Flower 8.0 White Skateboard Art Deck by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2017 Limited Edition Skateboard Artwork Size Approximately 8x31 Skateboard Art Deck Brand New Perfect Condition Skateboard decks are made from layers of wood veneer that are glued together to create a strong and flexible board. The Flower 8.0 White Skateboard Art Deck is made from high-quality Canadian maple wood, which is known for its durability and resilience. The deck measures 31 inches in length and 8 inches in width, making it suitable for a variety of skating styles. Takashi Murakami is known for his colorful and playful artworks that blend traditional Japanese techniques with contemporary pop culture. His iconic smiling flower motif has become a signature element of his work and has been featured in numerous exhibitions and collaborations with fashion and lifestyle brands. The Flower 8.0 White Skateboard Art Deck by Takashi Murakami TM/KK is a unique and collectible piece of art that combines skateboarding culture with contemporary art.

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Sad Girl HPM Archival Print by Marka27 Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Bright Rag Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Spray Paint Hand Embellished Print Limited Edition of 15 Artwork Size 24x24 Archival Pigment Fine Art In addition to his work on walls and in galleries, Marka27 has made a significant impact in the world of designer toys. His Minigods series, which started in 2007, was particularly notable for integrating functional speakers into the vinyl toys, creating a unique blend of art and technology. These pieces, inspired by Aztec and Mayan art, brought a new level of innovation and cultural commentary to the designer toy market.

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Chinese Soldier 2 TP Test Print Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Thin Art Paper Limited Edition Artwork Obey Pop Culture Artist. TP AP Artist Test Proof Print 2006 Unsigned. Testing Out The Process From Shepard Faireys Then Workshop. Black Mono Print, Unsigned, No Markings. Artwork Size 18x24 Silkscreen Print. TearsBending & Creasing throughout The Margins, Working Artist Copy. Crease Across Lower Right Facing Side. Shepard Fairey's "Chinese Soldier 2 TP Test Print" is a compelling piece that exemplifies the intersection of street art and political commentary, hallmarks of Fairey's work. As an iconic figure in pop and graffiti art, Fairey has long been recognized for his ability to provoke thought and stir public discourse through his art. This particular silkscreen print is a test proof from 2006, emanating from the artist's experimentation with printmaking techniques. Hand-pulled and comprising five colors on thin art paper, this limited edition artwork carries the signature visual style of Fairey's Obey series, which commands attention to the themes of propaganda, control, and societal obedience. The print, depicting a Chinese soldier with a flower protruding from the barrel of his rifle, challenges viewers to question the juxtaposition of military power with peace—a dichotomy often explored in anti-war art and literature. The raw and unrefined nature of this test print adds to its authenticity and makes it a unique collector's piece, especially considering it is a black mono print and is unsigned, with no markings. The lack of signature is particularly notable as it speaks to the essence of street art, where the message often takes precedence over the artist's identity. Measuring 18x24 inches, this print is sizable, allowing for an immersive viewing experience that draws the eye to the stark contrasts and the compelling imagery that has become synonymous with Fairey's work. Fairey's influence on street art extends beyond his visual work; his methods and approach have inspiremanyof artists to see the urban landscape as a canvas for commentary and change. His test prints, such as "Chinese Soldier 2," offer a glimpse into his process and an understanding of the experimentation behind his finished pieces. This artwork, while a test piece, stands alone in its powerful message and aesthetic, encapsulating the energy and defiance of street art culture.

