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Baccarat Clear 200% Be@rbrick Crystal Glass Art Toy by Medicom Designer Luxury Limited Edition Artwork Collectable Art Figure. 2021 Baccarat x Bearbrick Medicom Clear Glass Crystal Art Toy Collectible Size 200% New In Box. Kawaii is invading planet Baccarat! Fusion of Craftsmanship and Pop Culture The 2021 Baccarat Clear 200% Be@rbrick represents a unique intersection between traditional French crystal artisanship and modern pop culture aesthetics. This piece is a tangible celebration of a crossover between the old-world luxury of Baccarat, the iconic French crystal maker, and the contemporary creative expression of Medicom Toy, a leading Japanese figure in the designer toy market. Baccarat's foray into collectible art toys with the clear crystal Be@rbrick showcases the brand's versatility in embracing modern design movements while staying true to its heritage of exquisite craftsmanship. Handcrafted in France, this transparent lead crystal figurine encapsulates the essence of the Be@rbrick, maintaining the beloved bear shape while reflecting a new light within its clear, pristine form. The Be@rbrick in the World of Street Pop Art By adopting the form of a bear—a symbol often associated with warmth and comfort—Baccarat's clear Be@rbrick transcends its playful origins to become a sophisticated art piece. It stands as an object at the forefront of Street Pop Art and graffiti Artwork, a domain where the whimsical and the refined coexist harmoniously. As a limited edition release, the clear crystal Be@rbrick by Baccarat is not merely a toy but a collector's gem. Its creation in 2021 marks a moment in art and design where boundaries between different forms of expression are increasingly blurred, and collectibles like this have become valuable assets in the art market. Cultural and Aesthetic Appeal The clear crystal Be@rbrick by Baccarat is more than a merger of luxury and street art—it is a statement about the evolving nature of art and collectibles in the modern age. It is a testament to the changing tides in art consumption and appreciation, where pieces once deemed informal or non-traditional are now celebrated and coveted in high-end circles. This clear Be@rbrick symbolizes adaptability and creativity, a piece that stands as a beacon of innovation in Street Pop Art and graffiti Artwork, capturing the essence of a generation that reveres both the past's craftsmanship and the present's artistic freedom.

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Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Happy OG San F30 by OG Slick: Sticker Bomb Rebellion in Street Pop Art & Graffiti Artwork Happy OG San F30 is a 2025 hand-embellished giclee print by West Coast graffiti innovator OG Slick. Released in an extremely limited edition of only 25, this 30x30 inch print is executed on 310gsm deckled fine art paper and enhanced individually by hand with spray paint, splatter, and stencil work. Each version is signed, numbered, and uniquely altered, turning every piece into a one-of-one collectible. The imagery is anchored by OG Slick’s instantly recognizable happy face character with an eyepatch, surrounded by a wall of bombed stickers—layered logos, graffiti tags, and Japanese script overlaid in chaotic repetition. The background pulses with energy and contradiction, channeling the language of street saturation into the framework of gallery presentation, firmly anchoring this work within the domain of Street Pop Art & Graffiti Artwork. Graffiti Identity and Urban Overload At the center of Happy OG San F30 is a three-dimensional illusion of Slick’s mascot-style smiley face, set against a cluttered backdrop of stickers and branding. The character’s face is mischievous and iconic—bright yellow, eyepatched, and grinning—set deep into a surface of repeated OG Slick tags, gloved hands, Japanese type, and portrait-style graphics. These elements, often seen wheatpasted across real city walls, are turned into a visual mosaic of cultural imprint. Each piece from the edition features variations in embellishment—some drenched in white-out buffing drips, others slashed with graffiti textures and flares of color. This intentional randomness echoes the street’s unpredictability and the performative nature of tagging, remixing, and rewriting public space. In Street Pop Art & Graffiti Artwork, identity is layered and questioned, and this piece captures that through repetition and distortion of self-referential branding. OG Slick’s Signature Blend of Humor and Rebellion OG Slick, based in Los Angeles with roots in Hawaii, has spent decades merging graffiti technique with pop culture critique. His work has long balanced playful iconography—like his recurring glove and smiley face figures—with gritty rebellion. In Happy OG San F30, Slick tackles the commercialization of graffiti itself, packaging it as fine art without compromising the aggressive messiness that gives it power. The sticker-bomb aesthetic recalls DIY zine culture, punk graphics, and urban tagging. It creates a claustrophobic yet rhythmic canvas that mimics actual urban surfaces layered over time. The eyepatch on the smiley face injects attitude and defiance into what might otherwise feel nostalgic or naïve. It’s a declaration: this is not just happiness, it’s earned chaos. Limited Edition Print as Urban Object and Subversive Gesture Printed with high-resolution giclee techniques and hand-embellished with spray and buff, each copy of Happy OG San F30 serves as a tactile collision between fine art and unsanctioned creativity. The deckled edges and archival-quality paper elevate the print’s object status, while the embellishments make every piece unstable, immediate, and alive. The randomness of spray, layering, and buffing across the edition mirrors the real-world ephemerality of graffiti—where no wall stays the same, and no tag is sacred. OG Slick invites collectors into a moment of street chaos preserved on paper, where symbols of rebellion are recast as aesthetic icons. As a component of Street Pop Art & Graffiti Artwork, this print acts as both artifact and intervention—marking where subculture meets spotlight and turning visual overload into something permanent, beautiful, and defiant.

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Holiday Indonesia Accomplice Pink Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2023 Out of Print Edition Size 11.5x3 Printed Foot New In Box Vinyl Art Toy Kaws Companion Accomplice in Bunny Rabbit Suit With Hands over Face & Eyes.  The landscape of pop art has been one of dynamic change and evolution. A paramount exemplification of this ever-evolving genre is the "Holiday Indonesia Pink Limited Edition Vinyl Art Toy Sculpture Collectible Artwork" by the legendary modern artist, Kaws. Having roots in street art and graffiti, Kaws has risen as a transformative figure in the contemporary art scene, deftly bridging the gap between high art and popular culture. Diving deeper into the intricacies of the piece, the 2023 out-of-print edition stands as a testament to the artist’s craftsmanship and attention to detail. Sized at 11.5x3, the print on the foot of the art toy adds a unique touch, further signifying its limited-edition status. The choice of the figure, a Kaws Companion Accomplice dressed in a bunny rabbit suit, evokes a sense of nostalgia while also pushing the boundaries of modern design. The pose, with hands covering its face and eyes, adds a layer of depth and intrigue, sparking myriad interpretations and inviting viewers to ponder the figure's emotional state. Such artworks, especially in the medium of vinyl toys, have surged in popularity and value, with enthusiasts and collectors alike seeking them out as treasured pieces. Their blend of whimsy with a deeper artistic narrative, akin to traditional pop art, makes them compelling, engaging, and undeniably iconic. Kaws’ prowess in seamlessly merging street art elements with mainstream aesthetics positions him, and pieces like the " Holiday Indonesia Pink Limited Edition", at the forefront of the modern pop art movement. This art toy sculpture stands not just as a collectible but as a beacon of the ever-shifting nature of pop and street art, embodying its vibrant spirit and transformative potential.  

