Archival Pigment Prints

DJ Charlie Chase 89 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of DJ Charlie Chase at a Show in 1989. DJ Charlie Chase: 1989 Photo by Joe Conzo Jr in Street Pop Art & Graffiti Artwork The 1989 photograph of DJ Charlie Chase, captured by Joe Conzo Jr., stands as a pivotal visual piece within the context of Street Pop Art and Graffiti Artwork. This limited-edition archival pigment print, measuring 20x16 inches and produced on 290gsm Moab Entrada Fine Art Paper, encapsulates a defining moment in hip-hop’s cultural evolution. The photograph represents a connection between the musical artistry of DJ Charlie Chase and the visual creativity that dominates urban spaces through graffiti and pop art movements. Joe Conzo Jr.'s Contribution to Cultural Narratives Joe Conzo Jr., a photographer born and raised in New York City, is celebrated for documenting the early days of hip-hop. His work preserves the raw and energetic atmosphere of an emerging cultural movement during the late 20th century. This photograph of DJ Charlie Chase showcases not only the technical brilliance of Conzo’s lens but also his ability to capture the essence of hip-hop culture at its core. His photography often becomes a medium for Street Pop Art and Graffiti Artwork, as it bridges music, culture, and the visual storytelling inherent to urban communities. DJ Charlie Chase and Hip-Hop Culture DJ Charlie Chase, a prominent figure in hip-hop’s formative years, is known for his role in the Cold Crush Brothers. As one of the first Latino DJs to make an impact in the genre, his contributions are significant to the representation of diversity in hip-hop. This 1989 image captures him in the midst of a show, with turntables and an audience in the background, symbolizing the pulse of a movement that reshaped music and art worldwide. The energy in the image mirrors the dynamism found in graffiti walls and street art installations, where rhythm and motion translate into bold lines and vibrant compositions. The Artistic Medium and Modern Interpretation The use of archival pigment printing on Moab Entrada Fine Art Paper ensures this artwork remains a timeless piece. The limited edition of five, signed and numbered in 2023, makes it a rare collectible that resonates with the ethos of Street Pop Art and Graffiti Artwork. The visual language of the photograph, with its layered elements of movement, community, and creativity, inspires urban artists to reinterpret it in graffiti and murals. These reinterpretations extend the photograph’s narrative, embedding it in a larger cultural dialogue that continues to evolve. This photograph by Joe Conzo Jr. serves as a bridge between past and present, capturing the heartbeat of hip-hop culture while providing inspiration for modern artistic expressions in the realms of street art and graffiti.

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Spaghetti Skateboard- White Deck Fine Art Limited Edition Archival Pigment Print Transfer on Natural Veneer Wood Skateboard Deck by Street Artwork Graffiti Artists at Supreme. 2021 Spaghetti Skateboard- White 8.375" x 32.125" Supreme skate deck with natural veneer and black top ply. Printed graphic on the bottom with printed World Famous and box logo on top.

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Buttercup Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mark Bode pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Dan the Man Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Keith Greiman.

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Subway Series- 10 Photo Original OTP Archival Pigment Print on 310gsm Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Orignal 1 of 1 Unique Subway Graffiti Photo Framed “I’ve always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I’ve been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It’s what made me Cope2. But me, I like to change it up and show all my different styles. So with this show, I’m able to show my evolution of style and how I’ve progressed. “Versatile” shows where I came from and what I’m doing now,” Cope2 said from his studio in New York. -Cope2 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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A Staged Race Has No Thunder Archival Pigment Limited Edition Print on Fine Art Paper by Artist Chris Austin Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Hand Deckled Artwork Size 20x20 Chris Austin – A Staged Race Has No Thunder in Street Pop Art & Graffiti Artwork Chris Austin’s A Staged Race Has No Thunder (2022) is a compelling archival pigment print that blends fine art discipline with themes central to Street Pop Art & Graffiti Artwork. This limited edition of only 50 signed and numbered pieces is rendered on fine art paper with hand-deckled edges and measures 20 by 20 inches. At first glance, the piece confronts the viewer with an impossible scene—a massive great white shark levitating through a dusk-red sky, surrounded by pigeons in flight. The surreal quality of this composition evokes both wonder and unease, a hallmark of Austin’s artistic voice. The title itself suggests commentary on artificiality—perhaps touching on the idea that forced or constructed competition lacks authenticity and power. The shark, a creature of unmatched predatory prowess in the ocean, is seen drifting in an unnatural element, stripped of its dominance and rendered passive in the air. The pigeons appear unbothered, even orchestrated around it, adding to the absurdity. This reversal of natural order serves as a metaphor for societal constructs—systems that force beings into roles they were never meant to inhabit. That theme resonates deeply within urban and street art culture, where identity, power dynamics, and freedom are core visual and philosophical motifs. Symbolic Creatures and Urban Commentary Austin’s use of wildlife as stand-ins for human emotion and systemic critique is one of his signature techniques. Sharks in his work often symbolize raw nature, strength, and survival. But here, elevated above the ocean and floating powerlessly through the sky, the shark becomes symbolic of misplacement and confinement. The birds, typically symbols of freedom, act like shepherds or bystanders—echoing themes of surveillance or forced coexistence. This strange dynamic is one that mirrors graffiti’s role in the urban landscape: often criticized, often revered, but always reacting to confinement, power, and space. Color, Composition, and Street-Level Energy The visual temperature of A Staged Race Has No Thunder is blistering. The red-orange twilight sky evokes urgency, suggesting environmental tension or societal unrest. The saturation of color mirrors mural-scale graffiti, where large washes of pigment draw the eye and trigger emotion. Austin’s style, though rooted in controlled studio practice, maintains the kinetic energy of outdoor street art, where visual shock is used to push messages quickly and forcefully. The shark's heavy, grounded form contrasts the fluttering lightness of the pigeons—further emphasizing imbalance and contradiction, which are core tools in the vocabulary of street pop visuals. Fine Art Format, Street Pop Message Though presented as a high-quality archival pigment print, Austin’s piece feels at home within the ethos of graffiti culture. Like wheatpaste posters or stencil bombs that turn alleyways into galleries, this work uses nature as a storytelling device to critique artificial constructs. Its fine art finish doesn’t dull the rebellious core—it enhances it. The controlled medium of pigment on paper combined with hand-deckled edges adds a layer of permanence to a message that, in other formats, might be fleeting. Through this blend of aesthetics and meaning, Chris Austin delivers not only an artwork but a meditation on authenticity, force, and the surreal consequences of staging what was never meant to compete.

