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Visible Labbit Plush Guts Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Kidrobot takes you inside Frank Kozik's Smorkin Labbit to show you what Labbit's are really made of... a whole lot of plush! Presenting The Visible Labbit featuring visible plush guts and bones inside a transparent outer shell. This limited edition 7" statement piece is the next smoking hot, must-have Labbit art toy.

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Meeowie Wowie- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Sylvester Loony Toons Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Meeowie Wowie- Oversized Edition is a captivating artistic expression, blending iconic pop culture references with the audacious and vibrant strokes characteristic of street and graffiti art. Crafted by the renowned Modern Pop Street Graffiti Artist Ben Frost, this artwork stands as a testament to the evolution of contemporary art, where boundaries are consistently pushed, and the unconventional becomes the new norm. Executed with archival pigment, the piece is a manifestation of dedication to both content and quality. Every brushstroke, every hue, is preserved in its most accurate form, ensuring that the artwork remains timeless in its appeal. This commitment to quality is further accentuated by the choice of 290gsm Somerset Hot Press Fine Art Paper, a medium that highlights details and colors, adding depth and dimension to the artwork. The depiction of Sylvester from the Loony Toons, juxtaposed against a backdrop of marijuana drug tests, is a bold commentary on popular culture, societal norms, and perhaps the interplay of innocence and maturity. The title "Meeowie Wowie" further plays on this duality, bridging the feline character and the artwork's theme. Released in 2021, this piece has been limited to a signed and numbered edition of just 25, ensuring its exclusivity. Ben Frost's work in the Meeowie Wowie- Oversized Edition compels viewers to look beyond the surface, to find meaning in the seemingly mundane, and to appreciate the beauty in contrasts. In doing so, Frost reaffirms the transformative power of art and its ability to challenge, inspire, and captivate.

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Aki Sharks #1 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Bird Kite Skateboarding Silkscreen Print by Sentrock- Joseph Anthony Perez Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 30 Artwork Size 20x16 Silkscreen Print Bird Kite Skateboarding Silkscreen Print by Sentrock – Joseph Anthony Perez Bird Kite Skateboarding is a striking silkscreen print by Sentrock, also known as Joseph Anthony Perez. This limited edition, hand-pulled screenprint, created in 2013, showcases the bold, illustrative style and symbolic storytelling that define his street pop art & graffiti artwork. Signed and numbered in an edition of 30, the 20x16-inch artwork captures a surreal yet deeply expressive scene that embodies themes of freedom, movement, and self-exploration. With its dynamic imagery and raw energy, this piece reflects Sentrock’s ability to create art that is both visually captivating and emotionally resonant. The Symbolism of Motion and Escape Sentrock’s Bird Kite Skateboarding print features a masked figure seated on a skateboard, steering forward using a makeshift kite of two birds tethered to strings. This composition immediately evokes themes of motion, escape, and the longing for flight. The masked figure, a recurring motif in Sentrock’s work, suggests a deeper narrative about self-identity and transformation. The bird mask is often a symbol of freedom, resilience, and the ability to rise above difficult circumstances. The birds, acting as both guides and forces of propulsion, reinforce the idea of moving toward new possibilities. The skateboard itself is a representation of youth culture, rebellion, and self-expression. Skateboarding has long been associated with defying societal norms and using urban landscapes as a canvas for creativity. By incorporating this element into the print, Sentrock aligns the artwork with the ethos of street pop art & graffiti artwork—where movement, risk, and independence are celebrated. The figure’s relaxed yet determined posture suggests both control and surrender, an acceptance of the unpredictable nature of life while still steering forward with purpose. Street Pop Art & Graffiti Artwork Aesthetics The visual composition of Bird Kite Skateboarding reflects the strong graphic sensibilities that define Sentrock’s work. The bold use of black and white against a vibrant red background creates an immediate impact, drawing the viewer’s eye to the stark contrast between the figure and its surroundings. The linework is raw and expressive, capturing texture and movement with an illustrative intensity that feels alive on the paper. This print embodies the DIY energy of street pop art & graffiti artwork, where the simplicity of form enhances the complexity of meaning. The high-contrast approach allows the narrative to take center stage, making the emotions and symbolism of the piece more accessible. Sentrock’s use of hand-pulled screenprinting further emphasizes the human touch in the artwork, reinforcing the authenticity and craftsmanship behind each piece. The limited edition nature of the print adds an element of exclusivity, making it a coveted work among collectors of contemporary urban art. The Narrative and Emotional Connection Sentrock’s art often speaks to personal journeys, resilience, and the desire to transcend limitations. Bird Kite Skateboarding is no exception, capturing a moment of imaginative escapism that feels both hopeful and introspective. The masked figure, a signature element in his work, represents the duality of concealment and self-discovery. The character’s anonymity allows viewers to project their own experiences onto the scene, making the narrative universally relatable. The birds, symbolizing guidance and liberation, pull the figure forward, reinforcing the idea that external forces—whether dreams, aspirations, or personal struggles—play a role in shaping one’s path. The print resonates with anyone who has ever felt the need to escape, adapt, or carve out their own direction in life. The artwork’s ability to evoke these emotions is what makes it a significant piece in Sentrock’s growing body of work. Bird Kite Skateboarding stands as a testament to Sentrock’s mastery of street pop art & graffiti artwork. Through a simple yet powerful composition, he captures the essence of movement, freedom, and self-expression. This limited edition screenprint not only showcases his artistic vision but also serves as an emblem of resilience, making it a meaningful addition to any collection of contemporary urban art.