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Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 Artwork Size 18x24 Silkscreen Print. No Obey/WK Revolution Girl Prints Were Numbered in This Edition, and Half of WK Did not Sign; Both Artists Signed This Artwork. Small Crease to the Lower Right Facing Corner. "Revolution Girl" is a compelling collaboration between Shepard Fairey, the founder of OBEY, and WK Interact, an artist known for his dynamic street art. This one-color silkscreen print, produced in 2007, exemplifies a confluence of two distinctive styles that have shaped the visual vocabulary of street art and pop culture. Measuring 18x24 inches and printed on Speckletone fine art paper, the piece is part of a limited edition series with only 250. Significantly, this print is dual-signed by both artists, a rarity given that not all prints from this series were signed by WK Interact, and none were numbered, adding a layer of exclusivity to this artwork. The image is a stark, high-contrast depiction that conveys a sense of urgency and defiance, characteristic of Fairey's work, blended with the kinetic energy of WK Interact's approach to street art. The piece features a figure that is an assertive and revolutionary instance, capturing the ethos of protest and empowerment. This artwork speaks to the heart of street art’s purpose—to challenge norms and inspire change through visual disruption. The presence of a small crease on the lower right-facing corner of the print is a testament to its journey and authenticity, a nod to the often impermanent and rugged life of street art. By merging their distinct artistic signatures, Fairey and WK Interact create a narrative that is both a political and aesthetic statement, resonating with the core of pop art’s intent to blur the boundaries between 'high' art and 'low' culture. "Revolution Girl" stands not just as a work of art but as a cultural artifact that encapsulates the spirit of its era, where art became a loudspeaker for social and political discourse. This print is a testament to the influence of street art in the contemporary art scene, marking its evolution from the fringes to a recognized and vital form of artistic expression that engages public consciousness.

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Hush-Hush Archival Print by Giorgiko Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of TBD Artwork Size 30x36 Archival Pigment Fine Art of Boy or Girl Holding a Cookie. Image size is 27" x 33" with 1-1/2" white borders. Printed by Static Medium. In the vast tapestry of contemporary art, Giorgiko's "Hush-Hush" Archival Print holds a poignant and evocative space. This captivating piece, rendered on Cotton Fine Art Paper, embodies the essence of modern pop, street, and graffiti art, harmoniously blending these genres into a singular vision. With an impressive artwork size of 30x36, it immediately captures the viewer's attention, drawing them into the narrative of a character caught indulging a secret desire. "Hush-Hush" narrates the story of a character whose gender remains ambiguous, sneaking a cookie. But it is not merely an act of sneaking a treat that defines this narrative; it is the profound contemplation of the consequences of yielding to one's desires. This inner conflict is palpable in the character's eyes and posture as they weigh the price of their impending indulgence. The image emblazoned on the character's shirt introduces a compelling twist to the story - hinting at another dessert, perhaps a competing temptation, that adds layers of complexity to the unfolding drama. The backdrop of the artwork is equally compelling. The stormy clouds that loom large not only add depth and contrast to the piece but also symbolize the internal turbulence brewing within the character's heart and stomach. Giorgiko, through this masterfully crafted piece, delves into the universal human experience of desire, temptation, and the internal battles we face when choosing between our allegiances and our heart's yearnings. Each brushstroke and pigment choice in "Hush-Hush" offers viewers a glimpse into this riveting tale, making it a standout artwork in the annals of modern art.

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb The "Long Live The People" silkscreen print is a collaborative work between Edward Nachtrieb and Shepard Fairey, capturing the essence of protest and the enduring spirit of the people. Hand-pulled with five colors on cream speckletone fine art paper, this limited edition artwork stands as a cultural commentary and a historical reflection on the power of mass protest. The print commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the government's celebration with the civil unrest and pro-democracy protests in Hong Kong. Nachtrieb's photographs from the 1989 Tiananmen Square protests provide a poignant visual foundation for the artwork. Fairey's adaptation into the print medium amplifies the message of resilience and the quest for human rights. This intersection of street pop art and graffiti artwork embodies the artists' shared belief in the impact of collective action and the pursuit of freedom, resonating with contemporary movements for democracy and social justice.

