Artworks

Manifest Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Melissa A Mitchell. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 13 x 14 Inches Release: May 07, 2021 Run of: 25

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Mannequin 3 Original Mixed Media Sculpture Mannequin Artwork by graffiti street artist modern pop artist Denial. 2013 Signed Original Sculpture Covered with Hundreds of Custom Brand Stickers Artwork Size 51x26. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation in confronting re-imaginings of our current dystopian society. In the dynamic intersection of street pop art and graffiti artwork, the 'Mannequin 3' original mixed media sculpture by the artist known as Denial stands as a compelling commentary on consumer culture and the saturation of branding in modern life. This 2013 signed original sculpture is a profound exploration of identity and materialism, meticulously covered with hundreds of custom brand stickers, each a testament to the pervasive reach of commercial influence. Denial, a Canadian artist, has built a reputation for his thought-provoking works that often incorporate elements of pop art with a twist of subversion, challenging viewers to reconsider their surroundings and the messages they are bombarded with daily. This particular piece, with its life-sized mannequin form, becomes a canvas that reflects our society's obsession with brands and the commodification of human identity. The mannequin is transformed into a mosaic of commercial logos, each sticker meticulously placed to create a tapestry that is both familiar and unsettling. This sculpture symbolizes the artist's style, which often merges humor with critique and blurs the lines between high and low culture. By appropriating the very symbols of the consumerist society, Denial forces a dialogue on the value we place on brand identities and their invasive presence in our lives. The artwork's size, 51x26, gives it a presence that cannot be ignored, dominating the space and demanding contemplation. Through 'Mannequin 3', Denial, in collaboration with Ben Frost, an Australian-born artist known for his provocative work, invites viewers to navigate the complexities of appropriation and the role of branding in our understanding of the world. The sculpture is not just an object of art; it is a statement on the state of our society—a society in which the line between person and product is increasingly blurred.

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

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Many Mao Green HPM Limited Edition Hand Deckled 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 #13/15 Hand Deckled Hand Painted Embleshed Multiple Print

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Many Mao Green Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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Mao Money 8 Limited Edition Giclee Print on 330gsm archival cotton paper by David Foox counter-culture street artist art. AP Artist Proof 2013 Signed & Marked AP Limited Edition Artwork Size 5.5x12.5. Mao Money 8 is part of a series of ongoing series of currency that FOOX has been creating over the years. This print is double the size of previous currency prints FOOX has released. (they are typically the dimensions of an American bill). During the 2011 New York Comic Con.

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Marchers Black Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers Black by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers Black is a 2016 hand-pulled 2-color silkscreen print by Cleon Peterson, an American artist acclaimed for his stark allegories of violence, dominance, and control. This limited edition work is printed on 13 x 34 inch deckled fine art paper and was released in an edition of 125, each one signed and numbered by the artist. The image features six identical, stylized figures walking in strict formation, each with a sword slung over the shoulder. The figures are rendered in gold on a deep matte black background, emphasizing their ritualistic presence and evoking both ancient procession and modern conformity. The figures’ nudity, musculature, and uniform posture strip them of individual identity, instead casting them as instruments of institutional force, frozen in a silent parade of aggression. Conformity, Power, and the Aesthetic of Ritual In Marchers Black, Cleon Peterson isolates the mechanisms of systemic violence and repetition. The identical figures advance in step, their gestures calm yet loaded with menace. The blood-smeared blades on their backs are symbolic rather than graphic, suggesting not the moment of action but the aftermath—the silent normalization of brutality. The lack of expression or differentiation among the figures speaks to the erasure of individuality under oppressive structures, whether they be military, political, or societal. Their forward momentum, fixed and unrelenting, reads as both a march toward power and a descent into complicity. The black background serves not just as negative space but as psychological weight, amplifying the intensity of the gold silhouettes and enforcing a sense of visual and emotional gravity. Cleon Peterson’s Signature Themes in Street Pop Art & Graffiti Artwork Cleon Peterson is a leading voice in Street Pop Art & Graffiti Artwork, known for merging graphic minimalism with confrontational narratives. His compositions channel ancient mural traditions, propaganda design, and dystopian storytelling into modern allegories. Marchers Black exemplifies this approach by simplifying form to maximize meaning. While many artists in the genre celebrate rebellion, Peterson exposes the systems behind it—the hierarchies, the ritualistic cycles of violence, the role of submission in maintaining order. His work is not decorative but declarative, challenging viewers to confront the undercurrents of cruelty that persist beneath polished surfaces. Marchers Black is not a depiction of chaos, but of order so rigid it becomes inhuman. It visualizes the seduction and horror of control through the repetition of figures whose purpose is not to question, but to obey. Material Execution and Collector Impact Printed on premium deckled fine art paper using a two-layer silkscreen process, Marchers Black merges street aesthetics with refined printmaking tradition. The gold pigment contrasts dramatically against the matte black background, delivering a visual impact that echoes the thematic weight of the piece. Each print is hand-pulled and signed by Cleon Peterson, reinforcing its position as a deliberate and enduring object. As a limited edition of 125, it holds significant value for collectors interested in Street Pop Art & Graffiti Artwork that critiques systems of power without relying on spectacle. Marchers Black is both a visual mantra and a warning—documenting the quiet march of institutional violence, masked in symmetry, strength, and silence.