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Vicodin The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2016 Limited Edition Artwork of 500 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Vicodin The Prisoner Drug Bear by Luke Chueh: Vinyl Manifestation of Pharmaceutical Despair in Street Pop Art & Graffiti Artwork Vicodin The Prisoner is a 2016 limited edition vinyl art toy by Luke Chueh, issued in a run of 500 pieces and packaged with a cotton pouch, prescription-style tube, and custom labeling. This stark and introspective collectible was inspired by Chueh’s original painting The Prisoner, a body of work that dives into the concept of captivity in multiple forms: psychological, emotional, and pharmaceutical. The figure depicts a small white bear, arms tightly clasped around bent knees, body hunched in a defensive posture. Packaged inside a mock prescription pill bottle labeled as Vicodin, the bear becomes a physical metaphor for dependency and the numbing of trauma through chemical means. Positioned within the language of Street Pop Art & Graffiti Artwork, this figure embodies the raw realities often glossed over by polished consumer narratives. Pharmaceutical Packaging as a Vessel for Emotional Truth Luke Chueh’s decision to enclose the figure in a standard orange pharmacy bottle transforms the toy into a symbolic sculpture. This packaging is not merely aesthetic—it is part of the art itself. The orange plastic container is commonly associated with healing and regulated care, but here it acts as a prison, locking the character in emotional silence. Labeled under the name Vicodin, a widely prescribed yet highly addictive opioid, the piece forces viewers to consider the thin line between treatment and entrapment. The bear’s blank expression and slouched body language amplify the emotional burden behind dependency. Minimalistic in execution yet powerful in message, the figure’s placement within Street Pop Art & Graffiti Artwork challenges the notion that toys must be joyful or harmless. Instead, Chueh offers an object that speaks to trauma, medication, and the often invisible emotional pain that comes with both. Luke Chueh’s Visual Language of Suffering and Identity Luke Chueh, an American artist based in Los Angeles, has become known for using simple, iconic figures to address themes of mental illness, personal pain, and societal pressure. His characters often appear soft and subdued, but they carry an immense emotional weight. In Vicodin The Prisoner, the white color of the bear reflects both clinical sterility and emotional numbness. Chueh’s approach is grounded in honesty and vulnerability, distilling complex experiences into forms that resonate widely. His influence within Street Pop Art & Graffiti Artwork comes from this ability to speak directly through sculpture, illustration, and narrative-driven toy design. Chueh’s bear functions not just as a character but as a stand-in for anyone struggling with emotional paralysis, depression, or the grip of addiction. The Prisoner Series as Commentary and Collector Artifact This limited edition release of 500 includes not just the vinyl bear, but a presentation designed to immerse collectors in its commentary. The pill bottle packaging, custom-labeled for Vicodin, mirrors the controlled environments from which many seek escape, but also become trapped. The cotton bag adds an additional layer of clinical detachment, as if the piece were a regulated prescription item rather than an expressive artwork. As part of The Prisoner series, this version adds to the ongoing discussion around trauma and pharmacology within the framework of Street Pop Art & Graffiti Artwork. It transforms a collectible into a statement, where the cute and the uncomfortable coexist, creating a powerful tension that defines the work of Luke Chueh. The bear sits still, silent, and confined—but its presence speaks volumes about a culture that medicates pain without always understanding it.

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California AP Artist Proof Archival Pigment Fine Art Limited Edition Print on 290gsm Fine Art Paper by Artist Stom500, Pop Art Artist. AP Artist Proof 2022 Signed & Marked AP Hand Deckled Limited Edition Artwork Size 18x22.5

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Holiday Janky 3 2021 Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2021 Sealed in Box Limited Edition. FINALLY a toy that celebrates the NAUGHTY LIST ? HOLIDAY JANKY is 3.5” of cannibal Christmas ready to whip the holidays into submission ? Toting a broken bottle of spiked eggnog and removable beard for blending in with drunk uncles, this stocking stuffer is fully prepared to stuff YOU

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Death Valley Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. CASEY WELDON 'Death Valley' Fine art print on 290gsm paper Edition of 50 Signed and numbered by the artist 12x12 inches (30x30cm)

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Gelato Pique Mint White 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 400% New In Box The Gelato Pique Mint White, 400% Be@rbrick, is a fascinating piece that epitomizes the fusion of street art, pop culture, and contemporary design. Produced by Medicom Toy in 2022, this limited edition collectible is a testament to the brand's ongoing commitment to intertwining art with urban aesthetics. Bearbricks, commonly referred to as Be@rbricks, have, over the years, secured a special place in the hearts of art collectors and urban culture enthusiasts alike. This specific piece, distinguished by its mint white hue and plush-like texture, carries with it an aura of sophistication, paired beautifully with a touch of whimsy that's inherent to the Bearbrick line. Its size, scaled at 400%, gives it a commanding presence, making it an instant centerpiece in any art collection. Presented in its pristine, original packaging, the Gelato Pique Mint White edition further emphasizes its exclusivity and the attention to detail that Medicom Toy pours into every release. Street art, once seen as a rebellious act, has been embraced in recent years as a legitimate and powerful form of expression. The emergence of vinyl art toys, like the Be@rbricks, captures this evolution, blending the raw emotion of street art with the craftsmanship of traditional artistry. Such pieces don't just represent a character or a design; they represent an entire movement, a culture, and an era. The Gelato Pique Mint White, 400% Be@rbrick, is more than just a collectible; it's a symbol of the ever-evolving landscape of art in our modern age. Embracing this piece means acknowledging the power of street art and its transformative influence on contemporary culture.

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Fancy Peacock- White Hand-Pulled 1-Color Silkscreen Print on Fine Art Paper by Desirable Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 10x8

