Archival Pigment Prints

Ever Increasing Speed Archival Print by Michael Polakowski Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 19x24 Archival Pigment Fine Art Vaporwave Style Car Driving In Desert At Night Highly Stylized In Pink & Purple Artistic expression is a fascinating journey that provides a platform for creators to convey their unique perspectives, with each piece being a new invitation for us to explore their world. One such captivating masterpiece is the limited edition "Ever Increasing Speed Archival Print" by renowned artist Michael Polakowski. His work is a fresh addition to the pantheon of modern art, offering a confluence of pop graffiti and street art, elements often found at the heart of his creations. Created in 2023, this signed and numbered print is an exclusive, limited edition release, with only 25 prints available globally. The scarcity and uniqueness of the prints add to their value and desirability, making them a treasure for both avid collectors and casual enthusiasts. Sized at 19x24, each print is large enough to dominate a wall, yet compact enough to fit within a variety of spaces. The "Ever Increasing Speed" print is crafted on 290gsm Moab Entrada fine art paper, a meticulously chosen medium known for its ability to showcase the most vibrant of hues and the deepest of blacks. It's revered by artists for its archival quality and incredible color reproduction capabilities. The use of such high-quality paper ensures that the artwork not only looks breathtaking on display but also stands the test of time, retaining its pristine condition for generations to come. This piece is a unique display of Polakowski's mastery over the Vaporwave aesthetic, a subculture rooted in the 80s and 90s nostalgia, often characterized by surreal landscapes and neon, cyberspace-inspired palettes. His rendition presents a highly stylized car journeying through a desert landscape at night, an image brimming with both intrigue and allure. The car, speeding in the moonlight, provides a kinetic energy that courses through the image, highlighting the concept of "ever increasing speed." Aesthetically, Polakowski relies heavily on a palette of pink and purple hues to style the scene. These colors, often associated with the Vaporwave genre, invoke a sense of dreamy nostalgia and retro-futurism. He paints the night sky with shades of purple and uses hues of pink to illuminate the desert, contrasting the monotonous bleakness of the landscape with bold, vibrant colors. The illuminated car - also depicted in pink - races through the desert, symbolizing the relentless march of time in the face of an unfathomable void. As a contemporary artist, Polakowski challenges the boundary between high art and low art through his creations, as he juxtaposes pop graffiti and street art elements with traditional fine art media. His work questions the line between popular culture and the sanctified realm of fine art, offering a fresh perspective that resonates with a broad range of audiences. This beautiful confluence of styles, mediums, and themes makes the "Ever Increasing Speed Archival Print" a must-have for any art connoisseur who appreciates the depth and complexity of modern artistic expression.

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Couture Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Cotton Rag Paper by Artists Faile, Urban Pop Art Legends. 2022 Signed & Numbered Limited Edition of 300 Size 26x24 Signed, stamped, and embossed in the studio, Couture is an edition of 300. The print captures all the detail and painted texture right down to the drips. It's a luscious, vibrant archival pigment print on heavyweight matte art paper. Couture Print 26 x 24 inches Edition of 300 Archival Pigment Ink on Entrada 290gsm Cotton Rag Signed, Stamped, and Embossed 2022

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That's No Moon Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Max Dalton, Street Pop Art Graffiti Legend. 2022 Numbered Edition of 350 Size 18x24

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Submerged Archival Print by Super A Archival Pigment Fine Art Limited Edition Print on 300gsm Archival Cotton Rag Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 90 Artwork Size 17x24 Hand Deckled

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Groundhog Day 731 Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Denial, Street Pop Art Graffiti Legend. 2022 Signed Limited Edition of 25 18x24. February 2 2020 Everyday Covid Lies With Bill Murray As A Reporter Based On The Movie. Groundhog Day 731: A Satirical Masterpiece by Denial Groundhog Day 731 is a provocative and visually striking archival pigment fine art print by Denial, the Canadian street pop art and graffiti artist Daniel Bombardier. This 2022 limited edition piece is part of Denial's ongoing exploration of societal themes, blending pop culture with critical commentary. Printed on 290gsm Moab Entrada paper, the artwork measures 18 by 24 inches and is limited to an edition of 25 signed and numbered prints, making it a highly sought-after collectible. The piece combines the absurdity of Bill Murray’s role as a weatherman in the iconic film Groundhog Day with the surreal and repetitive nature of modern life during the COVID-19 pandemic. A Pop Culture Twist on a Global Event Groundhog Day 731 uses the familiar face of Bill Murray as a satirical lens through which to examine the monotony and misinformation that characterized the early pandemic era. The calendar backdrop, repeating February 2, 2020, evokes a sense of unending repetition, much like the movie it references. Murray’s glazed expression and the altered title reinforce the themes of confusion, misinformation, and media distortion. By connecting this imagery to the repetitive cycles of misinformation and shifting narratives during the COVID-19 crisis, Denial critiques the societal impact of disinformation and how it shaped collective experiences of the pandemic. The Art of Social Commentary in Street Pop Art Denial is known for his ability to infuse humor and critique into his work, and Groundhog Day 731 is no exception. The use of Murray’s character as a metaphor highlights the surreal nature of modern media consumption, where each day often feels like a recycled version of the last. Denial’s work transcends mere visual appeal by embedding layers of meaning that address both personal and collective experiences. The vibrant red background and bold graphic elements draw from graffiti artwork, while the high-resolution pigment printing technique adds a refined edge. These elements create a piece that is both accessible and deeply thought-provoking, embodying the ethos of street pop art. Denial’s Impact on Contemporary Art Groundhog Day 731 exemplifies Denial’s unique approach to street pop art, where humor, nostalgia, and critique collide to form impactful social commentary. His work, rooted in the aesthetics of graffiti artwork and pop culture, offers a platform for examining contemporary issues with sharp wit and visual flair. This limited edition print is not only a commentary on a specific moment in time but also a broader reflection on the cyclical nature of human experience in a media-saturated world. By combining bold visuals with timely commentary, Denial continues to solidify his status as a leading voice in modern urban art.  

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Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

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Nefertiti Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Fine art print by NYCHOS Limited Edition of 111 Artwork Size 18.5x24 Nychos, a renowned figure in the realms of street art and pop graffiti, presents a mesmerizing portrayal of Nefertiti in this archival pigment fine art print. The artist is globally recognized for his distinctive style, where he often delves into the intricate anatomy of his subjects, blending a keen scientific accuracy with a vibrant, almost surreal aesthetic. This particular piece, titled "Nefertiti," is no exception. With a backdrop of a bold red circle, the artwork unveils the internal anatomy of the ancient Egyptian queen, juxtaposing the magnificence of her external beauty with the intricate maze of her internal physiology. The details, from the network of veins and arteries to the intricate bone structure, are meticulously laid out, capturing the viewer's attention instantly. The use of vivid colors against the dark backdrop further accentuates the details, making it a captivating visual experience. Crafted in 2021, this artwork is a testament to Nychos's unparalleled talent and his unique approach to street art. The print is made using high-quality archival pigment, ensuring longevity and retaining the vibrancy of the colors. Produced on velvet cotton fine art paper, the texture complements the depth and intricacy of the artwork. As a limited edition release, only 111 pieces have been produced, each measuring 18.5 x 24 inches. Every print is signed and numbered by Nychos, guaranteeing its authenticity and making it a sought-after piece for collectors and street art enthusiasts alike. The blend of ancient iconography with contemporary art techniques results in a piece that bridges epochs and challenges the viewer to see beyond the surface.

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This Means War-Hol Variant II Archival Print by ABCNT Limited Edition Print on 290gsm Moab Fine Art Rag Paper Pop Artist Modern Artwork. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 Archival Pigment Fine Art

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Surface Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Aaron Nagel Graffiti Street Artist Modern Pop Art. Born in 1980 in San Francisco, CA, Aaron Nagel began drawing as a child and gradually made his way to painting. Upon discovering oils in his early twenties, he became enamored with the medium and has been obsessed with it ever since. He has exhibited in solo and group exhibitions in San Francisco, Los Angeles, Portland (OR), Philadelphia, Tucson, Miami, and New York and has shown at international art fairs such as Art Miami, Scope, and Art Revolution Taipei. Nagel lives and works in Oakland, CA.

