Artworks

Pleasure Paradise 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by DXTR counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Plowshire Terrace- Hohokum Limited Edition Giclee Print on Fine Art Paper by Richard Hogg counter-culture street artist art. Original Print Hohokum video game art series from Richard Hogg.

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Point Break- 100% Pure Adrenaline- Test Print Foil v2 Limited Edition 13-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Patrick Connan Graffiti Street Artist Modern Pop Art. Test Print Version 2. One of a Kind Test Print From Artist. 13 Color Screen Print on Foil Paper Test Print Edition of 1 24" x 36" Signed / Numbered & Stamped.

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Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda x Suckadelic. 2022 Signed & Numbered Hand cast and painted 3.75" scale carded resin figure. Numbered out of 100.

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Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Hand cast and painted 3.75" scale carded resin figure. Signed and numbered by Ron English- POPaganda on the back. Signed by the HipHop trooper on the front. Numbered out of 100.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Polikarpov-Gill Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 14x11.5 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Polka Dot Portrait Holographic 14-Color Limited Edition Silkscreen Print on 10pt Lava Holographic Board by Sheefy McFly- Tashif Turner. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 14-Color Screen Print on 10pt Lava Holographic Board Size: 18 x 24 Inches Release: September 30, 2021 Run of: 30

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Polka Dot Portrait- Printers Select 14-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Fine Art Paper by Sheefy McFly- Tashif Turner Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 Multicolor Screen Print on 290gsm Coventry Rag Fine Art Paper Size: 18 x 24 Inches Release: September 30, 2021 Run of: 25

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Polygondwanaland Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ed Irmen pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Polyphora- Gold Emblished Artwork Giclee Limited Edition Print on Thick Fine Art Paper by Pop Culture Graffiti Artist Gene Guynn. Polyphora" is a limited edition of only 25 prints, and the first five prints are hand embellished with a special gold ink!

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POM & Me Offset Lithograph Print Limited Edition Artwork on Round Smooth Wove Paper by Pop Urban Artist Takashi Murakami TM/KK. 2013 Signed & Numbered Limited Edition of 300 Round Cut Artwork Size 19.75x19.75 (Round) Takashi Murakami (b. 1962) POM & Me, 2013 Offset lithograph in colors on smooth wove paper 19-5/8 inches (49.8 cm) diameter (sheet) Ed. 300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo "POM & Me" is a lithograph print by the renowned Japanese artist Takashi Murakami. Known for his unique style that blends traditional Japanese art with contemporary pop culture, Murakami has gained international acclaim for his work. His signature "Superflat" style is characterized by bold, vibrant colors and flattened, two-dimensional imagery. The "POM & Me" print is one of many artworks that Murakami has created over the years, often featuring his iconic characters and motifs. This particular piece includes recurring elements from Murakami's body of work, such as his famous flowers, himself and his dog Pom. As an artist, Murakami has worked in various media, from painting and sculpture to fashion and commercial products. His work has been exhibited in major galleries and museums worldwide, and he has collaborated with well-known brands and celebrities.

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Poo Fairy- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English- POPaganda. Comes with deck tape.

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Pool Party Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2020 Limited Edition of 40 Fine Art Giclee Print 16x20 Signed and numbered

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Pop Bart- Bartman 4-Color Hand-Pulled Limited Edition Silkscreen Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Print by Copyright Rare Street Art Famous Pop Artwork Artist. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: October 04, 2021 Run of: 7

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Pop Bart- Hand-Painted Variant VI Limited Edition Hand-Embellished HPM Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: October 04, 2021 Run of: 1

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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Pop Can- Yellow 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. 2019 Signed Limited Edition of 40 Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism. “In my experience, if you can make someone laugh you can make them think. I use humor in some of my works for this fact, to open the dialogue. I really don’t know why people buy my work but I am grateful to have fans and collectors that help perpetuate my career.

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Pop Graff Original Painting Acrylic, Spray Paint Mixed Media on Canvas Gallery Wrap by Sen2 Graffiti Street Artist Modern Pop Art. "Having developed my style over the course of thirty years, I often use vibrant colors and funky lettering to capture the viewer's attention in an instant. While my graffiti is generally limited to the street, I decided to showcase three original canvases exclusively for 1xRUN.As an artist, I have deep and passionate respect for the forefathers of the Pop Art Movement. Some of my greatest influence has come from Andy Warhol and Roy Lichtenstein. They planted the seeds in the latter part of the 20th century which changed people's perception of art. It's remarkable when a handful of individuals can spawn a revolution that will continue for many years to come, well into the 21st century. They created a paradigm shift in how art was to be interpreted and became the legendary masters." - Sen2