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Love Red SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Limited Run of 1111 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. The Love Red SuperKranky is an art toy designed by OG Slick in collaboration with SuperPlastic, a leading designer toy company known for producing high-quality vinyl toys in limited editions. OG Slick is an iconic graffiti artist from Los Angeles who has made a name for himself in the street art and urban vinyl toy scene. His distinctive style blends street culture and fine art, creating visually striking and memorable pieces. The Love Red SuperKranky is a vinyl toy featuring the signature character "SuperKranky," which takes inspiration from a spray paint can. This particular edition comes in a bright, bold red color with black and white accents, showcasing OG Slick's graffiti-style artwork. The toy features movable parts and usually comes with additional accessories like a removable cap and a "rattle" sound, emulating the sound of a real spray paint can. As with most art toys, the Love Red SuperKranky by OG Slick and SuperPlastic is produced in limited quantities, making it highly sought after by collectors and fans of the artist's work. Its unique design and connection to street art make it a popular item in the urban vinyl toy community.

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Pac-Man x Grafflex 100% & 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 400% New In Box

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BunnyKitty Dream State- Teal 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Teal Variant Edition of 25 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Tour de Finch Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Desirable Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 10x8

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Punk Skunk Artwork Limited Edition Giclee Print on Fine Art Paper by Propaganda Artist Ron English- POPaganda. 2017 Signed & Numbered Limited Edition of 25 Artwork Size 30x24 "Punk Skunk" is a vibrant and evocative work by the celebrated pop artist Ron English- POPaganda, known for his unique blend of pop art with street art under the banner of Propaganda. This piece is a fine art giclée print, characterized by English's characteristic fusion of high and low cultural touchstones, playing with themes of subversion and counterculture. Created in 2017, this particular artwork is part of a signed and numbered limited edition series, with only 25 pieces in existence, each measuring 30x24 inches, making it a rare collector's item. Ron English- POPaganda's "Punk Skunk" features a cartoonish skunk, an emblematic figure within his art, illuminated against a backdrop swirling with psychedelic colors and patterns. The character is infused with a rebellious spirit, encapsulated by the punk aesthetic of the skunk's design, including its prominent tail that morphs into a stylized marijuana leaf – a clear nod to the rebellious subcultures that challenge societal norms. The background is a kaleidoscopic array of colors, swirling in a manner that suggests motion and a particular fluidity of thought and being, which complements the central figure's stance on freedom and nonconformity. This artwork stands out for its bold color palette, a hallmark of English work, which uses color to evoke a sense of movement and energy. Each print is meticulously crafted, with the giclée technique ensuring that each color is vividly captured, replicating the artist's original vision with precision and clarity. Fine art paper provides a high-quality base that holds the inks with fidelity, giving each piece a durability that suits its status as a collectible art object. By releasing "Punk Skunk" in such a limited run, Ron English- POPaganda underscores the exclusivity and inherent value of the print, mirroring the ethos of street art, where the fleeting nature of a piece can often amplify its impact. Collectors of this edition acquire not just a piece of art but a statement that reflects on the boundaries between the elite world of art collecting and the lawless world of street art. English's work has consistently played with this boundary, and "Punk Skunk" is a compelling example of his skill in blending these realms to create thought-provoking and visually arresting.

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Dissection Of The White Rabbit Limited Edition Archival Pigment Print on 300gsm Museum Natural Fine Art Paper by Nychos Graffiti Street Artist Modern Pop Art. AP Artist Proof 2013Signed & Marked AP Artwork Size 16x16 "I painted this piece in January of this year, right before I went to Hawaii for Pow Wow. It was also featured in my recent solo show in Italy, showcasing some of my recent dissections. The concept is based on the graphical graffiti throw-up I have been doing since around 2005, but I had to do a dissection of this one! The image is now Rabbit Eye Movement's main (REM) logo. REM started as a street art concept based in Vienna, but I always saw the Rabbit Eye Movement as an homage to all the "rabbits" out there being" active in the urban art movement; it doesn't matter what mission they are following. The movement grew, and REM expanded to establish the REM ARTSPACE. This place addresses national and international artists from genres like graffiti, urban illustration, street art, lowbrow, and pop culture imagery. It allows individual and collective creativity to open minds and cultivate passionate inspiration." - Nychos. Nychos' "Dissection of The White Rabbit": A Modern Pop Art Phenomenon In the contemporary urban landscape, few art pieces have captured the imagination as vividly as "Dissection of The White Rabbit" by Nychos, the illustrious graffiti street artist. This limited edition archival pigment print on 300gsm Museum Natural Fine Art Paper stands as a hallmark of modern pop art and a defining piece within the street pop art and graffiti artwork genre. Created as an artist proof (AP) in 2013, this 16x16 artwork weaves complex narratives of biology, mythology, and urban culture into a single, striking, and thought-provoking canvas. Nychos: Anatomical Explorations and Urban Narratives Nychos, renowned for his unique approach to street art, employs a distinctive technique of anatomical dissection in his work. "Dissection of The White Rabbit" is a prime example, presenting a rabbit split down the middle to reveal the intricate workings of its internal organs. This piece was conceived in January of that year, just as Nychos was preparing to attend Pow Wow in Hawaii, and subsequently became a centerpiece in his solo show in Italy. Nychos's work delves into the layers that compose living beings, reflecting a deep fascination with what lies beneath the surface. By marrying the graphic energy of graffiti throw-ups with the precise detail of dissections, Nychos has forged a new path in street pop art. The artwork also functions as the emblem for the Rabbit Eye Movement (REM), a concept originating from the streets of Vienna. Nychos envisions REM as a tribute to the 'rabbits' of the urban art movement, symbolizing the active participants in this burgeoning cultural scene, regardless of their mission. REM has since evolved to establish the REM ARTSPACE. This creative hub celebrates a variety of genres, from graffiti and urban illustration to street art, lowbrow, and pop culture imagery. This space is dedicated to fostering individual and collective creativity and serves as a bastion for the free exchange of ideas, ensuring the progression and inspiration of artists worldwide. The Impact and Legacy of Nychos' Work The influence of "Dissection of The White Rabbit" extends beyond its visual impact. It embodies Nychos' profound effect on the street art scene, illustrating the transformative power of visual arts in urban spaces. The work is a representation of the artist's technical prowess and a symbol of his commitment to challenging the traditional boundaries of street pop art and graffiti artwork. As the primary logo for the Rabbit Eye Movement, it has become synonymous with a global network of artists dedicated to advancing the cause of street art. Through his work and the establishment of REM ARTSPACE, Nychos has played a pivotal role in shaping the dialogue around street art and its place in the broader spectrum of contemporary art. In essence, "Dissection of The White Rabbit" is more than just a piece of art; it is a cornerstone of Nychos' artistic and cultural contribution. This piece encapsulates the dynamism and versatility of street pop art and graffiti artwork, demonstrating how such works can simultaneously educate, inspire, and provoke thought. As Nychos' fame continues to rise and his works continue to captivate audiences around the globe, the legacy of his white rabbit, dissected and displayed, stands as an enduring symbol of the power and potential of street art.