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Lawrence of Arabia Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Desert Middle East Man in the Head of a Match Flame from Movie Lawrence of Arabia . Lawrence of Arabia Silkscreen Print by Justin Van Genderen Lawrence of Arabia Silkscreen Print by Justin Van Genderen is a visually striking 2013 limited edition artwork that captures the essence of the classic film Lawrence of Arabia through a bold, minimalist design. Hand-pulled on fine art paper, this 18x24-inch silkscreen print features a signed and numbered edition of 50. The image merges the sweeping landscapes of the Middle East with the iconic matchstick imagery from the film, symbolizing both the ignition of war and the relentless pursuit of destiny. With its use of stark contrasts and warm desert hues, this print stands as a testament to the power of Street Pop Art & Graffiti Artwork in reinterpreting cinematic history. Minimalism and Symbolism in Film-Inspired Artwork This print takes a minimalist approach to capturing the spirit of Lawrence of Arabia. Instead of directly replicating a film still, the composition distills the film’s themes into a single, evocative image. A lone figure stands atop a sand dune, engulfed in the head of a match flame, which dominates the frame. This reference to the film’s famous match-cut scene, where a burning match transitions into a vast desert sunrise, is instantly recognizable to cinephiles and art lovers alike. The use of a match flame as a compositional element creates a powerful metaphor. It suggests both the literal fire of battle and the burning ambition of T.E. Lawrence, the film’s protagonist. This blending of iconography and storytelling is a hallmark of Street Pop Art & Graffiti Artwork, where the goal is to communicate complex narratives through simple yet arresting visuals. The stark color palette of gold, orange, and sand-toned hues enhances the warmth and isolation of the desert, while the flat, screenprinted texture reinforces its connection to classic film posters. Color Theory and Composition in Modern Silkscreen Prints The print’s use of color is carefully chosen to evoke both the heat of the desert and the psychological intensity of the film’s story. The bold contrast between the flame and the muted background makes the central figure feel isolated yet significant, much like Lawrence’s character within the film. The layering of warm oranges and yellows mimics the blinding effect of sunlight reflecting off the sand, an element that played a major role in the cinematography of Lawrence of Arabia. The horizon lines within the flame create an illusion of depth, mimicking the endless dunes of the desert. The matchstick base grounds the composition, serving as a reminder of the film’s pivotal scene while also acting as a structural element that balances the composition. This kind of thoughtful design work aligns with the best traditions of Street Pop Art & Graffiti Artwork, where bold shapes and clean lines drive the visual impact. Reimagining Film History Through Street Pop Art & Graffiti Artwork This piece exemplifies how classic films can be reinterpreted through the lens of Street Pop Art & Graffiti Artwork. Rather than relying on traditional portraiture or detailed realism, this print embraces abstraction and symbolism to evoke the emotional core of the movie. This approach is common in modern street art, where artists use iconic imagery to spark recognition while adding layers of new meaning. By reducing the film’s narrative to a single burning match, Justin Van Genderen captures the essence of Lawrence of Arabia without relying on direct likenesses or conventional poster design. This stripped-down approach allows viewers to engage with the piece on multiple levels, whether they are familiar with the film or simply drawn to its striking visual composition. The blend of classic cinematic elements with contemporary screenprinting techniques ensures that this print stands out as both a tribute to film history and a compelling work of modern art. Lawrence of Arabia Silkscreen Print by Justin Van Genderen exemplifies the power of visual storytelling in Street Pop Art & Graffiti Artwork. Through careful use of color, symbolism, and minimalism, this print distills one of cinema’s greatest epics into a single, unforgettable image. Whether displayed as a film lover’s centerpiece or a bold statement in a modern art collection, this piece continues the tradition of translating classic stories into fresh, visually compelling artworks.

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Anti-Graffiti Propaganda Case Study No.1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Roger Gastman Graffiti Street Artist Modern Pop Art. "This piece continues within the Tools of Criminal Mischief series of spray paint cans and markers prints that I've been doing with 1xRun. I have a large collection of anti-graffiti paraphernalia: pamphlets, signs, pins, tee shirts, etc. This image was revisited and fine-tuned in 2013 but it's taken years and years of collecting and digging along with close friends sending me stuff. I am always on the hunt for more. A few years ago, Caleb Neelon and I wrote a book for Harper Collins, "The History of American Graffiti" and the endsheet patterns for that book were a collage of the items on this print. Whenever I give someone the book or they see it somewhere, they love the end sheet patterns and want to know more about it and how I got all of the items. I decided to open the files back up and add some color and re-envision the design to create a collage of the anti-graffiti propaganda. " - Roger Gastman

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The Mash- Embellished Limited Edition Hand-Embellished Archival Pigment Prints and Arcylic on 310gsm Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. "This piece was made towards the end of 2014. I was in my studio, listening to music and The Monster Mash came on. It was funny because I just started painting to the song and that's kinda how it went.This piece is more of what I'm doing today. It's kind of mashed up with all kinds of paint and different designs. It's got a lot of fo elements of what I do.It all kinda goes right. It's simple and to the point. Simplicity." - Cope2 The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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The Foundation Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Koe Rodriguez. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 66 x 24 Inches Release: August 11, 2021 Run of: 15

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Obi-Wan Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Dakota Randall. 2022 Hand Numbered Edition of 100 Size 18x24 Obi-Wan Archival Print by Dakota Randall

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Nothing More Than A State of Mind Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Pop Artist Alex Garant Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 20x24 Alex Garant – Nothing More Than A State of Mind in Street Pop Art & Graffiti Artwork Nothing More Than A State of Mind by Alex Garant is a 2022 archival pigment print that exemplifies the artist’s signature optical style. This 20x24 inch fine art edition, limited to just 50 signed and numbered prints, features a portrait of a young woman staring forward in a blank expression, yet layered with unsettling multiplicity. Her face is adorned with duplicated eyes and lips—perfectly rendered but visually fractured—forcing the viewer into a moment of cognitive dissonance. Garant’s portraiture operates like a visual glitch in the system, questioning perception and exploring the psychological distortions of modern life. While presented in a fine art format, this piece deeply aligns with the sensibilities and visual tactics of Street Pop Art & Graffiti Artwork. The subject’s red and cyan windbreaker pops with graphic intensity, set against a neutral background that brings the face—and its duplications—into sharp focus. The color blocking, the confident brushwork, and the emotional ambiguity speak to a visual language born in public murals and wheatpaste posters. By disrupting facial harmony, Garant disrupts the viewer’s comfort zone. This is not a portrait made to soothe or flatter. It is designed to challenge how we see others—and ourselves—in a world shaped by constant digital reflection and emotional overstimulation. Disrupted Identity Through Street-Level Surrealism Alex Garant’s signature double-vision technique is not merely stylistic—it carries conceptual weight. In this work, the layered facial features suggest states of mind fractured by repetition, social pressure, and information fatigue. The portrait feels like a living glitch, where a static identity cannot exist. This aesthetic tension is deeply resonant with graffiti culture, where visual interruption is both an act of defiance and a method of storytelling. Like a street tag scrawled over a polished billboard, the duplications in Garant’s painting refuse polished perfection, opting instead for multiplicity and distortion. This thematic approach mirrors the psychological undercurrent of street pop art. Artists within this movement frequently use surreal figuration and visual overload to comment on perception, consumerism, and mental fragmentation. Nothing More Than A State of Mind does this by presenting a human subject not as a fixed image but as a shifting mental projection, embodying emotional complexity and instability. Technique and Symbolism Aligned with Street Pop Culture While Garant paints using traditional methods, her portraits carry the graphic punch of street art. The bold primary colors, the focused symmetry, and the almost digital visual effect of duplication reflect the impact-first aesthetic of graffiti and paste-up culture. The piece reads like a visual echo, vibrating with emotional and symbolic frequency. It forces the eye to work, to reprocess, to re-evaluate—a demand familiar to viewers of street murals that often overwhelm, confront, or provoke with scale and content. The title Nothing More Than A State of Mind adds conceptual depth, suggesting that perception itself is unstable, fluid, and subject to distortion. In an era where curated digital personas and algorithmic filters shape how identity is consumed, Garant’s work acts as both mirror and warning. Her subject is not broken—she is multiplied, haunted, possibly trapped within a psychological or emotional loop. This message aligns with the core of graffiti art’s critical tradition: to reject surface appearance and instead reveal what lies beneath. Alex Garant's Place in Modern Pop Surrealism and Graffiti-Influenced Fine Art Alex Garant’s contributions to Street Pop Art & Graffiti Artwork extend beyond gallery walls. While her paintings are highly collectible and refined, their emotional rawness and visual subversion place them firmly within the movement's boundaries. Her work has gained attention from global art publications and exhibitions, standing out for its bold defiance of visual norms. Rather than celebrate static beauty, Garant fractures it—exposing the psychological truths hidden inside perception. Nothing More Than A State of Mind is not just a portrait—it is a visual philosophy, a layered reflection on identity and instability, executed with precision and pop-infused emotional grit. Its surreal technique and symbolic messaging connect deeply with the tools and tactics of street art, proving that visual rebellion is not limited to spray cans and alleyways—it lives wherever an artist dares to distort the expected and reflect the fractured human experience.

