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Smiling Since 1999 V Original One of a Kind Mixed Media Spray Paint, Acrylic & Stencil Painting Artwork on 270gsm Royal Sundance Paper by Popular Street Graffiti Artist Pez. 2022 Signed Mixed Media Spray Paint Stencil Painting Artwork Size 19.69x27.56 "Smiling Since 1999 V" stands out as a one-of-a-kind mixed media artwork by the acclaimed street graffiti artist known as Pez. Known for his distinctive and jubilant artistic style, Pez has crafted this piece using a blend of spray paint, acrylic, and stencil techniques on a 270gsm Royal Sundance paper. The artwork's dimensions of 19.69x27.56 inches provide a generous canvas for the artist's vivid expression. Each creation of Pez is a signed original, and this particular piece is no different, delivering a personal touch from the artist's hand to the collector's wall. The artwork is a vibrant homage to the spirit of graffiti and street art culture, exuding an infectious cheerfulness that has been the hallmark of Pez's work since he began in 1999. This piece is a visual symphony of color, movement, and emotion. It captures the gaze with its bold letters spelling "SMILING" set against a backdrop that bursts with animated figures and a kaleidoscope of bright, contrasting colors. Each character, with its signature wide grin, symbolizes the artist's optimistic philosophy and injects a dose of happiness into the urban environment. Pez's use of mixed media in "Smiling Since 1999 V" illustrates a dynamic layering effect, creating a sense of depth and complexity that is often sought after in street art. His technique, combining the raw edge of spray paint with the precision of stencils, showcases a mastery of the medium and a deep understanding of the aesthetic and narrative potential of urban art. The choice of Royal Sundance paper as the substrate adds an element of refinement and durability, ensuring that the piece retains its vivid colors and structural integrity over time. As a representative piece of Pez's ongoing engagement with street and pop art, "Smiling Since 1999 V" is not only a continuation of the artist's legacy but also a reflection of the broader evolution of street art into a recognized and celebrated form of contemporary art. It embodies the transformative power of graffiti, from its early days as an underground movement to its current status as a significant and influential part of the art world. Through his art, Pez extends an invitation to viewers to partake in his world of boundless joy and to celebrate the art form that has been bringing smiles to the streets and galleries alike for over two decades.

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Translucid Giclee Print by Dalek- James Marshall Artwork Limited Edition Print on 308gsm Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 19.69x19.69 Translucid by Dalek: Psychedelic Geometry and Character Deconstruction in Street Pop Art & Graffiti Artwork Translucid is a 2022 limited edition giclée print by James Marshall, known globally under the moniker Dalek. Created in an edition of 50 and printed on 308gsm Hahnemühle fine art paper, the piece measures 19.69 x 19.69 inches and is both signed and numbered by the artist. Dalek’s work continues to explore the intersection of digital surrealism, animated abstraction, and character disassembly, all delivered through the lens of high-contrast saturation and urban visual syntax. In Translucid, Dalek revisits his Space Monkey universe but pushes it through an explosion of translucent layering, deconstructed movement, and psychedelic repetition, fully encapsulating the energy and philosophy of Street Pop Art & Graffiti Artwork. At the center of the composition is a hyper-stylized figure with bulbous limbs, cyclopean eyes, and aggressive posture. The colors are electric—neon greens, acid pinks, sky blues, and jet black clashing across a looping, rhythmic design. Each form appears duplicated in offset trails, creating a sense of motion, echo, and dimensional slippage. Arms extend wildly, one arm reaching into space as geometric beams stretch outward from the figure’s head, like a visual shout. Behind the main character, semi-transparent replications ripple outward, suggesting time-lapse, digital lag, or a multi-frame animation frozen in layered stillness. Color, Repetition, and Hyper-Controlled Chaos Dalek’s visual structure in Translucid is anything but accidental. His precise control over linework, curvature, and fill creates a sense of machine-assisted hallucination—balanced and ordered while still feverishly alive. The background cycles in soft circular shadows and bubble-like forms, contrasting against the sharper explosions of the foreground. The result is a tension between kinetic madness and graphic symmetry. This interplay mimics the visual philosophy of graffiti—where repetition, character tags, and layered symbols become identity marks in a sea of controlled chaos. The translucent effect is a key feature. Shadows, ghosted lines, and echo silhouettes hint at multiplicity within a single subject, blurring the boundary between the singular and the cloned. This approach mirrors the digital saturation of contemporary image culture, where icons are constantly remixed, repurposed, and looped across screens. Dalek captures this sensation of visual echo and overload in fine art form, reflecting the pulse of the street in a contained 19.69-inch square. Space Monkey Mutation and Visual Dialogue with Modern Culture The figure in Translucid may stem from Dalek’s iconic Space Monkey identity, but here it has mutated into something more abstract and dynamic. While earlier works presented Space Monkey as a flat, enigmatic observer, Translucid transforms the character into a conduit of movement, shape, and power. It dances, attacks, and glitches, no longer passive but fully integrated into the chaos it once surveyed. The distorted grin, radiating eyes, and disconnected limbs build a mood of paradoxical joy and digital exhaustion. Dalek’s work fits seamlessly into the language of Street Pop Art & Graffiti Artwork by maintaining an animated energy and conceptual looseness that still delivers refined structure. He distills pop culture, video game rhythm, and graffiti wall aesthetics into a composition that communicates without narrative. Translucid does not tell a story—it emits a frequency. It is a painting you can hear if you look closely enough. Translucid as Artifact of Pop Abstraction and Contemporary Identity Printed on 308gsm Hahnemühle fine art paper, the physical texture and pigment retention elevate Translucid into collector-grade territory while preserving the street-informed aesthetic integrity of Dalek’s work. Each edition carries the same intensity and depth of color, capturing every shadow trail and collision point with exact precision. It is both object and signal—a reminder that visual culture is not linear, and that repetition can be both expressive and destabilizing. James Marshall’s contribution to the Street Pop Art & Graffiti Artwork canon continues to expand through works like Translucid. This piece encapsulates the language of repetition, kinetic design, and psychedelic commentary, all while maintaining Dalek’s commitment to abstraction rooted in character evolution. Translucid is not about resolution—it is about motion, multiplicity, and the fragmented joy of navigating a world where meaning comes layered, duplicated, and infinitely alive.