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Pop Sub Final #1 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Florian Bertmer, Graffiti Street Artist, Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #1 Silkscreen Print by Florian Bertmer: Macabre Iconography in Modern Pop Form Pop Sub Final #1 by Florian Bertmer is a bold and visually aggressive piece that crystallizes the intensity and subversive themes of Street Pop Art & Graffiti Artwork. Released in 2014 as a numbered limited edition of 100, this 12x12 inch four-color hand-pulled silkscreen print embodies the tension between chaos and control through its fusion of skull iconography, punk motifs, and meticulous detail. The artwork presents a highly stylized skull adorned with a military-style cap, gritting a cigarette between jagged teeth, and crossed bones forming a menacing understructure. The bandana-style border, filled with symbols and intricate textures, adds to the tension and balance within the visual composition. Underground Influence and Symbolic Precision Florian Bertmer is a German-born artist whose work is deeply rooted in underground music, hardcore punk, and countercultural aesthetics. His command of line, symmetry, and iconography in Pop Sub Final #1 reflects his deep history in album cover design and screen printing culture. The crisp four-color palette, dominated by muted golds, reds, and navy tones, evokes a sense of timelessness and menace. The precision of the silkscreen process amplifies the tension in every detail—from the skull’s expression to the layered background that reads like a cryptographic tapestry. The military cap, rendered in dark maroon with pin-sharp hatching, implies authority, but the skull's manic grin and defiant cigarette shift the tone toward irreverence. This contrast is central to Bertmer’s visual language, which questions power, mortality, and self-determination in the modern age. Aesthetic of Rebellion in Street Pop Art & Graffiti Artwork Pop Sub Final #1 communicates its defiant tone without the need for slogans or text. The skull’s gaze, slightly off-kilter, and the tension in its expression speak directly to the viewer. The crossed bones, while referencing classic skull-and-crossbones symbology, are given new energy through Bertmer’s stylized rendering and surreal detail. Graffiti and pop art often rely on immediacy and semiotic familiarity, and this piece plays with those concepts by embedding iconographic layers into a deceptively simple format. The background acts like a visual echo chamber, with skull motifs, geometric shapes, and occult-like patterns swirling around the central subject. The effect draws the viewer inward, revealing more with each inspection. Collectibility and Cultural Weight This 2014 edition represents a moment in Street Pop Art & Graffiti Artwork when handmade processes like silkscreen printing reclaimed prominence against digital overload. The fact that Pop Sub Final #1 is hand-pulled and limited to only 100 copies elevates its importance as both a collectible and cultural artifact. Each piece is numbered, and many include subtle variations in ink application, further rooting the work in the ethos of punk DIY ethics and authenticity. Bertmer’s print captures the raw intersection of dark fantasy, social commentary, and graphic mastery, continuing to resonate with audiences seeking artwork that is both confrontational and obsessively crafted. Through Pop Sub Final #1, Florian Bertmer contributes a signature vision that pushes street and pop aesthetics into deeply personal and evocative territory.

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Pop Sub Final #2 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Baizley Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #2 by John Baizley: A Vivid Collision of Decay and Desire Pop Sub Final #2 is a hand-pulled silkscreen print created by American artist John Baizley and released in 2014 as part of a numbered limited edition of 100. Measuring 12x12 inches and executed in four striking colors, the artwork combines the aesthetics of horror, iconography, and surrealism with the visual punch of Street Pop Art & Graffiti Artwork. The central image is a fusion of a bright violet apple and a human skull, masterfully rendered with intricate linework and surreal anatomical blending. Floating against a golden yellow background, the apple-skull hybrid pulses with visual tension—temptation and mortality locked in a single symbolic form. The work is immediately engaging and powerfully disturbing, pushing pop symbolism into darker terrain without sacrificing design clarity or impact. John Baizley: Musician and Street Pop Visionary John Baizley is a multidisciplinary creative based in the United States, widely recognized as the frontman and visual artist for the band Baroness. His contributions to the visual arts often explore themes of life, death, beauty, and corruption, all channeled through a precise illustrative style. Baizley’s artworks consistently merge symbolic storytelling with gothic sensibilities, positioning him uniquely in the Street Pop Art & Graffiti Artwork movement. His pieces feel both ancient and modern—referencing religious iconography, botanical studies, and comic book panels—while embracing the raw, bold aesthetics of silkscreen street prints. Pop Sub Final #2 is a clear extension of his visual ethos: detailed, emotionally evocative, and unafraid of confronting the darker truths hidden beneath seductive imagery. The Apple and Skull: A Pop Street Paradox This print centers on a singular image—a fruit with a skull embedded within its flesh. The apple’s familiar shape recalls cultural references to temptation, sin, and forbidden knowledge, while the embedded skull disrupts that familiarity with a message of inevitability and rot. The surreal juxtaposition evokes themes of consumption and consequence, presented with enough vibrancy to seduce before shocking. In the context of Street Pop Art & Graffiti Artwork, this visual strategy is essential. It lures with surface aesthetics but delivers substance through contradiction and discomfort. The use of bold pinks and golds, as well as the high-contrast rendering style, makes the image feel like it belongs on a wall, a poster, or a protest—alive in public, not locked in a gallery. Limited Print as Cultural Emblem Produced in a strictly limited edition of 100, Pop Sub Final #2 reinforces the handmade authenticity that defines effective street pop art. Each 12x12 print was screenprinted by hand, giving the work a tactile, material presence that mirrors the grit and immediacy of its subject. Unlike digital reproductions, this piece carries the imperfections and textures of the printing process, reinforcing the physicality of the art form. Baizley’s contribution to the Pop Sub series is not just an exercise in visual storytelling, but a testament to the role of contemporary printmakers in pushing graffiti and street aesthetics into layered, fine-art territories. This piece reminds the viewer that street pop can be both seductive and scathing, decorative and deadly.