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Jazz Baby Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. INFO

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Link's Journey Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Jordan Mendenhall Graffiti Street Artist Modern Pop Art. "I’ve always loved Zelda games and other video game classics. Even watching people play video games was magical to me when I was growing up. My older brothers did most of the playing because I was no good, but the games were magical. You could live, adventure, race, fight and make friends in these alternate worlds. I guess that’s why I love video games and art so much till this day. You get to create worlds and live in them and escape from reality. Real-life is stressful and sometimes is too much. I love to escape through my art and video games." - Jordan Mendenhall

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The Speeder- Oversized Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adam Fujita, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 10 Size 42x21 Hand Deckled Adams recent neon-style work has been an exploration of protest and resistance through the use of the medium of street art and the internet.

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Man on Wire NYC World Trade Center Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print New York City World Trade Center with Tight Rope Walker NYC World Trade Center Silkscreen Print by Justin Van Genderen NYC World Trade Center Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that captures a striking moment in history through the lens of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and produced in a limited edition of 50, this signed and numbered print presents the World Trade Center from a surreal, almost dreamlike perspective. The composition draws attention to the architectural presence of the Twin Towers while highlighting the legendary tightrope walk that took place in 1974, blending history, urban culture, and artistic abstraction into a single breathtaking image. The Power of Composition and Perspective This silkscreen print uses perspective in a way that immediately immerses the viewer. The World Trade Center towers rise at an angle, pulling the eye upward toward the sky where a large white circle looms like a full moon. The gradient sky shifts from turquoise to white, creating a cosmic atmosphere that amplifies the feeling of height and space. Birds fly freely around the towers, adding movement and reinforcing the feeling of openness despite the massive structures dominating the scene. At the center of the composition, the famous 1974 tightrope walk performed by Philippe Petit is subtly depicted. A thin, almost invisible line stretches between the towers, with the silhouette of a figure walking across. This delicate yet daring moment contrasts with the enormity of the buildings, creating a visual and emotional tension that captures both awe and fragility. The print pays tribute to the act of defying gravity, an idea that resonates deeply with both the history of New York City and the artistic culture of Street Pop Art & Graffiti Artwork. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s work carries strong elements of Street Pop Art & Graffiti Artwork, blending bold graphic techniques with urban storytelling. The stylized halftone shading on the towers gives them a textured, print-like quality, reminiscent of old newspaper photographs or comic book panels. The limited color palette—dominated by shades of blue, white, and black—enhances the print’s clean, modern aesthetic while maintaining a raw, urban energy. The composition feels cinematic, almost as if the viewer is looking up from the streets of Manhattan, capturing both the grandeur and the intimacy of the moment. Many street artists incorporate architectural landmarks into their work, but Van Genderen’s approach strips the scene down to its essential elements, making it feel timeless and universal. The use of high-contrast shading and simplified forms aligns with the stencil techniques used in graffiti, while the screenprinted medium itself is a hallmark of pop and street-inspired artwork. The combination of precision, abstraction, and minimalism makes this piece a striking example of how urban spaces can be reinterpreted through contemporary visual language. The Lasting Impact of the Image The NYC World Trade Center Silkscreen Print by Justin Van Genderen does more than capture a historical event; it transforms it into a symbol of artistic expression, human ambition, and the way cities shape cultural memory. The Twin Towers remain an enduring icon in New York’s skyline, and their representation in Street Pop Art & Graffiti Artwork continues to evolve as artists find new ways to pay tribute to their legacy. The tightrope walker’s inclusion in this piece serves as a metaphor for balance, risk, and the beauty of movement within the rigid lines of architecture. Collectors of Street Pop Art & Graffiti Artwork will find this print to be a unique and compelling addition to any collection. As a limited-edition hand-pulled silkscreen, it holds a level of craftsmanship that reflects the tactile, authentic nature of street-inspired art. Whether appreciated for its historical significance, its bold design, or its thought-provoking imagery, this print stands as a testament to the ways in which art can transform the past into something visually powerful and deeply moving.