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Three Methods for Working with Chaos Giclee Print & Hardcover Book by Faith XLVII- Faith47 Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2018 Signed & Numbered Print Limited Edition of 100 Artwork Size 19.69x19.69 2018 hardcover book, acclaimed artist Faith47 released a hardcover book that showcases her unique and captivating work. This beautifully crafted volume measures 25 × 29 cm and contains 232 pages of stunning visuals and insightful text. Presented entirely in English, the book offers readers a deep dive into Faith47's artistic journey, highlighting her exceptional talent and the evocative messages woven into her creations. New in Wrapper. Artistic Narrative of "Three Methods for Working with Chaos" "Three Methods for Working with Chaos" by Faith XLVII, also known as Faith47, is a limited edition giclée print that encapsulates the dynamic and philosophical underpinnings of her work as a street pop art and graffiti artist. The print, signed and numbered by the artist, represents a synthesis of mythological symbolism and urban existentialism, embodying a powerful commentary on the human condition and our interactions with the surrounding environment. The artwork, sized at 19.69x19.69 inches, offers a square canvas for a striking visual narrative. Released in a limited edition of 100, it speaks to the exclusivity and collectible nature of Faith47's prints. The central figure of the horse, often associated with freedom and power in various cultures, is rendered with a ghostly translucence that contrasts sharply with the stark, precise lines of text and geometric patterns surrounding it. This juxtaposition symbolizes the chaos referenced in the title—suggesting a balance between the wild, untamed aspects of life and the structured, comprehensible elements we use to make sense of it. Symbolism and Technique in Faith47's Work Faith47 employs a variety of symbols and text in "Three Methods for Working with Chaos," creating layers of meaning that invite deep contemplation. Including serpents alongside the horse adds a level of primal instinct and transformation to the piece. The backdrop of the print, reminiscent of aged parchment or wood, contributes to the timeless quality of the image as if the artwork is a relic from an ancient civilization or a page taken out of an esoteric grimoire. The giclée printing technique, known for its ability to produce deep, saturated colors and fine detail, perfectly captures the texture and depth of Faith47's original work, allowing the subtleties of her technique to be appreciated fully. Cultural Resonance of Faith47's Graffiti Artwork Faith47 explores themes of social justice, human rights, and the interconnectedness of all living things through her work. "Three Methods for Working with Chaos" is a physical manifestation of these concepts, imbued with the spirit of street pop art's engagement with the public sphere. The print serves not only as a decorative piece but as a conversation starter, a piece of visual philosophy that reflects the artist's South African heritage and her experiences as a global citizen. The cultural impact of Faith47's work is amplified by her role as one of the leading female figures in the field of street art, a space traditionally dominated by male artists. Impact and Legacy of Faith47 As a limited edition print, "Three Methods for Working with Chaos" holds its place within the legacy of Faith47's artistic journey. Her work is internationally recognized and has been exhibited in galleries and museums worldwide while also gracing the walls of cities across the globe. The scarcity of the print adds to its value as a collectible, making it a coveted piece for art collectors and enthusiasts of street pop art and graffiti artwork. Faith47's signature on each print directly connects to the artist, further solidifying the artwork's authenticity and her commitment to her craft. Faith47's "Three Methods for Working with Chaos" is more than a giclée print; it is a testament to the power of street pop art and graffiti artwork to challenge, inspire, and provoke thought. The limited edition nature of the print, coupled with the profound symbolism and meticulous technique, showcases Faith47's standing as a thought leader and visionary in the contemporary art scene. Through its exploration of chaos and order, nature and civilization, her work continues to influence and shape the discourse within the art world and beyond.

