Lina PP Printers Proof Archival Print by Mateo Limited Edition Print on MEDIUM Pop Artist Modern Artwork. PP Printers Proof 2025 Signed & Marked PP Limited Edition Artwork Size 17x24 Archival Pigment Fine Art Lina PP Printers Proof Archival Print by Mateo French artist Mateo, known for his transformative Street Pop Art & Graffiti Artwork, delivers a powerful cultural statement with Lina, a 2025 archival pigment print in a rare Printer’s Proof edition. Measuring 17 x 24 inches and produced on high-quality fine art paper, this print continues Mateo’s practice of merging portraiture with ornamental textile traditions. Signed and marked PP by the artist, this piece stands as a unique refinement in a limited body of work that celebrates identity, feminine strength, and transcultural visual language. Ornament and Identity in Harmony The subject of Lina is a woman whose direct gaze confronts the viewer with unwavering presence. Her face and form are partially obscured and enhanced by intricate Persian carpet motifs, rendered with exceptional detail and precision. Mateo seamlessly overlays these patterns onto the contours of the subject’s face, creating an illusion that her skin itself is interwoven with global heritage and ancestral memory. The blue and gold palette radiates dignity, serenity, and sacred geometry, inviting viewers to contemplate the beauty of complexity and resilience in modern cultural narratives. Technique and Material Craft The technique employed in Lina reflects Mateo’s signature synthesis of classical craft and urban art aesthetics. This Printer’s Proof was produced using archival pigment processes on 290gsm Moab Entrada paper, ensuring vibrancy and longevity. The embellishment of textile detail does not serve as mere decoration—it functions as a symbol system, deeply rooted in Mateo’s ongoing exploration of symbolism, heritage, and hybrid identity. The crispness of the print, coupled with its ornamental layering, produces a near-sculptural surface on flat paper. Contemporary Global Vision Mateo’s work challenges and expands the language of Street Pop Art & Graffiti Artwork by integrating references from North African, Middle Eastern, and Asian decorative traditions into contemporary Western portraiture. Lina is emblematic of this synthesis, embodying both the raw immediacy of urban street art and the sacred timelessness of cultural craft. The Printer’s Proof format of this edition adds a level of rarity and authenticity for collectors, and underscores Mateo’s emphasis on process, craft, and artistic integrity. Lina is more than an image—it is a meditation on feminine strength, history, and the interwoven layers of self and culture. With its meticulous construction and universal resonance, the work occupies a critical space in the canon of modern figurative and street-rooted fine art, making it a vital acquisition for collectors seeking narrative depth and visual impact.

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The Removal of Masks Archival Print by Andi Soto Archival Pigment Fine Art Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 12x18

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Solitary Child 1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hikari Shimoda Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 12x12 "Solitary Child is a series of works, focused on my original theme of the inevitability of the Apocalypse. In this series, I am offering a new savior for humankind- she is a magical girl (Solitary Child #1) and a little boy hero (Solitary Child #3). In the world of my paintings, humanity has perished, as seen in the collage background, where there is an expressed chaos throughout. In these images, my saviors have come upon the dying human race. After the death of man, the world has found some relief from the turmoil that he has brought upon it. Meanwhile, mankind selfishly dreams of newfound happiness in his afterlife. In the mythology of my work, as humanity is destroyed, only one figure remains and that is the Messiah represented as a child. The magical girl was the first to be left alone after humanity was destroyed, left to deal with the despair and damage he left behind. Her eyes are shining and sparkling, but her stare is blank. In contrast, my hero’s eyes are closed ever so gently. To him, everything in the world is very chaotic and overwhelming. He feels all of its happiness, despair, hope, sadness, everything… in such a state, even the world’s savior must shut his eyes to it." - Hikari Shimoda Solitary Child 1 Archival Pigment Print by Hikari Shimoda Solitary Child 1 is a haunting yet luminous work by Japanese artist Hikari Shimoda, executed as a limited edition archival pigment print on 310gsm fine art paper in 2016. Measuring 12x12 inches and part of a signed and numbered edition of only 50 pieces, the print is an exemplary artifact of modern Street Pop Art & Graffiti Artwork. Hikari Shimoda’s visual language is deeply influenced by anime, manga, and the traditions of Japanese pop culture, yet she transcends those frameworks by embedding layered commentary on psychological turmoil, existential despair, and the fractured identity of post-apocalyptic innocence. A Childlike Messiah in a Dystopian Aftermath Solitary Child 1 features a central character presented with almost overwhelming intensity: a young girl in a magical girl costume with heart motifs and sailor-style attire. Her pink and red hair bursts outward, saturated with visual energy, covered in stars and cosmic motifs. The round composition suggests a window into another dimension, one that has already processed the collapse of humanity. Her large, glowing eyes, rendered with 3D-like chromatic effects, stare blankly ahead, neither judgmental nor mournful. This emptiness is intentional, a thematic thread in Shimoda’s work meant to evoke both detachment and forced resilience. Within the background—a swirling collage of detritus, symbols, and abstract fragments—the chaos of a forgotten civilization bleeds through. Shimoda situates her character as both witness and survivor. The child does not weep for the world but exists beyond it, as its last remnant or perhaps as its reluctant redeemer. Her eyes, sparkling with galaxies and stars, are full of wonder and terror. Her small frame is juxtaposed against the density of visual information around her, reminding the viewer that she is no longer a child in the traditional sense but a totem for hope, destruction, memory, and transcendence. The Narrative of the Apocalypse and Magical Realism This print is part of Shimoda’s larger Solitary Child series, which contemplates the inevitable downfall of humankind and the rise of symbolic children as messianic figures. Her use of magical girl archetypes and child heroes blends contemporary kawaii aesthetics with harrowing existential themes. The result is a visual paradox: alluring and innocent on the surface, but deeply reflective of societal failure, emotional vacancy, and the search for meaning after cultural ruin. Solitary Child 1 is more than a work of visual pop; it is a philosophical reflection clothed in vibrant, hallucinogenic textures. A Singular Voice in Pop Apocalyptic Visual Language Hikari Shimoda’s Solitary Child 1 stands at the intersection of anime fantasy, pop aesthetics, and postmodern emotional realism. Printed with extraordinary precision on archival paper, the piece balances delicate brush textures with high-impact digital color precision. Each work in the edition is hand-signed and individually numbered, preserving its place in the limited pantheon of collectible Street Pop Art & Graffiti Artwork. As Shimoda continues to rise in global prominence, pieces like Solitary Child 1 serve as portals into her richly imagined mythos—where apocalyptic desolation and magical innocence collide to question what it means to save a world that cannot save itself.

