Philippines MC Supersized Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by Pop Artist Ron English- POPaganda. 2020 Signed New In Box Limited Edition. Philippines Asian Country Variant Colorway. Ron English- POPaganda, 8 Inches Tall, Signed By Ron English- POPaganda, SFBI The "Philippines MC Supersized Grin Limited Edition" is a vinyl art toy that stands as a poignant symbol within street pop art and graffiti artwork. This collectible, crafted by the iconic pop artist Ron English- POPaganda, is a vibrant commentary on consumer culture, tailored explicitly in a colorway that pays homage to the Philippines. Released in 2020 as a signed, new-in-box limited edition, this piece stands 8 inches tall and is part of English's renowned SFBI (SuperFiction Brand Imagery) collection. Ron English- POPaganda's MC Supersized figure has become a staple in designer art toys, recognized for its satirical take on a fast-food mascot. The Philippines variant brings a unique cultural twist to this globally recognized character, adorned with the national colors and symbols of the Philippines, such as the sun and stars from the flag. This specific edition not only represents English's sharp critique of fast-food culture and its global reach but also reflects the nuances of national identity within the globalized world. The figure is meticulously signed by Ron English- POPaganda, adding a layer of authenticity and value for art collectors and enthusiasts. The signature is a direct connection to the artist, a testament to the piece's significance within English's body of work. Within the broader conversation of street pop art, the "Philippines MC Supersized Grin Limited Edition" vinyl toy exemplifies how the medium of art toys can become a canvas for critical discourse and artistic expression. Ron English- POPaganda utilizes the familiar and commercial to provoke thought, embedding complex ideas within the playful and accessible form of a toy. His work challenges the viewer to question the interplay between consumerism and culture, all the while delivering his message through the guise of humor and color. As such, English's work is not just a representation of street pop art aesthetics but a narrative device that speaks to the power of imagery in our daily lives. The "Philippines MC Supersized Grin" is a striking example of how the lines of art, commentary, and collectibility can intersect to produce pieces that are as thought-provoking as they are visually compelling.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Lucky Cat Grin- Convention Red Limited Edition Vinyl Art Toy Collectible Artwork by Artist Ron English- POPaganda Contemporary Pop Artwork. 2018 Signed Limited Edition New In Box SFBI x Ron English- POPaganda presents Lucky Cat Grin.6 inches tall. Hand-signed by Ron English- POPaganda, 2018 SDCC Exclusive

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Broken Geisha No. 1 Artwork Giclee Limited Edition Print on 315gsm Innova Smooth Natural White Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. Giclee on 315gsm Innova Smooth Natural White Cotton Rag Signed and Numbered SIZE: 22.5 x 16.5 INCHES EDITION: 50

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Lucky Cat- White Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shane Jessup. 5x5 2013 Signed & Numbered Series of 10

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The Kite Runners Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 50. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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VSOG Gold Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x Quiccs. 2021 Limited Edition of 300 The VSOG Gold Canbot Canz Vinyl Figure by Quiccs x Czee13 x Clutter x NTWRKCheck out this rad-looking VSOG Gold Canbot Canz vinyl figure, the ultimate crossover between Czee13s Canbot Canz and Quiccss Lil Qwiky design! This might just be the most luxurious colorway of the Canbot Canz ever created. Produced by Clutter, the VSOG Gold Canbot Canz features Czee13s trademark OG pattern perfectly wrapped and merged into Quiccs Lil Qwiky design. Printed in metallic paints, the detailing on this Canbot Canz is gorgeous and is truly a work of art. There will only ever be two colorways of this design made, and it is guaranteed to be the highlight of your collection! Each figure stands 5.5 tall and features its trademark rattle. Limited to just 300 pieces!

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Sister White Fox Letterpress Print by Yumiko Kayukawa Limited Edition on MEDIUM Graffiti Street Pop Artwork. 2024 Signed & Numbered Hand Deckled Limited Edition of 40 Artwork Size 8 x 10 in. 2-Color Letter Press on Hand-Deckled Coventry Rag Paper Letterpress Print Yumiko Kayukawa Sister White Fox Letterpress Print 2024 The 2024 Sister White Fox letterpress print by Japanese-born, Seattle-based artist Yumiko Kayukawa exemplifies her refined blend of traditional Japanese iconography, contemporary illustration, and the bold graphic sensibility associated with Street Pop Art & Graffiti Artwork. Produced as a signed and numbered limited edition of 40, this 8 x 10 inch print is executed in two-color letterpress on hand-deckled Coventry Rag paper, giving each piece a tactile, crafted presence. The soft emboss of letterpress printing heightens Kayukawa’s signature balance of elegance and contrast, further enhancing the print’s collectible appeal. Imagery Rooted in Myth and Modernity The composition features a serene female figure adorned with a fox mask, accompanied by a live white fox perched at her shoulder. Rendered in crisp black linework with accents of vivid red, the artwork evokes the Japanese folklore of the kitsune — mystical foxes known for intelligence, shapeshifting, and spiritual guidance. The woman’s poised expression and flowing hair intertwine with stylized cloud forms and cherry blossoms, symbols that echo both tradition and rebirth. Kayukawa’s minimal but deliberate use of red punctuates the composition with emotional intensity, drawing attention to the mask’s markings, the woman’s lips, and the subtle cords tying the scene together. Technique and Material Detail Printed on hand-deckled Coventry Rag, the piece carries the textured sophistication of fine art paper often used in high-end printmaking. The letterpress technique sinks the ink slightly into the fibers, producing a soft relief that complements Kayukawa’s clean, controlled linework. This method emphasizes the interplay of negative space and form, a hallmark of her visual language. The intimate scale reinforces the personal, almost devotional quality of the imagery, inviting close viewing to appreciate the subtle precision of the print. Yumiko Kayukawa’s Artistic Voice Born in Hokkaido, Japan in 1970, Yumiko Kayukawa has built a significant international following through her harmonious fusion of pop culture, anime-influenced stylization, and traditional Japanese motifs. Now working from Seattle, she continues to explore themes of femininity, independence, nature, and mythology through bold contrasts and emotionally charged symbolism. Sister White Fox reflects her ability to draw from centuries-old stories while shaping them into contemporary expressions of identity and strength. Within the sphere of Street Pop Art & Graffiti Artwork, Kayukawa’s prints stand apart for their narrative clarity and cultural resonance, offering viewers an encounter with myth reimagined for a modern world.