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Jerry- Flocked 100% & 400% Tom & Jerry BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 Medicom Toy Tom and Jerry Bearbricks are now available with a flocked texture to add some "realism" to our cartoon friends! Both Tom and Jerry are available as 100% + 400% Bearbrick Set and a 1000% Bearbrick, each sold seperately. Stands at 7cm and 28cm tall.

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Poupelle of Chimney Town 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. From the movie, Poupelle in Chimney Town comes the Trashman monster, Poupelle, who came to life when a delivery man dropped a beating heart into Chimney town. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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Pleasure Paradise 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by DXTR counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Gromit 100% & 400% Wallace and Gromit BE@RBRICK Limited Edition Medicom Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 From the popular British claymation comedy series, Wallace and Gromit, comes the silent yet loyal and intelligent anthropomorphic dog: Gromit as a Bearbrick set by Medicom Toy. Stands at 7cm and 28cm tall.

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Polygondwanaland Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ed Irmen pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Longear Tiger P-40 Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art for sale. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 17x16 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Fantasia Mickey 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures Medicom 2021 Disney Mickey Mouse limited edition 400% and 100% figures

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VOLTEQ 20 Inch Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by street graffiti Quiccs. 2022 Voltron Themed TEQ63 Dunny Standing 20 Inches Tall, Limited Edition of 500. Kidrobot has once again teamed up with artist Quiccs to bring to life the fusion of TEQ and Dunny in an epic creation. Introducing the VOLTEQ Dunny 20” Vinyl Art Figure by Philippines-based illustrator, toy designer, and graffiti artist Quiccs. This giant 20” Dunny is a mecha-inspired statement piece based on the artist’s TEQ63 character, a post-apocalyptic hero living in a dystopian society.

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My Heart and Soul Blue Silkscreen Print by Raid71 Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 18x30 Silkscreen Print of Stylized Mickey Mouse with Disney & Star Wars Related Tattoos All Over. The Cultural Fusion in Raid71's Artwork Raid71, an artist known for his bold and often intricate work, has produced a silkscreen print that speaks volumes about the interplay between popular culture and art. This piece, hand-pulled on fine art paper, is a limited edition, signed and numbered by the artist, ensuring its status as a collectible item. The artwork measures 18x30 inches, a size that allows the details and colors to stand out, drawing the viewer into a closer inspection of the interwoven designs. At first glance, "My Heart and Soul" may seem like a simple homage to the classic character of Mickey Mouse. However, upon closer inspection, the print reveals a complex array of tattoos referencing other significant cultural icons, including elements from Disney and Star Wars. This amalgamation of symbols serves as an aesthetic choice and a narrative device, telling a story that spans across different eras and fandoms. Street Pop Art and graffiti Artwork have long been a vibrant and transformative force in visual culture, offering a canvas for artists to challenge norms, express societal commentary, and embrace iconic imagery with a twist. "My Heart and Soul Blue Silkscreen Print" by Raid71 encapsulates this spirit, presenting a familiar figure adorned with a tapestry of symbolic tattoos that merge the nostalgic with the contemporary. Technique and Tradition in Silkscreen Printing The technique of silkscreen printing, chosen by Raid71 for this artwork, is a meticulous and hands-on process revered for its ability to produce vibrant, saturated colors and sharp images. Hand-pulling a print requires precision and skill, making each piece unique. This traditional method of printmaking aligns with the ethos of Street Pop Art and graffiti Artwork, where the hand of the artist is valued, and the physical act of creation is part of the artwork's narrative. Silkscreen prints have a rich history in pop and street art, with artists like Andy Warhol popularizing the technique in the 1960s. Raid71's use of this method creates a direct lineage to the pop art movement, while the subject matter and styling of the piece place it firmly in the contemporary conversation of street art. Reflections of Pop Culture in Modern Art "My Heart and Soul" is more than a piece of art; it is a cultural artifact that reflects the pervasive influence of pop culture in modern society. The tattoos adorn the iconic character are not random; they are carefully chosen emblems that many viewers will recognize and connect with. By incorporating these symbols into the artwork, Raid71 invites reflection on the impact of media and entertainment on our collective consciousness. This blending of pop culture references within the artwork indicates a broader trend in Street Pop Art and graffiti Artwork, where the lines between high art and low art are blurred. Raid71's print stands as a testament to the democratization of art, showcasing how universally recognized imagery can be repurposed to create something new and thought-provoking. The Significance of Limited Edition Artworks The decision to produce "My Heart and Soul" as a limited edition print plays a significant role in its desirability and potential legacy. Collectors and enthusiasts of Street Pop Art and graffiti Artwork often seek out little edition pieces for their exclusivity and investment potential. The practice of numbering and signing each print also adds a personal touch from the artist, creating a connection between the creator and the collector. In the context of street art and pop art, limited editions help to bridge the gap between the often ephemeral nature of street art—typically seen on public walls and therefore subject to change—and the permanence sought by collectors. By offering a finite number of prints, Raid71 ensures that "My Heart and Soul" retains a sense of rarity and value. "My Heart and Soul Blue Silkscreen Print" by Raid71 is a vibrant intersection of artistry, pop culture, and printmaking tradition. It embodies the innovative and referential qualities that are hallmark traits of Street Pop Art and graffiti Artwork. As the piece makes its way into the collections of art lovers, it carries the spirit of the streets, the allure of pop culture, and the timelessness of fine art printmaking.

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Lil Helpers Pretty N Kink Janky SuperPlastic Art Toy by Guggimon Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist. 2022 Limited Run of 2000 SuperJanky Janky Superplastic Vinyl Art Toy Artwork Size 6x15 New In Box

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Ice Tiger Camo UltraGiclée Giclee Print by Simone Legno Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 17.71x23.62 Bape 30th Anniversary Collection With COA Simone Legno, hailing from Italy, stands tall in the contemporary art scene, having carved a niche with his distinct blend of Japanese-inspired motifs and pop art flavors. He is the brain behind the renowned "tokidoki" brand, a testament to his ability to blend colorful and adorable characters seamlessly. Over the years, his artwork has ventured into collaborations with a plethora of fashion and lifestyle bigwigs, amplifying his already substantial influence in the art world. The "Ice Tiger Camo UltraGiclée Giclee Print" is a shining beacon of Legno's artistic prowess. This piece is a part of the Bape 30th Anniversary Collection and was meticulously crafted in 2023 as a limited edition, with only 300 prints available for avid art aficionados. Each piece is signed and numbered by the artist himself, vouching for its authenticity and uniqueness. Delving into the specifics of the piece, one is immediately drawn to the detailed "Ice Tiger Camo" pattern. This design is a masterful concoction of snowy camouflage infused with the fierceness of tiger motifs, embellished further with iconic tokidoki elements that are quintessentially Legno. What's more, the medium chosen for this piece — the UltraGiclée print — showcases Legno's commitment to quality. This giclée process, revered for reproducing digital images with a rich color spectrum and unmatched detail, is utilized here on the finest SIHL Ivory White Matt Paper. The result? A piece that resonates with the ethos of street art and graffiti, capturing the dynamism and vibrancy of urban culture, while also paying homage to the subtle intricacies of pop art. Simone Legno is an Italian artist, graphic designer, and creator of the famous "tokidoki" brand. He is best known for his cute and colorful characters and his collaborations with various fashion and lifestyle brands. Legno's artwork combines Japanese culture and pop art elements to create a unique visual aesthetic. An UltraGiclée print typically refers to a high-quality, limited-edition print made using the giclée process. This method involves using an inkjet printer to reproduce digital images on various substrates, such as canvas or paper. The result is a print with a wide color gamut and superior detail, making it popular among artists and collectors. In the context of this artwork, "Ice Tiger Camo" is a pattern design created by Simone Legno, featuring elements of icy and snowy camouflage with stylized tiger motifs and other signature tokidoki elements.