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The Year Of The Super Power Rat Gold Leaf Silkscreen Print by Miss Bugs Hand-Pulled on Hahnemühle Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered HPM Hand-Embellished Spray Paint Gold Leaf Limited Edition of 30 Artwork Size 19.7x24 Silkscreen Print. Super Girl Minor Handling Creases to Left and Right Bottom & Mid Far Left Margins. Embellishing Street Art with Gold Leaf Miss Bugs, the enigmatic artist whose work straddles street pop art and graffiti, crafted a riveting series 2008 titled "The Year Of The Super Power Rat." This limited edition silkscreen print series is a striking example of the fusion between traditional printmaking techniques and contemporary street art sensibilities. Each piece in this collection is meticulously hand-pulled on Hahnemühle fine art paper, a testament to the artist's dedication to quality and craftsmanship. What sets "The Year Of The Super Power Rat" apart is the lavish use of gold leaf, which brings an element of luxury to the otherwise gritty domain of street art. This hand-embellished, hand-pulled silkscreen print series is limited to thirty pieces, intricately detailed and numbered by the artist. The inclusion of gold leaf in street art is a bold move by Miss Bugs, elevating the work from the brief to the eternal, from the urban to the exquisite. The Fusion of Pop Art Imagery and Graffiti Technique In "The Year Of The Super Power Rat," Miss Bugs delves into the symbolism of power and resilience, traits often associated with the eponymous rodent in cultural lore. The series reflects a year marked by these characteristics, with the superhero motif serving as a metaphor for the extraordinary capabilities within the ordinary. Miss Bugs' choice of materials—spray paint and gold leaf—on Hahnemühle fine art paper, traditionally reserved for more 'refined' art forms, blurs the lines between high art and street art, between the fleeting and the permanent. The exclusivity of the series, with only thirty pieces in existence, is a nod to the collector's desire to own something unique. Each artwork, sized at 19.7x24 inches, is an intimate canvas for Miss Bugs' layered visual storytelling. The limited edition nature of "The Year Of The Super Power Rat" assures that each piece is not just a fragment of street pop art but a collectible artifact that captures a moment in the evolving narrative of contemporary art. Miss Bugs' Contribution to Modern Street Art Miss Bugs' work, notably this series, contributes significantly to the dialogue surrounding modern street art. The artist challenges preconceived notions of what street art can embody by integrating elements like a gold leaf into the traditionally rebellious medium of spray paint and stenciling. "The Year Of The Super Power Rat" is a powerful example of how street pop art can be grand and accessible, both impermanent in its urban roots and lasting in its artistic statement. "The Year Of The Super Power Rat" by Miss Bugs is a profound piece within the spectrum of street pop art and graffiti artwork. Its hand-pulled silkscreen technique adorned with gold leaf on fine art paper stands as a testament to the innovation and artistry of Miss Bugs. This series captures the imagination with its visual splendor and encapsulates the transformative power of art as it moves from the street corners to the hallowed walls of collectors and connoisseurs.

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We Are the Jocular Clan Offset Lithograph Print by Takashi Murakami TM/KK Print on Smooth Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2018 Signed & Numbered Limited Edition of 300 Offset Lithograph Artwork Print Size 19.63x19.63 Kaikai Kiki Co. Ltd., Tokyo. Decoding the Visual Symphony of Takashi Murakami's "We Are the Jocular Clan" The fusion of contemporary art and street culture is magnificently encapsulated in Takashi Murakami's offset lithograph print, "We Are the Jocular Clan." This limited edition piece, hand-pulled on smooth-wove fine art paper, is a quintessential example of street pop and graffiti artwork. Murakami, a stalwart in the post-modern art scene, is renowned for blurring the boundaries between high and low culture, a theme that resonates deeply in this 2018 creation. The artwork, signed and numbered, comprises a limited series of 300 prints, each sized at 19.63x19.63 inches, and presents a visual narrative that is both playful and profound. Takashi Murakami's Artistic Legacy and Street Pop Artistry Murakami's aesthetic, often categorized under the Superflat movement, indicates his deep engagement with the historical and contemporary visual language. "We Are the Jocular Clan" showcases Murakami's iconic design elements, such as the smiling flowers and whimsical eyes, that have become synonymous with his name. These motifs are not just recurring visual themes but are also imbued with cultural significance, drawing from Japanese art traditions and the global impact of anime and manga. The juxtaposition of traditional Japanese art with the anarchic energy of street art and graffiti forms a complex, layered tapestry of meanings that challenge the viewer's perception of art, culture, and society. Materiality and Craftsmanship in Murakami's Printmaking The craftsmanship in producing "We Are the Jocular Clan" is a testament to the meticulous processes behind fine art printmaking. The decision to use offset lithography is a nod to the democratization of art, a principle often celebrated in street pop art. This method allows for a wider dissemination of Murakami's work, making it accessible to a broader audience and not just the echelons of art collectors. The smooth-wove fine art paper is a canvas that captures the original artwork's vibrant colors and intricate details, ensuring that each piece, though part of a series, retains a sense of uniqueness and individuality. Cultural Dialogue Through Murakami's Visual Language "We Are the Jocular Clan" is not merely an object of visual delight but a cultural dialogue articulated through Murakami's distinct visual language. The piece embodies the essence of street pop art — it is accessible yet complex, severe yet playful, and individual yet universal. Murakami's work bridges the street and the gallery, inviting interpretations across diverse cultural and social contexts. It reflects the artist's philosophical inquiries into the nature of joy, the constructs of clan-like communities, and the role of art as a communal experience. In contemporary art, Murakami's work has consistently pushed the boundaries of what is considered art, just as graffiti once pushed against the boundaries of legality and acceptance in public spaces. "We Are the Jocular Clan" holds within its vibrant composition the revolutionary spirit of street art, the aesthetic pleasures of pop art, and the conceptual depth of contemporary art practices. Much like Murakami's oeuvre, this artwork catalyzes the ongoing discourse about the intersections and divergences within art forms and the evolving narrative of street pop art and graffiti artwork.