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Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers White by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers White is a 2016 hand-pulled 2-color silkscreen print by American artist Cleon Peterson. This signed and numbered limited edition of 125 was printed on deckled fine art paper and measures 13 x 34 inches. It features a procession of six stylized, muscular figures in a uniform line, each carrying a blood-streaked sword draped across their shoulders. The artwork is a graphic portrayal of conformity and violence, rendered in Peterson’s iconic flattened silhouette style. With clean lines and bold simplicity, the figures march in lockstep across a stark white background, forming a visual rhythm that mimics propaganda friezes and ancient relief carvings. The use of gold and red ink intensifies the contrast between elegance and brutality, a hallmark of Peterson’s visual language. Symbolism of Power, Violence, and Uniformity In Marchers White, Peterson explores the mechanization of power and the erosion of individuality within systems of control. Each figure appears identical, stripped of personal identity and locked in a hypnotic march. The red-tipped blades suggest recent violence or continuous bloodshed, reinforcing the idea that aggression has become routine, even ceremonial. The figures’ nudity, stylized musculature, and emotionless posture evoke primal force restrained within a ritual of obedience. The repeated form not only recalls ancient military parades or mythic processions, but also comments on contemporary structures of state, surveillance, and oppression. The absence of background or contextual setting forces viewers to focus entirely on the figures and their choreography, placing the act of violence and conformity at the center of the narrative. Cleon Peterson’s Allegorical Voice in Street Pop Art & Graffiti Artwork Cleon Peterson is known internationally for creating visual allegories that depict lawlessness, domination, and moral inversion. His works pull from classical art history, political propaganda, and modern editorial illustration to construct a world in collapse—where traditional boundaries between good and evil are blurred. Marchers White reflects Peterson’s ongoing examination of systemic violence and institutional complicity. While minimal in execution, the work functions as a complex statement on the banality of authoritarianism. It belongs squarely within the lineage of Street Pop Art & Graffiti Artwork, as it utilizes bold, graphic style to engage in socio-political critique. Peterson does not romanticize rebellion or glorify power—instead, he presents viewers with unfiltered snapshots of a dystopian order wrapped in seductive aesthetics. Printmaking Technique and Collector Value The Marchers White edition is crafted with the precision and attention to detail that characterizes Cleon Peterson’s fine art practice. Printed using a 2-color silkscreen method on heavyweight deckled fine art paper, the physical quality of the piece matches its conceptual weight. The crisp edges of the figures and the subtle texture of the ink application reflect a high standard of printmaking. Each print is individually signed and numbered, securing its authenticity and positioning it as a significant work within Peterson’s catalog. For collectors of Street Pop Art & Graffiti Artwork, Marchers White stands as a poignant artifact of modern discontent—a visually arresting and politically charged piece that underscores the silent march of violence accepted as structure.

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Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

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Marching Into Oblivion Green Pink AP 12-Color Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Marching Into Oblivion Green Pink AP Silkscreen Print by Dalek – James Marshall Dalek, the creative alias of American artist James Marshall, continues to define a distinct voice within Street Pop Art & Graffiti Artwork through his bold visual vocabulary and evolving abstractions. The 2023 artist proof edition of “Marching Into Oblivion” presents a masterclass in color and chaos, combining Marshall’s signature Space Monkey character with a 12-color hand-pulled silkscreen technique. This AP edition print, sized 18x24 inches, showcases a saturated electric pink background contrasted by vibrant greens, yellows, and deep blacks to create a visual rhythm that feels both mechanical and organic. Every line is tightly rendered, while the palette pulses with cartoon surrealism and calculated energy. From Iconic Form to Emotional Abstraction Dalek’s work is often anchored in the evolution of the Space Monkey figure, a character originally born from his exploration of cultural disaffection and emotional detachment. In “Marching Into Oblivion,” the character takes on exaggerated motion, appearing multiplied and caught mid-march with arms raised, mouths agape, and eyes wild. The visual tempo created by repetition and movement invokes both celebration and disorder. This print is less about a literal narrative and more about symbolic propulsion—a march into overstimulation, into synthetic joy, into noise. With vibrant, almost synthetic precision, Dalek uses form to confront modern anxiety through hyperactive repetition and blinding optimism. Street Pop Energy Rendered in Pure Color Printed with archival pigment on fine art paper, each AP in the series carries the artist’s signature and the AP mark, denoting its rarity and place within the studio’s private production. The decision to use 12 individual silkscreen layers to construct the image shows Dalek’s commitment to traditional printmaking and craft. The richness of the ink, coupled with the mechanical consistency of the forms, creates an artwork that feels digitally native yet physically hand-wrought. The graphic explosiveness of this print is unmistakable—its aesthetic draws from video game glitch, graffiti boldness, urban decay, and punk flyers. Every circle, shadow, and color is strategically placed, lending the work a level of sophistication that transcends surface-level pop. Marching Toward the Inevitable Dalek’s work often blurs the line between playfulness and existential critique, and this piece continues that thread. While the colors may shout with confidence and energy, the title “Marching Into Oblivion” hints at a deeper commentary. There is a sense of automation, of characters driven forward without control, perhaps reflecting the cultural malaise of routine consumerism or the emptiness behind the facade of progress. The work exists in a liminal zone between celebration and collapse, between Street Pop Art’s commercial slickness and graffiti’s chaotic truth. It is this duality that gives Dalek’s prints their power—bright and loud, yet full of tension and coded meaning. This limited edition AP offers a vibrant, thought-provoking artifact of contemporary visual language.

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Marching to Oblivion Blue Raspberry Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Blue Raspberry Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Blue Raspberry by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Blue Raspberry is a limited edition silkscreen print released in 2025 by American artist James Marshall, known professionally as Dalek. Measuring 18 by 24 inches, this vibrant screenprint was produced in a small run of twelve, each signed and numbered by the artist. Printed by hand using thirteen colors on Blue Raspberry card stock from the French Paper Company, this work demonstrates the technical precision and conceptual intent that Dalek brings to Street Pop Art & Graffiti Artwork. Marshall first gained recognition for his Space Monkey character, which served as a foundation for his exploration of identity, repetition, and urban visual culture. This piece reflects his continued evolution through high-contrast compositions, bold color fields, and animated character design rooted in both street art and contemporary pop aesthetics. Visual Language and Character Aesthetics The central figure in Marching to Oblivion Blue Raspberry is a hyper-energized creature with bright green limbs, circular mouse-like ears, and a wide, exaggerated mouth punctuated with polka-dot colors. The character is captured mid-motion, rhythmically juggling toy-like mallets while dancing atop a minimalistic gray platform. The cyan-blue background offers striking contrast, pushing the character forward in a burst of visual noise and balance. Each limb and accessory has been carefully positioned to evoke movement, volume, and rhythm without relying on traditional depth cues. This precise, graphic composition speaks to Dalek’s background in illustration and graffiti, where storytelling often happens in frozen frames of chaos. The use of bright, flat colors, iconic shapes, and cartoon logic aligns this piece firmly within Street Pop Art & Graffiti Artwork, blending urban visual codes with gallery-level execution. Material Process and Printmaking Precision Executed through a thirteen-color hand-pulled silkscreen process, this print demonstrates a refined commitment to craft and color theory. The Blue Raspberry cardstock provides an unconventional foundation that transforms the background into an active visual element rather than a passive support. This material choice amplifies the fluorescent color palette while maintaining a sense of tactile richness. Each ink layer was applied manually, reinforcing the physical labor often associated with graffiti and mural practices. The careful registration and color saturation required for this level of quality elevate the piece to a standard of contemporary printmaking rarely achieved in editions this small. The hand-pulled nature of the print ensures that subtle variations exist between each copy, emphasizing the importance of uniqueness even in a multiple. Cultural Relevance and Street Pop Evolution Dalek’s Marching to Oblivion Blue Raspberry serves as more than a static image—it operates as a cultural document of the fusion between street energy and pop precision. James Marshall continues to explore visual intensity without sacrificing clarity or depth. His art speaks to the performative and repetitive aspects of daily life, represented through his chaotic yet controlled characters. The tension between play and purpose, repetition and spontaneity, mirrors the structure of graffiti itself: repetitive tags, ritualistic motion, and bursts of controlled energy in public view. This print brings those values to the collector’s wall without erasing their roots. It exists within Street Pop Art & Graffiti Artwork as both homage and innovation, offering a clean yet electric artifact that speaks directly to audiences familiar with the pulse of contemporary visual culture.