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Pop Sub Final #4 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Bannon Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #4 by Jacob Bannon: A Dark Emblem of Street Pop Expression Pop Sub Final #4 is a visually arresting 7x7 inch one-color silkscreen print by Jacob Bannon, released in 2014 as a numbered limited edition of 100. Printed on fine art paper, this haunting monochromatic image encapsulates Bannon’s signature visual language—one that thrives on raw emotion, layered texture, and existential symbolism. The design appears as a spectral fusion of a skull and a cratered celestial surface, evoking lunar imagery overlaid with a decayed human face. Rendered in coarse halftones and distressed gradients, the print does not merely suggest decay but embraces it as the very fabric of visual construction. The tactile roughness and obscured features challenge the viewer to interpret the image emotionally rather than analytically. This technique aligns the piece firmly within Street Pop Art & Graffiti Artwork, where instinct often overrides polished perfection. Jacob Bannon: Raw Signal in Urban Silence Jacob Bannon is a multidisciplinary American artist known for his work in visual art, graphic design, and music, particularly as the vocalist for the band Converge. His creative practice merges visceral abstraction with thematic intensity, often touching on mortality, emotional fracture, and spiritual displacement. His artworks are marked by dense visual layering, distressed surfaces, and a commitment to translating sound into image. Pop Sub Final #4 reflects this approach perfectly—an artwork that resonates like feedback from an amplifier. It captures the ghostly echo of urban anxiety, a worn currency of identity that has passed through too many hands. This print does not shout, it vibrates. It is not an illustration but a signal. Printmaking as Annihilation and Revelation As a one-color hand-pulled silkscreen print, the physical process behind Pop Sub Final #4 is as integral to its meaning as the image itself. The ink is uneven, the textures are chaotic, and the breakdown of form into shadow and void mirrors the themes Bannon regularly explores. At 7x7 inches, the small scale intensifies the print’s claustrophobic energy, drawing the viewer in for a closer inspection of what feels like a decayed artifact. This limited edition format speaks to the ethos of Street Pop Art & Graffiti Artwork—accessible, raw, and designed for impact without dilution. It is not simply hung on a wall but pressed into the experience of the viewer like a worn badge or underground symbol. Symbolism and Dissonance in Street Pop Language The circular format enclosing a skull-like visage evokes universal symbols of mortality and time. Bannon’s print pushes against decorative tendencies by refusing to clarify its meaning, instead evoking a sensation of unrest, loss, and timeless ruin. Unlike clean vectors or digital graphics, this work feels buried in a deeper emotional register. Pop Sub Final #4 communicates in tones of erosion, deterioration, and silence. Within the wider street and pop art culture, where loud colors and recognizable icons often dominate, Bannon's approach provides an antidote—proof that Street Pop Art & Graffiti Artwork can whisper with the same power it screams. His print is a meditation, a relic, and a confrontation, all in one stark square.