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Mighty Vibras Offset Lithograph Print on Wood Panel by J Balvin x Matt Gondek with Tote Bag Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 14x23 Tattooed Up Astro Boy with Chanel Glasses. Bag Has Minor Spot Staining in Upper Area. Artwork Perfect to Near Perfect. J Balvin x Matt Gondek Cultural Synthesis in Street Pop Art The "Mighty Vibras" offset lithograph print on a wood panel is a dynamic fusion of music, street culture, and contemporary art. A collaborative piece by Colombian reggaeton superstar J Balvin and Los Angeles-based artist Matt Gondek, this artwork captures the essence of Street Pop Art and graffiti Artwork. Released in 2018, the limited edition of 300 signed and numbered pieces reflects the global influence of urban art forms and the increasingly porous boundaries between art, music, and fashion. The "Mighty Vibras" piece vividly portrays a tattooed-up Astro Boy, complete with Chanel glasses, a symbol of luxury infused with urban grit. This character, an icon of Japanese manga, is reimagined through the lens of street culture and high fashion, signifying the interconnected nature of global pop culture. Gondek's deconstructive style, known for taking apart characters and piecing them back together, is evident in the artwork's fragmented features, which are visually arresting and thematically resonant. J Balvin's influence on the piece brings a cross-cultural element that is palpable in the artwork's bold colors and the inclusion of the word "Familia" tattooed across the character's chest, a nod to the themes of kinship and belonging that pervade Balvin's music. The size of the artwork, at 14x23 inches, makes it a statement piece that stands out in any setting, from a casual living room to a high-end gallery. Intersection of Art and Merchandise Accompanying the print is a tote bag featuring the same design, highlighting the growing trend of art becoming wearable and usable in daily life. This approach to art merchandise expands the artwork's reach beyond the traditional confines of the art world, allowing it to become a part of the consumer's everyday experience. The tote bag is a mobile canvas, spreading the visual impact of the "Mighty Vibras" artwork to a broader audience. The synthesis of J Balvin's musical heritage and Matt Gondek's artistry in "Mighty Vibras" exemplifies the potential of collaboration across different creative industries. It also illustrates the power of street art to transcend its origins, infiltrating mainstream culture and fashion and becoming an emblem of contemporary lifestyle. "Mighty Vibras" is more than just an artwork; it is a cultural artifact that encapsulates the spirit of the times. It stands as a testament to the creative synergy between J Balvin and Matt Gondek, blending street art's raw energy with pop culture's gloss and, in doing so, creating a new visual language that speaks to a diverse, global audience. The limited edition nature of the piece, along with its associated merchandise, cements its status as a collectible item that holds both artistic and cultural value.