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Kikkosket Shoeuzi 75% Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist Sket-One of Graffiti Pop Street Painting Fame. 2021 Kikkoman Edition of 200, Size 75% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box International artist SketOne collaborates with by j-ldn to introduce the deliciously complex KIKKOSKET 75% Shoeuzi. Handcrafted from water clear polyresin dyed brown to imitate the appearance of liquid, this set also includes a set of chopsticks and a sushi rolling mat base.

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Mad Happy Monk Grin- Orange Limited Edition Blacklight Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Ron English- POPaganda. 2019 Signed Limited Edition New In Box. Blacklight orange colorway of the Mad Happy Monk is 8 inches tall. Hand-signed by Ron

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Doraemon Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 8.5x8.5 Archival Pigment Fine Art Anime Cat Character Doraemon Smiling and Waving in Glitch Style Doraemon by Adam Lister: Pixel Precision and Nostalgia in Street Pop Art & Graffiti Artwork Doraemon by Adam Lister is a 2023 archival pigment print released in a limited edition of 50. Measuring 8.5 x 8.5 inches, this signed and numbered artwork is printed on 300gsm hot press matte fine art paper. The image reimagines the iconic Japanese anime cat Doraemon in Lister’s distinct geometric style, blending modern pixel art with traditional watercolor gradient techniques. Rendered in modular blocks of blue, white, red, yellow, and grayscale tones, the character smiles and waves with playful optimism. The familiar rounded form of Doraemon is transformed into an angular configuration of colored rectangles outlined in thick black, giving the piece a glitched aesthetic that straddles digital and analog influences. It sits firmly within the evolving conversation of Street Pop Art & Graffiti Artwork, where characters of cultural significance are reformatted to speak through new visual languages. Pixel Deconstruction and Anime Iconography Adam Lister’s work is known for breaking down globally recognized figures into pixelated patterns, and his treatment of Doraemon is both affectionate and abstract. With roots in Japanese manga and television, Doraemon symbolizes invention, protection, and childhood memory across generations. Lister maintains the essence of the character—the bell collar, round eyes, wide mouth—while reshaping them into flat, stacked color fields. This method of digital mimicry evokes early video game sprites, turning a complex emotional figure into a series of minimalist cues. In Street Pop Art & Graffiti Artwork, this shift from illustration to form asks viewers to consider how iconography is stored in memory and how cultural familiarity can persist even through distortion. Material Execution and Collectible Format Printed on heavyweight 300gsm hot press matte paper, the artwork features deep pigment saturation and smooth tonal gradation. Each area of color holds soft watercolor texture beneath the rigid pixel grid, adding warmth and nuance to the otherwise digital aesthetic. This contrast between machine-like structure and painterly touch reinforces Lister’s hybrid style, which exists between fine art and design, traditional media and digital reference. The edges of the figure are crisp but the transitions inside the background blocks create visual depth, anchoring the character in space without grounding it too firmly in narrative. The 8.5 x 8.5 inch format allows for intimate viewing, enhancing its function as a collectible artifact in the context of Street Pop Art & Graffiti Artwork. Adam Lister’s Voice in the Remix Generation Adam Lister is an American contemporary artist whose practice centers on reinterpreting characters and scenes from popular culture through a lens of geometric abstraction and visual fragmentation. His work often spans film, television, gaming, and anime, making him a key contributor to the remix generation of artists operating within Street Pop Art & Graffiti Artwork. By translating hand-drawn characters into sharp-edged mosaic-like forms, Lister comments on how nostalgia and identity are shaped through media saturation and digital memory. His Doraemon print in particular bridges generational distance by invoking childhood warmth through a modern grid—an emotional construct remixed in a minimalist framework. It is both a visual tribute and a conceptual inquiry, exemplifying how Street Pop Art & Graffiti Artwork can honor heritage while pushing aesthetic boundaries.