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Pop Sub Final #5 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ayejay Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #5 Silkscreen Print by Ayejay: Crunk Culture in Raw Graphic Form Pop Sub Final #5 by Ayejay is a loud, irreverent piece of Street Pop Art & Graffiti Artwork that celebrates the exaggerated spirit of subcultural identity through bold minimalism. Released in 2014 as a numbered limited edition of 100, this 7x7 inch hand-pulled two-color silkscreen print is a striking piece that fuses humor, rebellion, and a gritty edge into a compact format. The skeletal figure, mid-toast with a branded cup labeled Crunk Juice, is a humorous yet pointed visual that merges late-2000s crunk hip-hop culture with punk and hardcore visual traditions. The phrase Crunk’s Not Dead explodes in jagged blood-red text above the figure, capturing a defiant message in a style that is equal parts parody and allegiance. Ayejay’s Graphic Voice in Street Pop Expression Ayejay, also known as Justin Aversano, is an American artist who channels the aesthetics of zine culture, punk flyers, and underground graphics into clean, impactful compositions. Pop Sub Final #5 showcases Ayejay’s knack for distilling complex cultural commentary into raw, visceral visual language. The black and white skeletal figure, detailed yet exaggerated, leans into grotesque cartooning, while the high-contrast red typography punctuates the piece with an almost anarchic urgency. At only two colors, the print thrives on its simplicity, allowing the energy of the composition to take full control of the viewer’s attention. It plays with the absurd while honoring the visual traditions of street culture, making it both comedic and culturally incisive. Subversive Nostalgia and Street Humor This artwork captures a very specific cultural moment while critiquing the fleeting nature of trends through the permanence of print. The skeletal form holding up a celebratory drink is a sarcastic tribute to crunk as both a musical and cultural phenomenon. Rather than fading away, the spirit of the genre is rendered as undead, satirical, and unrelentingly confident. The use of skeletal imagery ties this work to classic punk motifs and tattoo iconography, while the exaggerated text mimics hardcore record art and DIY poster design. By compressing all this visual and cultural density into a 7x7 inch print, Ayejay emphasizes how small-scale works can still deliver outsized impact when rooted in honest cultural expression. Edition Craftsmanship and Cultural Relevance Printed in a limited run of 100, each piece in this edition carries the hand-pulled quality that is central to Ayejay’s art practice and the ethos of Street Pop Art & Graffiti Artwork. The use of fine art paper and screen printing techniques grounds the work in tradition, but the message and delivery are unmistakably modern. Pop Sub Final #5 stands as a visual artifact of irreverent humor and cultural preservation. It celebrates the endurance of underground voices while mocking the idea that any scene or spirit can ever truly die. Through this print, Ayejay reinforces the notion that bold, satirical art can preserve and mutate cultural memories into permanent, punchy symbols of resistance.

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Pop Sub Final #6 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Matt Loomis Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #6 by Matt Loomis: Mysticism and Mortality in Ink Pop Sub Final #6 by Matt Loomis is a hauntingly intricate 12x12 inch one-color silkscreen print released in 2014 as part of a limited edition of 100. Printed by hand on fine art paper, this piece delivers powerful visual storytelling through expertly rendered black ink. The print depicts a vaporous skull fused with cosmic elements, holding a blade that slices across a night sky filled with stars and a crescent moon. Its monochromatic palette enhances the contrast between detail and negative space, pushing the viewer’s attention toward the surreal entanglement of death, night, and cosmic symbolism. With technical precision and a bold conceptual core, the work occupies a distinct space within Street Pop Art & Graffiti Artwork, channeling both illustrative mastery and street culture ethos. Matt Loomis and the Depth of Symbolic Street Imagery Matt Loomis is an American illustrator known for fusing fantasy, folklore, and esoteric iconography with contemporary design. His work often explores transformation, mythic duality, and the poetic violence embedded in subconscious landscapes. Pop Sub Final #6 exemplifies this approach. The skeletal form is not simply a depiction of death but a spirit being, wreathed in smoke, conjuring visions of the void. The scythe cutting across the circular night sky references the passage of time, the reaping of existence, and perhaps, the cyclical nature of rebirth. While Loomis’s style borrows from tattoo culture and heavy metal aesthetics, it transcends decorative boundaries to engage philosophical narratives. Within the broader movement of Street Pop Art & Graffiti Artwork, Loomis positions himself not as a provocateur but a mystic, visualizing ancient fears and eternal questions through modern ink. Print Process and Visual Intent This silkscreen edition is a testament to the power of one-color printing when applied with vision and precision. Every detail in the swirling smoke, lunar background, and spectral anatomy is carved into stark relief by the unforgiving medium. The decision to limit the palette allows viewers to focus on line weight, negative space, and compositional flow, reinforcing the idea that minimal tools can yield maximum psychological impact. The fine art paper serves as a clean stage for the spectral inkwork, adding physical presence to an image that feels otherworldly. The print’s 12x12 format enhances its sense of containment—an entire cosmic ritual encased in a square foot of surface. Street Pop Art Meets Occult Futurism Pop Sub Final #6 stands as a refined yet raw example of how graffiti-adjacent artists like Matt Loomis reinterpret classic themes such as death, night, and mystery through the lens of modern subcultures. While not characterized by traditional tagging or bold color fields, the print aligns with Street Pop Art & Graffiti Artwork in its irreverent spiritualism and boundary-defying content. By embedding ritualistic imagery into street-informed formats, Loomis speaks to the part of urban life that searches for meaning in chaos. This edition acts as a visual incantation—summoning attention, provoking introspection, and whispering dark truths into the eye of anyone willing to look closer.