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Safari Girl Pile Artwork Giclee Limited Edition Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2010 Limited Edition 33x26

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The High Ground Giclee Print by Dave Pollot Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 20x13 Star Wars May the 4th Special Edition Print on Rolled Canvas. The High Ground Giclee Print by Dave Pollot: Star Wars in the American Wilderness The High Ground is a 2025 giclee print by Dave Pollot, a limited edition artwork measuring 20x13 inches on rolled canvas. Signed and numbered by the artist, this special edition was released to mark Star Wars Day, combining sci-fi iconography with classic Americana. Dave Pollot, known for recontextualizing pop culture into traditional landscapes and thrift store finds, brings Darth Vader, stormtroopers, and mallards into a serene wilderness hunting scene, transforming fan art into a contemplative and visually satirical piece within Street Pop Art & Graffiti Artwork. Star Wars and American Nostalgia Collide This artwork channels the quiet stoicism of mid-century American wildlife paintings, a genre associated with stillness, solitude, and reverence for nature. However, Pollot introduces an unexpected yet humorous disruption—Darth Vader, dressed in full regalia, holds a camouflage duck call and lifts his hand as ducks scatter across a frosty marsh. In the backdrop, stormtroopers pose as hunters with rifles raised, as if unaware they are participants in a parody. The distant trees and subdued color palette create a tranquil environment that is cleverly unsettled by these fictional intrusions. The Death Star hovers faintly in the misted moon, replacing the sun like an all-seeing presence. The balance between humor and reverence is where Pollot excels, subtly critiquing the commercialization of mythology while celebrating it at the same time. The Satirical Language of Dave Pollot Dave Pollot is an American artist celebrated for taking discarded art and reimagining it through the lens of popular culture. His works often remix vintage aesthetics with modern characters from video games, films, and television, turning forgotten or ignored canvases into sharply observed commentaries. The High Ground follows this trajectory by preserving the painting’s original sentiment—peaceful wilderness and natural observation—but replacing the human subjects with galactic legends. This method turns the familiar into the surreal and invites viewers to reassess both the imagery and the context. It functions both as a homage and a gentle subversion, seamlessly embedding Star Wars lore into the pastoral. Modern Street Pop Art on Traditional Canvas The High Ground is not just a novelty print for science fiction fans; it is a deliberate exploration of cultural layering. In the context of Street Pop Art & Graffiti Artwork, it utilizes mashup aesthetics to reflect how pop culture infiltrates memory and collective nostalgia. By printing on canvas and mimicking classical wildlife art, Pollot bridges the distance between digital-age fandom and analog artistic traditions. Released as a limited edition for Star Wars May the 4th, the print resonates beyond franchise loyalty. It becomes a narrative about cultural saturation, about how icons like Darth Vader are not simply fictional—they inhabit our landscapes, our metaphors, and our humor. Dave Pollot’s The High Ground embodies this ethos with cleverness and craftsmanship, making it a notable piece within contemporary collectible fine art.

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Bad Bunny- Fashion EDC SuperGuggi Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Artist Guggimon. Limited Run of 14444 Made IN 2021 8' Tall

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City Cryptid Blind Box Dunny Vinyl Kidrobot Art Toy Sealed Unopened Limited Edition Rabbit Collectible Pop Artwork. 2018 Limited Edition Size 3inch Rabbit Animal Art Toy.  Single Unopened New in Box. Cryptids are taking over the city in style! This limited-edition City Cryptid Dunny Art Figure Series, curated by Disney designer and award-winning artist Scott Tolleson, features original 3" vinyl figures crafted by an all-star lineup of visionary creators. The series showcases unique designs from Greg “Craola” Simkins, Chris Ryniak, Alex Pardee, Charlie Immer, Amanda Louise Spayd, Chris Lee, Candie Bolton, Skinner, Tara McPherson, and Scott Tolleson himself. City Cryptid Blind Box Dunny Vinyl Art Toy by Kidrobot – Sealed Limited Edition Pop Culture Collectible The City Cryptid Blind Box Dunny Art Toy from Kidrobot is a landmark piece in the evolution of designer toys that combine urban mythology with high-end collectible culture. Released in 2018 as a limited edition, this 3-inch vinyl rabbit figure is part of a blind box series that brings a lineup of legendary cryptid creatures into the heart of modern pop art. Featuring an ensemble of interpretations from acclaimed street pop artists and illustrators, the City Cryptid Dunny collection reflects the convergence of mythology, fantasy, and urban life. The figures are housed in sealed, unopened boxes that retain their full collectible value, ensuring each buyer experiences the thrill of discovering which mysterious creature lies within. Scott Tolleson and the Curation of a Modern Vinyl Mythos Curated by the award-winning artist and Disney designer Scott Tolleson, the City Cryptid Dunny series invites collectors into a surreal narrative that merges folklore with bold graphic art. Tolleson’s aesthetic direction creates a cohesive yet varied universe where every cryptid takes on new life in Dunny form. This isn’t just a random set of characters—it’s a mythological menagerie sculpted through the lens of street pop art and underground vinyl culture. Tolleson’s ability to tie together a cohesive series from such a diverse group of artists speaks to his deep understanding of visual storytelling and collectible culture. Street Pop Art Meets Urban Legend Through Designer Vinyl What makes this series uniquely collectible is the incredible talent roster behind it. The lineup includes pop surrealist icons such as Greg “Craola” Simkins, monster master Alex Pardee, whimsical sculptor Amanda Louise Spayd, psychedelic visionary Skinner, Japanese folk horror stylist Candie Bolton, and many more. Each 3-inch figure interprets a different cryptid from folklore—like the Jersey Devil, Mothman, or Chupacabra—reimagined with the vibrant textures, patterns, and symbolism that characterize the artists' work. The Dunny platform itself, an iconic rabbit-eared blank canvas, elevates the series by bringing consistency to otherwise wildly diverse aesthetics, transforming each figure into a wearable mascot of myth and mystery. Blind Boxes and the Culture of Urban Collectibility The sealed blind box format brings suspense and exclusivity to the collecting experience, adding a performance element to the act of acquisition. It taps into the thrill of discovery while highlighting the value of artistic scarcity. Whether purchased individually or in a full box, collectors are engaging in a ritual of surprise that mirrors the way graffiti art interacts with the urban landscape—appearing unexpectedly, holding symbolic meaning, and disappearing or transforming over time. This 2018 edition serves as a living archive of street pop art & graffiti artwork, embedded in collectible culture and bound by a shared reverence for monsters, myths, and imaginative rebellion.