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GMT Dark Rise Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Honmono Taiketsu x Fools Paradise. 2022 Limited Edition Size 13.62" Tall New In Box. Batman with Rolex Watch Clockface. GMT Dark Rise: A Convergence of Time and Art in Vinyl Sculpture by Honmono Taiketsu x Fools Paradise The GMT Dark Rise Limited Edition Vinyl Art Toy Sculpture is a remarkable manifestation of how Street Pop Art & Graffiti Artwork transcends traditional canvases to express themselves in three-dimensional forms. This collectible piece, standing at 13.62 inches tall and presented new in its box, is the result of a collaboration between the pop modern artist Honmono Taiketsu and the creative design company Fools Paradise. It symbolizes a crossover of high culture and popular culture by melding the iconic imagery of Batman with the luxury symbol of a Rolex watch clockface. This 2022 limited-edition creation epitomizes the essence of pop art through its playful reinterpretation of commercial and iconic symbols. By transforming the stoic image of Batman into a vinyl sculpture and integrating the Rolex watch design, Taiketsu, and Fools Paradise have created a visual pun that resonates with the humor and satire often found in pop art. This piece, while undoubtedly modern in its conception, draws upon the legacy of pop art innovators who blurred the lines between artistic expression and consumerist imagery. The GMT Dark Rise sculpture can be seen as a commentary on the relationship between time and the ever-evolving nature of art. In aligning Batman, a timeless superhero figure, with the Rolex brand, known for its enduring quality and prestige, the artists comment on the persistence of cultural icons and the luxury industry within the societal zeitgeist. This narrative is cleverly encapsulated as a collectible, a staple of contemporary pop culture and the art toy movement, suggesting that art can be both a high-end commodity and a mass-produced object of desire. The Cultural Impact and Artistic Significance of GMT Dark Rise The cultural impact of the GMT Dark Rise Vinyl Art Toy Sculpture is multifaceted. It serves as a statement piece within the sphere of Street Pop Art & Graffiti Artwork and as an object of contemplation within the broader context of modern consumerism and the commercialization of art. The sculpture's appeal lies in its accessibility and familiarity. Yet, it also challenges the viewer to reconsider the nature of art and the value of famous cultural figures in contemporary society. The artistic significance of this collectible is underscored by its limited-edition status, which imbues it with an exclusivity often associated with fine art. Yet, it remains intrinsically linked to street culture and the pop art movement, which have historically sought to democratize art and break down the barriers between 'high' and 'low' cultural forms. The GMT Dark Rise sculpture exemplifies this ethos by being both an object available for public consumption and a carefully crafted artwork that carries the weight of artistic intention and critique. The GMT Dark Rise Vinyl Art Toy Sculpture by Honmono Taiketsu x Fools Paradise represents a bold statement in Street Pop Art & Graffiti Artwork. It encapsulates the spirit of contemporary art's playful engagement with commercial icons and consumer culture. This piece reflects not only the nature of time and the immortality of cultural symbols but also the evolving landscape of art, where the lines between different cultural forms are increasingly blurred. As a collectible, GMT Dark Rise stands as a testament to the innovative and transformative power of collaboration in the art world, marking a point where art, commerce, and culture intersect in a tangible and thought-provoking form.

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Bape Ape Head Pop Abc Camo Green UltraGiclée Print by Tomotatsu Gima Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Hand Numbered Limited Edition of 300 Artwork Size 22x22 Bape 30th Anniversary Collection With COA Tomotatsu Gima, a prodigious artist rooted in the picturesque landscapes of Okinawa, Japan, has charted an inspiring journey that intricately blends Japanese and American animation influences, as well as nuances from contemporary art. The fusion of these elements birthed what Gima coined as "POP COLLAGE." Within this art form, Gima employs upcycled cardboard boxes as his canvas, creating a medley of vibrant prints and globally-recognized logos. It's not just the aesthetic appeal of his art that captivates the audience, but also its underlying ethos. Firmly dedicated to eco-conservation, Gima ensures that every fragment left from his creations finds its way back to recycling processes. The genesis of his artwork is also noteworthy: the erstwhile contents of these cardboard boxes lay the groundwork for his themes, integrating symbols of renowned international products, echoing both familiarity and novelty. In celebration of Bape's 30th anniversary, Gima has manifested his exceptional talent in the "Bape Ape Head Pop Abc Camo Green UltraGiclée Print." This limited edition—restricted to a mere 300 hand-numbered pieces—sits grandly on SIHL Ivory White Matt Paper, measuring a noteworthy 22x22 inches. As part of the Bape 30th Anniversary Collection, this artwork not only stands as a testament to Gima's brilliance but also commemorates a brand that has defined street fashion for three decades. For aficionados of pop art, street art, or graffiti, Gima's creations serve as a testament to the future of artistic evolution while honoring their cultural past. Hailing from the mesmerizing island of Okinawa, Japan, Tomotatsu Gima's upbringing was deeply influenced by a diverse blend of Japanese and American animation, as well as modern art. He developed a distinctive art style known as "POP COLLAGE," which utilizes upcycled cardboard boxes as a backdrop for his striking combinations of logos and colorful prints. With a focus on eco-friendliness, all remnants from his artistic endeavors are recycled. The contents once carried by these boxes serve as the foundation for the themes in his pieces, integrating recognizable global products.

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Ghost Lil Qwiky GID 5oz Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Quiccs x Czee13. 2021 Limited Edition Displayed In Box Get ready to GLOW! The FIRST Glow-in-the-dark Canbot Canz designed by Philippines legend QUICCS!Over the last few years, Quiccs has blazed a path through the art world, and for this All Hallows Eve he has teamed up with Czee13 and the crew at Clutter, to bring you the spookiest of the Lil Qwikys… The GID GHOST! Standing at 5.5” with its trademark rattle, the Ghost glows with a very special Blue Hue! This is the FIRST of the Canbot Canz releases that is GLOW-IN-THE-DARK.

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Japanese School Girl Flag Limited Run Hand-Distressed Multiple HPM on Wood Cradled Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2012 10x10 Signed Numbered on Verso Edition of 20

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Climb Mt. Tanaka> Be@rbrick 15-Color Hand-Pulled Limited Edition Silkscreen Print on 280lb. Coventry Rag Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Artist: Frank Kozik Creation Date: 2005 Edition: 100; signed and numbered Size: 22 7/8" x 30 his print is signed and numbered by the artist in pencil. This 15-color silkscreen art print is printed on white-colored 280lb. Coventry rag paper.

