pleasures of pop art, and the conceptual depth of contemporary art practices. Much like Murakami's oeuvre, this artwork catalyzes the ongoing discourse about the intersections and divergences within art forms and the evolving narrative of street pop art and graffiti artwork.

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We Belong Together Silkscreen Print by Faile Hand-Pulled 4-Color on Lenox 100 Fine Art PaperLimited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 47 Artwork Size 18x24 Acrylic & Silkscreen Print A Vibrant Depiction of Devotion We Belong Together Silkscreen Print by Faile radiates with expressive color and striking contrasts that immediately draw the eye. Created in 2024 as a signed and numbered limited edition of 47, this 18x24 artwork exemplifies Faile’s talent for fusing romantic and playful elements with bold compositional techniques. The piece features acrylic applications on top of a four-color silkscreen process, all on Lenox 100 Fine Art Paper. This layering approach results in a mesmerizing collage of imagery, where vintage references are reimagined through a distinctly modern lens. Viewers encounter a central figure pair—a woman embracing a skeleton—while swirling patterns, ornamental motifs, and vibrant text occupy the surrounding space. These juxtapositions highlight a compelling tension between life, love, and the forces that bind people together. Street Pop Art & Graffiti Artwork Inspiration Faile, an American artistic partnership, is well known for incorporating references from Street Pop Art & Graffiti Artwork into their prints, paintings, and installations. Influences from comic strips, retro advertisements, and urban culture often intermingle with classical romance or religious iconography. This can be seen in the swirling lines and bright color fields of We Belong Together, echoing street art’s penchant for high-impact visuals and easily recognizable shapes. The design exemplifies how these urban influences harmonize with more traditional aesthetic elements. While the swirling hair and swirling filigree patterns recall vintage romance covers, the bold black outlines and limited color palette reflect street-inspired aesthetics that are both raw and immediate. The result is a piece that suits the gallery environment while paying homage to the grassroots roots of street-based creativity. Dynamic Symbolism and Evocative Imagery The composition of We Belong Together focuses on a deeply emotional moment: a pink-haired figure cradles a skeletal partner in a tender pose. This portrait evokes notions of everlasting commitment, hinting at love transcending physical boundaries. The skeleton’s half-smile and the woman’s embrace invite viewers to question how themes like mortality can be intertwined with devotion. Faile leverages these symbols to create a narrative that stretches beyond the immediate visual impact. Elements such as the fiery reds in the background suggest fervent passion, while delicate details—like the number tattooed on the woman’s shoulder—add subtle references that spark the imagination. The carefully layered acrylic paint accentuates textures and shadows, creating a sense of depth that heightens the dreamlike quality of the artwork. Collectible Appeal and Enduring Charm Collectors drawn to pop-inspired aesthetics and bold executions consider this silkscreen print a quintessential Faile piece. The fact that only 47 editions exist highlights its exclusivity and provides an extra layer of desirability for enthusiasts seeking something truly distinctive. Each version is carefully hand-pulled, ensuring that slight variations make every print unique. The 18x24 scale offers a large enough canvas to showcase the array of details, yet remains manageable for display in personal collections. Faile’s ability to unite high-impact visuals with nuanced commentary on love, life, and mortality positions We Belong Together as an artwork that resonates on multiple levels. Its combination of Street Pop Art & Graffiti Artwork influences, acrylic adornments, and expressive silkscreen printing confirms Faile’s place among notable contemporary artists who continue to push the boundaries of accessible, narrative-driven art.

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We Choose To Love Silkscreen Print by Add Fuel Hand-Pulled 6-Color on Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 19.6x27.5 Silkscreen Print Add Fuel, a renowned name in the contemporary art scene, continues to push the boundaries of visual expression with his latest masterpiece, "We Choose To Love." This artwork is not just a testament to the artist's precision and attention to detail but also a declaration of the power of love and the choices we make in its name. "We Choose To Love" captivates with its intricate patterns and vibrant hues. Spanning a generous 19.6 x 27.5 inches, this silkscreen print reveals the expertise and meticulous craftsmanship behind hand-pulled artistry. At the heart of this piece is a 6-color spectrum that dances across fine art paper, intertwining traditional tile patterns with subtle pop art elements. The playful juxtaposition of classic designs with modern graffiti characters adds a layer of depth and intrigue to the composition. Dated 2023 and bearing the signature of Add Fuel, the print solidifies its authenticity and exclusivity, being a limited edition with each piece distinctly numbered. This ensures that every collector or art aficionado can cherish a unique piece of history, a snapshot of the evolving trajectory of pop, street, and graffiti art. In this captivating artwork, Add Fuel successfully marries tradition with modernity, creating a visual narrative that speaks to the times. "We Choose To Love" stands as a beacon, highlighting the choices we make in the name of love, unity, and artistic expression.