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New York City Subway Map Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Cope2 street artist modern pop art. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 17x24 "Having a print made from an original New York City subway map piece that I created and collaborated with 1xRun on is a really great idea in the sense that many art collectors are able to own a piece of my New York City history.The whole concept of doing a New York City subway map goes perfect with my history as being a New York City graffiti art legend cause the subway system is were I made my bones and a name for my self tagging up and getting my name on every subway line and subway system in the whole city." - Cope2 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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KONG Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Artist: Scott Listfield Title: "KONG" Medium: Archival Pigment Print Edition: 50 Markings: Signed and Numbered by the Artist Dimensions: 18" x 24"

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Scale Up Archival Print Photo by Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by 1UP Crew- One United Power & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Depicts Vintage Photo of 1UP Crew Graffiti Writer & Street Artist Men in Masks Posing for a Photo of Friends by Security Fence. 1UP Crew Through the Lens of Martha Cooper and Nika Kramer The "Scale Up" archival print embodies the collective spirit of street art, captured through the lenses of two renowned photographers, Martha Cooper and Nika Kramer, and embodied by the infamous 1UP Crew - One United Power. This limited edition artwork, produced in collaboration with the MOG Museum of Graffiti, is a richly layered piece that depicts a moment in time and tells the story of camaraderie, identity, and street art culture. The print, measuring 19.75x24 inches and released in a limited edition of 40, is a stylized blown-up Polaroid that freezes the 1UP Crew in a candid pose behind a security fence, a scenario familiar to the daring escapades of graffiti writers and street artists. The image is steeped in the authenticity of the graffiti artist's environment, with the backdrop, poses, and expressions conveying the essence of the street art world. It's a world where artists often operate anonymously, masks serving to protect identities and as a symbol of the unified entity 1UP Crew. The print itself, signed and numbered, becomes a collector's piece that goes beyond aesthetics, delving into the narrative of street art as lived by one of its most prominent collectives. The Artistic Narrative of "Scale Up" "Scale Up" is not just a photograph; it's a visual narrative that speaks to the ethos of the 1UP Crew and the street art culture they represent. The vintage quality of the image, coupled with the modern technique of archival pigment on fine art paper, bridges generations of street art. The photograph by Martha Cooper, a pioneer in the documentation of street art, and Nika Kramer, known for her cultural photography, is a testament to the enduring nature of the street art movement. The image tells a story of unity, resilience, and the power of street art to create a sense of belonging among its practitioners. The 1UP Crew, known for their large-scale, high-impact works, are shown in a moment of quiet solidarity, contrasting to the often frenetic energy of their public art. This piece is a celebration of their collective achievements and a reflection on the personal bonds that form the foundation of their work. The MOG Museum of Graffiti's Role in Preserving Street Art The MOG Museum of Graffiti plays a critical role in preserving and promoting the work of street artists like the 1UP Crew. By publishing and exhibiting "Scale Up," the MOG underscores its commitment to elevating street art from ephemeral acts to enduring artworks. The museum's involvement in this project reflects its broader mission to serve as a custodian of street art history and an advocate for its cultural significance. The MOG's collaboration with artists and photographers, such as 1UP Crew, Martha Cooper, and Nika Kramer, results in a synergy that propels the narrative of street art forward. By providing a platform for these works, the MOG ensures that the stories and art of urban landscapes are captured and shared with a broader audience. The museum's dedication to the street art community helps to foster an appreciation for the art form and encourages dialogue about its place in the broader spectrum of contemporary art. In the art community, "Scale Up" stands as a testament to the transformative power of collaboration, photography, and street art. It is a reminder of the importance of preserving the moments that define a culture and celebrating the individuals and collectives who shape the visual language of our urban environments. As street pop art and graffiti artwork continue to influence our visual and cultural landscape, the contributions of artists like the 1UP Crew and photographers like Martha Cooper and Nika Kramer will continue to be celebrated for their role in documenting and defining this vibrant art movement.

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Love Life And Death Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Size: 32,5 x 60,9 cm // 12.8 x 24 inch Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered

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KONG PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP Printers Proof 2022 Signed & Marked PP Artwork Size 18x24

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The Dark Knight Gotham Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Batman Willis Tower City Building From Gotham City in Movie The Dark Knight, Chicago IL. The Dark Knight Gotham Silkscreen Print by Justin Van Genderen The Dark Knight Gotham Silkscreen Print by Justin Van Genderen is a stunning 2013 limited edition artwork that captures the dark and brooding essence of Gotham City. Hand-pulled on fine art paper, this 18x24-inch silkscreen print is part of a signed and numbered edition of 100. The artwork takes inspiration from the modern cinematic depiction of Gotham City, using the imposing silhouette of the Willis Tower in Chicago to stand in for the fictional metropolis. With its stark contrast, high-contrast lighting, and dramatic black-and-white palette, this piece reflects the deep shadows and towering structures that define the world of Batman in The Dark Knight. Chicago as Gotham in The Dark Knight One of the most striking elements of this print is its direct reference to the real-world city that served as the backdrop for The Dark Knight. While Gotham City has often been imagined as a hybrid of New York, Pittsburgh, and other urban centers, the 2008 film firmly established Chicago as the visual foundation for Batman’s world. The Willis Tower, formerly known as the Sears Tower, dominates the print, its upper spires glowing against the dark night sky. The heavy shadows and moody cloud formations add to the print’s noir aesthetic, evoking the danger and intrigue that always loom over Gotham’s skyline. Street Pop Art & Graffiti Artwork often takes inspiration from urban environments, and this piece exemplifies how architecture can play a crucial role in storytelling. The buildings of Gotham are not just structures; they are symbols of power, corruption, and resilience. In The Dark Knight, Batman’s presence is often highlighted by his high vantage points, surveying the city from above. This print echoes that theme, capturing the sheer scale of the Willis Tower in a way that makes it feel both monumental and ominous. Minimalism and Noir Aesthetics in Street Pop Art & Graffiti Artwork The visual style of this silkscreen print is heavily influenced by film noir aesthetics, with deep shadows, high contrast, and minimal detail working together to create a sense of mystery. This approach aligns with the themes of The Dark Knight, where Gotham is portrayed as a city teetering between order and chaos. The print’s near-monochromatic palette enhances the feeling of isolation, with the few illuminated elements standing out dramatically against the darkness. Street Pop Art & Graffiti Artwork thrives on bold, striking imagery, and this piece achieves that through its simplicity. The absence of unnecessary details allows the viewer to focus entirely on the towering structure and the mood it conveys. The use of light and dark is particularly effective, mirroring the moral ambiguity present throughout The Dark Knight. In this way, the print is not just an architectural study—it is a visual representation of the struggle between light and darkness that defines Batman’s story. Reinterpreting Cinema Through Street Pop Art & Graffiti Artwork This piece exemplifies how film can be reimagined through the lens of Street Pop Art & Graffiti Artwork. Instead of recreating a traditional movie poster, Justin Van Genderen distills the essence of The Dark Knight into a single, unforgettable image. The towering presence of the Willis Tower becomes a stand-in for Gotham’s mythology, while the composition evokes the tension and atmosphere of the film without relying on character portraits or action scenes. By stripping the image down to its most essential elements, this print allows viewers to engage with The Dark Knight in a new way. The artwork does not just reference the film—it amplifies its themes, using architecture as a metaphor for the battle between order and chaos. Whether displayed as a tribute to Batman’s world or appreciated as a striking piece of urban-inspired art, this silkscreen print stands as a testament to the power of visual storytelling in modern art.