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Fish Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist, Slight Scuffing To Frame Consistent to Age. The Artistic Journey of Naoto Hattori's Fish Original Drawing Naoto Hattori's unique contribution to the art world often finds a comfortable residence at the intersection of surrealism and street art. The 'Fish Original' hand-drawn art piece on framed hand-deckled aged art paper is a distinct representation of this artistic blend. Crafted in 2012, this original pencil/graphite drawing is a testament to Hattori's intricate style and ability to create depth and narrative within the confines of minimalist subject matter. The artwork, housed within a custom 8.5x8.5 inch frame, showcases an image size of 3x5 inches, offering a glimpse into the artist's surreal perspective through the lens of street pop art and graffiti artwork. This singular piece by Hattori is a signed, original, one-of-a-kind drawing showcasing monochromatic art's subtle yet powerful impact. The decision to create this work on hand-deckled aged art paper indicates Hattori's reverence for the textural qualities that the paper brings to the artwork. The deckled edges add an element of antiquity and an organic feel to the piece, enhancing the visual experience and complementing the simplicity of the subject—a single fish. The drawing, while straightforward in its representation, is imbued with a sense of motion and life, capturing the subject's essence with a delicate realism often associated with Hattori's work. Exploring the Nuances of Hattori's Surrealism in a Street Art Context The 'Fish Original' piece by Naoto Hattori is a subtle nod to the fluidity of street pop art and the evocative nature of graffiti artwork. While Hattori's work is primarily rooted in surrealism, the influences of street art are evident in the way he approaches his subjects. This drawing has a certain rawness and directness, qualities frequently celebrated in street art. The pencil work is precise, yet there is an undercurrent of freedom and spontaneity that aligns with the spirit of graffiti art. Custom framed and matted by the artist, the 'Fish Original' drawing reflects Hattori's hands-on approach to his art from inception to presentation. The slight scuffing on the frame, consistent with its age, adds character to the piece, suggesting a history beyond its visual content. This kind of patina often draws admirers of street art to such pieces, as it provides a rich and personal narrative. The scuffs are not flaws but marks of a journey, much like the weathered walls that serve as canvases in street art.  Street Pop Art, Graffiti Artwork, and the Intimacy of Small-Scale Works The world of street pop art and graffiti artwork is known for its boldness and large-scale visibility. However, pieces like Hattori's 'Fish Original' challenge this convention by bringing the intimacy of small-scale artwork into focus. Through this drawing, Hattori communicates that the essence of street pop art is not confined to size but is found in the authenticity and expressive power of the piece. Hattori's choice of framing and matting further personalizes the artwork, making it a complete piece that offers a narrative, much like street art, which often tells stories in the public domain. The 'Fish Original' by Naoto Hattori bridges the often disparate worlds of fine art and street art, marrying the intricacy of pencil drawing with the accessible, emotive drawing of street pop art. It exemplifies how art can transcend boundaries and speak to a diverse audience. This drawing, with its meticulous craftsmanship and the textured backdrop of aged paper, is a cherished piece in contemporary art, offering a moment of contemplation and connection in the bustling dialogue of street pop art and graffiti artwork. It stands as a beacon of the potential that lies in the fusion of different artistic disciplines, as seen through the visionary eyes of Naoto Hattori.

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Godzilla Limited Edition 2-Color Silkscreen Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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Here & Now Gold Foil Serigraph Print by Cryptik Limited Edition Hand Pulled Artwork on Gold Foil Fine Art Paper Modern Street Graffiti Pop Artist. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 "The past no longer is, the future is not yet here; there is only one moment in which life is available, and that is the present.." ~ Thich Nhat Hanh Unveiling the "Here & Now" by Cryptik In modern street art, Cryptik's "Here & Now" stands as a sterling example of the genre's intersection with spiritual philosophy. The limited edition serigraph print, crafted on opulent gold foil fine art paper, carries a timeless message underscored by the insightful words of Zen Master Thich Nhat Hanh. Only 75 signed and numbered pieces were released in 2024, each measuring 18x24 inches, reflecting an exclusivity that parallels the uniqueness of the present moment it seeks to encapsulate. The Transcendental Aesthetics of Cryptik's Art Cryptik's distinct calligraphic style interweaves traditional Eastern motifs with the immediacy of street art, creating a visual meditation on the notion of the eternal 'now.' The gold foil serves as more than just a backdrop; it is a symbol of the sacred, often used in religious iconography, here repurposed to elevate street art to new heights of reverence and contemplation. Gold Foil Serigraphy: A Convergence of Technique and Message Serigraphy, or screen printing, is a method lauded for its ability to produce vivid colors and sharp lines, a technique that Cryptik employs masterfully. The meticulous hand-pulling of each print ensures every detail, from the delicate strokes of each character to the shimmering gold background, is rendered with precision. The "Here & Now" is thus not only an artwork but a bridge between the ancient practice of mindfulness and the contemporary pulse of street art. The serene complexity of "Here & Now" captures the viewer's gaze, inviting them to ponder the intertwined nature of time, existence, and art. In this piece, Cryptik offers visual stimulation and a portal to introspection, aligning with the essence of street pop art & graffiti artwork, which often prompts the observer to look beyond the surface. Cryptik's serigraph print serves as a reminder of the fleeting beauty of the present, encapsulating the impermanence of street art and the enduring profundity of spiritual thought. As much a philosophical artifact as a piece of visual art, "Here & Now" stands as a testament to the profound depths that street art can explore, marrying the visceral with the sublime. Through this work, Cryptik asserts that the most profound truths are often found in plain sight, woven into the fabric of our everyday surroundings.