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Shark Head- Red Fluorescent Hand-Painted & Screen Printed Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 4 Artwork on Wood Size 10x16 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Marching to Oblivion Nightshift Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Nightshift Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Nightshift by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Nightshift is a 2025 limited edition silkscreen print by American artist James Marshall, known professionally as Dalek. This hand-pulled screenprint is executed in thirteen colors on Nightshift Blue cardstock provided by the French Paper Company, a material choice that adds depth and richness to the saturated neon palette. Each print in the edition of twelve measures 18 by 24 inches and is signed and numbered by the artist. Dalek is recognized for his ability to merge the graphic power of graffiti with the conceptual nuance of contemporary pop aesthetics. This print exemplifies his approach, featuring a character in mid-march across a minimal platform, caught in a moment of chaotic animation. It continues the tradition of Dalek’s hybridization of Street Pop Art & Graffiti Artwork, offering a fusion of hand-crafted technique, cartoon logic, and layered commentary on repetition, identity, and movement. Character Design and Color Theory in Motion The character in Marching to Oblivion Nightshift is an evolved iteration of Dalek’s signature Space Monkey figure, which first appeared in his early 2000s work. Rendered in high-contrast greens, purples, and blues, the figure juggles mallets and orbs with an expression that suggests manic joy or mechanical precision. The forms are sharp yet playful, occupying a visual space between Saturday morning animation and the visual codes of graffiti tagging. The character’s exaggerated limbs, oversized eyes, and dynamic posture project energy and volume, qualities central to Street Pop Art & Graffiti Artwork. These forms emerge from the background with crisp clarity due to the precision of screenprint layering, where each color is added by hand in sequence. The piece plays with spatial depth and surface illusion, making it both a spectacle and a meditation on repetition and performance. Materials and Printmaking Craft Dalek’s commitment to fine art printmaking is evident in the level of detail and control required to produce a 13-color silkscreen on dark-toned French Paper. The Nightshift Blue stock is a deliberate departure from traditional white backgrounds, offering a deep foundation that intensifies the vibrancy of the neon inks. This technical choice enhances contrast while grounding the character in a nocturnal atmosphere. The hand-pulled process not only honors the roots of street art as a physical and labor-intensive form, but also situates the piece within a lineage of craft-based art making. Every color alignment, registration mark, and clean edge testifies to the labor behind the image, making each edition both a finished work and a documentation of process. Within the context of Street Pop Art & Graffiti Artwork, this commitment to print fidelity mirrors the hand-painted dedication of murals and throw-ups. Contemporary Positioning and Artistic Intention Marching to Oblivion Nightshift exists at a crossroad of character art, street culture, and fine art editioning. James Marshall continues to define a unique visual territory where his characters do not speak with words but with posture, movement, and repetition. This silence allows viewers to project their own narratives onto the scene, creating a dialogue that aligns with the viewer-driven ethos of street art. The tension between joy and oblivion in the title suggests a deeper reflection on routine, spectacle, and distraction in modern life. By issuing this work in a deliberately limited edition of twelve, Dalek emphasizes the importance of intention and scarcity, key concepts that contrast with the reproducibility of digital imagery. Through projects like Marching to Oblivion Nightshift, Dalek strengthens the voice of Street Pop Art & Graffiti Artwork as a serious, evolving discipline capable of combining critical theory, visual pleasure, and masterful production.

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Shark- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Gas Mask Mickey Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 5.6 Inches Release: April 19, 2021. These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Naivety Scene Era 12 Original Marker Drawing Canvas by Blake Jones Modern Street Pop Artwork. 2019 Signed Original Color Marker on Hand Drawing Size 12x12 Naivety Scene Era 12 by Blake Jones – Playful Chaos in Street Pop Art & Graffiti Artwork Naivety Scene Era 12 is a 2019 original 12 x 12 inch hand-drawn color marker artwork on canvas by American artist Blake Jones. Signed by the artist, the work serves as a condensed visual playground filled with Jones’s signature characters, graphic gestures, and whimsical abstractions. The surface is a chaotic and joyful composition of colorful iconography rendered in bold, cartoonish lines, each figure interacting with the others in a free-flowing rhythm. Lightning bolts, abstract cubes, cake slices, smiling ghosts, three-eyed faces, bunny ears, jellyfish, and doodle lettering all coexist in a dense tapestry of imagination. These forms are drawn with intentional spontaneity using a variety of colored markers, creating a visual language that captures the essence of youth, spontaneity, and low-stakes play with high-impact composition. The Language of Icons and Innocence Blake Jones’s work consistently focuses on accessible characters and nostalgic aesthetics without sacrificing depth or intention. In Naivety Scene Era 12, the artist channels the visual memory of childhood drawings, sticker books, and doodles on notebook margins into a curated chaos that resonates beyond its surface charm. These drawings, while appearing naïve, are placed with deliberate design. Each element contributes to the rhythm and flow of the canvas, offering multiple focal points that encourage playful exploration. Jones’s ability to balance graphic flatness with layered spontaneity reflects his deep roots in Street Pop Art & Graffiti Artwork, where repetition, symbolism, and immediacy drive both the message and the aesthetic. His linework, free of digital polish, is a declaration of hand-drawn authenticity in an image-obsessed culture. Color Theory and Street-Inspired Technique The piece’s vibrancy stems not from complex shading or perspective, but from confident color play and an understanding of balance in clutter. The colors—neon pinks, bright yellows, cool blues, and jet blacks—are used sparingly and effectively. Each hue pops against the canvas’s white ground, giving every doodle space to breathe while also contributing to a shared vibrational field. The use of color marker as medium reinforces the idea of immediacy and improvisation, both hallmarks of graffiti sketch culture. Blake Jones bridges studio work with the ethos of the streets by treating each surface like a page in a blackbook—unfiltered, raw, and expressive. Blake Jones and the Comfort of Visual Noise With Naivety Scene Era 12, Blake Jones captures the feeling of a world that is busy but never burdensome. The energy is light yet infectious, the lines are imperfect but confident, and the visual clutter is strangely calming. His work speaks to a contemporary moment where overstimulation is standard, yet his imagery responds not with critique, but with comfort. In the broader context of Street Pop Art & Graffiti Artwork, this canvas serves as a meditation on creativity unbound—pure mark-making that honors intuition over precision. Blake Jones does not ask the viewer to decipher meaning. Instead, he invites them to find joy in the patterns, humor in the absurd, and wonder in the ordinary. This piece is not simply an artwork; it is an experience in visual freedom.