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Luchando Por Mi Patria Archival Print by Don Rimx x Marka27 Limited Edition on 290gsm Moab Entrada Bright Rag Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2022 Signed & Numbered Print Limited Edition of 50 Artwork Size 12x24 Archival Pigment Fine Art Over the years, Marka27 has gained a reputation for his ability to work across different mediums, his dedication to cultural representation, and his commitment to creating art that resonates with diverse audiences. His work continues to evolve, reflecting both his personal journey and the changing dynamics of the world around him. Don Rimx, whose real name is David Sepulveda, is a renowned street artist originally from Puerto Rico. Known for his intricate, large-scale murals, Don Rimx's work often showcases a blend of his Puerto Rican heritage and his deep interest in the human form.

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Smiley Face Balloon- Yellow Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Smiley Face Balloon: Yellow • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Smiley Face Balloon: Yellow" - Unique Hand-Painted Print - 24 x 24"

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Caged HPM Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Nicole Gordon, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Limited Edition of 10-HPM Each Unique 18x24

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Realize HPM Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Reen Barrera, Street Pop Art Graffiti Legend. The artwork I have says "LOLA..." 2022 Edition of 50 Hand-embellished giclee print Each print includes a hand-painted word bubble (in white or black) with an exclusive phrase/message painted on each print by Reen Fine art print on Moab Entrada 290gsm paper Hand deckled edges 24 x 24 inches / 61 x 61 cm Hand-signed and numbered by the artist Printed by Static Medium (Los Angeles) The team at Static Medium photoshopped out the original word bubble in 'Realize' and then we shipped them off to Reen in the Philippines for him to add his personal touch to each and we are thrilled with how they have come out. Reen painted a white or black word/speech bubble onto each print (an example of each is shared above and below). Each bubble was painted in a different shape and Reen then went through and hand-painted a unique phrase onto each print.

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Zooka Pac Archival Pigment Fine Art Limited Edition Print on 308gsm Hahnemuhle Cotton Rag Paper by Marley Mcfly, Street Pop Art Graffiti Artist. 2022 Signed Limited Edition of 50 Artwork Size 18x24, #1 of 50 Marley Mcfly's "Zooka Pac": A Fusion of Street Art and Iconography Marley Mcfly's "Zooka Pac" is a compelling archival pigment fine art print that embodies the spirit of Street Pop Art and Graffiti Artwork. This limited edition of 50 prints, signed by the artist and spanning a canvas of 18x24 inches, is a vibrant blend of urban artistry and pop culture symbolism. Created in 2022, the work is part of a series that showcases Marley Mcfly's unique ability to blend graffiti's raw energy with the poignant stylings of pop art, culminating in a piece that is both a tribute and an original artistic statement. Marley Mcfly, a notable figure in the contemporary street art scene, uses 308gsm Hahnemühle cotton rag paper for this series, a medium known for its fine texture and durability. This choice underscores the importance of materiality in graffiti and street art, which often relies on the quality and character of surfaces to communicate messages. The "Zooka Pac" print stands out for its subject matter and meticulous attention to the craft of printmaking. Creative Expression in Archival Pigment Prints Creating an archival pigment print like "Zooka Pac" requires a balance of technical precision and creative flair. The archival nature of the pigment inks ensures that the artwork resists fading over time, preserving the vividness of Mcfly's color palette and the sharpness of his imagery. The 308gsm Hahnemühle paper, with its delicate yet robust composition, provides the perfect backdrop for the artist's dynamic interplay of color and form. In "Zooka Pac," Mcfly uses the visual language of graffiti art to pay homage to iconic figures, weaving together street art's spontaneity with pop art's focus on popular culture icons. The artwork features a graphic that captures the viewer's attention, a testament to McFly's skillful hand and ability to convey depth and personality within the confines of a two-dimensional space. The Impact of Marley Mcfly's Work Marley Mcfly's contributions to the evolution of Street Pop Art are significant. His works, including "Zooka Pac," are infused with the ethos of graffiti art while being meticulously crafted to meet the standards of fine art prints. This harmonious blend of street culture and acceptable art practices makes Mcfly's work highly sought after by collectors and enthusiasts who appreciate the confluence of different art forms. The release of "Zooka Pac" as a limited edition also plays into the exclusivity and community aspects of street art culture, where owning a piece of the edition can feel like belonging to an underground society of art connoisseurs. McFly's ability to create art that is accessible yet profound has cemented his reputation in the street art world as an artist who pushes boundaries and challenges perceptions. "Zooka Pac," as the inaugural piece of its series, marks the beginning of a journey into Marley Mcfly's exploration of pop culture through street art. The piece is not merely a representation of an iconic figure but a reflection of the era and a statement on the enduring influence of such figures in the collective memory. Through this work, Mcfly continues to foster a dialogue between street art's rebellious origins and its increasingly recognized status within the canon of contemporary art.

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Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 75 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print London Elizabeth Tower aka Big Ben From Movie Harry Potter Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that merges the iconic architecture of London with the cinematic magic of the Harry Potter universe. This 18x24-inch artwork, produced as a signed and numbered limited edition of 75, transforms one of the most recognized landmarks in the world into a mysterious, almost supernatural vision. The print’s deep, ethereal color palette and minimalist design capture the gothic mystique that London embodies in both real life and in the world of wizardry. Surreal Composition and Magical Atmosphere The silkscreen print presents the silhouette of the Elizabeth Tower, also known as Big Ben, against a vast, celestial-toned sky. The darkened structure looms with an ominous presence, its clock faces glowing in stark contrast, creating a sense of mystery and intrigue. The clever placement of curved, crescent-shaped elements surrounding the tower alludes to magical forces at work, almost as if the structure itself exists between dimensions. The presence of a single flying figure in the distance subtly nods to the fantastical world of Harry Potter, evoking imagery of enchanted journeys across London’s skyline. The use of negative space enhances the illusion that the tower is suspended in time, standing against an endless void. The dramatic lighting and textural layering add depth, making the piece feel almost cinematic. The careful balance of shadow and light transforms the familiar landmark into something out of a dream, a perfect representation of London’s dual identity—both grounded in history and teeming with untold stories. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s work aligns with the visual aesthetics of Street Pop Art & Graffiti Artwork, employing high-contrast elements, minimalist abstraction, and a bold graphic approach. The monochromatic treatment of the tower, juxtaposed with the deep, midnight-blue background, reflects the stencil-like precision found in street murals and wheatpaste posters. The textured gradients within the sky mimic the layered, distressed quality of urban art, reinforcing the idea that even the most historic landmarks can be reinterpreted through a contemporary lens. The floating crescent forms that encircle the structure add a modern twist to the gothic-inspired aesthetic, blending surrealism with an urban art sensibility. The intentional use of muted highlights and atmospheric depth gives the piece a spectral quality, as if the tower itself exists between different realities. These stylistic choices echo the way street artists manipulate architectural symbols to create new narratives, turning familiar imagery into something unexpected and thought-provoking. London, Fantasy, and the Iconography of Big Ben London has long been a source of inspiration for artists, storytellers, and filmmakers, and this print encapsulates the city's enigmatic charm. The Elizabeth Tower, with its towering gothic spires and timeless clock face, serves as a visual anchor in both real and fictional landscapes. In the Harry Potter series, London plays a crucial role as the gateway between the mundane and the magical, with landmarks like Big Ben existing as silent witnesses to extraordinary events. This screenprint captures that duality by stripping the landmark down to its essential form while enhancing its mystique. The piece does not rely on direct references but instead creates an atmosphere that transports viewers into a space where fantasy and reality blur together. For fans of Street Pop Art & Graffiti Artwork, this print serves as a masterful example of how urban symbols can be transformed into artistic storytelling, making even the most recognizable structures feel fresh and otherworldly. As a hand-pulled, limited-edition silkscreen print, this artwork holds value not just for collectors of contemporary urban art but also for those who appreciate the way art can reinterpret and elevate cultural landmarks. The fusion of historical architecture, cinematic magic, and modern design makes this piece a powerful statement about how art continues to shape and redefine the way people see the world around them.