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Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki Print on Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 100 Offset Lithograph Artwork Print Size 19.75x19.75 Smiley Face With Bloody Nose in Blue. Kaikai Kiki Co. Ltd, Tokyo. Unconventional Aesthetics of Madsaki's Artwork Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The resurgence of pop art in the contemporary art scene is epitomized by the creative convergence of street art and graffiti, with artists like Madsaki at the forefront. "Happiness Overdose Azul Mariano_P," a limited edition offset lithograph print by Madsaki, exemplifies this trend, blending the rebellious spirit of street art with the vibrant aesthetics of pop art. Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The Cultural Significance of Offset Lithograph Prints Offset lithography, a common technique for fine art reproduction, allows artists like Madsaki to reach a wider audience by creating multiple copies of original works. This print's size of 19.75x19.75 inches is substantial yet accessible, fitting the urban environments that often inspire street pop art. Hand-pulling each print ensures that every piece retains a touch of the artist's hand despite being part of a limited edition series. The choice of woven fine art paper as the medium further signifies a blend of street art's immediacy and fine art's enduring quality. In the context of street pop culture, limited edition artworks such as "Happiness Overdose Azul Mariano_P" reflect the exclusivity and collectibility that street art has gained in the art market. The limited edition of 100 pieces, each signed and numbered by Madsaki, speaks to the artist's personalized connection with his work and collectors. It represents a shift from the transient nature of traditional graffiti to a more permanent, revered form of artistic expression. Integration of Street Art into Mainstream Art Galleries Madsaki's collaboration with Kaikai Kiki Co. Ltd, Tokyo, a company known for its role in promoting contemporary artists, underscores the increasing integration of street pop art into mainstream art galleries and the broader art world. This partnership illustrates the potential for street-inspired artworks to be celebrated alongside more traditional acceptable art forms, signaling a shift in cultural perceptions and the breaking down of barriers between high art and popular culture. The impact of "Happiness Overdose Azul Mariano_P" extends beyond its visual composition; it encapsulates the evolution of street art into a form that is both a critical commentary on society and a coveted acceptable art commodity. Through his work, Madsaki challenges viewers to reassess their understanding of happiness, consumerism, and the role of art in modern culture. His street pop art & graffiti artwork continue to resonate with audiences around the globe, bridging the gap between underground art movements and the polished white walls of galleries.

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Battle Damaged Qwiky Signed Gold & Black Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x QUICCS. 2020 Signed Autograph Gold & Black Battle Damaged Colorway Limited Edition of 200 New in Box Artwork Size 3x5.5 Canz Art Toy. Vast Majority Not Signed. The Intersection of Street Pop Art and Vinyl Collectibles: The Battle Damaged Qwiky Canbot Canz The street pop art and graffiti world has always been vibrant and constantly evolving, with artists seeking new mediums to express their unique visions and connect with audiences. Among these mediums, vinyl art toys have emerged as a powerful form of collectible artwork, seamlessly blending the ethos of street art with the culture of collectible memorabilia. A shining example of this fusion is the Battle Damaged Qwiky Signed Gold & Black Canbot Canz , a limited edition vinyl art toy collectible created by a collaboration between the renowned street graffiti artist Czee13 and the prolific creator QUICCS. This piece is not just a toy; it's a statement, a slice of the street brought into the collector's domain. The Battle Damaged Qwiky Canbot Canz stands out with its distinctive colorway—a stark, contrasting scheme of gold and black. It symbolizes the wear and tear of urban art, the marks of time and experience that give graffiti its character. Limited to an edition of 200, this Canbot Canz is a rare piece, with the vast majority of the collection not signed. Those that bear Czee13's autograph are thus highly sought after by collectors and fans of street pop art and graffiti artwork. The Essence of Collaboration in Street Art Translated into Vinyl The collaboration between Czee13 and QUICCS is a testament to the collaborative spirit inherent in street pop art. Their partnership for the Battle Damaged Qwiky Canbot Canz showcases a blend of their styles—QUICCS's love for mecha aesthetics and hip-hop influences converges with Czee13's organic and raw street art visuals. Each Canbot Canz reflects a narrative that speaks of resilience and survival in the urban jungle. Measuring 3x5.5 inches, this Canbot Canz is a compact powerhouse of artistic expression. It's important to note the significance of the toy's condition, dubbed 'battle damaged.' This term references the visual storytelling standard in street art, where every scratch and mismatched spray line tells a story of the artwork's life in the public sphere. This Canbot Canz 's design deliberately includes elements that mimic such 'damage,' turning what would traditionally be imperfections into badges of honor, much like in real-life street art that stands the test of time and the elements. The Cultural Impact of Limited Edition Art Toys The rarity of the Battle Damaged Qwiky Canbot Canz adds to its appeal and is a strategic move that mirrors the fleeting nature of street art—often here today, gone tomorrow. Limited to 200 pieces, this exclusivity creates a sense of urgency and a deeper appreciation for the artwork, much like the impermanent graffiti that may only exist briefly before being painted over or removed. This scarcity also reflects the underground roots of street art, where access and knowledge of certain pieces create a subcultural currency of cool. While most of these collectibles are not signed, those featuring Czee13's signature are elevated in status. They become a direct link to the artist, akin to having a piece of signed wall art in miniature form. This personalized touch is a nod to the tradition of graffiti artists leaving their mark and tag as a signature on their works, making each signed Canbot Canz a coveted piece for those who collect street pop art and graffiti artwork. The Canbot Canz as a Medium of Street Pop Art Expression The Battle Damaged Qwiky Signed Gold & Black Canbot Canz by Czee13 and QUICCS transcends being merely a collectible piece of contemporary street pop art that carries the essence of graffiti culture into a new form. It's a manifestation of street art's dynamism, a tangible piece that captures the spirit of the streets in a way that can be held, displayed, and treasured. For collectors, it's not just about owning a piece of vinyl; it's about holding a fragment of street art history, a moment of artistic collaboration, and a symbol of the culture they admire and want to preserve. This Canbot Canz is a statement, a conversation starter, and ultimately, a bridge between the tactile world of art collectors and the often ephemeral realm of street graffiti.