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We Dreamt of Poppies Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Kristen Liu-Wong pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 6 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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We Need To Talk Silkscreen Print by Gary Taxali Hand-Pulled 5-Color on Cover White Arches Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 25x31 Silkscreen Print Decoding Gary Taxali's "We Need To Talk" Silkscreen Print Gary Taxali's "We Need To Talk" is a silkscreen print encapsulating the essence of Street Pop Art and Graffiti Artwork. Released as a limited edition in 2015, this print demonstrates Taxali's distinctive art style that merges the old with the new, the classic with the contemporary. The artwork is a substantial 25x31 inches, making it a statement piece for any collector. This hand-pulled 5-color print on Cover White Arches fine art paper is a testament to Taxali's craftsmanship and attention to the finer details of printmaking. The choice of Arches paper, known for its texture and durability, speaks to the quality and longevity of the print. Each piece in the limited edition of 50 is signed and numbered by Taxali, highlighting the exclusivity and authenticity of the work. "We Need To Talk" features a central monkey-like figure surrounded by graphic elements and text, all interplaying to create a narrative open to interpretation. The monkey's direct gaze and the surrounding dialogue bubbles and text snippets such as "GUM DROP," "SHUCKS," and "DEAR BOB" suggest a conversation that is both playful and poignant. The use of bold colors and sharp contrasts, along with Taxali's signature illustrative style, creates a visual language that draws the viewer in and encourages them to explore the deeper meanings behind the art. Taxali's work is often reflective of societal commentary and personal expression. In "We Need To Talk," one could argue that the juxtaposition of text and image invites the viewer to consider the complexities of communication in the modern age. The phrases interspersed throughout the artwork resonate with the cacophony of messages and information that bombard us daily. At the same time, the central figure's emotive expression serves as a focal point amidst the noise. Taxali's print stands out for its engagement with the viewer in the broader context of Street Pop Art and Graffiti Artwork. Street art is known for its public accessibility and often aggressive nature. While Taxali's work is housed within the more private confines of a gallery or collection, it retains the spirit of street art through its bold messaging and visual impact. Given its limited-edition nature, the artwork is a visual treat and a collector's item. Numbering and signing each print creates a direct connection between the artist and the collector, a hallmark of acceptable art practices. Taxali's integration of high art techniques with street art's approachability exemplifies these art forms' evolving nature and increasing overlap. "We Need To Talk" by Gary Taxali is a powerful piece of art that combines the artist's unique visual style with the interactive and message-driven qualities of Street Pop Art and Graffiti Artwork. This print is a reflection of Taxali's skill as an artist and his ability to communicate complex themes through the medium of silkscreen printing. For collectors and admirers of contemporary art, this work is not just an aesthetic addition but a conversation starter, a narrative piece that invites interpretation and contemplation. As Taxali continues to influence the art world, works like "We Need To Talk" are significant milestones in his artistic journey, capturing the zeitgeist of our times through the lens of pop and street art.

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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We Own The Night Limited Edition Hand-Embellished 1 Color Silkscreen on handpainted 140 lbs. French Archival Paper by Malt Graffiti Street Artist Modern Pop Art. "This print is part of the next series I'm starting after the Acid Forest. I’m just kind of diving a little bit more in-depth into the forest and the creatures that live in there. I wanted to do a non-traditional print, just use the actual bold black lines as the main image, but I wanted to personalize each one. You know customize it. Every one is going to be different, color, shape, everything minus the main image itself. " - Malt aka Brown Bag Detroit

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We Scared Each Other Pretty Good Blade Runner Foil Silkscreen by Tim Doyle Hand-Pulled 2-Color Screen Print on Holographic Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Small Tape Residue Located On Lower Right Margin Blade Runner Movie Tribute, 4th Unreal Estate show