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AAVEI-2 Original Mixed Media Spray Paint, Found Object Painting Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla x D Young V. 2014 Signed by D Young V and Eddie Colla Original Mixed Media Spray Paint Acrylic Painting on Reclaimed Items & Wood Artwork Size 55x42 Large Mixed Media Painting on Wood With Reclaimed Toy Gun and 3x Vintage Spray Paint Cans. AAVEI-2 Collaboration with D Young V and Eddie Colla 55 x 42 x 15 inches Mixed Media on Wood, Spray Cans, Plastic Gun 2014

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Remember When We Use To Play Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Christine Wu.

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Cube Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2001 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cube, 2001 Offset lithograph in colors on satin wove paper 23-1/2 x 23-1/2 inches (59.7 x 59.7 cm) (sheet) Ed. 133/300 Signed and numbered in ink lower right Published by Kaikai Kiki, Ltd., Tokyo Print Grade: 10/10 No apparent condition issues. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 32 X 32 Inches Takashi Murakami is a renowned Japanese contemporary artist known for his unique blend of traditional Japanese art styles, such as ukiyo-e, with pop culture and Western influences. He has created a distinctive style often referred to as "Superflat" that features bold colors and graphic designs. The "Cube Offset Lithograph Print" by Takashi Murakami from 2001 is a limited edition print that features the artist's signature style vine with smiling flowers Ms Flower, with TM/KK being a reference to Takashi Murakami and Kaikai Kiki, his art production and management company. Cube Offset Lithograph is a type of printing method that produces high-quality reproductions of original artworks, often used for creating limited edition prints. Murakami's works are highly sought after by collectors and have been exhibited in prestigious museums and galleries worldwide. Owning a limited edition print like the "Cube Offset Lithograph Print" could be considered a valuable addition to an art collection.

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Skull Beauty Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Vault Portrait Blue Skateboard Art Deck by Vans x Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2015 Limited Edition Skateboard Art Deck The Vault Portrait Blue Skateboard Art Deck is an iconic embodiment of the intersection between the worlds of street art, pop culture, and high fashion. This masterfully crafted piece is the result of a collaborative effort between Vans, the renowned American manufacturer of skateboarding shoes and related apparel, and Takashi Murakami, a leading figure in the world of contemporary art known for blurring the boundaries between high and low culture. A testament to Murakami's distinct superflat style, the Vault Portrait Blue Skateboard Art Deck displays a colorful mix of vibrant blue hues combined with the artist's iconic smiling flowers, blending elements of Japanese traditional art with contemporary pop and graffiti aesthetics. The design is not merely aesthetically striking but also serves as a commentary on the omnipresence of consumer culture in our daily lives. Its name stems from the Vault by Vans line, a collection known for its unique collaborations and high-quality materials. Coupled with Murakami's artistry, the skateboard transcends its functional aspect to become a sought-after collector's item. This piece not only resonates with the global skateboard community but also with art enthusiasts and pop culture devotees, marking a significant cultural event that acknowledges the growing influence of street art in mainstream society. The release of the Vault Portrait Blue Skateboard Art Deck, therefore, has further underscored the impact of cross-disciplinary collaborations in the art world and the broader cultural sphere. This intersection of seemingly disparate fields reflects an evolving dynamic that celebrates creativity, unity, and the power of shared experiences. The resulting skateboard deck is a striking statement piece that celebrates both the history and future of street art, pop art, and the culture of skateboarding.

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Doraemon Sitting Up- Every Day is a Struggle Nobita Lithograph Print Limited Edition Artwork on Smooth Wove Art Paper by Artists Fujiko F Fujio x Takashi Murakami TM/KK. 2019 Signed & Numbered Limited Edition of 300 Lithograph Artwork Size 22.64x25.75 Takashi Murakami X Fujiko F. Fujio Doraemon Sitting Up: "Every Day is a Struggle, Nobita", 2019 Offset lithograph in colors on smooth wove paper 25-3/4 x 22-5/8 inches (65.4 x 57.5 cm) (sheet) Ed. 300 Signed and numbered in ink along lower edge Published by Kaikai Kiki Co. Ltd., Tokyo

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Love Bird Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Izanami XL 3-Color Hand-Pulled HPM Limited Edition Silkscreen Print on Fine Art Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Copyright Izanami XL, 2015 Large scale screenprint; hand-finished / hand-painted layers 28 x 39 in.; 70 x 100 cm Edition of only 13 Signed and Numbered by the Artist Venturing into the vibrant world of street art and pop culture, one cannot overlook the mesmerizing creation that is the Izanami XL 3-Color Hand-Pulled HPM. Crafted by the illustrious street artist, Copyright, this artwork, released in 2015, stands as a testament to the intricate fusion of manual artistry and screen printing techniques. Measuring a striking 28 x 39 inches (or 70 x 100 cm), it ensures its presence is felt wherever it's displayed. What makes this piece particularly captivating is its limited-edition status. With a mere thirteen prints ever produced, each piece becomes an exclusive asset for art aficionados. This rarity, coupled with the signature hand-painted and hand-finished layers, accentuates the artwork's unique character. Unlike many of the mass-produced art pieces that dominate today's market, the Izanami XL offers its beholders a chance to engage with the artisan's direct touch. Each brushstroke, each color transition, speaks to the meticulous attention Copyright poured into the piece. Every print is further authenticated by the artist's signature, a mark of its originality and a reflection of Copyright's commitment to authenticity. The individual numbering serves as an added allure, making each edition a singular entity in its own right, and a collector's dream. This art piece, with its deep roots in both street and pop art realms, challenges the traditional boundaries of artistic expression. It's not just an artwork; it's an embodiment of a culture, a statement of rebellion, and a testament to the ever-evolving world of art. And for those lucky enough to possess one of these thirteen masterpieces, it's a piece of history captured in ink and color.