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Marching to Oblivion Nightshift Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Nightshift Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Nightshift by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Nightshift is a 2025 limited edition silkscreen print by American artist James Marshall, known professionally as Dalek. This hand-pulled screenprint is executed in thirteen colors on Nightshift Blue cardstock provided by the French Paper Company, a material choice that adds depth and richness to the saturated neon palette. Each print in the edition of twelve measures 18 by 24 inches and is signed and numbered by the artist. Dalek is recognized for his ability to merge the graphic power of graffiti with the conceptual nuance of contemporary pop aesthetics. This print exemplifies his approach, featuring a character in mid-march across a minimal platform, caught in a moment of chaotic animation. It continues the tradition of Dalek’s hybridization of Street Pop Art & Graffiti Artwork, offering a fusion of hand-crafted technique, cartoon logic, and layered commentary on repetition, identity, and movement. Character Design and Color Theory in Motion The character in Marching to Oblivion Nightshift is an evolved iteration of Dalek’s signature Space Monkey figure, which first appeared in his early 2000s work. Rendered in high-contrast greens, purples, and blues, the figure juggles mallets and orbs with an expression that suggests manic joy or mechanical precision. The forms are sharp yet playful, occupying a visual space between Saturday morning animation and the visual codes of graffiti tagging. The character’s exaggerated limbs, oversized eyes, and dynamic posture project energy and volume, qualities central to Street Pop Art & Graffiti Artwork. These forms emerge from the background with crisp clarity due to the precision of screenprint layering, where each color is added by hand in sequence. The piece plays with spatial depth and surface illusion, making it both a spectacle and a meditation on repetition and performance. Materials and Printmaking Craft Dalek’s commitment to fine art printmaking is evident in the level of detail and control required to produce a 13-color silkscreen on dark-toned French Paper. The Nightshift Blue stock is a deliberate departure from traditional white backgrounds, offering a deep foundation that intensifies the vibrancy of the neon inks. This technical choice enhances contrast while grounding the character in a nocturnal atmosphere. The hand-pulled process not only honors the roots of street art as a physical and labor-intensive form, but also situates the piece within a lineage of craft-based art making. Every color alignment, registration mark, and clean edge testifies to the labor behind the image, making each edition both a finished work and a documentation of process. Within the context of Street Pop Art & Graffiti Artwork, this commitment to print fidelity mirrors the hand-painted dedication of murals and throw-ups. Contemporary Positioning and Artistic Intention Marching to Oblivion Nightshift exists at a crossroad of character art, street culture, and fine art editioning. James Marshall continues to define a unique visual territory where his characters do not speak with words but with posture, movement, and repetition. This silence allows viewers to project their own narratives onto the scene, creating a dialogue that aligns with the viewer-driven ethos of street art. The tension between joy and oblivion in the title suggests a deeper reflection on routine, spectacle, and distraction in modern life. By issuing this work in a deliberately limited edition of twelve, Dalek emphasizes the importance of intention and scarcity, key concepts that contrast with the reproducibility of digital imagery. Through projects like Marching to Oblivion Nightshift, Dalek strengthens the voice of Street Pop Art & Graffiti Artwork as a serious, evolving discipline capable of combining critical theory, visual pleasure, and masterful production.

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Mare139 Silver Chrome Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN x Mare139 Carlos Rodriguez. 2012 Limited Edition of 300 Montana MTN x Mare139 Carlos Rodriguez Spray Paint Can Loose, No Box. 'Street Play 'by Martha Cooper x Mare139 Carlos Rodriguez. Mare139: The Alchemist of Street Art and Sculpture Carlos Rodriguez, better known in the art world as Mare139, is a pivotal figure in the annals of street art. His journey from the gritty New York subway scene to the refined corridors of art galleries encapsulates the evolution of graffiti as a legitimate art form. The "Mare139 Silver Chrome Limited Edition" spray paint can, a collaboration with Montana MTN released in 2012, is a tangible homage to his storied career. This rare collectible, limited to 300 pieces and presented without a box, is an artifact that encapsulates the essence of Mare139's contribution to the graffiti movement. Mare139's artistry extends beyond the spray can. He is renowned for his metal sculptures, which carry the fluid dynamism of his street art into the solidity of three-dimensional forms. His work "Street Play" by Martha Cooper and his prominent role in the seminal documentary "Style Wars" are pivotal moments that have immortalized his name in the lexicon of street art history. His influence is a testament to the power of graffiti in shaping urban culture and its ability to forge unforgettable memories in the minds of its audience. The Legacy of Mare139 in Graffiti Culture Mare139's legacy in graffiti is multifaceted. As a pioneer of the early graffiti movement in New York, he was instrumental in propelling the art form from subway tunnels to the public eye. His signature style—a blend of sharp lines and flowing curves—has become a blueprint for aspiring graffiti artists worldwide. The "Mare139 Silver Chrome" can symbolize this legacy, as a marker of his street credibility and his role in elevating graffiti art. The can itself, with its sleek silver chrome finish, is a nod to the raw materials of the graffiti artist's craft. It is a vessel of paint and a canvas depicting Mare139 in the act of creation, a meta-commentary on the process and the artist. This object, stripped of any traditional presentation, is a bold statement of Mare139's impact on the art world—unboxed, unfiltered, and unapologetically authentic. The Artistic Evolution of Carlos Rodriguez 'Mare139' Carlos Rodriguez's evolution as Mare139 from a street artist to a respected figure in contemporary art is a transformation narrative. His sculptures, which often incorporate elements of graffiti's visual language, are a testament to his ability to traverse artistic mediums while retaining the essence of his street roots. Mare139's work has enriched the visual landscape and contributed to the critical discourse on the value and impact of street art. The release of the "Mare139 Silver Chrome" spray paint can by Montana MTN celebrates the artist's journey. Each limited edition can is a piece of that history, a physical manifestation of Mare139's enduring influence on street pop art and graffiti artwork. As Mare139 continues to create, his contributions connect the past, present, and future of graffiti, reminding us of the art form's power to innovate, inspire, and incite change. In the art community, Mare139's contributions stand as a testament to the transformative power of art and its ability to reshape perceptions and break new ground. His work continues to inspire artists and enthusiasts, ensuring that the vibrant, rebellious voice of the streets remains a vital part of the conversation in the world of art. As street pop art and graffiti artwork continue to evolve, the influence of artists like Mare139 will be revered, remembered, and revisited by those who understand the profound impact these movements have had on our collective cultural heritage.