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Spirit Guardian Archival Print by Graham Yarrington Limited Edition on Cotton Fine Art Paper, Pop Graffiti Street Artist Modern Artwork. 2020 Signed & Numbered Print Limited Edition of 30 Artwork Size 30x24 Archival Pigment Fine Art Spirit Guardian Archival Print by Graham Yarrington Spirit Guardian is a 2020 signed and numbered archival pigment print by Graham Yarrington, limited to an edition of 30. Printed on high-quality cotton fine art paper, this piece is a vivid representation of Yarrington’s signature approach to Street Pop Art & Graffiti Artwork. The artwork features a monochromatic woodland scene rendered in grayscale tones, inhabited by a surreal black animal with multi-colored streamers wrapped around its limbs and body. A small, stoic figure sits atop the creature, framed by a radiant geometric emblem that radiates neon pink, blue, orange, and yellow. The stark contrast between grayscale surroundings and the bursts of vibrant color establishes a dreamlike tension between stillness and movement, silence and spectacle. Symbolism and the Storytelling Vision of Graham Yarrington Graham Yarrington’s work often traverses mythological terrains, and Spirit Guardian is no exception. The piece creates a portal into an imaginary world that feels timeless, haunted, and simultaneously playful. The geometric symbol in the center is more than ornamental. It functions as an aura, shield, or spiritual compass, guiding the small rider through a mystical forest. The animal acts as both guardian and vessel, a familiar form carrying the unknown into and through the surreal. The grayscale trees, rendered with sharp and angular silhouettes, contrast sharply with the softness and fluidity of the ribbons and the central emblem. This juxtaposition underscores Yarrington’s consistent use of visual dualities—light and dark, motion and stillness, nature and invention—within Street Pop Art & Graffiti Artwork. Use of Form, Color, and Texture in Narrative Composition Yarrington’s command of shape and color in Spirit Guardian exemplifies his graphic storytelling expertise. The controlled layering of textures in grayscale allows the central colors to shine without overwhelming the viewer. The ribbons appear to dance across the page, creating a kinetic flow that draws the eye in every direction before returning to the harmonious balance of the composition. Every detail—each leaf, ribbon, and shadow—feels purposefully placed. The rounded edges of the print further soften the visual language and give the work a more intimate, almost storybook feel while preserving its contemporary street art identity. The balance between illustration precision and conceptual storytelling makes the piece both accessible and profound. A Visionary in the Evolution of Street Pop Art & Graffiti Artwork Graham Yarrington continues to carve a distinctive space within the expanding definition of Street Pop Art & Graffiti Artwork. Spirit Guardian distills his broader artistic themes into a single, transportive visual moment. It is a rare and thoughtful reflection on emotional guidance, subconscious landscapes, and the invisible guardians we carry through difficult or uncertain times. Through symbolic visuals and a high level of compositional clarity, Yarrington constructs a meditative yet charged encounter between viewer and myth. Spirit Guardian is a prime example of modern narrative art rooted in the techniques of printmaking, street culture, and emotional storytelling, solidifying its place in the evolving canon of contemporary art.

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Emotions- Green PP Printers Proof Stencil 2-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. PP Printers Proof 2020 Signed & Marked PP Hand Stenciled Limited Edition 1/1 Artwork Size 20x24 "Between men and women, we have been arguing about equality for a long time and things are maybe much more comfortable now, plus new generations seem like they are having better ideas. The topic has much changed since our grandparents' time or even before. Yet, women and minorities are still facing obstacles we must help resolve: education, job opportunities, and health. I hope the chance for fair living is given to everyone and everyone can seize the day." - AIKO "Emotions- Green PP Printers Proof" is an avant-garde, 2-color silkscreen limited edition print meticulously crafted on fine art paper by the prodigious artist AIKO. Renowned for her contemporary pop artwork, AIKO masterfully blends traditional stencil techniques with the vibrant energy of street and graffiti art. This particular piece stands out not just for its compelling visual narrative but also for its exclusivity. Marked as a PP (Printers Proof) from 2020, it carries the unique distinction of being a 1/1 edition, measuring an impressive 20x24. Each detail, each stroke, reflects the artist's unparalleled dedication and painstaking precision. Diving deeper into the layers of the artwork, one can discern AIKO's fervent passion for addressing societal themes. The dynamics between men and women, and the continuing discourse on gender equality, are potently expressed. Through her art, AIKO captures the evolving perspectives on gender roles, noting the significant progress from our grandparents' era to the present. However, her work also serves as a poignant reminder of the prevailing challenges. Issues like education disparities, unequal job opportunities, and healthcare discrepancies faced by women and minorities are still pressing concerns. AIKO's hope, as mirrored in her artwork, is for a world where fairness is not just an ideal but a lived reality. "Emotions- Green PP Printers Proof" is more than just a visual feast; it's a clarion call for societal change, urging every individual to seize their day and champion the cause of equality. Through this piece, AIKO magnifies the power of art, not just to depict but to inspire and instigate meaningful dialogue and action.

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I Am A Man Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. I Am A Man MLK Martin Luther King Jr archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM Hand-varnished 18 x 24 inches Hand-signed and numbered by artist Robert Mars 2019 Mild Yellowing Discoloration To Top White Margin, Does Not Affect Image. See Photos.

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Scale Up Archival Print Photo by Revok x Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by Revok & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Scale Up: A Convergence of Icons in Street Art Photography The "Scale Up" archival print is a testament to the collaborative spirit driving the street pop and graffiti art worlds. This piece results from a unique partnership between renowned graffiti artist Revok, legendary street art photographer Martha Cooper, the Berlin-based 1UP Crew, and cultural photographer Nika Kramer under the auspices of the MOG Museum of Graffiti. The limited edition of 40 prints, each signed by Revok and numbered, measures 19.75x24 inches, capturing a moment of street art history in the form of a stylized blown-up Polaroid picture. This archival pigment print on fine art paper immortalizes a snapshot of street art in action, reflecting the raw energy and spontaneous creativity that defines the genre. The collaboration showcases the synergy between artists and photographers, where each party brings their distinctive vision and skill to create something that transcends traditional art forms. Revok and The Art of Urban Expression Revok, a prominent figure in the street art scene, is known for his complex and colorful abstract works, often utilizing found materials and urban landscapes as his canvas. His signature style, characterized by a vivid exploration of color and form, is imprinted on the "Scale Up" print, bringing a sense of depth and texture to the piece. The partnership with Martha Cooper, Nika Kramer, and the 1UP Crew for this project blends different perspectives of the street art world, from creation to documentation, offering viewers a comprehensive look at the art form's multifaceted nature. Martha Cooper's role as a documentarian of street art culture, alongside Nika Kramer's cultural photography, provides a visual narrative that complements Revok's artistic ethos. Their photographs are more than mere records of street art; they are dynamic works that capture the essence of the moment and the context in which the art exists. 1UP Crew- One United Power and MOG: Celebrating Street Art's Collective Spirit The involvement of the 1UP Crew, a collective known for their ambitious and often politically charged works, adds a layer of complexity to the "Scale Up" print. Their ethos aligns with the communal nature of street art, where collaboration and shared experiences are fundamental to the creation process. The MOG Museum of Graffiti's role in this collaboration is crucial, serving as a cultural institution that both preserves and propels the narrative of graffiti and street art forward. Published by the 1UP Crew and the MOG, this limited edition print is a piece of street art history that reflects the ongoing dialogue between street artists, photographers, and cultural institutions. It is a celebration of the vibrancy and impact of street art, ensuring that the pulse of the city streets and the voice of the artists who color them continue to resonate within the art community and beyond. In the art community, collaborations like "Scale Up" remind them of art's transformative power and ability to reshape objects and perceptions. They stand as monuments to the artists and photographers who have paved the way for the recognition and celebration of street art, ensuring that the essence of the streets—the bold, unapologetic voice of the graffiti artist—continues to be a vital part of the conversation in the world of art.