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2017 $1 Chiwoo Cheonwang- MS 70 | PCGS 1 Silver Clay Dollar Graded Coin South Korea Early Releases Collectible Authentic Rare Commemorative Slabbed World Coin.  This 2017 South Korean Chiwoo Cheonwang $1 commemorative coin represents a significant piece of numismatic history. Graded MS 70 by PCGS, this silver clay dollar showcases pristine condition and exceptional craftsmanship. Part of South Korea's early releases, this authentic slabbed world coin features the legendary Chiwoo Cheonwang design, making it a prized addition to any serious collector's portfolio. The perfect grade certification ensures both authenticity and investment value for discerning numismatists seeking rare, high-quality commemorative pieces.  

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Doraemon Exhibition Tokyo Plate Limited Edition Archival Pigment Print Art on Ceramic Plate Artwork by Famous Artist Takashi Murakami TM/KK. 2017 Limited Edition Size 9" Collectible Art Plate Takashi Murakami's Intersection of Traditional and Pop Culture Takashi Murakami, a renowned artist whose work has consistently blurred the lines between fine art and pop culture, created a piece for the Doraemon Exhibition in Tokyo that captures the essence of this fusion. The exhibition piece, a limited edition 9-inch ceramic plate, features Murakami's signature style, often incorporating brightly colored anime and manga characters into traditional artistic formats. Artistic Elements and Cultural Influence Murakami's work on the Doraemon Exhibition plate is an archival pigment print that brings street pop art's vibrancy to the ceramic medium. This artwork stands out for its amalgamation of characters from the popular Japanese series 'Doraemon' with Murakami's distinctive flower motifs and designs. The characters are set against a backdrop of many flowers, creating a complex, eye-catching pattern that represents Murakami's exploration of contemporary Japanese society and otaku culture within the context of historical artistic practices. Murakami's Unique Style and the Art World Murakami's approach often involves a dialogue between different cultural elements, combining traditional Japanese artistic techniques with the mass appeal of anime and manga. His method is rooted in the "Superflat" concept, which he coined to describe the cultural commentary embedded in his artworks. This style is evident in the Doraemon Exhibition plate, where the flattened pictorial plane and the juxtaposition of characters suggest a deeper narrative on the influence of pop culture in our lives. Pop Art, Street Art, and Their Confluence By incorporating elements of street pop art and graffiti artwork into his ceramic plate design, Murakami contributes to the ongoing conversation about the validity and importance of pop culture in the art world. He elevates the perception of animated characters by placing them within the context of 'high art,' challenging preconceived notions about the value and meaning of pop and street art. Collectibility and Murakami's Global Impact The Doraemon Exhibition plate is a piece of art and a collectible item that has garnered attention from art collectors and enthusiasts worldwide. Murakami's ability to traverse the line between art and commodity has made his works highly sought after, and pieces like the Doraemon plate continue to shape the landscape of contemporary art collecting. Through these collectibles, Murakami has left a significant mark on global art culture, influencing new generations of artists and collectors alike. This Doraemon Exhibition plate by Takashi Murakami is a testament to the transformative power of pop culture within the art world and its ability to create new dialogues and understandings across different mediums and cultural backgrounds.

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Chairman Mao- Bird is the Word 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Artwork Artist. The Bird is The Word Chairman Mao Print. This Kozik Glicee Print was issued directly with Chairman Mao Bust. The print was not made available to the general public or sold in any stores. Gold metallic ink.

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Barbasoul Lil’ Qwiky Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x QUICCS. 2020 5oz (5.5inch) Edition of 250, The new edition playfully pivots the toy’s concept from spray can to shaving cream dispenser, hence the play-on-words name. The edition features the namesake product’s red, blue and white color scheme.

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China Town x Moments Lost Limited Edition Giclee Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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Lina PP Printers Proof Archival Print by Mateo Limited Edition Print on MEDIUM Pop Artist Modern Artwork. PP Printers Proof 2025 Signed & Marked PP Limited Edition Artwork Size 17x24 Archival Pigment Fine Art Lina PP Printers Proof Archival Print by Mateo French artist Mateo, known for his transformative Street Pop Art & Graffiti Artwork, delivers a powerful cultural statement with Lina, a 2025 archival pigment print in a rare Printer’s Proof edition. Measuring 17 x 24 inches and produced on high-quality fine art paper, this print continues Mateo’s practice of merging portraiture with ornamental textile traditions. Signed and marked PP by the artist, this piece stands as a unique refinement in a limited body of work that celebrates identity, feminine strength, and transcultural visual language. Ornament and Identity in Harmony The subject of Lina is a woman whose direct gaze confronts the viewer with unwavering presence. Her face and form are partially obscured and enhanced by intricate Persian carpet motifs, rendered with exceptional detail and precision. Mateo seamlessly overlays these patterns onto the contours of the subject’s face, creating an illusion that her skin itself is interwoven with global heritage and ancestral memory. The blue and gold palette radiates dignity, serenity, and sacred geometry, inviting viewers to contemplate the beauty of complexity and resilience in modern cultural narratives. Technique and Material Craft The technique employed in Lina reflects Mateo’s signature synthesis of classical craft and urban art aesthetics. This Printer’s Proof was produced using archival pigment processes on 290gsm Moab Entrada paper, ensuring vibrancy and longevity. The embellishment of textile detail does not serve as mere decoration—it functions as a symbol system, deeply rooted in Mateo’s ongoing exploration of symbolism, heritage, and hybrid identity. The crispness of the print, coupled with its ornamental layering, produces a near-sculptural surface on flat paper. Contemporary Global Vision Mateo’s work challenges and expands the language of Street Pop Art & Graffiti Artwork by integrating references from North African, Middle Eastern, and Asian decorative traditions into contemporary Western portraiture. Lina is emblematic of this synthesis, embodying both the raw immediacy of urban street art and the sacred timelessness of cultural craft. The Printer’s Proof format of this edition adds a level of rarity and authenticity for collectors, and underscores Mateo’s emphasis on process, craft, and artistic integrity. Lina is more than an image—it is a meditation on feminine strength, history, and the interwoven layers of self and culture. With its meticulous construction and universal resonance, the work occupies a critical space in the canon of modern figurative and street-rooted fine art, making it a vital acquisition for collectors seeking narrative depth and visual impact.