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Margot Silver Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition #1 of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Silver Paper Collage of the Woman Gwyneth Paltrow as Margot Tenenbaum Stylized from the Movie The Royal Tenenbaums. Kevin Stanton's "Margot Silver": An Ode to Cinematic Iconography The "Margot Silver" hand-cut HPM (hand-painted multiple) Giclee print is a masterful creation by Kevin Stanton, a renowned Graffiti Pop Street Art figure. This piece is exceptional as a limited edition work, being the first in a series of four, each meticulously signed and numbered by the artist. The artwork, sized 11.75x15.75 inches, is a silver paper collage on layered glitter fine art paper, which has been hand-embellished to enhance its visual appeal. Stanton's piece pays homage to Gwyneth Paltrow's character, Margot Tenenbaum, from Wes Anderson's critically acclaimed film "The Royal Tenenbaums." Interplay of Film and Street Art Aesthetics Stanton's "Margot Silver" is a prime example of how the realms of pop culture and street art can intertwine to produce work that is both referential and original. The piece takes a character made famous in cinema and reinterprets her through the lens of street art, employing techniques like spray paint, which are traditionally associated with graffiti. The result is a bold, graphic portrayal that captures the essence of Margot Tenenbaum's character through stylized form and color, resonating with the vibrancy and immediacy found in Street Pop Art. This print is more than a representation of a film character; it is a dialogue with the audience, inviting them to revisit the familiar in a new light. Just as street art often repurposes public spaces to create something that commands attention and sparks conversation, Stanton's work repurposes the image of a well-known figure, encouraging viewers to engage with the character and the art on a deeper level. Craftsmanship in Contemporary Art In "Margot Silver," the craftsmanship is evident in the precise cuts and the thoughtful application of embellishments, which bring the piece to life. Using glitter paper adds a textural dimension that contrasts with the flatness often associated with spray paint, demonstrating Stanton's skill in marrying disparate elements to create harmony on the canvas. The work reflects a broader movement in contemporary art that sees artists bringing traditional techniques into the conversation with modern themes and mediums. Stanton's approach to his craft, particularly the intricate cut-paper method, echoes the meticulousness of street artists who spend hours perfecting their murals and stencils. His limited edition print, much like a carefully curated mural, becomes a landmark in the landscape of contemporary art—a marker of creativity and ingenuity. The Lasting Impact of "Margot Silver" Kevin Stanton's "Margot Silver" symbolizes the artist's dedication to pushing the boundaries of street-inspired art. By choosing to immortalize a cinematic character through the methods and mediums of street art, Stanton not only pays tribute to the character and the power of visual storytelling. His work stands as a reminder that the essence of street pop art and graffiti art lies in its ability to transform the familiar into something extraordinary, to imbue the everyday with significance and beauty. The print remains a captivating piece within Stanton's oeuvre, a testament to his ability to navigate and transcend the realms of street and pop art. As the art world continues to evolve, works like "Margot Silver" prove the enduring spirit of innovation that drives artists like Kevin Stanton to create pieces that are both of the moment and timeless.

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Marie Limited Edition Archival Pigment Prints on 330gsm 100% Archival Cotton Paper by John John Jesse Graffiti Street Artist Modern Pop Art. John John Jesse's ever-present attention to detail has certainly become his signature style. The models' delineation, facial expressions, clothing and toys, all reflect the artist's pronounced attitude of familiar experiences. John John Jesse's amount of energy, precision, idol worship, and ceremony, alongside subconscious delight and fear, gives us imagery with all its beauty and defiance. He does this with such obsessive detail and flair for originality. To show us that the only hope beyond the tragedy of life, is the fact that he has survived it with his art.

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Marie I #2 Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam Caldwell Graffiti Street Artist Modern Pop Art. 2017 Signed Limited Edition Eternal Return I • Autographed hand-embellished archival pigment print • Additional paint, graphite and ink stamping on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-embellished, signed and numbered by artist Adam Caldwell in a limited edition of 3 • # 2/3

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Marilyn Chaos Butterfly Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Copyright. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Marilyn Golden Icon Red White & Blue Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Copyright. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Marilyn Manson- Rakugaki 3 122 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. Artwork measures 8.5 x 11 inches.

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Marilyn Monroe 01 Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Marilyn Monroe 02 Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Marilyn Monroe- Bogart & Becall Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. Unstretched canvas, the image is in perfect condition. Rare Marilyn Monro with retro movie star Humphrey Bogart and actress Lauren Bacall.

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Marilyn Monroe- Joe DiMaggio Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 1996 Signed & Numbered Limited Edition of 50 Artwork Size 16x16 Unstretched canvas, the image is in perfect condition. Rare Marilyn version with baseball player Joe DiMaggio.

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Marilyn Monroe Portrait Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. Unstretched canvas, the image is in perfect condition. Rare Marilyn version blond hair portrait.

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Marilyn Monroe- Steam Bath Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. Unstretched canvas, the image is in perfect condition with good condition black surround. Rare Marilyn version in a towel.