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Sheer Art Attack Ink Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Ink Drawing Artwork Size 15x17 "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Emotions- Green Stencil 2-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. 2020 Signed & Numbered Hand Stenciled Limited Edition of 5 Artwork Size 20x24 "Between men and women, we have been arguing about equality for a long time and things are maybe much more comfortable now, plus new generations seem like they are having better ideas. The topic has much changed since our grandparents' time or even before. Yet, women and minorities are still facing obstacles we must help resolve: education, job opportunities, and health. I hope the chance for fair living is given to everyone and everyone can seize the day." - AIKO "Emotions- Green Stencil" is a striking 2-color silkscreen limited edition print on fine art paper, created by the renowned artist AIKO. A masterful blend of contemporary pop artwork, the piece resonates deeply with the intense spectrum of human emotions, specifically diving into the dynamics between men and women. The artwork captures a moment, a feeling, and an expression that brings to light the ongoing discourse on gender equality and the challenges faced by women and minorities. AIKO's meticulous hand-stenciled technique is evident in this piece, emphasizing the rawness and authenticity of her message. Limited to just five signed and numbered pieces, this artwork measures 20x24, making each print exceptionally exclusive. The vibrant green hues combined with the contrasting elements create a visually captivating piece that's hard to look away from. The stencil technique adopted by AIKO, traditionally associated with street art and graffiti, infuses a sense of urgency and rebellion into the artwork, making it all the more compelling. Reflecting on the progression of gender equality and societal views, AIKO acknowledges the strides that have been made since our grandparents' era. Yet, she remains acutely aware of the existing challenges that women and minorities face in areas such as education, job opportunities, and health. Through "Emotions- Green Stencil", AIKO conveys her ardent hope for a future where every individual, regardless of gender or background, is presented with equal opportunities to thrive. The artwork serves as a reminder and a call to action, urging society to ensure a fair chance for everyone to seize the day. The piece, in its entirety, stands as a testament to AIKO's commitment to amplifying voices that often go unheard and her unwavering dedication to instigating change through art.

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Saved by Seagulls 3-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist.

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Dissected Popek- Space Grey Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Whatshisname x Jason Freeny. Classy meets cheeky in this beautiful new colorway, with a metallic finish that adds a futuristic flair to any collection. This boy is not just the goodest boy, he and his poopoo are also lookin’ pretty lux!

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Tyto Alba 9-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville, Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Marked AP Limited Edition Artwork Size 18x24. Small Handeling Crease to Upper Left Facing Margin. Intricacy and Allure of Anville's Screen Printing Justin Anville's "Tyto Alba" is a striking example of the fusion between Street Pop Art & Graffiti Artwork and fine art printmaking. The 9-color hand-pulled limited edition silkscreen print is a testament to Anville's skill in utilizing traditional screen printing techniques to create artwork that resonates with the energy and rawness of street art, while also commanding the finesse and sophistication of gallery-quality pieces. Crafted in 2011, each print in this limited edition is signed by the artist, marked as an artist's proof (AP), and measures 18x24 inches, capturing the viewer's attention with its size and detail. The artwork's complex layering of colors highlights Anville's meticulous attention to detail and his commitment to the craft of screen printing. The small handling crease to the upper left-facing margin bears witness to the human element involved in the process of creating each individual piece, a subtle reminder of the artist's hand at work. The central figure of the owl, crowned and majestic, stands as a powerful symbol within the composition. The owl is often associated with wisdom and mystery in various cultures, and Anville's portrayal adds a regal dimension to these interpretations. This iconography is cleverly juxtaposed with the urban elements that frame the bird, creating a dialogue between nature and the constructed environment, a common theme in Street Pop Art & Graffiti Artwork. Contribution to the Evolution of Street Art Anville's "Tyto Alba" not only contributes to the evolution of street art but also stands as a bridge between the often separate worlds of street and fine art. His work elevates the graffiti art style into a fine art realm without losing the grassroots feel that defines street art. The rarity of the piece adds to its allure, knowing that it belongs to a finite set of prints, each one slightly different from the last, each one a unique piece of Anville's vision. The use of nine colors in the screen printing process is significant, allowing for a depth and vibrancy that can be challenging to achieve with fewer layers. Anville's choice of fine art paper as a substrate reflects a conscious decision to present street art not merely as ephemeral but as something to be preserved and cherished. The result is a rich texture and color dynamism that brings the artwork to life. Artistic Impact of "Tyto Alba" "Tyto Alba" serves as an emblem of Anville's artistic prowess and his contribution to the broader narrative of Street Pop Art & Graffiti Artwork. The piece's existence within limited edition collections across the globe speaks to its impact on both the art community and pop culture. Collectors of Anville's work appreciate not just the visual appeal of his art but also the commentary it provides on the blending of urban street culture with the more traditional aspects of art-making. Justin Anville's "Tyto Alba" is a profound representation of the modern-day synergy between street art and fine art printing. It stands as a vibrant emblem of the potential for Street Pop Art & Graffiti Artwork to transcend boundaries and enter into a dialogue with audiences across diverse spectrums of the art world.

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Goof Ball Archival Print by Ben Frost Limited Edition on 310gsm Cotton Photographique Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 11.7x11.7 Archival Pigment Fine Art by Ben Frost Ben Frost is an Australian artist whose oeuvre is a scintillating fusion of pop art, street art, and graffiti art. Renowned for his visually striking and thought-provoking pieces, Frost’s work often incorporates iconic imagery from mainstream media and consumer culture. His subversive art is characterized by the juxtaposition of these symbols with themes of excess, addiction, and the superficiality and wastefulness of consumer culture. Infused with a critical edge and often laced with dark humor, his paintings, prints, and installations defy conventional aesthetics and present a chaotic and relentless assault on the senses. Goof Ball Archival Print by Ben Frost is an exemplary representation of the mélange between pop art and street art that has been taking the art world by storm. Ben Frost, an Australian artist renowned for his juxtaposition of commercial imagery and his own iconic style, often draws inspiration from the relentless bombardment of visual stimuli that constitutes the modern world. He has a predilection for utilizing vibrant colors and satirical commentary, which can be seen in the Goof Ball Archival Print. This piece specifically combines the aesthetic sensibilities of pop art, a movement characterized by its fascination with popular culture and consumer goods, with the edgy, raw, and often subversive nature of street art. Frost's Goof Ball Archival Print is captivating in its visual immediacy and use of iconic characters and logos. The inclusion of popular cultural symbols makes it relatable, while its brazen critique of consumer culture, inherent in the juxtapositions, lends it a certain depth. With the audacious strokes reminiscent of graffiti art, the work strikes a balance between the refined and the rebellious. It is a high-quality archival print, which ensures the longevity and preservation of the vivid colors that are a hallmark of Frost’s work. As a seminal piece in the contemporary fusion between pop, street, and graffiti art, Goof Ball Archival Print is an invitation to not just glance, but to analyze and introspect on the commentary it makes about our culture. This artistic gem, thus, warrants appreciation from both art aficionados and casual observers alike.