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Holiday Japan- Brown Limited Edition Vinyl Fine Art Toy Collectible Artwork by Street Graffiti Artist Kaws- Brian Donnelly. 2019 Vinyl Fine Art Sculpture Holiday Japan Brown Painted Cast Vinyl Fine Artwork Size 9x4x3.5 inches Stamped to the Underside Published by AllRightsReserved, Hong Kong. Perfect to Near Perfect In Original Packaging. Reflecting Urban Narratives: KAWS' Holiday Japan-Brown Edition KAWS' Holiday Japan-Brown is a limited edition vinyl art toy representing a confluence of street art's raw energy and the polished aesthetic of fine art sculptures. Released in 2019, this painted cast vinyl piece is part of a broader series that captures the artist's journey through different cultural landscapes. Measuring 4 x 9 x 3-1/2 inches, each figure is stamped on the Underside, denoting authenticity, and was published by AllRightsReserved, Hong Kong, further solidifying its status as a desirable collectible. The Holiday Japan-Brown edition by KAWS, a celebrated figure in street graffiti art, embodies the relaxed and contemplative demeanor often missing from the hustle of urban life. It's a vinyl sculpture that depicts a resting Companion, a recurring figure in KAWS' work, showcasing the unique blend of abstract form and emotional depth that characterizes his approach to modern pop art. KAWS and the Intersection of Art Toy and Contemporary Sculpture The Holiday Japan-Brown art toy by KAWS blurs the boundaries between a plaything and a contemporary sculpture, infusing the collectible with a sense of sophistication. This piece represents KAWS' artistry and a commentary on the collectible culture that has grown around such figures. The Companion, with its crossed eyes and exaggerated features, is more than a character; it's an icon of street pop art, representing the infusion of graffiti artwork into mainstream culture. This figure's brown hue, reminiscent of the earth and natural elements, contrasts with the often vibrant urban environment from which street art emerges. By choosing this color, KAWS invokes a grounding effect, bringing a piece of serenity to collectors' spaces. The Holiday Japan-Brown edition, with its laid-back posture and soothing color, invites viewers to pause and reflect, a luxury in the fast-paced world from which it draws inspiration. Cultural Impact of KAWS' Holiday Japan-Brown in the Art World The release of KAWS' Holiday Japan-Brown vinyl sculpture has significantly impacted how street pop art is perceived in the contemporary art world. The piece signifies the evolving narrative of street art, transitioning from temporary urban murals to coveted art objects that hold a place of prestige in both public and private collections. The Companion figure has become a bridge between diverse audiences, appealing to art collectors, pop culture enthusiasts, and the general public. As street pop art continues to gain recognition and value, KAWS' work, especially the Holiday Japan-Brown edition, stands as a testament to the genre's artistic merit and cultural relevance. The figure is a physical manifestation of street art's journey. It encapsulates its spirit in a tangible, collectible form and is deeply resonant with the themes of connectivity and humanity central to KAWS' oeuvre. Through such works, KAWS cements his role as a pivotal artist in the dialogue of Street Pop Art and graffiti Artwork, bridging the gap between subculture and the mainstream art scene.

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TikkyWow MEGA TEQ63 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Quiccs x Martian Toys. 2021 Tikkywow MEGA TEQ63 12” Vinyl Figure by Tikkywow x Quiccs x Martian Toys. Comes in Artist Series MegaTEQ 01 Box Edition of only 222 pieces. Bulletpunk The Endgame Quest.

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Charlie Don't Surf Blotter Paper Archival Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. Tim Page, an author and photojournalist, was responsible for capturing some of the most unforgettable images of the Vietnam War. He was also a keen observer of the counter culture of the 60s and 70s, constantly snapping photographs of it. Page's thrill-seeking nature led him to be wounded in battle four times, yet he remained undeterred. He had an eccentric personality, which inspired Dennis Hopper's character in the famous movie Apocalypse Now. Page's fascinating life has been the subject of numerous documentaries, two films, and ten books. He even served as the UN's Photographic Peace Ambassador in Afghanistan for two years. Recently, he was recognized as one of the "100 Most Influential Photographers of All Time."