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011|110- 22 x 22 Limited Edition Hand-Embellished HPM Archival Pigment Prints on 310gsm Fine Art Paper by Jason Seife Graffiti Street Artist Modern Pop Art. 2016 Signed & Numebred Limited Edition of 15 Artwork Size 22x22 "The overall theme of this series was overcoming obstacles and tough times to reach a greater goal, this piece, in particular, referencing the betrayal of Jesus by Judas, which to some may seem like a direct religious or biblical reference, but it, in fact, can be related to our everyday life in the feeling of betrayal which is something we have to deal with from friends, coworkers and sometimes even family/loved ones. It's a very tough thing to get over, and something I wanted to transcend into my painting. This piece, like a lot of my work, was inspired by a renaissance painting. In this case, it was a Caravaggio piece. Coming from a background in graphic design and just design in general, aesthetically I like playing off of symmetry and geometric shapes which bring a more modern take on the renaissance style. Presenting styles in a way our eyes aren't accustomed to viewing them is something that intrigues me." - Jason 011|110 – Limited Edition Hand-Embellished HPM Archival Pigment Print by Jason Seife 011|110 is a striking 22 x 22-inch limited edition hand-embellished HPM archival pigment print by Jason Seife, created in 2016. This piece, part of a highly exclusive edition of 15, is printed on 310gsm fine art paper and signed and numbered by the artist. The composition blends elements of classical Renaissance aesthetics with modern digital symmetry and geometric abstraction, reflecting Seife’s deep interest in reinterpreting historical art through contemporary techniques. The work draws direct inspiration from the dramatic lighting and emotional intensity of Caravaggio’s paintings, bringing an old-world sense of depth and realism into the context of Street Pop Art and Graffiti Artwork. The artwork features a mirrored composition, emphasizing duality and reflection, both literally and metaphorically. At its core, the piece references the biblical betrayal of Jesus by Judas, a moment charged with themes of loyalty, deception, and consequence. However, Seife’s intent is not purely religious but rather a universal exploration of personal betrayal. The emotions depicted—distrust, confrontation, and reckoning—are relevant in everyday life, whether in friendships, professional environments, or family relationships. The symmetry in the design, combined with the use of bold contrast and fine embellishments, makes this work a powerful visual statement on struggle and perseverance. Jason Seife and His Influence on Street Pop Art and Graffiti Artwork Jason Seife is a contemporary artist known for his intricate fusion of classical techniques with modern digital aesthetics. Raised in Miami, he was heavily influenced by both the vibrant graffiti culture of the city and the refined traditions of fine art. His work often explores themes of cultural identity, historical reinterpretation, and the juxtaposition of traditional craftsmanship with contemporary technology. Seife’s approach to art is deeply rooted in balance—blending ornamental flourishes with modern abstraction, historical references with futuristic compositions. His exploration of geometric symmetry within 011|110 highlights his background in graphic design, creating a structured yet deeply emotive visual experience. By borrowing from Renaissance-era compositions and integrating them into a distinctly modern framework, Seife challenges how art is traditionally perceived and invites viewers to see historical narratives through a new lens. The Role of Archival Pigment Prints in Modern Urban Art The use of archival pigment printing in Street Pop Art and Graffiti Artwork has transformed the way artists present and distribute their work. Unlike traditional screen printing, pigment-based fine art prints allow for an extraordinary level of detail, ensuring that each nuance of the original painting is preserved. The 310gsm fine art paper used in 011|110 enhances the depth and contrast of the colors, creating a piece that maintains the integrity of the artist’s vision while being durable and collectible. Hand-embellished prints add an additional layer of uniqueness, as each edition contains personal touches that differentiate it from the others in the series. This process blends the exclusivity of an original painting with the accessibility of a print edition, making high-quality art available to collectors while maintaining the tactile, human element of the artist’s hand. Seife’s attention to the printing process ensures that each piece in this edition retains the same level of craftsmanship and visual impact as the original. Collectibility and Cultural Significance of 011|110 011|110 stands as a testament to Jason Seife’s ability to merge historical influences with contemporary aesthetics, making it a highly desirable piece within the modern urban art movement. The visual intensity of the composition, combined with its thought-provoking theme of betrayal and redemption, makes this artwork resonate on both a conceptual and emotional level. The limited edition of 15 further enhances its exclusivity, appealing to serious collectors of Street Pop Art and Graffiti Artwork. Seife’s ability to blend Renaissance-inspired storytelling with bold, modern techniques continues to push the boundaries of contemporary art. His reinterpretation of classical compositions through symmetry, digital manipulation, and urban influences offers a fresh perspective on themes that have remained relevant for centuries. 011|110 is not just a reflection on historical events but a powerful commentary on human relationships, making it an essential piece for those who appreciate the depth and complexity of modern fine art with street-inspired sensibilities.

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Not Again Blotter Paper Archival Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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NYC Subway Map VII True Legend Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art "NYC Subway Map VII True Legend" stands as a vibrant testament to Cope2's, aka Fernando Carlo, influence and stature in the street art community. This limited-edition archival print is a confluence of the gritty energy of New York's underground scene and the refined technique of contemporary fine art. With only 35 signed and numbered pieces available, the artwork exudes exclusivity and significance. Measuring 14x19 inches, the piece is printed on 290gsm Moab Entrada fine art paper, renowned for its ability to present rich, accurate colors and to maintain the integrity of the original work for years to come. Cope2's dynamic piece pulses with the lifeblood of urban culture, a tribute to the artist's deep roots in the Bronx and the indelible mark he has left on the global graffiti landscape. The print is layered with his iconic bubble letters, wildstyle tags, and bold throw-ups that have become his signature. Embedded within the chaos of color and form is the NYC subway map, a nod to the artist's beginnings and the subway's role as the moving canvas of choice for early graffiti writers. It's here that Cope2 declares himself a "True Legend," a status earned through decades of contributing to the evolving language of street art. This piece, while celebratory, is also a dialogue with the viewer, challenging perceptions of what constitutes legitimate art. Cope2 brings the raw authenticity of the streets into a format traditionally associated with the art gallery, thereby erasing the boundaries between high art and street culture. Collectors of "NYC Subway Map VII True Legend" acquire more than just a piece of art; they are preserving a snapshot of a culture in constant motion, a culture that has sprawled from the subways of New York to capture the world's imagination. This print symbolizes the enduring legacy of street art and its unstoppable ascent into the art world's consciousness.