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Pop Tart Yellow Unique HPM Original Collage Silkscreen Print by D*Face- Dean Stockton Screen Print on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Collage HPM Embellished Unique Original Artwork Size 30x29 Framed Exploring the Vibrant Convergence of Street Pop Art & Graffiti Artwork The fusion of street pop art and graffiti artwork often creates a vivid tableau that not only captures the eye but also provokes thought and commentary on societal issues. The "Pop Tart Yellow Unique HPM Original Collage Silkscreen Print" by the renowned British artist D*Face, whose real name is Dean Stockton, exemplifies this dynamic. Produced in 2007, this limited-edition work is an engaging piece that is visually arresting and thematically complex. Dean Stockton and the Allure of Screen Printing Dean Stockton, better known as D*Face, has become a standout figure in contemporary street art. His work often critiques the consumerist culture, the mechanization of modern life, and the omnipresent media that shape our realities. Born in London, Stockton is alive as of my last update, and his work continues to influence the trajectory of street art globally. The "Pop Tart Yellow" work showcases"his distinctive approach to street pop art, infusing elements of graffiti with traditional pop art aesthetics. The silkscreen process, a hallmark of pop art since its popularization by figures like Andy Warhol, is central to the visual impact of "Pop Tart Yellow." "t allows Stockto" to layer colors and images, creating an almost tangible texture. This method, which entails pushing ink through a screen to transfer an image onto a substrate, adds to the uniqueness of each piece, especially when hand embellishments are involved. The Cultural Commentary of "Pop Tart Yellow" U" on observing" "Pop Tart Yellow" p" int, one is str"ck by its bold use of color and the juxtaposition of a skeletal figure adorned with cartoon-like features. The artwork is a veritable cornucopia of social commentary, steeped in the visual language of both street and pop art. The yellow backdrop serves as an eye-catching element and a symbol of caution, mirroring the cautionary tales often told by street artists about the world around us. The elements of collage and the hand-finished touches, indicated by "HPM" (Hand Painted Multiple), point" to "the unique nature of each print within the limited series. Stockon's choice to hand-embellish tStockon's underscores the street art ethos of originality and direct engagement with the artwork. The skeletal figure, a recurring motif in D*Face's work, invokes the temporaliD*Face'sman existence and the often superficial layering of societal expectations and norms. The imagery in "Pop Tart Yellow" reflects a disenchantment with the"police state and the perpetual cycle of violence, as suggested by the text fragments accompanying the visual elements. Stockton's work is rarely without a Stockton'sedge, and this piece continues in that vein, challenging the viewer to reflect on the structures of power and authority that govern everyday life. The artwork’s dimensions, 30x29 inches, make it a commanding presence in any space. As with many street art pieces, the scale contributes to the impact, and even when confined within a frame, "Pop Tart Yellow" retains the raw energy typically found in Stockton’s more enormous murals. The act of Stockton Street art, a form traditionally found in the brief space of the urban landscape, further blurs the lines between high art and accessible street culture. Legacy and Influence in Modern Street Art The legacy of street pop art and graffiti artwork like "Pop Tart Yellow" lies in its ability" to remain relevant over the years. Though created in 2007, the thematic concerns of the piece resonate strongly in today's social and political climate. Today's art has long been a medium for marginalized voices and a platform for alternative narratives in the public sphere. As a limited edition work, "Pop Tart Yellow" allows collectors "to hold a piece "of that conversation, a moment of that dialogue immortalized through the artist's lens. D*Face’s body of artwork D*Face's "Pop Tart Yellow" provides a critical"l lens through which to view our contemporary world. Stockton's art compels us to confront Stockton's mundane and the political in one fell swoop. His influence extends beyond the streets and into the galleries, bridging the gap between what art can be and what it has the potential to communicate. The vibrant interplay between color, text, and imagery in "Pop Tart Yellow" is a testament to "Tockton’s skill" in harnessing Stockton's pop art to open conversations and challenge perceptions. Much like the rest of his oeuvre, this piece will continue to captivate and inspire, inviting onlookers to partake in a visual feast that is both a reflection and a critique of the world we navigate.