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And Then Things Got Better- Winter Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Winter Variant And Then Things Got Better – Winter Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Winter is a limited edition archival pigment print by Canadian artist Denial, professionally known as Daniel Bombardier. Released in 2021, this edition is one of only 25 signed and numbered prints, measuring 24 x 24 inches and produced on 330gsm museum-grade fine art paper. The Winter variant transforms Denial’s now-iconic pop art composition into a piece of icy emotional clarity. Replacing warm tones with cool grays and electric blues, this version evokes the stillness, isolation, and introspective chill often associated with winter months. The central figure—a comic-styled woman with sharply rendered features—is caught in a moment of frozen reflection, her hair swept across the frame in frosty blue strokes. The caption And Then Things Got Better sits in crisp black lettering against a blue background, both grounding and complicating the emotional atmosphere. Color as Emotional Temperature in the Winter Variant The Winter edition shifts the psychological tone of the original composition through its carefully chosen color palette. The grayscale halftone skin contrasts with icy blues in the hair, lips, and eyes, casting the entire scene in a tone of emotional suspension. Where other variants express fire, bloom, or warmth, Winter delivers stillness. The character’s expression remains subtle, her upward gaze neither fully hopeful nor despairing. It reads instead like the calm acknowledgment that change has arrived, but not without cost. The blue lips and tear-lined eye introduce a cold, resilient strength, suggesting a quiet form of endurance rather than celebration. Denial’s ability to use color as narrative structure allows this edition to function as a metaphor for emotional winter—a time of withdrawal, self-preservation, and stark realization. Denial’s Pop Language and Street Credibility Denial’s work remains rooted in the language of Street Pop Art & Graffiti Artwork, consistently blending commercial aesthetics, pop iconography, and emotional subtext. The And Then Things Got Better series explores the complexities of survival, identity, and transformation using the nostalgic format of mid-century comic book panels. By pairing these familiar visuals with ambiguous emotional content, Denial asks viewers to reconsider the narratives embedded in popular culture. The Winter edition, with its subdued palette and intense contrast, sharpens this question further. It places the viewer in a season of reflection—literal and figurative—and encourages a reassessment of what better truly means. Denial’s consistent use of irony, sincerity, and sharp visual craftsmanship keeps his work relevant both on the street and in the gallery. Material Quality and Collector Appeal Printed on 330gsm fine art paper with archival pigment inks, this edition promises long-lasting vibrancy and detail. The halftone dots and inky black lines are rendered with museum-level precision, giving the work a timeless print quality that honors its pop art lineage. Each piece is hand-signed and individually numbered by Denial, adding a personal layer to the already limited run of 25. The Winter edition stands as a striking chapter in a series that has become one of Denial’s most collected bodies of work. For fans of Street Pop Art & Graffiti Artwork, it offers a moment of calm contemplation in the midst of louder visual narratives. This print captures that rare, cold breath between endings and new beginnings—when things have indeed gotten better, but the thaw has just begun.

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Into the Abyss of Nothingness Artwork Limited Edition Archival Pigment Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant.

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White Moon PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Hot Press Paper by Artist Scott Listfield. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x24

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Breach Sunset Red Lava Foil Archival Print by Raid71 Limited Edition on White Matte Pearl Lava Foil Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Numbered Print Limited Edition of 35 Artwork Size 18x24 SwissQ Eco-Precision Print Fine Art. Breach Sunset: Raid71’s Explosion of Color and Symbol in Limited Foil Print Breach Sunset Red Lava Foil Archival Print by Raid71 stands as a searing example of how contemporary Street Pop Art & Graffiti Artwork can evoke both the power of nature and the digital fluidity of modern printmaking. Released in 2025 as a limited edition of 35, this 18x24 inch numbered print is produced on high-luster white matte pearl lava foil using SwissQ Eco-Precision fine art technology. The piece is both environmentally mindful and visually aggressive, featuring a dynamically breaching orca at the epicenter of a foaming vortex with a blazing sun suspended behind it. The work is a torrent of symbolic intensity and hyper-controlled craft, channeling the printmaker’s technical skill and eye for layered visual storytelling. Mythology, Ecology, and Street Language in Raid71’s Composition The orca at the center of Breach Sunset is not just a marine creature but a totem of strength and spiritual force. Its body is rendered in an intricate pattern that recalls indigenous Pacific Northwest Coast art while simultaneously evoking cybernetic overlays and graffiti iconography. The decision to stage the breach with a frontal perspective forces the viewer into the moment, as if physically caught in the explosion of water and light. The crimson background and white sun intensify this sensation—emphasizing energy, elevation, and rupture. The composition reflects both the sacredness of nature and the cultural remix aesthetic of street-based art movements. By fusing mythic animal iconography with postmodern urban form, Raid71 offers a visual thesis on cultural convergence and environmental consequence. The Power of Foil Medium in Pop Graffiti Street Art The lava foil medium plays an essential role in the effectiveness of this work. This special material not only amplifies color saturation but introduces a constantly shifting visual texture depending on angle and light. Red tones smolder, silver wave patterns shimmer, and the depths of the sea glisten with microscopic highlights. Unlike standard silkscreens, the SwissQ Eco-Precision print process delivers pin-sharp detailing with sustainability-focused ink, allowing for brilliance without ecological waste. Every line, splash, and particle seems animated by the reflective nature of the foil. This aligns with Raid71’s intent to create pieces that live in motion, as if the viewer is witnessing a still frame from a living dream. Raid71’s Contribution to Contemporary Print Culture Raid71 is the alias of Chris Thornley, a UK-based illustrator and fine artist whose body of work spans editorial commissions, pop culture homage, and graffiti-inspired original visuals. With a style rooted in architectural precision and disruptive energy, Raid71’s prints have become essential collectibles in the urban art world. Breach Sunset reflects his passion for narrative clarity delivered through layered, high-intensity visuals. Whether working on political subjects, music-themed designs, or pure abstraction, his focus remains on the transformational power of image-making. Breach Sunset Red Lava Foil is both a technical masterpiece and an emotional trigger—a meditation on extinction, rebirth, and the dualities of street-rooted fine art. This edition of 35 is a rare and striking representation of Street Pop Art & Graffiti Artwork elevated into the realm of modern myth.