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Dissection of Smurf- Anatomy Sheet No 27 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Filling Holes Archival Print by Dalek- James Marshall Limited Edition on 300gsm Somerset Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2019 Signed & Numbered Print Limited Edition of 50 Artwork Size 17.72x23.62 Archival Pigment Fine Art  Filling Holes by Dalek: Precision and Play in Street Pop Art & Graffiti Artwork Filling Holes is a 2019 limited edition archival pigment print by American artist James Marshall, professionally known as Dalek. Created in an edition of 50 and printed on 300gsm Somerset fine art paper, the artwork measures 17.72 x 23.62 inches and is signed and numbered by the artist. Known for his character-driven abstractions and geometric pop constructions, Dalek has been a defining figure in the evolution of Street Pop Art & Graffiti Artwork. His work merges the visual language of cartoons, street tagging, skate graphics, and vector precision into hyper-saturated compositions filled with character, attitude, and formal rigor. Filling Holes features one of Dalek’s signature visual avatars—his Space Monkey—rendered in a dense, mechanical composition filled with surreal movement and playful tension. The central figure appears as a gray robotic organism with a USB symbol on its head, an enormous eye, a snout-like mouth, and shark-like teeth lining its pink inner jaw. Multiple mechanical limbs and sockets protrude from the figure at unexpected angles, while other strange appendages and cartoon-like forms interact with the space. A whimsical pink wormlike creature smiles from the bottom corner, adding a dose of absurdity to the controlled chaos. The print’s layout plays with perspective and layering, creating a depth that mimics both flat graffiti stylization and comic panel storytelling. Dalek’s Space Monkey and the Evolution of Character in Urban Narratives Dalek introduced the Space Monkey in the late 1990s as a stylized avatar for psychological commentary, subversive humor, and personal storytelling. In Filling Holes, the figure takes on a more evolved, robotic form—part sentient machine, part digital toy, part protest symbol. The composition appears surgically constructed, yet its subject matter is playful and filled with coded emotion. This duality is central to Dalek’s practice, where pop culture gloss coexists with complex design logic. The figure’s expressionless eye and mechanical extensions speak to digital overload and identity distortion, while the bold colors and rounded edges ground the piece in accessibility and familiarity. This stylized contradiction fits squarely within the philosophy of Street Pop Art & Graffiti Artwork, where the language of rebellion is often cloaked in polished forms. Dalek’s art challenges viewers to interpret chaos as intentional structure, to see repetition as pattern, and to recognize that humor and anxiety are often drawn from the same place. The title, Filling Holes, may suggest emotional repair, technological interference, or urban fragmentation—all concepts rooted in the lived experience of navigating systems that continuously deconstruct identity. Precision, Geometry, and Contemporary Graffiti Aesthetics Dalek’s background in mathematics, graphic design, and street culture informs the precise geometry of his compositions. Filling Holes exemplifies his ability to balance form and function while drawing from graffiti’s spatial dynamics and pop art’s color theory. His use of black outlines, flat fields of color, and symmetrical structure reflects a deep understanding of mural-scale composition, adapted here for fine art paper. The colors are intentional—muted grays contrast with vibrant pinks and teal greens, creating visual focal points and rhythm within the confined space. Printed on 300gsm Somerset paper, the artwork retains a tactile surface quality that enhances its architectural qualities. The archival pigment printing process ensures color depth and edge clarity, allowing each contour and form to hold its shape and tone. As with all of Dalek’s limited editions, the piece functions as both collectible object and micro-narrative—a piece of a larger, evolving language that speaks to systems, surrealism, and the strange joy of controlled chaos. Filling Holes as Conceptual Artifact and Visual Anthem Filling Holes represents Dalek’s unique synthesis of modern visual culture—an artwork that pulls from childhood cartoons, digital interfaces, industrial design, and graffiti codes. It is not just a composition of shapes and figures; it is a psychological diagram rendered in flat color and clean line. The robotic presence, USB port, and optical repetition suggest a world where identity is constantly plugged in and reprogrammed, and where playfulness masks deeper circuitry of critique. James Marshall’s place within the Street Pop Art & Graffiti Artwork landscape is cemented by his ability to evolve character-based art into formal innovation. Filling Holes is a snapshot of that evolution—an artwork that stands as precise as it is unpredictable, built from the materials of modern life and the vocabulary of visual rebellion. It is pop surrealism sharpened to a vector edge, endlessly repeating in vibrant loops of emotion and control.

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DropX Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by Street Brand Artists Rip N Dip. 2022 Limited Edition of 150 Size 14-inch Nerm Nermal Vinyl Figure Terminator Dissected Art Toy. New In Box The DropX Nerm Nermal vinyl figure is an intriguing embodiment of contemporary pop art's intersection with street culture, produced in a limited edition by the renowned streetwear brand Rip N Dip. This 2022 collectible stands 14 inches tall, capturing the playful yet provocative spirit of the brand's aesthetic. Limited to just 150 pieces, the vinyl art toy offers a unique twist on the character of Nermal, the brand's iconic cat mascot. Here, Nermal is reimagined through an "anatomical dissection," a design approach that lays bare the inner skeletal structure of the figure on one side while maintaining the smooth, playful exterior on the other. This juxtaposition creates a striking visual narrative, reflecting themes of duality and transparency that resonate deeply in street art and pop culture. This artwork, still in its original packaging, is as much a piece of art as a commentary on the modern collectibles market, where items are often valued more for their mint condition than for the artistic statement they make. The dissected aesthetic of the figure, a style popularized in the art toy community, aligns with a fascination with what lies beneath the surface—in terms of the figure's design and, metaphorically, regarding the persona and culture it represents. The exclusive nature of this limited edition release underscores the intersection of art and commerce, a theme prevalent in street art's evolution into gallery spaces and consumer markets. In this context, the Nerm Nermal vinyl figure is not merely a collectible but a tangible slice of the ethos that drives the street art scene, immortalizing the irreverent and often satirical spirit that has long defined both Rip N Dip and street art as a whole.

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SSUR Varsity 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures by SSUR Ruslan Karablin Russian Karablin's label, SSUR gets another Bearbrick makeover on the 400% sized motif. The Bearbrick features SSUR Graphics printed on the front, back and arms of the Bearbrick, resembling the iconic SSUR NY Dog Varsity Jacket. This 400% Bearbrick stands at 28cm / 11 inches tall.