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Marilyn Pure Joy Aqua 3 Color Silkscreen Print by Pure Evil Hand-Pulled on Deckled 300gsm Somerset Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 16x20 Silkscreen Print of Hollywood Actress, Marilyn Monroe Stylized in Aqua Blue. Marilyn Pure Joy Aqua by Pure Evil as Street Pop Art & Graffiti Artwork Marilyn Pure Joy Aqua is a 2025 limited edition silkscreen print created by the British street pop art and graffiti artwork figure Pure Evil, whose real name is Charles Uzzell-Edwards. This piece is rendered in a vivid aqua blue palette using three silkscreen layers and hand-pulled on 300gsm Somerset fine art paper with deckled edges. Measuring 16 x 20 inches, the print is part of a series featuring iconic Hollywood actress Marilyn Monroe. The artwork’s bold use of flat color, high contrast, and Pure Evil’s signature tear motif reflects a deliberate synthesis of celebrity iconography with themes of loss and emotional weight. The tear streak, thick and black, drops from one of Monroe’s eyes and drips downward, bisecting the otherwise glamorous portrait. This tear motif, consistent across much of the artist’s portrait series, plays a crucial role in transforming popular imagery into emotionally charged commentary. The Cultural Significance of Marilyn Monroe Reimagined This piece anchors Marilyn Monroe not as a static figure of 1950s beauty but as a perpetually relevant cultural symbol. In Pure Evil’s reinterpretation, Monroe becomes a vessel for reflection on fame’s isolating and often devastating effects. Her image, one of the most recognizable in modern history, is stripped of its cinematic polish and reframed within a graffiti-informed aesthetic. The use of aqua blue softens the portrait but simultaneously creates an eerie vibrancy. The image no longer belongs solely to nostalgic Hollywood; it now inhabits the visual landscape of protest art, paste-ups, and gallery walls rooted in contemporary street culture. This transformation is central to how Monroe’s legacy continues to be shaped by new generations of visual artists. The Mechanics of Street Pop Aesthetics Street pop art and graffiti artwork thrive on remixing public iconography. By using silkscreen methods traditionally associated with fine art while keeping visual language rooted in urban subversion, Pure Evil blurs the boundaries between commercial symbolism and raw expression. The choice of Somerset paper, known for its premium archival quality, speaks to the artist’s dual engagement with both fine art collectors and anti-establishment sentiment. The flat fields of aqua blue give a sense of uniformity, but the hand-pulled nature ensures that each print carries unique qualities. This intersection of process and message allows the viewer to engage with the familiar image of Monroe in a deeper, more personal way. Pure Evil’s Emotional Language Through Color and Form In Marilyn Pure Joy Aqua, emotion is conveyed through contrast and subtraction. The simplicity of color selection—a stark blue and white backdrop, with shadows articulated in rich blacks—focuses attention on the emotional gravity of the piece. The tear that falls from Monroe’s eye acts not as an embellishment but as a core component of the narrative. It suggests unresolved sorrow, the exploitation of beauty, and the fading line between admiration and objectification. Through this silkscreen edition, Pure Evil uses Monroe’s face as both icon and canvas, achieving a work that is both reflective and provocative. The piece stands as a testament to the continuing dialogue between pop culture and street expression, and how graffiti-rooted techniques can recast even the most familiar subjects into powerful vehicles of introspection.

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Marilyn Pure Joy Oxblood 3 Color Silkscreen Print by Pure Evil Hand-Pulled on Deckled 300gsm Somerset Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 16x20 Silkscreen Print of Hollywood Actress, Marilyn Monroe Stylized in Aqua Pink Oxblood. Marilyn Pure Joy Oxblood by Pure Evil in Street Pop Art & Graffiti Artwork Marilyn Pure Joy Oxblood is a bold 2025 limited edition silkscreen by Charles Uzzell-Edwards, widely recognized in contemporary art as Pure Evil. Printed in three colors and hand-pulled on 300gsm Somerset fine art paper with a deckled edge, this work measures 16 by 20 inches and continues the artist’s ongoing portrait series that pays homage to historic icons through the lens of modern subversion. Marilyn Monroe, arguably one of the most recognizable faces in pop culture history, is depicted here in high-contrast oxblood pink and white, with icy highlights and Pure Evil’s signature teardrop motif bleeding downward in stark visual contrast. The color palette used here transforms Monroe from nostalgic relic to striking subject of introspective commentary, revealing how fame and fragility coexist. Recontextualizing Icons in the Street Pop Art Tradition The piece draws upon the language of both traditional pop art and the coded signals of street art, combining high fashion aesthetics with raw commentary. Pure Evil uses silkscreen printing in the same spirit as Andy Warhol but pivots into darker emotional territory by introducing the black teardrop, a motif he has explored throughout his career. The teardrop is not only a stylistic mark but a narrative device, suggesting a sense of mourning for innocence lost or a critique of how fame consumes individuality. By situating Monroe in a saturated oxblood tone, the print emphasizes drama, sensuality, and emotional intensity, adding new depth to a figure often idealized and flattened by commercial culture. The Role of Color and Print Technique in Emotional Impact The oxblood palette plays a central role in how this version of the Pure Joy series communicates urgency and sorrow. It deviates from the traditional warm Hollywood palettes typically used to represent Monroe. The deep red suggests passion, obsession, or even violence in its undertone. Set against sharp white fields and shadowed detailing, the silhouette of Monroe becomes even more haunting. Silkscreen printing, with its defined edges and clean layering, reinforces the duality between aesthetic control and emotional chaos. The deckled edge of the Somerset paper adds a tactile, physical quality that grounds the artwork, bridging its gallery-worthy presence with its roots in stencil-based urban practices. Pure Evil’s Commentary Through Celebrity Portraiture Pure Evil’s reinterpretation of Monroe is more than a pop cultural remix. It is a quiet indictment of how beauty, iconography, and emotional exploitation are packaged in mass media. Monroe’s image, once framed in soft glamour, now stares from this work with a complex tension between allure and trauma. The oxblood tone gives voice to her human vulnerability without removing her symbolic power. Charles Uzzell-Edwards, operating under the name Pure Evil, has developed a recognizable style that merges graffiti mark-making with screenprint precision. Through the Marilyn Pure Joy Oxblood edition, he contributes to a broader conversation within street pop art and graffiti artwork that challenges viewers to reconsider what lies behind the celebrity image and to reckon with its costs.