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Struck Down Archival Pigment Fine Art Limited Edition Print on Hand Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "If I am struck down, Then the increase of my power will become unstoppable."

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China Town x Moments Lost Limited Edition Giclee Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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Solitary Child 3 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hikari Shimoda Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 12x12 "Solitary Child is a series of works, focused on my original theme of the inevitability of the Apocalypse. In this series, I am offering a new savior for humankind- she is a magical girl (Solitary Child #1) and a little boy hero (Solitary Child #3). In the world of my paintings, humanity has perished, as seen in the collage background, where there is an expressed chaos throughout. In these images, my saviors have come upon the dying human race. After the death of man, the world has found some relief from the turmoil that he has brought upon it. Meanwhile, mankind selfishly dreams of newfound happiness in his afterlife. In the mythology of my work, as humanity is destroyed, only one figure remains and that is the Messiah represented as a child. The magical girl was the first to be left alone after humanity was destroyed, left to deal with the despair and damage he left behind. Her eyes are shining and sparkling, but her stare is blank. In contrast, my hero’s eyes are closed ever so gently. To him, everything in the world is very chaotic and overwhelming. He feels all of its happiness, despair, hope, sadness, everything… in such a state, even the world’s savior must shut his eyes to it." - Hikari Shimoda Solitary Child 3 Archival Pigment Print by Hikari Shimoda Solitary Child 3 by Hikari Shimoda is a vivid embodiment of emotional symbolism and post-apocalyptic narrative rendered through the lens of Japanese Street Pop Art & Graffiti Artwork. Released in 2016 as a signed and numbered archival pigment print limited to 50 editions, the artwork measures 12x12 inches and is printed on 310gsm fine art paper. This circular piece, like its counterpart Solitary Child 1, presents a child as a spiritual savior in the wake of humanity’s collapse. However, where the magical girl of the first installment gazes outward with shining eyes, Solitary Child 3 closes his eyes to the world, weighed down by its chaos and sorrow. The Child Hero as a Symbol of Emotional Overload The central figure is a young boy depicted with softly closed eyes, a vacant expression, and flushed cheeks. His pale, almost ghostlike complexion contrasts with the electric vibrancy of the chaotic collage behind him. The boy wears a star-laden shirt with the phrase I AM HERO emblazoned across the chest. This phrase is not a declaration of ego but a burden of responsibility in a world shattered by human error. With small black horns rising from his head and a solemn composure, the character straddles the line between innocence and burdened divine messenger. Hikari Shimoda’s universe exists in a fantastical space where childlike visuals are infused with heavy existential themes. The surrounding background in Solitary Child 3 is littered with neon stars, stickers, anime-inspired creatures, and cultural flotsam. The visual chaos symbolizes the overstimulation of modern society and the debris left behind after its collapse. The messianic child stands amid this wreckage, absorbing it all in quiet contemplation. Unlike heroes who fight with swords or powers, this savior’s resistance lies in his inward emotional experience. Aesthetic Tension Between Kawaii and Catastrophe Shimoda blends traditional Japanese pop culture imagery with deeply contemporary anxieties. The work’s aesthetic borrows heavily from kawaii sensibilities—cute characters, colorful motifs, childlike wonder—but it is filtered through a lens of apocalypse, grief, and spiritual ambiguity. The character is not smiling. His closed eyes speak to a need to shut out the pain of the world, even as he must stand as its redeemer. The artist challenges the viewer to question what innocence means when it exists in the shadow of destruction, and what heroism requires when the world has already ended. Pop Iconography Transformed Through Spiritual Narrative Solitary Child 3 situates itself within the new wave of Street Pop Art & Graffiti Artwork by merging painterly techniques, manga aesthetics, and conceptual symbolism. Hikari Shimoda’s work challenges traditional Western ideas of what children represent in visual culture. Here, the child is not naive or oblivious but rather deeply aware, spiritually complex, and emotionally overwhelmed. The use of archival pigment print on heavy fine art paper preserves both the vibrancy and the texture of the original, allowing collectors to experience the intimacy and power of Shimoda’s vision. This print serves as a profound statement within Shimoda’s mythological continuum. It reminds the viewer that amid ruin, the last figure standing is not a politician or warrior, but a child—silent, enduring, and burdened with the sorrow of a fallen world.