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The Reef Giclee Print by Scott Listfield Artwork Limited Edition Print on 310gsm Museum Grade Archival Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Scott Listfield The Reef Giclee Print The Reef by Scott Listfield is a 2023 limited edition print that merges environmental narrative with the contemplative tone associated with Street Pop Art & Graffiti Artwork. The composition is divided dramatically by the waterline. Above the surface, Listfield’s signature astronaut sits quietly atop an ornate circular platform crowned with a monumental golden hand sculpture. The sky is open and calm, suggesting stillness and detachment. Below the surface, however, an expansive coral reef structure descends into rich blue depths, teeming with marine life and clusters of vivid orange fish. This vertical contrast between serenity and ecological complexity creates a visual metaphor about visibility, awareness, and the unseen systems sustaining life. Environmental Symbolism and the Astronaut Motif Scott Listfield, born in 1976 in the United States, remains active and is widely recognized for his recurring astronaut figure. The astronaut functions as a stand-in for contemporary humanity, navigating landscapes shaped by consumer culture, environmental change, and symbolic monuments. In The Reef, the astronaut appears passive, observing rather than interacting. This detachment heightens the tension between the artificial sculptural platform above and the organic reef ecosystem below. Coral reefs are among the most fragile and essential marine habitats on Earth, and their presence here underscores concerns surrounding climate change and ocean degradation. Within Street Pop Art & Graffiti Artwork, Listfield’s work shifts the conversation from urban walls to planetary scale, maintaining the narrative clarity of street-influenced imagery while expanding its thematic scope. Edition Details and Archival Quality The Reef is produced as a signed and numbered limited edition of 100, measuring 18 by 24 inches. The giclee process on 310gsm museum grade archival fine art paper ensures color depth, tonal accuracy, and long-term preservation. The layered blues of the ocean and the textured coral formations benefit from high-resolution pigment printing, capturing fine details that reinforce the immersive underwater atmosphere. As a work aligned with Street Pop Art & Graffiti Artwork, this piece balances refined print production with conceptual urgency, making it a compelling addition for collectors drawn to narrative-driven contemporary art with environmental resonance.

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Stigmata PP 2-Color Hand-Pulled Gold Limited Edition Silkscreen Print on Fine Art Paper by Craww Famous Pop Artwork Artist. 2012 Signed PP Printers Proof Stamped With Gold Detail, Hand Deckled 15.5x21 Regular Limited Edition of 35

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Franklin Street Pop Street Artwork Limited Edition Giclee Print on Archival Cotton Rag Paper by Urban Graffiti Modern Artist Matthew Grabelsky. 2016 Signed & Numbered Limited Edition of 30 Artwork Size 18x18

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Lucky Cat- Yellow Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shane Jessup. 5x5 2013 Signed & Numbered Series of 10

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Thoroughbred- Pocket Watch White Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Naturel Graffiti Street Artist Modern Pop Art. "Thoroughbred came from the way folks covet Polo from Ralph. Seeing all the old Lo pieces from 94 is like seeing a beautiful nude woman riding bareback!" - Naturel

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Gold Lion Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jen Collins.

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Dissection of Stitch- Anatomy Sheet No 30 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Damaged Bear 72 Original Color Marker Drawing by Jermaine Rogers on Wove Fine Art Paper Modern Street Pop Artwork. 2007 Signed Original Marker Ink Drawing Size 6.5x10. "Something is very wrong with me: I am falling apart...'" Damaged Bear 72 by Jermaine Rogers – Psychological Symbolism in Street Pop Art & Graffiti Artwork Damaged Bear 72 is a 2007 original marker ink drawing by American artist Jermaine Rogers, executed on wove fine art paper and measuring 6.5 x 10 inches. Signed by the artist, the piece is an emotionally raw and visually haunting entry in Rogers’s ongoing exploration of vulnerability, identity, and collapse. The drawing features a wide-eyed bear figure rendered in loose, expressive linework with patches of red that appear as wounds or signs of decay. Numbered 72 on its forehead and accompanied by hand-lettered text reading Something is very wrong with me: I am falling apart, the artwork merges character design with psychological confession. This bear is not a mascot or a toy—it is a vessel for emotional trauma, painted with urgency, humor, and existential dread. The piece exists as a stark and poignant work within the world of Street Pop Art & Graffiti Artwork, where imagery speaks louder than exposition. Visual Language of Inner Collapse The bear figure is a recurring character in Jermaine Rogers’s visual universe, often used to explore themes of innocence broken and identity under pressure. In Damaged Bear 72, the character’s sagging posture and panicked eyes suggest disorientation and surrender. Red ink blots mark its body like open wounds, and its blank, swirling irises indicate an emotional unraveling. The text above the figure reads like a journal entry or whispered confession, turning the drawing into a narrative fragment that blends visual and literary anxiety. Rogers uses minimal color—mostly black, pink, red, and cyan—but every mark contributes to the sense of urgency and internal fragmentation. The simplicity of materials contrasts the complexity of message, a method that aligns with the unfiltered nature of Street Pop Art & Graffiti Artwork. Marker Drawing as Emotional Broadcast Executed entirely in marker on fine art wove paper, the drawing reflects immediacy and tactile presence. The lines are loose, intentional, and flawed in a way that enhances their sincerity. Rogers’s use of bleeding ink and uneven pressure brings a sense of performance to the act of drawing, capturing not just form but emotional atmosphere. The paper holds every smudge and hesitation, turning what could be a sketch into a finished emotional document. The bear’s open expression, numbered forehead, and decaying appearance resonate as symbols of individuality lost in systemic tension. In the context of graffiti and pop character traditions, Rogers’s bear stands apart by leaning into fragility instead of bravado. Jermaine Rogers and the Anatomy of Emotional Resistance Damaged Bear 72 represents Jermaine Rogers at his most exposed, offering a piece that is both a visual statement and a confessional artifact. His work operates where emotion meets iconography, turning cartoonish figures into messengers of truth and despair. In the world of Street Pop Art & Graffiti Artwork, this piece is not about street dominance or design flash—it is about the quiet, painful moments that define human experience. Rogers’s ability to inject philosophical and emotional gravity into character-driven imagery places him among the most nuanced voices in the genre. This bear does not roar—it pleads, stares, and disintegrates in front of the viewer, offering no solutions, only honesty. That honesty is what transforms Damaged Bear 72 from a sketch into a relic of modern anxiety, drawn in lines that refuse to lie.