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We Will Destroy Eachother Limited Edition Hand-Embellished 6-Color Screen Print on 350gsm Cotton Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 22x30 "My girlfriend and I recently broke up after 6 years together, it has been really tough to deal with. She is my best friend and probably knows me better than anyone in the world. She has amazing foresight and intuition. We tried a long time to make it work but her premonitions eventually came true. Those sentiments were the basis for this piece. This print is one of my hybrids, a mix of 2 colors aerosol and 6 color screen printing. I think it is a really fun piece about a sad subject." - Denial Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Mad World Artwork Giclee Limited Edition Print on Archival Smooth Fine Art Paper by Pop Culture Graffiti Artist Graham Curran. "We're Gonna Need a Bigger Bus" Print Inspired by My Neighbor Totoro & Jaws 12 x 12 inches Printed on certified archival, Smooth Fine Art Paper hand-signed and numbered by the artist Regular Edition of 30

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Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Weapons of Mass Creation Fest, Cleveland Ohio June 8 9 10 2012. Perforated lower edge perfectly intact.

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Wearing Your Dreams- Duo Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Alex Garant. 2022 Signed 12x18 Limited Edition of 25 Matte Finish & Embossed Duo Variant The Essence of "Wearing Your Dreams" in Contemporary Street Pop Art & Graffiti Artwork "Wearing Your Dreams" emerges as a significant piece within the realm of street pop art and graffiti artwork, masterfully created by modern artist Alex Garant. This 2022 limited edition giclee print on fine art paper celebrates the artist's visionary approach to art that dissolves the barriers between the street and the gallery. Sized at 12x18 inches and limited to just 25 copies, each signed by Garant, the artwork embodies rarity and the unique charm of exclusivity that fine art enthusiasts seek. Garant, celebrated for her distinct style that often features doubled eyes and faces, blurs the lines of reality and surrealism in "Wearing Your Dreams." This duo variant is particularly notable for its matte finish and embossed texture, accentuating the tactile experience of viewing the artwork. The embossing technique, traditionally not associated with street art, exemplifies how Garant is pushing the boundaries of street pop art, adding a physical dimension to the visual narrative. Intersecting Worlds: The Limited Edition Impact and Its Place in Art Collecting The concept of limited edition works such as "Wearing Your Dreams" profoundly impacts the perception and value of street pop art and graffiti artwork. By limiting the print run to 25, Garant ensures the piece's collectability and highlights its importance as a tangible snapshot of the artist's creative journey. Signing each print further infuses the artwork with a direct connection to the creator, an aspect deeply appreciated in the art community. In street art, using fine art paper as a substrate is a deliberate choice, bridging the divide between an ephemeral art form often seen on public walls and the lasting nature sought by collectors. This choice showcases Garant's respect for street art traditions while elevating the work to a collector's item. The matte finish, in contrast to the often glossy street art prints, invites viewers to focus on the depth of the artwork without the distraction of reflection, allowing the embossed details to stand out, further defining its uniqueness. The Narrative of "Wearing Your Dreams" and Its Cultural Resonance "Wearing Your Dreams" is more than its physical attributes; it is an artistic narrative that speaks to the core of street pop art and graffiti artwork. The piece is a metaphor for how we present ourselves to the world, the dreams we wear like garments, and the dualities we embody. The duo variant suggests a duality within the subject, a common theme in Garant's work, where the visible self and the inner self are in dialogue, a concept that resonates with the authenticity and raw expression found in street art. In the larger tapestry of street pop art, Garant's "Wearing Your Dreams" contributes to the conversation about the evolving identity of this art form. While street art has its roots in the provocative, often clandestine acts of creativity on public surfaces, it has grown to embrace more nuanced, introspective explorations of self and society. With its contemplative expression and depth of gaze, this artwork invites the audience to pause and reflect—a quiet yet powerful rebellion against the fleeting consumption of images in the digital age. Legacy and Future: "Wearing Your Dreams" within the Artistic Canon As street pop art and graffiti artwork continue to evolve, "Wearing Your Dreams" will undoubtedly hold a place in the progression of this artistic movement. Its limited nature, signature by the artist, and the tactile quality of its embossing set a precedent for what modern street art can be—intimate, collectible, and rich with meaning. Garant's work, especially this piece, will be remembered for its ability to straddle the line between accessibility and exclusivity, a quality that is becoming increasingly significant in a world where art is omnipresent yet often ephemeral. In sum, Alex Garant's "Wearing Your Dreams" captures the essence of street pop art's transformative power. It represents a moment in time where the artist's vision and the cultural context converge to create a piece that is both a personal statement and a universal conversation starter. For collectors, owning one of the 25 prints is not just an investment in art; it is an embrace of a narrative that is ever-unfolding, a dialogue between the streets and the sanctified halls of fine art, a dream made tangible through the medium of street pop art and graffiti artwork.