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Snoopy & Woodstock Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 6x8 Archival Pigment Fine Art Peanuts Snoopy Dog & Woodstock Bird on Dog House Cloud Watching in Glitch Style. Adam Lister's Interpretation of Classic Imagery Adam Lister's "Snoopy & Woodstock Archival Print" represents a confluence of pop culture and fine art through the lens of a modern street pop artist. This limited edition piece, part of a 50 print run for 2023, presents the iconic Peanuts characters in a striking glitch style, transforming a familiar scene into something that challenges and delights the viewer. Rendered on 300gsm hot press matte fine art paper, the artwork is a testament to Lister's ability to blend traditional themes with a contemporary digital aesthetic. The Signature Style of Adam Lister Lister is known for his unique approach to visual art, which combines the digital pixelation effect reminiscent of early video games with the fluidity and expressiveness of watercolors. His "Snoopy & Woodstock" piece is no exception, offering a fresh take on Charles Schulz's beloved characters. Each 6x8 print is signed and numbered by the artist, ensuring its authenticity and connection to Lister's vision. Collectors and enthusiasts of street art and pop culture cherish Lister's work for its innovative fusion of styles and its homage to iconic figures. Collectibility and Cultural Impact The collectibility of Adam Lister's prints lies not only in their limited availability but also in their cultural resonance. The depiction of Snoopy and Woodstock, characters deeply ingrained in the public consciousness, through Lister's pixelated style, invites contemplation on the intersection of nostalgia and modernity. It's a visual narrative that speaks to the enduring legacy of pop icons while firmly rooting itself in the aesthetics of street pop art and graffiti artwork. The "Snoopy & Woodstock Archival Print" is a modern artwork that encapsulates the spirit of its time while honoring the past.

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Visible Labbit Plush Guts- Neon Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Come inside Frank Kozik's Smorkin Labbit to show you what Labbit's are really made of... a whole lot of plush! Presenting The Visible Labbit featuring visible plush guts and bones inside a transparent outer shell. This limited edition 7" statement piece is the next smoking hot, must-have Labbit art toy.

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Jelly Monster Pink Unique Original Silkscreen Print by Buff Monster Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2006 Signed & Dated Unique Original Silkscreen on Wood Panel Artwork Size 10.13x10.13  Jelly Monster Pink by Buff Monster – Playful Chaos in Street Pop Art & Graffiti Artwork The 2006 Jelly Monster Pink unique silkscreen print by Buff Monster represents one of the early and defining works of the American artist’s irreverent and sugar-soaked approach to Street Pop Art & Graffiti Artwork. Hand-pulled on a 10.13 x 10.13 inch wood panel, this signed and dated original is more than a print—it is a hybrid of painting, pop artifact, and graffiti statement. The pink jelly-like figure at the center is rendered in bold black outlines, exuding Buff Monster’s trademark aesthetic of cheerful grotesquery. Swirled hypnotic eyes, a stitched mouth, and a body resembling soft candy or alien confectionery play with themes of innocence and surrealism. The surface texture of the wood adds a tactile element that enhances the artwork’s physical presence, grounding its bright colors and playful form in something more rugged and permanent. Buff Monster and the Visual Language of Urban Candyland Buff Monster, born in Hawaii and based in New York, is a prominent figure in the evolution of Street Pop Art & Graffiti Artwork. Known for his obsessive use of pink and his fusion of Japanese kawaii culture with punk rock and heavy metal aesthetics, he has developed a distinctive style rooted in contradictions. Jelly Monster Pink is emblematic of this duality—it is adorable yet unsettling, cute but disorderly. The character presented in this piece embodies Buff Monster’s interest in creating a world where mutant mascots and saccharine colors disarm the viewer, only to provoke a second glance where unease and irony begin to surface. This work from 2006 falls within a period when the artist was expanding his presence in the street art community, translating his hand-painted monsters into prints, toys, murals, and exhibitions. Medium, Material, and Street Culture Permanence Unlike typical silkscreen works on paper, Jelly Monster Pink is printed directly onto a wood panel, emphasizing durability and blurring the line between print and object. The wood grain subtly visible through the pink ink provides a contrast that amplifies the artificial vibrancy of the character. Buff Monster’s process of hand-pulling these prints ensures that no two are completely alike, reinforcing the handmade, graffiti-influenced ethos that runs through all of his practice. This piece carries the same energy of his early street pastings and character stickers, but in a format suited for gallery or collector display. It represents how artists rooted in graffiti culture have embraced traditional art materials without abandoning their visual urgency. Cartoon Absurdity and Candy-Coated Dissent Jelly Monster Pink speaks through cartoon logic and sugary visuals, yet its undercurrents are deeply subversive. The figure’s crossed-out mouth, vacant spiraled eyes, and protruding teeth suggest something lost in translation—an emotion masked in sweetness or a creature caught in perpetual confusion. This blend of innocence and distortion captures Buff Monster’s ethos of using cute forms to express chaos, uncertainty, and satire. In the larger world of Street Pop Art & Graffiti Artwork, his work disrupts expectations by channeling nostalgia through a distorted mirror. It transforms symbols of childhood into sophisticated commentary on identity, culture, and art itself. Jelly Monster Pink stands as a playful yet potent example of this ongoing practice, combining clean design with wild imagination and a hint of irreverence that never fully fades.

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Jean Michel Basquiat #7 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures 2021: The 7th collaboration with Medicom Toy features Basquiat's 1984 work called "Untitled." Basquiat created this, and many other artworks during his critically acclaimed primetime as graffiti turned contemporary neo-expressionism artist. New in Box. Embracing the Neo-Expressionist Legacy: Jean-Michel Basquiat #7 BE@RBRICK Set In the confluence of street pop art and the urban collectible scene, the Jean-Michel Basquiat #7 100% & 400% BE@RBRICK set emerges as a profound statement piece. This limited edition vinyl art toy set, released in 2021, is a testament to the enduring impact of Jean-Michel Basquiat's work and his pivotal role in the transition from street graffiti to acclaimed neo-expressionist art. The BE@RBRICK, produced by Medicom Toy, stands as a canvas, reflecting the raw and vibrant essence of Basquiat's 1984 "Untitled" masterpiece and, through it, his critically acclaimed period of creativity. This particular set is part of the seventh collaboration between Medicom Toy and the estate of Jean-Michel Basquiat, showcasing the artist's signature style, marked by a fusion of words, symbols, and figures. The Be@rbricks, standing at 2.75 and 11 inches tall, have been crafted using a hydro-dipping technique, ensuring that each figure possesses a unique pattern that echoes the spontaneity and individuality of Basquiat's original artworks. This process not only celebrates the distinctiveness of Basquiat's art but also aligns with the unpredictable nature of street pop art and graffiti artwork, where each piece is inherently one of a kind. The Fusion of Street Art and Collectible Culture The BE@RBRICK serves as a testament to the versatility and influence of Jean-Michel Basquiat, an artist who managed to bridge the gap between the underground street art scene and the high-end contemporary art world. By emblazoning the figure with the artwork of Basquiat, Medicom Toy honors the legacy of an artist who famously quoted, "Believe it or not, I can draw," challenging the perceptions of critics who doubted the legitimacy of graffiti artistry. The release of this BE@RBRICK set pays homage to Basquiat's talent and cements his work as an integral part of the narrative of street pop art and graffiti artwork. The Jean-Michel Basquiat #7 BE@RBRICK figures symbolize the storytelling power of art toys in the modern era. Each figure encapsulates a story, a piece of Basquiat's soul, and a snapshot of the era he influenced profoundly. They are at once a celebration of his artistry and a continuation of his artistic dialogue, offering a new platform for his work to be appreciated by a contemporary audience. Collectors of these figures are not just acquiring a toy; they are inheriting a piece of art history. The BE@RBRICKs are three-dimensional canvases that carry the weight of Basquiat's artistic contributions to street pop art and neo-expressionism. As limited edition pieces, they represent the ever-evolving appreciation for art that transcends traditional mediums and enters the realm of the personal and the everyday. The Jean-Michel Basquiat #7 100% & 400% BE@RBRICK set is a modern collectible that carries the legacy of one of the most significant artists in the transition from street art to mainstream acceptance. It stands as a bridge between the past and the present, between the streets and the galleries, and continues to spread the message that art is for everyone, everywhere.