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Cool Down Sunset HPM Spray Paint Stencil Multiple by Praxis Hand Painted Acrylic on Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Mixed Media Stencil Acrylic & Spray Paint HPM Embellished Limited Edition of XXX Artwork Size 23.4x16.5

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Flying Balloons Girl 1000% BE@RBRICK x Brandalised Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 New In Box Brandalised x Medicom Toy x Banksy Be@rbrick Flying Balloons Girl 1000% Collectible Figure! Standing approximately 27.55 this Be@rbrick set is inspired by the art of Banksy. One of Banky's most well known artworks, Flying Balloon Girl, dates back to 2005 using black spray paint to stencil the piece onto a wall on the West Bank in Israel. Medicom Toy and Brandalism collaborate again after the popular Flower Bomber Bearbrick for this second Banksy Bearbrick. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage Silkscreen Print by Shepard Fairey The Barb Wire Dove Collage is a 2023 hand-pulled silkscreen print by Shepard Fairey (OBEY), produced as a signed and numbered limited edition of 450. Printed at 18 x 24 inches on Speckletone fine art paper, the work exemplifies Fairey’s mature collage-driven style, where iconic symbols are reassembled into layered political statements. The dove, a recurring motif throughout Fairey’s career, is rendered in bold cream tones against a black circular field, immediately drawing the eye while anchoring the composition with visual clarity and symbolic weight. Symbolism, Pattern, and Political Tension At the center of the image, the dove clutches a strand of barbed wire rather than an olive branch, transforming a universal symbol of peace into one marked by restriction, conflict, and unresolved struggle. Surrounding it, Fairey builds a dense patchwork of patterns inspired by global decorative traditions, currency engravings, and protest-era graphic textures. The fractured red, gold, teal, and blue background feels both ornamental and confrontational, suggesting cultural richness colliding with violence and control. This tension between beauty and brutality is intentional, reinforcing Fairey’s long-standing critique of power structures that commodify peace while perpetuating conflict. The distressed overlays and visible “collage” seams give the work a street-poster immediacy, as if it were torn from walls layered with history and dissent. Significance Within Street Pop Art & Graffiti Artwork Within Street Pop Art & Graffiti Artwork, Barb Wire Dove Collage stands as a distilled example of Shepard Fairey’s activist ethos. It merges clean graphic iconography with complex political messaging, making the piece accessible at a glance yet rewarding deeper reading. The relatively large edition size reflects Fairey’s belief in democratic distribution of ideas rather than exclusivity, while the hand-pulled silkscreen process preserves the tactile authenticity valued by collectors. For those collecting OBEY works, this print sits comfortably alongside Fairey’s most recognizable peace and protest imagery, offering a visually striking reminder that peace is not passive, but contested, fragile, and worth defending.

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The Squancher- Hohokum Limited Edition Giclee Print on Fine Art Paper by Richard Hogg counter-culture street artist art. Original Print Hohokum video game art series from Richard Hogg.

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Optimus Prime Transformers- Green 200% BE@RBRICK Limited Edition Medicom x Bape- A Bathing Ape Vinyl Artwork Toy Collectable Art Figure. New In Box- Medicom Toy teamed up with BAPE and Transformers to create a fully transformable Optimus Prime 200% Green Bearbrick. The Bearbrick x Transformers Optimus Prime x BAPE 200% figure features a Bearbrick donning splashes of black, green, grey and yellow. Using a lever on the back, this Bearbrick is fully transformable, switching from an ursine figure that resembles Optimus Prime to a more recognizable Optimus Prime figurine that appears ready for battle against the Decepticons. The Bearbrick x Transformers Optimus Prime x BAPE 200% figure in green was released in 2021

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Cock Sparrer Working Stiffs 2000 San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 35x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Cock Sparrer Working Stiffs 2000 San Francisco silkscreen print by Frank Kozik.  Frank Kozik Cock Sparrer Working Stiffs 2000 San Francisco Silkscreen Print Frank Kozik, born in Spain in 1962 and active in the United States until his passing in 2023, was instrumental in transforming underground gig posters into highly collectible Street Pop Art & Graffiti Artwork. The Cock Sparrer Working Stiffs 2000 San Francisco silkscreen print exemplifies his bold graphic authority at the height of the modern poster movement. Created for a performance at the Great American Music Hall in San Francisco, this hand-pulled silkscreen on fine art paper measures approximately 35 x 22.5 inches and was released as a signed and numbered limited edition of 300. Kozik’s disciplined production standards, combined with his unmistakable visual voice, helped elevate music event posters from ephemeral advertising to enduring fine art objects within contemporary print culture. Punk Iconography and National Identity Reframed The composition prominently features a stylized Union Jack backdrop, immediately signaling Cock Sparrer’s British punk roots while situating the event within a global music exchange. Across the center, a large winged emblem bearing the band’s name stretches horizontally, with dripping black forms adding a raw, confrontational tone consistent with Street Pop Art & Graffiti Artwork. Above, a bulldog wearing a cap reinforces working-class symbolism and punk identity, while the phrase Working Stiffs underscores the band’s long-standing association with street-level realism and labor-driven themes. Kozik’s use of saturated red, white, blue, and deep black fields demonstrates his mastery of high-contrast silkscreen layering, ensuring maximum visual impact both from a distance and at close inspection. The typography is assertive and graphic, merging traditional punk aesthetics with structured poster composition. Gig Posters as Collectible Street Pop Art & Graffiti Artwork By 2000, Kozik had firmly established the limited edition silkscreen gig poster as a legitimate segment of the art market. Signing and numbering editions such as this run of 300 reinforced the collectibility and archival value of each print. The Cock Sparrer Working Stiffs poster captures a specific cultural moment in San Francisco’s live music history while demonstrating how Street Pop Art & Graffiti Artwork channels subcultural identity, political undertones, and bold design into a unified visual statement. Today, works like this stand as enduring documentation of the intersection between punk music, national symbolism, and the handcrafted discipline of fine art silkscreen printing.

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Obsidian 01- 45 4-Color Full Bleed Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 01 - '45': Adorning the helmet in preparation for the rehearsal, Evelyn is slightly regretful for accepting the role of the lead villain. As soon as the armored helm and trained vulture are upon her, she revels in how easily she slips into the sinister role. 4 color serigraph - 16 x 20 inch - on smooth natural stock Regular colorway in a limited edition of: 75 Signed and numbered by the artist

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Does She Look Down Limited Edition 3-Color Hand-Pulled Silkscreen Print on Speckled Cream Paper by Pop Artist Shepard Fairey. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24

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Southpaw 2006 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Luke Chueh. Signed 2006 giclee print on archival paper 12 x 16 inches signed and numbered edition of 100

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The Stars My Destination- Orion Limited Edition Dunny Kidrobot x Tristan Eaton Vinyl Art Toy Collectible Artwork. Kidrobot takes one giant leap for DUNNY transporting us to a new destination with the Virtual Con 2021 Exclusive Astronaut The Stars My Destination “ORION” 8-inch Dunny. Dunny is prepared to explore the extraordinary in a fabric Kidrobot Dunny Astronaut space suit and shielded helmet. 3... 2... 1... Blastoff! Coming packaged in a premium box for display.