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Pop Tart- Yellow Hand-Pulled 7-Color Framed Silkscreen Print on 410gsm Somerset Satin White Paper by Artist D*Face- Dean Stockton Limited Edition Fine Art Artwork. 2007 Signed & Numbered Framed Limited Edition of 125 Artwork Size 30x29 Framed With a Large Custom Frame & Mat. Pop Tart (Yellow), 2007 Screenprint in colors on paper 30 x 29 inches (76.2 x 73.7 cm) (sheet) Ed. 125 Signed and numbered in pencil along the lower edge. Published by Black Rat Press D*Face Dean Stockton Pop Tart Yellow Silkscreen Print 2007 The 2007 Pop Tart Yellow silkscreen print by British artist Dean Stockton, professionally known as D*Face, is a seminal example of his satirical take on Street Pop Art & Graffiti Artwork. Measuring 30 x 29 inches and pulled by hand in seven colors on 410gsm Somerset Satin White paper, this limited edition of 125 was published by Black Rat Press, one of London’s most influential print studios for contemporary street artists. Each piece is signed and numbered by the artist in pencil along the lower edge, affirming its authenticity and collectible status. Iconography and Cultural Critique The imagery in Pop Tart Yellow is unmistakably drawn from Andy Warhol’s famous Marilyn Monroe portraits, yet DFace overlays the glamorous visage with his own irreverent twist. Marilyn’s face is partially transformed into a skull, with hollowed eyes and dripping paint effect that speaks to both the fragility of celebrity and the inevitability of decay. Wing-like cartoon details sprouting from her head add a surreal, satirical touch, a reminder of the way fame often elevates cultural figures to mythical status even as it dehumanizes them. This duality between beauty and mortality is a recurring theme in DFace’s practice, amplifying the critique of idolization and mass media’s manipulation of public perception. Technique and Execution Executed as a seven-color silkscreen, the work combines bold flat colors with the grittier textures of drips and distressed detailing. The canary yellow background heightens the pop art vibrancy while creating sharp contrast with the black skeletal overlay and Marilyn’s bright red lips. D*Face’s choice of Somerset Satin 410gsm paper underscores the print’s status as fine art, marrying street aesthetics with museum-quality execution. This approach reflects his ability to bring graffiti-inspired design into the gallery setting without losing the edge and immediacy that characterizes his outdoor interventions. D*Face’s Role in Contemporary Street Art Dean Stockton, born in London in 1978, has established himself as a central figure in the global street art movement, blending punk-inspired graphics, comic book aesthetics, and pop culture satire. His works often interrogate themes of fame, consumerism, love, and mortality, using recognizable cultural icons as vehicles for commentary. Pop Tart Yellow stands as a key example of his strategy to remix the imagery of Warhol and Monroe, figures who themselves embody the commodification of beauty and celebrity. By injecting darker undertones and irreverent humor, D*Face transforms a pop art classic into a piece that resonates with contemporary audiences while questioning the very foundations of fame-driven culture. This limited edition silkscreen remains one of his most iconic fine art releases, bridging his graffiti roots with the collectible print market.