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Patricia Silver Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Silver Paper Collage of a Woman Anjelica Huston Stylized from the Movie The Darjeeling Limited. Kevin Stanton's "Patricia Silver": A Tribute in Hand-Cut Precision The artwork "Patricia Silver" by Kevin Stanton is a limited edition print that showcases the artist's deft hand at combining traditional cut-paper artistry with modern techniques like spray painting, creating pieces firmly rooted in Street Pop Art and Graffiti Artwork. The 2013 piece, signed and numbered, is a rare collection with only four editions, each sized at 11.75x15.75 inches and meticulously crafted on layered glitter fine art paper. This hand-embellished HPM (hand-painted multiple) Giclee print presents a silver paper collage of a woman, offering a stylized depiction inspired by Anjelica Huston's character from Wes Anderson's film "The Darjeeling Limited." Artistic Fusion: Street Aesthetics and Cinematic Influence Stanton's work in "Patricia Silver" captures the essence of character and narrative through the interplay of light, shadow, and texture. The piece resonates with the ethos of street art, where everyday visuals are transformed into striking, memorable icons. The likeness to Anjelica Huston is symbolic and evocative of the character's depth, mirroring how street art often encapsulates complex stories within simple yet powerful imagery. The choice of silver paper invokes a sense of the ethereal, contrasting with the bold solidity of spray paint—two mediums that evoke the duality often found in street art between the fleeting and the permanent. Stanton's meticulous hand-cutting technique further adds a layer of complexity, demonstrating the same care and attention to detail that street artists apply to their large-scale murals. Celebrating Character: An Intersection of Art Forms The confluence of street art sensibilities and cinematic inspiration in "Patricia Silver" represents a broader trend in contemporary art where cross-medium influences are increasingly prevalent. Stanton's translation of a film character into a hand-cut artwork speaks to the permeability of artistic disciplines. It celebrates character and personality, much like graffiti artwork, often as an homage or a socio-political statement within the public space. In this artwork, the character of Patricia from "The Darjeeling Limited" is not just commemorated but reimagined through Stanton's unique artistic lens. The depiction is a testament to the artist's ability to distill the essence of a subject into a visual form that is both accessible and profound, similar to how iconic figures are rendered in pop culture murals and street art installations. Kevin Stanton: A Contemporary Visionary of Cut-Paper Art Kevin Stanton stands as a visionary in the modern art world, where traditional techniques are revived through a contemporary lens. "Patricia Silver" is a testament to his innovative approach to art-making, where the old and the new are seamlessly woven into a singular, cohesive narrative. His limited edition prints are not just artworks; they are stories told through paper and paint, meant to engage and resonate with an audience as powerfully as any street-side masterpiece. "Patricia Silver" remains an integral part of Stanton's artistic journey, exemplifying his dedication to craft and ability to communicate visually. In the same way that street art has evolved to become a respected and critical part of the art dialogue, Stanton's work continues to challenge and redefine what is possible within the traditional scope of cut-paper artistry, bridging it with the vibrant spirit of Street Pop Art and Graffiti Artwork.