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I See What You Did There Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2021 Signed Limited Edition of 50 Artwork Size 7.5x7.5 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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DMC Released! Limited Edition Archival Pigment Prints on 300gsm Fine Art Paper by Mare139 Graffiti Street Artist Modern Pop Art. "This work was the cover art designed Sal Buscema who is known as one of the legendary artists from the time period known at Marvel as its' Golden Age of Comic books he is affectionately known as "Our Pal Sal" in the Marvel Bullpen Bulletins. His unforgettable work on some of their biggest titles including his phenomenal penciling on The Avengers, Captain America, Incredible Hulk, Thor, and Spider-Man defined the look of those characters for decades. He has even worked for DC Comics on Batman, Superman, Superboy, Creeper, and Wonder Woman. That puts me in good company as well as some of the artists who share the cover of the graphic novel." - Mare139

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The Initiate Archival Pigment Fine Art Limited Edition Print on 310gsm Museum Natural Fine Art Paper by Artist Vans The Omega, Street Pop Art Graffiti Legend. Signed & Numbered 2019 Archival Pigment Print on 310gsm Museum Natural Fine Art Paper Size: 16 x 18 Inches Release: September 23, 2019

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Flying Dob Skateboard Art Deck Set by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2018 Limited Edition Skateboard Artwork Size 8x31 Skateboard Art Deck Brand New Perfect Condition Flying Dob Skateboard Art Deck Set by Takashi Murakami: Japanese Iconography in Street Pop Art & Graffiti Artwork Flying Dob Skateboard Art Deck Set by Takashi Murakami is a limited edition fine art print on a triptych of 8 x 31 inch wood skateboard decks released in 2018 under the TM/KK studio imprint. Each deck presents a fragment of Murakami’s character Dob, whose energetic expression and surreal construction define a central part of his aesthetic vocabulary. This set, presented in brand new condition, merges Murakami’s globally recognized Superflat style with the raw and accessible surface of skate culture, making it a striking example of how contemporary Street Pop Art & Graffiti Artwork continues to evolve across unconventional platforms. Dob, often interpreted as Murakami’s mascot and alter ego, appears here with swirling eyes, massive teeth, and an explosive palette of electric blues, bubblegum pinks, whites, and reds. The visual design is disorienting and deliberately chaotic, characteristic of Murakami’s embrace of manga, anime, and Japanese commercial iconography. The composite image sprawls across all three decks, turning the set into both an art object and a collector’s item, fully blurring the lines between gallery art and functional street design. The decision to print this work on skate decks expands the accessibility and display potential of Murakami’s work while honoring the rebellious traditions of the surfaces it inhabits. Takashi Murakami and the Language of Commercial Surrealism Takashi Murakami, born in Japan in 1962, has spent decades exploring the visual intersections of fine art, commercial aesthetics, and youth culture. He developed the Superflat movement, which challenges the hierarchy of high versus low art and elevates cartoon, decorative, and commercial imagery into fine art contexts. Flying Dob exemplifies this practice, especially when seen on skate decks—objects traditionally aligned with underground subculture, athleticism, and anti-establishment messaging. Here, the decks function as mobile canvases that carry both the spirit of the street and the curated precision of contemporary design. Murakami’s use of the Dob character is complex. Part mascot, part warning, part self-portrait, Dob morphs across Murakami’s body of work as a representation of power, innocence, and uncontrollable emotion. In this composition, the fractured presentation across three decks intensifies the character’s chaotic energy. The large, angular teeth and swirling eyes become distorted by the deck separation, echoing how identity and perception are often fractured in consumer and digital culture. This psychological tension is core to both Murakami’s art and the visual language of Street Pop Art & Graffiti Artwork, which uses distortion, repetition, and vivid color to provoke response and invite inquiry. Street Surfaces and Contemporary Collector Culture Printing fine art on skateboards is not just a stylistic decision but a cultural one. Skate decks have long served as mobile billboards for self-expression, political graphics, and underground illustration. Murakami’s use of this surface format brings his work into dialogue with the visual codes of skater rebellion and DIY print culture. It also echoes the way graffiti and street art elevate everyday materials into lasting visual statements. The decks become a new kind of art print—limited, tactile, and tied to a specific youth-driven history. Flying Dob Skateboard Art Deck Set participates in the cultural practice of displaying what once existed solely in motion. It turns utility into symbol. This transformation reflects how Street Pop Art & Graffiti Artwork frequently subverts expectations—taking skateboards off the street and into the gallery while maintaining their attitude and visual punch. Murakami’s contribution amplifies this exchange by injecting his polished, commercial aesthetic into a medium traditionally associated with grit and destruction. Murakami’s Position in Street Pop Art & Graffiti Artwork Takashi Murakami stands as one of the few living artists whose practice fluidly spans fashion, merchandise, museum exhibition, and street influence without compromising complexity. The Flying Dob Skateboard Art Deck Set is a distilled example of his ability to fuse cultural layers into singular pieces that speak to mass media, personal mythology, and symbolic power. His work does not parody street culture; it contributes to it by redefining how characters, products, and art coexist in shared visual ecosystems. This set, with its razor-sharp execution and chaotic elegance, is both playful and unsettling. It demonstrates how Murakami continues to influence the direction of Street Pop Art & Graffiti Artwork while grounding it in Japanese visual tradition and hypermodern critique. Flying Dob is not simply a design—it is a statement rendered in wood, color, and fragmentation, made to be both ridden and revered.