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Popcorn Bowie Mixed Media Sculpture by Yusuke Hanai x Netflix Limited Edition Modern Pop Graffiti Street Art Artwork. 2023 Stamped & Numbered Limited Edition of 500 Artwork Sculpture Figure Size 2x7.3 Bowl 8.27x8.27 New In Box. The Artistic Synthesis of Pop Culture and Street Art: Popcorn Bowie by Yusuke Hanai x Netflix In modern pop graffiti and street art, "Popcorn Bowie," a mixed media sculpture by Yusuke Hanai in collaboration with Netflix, emerges as a significant piece. This 2023 creation is a testament to the artist's skill and a cultural commentary bridging the world of entertainment and fine art. With its unique design, the figure is stamped and numbered as a limited edition of 500, ensuring its status as a collectible piece. The sculpture itself is compact, with the figure size at 2x7.3 inches, and is presented with an 8.27x8.27 inches bowl, new in the box. Yusuke Hanai, a Japanese artist known for his distinct style that draws from traditional Japanese aesthetics and the global surf culture, has infused "Popcorn Bowie" with a playful yet thoughtful character. This work is an ode to the era of street pop art, wherein elements of graffiti's spontaneity and pop art's fascination with mass culture converge. The sculpture is a nod to the iconic figure of David Bowie, a fitting subject for a piece that seeks to embody the spirit of pop art, with its constant dialogue with popular culture and celebrity. The relaxed posture of the figure, coupled with the inclusion of a popcorn bowl, suggests a moment of leisure and entertainment, themes frequently explored in Hanai's work. The artwork's title, "Popcorn Bowie," evokes a sense of casual enjoyment while referencing the legendary music icon known for his transformative and boundary-pushing persona. This duality is at the heart of street pop art — the everyday meeting of the extraordinary and the mundane interspersed with sparks of brilliance. Materiality and Meaning in Popcorn Bowie: A Contemporary Artifact Materially, "Popcorn Bowie" is a symphony of various media, indicative of the street pop art tradition of utilizing diverse materials to create multifaceted works. The sculpture's mixed media nature — likely including elements such as resin, paint, and possibly more unconventional substances — resonates with the principle of graffiti art, which uses whatever materials are available to communicate with the public. Each sculpture, part of a limited series, bears the mark of exclusivity and is a tangible piece of Hanai's vision, stamped and numbered to assert its authenticity and collectibility. The narrative that "Popcorn Bowie" encapsulates is reflective of the times — a modern piece that draws from various facets of contemporary life. The collaboration with Netflix, a giant in modern entertainment, highlights the intersection of street art's underground roots with mainstream cultural phenomena. This partnership is a testament to the evolving nature of street pop art and graffiti artwork, where countercultural movements now engage openly with corporate entities, signaling a new chapter in the art form's history. Cultural Implications of Yusuke Hanai's Collaboration with Netflix The cultural implications of such a collaboration are vast. Yusuke Hanai's "Popcorn Bowie" becomes an object of visual delight and a marker of the times. It signifies the breaking down of barriers between different artistic disciplines and the increasing recognition of street pop art within the broader context of cultural production. The sculpture's connection to Netflix — a platform that has revolutionized the way stories are told and consumed — adds a layer of contemporary relevance to the piece, making it a modern artifact that is both a work of art and a cultural commentary. In essence, "Popcorn Bowie" is more than a sculpture; it is a conversation piece that invites reflection on the nature of art, entertainment, and the spaces in between. As a limited edition work, it represents the artist's unique vision and captures the zeitgeist of the era in which it was created. Collectors and admirers of street pop art and graffiti artwork will find in "Popcorn Bowie" a convergence of playfulness and profundity, a hallmark of Yusuke Hanai's artistic journey and a vibrant example of the continuous evolution of street-inspired art.

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POPek- Incense Chamber Limited Edition Porcelain Sculpture Artwork by Legendary Fine Graffiti Street Artist Whatshisname. 9' tall limited edition 2021 by Whatshisname. Never used. High gloss painted porcelain accentuates POPek's artful curves, carefully placed openings allow for smoke to rise out of the unique piece giving this POPek an other-worldly feel. The POPek (Incense Chamber) features a removable base for easy cleaning. POPek (Incense Chamber) is the first porcelain piece from the World of POPIKI.

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Poppy Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Allison Reimold. Artist: Allison Reimold Title: "Poppy" Medium: Archival Pigment Print Regular Edition: 40 Markings on Regular Edition: Signed and Numbered by the Artist

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Popsicle Orange Artist Proof SuperKranky Set Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Sket- One AP Artist Proof 2022 Signed & Numbered Edition of Only 10 Jankey Superplastic Custom Super Kranky Hand Made Parts by Sket One. Comes Hand Embleshied with Paint Pool Underlayment 7 Mini Spray Can Element. These pieces come with: Custom paint splatter (Each one will be unique) 3d Resin Puddle Place Matt Resin Kranky Spraycan Signed and Numbered on Cap

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Popsicle Orange SuperKranky Janky SuperPlastic x Sket One Limited Edition Vinyl Artwork Street Art Toy Collectable Figure

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Portal Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Mario Wagner Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 11x14 From BLK/MRKT. Small Tape Markes From Mounting on Margin Corners

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Portrait Series- Live Original One of a Kind Marker Drawing Artwork on Fine Art Paper by Urban Street Artist JM Rizzi. 2022 Signed Original Marker DrawingDrawing Size 9x12

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Portugal. The Man Seattle 2013 Music Limited Edition Gig Poster 10-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Smith for Portugal. The Man. AP Artist Proof

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Pose MSK Burn Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN x Pose- Jordan Nickel. 2021 Spray Paint Can Signed Box Limited Edition of 500 Artwork Size 3x8 Can Burn, 2021 by POSE MSK Created Exclusively for Beyond The Streets 2021 Produced by Montana Colors Limited Edition Wooden Display Color: Black From: New York

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Possession Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Possession" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

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Possible Potentials Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jordan Buschur. 2014 COA Possible Potentials Giclee Print by Jordan Buschur