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Climb Mt. Tanaka> Be@rbrick 15-Color Hand-Pulled Limited Edition Silkscreen Print on 280lb. Coventry Rag Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Artist: Frank Kozik Creation Date: 2005 Edition: 100; signed and numbered Size: 22 7/8" x 30 his print is signed and numbered by the artist in pencil. This 15-color silkscreen art print is printed on white-colored 280lb. Coventry rag paper.

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Good Morning Sunshine> Be@rbrick 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. AP Artist Proof Print is in good to fair condition. AP Artist Proof, Artist: Frank Kozik Creation Date: 2004 Edition: AP edition of 35; signed and numbered Size: 23 1/4" x 32 1/2" Signed and numbered by the artist in pencil. This 7-color silkscreen art print is printed on white colored paper stock.

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Space Monkey Green Yellow AP Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2002 Signed & AP Marked Limited Edition Run Artwork Size 18x24 James Marshall's "Space Monkey Green Yellow AP": A Vibrant Fusion of Street and Pop Art The "Space Monkey Green Yellow AP" silkscreen print by Dalek, also known as James Marshall, is a vibrant expression of the artist's distinctive style, which straddles the line between street art and a playful, pop art aesthetic. Created as an Artist Proof (AP) in 2002, this limited edition hand-pulled screen print on fine art paper reflects the merging of street culture sensibilities with the boldness of pop art. Signed and marked as an AP, this work is part of an exclusive run that remains highly sought after by collectors of street pop art and graffiti artwork. The piece measures 18x24 inches, allowing the iconic "Space Monkey" character to command attention, while the green and yellow color scheme enhances the visual impact. Dalek's "Space Monkey" character is a recurring figure in his work, often seen as an avatar for the artist's exploration of emotion, identity, and the human condition. This character, with its oversized eyes and cartoonish form, exudes a sense of playful curiosity and alienation, recurrent in street art and pop culture. Silkscreen printing adds a layer of complexity to the piece, with each hand-pulled layer contributing to the depth and texture that make the image pop. Exploring the Artistic Significance of Dalek's Silkscreen Print James Marshall's work as Dalek has contributed significantly to the artistic dialogue between street art and pop art. His "Space Monkey Green Yellow AP" print encapsulates the whimsical and provocative elements often at play in his art. The character, floating against a stark background, is in a state of playful exploration, a sentiment that resonates with the freedom and spontaneity of graffiti art. At the same time, the clean lines and bold colors reflect the influence of pop art, creating a bridge between the countercultural and the mainstream. The artist's choice of an artist proof for this piece underscores its uniqueness and the personal nature of the screen printing process. Artist proofs are traditionally the first prints pulled from the screen, used to judge the quality of the print run. By signing and releasing a limited number of these proofs, Dalek offers collectors a piece of the creative process, a snapshot of the work in its earliest stage. Cultural Resonance of "Space Monkey Green Yellow AP" in the Art Community The cultural resonance of Dalek's "Space Monkey Green Yellow AP" within the street pop art and graffiti artwork community cannot be overstated. As a part of the early 2000s art scene, this print represents a period when street art began gaining widespread recognition and acceptance in the art world. With its crossover appeal, Dalek's work has played a role in this transition, bringing the energy and ethos of street art into galleries and private collections. The screen print's limited edition status adds a sense of exclusivity, mirroring the often ephemeral nature of street art. Just as graffiti may be painted over or fade with time, the limited availability of "Space Monkey Green Yellow AP" captures the urgency and rarity of street art in a form that collectors can preserve and appreciate over time. James Marshall's "Space Monkey Green Yellow AP" is a powerful representation of the synergy between street pop art and graffiti. As an artist's proof, it holds a special place in the canon of Dalek's work. It offers a window into the artist's creative process and a tangible piece of the movement that has brought street aesthetics into the forefront of contemporary art. The print is a testament to the enduring appeal of street-inspired imagery and its capacity to challenge, delight, and engage audiences across the spectrum of art appreciation.

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Pill Head Archival Print by Luke Chueh Limited Edition on 290gsm Cotton Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 50 Artwork Size 24x36 Archival Pigment Fine Art  Luke Chueh Pill Head Archival Pigment Print Pill Head is a 2025 signed and numbered limited edition archival pigment print by contemporary pop surrealist Luke Chueh. Produced on 290gsm Moab Entrada cotton fine art paper, this 24 x 36 inch print is released in a limited edition of 50. Known for his emotionally charged yet deceptively minimal compositions, Chueh delivers another striking visual metaphor rooted in vulnerability and dark humor. Minimalism with Emotional Impact The composition centers on a large red and white capsule split open midair, spilling out a cascade of small, white character heads. Set against a soft, muted green background, the stark simplicity of the scene heightens its conceptual weight. The tiny expressions—subtle, melancholic, and childlike—contrast with the clinical perfection of the pill form, suggesting themes of dependency, identity, and emotional fragmentation. Chueh’s clean lines and restrained palette amplify the quiet intensity of the image. Limited Edition Contemporary Pop Surrealism Printed as a high-quality archival pigment edition, Pill Head captures the smooth gradients and precise detailing characteristic of Luke Chueh’s work. With only 50 signed and numbered examples available, this 2025 release stands as a collectible addition to his body of modern pop and street-influenced fine art. Conceptually sharp and visually minimalist, Pill Head embodies Chueh’s ability to blend innocence, discomfort, and psychological depth into a single, powerful image.