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Mashups Stevie Williams Astronaut 8.25 Skateboard Art Deck by DKG Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2021 Limited Edition Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Skate Pro Stevie Williams x DGK Astronaut Space Stylized Board. Mashups Stevie Williams Astronaut Skateboard Deck by DGK: A Fusion of Style, Space, and Street Pop Art & Graffiti Artwork The Mashups Stevie Williams Astronaut Skateboard Deck by DGK is a bold visual statement in the world of Street Pop Art & Graffiti Artwork. Released in 2021 as part of a limited edition drop, the deck features a stylized astronaut illustration emblazoned with cash, smoke, gold jewelry, and a fearless stance. Sized at 8.25 inches by 31 inches, this sports object serves as both a functional skate deck and a piece of collectible street art. Made with durable, high-quality wood construction and manufactured to the specs of professional use, the board reflects the deep cultural roots of both skateboarding and street visual expression. Stevie Williams, a trailblazing skate pro from Philadelphia, lends his name and influence to the piece, reinforcing the deep connection between DGK and the authentic voices of the street. Visual Storytelling and the Symbolism of the Astronaut Figure The artwork on this DGK deck places a fully suited astronaut, complete with gold chains and a smoke-trailing helmet, in a universe filled with floating money. His stance is strong, arms folded across his chest, exuding confidence and control. With space as the backdrop, this character feels both elevated and grounded, symbolizing a journey from humble beginnings to infinite ambition. The details such as a gold DGK pendant and thick rope chain pull the aesthetics of street fashion directly into the cosmic theme. The background fades from deep violet to galactic tones, emphasizing the surreal environment and dream-like feel. The astronaut concept draws from classic hip-hop visual metaphors and the aspirational drive that defines both skateboarding culture and Street Pop Art & Graffiti Artwork. The message is one of elevation—of transcending circumstances, claiming space, and standing tall in a universe of competition and survival. Stevie Williams and DGK’s Impact on Skate and Street Art Culture Stevie Williams is a pivotal figure in modern skateboarding and an icon in urban culture. As the founder of Dirty Ghetto Kids (DGK), his story of rising from the streets to global recognition echoes through the brand’s bold and unapologetic visual style. DGK decks consistently reflect the ethos of underdog determination and gritty success. The astronaut figure on this deck is a direct reflection of Stevie’s personal trajectory and the aspirational themes that define his journey. In the tradition of Street Pop Art & Graffiti Artwork, this board reclaims visual language from luxury, science fiction, and hip-hop culture, transforming it into a raw and empowering artistic statement accessible through a widely used sports object. Limited Edition Skateboard as Functional Art and Cultural Commentary Printed on premium wood and crafted to the standards of pro-level skateboarding, the Mashups Stevie Williams Astronaut Deck exists at the intersection of athletic equipment and artistic canvas. Its graphic blends comic-book intensity with cultural satire, offering a rich visual experience whether it is displayed on a wall or worn down on the streets. The use of money, smoke, and gold serves as more than decoration—it is coded symbolism of survival, hustle, and success. As a limited edition print, the board carries significance beyond its function. It becomes a snapshot of cultural identity, street credibility, and modern art commentary. This DGK deck stands as a visual celebration of movement, resistance, and creative expression that defines Street Pop Art & Graffiti Artwork in the 21st century.

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Rainbow One Archival Pigment Fine Art Limited Edition Print on 310gsm Moab Fine Art Paper by Modern Pop Street Graffiti Artist Scott Listfield. 2019 Signed & Numbered Limited Edition of 50 Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 12x18 Inches Release: November 22, 2019 "Weirdly enough, I was thinking about the color palette from Thor: Ragnarok. It's one of my favorite movies from the past couple of years, and it's got a wonderful, bright, 70's psychedelic space vibe in some of the set designs and movie posters. I wanted to grab that exuberant rainbow and see how it fit into this starry world I was working on." ––Scott Listfield Scott Listfield's "Rainbow One": A Collision of Cosmic Hues and Earthly Solitude "Rainbow One" by Scott Listfield is a testament to the innovative crossroads of street pop art and the vibrancy of modern graffiti artwork. This limited edition archival pigment print, on the esteemed 310gsm Moab fine art paper, exhibits a solitary astronaut set against a backdrop of iridescent hues reminiscent of the color palette from "Thor: Ragnarok." As Listfield noted, the movie's 1970s psychedelic space vibe influenced the exuberant rainbow that breathes life into the starry scape he was crafting. The 12x18 inch print, released on November 22, 2019, is part of an exclusive series, with only fifty signed and numbered pieces available. Each print in this series is a portal to Listfield's universe, where the starkness of the astronaut's isolation is juxtaposed with the unrestrained joy of a cosmic spectrum. Through "Rainbow One," Listfield invites us into a contemplative narrative, encouraging a dialogue between the solitary exploration of space and our vibrant cultural tapestry.