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Sharp Tooth Bear ComplexCon Skateboard Art Deck Set by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2019 Limited Edition Skateboard Artwork Size 8x31 Skateboard Art Deck Brand New Perfect Condition 3x Deck Set Sharp Tooth Bear ComplexCon Skateboard Art Deck Set by Takashi Murakami: Pop Icons Reimagined in Street Pop Art & Graffiti Artwork The Sharp Tooth Bear ComplexCon Skateboard Art Deck Set by Takashi Murakami is a 2019 limited edition release featuring archival pigment print transfer on a triptych of 8 x 31 inch natural wood skateboard decks. Distributed under Murakami’s TM/KK studio label and unveiled at ComplexCon, this set presents his iconic character Mr. DOB in a surreal, floating constellation of multicolored spheres and sharply jagged smiles. The artwork is pristine in condition and masterfully designed to span across all three decks, forming one unified image that vibrates with movement and mischief. A hallmark of Murakami’s crossover between high-concept Japanese art and subversive street aesthetics, this edition continues his exploration of visual identity through the lens of Street Pop Art & Graffiti Artwork. Mr. DOB, Murakami’s long-standing alter ego and mascot figure, is featured here in its more evolved and chaotic form. Multiple Mr. DOB heads orbit across a gradient background shifting from teal blue to pale yellow, creating a dreamy atmosphere that clashes with the aggressive, shark-like teeth and multicolor psychedelic eyes embedded in each orb. These elements produce a feeling of both playful celebration and psychological unease. With influences from anime, manga, consumer branding, and the emotional dissonance of modern visual culture, Murakami’s sharp-toothed icon becomes both character and critique. His precise lines and cartoon-like distortion transform each floating head into a symbolic vessel for contemporary overstimulation and cultural fragmentation. Skate Culture Meets Pop Surrealism in Limited Edition Form Takashi Murakami’s choice to present this piece as a skateboard deck set is deliberate. Skate decks have long existed at the intersection of function and rebellion. In Street Pop Art & Graffiti Artwork, the skateboard is more than a tool—it is a symbol of self-expression, disruption, and the tension between movement and visual impact. By translating his most recognizable character onto a surface born in subculture, Murakami activates new dimensions of accessibility and statement. The Sharp Tooth Bear set preserves the tactile honesty of the street while simultaneously operating as a luxury fine art object. The curved verticality of the decks allows the floating spheres to appear as if drifting in weightlessness, emphasizing the detachment and surveillance often associated with Murakami’s characters. Each panel maintains detail while contributing to the whole, creating a mural-like composition that bridges studio art and skate shop graffiti. The production quality—high-fidelity archival pigment on wood—maintains the integrity of the image while reinforcing its collectible status. These decks are built for permanence but born from a culture that values ephemerality. Character Mutation as Language in Murakami’s Visual System The recurring use of Mr. DOB across Murakami’s work symbolizes transformation, commercial identity, and visual overload. In the Sharp Tooth Bear deck set, the character’s expression is twisted into multiple forms, with exaggerated eyes, swirling patterns, and sharp jaws creating a sense of multiplicity and instability. This reflects a broader theme in Street Pop Art & Graffiti Artwork where characters become signatures, avatars, and mythologies that evolve in public. Like graffiti tags, these characters act as a calling card—but Murakami amplifies them with color theory, compositional harmony, and emotional duality. Floating heads with smiles and snarls occupy the liminal space between joy and chaos. Their bright exteriors mask the grotesque, creating a paradox central to the experience of modern pop culture. These figures float in a void, disconnected yet expressive, much like the fractured media landscape Murakami so frequently interrogates. The decks tell a story of cultural mutation and psychological saturation through line, hue, and repetition. Takashi Murakami’s Skate Decks as Contemporary Cultural Icons Takashi Murakami, born in Japan in 1962, continues to challenge and redefine what Street Pop Art & Graffiti Artwork can be. His skate deck releases at ComplexCon push the boundaries of medium, bringing fine art to surfaces with street-level power. The Sharp Tooth Bear deck set serves as an entry point into Murakami’s philosophy of Superflat—where depth is compressed and visual meaning expands. With this 2019 release, Murakami reinforces that characters like Mr. DOB are not just visual gimmicks, but sophisticated tools for exploring the artificial, the emotional, and the psychedelic in a world oversaturated with imagery. These decks are not just collectibles—they are symbols of how visual art can mutate, float, and bite, all while maintaining a smile. They are the painted echoes of pop consciousness frozen in motion, crafted with intent, color, and a sharp set of teeth.

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Hedwig Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ryan Berkley. Ryan Berkley - "Hedwig" limited edition fine art digital print signed and numbered edition of 50 copies 8" x 10"

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I Heart NY Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by Street Brand Artists Rip N Dip. 2022 Limited Edition of 150 Size 14-inch Nerm Nermal Vinyl Figure I Heart NY Dissected Art Toy. New In Box. 14 inch I Heart NY Lord Nermal Vinyl Figure Created To Celebrate Our New NYC Flagship Store Opening I Heart NY Heart printed on chest and Bottom Of Foot

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Origin of Species Evolution Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Bird on Bike Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. ED 2

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Laugh in the Face of... Artwork Giclee Limited Edition Print on Italian Cold-Press Archival Watercolor Paper by Pop Culture Graffiti Artist Nosego. Laugh in the Face of... by Nosego Fine art Giclée print on Italian cold-press watercolor paper Featuring hand-deckled edges Hand-embellished 24 x 18 Inches Limited Edition of 50 (signed & numbered)

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Mickey Mouse R&W 2020 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures Medicom 2020 Disney Mickey Mouse Red & White 400% + 100%

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Happy Bears Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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The Stars My Destination- Orion Limited Edition Dunny Kidrobot x Tristan Eaton Vinyl Art Toy Collectible Artwork. Kidrobot takes one giant leap for DUNNY transporting us to a new destination with the Virtual Con 2021 Exclusive Astronaut The Stars My Destination “ORION” 8-inch Dunny. Dunny is prepared to explore the extraordinary in a fabric Kidrobot Dunny Astronaut space suit and shielded helmet. 3... 2... 1... Blastoff! Coming packaged in a premium box for display.