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Wedding Cake Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by pop artists Nugg Life NY- Ian Ziobrowski. New York Comic Con 2021 Exclusive. Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run of 15 signed and numbered.

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Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

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Ween Roach Motel- Vermont 2007 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 2 color silkscreen – S/N edition of 200 – 2 blends. South Burlington, Vermont November 26 2007 Higher Ground

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Weeping Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

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Welcome To Paradise Silkscreen Print by Buff Monster Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print The "Welcome to Paradise" silkscreen print by Buff Monster stands as a vibrant example of Street Pop Art and Graffiti Artwork, blending street art's energy with pop art's playful vibrancy. Created in 2008, this piece is part of a limited edition series, with only 100 signed and numbered prints available, making it a collectible item among enthusiasts. The artwork measures 18x24 inches, a size that is substantial enough to impact any wall it adorns. Buff Monster has been a notable figure in the street art scene, with his work often characterized by bright colors, bold lines, and whimsical characters, all evident in this print. His signature style often incorporates influences from various sources, including Japanese culture and classic graffiti art. This has earned him a dedicated following and places his work in a unique position within contemporary art. Hand-pulling silkscreen prints are traditional and meticulous, ensuring each piece is unique with slight variations that add to its character and authenticity. This print on fine art paper captures the essence of Buff Monster's artistic vision, with its meticulously layered colors and textures providing depth and a tactile quality that machine-made reproductions cannot replicate. As a work of Street Pop Art and Graffiti Artwork, "Welcome to Paradise" embodies the spirit of urban creativity and the blurring of boundaries between high and low art. It is a testament to the artist's ability to translate the spontaneity and rebelliousness of street art into a fine art context, preserving the raw appeal of graffiti while elevating it through a more formalized art-making process. For collectors and enthusiasts, acquiring a piece like this offers a visual delight and a slice of the dynamic and ever-evolving story of street art's influence on contemporary culture.

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Grems Et Chanoir Wesh Cat Serigraph Print by Chanoir x Chacon x Germs Limited Edition Hand Pulled 8-Color Print on Fine Art Paper Modern Street Graffiti Pop Artist. 2022 Signed by Chanoir x Germs & Numbered Limited Edition of 50 Artwork Size 27.56x19.69 The Fusion of Street Energy and Vibrant Colors in "Wesh Cat" Serigraph Print "Wesh Cat" is a serigraph print that captures the electric vibrancy of street pop art and graffiti artwork, a collaborative creation by artists Chanoir, Chacon, and Germs. This 2022 piece is a limited edition hand-pulled 8-color print on fine art paper, signed by Chanoir and Germs and numbered as part of a limited run of 50 pieces. The artwork size, a substantial 27.56x19.69 inches, gives ample room for the dynamic interplay of color and form characteristic of the artists' style. The print is a visual symphony of street art motifs and pop art iconography, a bustling composition that combines various elements indicative of the genre's irreverent and playful spirit. Each character and symbol is rendered in bold lines and saturated hues, a signature of the artists' graphic approach to modern street graffiti. The collaboration between Chanoir and Germs results in a seamless blend of individual styles, showcasing a shared penchant for infusing street-inspired imagery with pop art sensibilities. "Wesh Cat" as a Modern Emblem of Street Art Culture The collective energy of the "Wesh Cat" print stands as a modern emblem of street art culture, reflecting the movement's roots in urban environments and its evolution into the galleries of contemporary art. The eclectic characters, from anthropomorphic cats to stylized figures, are each imbued with a distinct personality and narrative, encouraging viewers to delve into a world where the whimsical coexists with the satirical. The artwork's "Wesh Cat" title suggests a playful yet cryptic message, inviting interpretation and engagement. This serigraph print not only embodies the ethos of street art in its aesthetic execution but also its production method. The hand-pulled screen printing process is a nod to the hands-on, DIY spirit inherent to street art and graffiti, where the physical act of creation is as important as the resulting image. With its limited availability, this piece becomes a collector's item, a tangible slice of the street brought indoors, a piece of the cityscape to be owned and admired. In "Wesh Cat," Chanoir, Chacon, and Germs celebrate the cultural tapestry of street art, enriching the pop art dialogue with their fresh perspectives and innovative techniques. The limited edition serigraph print is a testament to the enduring allure of street pop art and graffiti artwork and its ability to convey complex, layered stories through visually arresting means. This collaborative work represents the artist's technical prowess and symbolizes the communal and collective foundation upon which street art is built. As the street art movement continues to evolve and captivate new audiences, works like "Wesh Cat" will remain crucial in chronicling this dynamic art form's vibrant history and continuous innovation.