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Tomb Limited Edition Archival Pigment Prints on Moab Fine Art Paper by Aaron Nagel Graffiti Street Artist Modern Pop Art. 24 x 8.25 Inches Archival Pigment Print on Moab Fine Art Paper. Signed and Numbered edition of 50

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57 Great Jones Jean-Michel Basquiat's Studio HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 14x17 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

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Scale Up Archival Print Photo by Vhils- Alexandre Farto x Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by Vhils- Alexandre Farto & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Intersecting Visions: Vhils and the Fabric of Street Art "Scale Up," an archival print brought to life by the creative confluence of Vhils (Alexandre Farto), Martha Cooper, the 1UP Crew, and Nika Kramer, encapsulates a collaborative spirit that is at the heart of street pop art and graffiti artwork. This limited edition piece, signed by Vhils and numbered out of 40, is a testament to urban art's intricate layers and profound storytelling. Sized at 19.75x24 inches, the work is a fusion of Farto's unique subtractive artistry and the documentary acumen of Cooper and Kramer, presented by the 1UP Crew and the MOG Museum of Graffiti. Each artist's contribution to "Scale Up" forms a distinct thread in the rich tapestry of the print. Vhils' excavation technique is evident, stripping layers to reveal an underlying narrative. Meanwhile, Martha Cooper and Nika Kramer bring their iconic photographic perspectives, immortalizing the essence of the street in a single frame. The 1UP Crew, synonymous with unity and power in street art, bridges these visions, while the MOG offers a platform for their convergence, cementing the work's place in modern art discourse. Alexandre Farto's Artistic Alchemy Alexandre Farto, known as Vhils, has revolutionized the street art scene with his chiseled portraits that delve into the substrata of urban environments. His involvement in "Scale Up" presents a poignant portrayal of the human condition amidst the chaos of city life. Farto's art is a dialogue between creation and destruction, where removing material is as significant as the image revealed. His technique is a metaphor for the human experience—each layer stripped away uncovers stories etched into the walls by time and history. Vhils' approach to street art extends beyond mere aesthetics. It interrogates themes of identity, memory, and the relentless pace of urban development. By signing "Scale Up," Farto imbues the work with his ethos, marrying the transient nature of street art with the permanence of fine art. The piece is a visual feast and a philosophical inquiry into the spaces we occupy and the marks we leave behind. The Collective Pulse of "Scale Up" "Scale Up" is a collaborative heartbeat of the street art community, echoing the sentiments of artists who view the city as canvas and muse. The inclusion of Martha Cooper and Nika Kramer in this project bridges generations, uniting the trailblazing spirit of Cooper's seminal street art photography with Kramer's contemporary cultural lens. Their collective eye frames the raw beauty of street art, capturing its fleeting magic in a lasting medium. The 1UP Crew, through its publication of "Scale Up," reinforces its commitment to collective action in art creation. The Crew's ethos is palpable in print, representing a more extensive, unified narrative of resistance, resilience, and artistic freedom. Supported by the MOG Museum of Graffiti, the print becomes a piece of history. This limited-edition narrative speaks to the enduring power of collaboration in the street art world. In the art community, "Scale Up" is recognized as a convergence of titans, a harmonious blend of individual talents and visions that together tell a story more remarkable than the sum of its parts. As street pop art and graffiti artwork continue to shape the cultural landscape, the contributions of Vhils, Martha Cooper, Nika Kramer, and the 1UP Crew will be celebrated for their ability to capture the zeitgeist of urban art and its unyielding drive to challenge, redefine, and inspire.

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A Place Called Space Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ed Irmen pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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A Swan Amongst Ducks Limited Edition Archival Pigment Prints on Moab Fine Art Paper by Aaron Nagel Graffiti Street Artist Modern Pop Art. A SWAN AMONG DUCKS [2009] 26 x 21 Giclée Print on Archival Paper Signed & numbered limited edition of 20

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Super Soup- Red Trip Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Denial. 2022 Signed & Numbered Limited Edition of 30 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Science Mage Limited Edition Archival Pigment Fine Art Prints on 100% Cotton Rag Archival Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe. 12" x 10" including 1" white border Printed on Innova Smooth Cotton 315gsm, High White, 100% Cotton -signed and numbered

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Shades of Dripple Rainbow Foil Archival Print by Sket-One Limited Edition on Gloss Lamination 2pt Rainbow Foil Board Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 16x20 Archival Pigment Fine Art

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Landmarks PP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition 1/1 Artwork Size 19x24 Archival Pigment Fine Art Graffiti Tags & Throw Ups on a Vintage Mountain Landscape Small Bumps To Right Extreme White Margin, Working Artist Proof Dave Pollot's groundbreaking artwork "Landmarks PP" takes a unique and influential position within the evolving fields of pop art, street art, and graffiti art. As a testament to the artist's creative prowess, the piece ingeniously repurposes a vintage mountain landscape, over which Pollot superimposes graffiti tags and throw-ups, adding a distinctive contemporary edge to an otherwise traditional scene. The "Landmarks PP" is a limited edition print, produced on Matte Velvet Rag Fine Art Paper, an exquisite material chosen for its ability to capture the vibrancy of Pollot's vivid color palette. Marked as 'PP' and signed by the artist himself, the Printers Proof 2021 stamp further confirms its exclusivity. Significantly, the edition is marked 1/1, which underlines that this print is a singular instance in its edition, thus significantly enhancing its desirability and collectability for art aficionados worldwide. The artwork, measuring 17x22 inches, is not only captivating in its visual content but also, notably, in its application of the archival pigment. This process, favored for its longevity and color fidelity, ensures that the print will retain its original brilliance for years to come, providing the collector with an enduring piece of pop art history. Pollot's "Landmarks PP" represents a seamless fusion of traditional landscape art and modern graffiti aesthetics. It is an intriguing exploration of the intersection between these two art worlds, and a clear example of how artists are pushing boundaries to redefine the traditional limits of art. This archival print is an unmistakable icon of Pollot's work, reflecting his ability to incorporate diverse elements into a unified, powerful visual experience that captivates and challenges audiences, urging them to contemplate the possibilities of creative expression.