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The Gang Is Here Charlie- Scooby-Doo Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Artist Raid71. 2022 Signed Limited Edition of 210 Artwork Size 5x5 Print

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I Asked for Scrambled Limited Edition Digital Pigment Print on Ceramic Plate Artwork by famous graffiti street artist Luke Chueh. Revenge Is A Dish Collectors Plate- Born in Philadelphia, but raised in Fresno, Luke Chueh (pronounced CHU) studied graphic design at California Polytechnic State University, San Luis Obipso where he earned a BS in Art & Design. He was then employed by the Ernie Ball Company, working in-house as a designer/illustrator where he created several award-winning designs and was featured in the design annuals of Communication Arts and Print Magazine.

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Three-Eyed Face 8 Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by pop artist Keith Haring. 2020 Limited Edition Kidrobot x Keith Haring Dunny Artwork Size 6x8 New Sealed In Box.  Kidrobot and Keith Haring: Merging Art with Collectibles Kidrobot stands at the forefront of intertwining the realms of art and collectibles, providing a fusion of aesthetic pleasure and collectible appeal. Their Three-Eyed Face 8 Limited Edition Dunny is a vinyl art toy that exemplifies this blend, showcasing the legendary work of Keith Haring. This collaboration is a colorful celebration of Street Pop Art & Graffiti Artwork, bringing the vibrancy of Haring's vision into the hands of collectors and art enthusiasts alike. Keith Haring rose to prominence in the 1980s, when the street became a canvas and public art a powerful medium for social expression. Haring's Three-Eyed Face, a standout in his iconography, encapsulates his spirit of innovation and commitment to making art universally accessible. The partnership with Kidrobot propels Haring's legacy forward, translating his iconic Three-Eyed Face into a tangible form for a new cadre of art lovers. Craftsmanship of the Three-Eyed Face Dunny The Three-Eyed Face Dunny is a testament to the meticulous craftsmanship that Kidrobot is known for. Sized at a commanding 6x8 inches, it is ideally suited for display and crafted to be a conversation starter. Each Dunny arrives in a specially designed display box that underscores its limited edition status. It is a contemporary artifact of Haring's profound impact on Street Pop Art & Graffiti Artwork. Kidrobot has long been a trailblazer in the art toy industry, bridging the gap between art and playful collectibles. They collaborate with Keith Haring's estate to bring a piece of art history into the present-day collector's market. The Three-Eyed Face 8 Limited Edition Dunny continues Kidrobot's commitment to artistry, collectibility, and accessibility, encapsulating the essence of Haring's artistic and societal contributions. Street Pop Art & Graffiti Artwork's Place in Modern Culture Street Pop Art & Graffiti Artwork have challenged and redefined the parameters of traditional art. Keith Haring played a crucial role in this cultural shift, using his art to communicate, engage, and inspire. The Three-Eyed Face Dunny is a medium through which his enduring influence persists, allowing his art to resonate with contemporary audiences and maintain its societal relevance. The collectible nature of the Three-Eyed Face 8 Limited Edition Dunny cannot be overstated. As a limited edition release, it occupies a niche within the collectible sphere coveted for its rarity and artistic merit. Sealed and preserved in its original packaging, it is not just a toy but a piece of collectible history, merging the worlds of high art and high collectibility.

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Monkey- Snow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Joe Ledbetter. 2014 Limited Edition of 100 Artwork Size 10x8 Displayed In Box Who likes the cold? No one! Winters just keeps getting longer & colder & Snow Monkey is not happy about it in the least!

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey Revolution in Our Time 2020 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created Revolution in Our Time in 2020 as part of a collaboration with American photojournalist Edward Nachtrieb. This hand pulled five color silkscreen print measures 18 x 24 inches and is produced on cream Speckletone fine art paper in a signed and numbered limited edition of 500. The imagery is based on Nachtrieb’s documentation of the 1989 Tiananmen Square pro democracy demonstrations, reinterpreted through Fairey’s bold graphic language rooted in Street Pop Art & Graffiti Artwork. Released amid renewed pro democracy protests in Hong Kong, the print connects historical calls for reform with contemporary civic movements, reinforcing Fairey’s long standing belief that public protest is an essential catalyst for meaningful political change. Protest Iconography and Graphic Language in Street Pop Art & Graffiti Artwork The composition features a smiling protester raising a hand in a gesture of peace beneath a red field with a yellow star, referencing national symbolism while reframing it through the lens of grassroots activism. A white dove emblem appears within an ornamental motif, suggesting aspirations for freedom and unity. Torn paper effects reveal layered textures, newsprint fragments, and secondary protest imagery, creating depth and historical resonance. Fairey’s use of high contrast black, red, cream, and teal echoes traditional propaganda aesthetics while redirecting that visual authority toward the voice of the people rather than the state. This strategic appropriation of graphic propaganda structure is a hallmark of Street Pop Art & Graffiti Artwork, where familiar visual codes are recontextualized to amplify dissent and solidarity. Historical Memory and Contemporary Street Pop Art & Graffiti Artwork Edward Nachtrieb’s photographs captured moments of optimism during the 1989 demonstrations before military suppression altered the course of that movement. Revolution in Our Time preserves that spirit of hope and determination through stylized reduction and bold silkscreen craftsmanship. The limited edition structure of 500 signed and numbered prints reflects the established fine art production model within Street Pop Art & Graffiti Artwork, ensuring both collectibility and archival presence. By merging documentary history with assertive graphic composition, Fairey transforms a specific historical moment into a broader symbol of civic courage, demonstrating how contemporary printmaking can sustain public memory and inspire ongoing engagement with democratic ideals.

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Paradise UltraGiclée Print by Arkiv Vilmansa Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Limited Edition of TBD Artwork Size 25.59x22 Bape 30th Anniversary Collection Vibrant and lively, the works of Arkiv Vilmansa, a contemporary artist from Indonesia, channel the essence of cartoons in their bold and two-dimensional style. Vilmansa's training as an architect has given him a structured and critical approach to his art, which he combines with raw and unrestrained expression to create truly one-of-a-kind pieces. By using a formula that he has developed to control his paintings' surfaces and textures, Vilmansa explores the world of non-figurative art and cartoon character depictions, infusing them with organic shapes and canvas forms. His inspirations stem from creative industry trailblazers like NIGO and Takashi Murakami, whose influence can be seen in Vilmansa's use of lines, colors, and shapes.

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