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West Mash U30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. West Mash U30 by OG Slick: Hand Embellished Giclee Print as Street Pop Art & Graffiti Artwork West Mash U30 is a 2025 hand-embellished giclee print by renowned graffiti and street pop artist OG Slick. This limited edition artwork is released in a run of only 25 prints, each individually signed, numbered, and uniquely customized by the artist. Printed on 310gsm fine art deckled-edge paper and sized at 30 by 30 inches, this edition merges precision printing with raw artistic energy. The base giclee print is enhanced with hand-applied spray paint, splatter marks, brush strokes, and custom paint embellishments, ensuring that no two pieces are identical. Each variant showcases OG Slick’s signature blend of cartoon iconography, graffiti heritage, and layered cultural reference, reinforcing the work’s place within the language of Street Pop Art & Graffiti Artwork. Iconography, Layering, and Visual Tension The focal image of West Mash U30 is OG Slick’s stylized gloved hand, an emblematic reinterpretation of classic animation infused with West Coast attitude. The hand is presented in a bold graphic pose, popping out from a chaos of yellow and black wheatpaste-style backgrounds filled with repeat tags, stickers, and pop motifs. Slick’s name is woven throughout the collage in repetition, surrounded by screen-style illustrations of his iconic hand gesture and cartoon references. This layered backdrop creates both motion and noise, resembling a graffiti wall caked with years of tags and posters. The white hand in the center, outlined in bold black, emerges from this field with a controlled clarity that contrasts with the rawness of the embellishments. The addition of unique paint splatter, drips, and stroke work transforms each print into a singular artifact, reinforcing the handmade authenticity expected in Street Pop Art & Graffiti Artwork. OG Slick’s Cultural and Artistic Significance OG Slick, born in Hawaii and based in Los Angeles, is a pivotal figure in graffiti and street pop art culture. His work explores identity, rebellion, and cultural symbolism using a visual language built from animation history and West Coast graffiti traditions. The gloved hand motif, reimagined countless times in his oeuvre, serves as a stand-in for presence, power, and cultural commentary. With West Mash U30, OG Slick continues his tradition of remixing visual archetypes and layering them with satire and edge. His use of HPM—hand-painted multiples—blurs the lines between fine art print and street-marked original. The graffiti ethos of improvisation and raw visual spontaneity is alive in every embellishment, giving each collector a completely unique piece. Limited Edition Printmaking as Street Art Expression Each copy of West Mash U30 is printed using high-fidelity giclee technology, preserving the sharpness and color integrity of OG Slick’s original design. However, the real power of this edition lies in the embellishments. The hand-painted splatters and custom markings give every piece its own visual rhythm and attitude. The deckled edges add a tactile element, invoking traditional fine art printmaking, while the visual language remains grounded in contemporary urban aesthetics. The limited run of only 25 ensures rarity, and the fact that each HPM is assigned at random adds an element of surprise and authenticity. In the context of Street Pop Art & Graffiti Artwork, this print is not only a collector's item—it is a living extension of the artist’s wall-based practice, adapted for the gallery and personal collection with no loss of spontaneity or street-born energy.

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