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Energy Feedback Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Joe Mangrum pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. "Energy Feedback Blotter Paper" emerges as a captivating piece of street pop and graffiti artwork created by artist Joe Mangrum. This limited edition archival pigment print is masterfully presented on perforated blotter paper, measuring 7.5 x 7.5 inches, released on April 19, 2021. Known for his intricate sand paintings and vibrant public art installations, Mangrum's work often incorporates a kaleidoscope of colors and patterns that reflect the dynamism and interconnectedness of life. This particular artwork, "Energy Feedback," is a visual representation of feedback loops found in natural and technological systems, expressed through Mangrum's distinctive use of color and form. The print showcases a complex mandala-like design, radiating symmetry, and intricate details that draw the viewer into a contemplative state reminiscent of the psychedelic experience traditionally associated with blotter art. Hand-perforated by Zane Kesey, each piece of the limited blotter edition may vary slightly, adding to the uniqueness and collectability of the artwork. The intricacies of Mangrum's design are particularly suited to the blotter paper medium, which has roots in the psychedelic art movement of the 1960s and 70s. This choice of material adds a layer of historical and cultural depth to the artwork, bridging the gap between traditional street art mediums and the experimental nature of blotter art. "Energy Feedback" is a testament to the evolving nature of street pop art and graffiti, showcasing how artists like Mangrum push the boundaries of what can be achieved within these dynamic art forms. By blending vibrant visuals and thought-provoking themes, Mangrum's work on blotter paper extends beyond the realm of aesthetic pleasure, offering viewers a multi-sensory experience that is both a nod to pop culture and sophisticated artistry reflective of contemporary artistic innovation.

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Bird Bath Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Morgan McPeak pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Scale Up Archival Print Photo by Revok x Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by Revok & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Scale Up: A Convergence of Icons in Street Art Photography The "Scale Up" archival print is a testament to the collaborative spirit driving the street pop and graffiti art worlds. This piece results from a unique partnership between renowned graffiti artist Revok, legendary street art photographer Martha Cooper, the Berlin-based 1UP Crew, and cultural photographer Nika Kramer under the auspices of the MOG Museum of Graffiti. The limited edition of 40 prints, each signed by Revok and numbered, measures 19.75x24 inches, capturing a moment of street art history in the form of a stylized blown-up Polaroid picture. This archival pigment print on fine art paper immortalizes a snapshot of street art in action, reflecting the raw energy and spontaneous creativity that defines the genre. The collaboration showcases the synergy between artists and photographers, where each party brings their distinctive vision and skill to create something that transcends traditional art forms. Revok and The Art of Urban Expression Revok, a prominent figure in the street art scene, is known for his complex and colorful abstract works, often utilizing found materials and urban landscapes as his canvas. His signature style, characterized by a vivid exploration of color and form, is imprinted on the "Scale Up" print, bringing a sense of depth and texture to the piece. The partnership with Martha Cooper, Nika Kramer, and the 1UP Crew for this project blends different perspectives of the street art world, from creation to documentation, offering viewers a comprehensive look at the art form's multifaceted nature. Martha Cooper's role as a documentarian of street art culture, alongside Nika Kramer's cultural photography, provides a visual narrative that complements Revok's artistic ethos. Their photographs are more than mere records of street art; they are dynamic works that capture the essence of the moment and the context in which the art exists. 1UP Crew- One United Power and MOG: Celebrating Street Art's Collective Spirit The involvement of the 1UP Crew, a collective known for their ambitious and often politically charged works, adds a layer of complexity to the "Scale Up" print. Their ethos aligns with the communal nature of street art, where collaboration and shared experiences are fundamental to the creation process. The MOG Museum of Graffiti's role in this collaboration is crucial, serving as a cultural institution that both preserves and propels the narrative of graffiti and street art forward. Published by the 1UP Crew and the MOG, this limited edition print is a piece of street art history that reflects the ongoing dialogue between street artists, photographers, and cultural institutions. It is a celebration of the vibrancy and impact of street art, ensuring that the pulse of the city streets and the voice of the artists who color them continue to resonate within the art community and beyond. In the art community, collaborations like "Scale Up" remind them of art's transformative power and ability to reshape objects and perceptions. They stand as monuments to the artists and photographers who have paved the way for the recognition and celebration of street art, ensuring that the essence of the streets—the bold, unapologetic voice of the graffiti artist—continues to be a vital part of the conversation in the world of art.

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Bike Tripping Blotter Paper Archival Print by El Pez Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper artwork prints are a unique form of art that involves transferring ink onto specially treated blotter paper. The resulting prints are often abstract and colorful, and can be used for a variety of decorative and artistic purposes. To create a blotter paper artwork print, the artist first prepares the blotter paper by treating it with chemicals that will enhance its absorbency and ability to hold ink or dye. Then, ink or dye is applied to the paper using various techniques, such as dripping, pouring, or spraying. The paper is left to dry, and the resulting print is then carefully removed from the blotter paper. Archival printing techniques are used to produce high-quality prints of the original artwork. This involves using high-quality inks and paper that are designed to last for a long time without fading or deteriorating. Archival prints are also resistant to moisture and sunlight, which helps to preserve the artwork for years to come. Blotter paper artwork prints can be a great addition to any home or office decor, and they are often used as a unique form of wall art. They are also popular among collectors and art enthusiasts, as each print is one-of-a-kind and can never be replicated exactly.