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Marilyn Pure Joy Yellow 3 Color Silkscreen Print by Pure Evil Hand-Pulled on Deckled 300gsm Somerset Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 16x20 Silkscreen Print of Hollywood Actress, Marilyn Monroe Stylized in Black & Yellow. Marilyn Pure Joy Yellow by Pure Evil as Street Pop Art & Graffiti Artwork Marilyn Pure Joy Yellow is a hand-pulled 3 color silkscreen print created by the London-based artist Pure Evil, born Charles Uzzell-Edwards. Printed on 300gsm deckled Somerset fine art paper, the 2025 signed and numbered edition captures the essence of both pop culture iconography and emotional minimalism through a unique lens of urban commentary. Sized at 16 x 20 inches, the artwork features a stylized portrayal of Hollywood legend Marilyn Monroe rendered in stark black and soft yellow tones, layered with Pure Evil’s trademark tear motif—a thick black streak cascading from one eye, cutting vertically across the paper. This striking visual device has become a hallmark of the artist’s practice and is a powerful form of commentary within street pop art and graffiti artwork. The Pop Icon Reimagined Through a Graffiti Lens Pure Evil recontextualizes Monroe, not as a flawless screen goddess, but as a fractured symbol of glamour and vulnerability. Rather than focusing on realism, the portrait embraces stylization and abstraction that allows the subject’s mythos to be reinterpreted. The yellow accents in the hair evoke mid-century beauty culture, but the stark monochrome contrasts emphasize a sense of loss or distortion. It is not simply a celebration of fame; it is a meditation on its cost. The vertical black tear, recurring across Pure Evil’s works, is not decorative. It evokes themes of trauma, impermanence, and identity loss associated with celebrity worship. By blending graffiti aesthetics with pop culture subjects, this work destabilizes nostalgia and forces reconsideration of public memory. Fine Art Materials with Street-Driven Intent Though grounded in the lineage of street art, this silkscreen is printed using fine art techniques and materials. The 300gsm Somerset paper and hand-deckled edges signal the artist’s fluency with the gallery system, while maintaining visual cues from urban environments. The bold contour lines, the stencil-like application, and the saturated palette are grounded in graffiti’s graphic sensibility. Each print is hand-pulled, which introduces a subtle variation and authenticity to every edition. This craftsmanship affirms that even though the imagery is rooted in mass-produced iconography, the execution is deeply intentional and personal. Emotional Simplicity and Symbolism in Contemporary Urban Art Pure Evil’s Marilyn Pure Joy Yellow connects to a broader contemporary conversation about the emotional undercurrents of iconography in street pop art and graffiti artwork. The emotional core is heightened by its formal restraint—limited colors, bold geometry, and the solitary symbolic gesture of the tear. In an era saturated with digital images, this piece slows the viewer down. It invites reflection on why we idolize and what we ignore. Through this piece, Pure Evil extends a conversation about fame, fragility, and the psychological fallout that so often accompanies cultural elevation. As both an homage and a critique, the work serves as a compelling example of how street culture can infiltrate and elevate high art discourse without abandoning its rebellious roots.

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Marilyn Whaam New Love Forever Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Copyright. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey. Marilyn Whaam New Love Forever by Copyright: Icons, Psychedelia, and Modern Myth in Street Pop Art & Graffiti Artwork Marilyn Whaam New Love Forever is a 2022 limited edition archival pigment print created by the UK-based modern pop artist Copyright. Produced in an edition of just 35 and measuring 7.5 x 7.5 inches, this fine art piece is printed on perforated blotter paper, a material long associated with psychedelic counterculture. The edition is hand-perforated by Zane Kesey, reinforcing its ties to underground and rebellious creative traditions. Copyright, known for fusing pop iconography with layered social critique, constructs a visual kaleidoscope that blurs the boundaries between commercial art, psychedelia, and romantic symbolism. The artwork’s format—archival pigment print on blotter—is as intentional as the imagery itself, merging printmaking craftsmanship with the aesthetic of outlaw spirit. Visual Archetypes and Cultural Overload At the core of the artwork is a cyan-hued portrait of Marilyn Monroe, reimagined in a Warholian color palette and stylized with dripping paint, bold outlines, and floral embellishments. Her face is overlaid with layered graphics: the word Forever in sparkling pink script, a skull adorned with petals, butterflies, and a tattoo-style heart that reads Love. Above her, comic book text explodes in Whaam, while Mickey Mouse gestures into the frame, acting both as a witness and a participant in the chaos. This collage of commercial characters, romance clichés, and subversive symbols creates a disorienting and emotionally saturated composition. In the tradition of Street Pop Art & Graffiti Artwork, the piece uses universally recognized figures to dissect the artificial constructs of fame, memory, mortality, and branding. Material Legacy and Psychedelic Format The choice of blotter paper as the printing substrate is a deliberate reference to 1960s and 1970s psychedelic art, where LSD tabs often featured graphic micro-images. While this artwork does not serve a functional purpose in that context, the use of perforated sheets draws a clear line to underground culture and mind-expansion aesthetics. The archival pigment printing process ensures color accuracy, longevity, and fine detail, lending a museum-quality finish to a material traditionally deemed ephemeral or illicit. The 7.5 x 7.5 inch size encourages up-close viewing, highlighting the pixel-level texture of the perforation grid beneath the imagery. This contrast between the sacred and the disposable adds a layer of tension to the print’s message—suggesting that contemporary mythologies are as fragile as they are omnipresent. Copyright’s Role in the Remix Tradition Copyright is a UK street pop artist who continually reimagines the familiar through a lens of distortion, nostalgia, and rebellion. Blending elements of graffiti culture, fashion advertising, fine art, and pop media, his works function as remix archives of collective memory. Marilyn Whaam New Love Forever distills his approach into one saturated square, drawing upon the semiotics of love, death, sex, capitalism, and escapism to create a maximalist meditation on cultural saturation. The inclusion of characters like Mickey and Monroe acts as both homage and critique—icons who once promised happiness and now haunt the very systems they helped define. In the world of Street Pop Art & Graffiti Artwork, this piece asserts itself as a colorful explosion of conflicted worship, where beauty meets decay and permanence is found in the disposable.

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Mario Trece Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Bob Dob. 2020 Signed & Numbered Limited Edition of 30 Artwork Size 16x20 Signed 2020 giclee print 16 x 20 inches signed and numbered edition of 30 with graffiti by Greg 'Craola' Simkins inspired by Mario Bros.

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Mario's Regret Artwork Giclee Limited Edition Print on Watercolor Fine Art Paper by Pop Culture Graffiti Artist Nick Derington. KICKSTARTER STRETCH GOAL! "Mario's Regret" is an 8x10 archival quality giclee print, on cold press natural watercolor paper, signed and numbered by Nick Derington.

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Mark Bode- Bode Broad Brown Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Limited Edition Spray Can by Montana Colors [2009] Color: Bode Broad Brown Box Signed by Mark Bode in Marker Pen Signed/ Boxed Edition of 150 [78/150] 500 Cans Produced Globally Box Measures: 7.25" x 3" x 3" Contents 400ml/ 12oz. New/ Unused