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Seppuku Artwork Giclee Limited Edition Print on 300gsm Matt Fine Art Paper by Pop Culture Graffiti Artist Luke Chueh. Print was released in 2014 during Luke's visit to Singapore. Signed and numbered edition of 75 12" x 16" Printed on 300gsm matt fine art paper

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Destroy, Rebuild, Repeat AP HPM Artist Proof 3D Print Framed on Wood Cradled Panel ready to hang by Quiccs Graffiti Street Artist Modern Pop Art. AP Artist Proof Signed, Small Drawings & Marked AP Framed Artwork Size 12x16 Frame Larger. 12 x 16 in. (30.48cm x 40.64cm) Three-layered fine art wood print, hand-signed and numbered by Quiccs This first of its kind three-layered fine art birch wood print starts with a 3/4" wood print. It’s then layered with a 1/2" custom shape pop-out pieces, then finished with a 1/4" custom cut layer to create a unique fine art piece. Layered Expression Through Precision Destroy, Rebuild, Repeat by Filipino graffiti and street pop artist Quiccs is a standout three-dimensional fine art wood print that encapsulates the ethos of transformation through destruction and creativity. Built from three distinct layers of wood — a 3/4-inch foundational panel, a 1/2-inch set of precision-cut pop-out pieces, and a final 1/4-inch top layer — the structure of this artwork mirrors its conceptual narrative. Each tier contributes to the visual complexity, bringing dynamic depth to a high-octane scene that merges elements of mecha, hip-hop, street culture, and toy aesthetics. Framed and ready to hang, this artist proof version measures 12 by 16 inches with the frame extending slightly larger to encase the sculptural form. Signature Characters in Street Pop Fusion At the heart of the piece is Quiccs’ iconic character TEQ63, rendered with bold outlines, heavy saturation, and mechanical armor stylings that fuse Japanese super robot design with urban cultural codes. A bandana-wrapped skull face, accented by skeletal insignias, and battle-worn mechanical limbs clash with elements like sneakers and vinyl spray marks — blending the militant with the playful. What sets this artist proof apart is the additional small hand-drawn character at the top right, a uniquely placed skull and crossbones sketched directly on the surface, reinforcing its rarity and giving insight into the artist’s own shorthand visual lexicon. Material Language and Conceptual Strength Executed on birch wood using archival printing methods, Destroy, Rebuild, Repeat captures the hard-edged sensibilities of graffiti culture while exploring new material possibilities in fine art editions. The decision to build on wood rather than canvas or paper grounds the work in craft traditions, while the digital print techniques and spray paint effects point forward toward urban futurism. The layered build mimics the complexity of Quiccs’ message — a repeating cycle of construction and collapse, identity and reinvention, that defines the experience of creators navigating a world of social chaos and resilience. Limited Rarity in Contemporary Street Pop Art This piece is part of a signed and numbered artist proof run marked AP 08/08 and features original embellishments and framing. As an experimental iteration of Quiccs’ art objects, it bridges collectible design with gallery-ready installation. The framed silhouette and physical texture highlight its significance not just as a visual spectacle but as a sculpture with weight and story. Created in 2018 during a time of widespread cross-pollination between streetwear, designer toys, and pop surrealism, Destroy, Rebuild, Repeat reflects the strength of Quiccs’ voice in the movement of Street Pop Art & Graffiti Artwork.