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Angles Of Elevation Limited Edition Archival Pigment Prints on 300gsm Fine Art Paper by Vans The Omega Graffiti Street Artist Modern Pop Art. "‘Angles of Elevation’ was the prize geometric piece of my recent show "Into The Light" and is the amalgamation of the past 7 years of trial and error, research and development painting geometric illusion within my fine artworks both in the studio and on large scale walls. I think this piece represents discovery within and the journey we make during life. The science behind geometry in the healing arts isn’t readily taught but is something I have spent many years studying and being open to on a personal and professional level. My belief and knowledge of the healing power that Art creates is a large goal of my practice in Art, both for others and myself alike. Apart from the piece serving an aesthetic appeal, the greatest aim is to reveal something about yourself while taking in the work. Visually this work came together through a series of visions that I have strived to fulfill. The dimension of this piece was my greatest challenge while giving a mixture of etheric and harder edges to push and pull the eye through space so that harmony is met." - Vans The Omega

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Oil and Water IV The Year that Took the Wind Out of Our Sails 2020 AP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2020 Signed & Marked AP Limited Edition 4/10 Artwork Size 18x24 Archival Pigment Fine Art "Oil and Water IV The Year that Took the Wind Out of Our Sails" stands as a testament to the prowess of Dave Pollot, a revered name in contemporary pop art. This piece, created in 2020, exemplifies Pollot's unique ability to extract meaning from mundane objects and translate it into visually compelling narratives. Conceived as an archival pigment print on matte velvet rag fine art paper, the artwork is steeped in Pollot's signature style and offers a thoughtful commentary on the challenging year that was 2020. The piece is part of a limited edition series, signed and marked as Artist's Proof (AP), and assigned the distinct serial 4/10. These marks authenticate its exclusivity, affirming the artist's hands-on involvement in the creation process, ensuring each piece's uniqueness. Measuring 18x24 inches, the print is designed to stand out, creating a striking impression that encapsulates the artist's knack for turning everyday images into poignant masterpieces. Pollot's work transcends the traditional boundaries of pop art, drawing influence from street and graffiti art in its aesthetic and thematic expression. The juxtaposition of oil and water in this piece serves as a metaphor, alluding to the incompatibility and conflict faced in 2020. Like oil and water, the year saw the world's population struggling to mix, separated by invisible barriers of fear and uncertainty, a theme which the artist deftly brings to life. "Oil and Water IV The Year that Took the Wind Out of Our Sails" is not merely a captivating piece of visual art; it is an archival record of a difficult historical moment, viewed through the lens of a talented pop artist. Its distinctive combination of archival pigment on matte velvet rag paper enriches its impact, granting it a timeless appeal. This artwork is a must-have for modern art aficionados who appreciate the narrative depth and visual charm of pop art, as well as the novel perspectives it brings to the events of our time.

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Fuckitol 100mg Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Signed Limited Edition of 25 Artwork Size 18x24 Fuckitol 100mg, Fuck It All, Fuck This Shit Selfie Clout Drug Company, Advertisement Pop Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 330gsm Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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By Any Means Necessary Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. By Any Means Necessary Malcom X archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM Hand-varnished 18 x 24 inches Hand-signed and numbered by artist Robert Mars 2019

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Wave Jumpers- Variant Archival Pigment Fine Art Limited Edition Print on 310gsm Canson Aquarelle Paper by Modern Pop Street Graffiti Artist Kilian Eng. 18 x 24 inches Hand-deckled edges 2021 Printed on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 125 Numbered

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Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art. Numbered, Signed, Stamped on Reverse, 2021 Edition of 100, 24x24, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Burn Your Wonder Bra by Denial: A Statement in Street Pop Art Burn Your Wonder Bra, created in 2021 by legendary modern pop culture and street art artist Denial, is a bold and provocative limited edition archival pigment print. This edition of 100 is meticulously produced on 290gsm MOAB fine art paper, measuring 24x24 inches, and is both numbered and signed by the artist with a stamped reverse. Known for his fusion of comic-inspired visuals and socially charged themes, Denial’s work challenges cultural norms while embracing the aesthetics of Street Pop Art and Graffiti Artwork. Burn Your Wonder Bra stands as an audacious representation of empowerment, rebellion, and freedom of expression. Wonder Woman Reimagined: Pop Art and Cultural Commentary Denial’s Burn Your Wonder Bra features a reimagined depiction of Wonder Woman, one of the most iconic symbols in DC Comics and popular culture. The piece combines nostalgia with a provocative twist, portraying the heroine in a daring, liberated pose. Using vibrant reds, blues, and black halftone patterns reminiscent of 1960s comic books, Denial masterfully channels the aesthetic of pop art pioneers while infusing it with the raw energy of graffiti culture. The bold text at the top, Burn Your Wonder Bra, serves as a satirical nod to the feminist movement of the late 1960s and 70s, when women symbolically rejected restrictive societal norms. By reinterpreting Wonder Woman in a nude and unfiltered form, Denial breaks conventional representations of female heroes, encouraging conversations about autonomy, gender expectations, and self-liberation. This combination of social critique and pop iconography demonstrates Denial’s ability to blend powerful messages with visually arresting compositions. Denial: A Leading Voice in Street Pop Art and Graffiti Artwork Canadian artist Denial, whose real name is Daniel Bombardier, is a globally recognized figure in contemporary art, known for his unapologetic and visually compelling works. His pieces often confront themes of consumerism, gender, politics, and pop culture with sharp wit and rebellious undertones. Denial’s work bridges the techniques of graffiti and street art with the polish of fine art, earning him a following among collectors and fans alike. Burn Your Wonder Bra reflects Denial’s unique artistic voice, where the nostalgia of comic book art collides with modern subversive themes. Through his bold use of color, line work, and carefully chosen text, Denial challenges viewers to question societal expectations while celebrating individuality and artistic freedom. A Limited Edition Collectible with Lasting Impact Burn Your Wonder Bra is part of a highly sought-after limited edition of 100 archival pigment prints, showcasing Denial’s commitment to quality and craftsmanship. Produced on 290gsm MOAB fine art paper, the print’s rich texture and color vibrancy elevate it beyond traditional pop art reproductions. Each piece is signed, numbered, and stamped on the reverse, adding to its authenticity and value as a collectible artwork. This piece is a standout example of modern Street Pop Art and Graffiti Artwork, resonating with audiences who appreciate art that challenges norms while remaining visually iconic. Burn Your Wonder Bra captures the intersection of art, culture, and rebellion, solidifying Denial’s status as a leading figure in contemporary street art. It remains a powerful commentary on liberation and expression, embodying the dynamic energy that defines Denial’s work.  

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Fashion Addict Refill- Versace 2 Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Versace 2 Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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And Then Things Got Better Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 And Then Things Got Better by Denial – A Bold Statement of Hope in Street Pop Art & Graffiti Artwork And Then Things Got Better is a striking archival pigment print created by the Canadian street pop artist Denial in 2020. Measuring 24 x 24 inches and printed on 330gsm fine art paper, this work was released in a signed and numbered limited edition of only 25. The piece draws immediate visual comparison to classic comic strip aesthetics but subverts expectations through a modern lens. Featuring a close-up portrait of a woman rendered in high contrast with bold black outlines, vibrant pink lips, vivid green eyes, and Ben-Day dot textures, the print captures the emotional intensity that Denial is known for. The panel’s yellow upper strip carries the titular phrase, printed in an all-caps comic font: And Then Things Got Better. This single line, combined with the woman’s dramatic upward gaze and tear-tracked cheek, encapsulates a surge of conflicted emotion—part relief, part disbelief, part residual pain. The composition is frozen in that precise psychological moment when change begins to arrive but healing is still in motion. Denial’s Subversive Pop Art Language Denial, born Daniel Bombardier in Canada, is an internationally recognized street and gallery artist whose work critiques consumerism, propaganda, and social norms through humor and graphic visual impact. Known for blending techniques from graffiti, signage, and mass media design, Denial’s prints and installations draw heavily from the legacy of pop art while injecting them with urban urgency. In And Then Things Got Better, he uses a format popularized by 1960s pop art pioneers but repurposes it to speak not about romantic melodrama but about resilience and psychological transformation. The woman’s expression is not one of shallow sadness but rather of deep processing, portraying an honest reckoning with personal or collective experience. Through limited text and bold imagery, Denial emphasizes that change, when it comes, is layered and uncertain—but worth embracing. Technical Execution and Print Quality Each print in this limited run is crafted using high-resolution archival pigment printing on 330gsm fine art paper, a museum-quality substrate known for its texture, color accuracy, and longevity. The use of pigment-based inks ensures that the vivid blues, intense blacks, and shocking pinks maintain their vibrancy without fading over time. The paper’s weight provides both tactile richness and physical substance, grounding the emotional weight of the artwork. As each edition is hand-signed and numbered by the artist, the piece becomes not just a reproduction but a personal artifact of Denial’s evolving catalog. The crisp precision of the linework, especially in the hair and lettering, showcases Denial’s control of visual rhythm and contrast. It is a piece that can exist comfortably in both street-influenced interiors and formal gallery settings. And Then Things Got Better as Contemporary Street Pop Art & Graffiti Artwork This artwork exemplifies the spirit of Street Pop Art & Graffiti Artwork through its fusion of pop iconography with modern emotional depth. While many works in the genre embrace irony or satire, Denial’s print finds space for sincerity without losing its graphic punch. It celebrates the ability of contemporary pop artists to use comic tropes and urban aesthetics not just for critique, but for emotional storytelling. The message of the piece is simple, but the context surrounding it—social upheaval, personal growth, psychological distress—makes it resonate profoundly. Denial manages to channel the graphic immediacy of street art with the structured punch of pop, giving voice to the hope that often emerges quietly after storms. And Then Things Got Better is not only a statement—it is a question, a moment of breath, and a visual reminder of survival through art.