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Mark Lanegan 60 Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Meaningful Tribute to a Resonant Voice Cleon Peterson, an American artist known for arresting imagery and commentary on human conflict, created this limited edition silkscreen print as a personal homage to Mark William Lanegan. Lanegan, an American singer, passed away on February 22, 2022, leaving a profound influence on those who knew him and admired his work. Peterson sought to honor the singer’s 60th birthday through this piece, reflecting the shared journeys and the spirit of discovery that bound them together. The artwork presents a striking composition in red, black, and white, symbolizing both shadowy introspection and bright revelation. Each element in the design conveys tension and release, echoing the emotional depth of Lanegan’s music and the keen observations that define Peterson’s artistic approach. This 15x24-inch print on hand deckled 290gsm Coventry Rag Fine Art Paper captures a powerful exchange between two figures. One figure, rendered in vivid red, suggests an otherworldly presence, while the central human form stands in stark black. Their poses and gestures imply a push and pull of darkness and light, a motif that resonates with Lanegan’s creative path. The swirling shapes around the figures evoke fire, passion, and potential tumult, reinforcing Peterson’s signature use of bold silhouettes and purposeful negative space. By blending minimal details with high-contrast colors, the composition maintains a sharp intensity that draws the observer into its emotional core. Symbolism and Visual Expressions The interplay of color in this silkscreen print reflects the way Lanegan’s music often inhabited spaces of introspection and fervor. The red figure hints at the force of temptation or struggle, while the black figure appears poised between surrender and resistance. These themes connect to Peterson’s broader body of work, which frequently portrays dramatic confrontations between contrasting elements. The text at the top and bottom references Lanegan’s 60th birthday and a notable venue, grounding the imagery in a celebratory yet reflective context. Observers are invited to consider how memory, friendship, and creative expression intertwine, shaping a narrative that transcends a mere birthday commemoration. Street Pop Art & Graffiti Artwork Connections Followers of Street Pop Art & Graffiti Artwork will recognize Peterson’s distinctive style, which employs flat color fields and intense outlines to deliver profound statements. This approach, reminiscent of bold murals and graphic interventions, has a directness that resonates in urban spaces as well as gallery settings. The oversized figures, emphasized by bright red and deep black, maintain the immediacy often associated with graffiti and street-based practices. Peterson’s technique interlaces pop culture influence with raw, street-inspired energy, reflecting a shared heritage of challenging conventional aesthetics. The overall arrangement echoes a modern approach to iconic visuals, where a few simplified shapes transmit a wealth of emotional content. Production Details and Collectibility Created in 2024 as a signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print stands as a carefully crafted testament to the artist’s dedication. Each piece is printed on luxurious 290gsm Coventry Rag Fine Art Paper, hand deckled for a subtle, artisanal feel. The tactile edges offer a nod to the handmade aspect of screen printing, merging contemporary design with time-honored techniques. Collectors value the exclusive nature of this run and the emotional resonance behind the subject matter, as Peterson’s personal connection to Lanegan adds depth to the composition. This artwork embodies the potent blend of reverence, friendship, and Street Pop Art & Graffiti Artwork influences that characterizes Peterson’s portfolio, reminding viewers of the enduring power that creative voices hold, even when they have departed.

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Mark Lanegan 60 White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Tribute to Mark Lanegan’s Influence Cleon Peterson, an American artist, created this limited edition silkscreen print as a celebration of friendship and creative inspiration. The piece honors Mark William Lanegan, an American singer from the United States who passed away on February 22, 2022. It is intended as a symbolic homage on what would have been Lanegan’s 60th birthday, capturing both the spirit of his music and the bond shared with Peterson. The composition features vivid red flames, a devil-like figure, and a looming human silhouette, all arranged against a clean white background. These elements evoke an interplay of dark and light themes that are familiar to admirers of Lanegan’s evocative artistic persona. Peterson’s style often delves into conflict, tension, and the human psyche. This print channels that approach through intense contrasts and symbolic positioning of figures. Viewers are drawn to the swirling red shapes that frame the central subject, as if referencing passionate creativity and the turbulent journeys that can shape a musician’s path. Despite the stark color palette, the details remain bold yet minimal, prompting those who see it to reflect on personal battles, triumphs, and the lasting impact of influential artists. Symbolism and Visual Dynamics The 15x24-inch format provides ample space for the dramatic interplay of silhouettes and vibrant hues. The devil-like figure on the left clutches the black shape representing a human form, suggesting a struggle with internal or external forces. Red flames dance around them, hinting at transformative experiences. Peterson’s characteristic approach to color and contrast emerges vividly, making the artwork eye-catching while hinting at deeper layers of meaning. The piece is printed on hand deckled 290gsm Coventry Rag Fine Art Paper, giving each edition a delicate edge and artisan feel. This physical quality aligns with the emotionally charged subject matter, reinforcing how art can capture both intangible memory and tangible craftsmanship. The red and black imagery echoes aspects of Street Pop Art & Graffiti Artwork, where bold lines, stark contrasts, and simplified forms deliver powerful messages without the need for elaborate detail. Street Pop Art & Graffiti Artwork Inspirations Street Pop Art & Graffiti Artwork themes resonate strongly in Peterson’s prints, and this piece continues that tradition. Observers familiar with urban art often appreciate how the print’s flat planes and intense outlines create a dynamic statement reminiscent of public murals or bold graffiti tags. Elements of subversive energy, common in street-based art forms, echo through the stylized flames and exaggerated demon figure. The layout underscores a sense of confrontation and collaboration between opposing forces. This duality mirrors how Street Pop Art & Graffiti Artwork can be both visually arresting and socially engaging. By bridging personal narratives and symbolic imagery, Peterson’s work remains connected to the underground sensibilities that inform his larger body of creations, merging a refined process with raw thematic concerns. A Timeless Limited Edition Produced as a 2024 signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print has quickly drawn the attention of collectors who value both its emotional resonance and artistic sophistication. Each piece serves as a physical artifact commemorating not just Lanegan’s 60th milestone, but also the enduring impact of creative collaboration between friends. The hand deckled edges and quality paper reflect a commitment to preserving the authenticity of the original design. This print represents a slice of contemporary art that has roots in personal memory and universal themes of struggle and redemption. Peterson’s decision to dedicate a work to Lanegan conveys the deep respect and admiration shared among fellow artists. This sentiment is captured in the graphic interplay of color, shape, and content. By uniting the intensity of Street Pop Art & Graffiti Artwork with a meaningful tribute, Peterson offers a compelling piece that stands as a thoughtful reminder of Mark Lanegan’s artistic legacy and the bond that fueled its creation.

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Mark Twain Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof. Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in

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Mars Limited Edition Hand Pulled 4-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. AP Artist Proof "This piece has been added to the permanent collection of the Akron Museum of Art. Image wise I’m going for the same basic idea as the Venus print. Titled after Mars the God of war." - Derek Hess

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Mars Attacks- Horror Show Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Burrito Breath. Horror Show is an illustrated homage to the best and worst of schlock-horror flicks from down the years.