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The White Dragon Limited Edition 4-Color Hand-Pulled Silkscreen Print on Heavy Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 300 Series VI Artwork Size 12x24. Silver Metallic Ink Rain. This print is a collaboration by Tim Doyle and Nick Derington. It is marked by hand with a VII and features white margins. Based on the movie Blade Runner. The White Dragon Silkscreen Print by Tim Doyle Tim Doyle’s The White Dragon is a visually stunning example of street pop art and graffiti artwork, blending cyberpunk influences with a meticulously detailed urban landscape. Created in 2013 as a four-color hand-pulled silkscreen print on heavy paper, this piece is part of a limited edition of 300. Marked by hand with a VII and featuring white margins, it incorporates silver metallic ink to create a shimmering rain effect that enhances the nocturnal cityscape. Produced in collaboration with artist Nick Derington, this work captures the electric atmosphere of a futuristic metropolis, drawing direct inspiration from the film Blade Runner. The Influence of Blade Runner on Urban Aesthetics This artwork immerses viewers in a dystopian city filled with neon signage, dark alleyways, and a layered mix of old-world commerce and futuristic technology. Inspired by the cinematic aesthetic of Blade Runner, Doyle’s composition reflects the film’s influential visual elements, including a fusion of Asian street markets, high-rise advertisements, and a constantly wet, illuminated landscape. The presence of the neon blue dragon, floating street signs, and figures huddled beneath umbrellas reinforces the cyberpunk mood. These elements establish a stark contrast between the glowing artificial lights and the dark silhouettes of the figures navigating the rain-soaked streets. The depth of the composition creates a multi-layered experience, guiding the viewer’s eye from the foreground figures to the towering structures in the background. The inclusion of recognizable brand logos, such as Atari and Koss, adds a layer of nostalgia while also emphasizing the consumer-driven nature of this futuristic world. This combination of commercial imagery and gritty urban realism is a signature aspect of street pop art and graffiti artwork, reflecting a broader commentary on technological evolution and cultural fusion. Tim Doyle’s Approach to Modern Pop Art Tim Doyle is known for his ability to translate cinematic atmospheres into screen-printed artwork that retains the raw energy of street pop art. His background in illustration and printmaking enables him to create pieces that feel both graphic and atmospheric. In The White Dragon, his use of silver metallic ink gives the rain an almost animated quality, making the urban setting feel alive. The careful balance of blue, red, and dark tones enhances the stark contrast between artificial and natural elements, reinforcing the tension between technology and human existence in an ever-evolving world. The hand-pulled silkscreen process gives this print a tangible, tactile quality that digital art cannot replicate. The layering of ink creates a sense of depth, with each stroke adding to the intricate details that define the composition. The white margins frame the artwork, making it feel like a preserved moment in time—capturing a city that never sleeps, constantly evolving yet trapped in a timeless aesthetic. The Legacy of The White Dragon in Graffiti and Street Pop Art As part of Doyle’s ongoing exploration of film-inspired urban landscapes, The White Dragon serves as a testament to the lasting impact of cyberpunk on modern art. This limited edition print, with its meticulous craftsmanship and immersive storytelling, bridges the gap between cinematic nostalgia and contemporary visual culture. The combination of hand-pulled silkscreen techniques, bold graphic lines, and neon-infused color palettes aligns with the aesthetics of street pop art and graffiti artwork, making it a standout piece in Doyle’s body of work. Through this print, Doyle and Derington successfully transport viewers into a world that feels both familiar and futuristic, where rain never stops falling, and neon lights never dim. The White Dragon is more than just a depiction of a dystopian city; it is a celebration of the visual language that has defined generations of urban dreamers, storytellers, and artists.

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The Old Sage Archival Pigment Fine Art Limited Edition Print on Hand-Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "If you choose the quick and easy path, you will become an agent of evil"

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The Hunters Quarry Archival Pigment Fine Art Limited Edition Print on Hand-Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "I've crossed the galaxy, and crossed again, I've seen strange things, and seen strange things again, But I've never seen a singular Force, My life is mine"

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Unworn New Old Stock Adidas ZX 2K Boost Pure Atmos- Size 12 Shoe Rare Limited Edition Sneaker Artwork Collectible. Give your look a boost of color. Co-created with celebrated Tokyo-based boutique Atmos, these Adidas ZX 2K Boost Pure Shoes fuse heritage ZX running style with fresh color. Pops of animal print and woven details stand out across the sleek leather build. The half-encapsulated full-length Boost midsole keeps you feeling energized whether you're busy running your start-up or just out running errands.

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