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Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Spock Vulcan Sci Fi Star Treck TV & Movie Character in Los Angeles LA Standing on Vasquez RocksDuring a Sunrise or Sunset Vulcan Vasquez Rocks LA Star Trek Silkscreen Print by Justin Van Genderen The Vulcan Vasquez Rocks LA Star Trek silkscreen print by Justin Van Genderen is a striking example of how street pop art & graffiti artwork can merge cultural nostalgia with minimalist modernism. This 2014 hand-pulled screenprint, limited to an edition of 50, presents an evocative depiction of Vasquez Rocks in Los Angeles County, a location famously associated with the Star Trek universe. The print captures the stark, alien-like landscape in a bold, graphic composition, reinforcing the cinematic significance of this natural landmark while paying tribute to one of the most iconic science fiction franchises in history. The Artistic Vision Behind the Silkscreen Print Van Genderen’s approach to this piece emphasizes minimalism, using sharp geometric forms, a limited color palette, and strong contrasts to create a visually arresting composition. The towering rock formations are rendered in deep shadow, juxtaposed against a massive, glowing sun that dominates the background. A lone figure, representing Spock or a traveler from the Star Trek universe, stands at the peak, reinforcing a sense of isolation and exploration. The typography is bold and futuristic, with the word Vulcan standing prominently at the top, reinforcing the extraterrestrial theme. The print’s use of space and color reflects key influences from street pop art & graffiti artwork, particularly in the way it simplifies complex landscapes into striking, high-impact visuals. The textures and distressed finishes evoke a vintage aesthetic reminiscent of classic sci-fi posters, adding to the timeless appeal of the piece. By stripping away extraneous details, Van Genderen creates an image that is immediately recognizable yet open to interpretation, allowing viewers to project their own narratives onto the scene. Vasquez Rocks as a Cultural and Artistic Landmark Vasquez Rocks has long been a favored location for filmmakers, particularly within the science fiction genre. Its jagged, otherworldly formations have served as the backdrop for numerous Star Trek episodes, making it an enduring symbol of exploration and discovery. By selecting this site for his artwork, Van Genderen taps into a collective cultural memory, using street pop art & graffiti artwork techniques to recontextualize a familiar setting into something fresh and thought-provoking. The silhouette of the lone figure atop the rocks adds a narrative element to the composition, inviting speculation about the character’s identity and purpose. Whether viewed as Spock gazing into the unknown or as an anonymous wanderer lost in the vastness of space, the scene encapsulates themes of solitude, curiosity, and the eternal search for meaning. The rising or setting sun adds to the sense of transition and timelessness, reinforcing the idea of exploration as both a personal and universal journey. The Significance of the Limited Edition Silkscreen Print As part of the Location Location Location series, this print continues Van Genderen’s exploration of how places—both real and fictional—shape cultural narratives. Each piece in the series distills the essence of a specific location into a minimalist, cinematic aesthetic, drawing on elements of street pop art & graffiti artwork to create a sense of immediacy and impact. This limited edition of 50, signed and numbered on the back, adds an element of exclusivity, making it a prized collectible for both art enthusiasts and Star Trek fans alike. The silkscreen printing process itself lends a tactile, handcrafted quality to the piece, distinguishing it from digital reproductions and mass-produced prints. Each print carries slight variations, reinforcing the uniqueness of the artwork and its connection to traditional printmaking techniques. The 18x24-inch format ensures that the piece makes a strong visual statement, whether displayed in a gallery, private collection, or as part of an urban art installation. Van Genderen’s Vulcan Vasquez Rocks LA Star Trek silkscreen print exemplifies the intersection of pop culture, cinematic history, and contemporary street pop art & graffiti artwork. By transforming a real-world location into an abstract, symbolic representation of exploration and science fiction mythology, the artwork continues to resonate with audiences who appreciate both visual storytelling and the timeless appeal of Star Trek’s visionary universe.

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The Mandalorian- 1960s Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Hopko. 2022 Numbered Limited Edition of 15 Size 18x24

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Scale Up Archival Print Photo by Vhils- Alexandre Farto x Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by Vhils- Alexandre Farto & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Intersecting Visions: Vhils and the Fabric of Street Art "Scale Up," an archival print brought to life by the creative confluence of Vhils (Alexandre Farto), Martha Cooper, the 1UP Crew, and Nika Kramer, encapsulates a collaborative spirit that is at the heart of street pop art and graffiti artwork. This limited edition piece, signed by Vhils and numbered out of 40, is a testament to urban art's intricate layers and profound storytelling. Sized at 19.75x24 inches, the work is a fusion of Farto's unique subtractive artistry and the documentary acumen of Cooper and Kramer, presented by the 1UP Crew and the MOG Museum of Graffiti. Each artist's contribution to "Scale Up" forms a distinct thread in the rich tapestry of the print. Vhils' excavation technique is evident, stripping layers to reveal an underlying narrative. Meanwhile, Martha Cooper and Nika Kramer bring their iconic photographic perspectives, immortalizing the essence of the street in a single frame. The 1UP Crew, synonymous with unity and power in street art, bridges these visions, while the MOG offers a platform for their convergence, cementing the work's place in modern art discourse. Alexandre Farto's Artistic Alchemy Alexandre Farto, known as Vhils, has revolutionized the street art scene with his chiseled portraits that delve into the substrata of urban environments. His involvement in "Scale Up" presents a poignant portrayal of the human condition amidst the chaos of city life. Farto's art is a dialogue between creation and destruction, where removing material is as significant as the image revealed. His technique is a metaphor for the human experience—each layer stripped away uncovers stories etched into the walls by time and history. Vhils' approach to street art extends beyond mere aesthetics. It interrogates themes of identity, memory, and the relentless pace of urban development. By signing "Scale Up," Farto imbues the work with his ethos, marrying the transient nature of street art with the permanence of fine art. The piece is a visual feast and a philosophical inquiry into the spaces we occupy and the marks we leave behind. The Collective Pulse of "Scale Up" "Scale Up" is a collaborative heartbeat of the street art community, echoing the sentiments of artists who view the city as canvas and muse. The inclusion of Martha Cooper and Nika Kramer in this project bridges generations, uniting the trailblazing spirit of Cooper's seminal street art photography with Kramer's contemporary cultural lens. Their collective eye frames the raw beauty of street art, capturing its fleeting magic in a lasting medium. The 1UP Crew, through its publication of "Scale Up," reinforces its commitment to collective action in art creation. The Crew's ethos is palpable in print, representing a more extensive, unified narrative of resistance, resilience, and artistic freedom. Supported by the MOG Museum of Graffiti, the print becomes a piece of history. This limited-edition narrative speaks to the enduring power of collaboration in the street art world. In the art community, "Scale Up" is recognized as a convergence of titans, a harmonious blend of individual talents and visions that together tell a story more remarkable than the sum of its parts. As street pop art and graffiti artwork continue to shape the cultural landscape, the contributions of Vhils, Martha Cooper, Nika Kramer, and the 1UP Crew will be celebrated for their ability to capture the zeitgeist of urban art and its unyielding drive to challenge, redefine, and inspire.

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Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Rest Haven Court Lounge Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Rest Haven Court archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

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