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Marty McFly Makes a Movie 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Marly Gallardo counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Martyr AP Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Marco Mazzoni, Street Pop Art Graffiti Legend. AP Artist Proof 2015 Signed Edition of 50 16x20

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Marvin Berry and the Starlighters 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Robin Boyden counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Marvin is Sick Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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Mary Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Masher Blue Archival Print by Woes Martin Limited Edition Print on 310gsm Museum Natural Fine Art Paper Pop Artist Modern Artwork. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Archival Pigment Fine Art

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Mashups Stevie Williams Astronaut 8.25 Skateboard Art Deck by DKG Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2021 Limited Edition Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Skate Pro John Shanahan x DGK Woman with Cash Stylized Board. Mashups John Shanahan Woman with Cash Skateboard Deck by DGK: Street Pop Art & Graffiti Artwork on 7-Ply Maple The Mashups John Shanahan Woman with Cash Skateboard Deck by DGK is a visual and cultural statement that transforms a high-performance sports object into an emblem of contemporary Street Pop Art & Graffiti Artwork. Released in 2021, this limited edition board measures 8 inches wide by 31 inches long and is constructed from premium 7-ply maple with assorted stain veneers. The deck features a full bottom graphic and top screen graphics that reflect the raw energy and cultural symbolism associated with the DGK brand and the visual world of professional skateboarder John Shanahan. With an image that blends money, fashion, and bold character design, this art deck offers more than surface appeal—it communicates a language tied to status, rebellion, and urban authenticity. Visual Composition and Symbolic Weight of the Graphic The board’s graphic showcases a stylized woman with turquoise hair, purple nails, and heavily tattooed hands flashing stacks of hundred-dollar bills. Her expression is unapologetically cool, eyes half-closed in defiant calm. Every detail—from the gold chain and Rolex to the DGK ring—carries connotations of street wealth, hustle, and empowerment. Her hands dominate the foreground, crossing the board vertically in an aggressive but stylish stance. The background fades into a light gradient of icy blue, giving contrast to the vibrancy of her skin tone and clothing. This aesthetic is rooted firmly in Street Pop Art & Graffiti Artwork, which often fuses pop culture elements with social commentary. The woman becomes an icon not only of wealth but also of power, attitude, and street-savvy independence. The combination of cartoon-like execution with highly stylized realism gives the piece an edge that places it in the conversation alongside collectible street art prints and wearable pop culture expressions. John Shanahan and DGK: Cultivating Skate Art with an Urban Identity John Shanahan, a key member of the DGK skate team, brings a sharp sense of style and cultural awareness to everything he does. Known for his fashion-driven vintage skate aesthetic, Shanahan's influence is evident in the board’s visual attitude. DGK, founded by Stevie Williams, has always been about storytelling through street reality, and this deck is no exception. The endorsement of a board like this by Shanahan affirms its authenticity within both skateboarding and artistic communities. As a rider who bridges throwback sensibilities with progressive talent, Shanahan’s collaboration with DGK continues to enrich the narrative of skateboard design as an art form grounded in resistance, grit, and individuality. This piece not only rides under his name but embodies the lifestyle and culture he represents. Skateboard Decks as Modern Canvases in Street Pop Art & Graffiti Artwork The Mashups John Shanahan Woman with Cash Deck stands as a prime example of how skateboard decks have evolved into platforms for modern art. The 7-ply maple construction is built for durability and performance, but the printed surface transforms it into a dynamic art object. The full graphic bottom functions like a mural—portable, bold, and publicly displayed in motion. When not skated, the deck becomes a wall-mounted statement that captures the spirit of contemporary art that lives on the streets. The fusion of iconography, cultural critique, and fashion attitude all rolled into one visual burst positions this DGK board squarely in the legacy of Street Pop Art & Graffiti Artwork, where the lines between culture, function, and fine art continue to dissolve.

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Mashups Stevie Williams Astronaut 8.25 Skateboard Art Deck by DKG Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2021 Limited Edition Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Skate Pro Stevie Williams x DGK Astronaut Space Stylized Board. Mashups Stevie Williams Astronaut Skateboard Deck by DGK: A Fusion of Style, Space, and Street Pop Art & Graffiti Artwork The Mashups Stevie Williams Astronaut Skateboard Deck by DGK is a bold visual statement in the world of Street Pop Art & Graffiti Artwork. Released in 2021 as part of a limited edition drop, the deck features a stylized astronaut illustration emblazoned with cash, smoke, gold jewelry, and a fearless stance. Sized at 8.25 inches by 31 inches, this sports object serves as both a functional skate deck and a piece of collectible street art. Made with durable, high-quality wood construction and manufactured to the specs of professional use, the board reflects the deep cultural roots of both skateboarding and street visual expression. Stevie Williams, a trailblazing skate pro from Philadelphia, lends his name and influence to the piece, reinforcing the deep connection between DGK and the authentic voices of the street. Visual Storytelling and the Symbolism of the Astronaut Figure The artwork on this DGK deck places a fully suited astronaut, complete with gold chains and a smoke-trailing helmet, in a universe filled with floating money. His stance is strong, arms folded across his chest, exuding confidence and control. With space as the backdrop, this character feels both elevated and grounded, symbolizing a journey from humble beginnings to infinite ambition. The details such as a gold DGK pendant and thick rope chain pull the aesthetics of street fashion directly into the cosmic theme. The background fades from deep violet to galactic tones, emphasizing the surreal environment and dream-like feel. The astronaut concept draws from classic hip-hop visual metaphors and the aspirational drive that defines both skateboarding culture and Street Pop Art & Graffiti Artwork. The message is one of elevation—of transcending circumstances, claiming space, and standing tall in a universe of competition and survival. Stevie Williams and DGK’s Impact on Skate and Street Art Culture Stevie Williams is a pivotal figure in modern skateboarding and an icon in urban culture. As the founder of Dirty Ghetto Kids (DGK), his story of rising from the streets to global recognition echoes through the brand’s bold and unapologetic visual style. DGK decks consistently reflect the ethos of underdog determination and gritty success. The astronaut figure on this deck is a direct reflection of Stevie’s personal trajectory and the aspirational themes that define his journey. In the tradition of Street Pop Art & Graffiti Artwork, this board reclaims visual language from luxury, science fiction, and hip-hop culture, transforming it into a raw and empowering artistic statement accessible through a widely used sports object. Limited Edition Skateboard as Functional Art and Cultural Commentary Printed on premium wood and crafted to the standards of pro-level skateboarding, the Mashups Stevie Williams Astronaut Deck exists at the intersection of athletic equipment and artistic canvas. Its graphic blends comic-book intensity with cultural satire, offering a rich visual experience whether it is displayed on a wall or worn down on the streets. The use of money, smoke, and gold serves as more than decoration—it is coded symbolism of survival, hustle, and success. As a limited edition print, the board carries significance beyond its function. It becomes a snapshot of cultural identity, street credibility, and modern art commentary. This DGK deck stands as a visual celebration of movement, resistance, and creative expression that defines Street Pop Art & Graffiti Artwork in the 21st century.

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