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Young Until I Die 1 Original One of a Kind Mixed Media Spray Paint, Acrylic & Stencil Painting Artwork on 270gsm Royal Sundance Paper by Popular Street Graffiti Artist Pez. 2021 Signed Mixed Media on Royal Sundance 270gsm paper 19.69" × 27.56" / 50 × 70 cm Artwork Size, Black Professionally Framed With Floating Mat

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JungleCity Giclee Print by Rosy One Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Rosy One JungleCity Giclee Print Limited Edition Street Pop Artwork The 2024 JungleCity Giclee Print by Rosy One is a dynamic explosion of color and cartoon-inspired street storytelling. Printed as a limited edition of just 100 pieces on fine art paper and sized at 19.69 by 27.56 inches, this work showcases Rosy One's unique position at the crossroads of graffiti culture, underground comics, and Street Pop Art & Graffiti Artwork. With signature precision and humor, she transforms an urban landscape into a chaotic, character-filled fantasy world where vibrant figures animate the streets and surreal city scenes unfold with each glance. The detail-rich composition acts like a still frame from an animated feature, full of references to hip-hop, street art history, and raw city life. Rosy One's Role in Contemporary Graffiti Pop Culture Rosy One, a Swiss graffiti artist born in Lausanne, has long been recognized for her powerful and whimsical fusion of classic graffiti techniques with comic book aesthetics and cultural satire. Her work often features cartoon characters, bubble letters, and bold linework that blends storytelling with street energy. As one of the prominent female figures in graffiti since the 1990s, she has consistently celebrated hip-hop culture through her visual language, while also challenging stereotypes in a male-dominated genre. JungleCity is a continuation of her playful yet sharp social commentary, packed with satirical details and urban iconography that invite viewers to examine themes of community, chaos, and character. Visual Breakdown of JungleCity's Street Pop Art Composition JungleCity bursts with personality, layering buildings, subway cars, signage, characters, and colorful ooze into a rich tapestry of graffiti-influenced design. Divided into upper and lower city levels, the print cleverly juxtaposes above-ground vibrancy with underground rawness. The upper city is filled with quirky inhabitants and anthropomorphic creatures, all engaged in expressive acts like tagging, rapping, or lounging in surreal scenarios. Meanwhile, the underground reveals a gritty MTA-style train labeled with graffiti tags and a subway tunnel morphing into dripping jungle roots. Skulls, rats, and signage like Jungle Street and Tuff City embed coded references to hip-hop’s birthplaces and graffiti’s rebel roots. Every inch is meticulously detailed, drawing the eye in countless directions, yet maintaining cohesion through Rosy One’s sharp black outlines and neon palette. JungleCity as a Statement in Street Pop Art & Graffiti Artwork This giclee print not only captures Rosy One’s distinctive voice but also encapsulates the enduring energy of graffiti as a living cultural force. Her approach to Street Pop Art & Graffiti Artwork fuses comic absurdity with graffiti realism, allowing the work to function both as visual entertainment and sociocultural critique. JungleCity is more than an aesthetic statement; it is a celebration of urban survival, creative freedom, and the interconnection between the visual languages of the street and printmaking. As both an art object and narrative map, the piece exemplifies how street culture continues to evolve and inspire.

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