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Thursday Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

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Clothes Pile Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Keith Greiman.

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Boba- Something In The Tea Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Luke Chueh Pop Culture LSD Artwork. 2019 Signed Limited Edition of 100. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2019 Run of: 100 Limited blotter editions are hand-perforated & may vary slightly from the example shown.

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NY Tripway Map I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Zooka Pac Archival Pigment Fine Art Limited Edition Print on 308gsm Hahnemuhle Cotton Rag Paper by Marley Mcfly, Street Pop Art Graffiti Artist. 2022 Signed Limited Edition of 50 Artwork Size 18x24, #1 of 50 Marley Mcfly's "Zooka Pac": A Fusion of Street Art and Iconography Marley Mcfly's "Zooka Pac" is a compelling archival pigment fine art print that embodies the spirit of Street Pop Art and Graffiti Artwork. This limited edition of 50 prints, signed by the artist and spanning a canvas of 18x24 inches, is a vibrant blend of urban artistry and pop culture symbolism. Created in 2022, the work is part of a series that showcases Marley Mcfly's unique ability to blend graffiti's raw energy with the poignant stylings of pop art, culminating in a piece that is both a tribute and an original artistic statement. Marley Mcfly, a notable figure in the contemporary street art scene, uses 308gsm Hahnemühle cotton rag paper for this series, a medium known for its fine texture and durability. This choice underscores the importance of materiality in graffiti and street art, which often relies on the quality and character of surfaces to communicate messages. The "Zooka Pac" print stands out for its subject matter and meticulous attention to the craft of printmaking. Creative Expression in Archival Pigment Prints Creating an archival pigment print like "Zooka Pac" requires a balance of technical precision and creative flair. The archival nature of the pigment inks ensures that the artwork resists fading over time, preserving the vividness of Mcfly's color palette and the sharpness of his imagery. The 308gsm Hahnemühle paper, with its delicate yet robust composition, provides the perfect backdrop for the artist's dynamic interplay of color and form. In "Zooka Pac," Mcfly uses the visual language of graffiti art to pay homage to iconic figures, weaving together street art's spontaneity with pop art's focus on popular culture icons. The artwork features a graphic that captures the viewer's attention, a testament to McFly's skillful hand and ability to convey depth and personality within the confines of a two-dimensional space. The Impact of Marley Mcfly's Work Marley Mcfly's contributions to the evolution of Street Pop Art are significant. His works, including "Zooka Pac," are infused with the ethos of graffiti art while being meticulously crafted to meet the standards of fine art prints. This harmonious blend of street culture and acceptable art practices makes Mcfly's work highly sought after by collectors and enthusiasts who appreciate the confluence of different art forms. The release of "Zooka Pac" as a limited edition also plays into the exclusivity and community aspects of street art culture, where owning a piece of the edition can feel like belonging to an underground society of art connoisseurs. McFly's ability to create art that is accessible yet profound has cemented his reputation in the street art world as an artist who pushes boundaries and challenges perceptions. "Zooka Pac," as the inaugural piece of its series, marks the beginning of a journey into Marley Mcfly's exploration of pop culture through street art. The piece is not merely a representation of an iconic figure but a reflection of the era and a statement on the enduring influence of such figures in the collective memory. Through this work, Mcfly continues to foster a dialogue between street art's rebellious origins and its increasingly recognized status within the canon of contemporary art.

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Grin Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Flamingo Motel Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Flamingo Motel archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

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Embrace Limited Edition Hand-Embellished Archival Pigment Print with Foil Embellishments on 300gsm Fine Art Paper by Craww Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition HPM of 25 Artwork Size 12x18 Craww - "Embrace" hand embellished with gold leaf by the artist fine art giclee print signed and numbered edition of 25 12" x 18"

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SUntitled Tags Throw Up Archival Pigment Print on 310gsm Fine Art Paper by Seen UA Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 73 Artwork Size 17x25 Now more likely to be seen exhibiting canvas work in a commercial gallery than painting illegally outside at night, Mirando still thinks the street art scene is not what it used to be.“Today it’s just gone so far to the point where you don’t know what’s real or fake anymore. It’s missing the mysteriousness about it,” he says, adding that advancements in technology have also changed the graffiti scene as it is known today.

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Head In The Trees Limited Edition Archival Pigment Prints on Fine Art Paper by Ben Kehoe Graffiti Street Artist Modern Pop Art.

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Sprout C Skateboard Art Deck by Al Maser Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2021 Signed & Numbered Limited Edition of 75 Skateboard Artwork Size 8x31 Skateboard Art Deck The Graffiti Skateboard Art Deck collection boasts a wide array of styles and themes to cater to every taste. Whether you're a die-hard skater or an avid art enthusiast, these decks are the perfect way to showcase your passion and individuality. As the popularity of skateboarding continues to grow, these art decks have become highly sought-after collector's items, steadily increasing in value over time.

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Fashion Addict Refill- Supreme Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Supreme Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Pop Bart- Hand-Painted Variant VI Limited Edition Hand-Embellished HPM Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: October 04, 2021 Run of: 1

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