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Turtle Island Ganas Collage Original One of a Kind Sprayed Paint Stencil Painting Artwork on Cotton Rag Art Paper by Street Art Pop Culture Artist Ernesto Yerena Montejano- Hecho Con Ganas. 2022 Signed Original Spray Paint Painting Size 20.5"x26.5" Hand Spray Painted Stencils on 100% Cotton Rag Paper Hand Deckled Edges Signed and Numbered by Ernesto Yerena Montejano 1-Off The Artistic Expression of "Turtle Island Ganas Collage" by Ernesto Yerena Montejano Ernesto Yerena Montejano is an artist deeply rooted in the cultural crossroads of street pop art and graffiti artwork. His piece, "Turtle Island Ganas Collage," is a vibrant celebration of cultural identity, resilience, and the spirit of resistance. This original one-of-a-kind sprayed paint stencil painting on cotton rag art paper encapsulates the ethos of Montejano's artistic vision—Hecho Con Ganas, or "made with effort and desire." Signed by the artist, this 20.5"x 26.5" artwork reflects Montejano's commitment to creating pieces that are not only visually captivating but also imbued with social and political commentary. Symbolism and Technique in Montejano's Work In "Turtle Island Ganas Collage," Montejano employs the turtle, a creature revered in many indigenous cultures for carrying the world on its back, as a central figure symbolizing the earth and the interconnectedness of life. The term "Turtle Island" is a name for the North American continent used by several Native American tribes, and its inclusion in the title ties the piece to themes of heritage and land. Montejano's choice of materials—100% cotton rag paper with hand-deckled edges—complements the organic subject matter, grounding the piece in tradition and craftsmanship. The hand-sprayed stencils create a sharp contrast characteristic of graffiti art, while the intricate details and layering echo the complexities of pop art imagery. Ernesto Yerena Montejano's Contribution to Street Pop Art Montejano, a Mexican-American artist, contributes to the rich tapestry of street pop art through works like "Turtle Island Ganas Collage," which speak to identity, community, and activism issues. His work often reflects the experiences of the borderlands between the United States and Mexico, serving as a visual commentary on the socio-political landscape. By integrating motifs from indigenous and Chicano culture, Montejano bridges the past with the present, creating a dialogue between historical narratives and contemporary issues. His artwork transcends the traditional boundaries of street art, offering a narrative that is both universal and deeply personal. Through his art, Montejano invites viewers to engage in broader conversations about social justice, heritage, and the human condition, solidifying his place in the pantheon of street pop art and graffiti artists.

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Monkey- Good Morning Sunshine Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Joe Ledbetter. 2014 Limited Edition of 500 Artwork Size 10x8 Displayed In Box Matching the painting which inspired the figure, the colorful Good Morning Sunshine is ready (well kinda...) for the new day with a cup of joe in hand, a cigarette, and a way too cheerful bird. The original edition finds the Monkey wearing his skivvies and the same dour expression as in all the other colorways.

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Yogi on Xanax- Black 7-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Superfine UltraWhite Paper by Ben Frost Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Ben Frost Yogi on Xanax, 7-color Hand-Pulled Screen Print on Mohawk Superfine UltraWhite, 160 lb Cover 24 x24 in., 61 x 61 cm Edition of 25, signed & numbered by the artist Printed by POP!NK Editions Yogi on Xanax by Ben Frost – Pop Culture Intervention in Street Pop Art & Graffiti Artwork Yogi on Xanax is a 2022 limited edition 7-color hand-pulled silkscreen print by Australian-born artist Ben Frost, printed on 160 lb Mohawk Superfine UltraWhite cover paper. Measuring 24 x 24 inches, this silkscreen print was produced in a signed and numbered edition of just 25, crafted under the direction of POP!NK Editions. Known for his subversive blending of pop culture icons with controversial subject matter, Frost delivers a provocative image that fuses the innocence of Yogi Bear with the cold design language of a pharmaceutical Xanax label. This juxtaposition forces a confrontation between humor and critique, childhood nostalgia and chemical dependency, all while maintaining the graphic vibrancy and clean execution that define his studio practice. The piece is bold, glossy, and ironic—designed to trigger recognition and unsettle the viewer simultaneously. Pharmaceutical Satire and Cartoon Familiarity Collide Ben Frost’s work routinely challenges the sanitized narratives of consumer branding and media imagery. In Yogi on Xanax, the use of Yogi Bear—an animated figure associated with carefree antics and childhood television—is purposefully misaligned with the clinical, regulated world of prescription medication. The cheerful cartoon smile and brightly saturated colors stand in contrast to the red-labeled warnings and dosage marks of Xanax packaging. The artwork explores themes of escapism, emotional suppression, and the commercialization of health, suggesting that even the most innocent symbols are not immune to societal pressures. Frost’s treatment of iconography reflects the strategies central to Street Pop Art & Graffiti Artwork, where visual language is repurposed to expose hidden truths and cultural contradictions. Printing Technique, Surface Quality, and Material Precision Executed with precision on Mohawk Superfine UltraWhite paper, the 7-color silkscreen process ensures that every layer of ink sits cleanly atop the surface, producing striking contrast and tonal balance. This heavy-weight paper enhances the density of color and preserves the integrity of each line and text detail. The silkscreen technique, a mainstay of pop art production since the era of Andy Warhol, allows Frost to replicate the flat commercial style of packaging design while embedding it with sharp conceptual tension. Each print is signed and hand-numbered, reinforcing its collectibility and placing it within the canon of fine-edition Street Pop Art & Graffiti Artwork. POP!NK Editions’ involvement in the production guarantees a gallery-level standard of finish, ensuring that each print is not only conceptually rich but also technically flawless. Ben Frost’s Cultural Commentary Through Brand Distortion Ben Frost continues to push the boundaries of what pop imagery can convey in a critical, ironic, and visually arresting format. Yogi on Xanax operates on multiple levels—as parody, as product, and as visual disruption. It pulls from the mass media archive and reintroduces familiar icons with new, unsettling associations. This is central to the strategy of Street Pop Art & Graffiti Artwork, where repetition, appropriation, and recontextualization are not just aesthetic choices but radical acts. By placing a figure like Yogi Bear in the frame of medical necessity and emotional regulation, Frost questions how society assigns meaning and value to images. His art reflects a world where cartoons sell pills and pills sell calm, a world where branding and identity collapse into one unified surface. Yogi on Xanax is not just pop art—it is a sharp and unapologetic reflection of contemporary visual culture.

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Giddyup Honeybear Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2020 Signed & Numbered 11x14 Edition of 20

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