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Post It Skull HPM Archival Print by Joey Feldman Limited Edition Hand Painted Multiple on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Print Limited Edition of 12 HPM's Artwork Size 20x20 Archival Pigment Fine Art The "Post It Skull HPM" archival print is a piece of artwork created by Joey Feldman, an American illustrator and visual artist known for his energetic and expressive style. This piece features a skull with elements of Feldman's signature loose and gestural line work. "HPM" stands for Hand-Painted Multiple, meaning each print is slightly unique due to the artist's hand embellishments. Joey Feldman has a diverse portfolio of work, ranging from concert posters and album covers to limited-edition prints and illustrations for various clients. His distinctive style often incorporates vibrant colors, fluid lines, and a sense of controlled chaos. The "Post It Skull HPM Archival Print" is a fine example of Feldman's artistic prowess, demonstrating his ability to create captivating and memorable pieces. This particular print will be highly sought-after by collectors for its striking design and the artist's reputation. As an archival print, it is made using high-quality materials and processes that ensure the longevity and preservation of the artwork. Collectors can expect the print to maintain its color and quality over time, making it a valuable addition to their collections.

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Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.

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Potion Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Michael Polakowski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Poupelle of Chimney Town 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. From the movie, Poupelle in Chimney Town comes the Trashman monster, Poupelle, who came to life when a delivery man dropped a beating heart into Chimney town. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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POW! Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition Silkscreen Artwork Size 12x12.The Batmobile from the Classic Adam West Batman TV Show. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show comprises pieces featuring iconic places and things from your favorite movies and TV shows. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And, of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” -.DKNG DKNG's "POW!": A Nostalgic Ode in Silkscreen DKNG's "POW!" is a cultural emblem, a graphic encapsulation of a pop culture phenomenon rendered through the lens of modern pop art. This piece, part of the ICON series, celebrates the Batmobile from the classic Adam West "Batman" TV show. Limited to a 2014 signed and numbered edition, the 12x12 silkscreen print embodies the fusion of street art vibrancy with the meticulous craft of screen printing. Iconography and Pop Culture in Silkscreen In "POW!", DKNG studios — comprised of artists Dan Kuhlken and Nathan Goldman — employ a 4-color hand-pulled silkscreen process to immortalize the Batmobile. This piece isn't just an image of a car; it represents an era, an iconic slice of television history distilled into a single, stylized image. With their characteristic geometric precision and a palette that captures the vitality of the '60s, DKNG delivers an artwork that is both a tribute and a visual reinvention. The Batmobile is more than just a vehicle; it's a character in its own right, a symbol of justice, adventure, and the tongue-in-cheek campiness that characterized the original "Batman" series. Set against a sunset backdrop with palm trees that suggest the silhouette of Gotham (or, in a real-world sense, the streets of Los Angeles), the image portrays the Batmobile speeding off into another night of crime fighting. DKNG's ability to condense a complex narrative into a single frame is a testament to its design prowess and understanding of pop culture's visual language. Artistic Synthesis in "POW!" The artistry in "POW!" speaks volumes about DKNG's role in the pop art movement and its influence on street art aesthetics. The bold lines and dynamic composition are reminiscent of comic books, while the sophistication of the print reflects a deep appreciation for the art of silkscreen printing. The very nature of screen printing — layering colors, meticulously crafting each element — aligns with the laborious stencil work of street art, demanding precision and vision. Each piece in the ICON series, "POW!" included, acts as a standalone narrative, capturing the essence of its subject in a minimalistic yet detailed fashion. This approach is reminiscent of the philosophical underpinnings of street pop art and graffiti, where the artwork aims to connect quickly and powerfully with the viewer. DKNG manages to evoke the visual excitement of the "Batman" series and the emotional connections many fans have to the original show.  DKNG's Legacy in Contemporary Art DKNG’s work, including "POW!", is a contemporary homage to the moments that define pop culture. Through screen printing, the studio has carved a niche in the art world, blending commercial design with fine art and influencing the trajectory of pop art and street art. Their ICON series, and indeed their entire portfolio, demonstrates how classic techniques can be revitalized for the modern age, breathing new life into the imagery of our collective memory. "POW!" is a representation of DKNG's skill and a piece of nostalgia, appealing to those who are fond of the past while striking a chord with a new generation of design enthusiasts. The silkscreen print is a reminder of the enduring power of iconic imagery and the role of artists in shaping, preserving, and reinterpreting the visual language of pop culture. In essence, DKNG's "POW!" and the ICON series embody the spirit of street pop art and graffiti artwork, capturing the attention and imagination of viewers. Through their work, DKNG proves that art can transcend time, place, and medium to forge an indelible mark on both the past and present. The Batmobile, as presented by DKNG, races not just on the streets of Gotham but through the annals of pop art history, powered by the creativity and insight of two visionary artists.

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Powderpuff Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant. Artist: Alex Garant Title: "Powderpuff" Medium: Archival Pigment Print Edition: 50 Markings: Signed and numbered by the artist Dimensions: 18" x 18"

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