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Here & Now Tea Stained Serigraph Print by Cryptik Limited Edition Hand Pulled Artwork on Cotton Fine Art Paper Modern Street Graffiti Pop Artist. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 "The past no longer is, the future is not yet here; there is only one moment in which life is available, and that is the present.." ~ Thich Nhat Hanh Exploring the "Here & Now" Tea Stained Serigraph by Cryptik In the bustling milieu of modern street graffiti pop art, Cryptik stands out with his work, which resonates with a spiritual stillness. His "Here & Now" Tea Stained Serigraph Print, a 2024 release, is a meditative limited edition hand-pulled artwork on cotton fine art paper. The artist's signature and numbering suggest a contemplation of scarcity and value, with only 75 pieces available worldwide, each with a dimension of 18x24 inches. Cryptik's Calligraphy: A Dance of Elegance and Meaning Cryptik's mastery of calligraphy transcends mere artistry; it is a lexicon of more profound truths. Each stroke and curve in this piece draws from the vast reservoirs of Eastern philosophies, melding them seamlessly with street art's raw, expressive energy. The tea staining process adds an aged, almost antique quality to the work, reminiscent of ancient manuscripts and scriptures, reinforcing the timeless wisdom in Thich Nhat Hanh's words about the present moment's singularity. The "Here & Now" Print: A Canvas of Temporality and Timelessness Each serigraph in the "Here & Now" series is a unique testament to the artist's handiwork, reminiscent of the personalized strokes of traditional brushwork. Cryptik's approach transforms the act of viewing into an act of reflecting, urging the observer to dwell on the fleeting and eternal moment. This intersection of the now with the everlasting is a hallmark of Cryptik's artistic philosophy and is a golden thread that runs through the fabric of his creations. Symbolism in Cryptik's Art Beyond its visual appeal, Cryptik's serigraph print is a conduit for potent symbology. The intricate and flowing characters are more than text—they are symbols that embody the vibrations of sacred mantras and the silent echoes of meditation. Through this artwork, Cryptik harnesses the very essence of Street Pop Art & Graffiti Artwork, which often charges the public space with private introspections, offering each onlooker a personal rendezvous with the divine. Indeed, Cryptik's work does not merely hang on a wall—it lives and breathes with the viewer's consciousness. "Here & Now" is not a static piece but a dynamic interaction, a mirror reflecting the interior worlds of those who engage with it. The tea-stained backdrop, the gold-foil embellishments, and the depth of the black ink all converge to celebrate the present as a canvas of infinite possibilities. In sum, Cryptik's "Here & Now" is more than art—it's a philosophy rendered in visual form. It serves as a reminder of the impermanence of our experiences and the permanence of the wisdom we glean from them. The limited edition nature of the serigraph underscores the unique chance each person has to encounter the now, providing a space for meditation amidst the chaos of contemporary life. This piece encapsulates the transformative potential of Street Pop Art & Graffiti Artwork, asserting that within each fleeting moment lies the potential for timeless insight.

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Nyx No. 1 Artwork Giclee Limited Edition Print on Bright White 100 lb. Cougar Cover Paper by Pop Culture Graffiti Artist Handiedan. Nyx No.1 Handiedan 6 Color Screen Print Bright White 100 lb. Cougar Cover Signed and Numbered Size: 19.7 x 29.5 Inches Edition: 100

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