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Blessbot- All Hallows Eve Canbot Canz Original Hand Painted Vinyl Art Toy Collectible Artwork by street graffiti Jon Rampage x Czee13. 2021 Signed Jon Rampage x Czee13 Hand Painted Blessbot Spray Paint, Acrylic & Mixed Media One of a Kind Original From A Limited Session of 10—Czee13 Mark on the Back with Jon Rampage Signature. The Blessbot - All Hallows Eve Canbot Canz : A Celebration of Street Art Individuality The Blessbot - All Hallows Eve Canbot Canz is a striking representation of the unique intersection between handcrafted artistry and street culture vibrancy. This original vinyl art toy collectible, born from the creative collaboration of Jon Rampage and Czee13 in 2021, is a limited-session masterpiece, one of only ten in existence. Each piece is a hand-painted symphony of spray paint, acrylic, and mixed media, showcasing the distinctive styles of both artists. Signed by Jon Rampage and bearing the Czee13 mark, these Canbot Canz s are not just collectibles but individual tokens of the street graffiti lineage. Intimate Handcrafting in a Digital Age In a digital age where mass production is the norm, the Blessbot - All Hallows Eve Canbot Canz s stand out for their individuality and the personal touch of the artists. Using traditional graffiti materials like spray paint in conjunction with acrylics on a vinyl canvas speaks to the fusion of street art's raw, spontaneous energy with the meticulous care of fine art. Every stroke and contour on the Canbot Canz s' surface tells a story, a narrative punctuated by the Halloween theme that runs through this limited series. A Tribute to Graffiti Art and Collectible Culture These Canbot Canz s are not only a tribute to the tradition of graffiti art but also a reflection of the growing culture of art toy collecting. The series encapsulates the spirit of Halloween through its pumpkin-like faces, marrying the playful terror of the holiday with the rebellious soul of street art. With Jon Rampage's signature adorning each piece, the Blessbot series transcends the ordinary, becoming a curated experience of owning a handcrafted legacy. In the larger conversation about Street Pop Art and graffiti Artwork, the Blessbot - All Hallows Eve Canbot Canz s are a testament to street art's enduring appeal and evolving narrative. They encapsulate the movement's essence - from the streets to the sanctum of private collections, preserving the ephemeral nature of graffiti in a form that endures.

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Singapore Archival Print by DAZE- Chris Ellis Limited Edition on 300gsm Moab Entrada Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2012 Signed & Numbered Print Limited Edition of 40 Artwork Size 24X26 Archival Pigment Fine Art Print by DAZE- Chris Ellis Amid the thriving world of street and graffiti, art emerges a vivid and compelling piece titled "Singapore," crafted by the renowned artist DAZE, also known as Chris Ellis. Evoking a vibrant interplay of color and form, this artwork seamlessly encapsulates the energy and dynamism that characterize the bustling metropolis of Singapore. Created in 2012, "Singapore" stands as an archival pigment fine art print, ensuring its hues remain as vibrant as the day they were first laid down. The artwork graces 300gsm Moab Entrada Fine Art Paper, a premium substrate that enhances the piece's visual appeal and ensures longevity. With dimensions spanning 24X26 inches, "Singapore" offers an expansive canvas for DAZE's artistic musings. Each print is meticulously signed and numbered by the artist, signaling its authenticity and exclusivity. Limited to just 40 prints, this edition ensures each collector possesses a unique fragment of DAZE's artistic journey. This artwork not only resonates with the ethos of modern pop art but also embodies the rebellious spirit and urban aesthetics of street and graffiti art. DAZE's influence in the graffiti community is undeniable, and "Singapore" is a testament to his continued evolution as an artist, adeptly bridging the worlds of street art and fine art. Through this piece, viewers are invited to traverse the colorful streets of Singapore, as seen through the kaleidoscopic lens of DAZE- Chris Ellis.

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Year of the Tiger- February Fine Art Limited Edition Archival Pigment Print Transfer on Natural Skateboard Deck by Street Artwork Graffiti Artist Mimi Yoon. Limited Edition Skateboard Deck Edition Size: 100 signed & numbered by Mimi comes with a COA made in USA

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Debt Paid in Blood- Variant Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Robert Wilson IV. 2012 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 This print was produced initially for Floating World Comics' "Battles" Yakuza-inspired art show in Portland! This 18x24 inch silkscreen is signed and numbered by the artist in a tiny edition of only 25. Printed on manilla tag paper.

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We Are the Jocular Clan Offset Lithograph Print by Takashi Murakami TM/KK Print on Smooth Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2018 Signed & Numbered Limited Edition of 300 Offset Lithograph Artwork Print Size 19.63x19.63 Kaikai Kiki Co. Ltd., Tokyo. Decoding the Visual Symphony of Takashi Murakami's "We Are the Jocular Clan" The fusion of contemporary art and street culture is magnificently encapsulated in Takashi Murakami's offset lithograph print, "We Are the Jocular Clan." This limited edition piece, hand-pulled on smooth-wove fine art paper, is a quintessential example of street pop and graffiti artwork. Murakami, a stalwart in the post-modern art scene, is renowned for blurring the boundaries between high and low culture, a theme that resonates deeply in this 2018 creation. The artwork, signed and numbered, comprises a limited series of 300 prints, each sized at 19.63x19.63 inches, and presents a visual narrative that is both playful and profound. Takashi Murakami's Artistic Legacy and Street Pop Artistry Murakami's aesthetic, often categorized under the Superflat movement, indicates his deep engagement with the historical and contemporary visual language. "We Are the Jocular Clan" showcases Murakami's iconic design elements, such as the smiling flowers and whimsical eyes, that have become synonymous with his name. These motifs are not just recurring visual themes but are also imbued with cultural significance, drawing from Japanese art traditions and the global impact of anime and manga. The juxtaposition of traditional Japanese art with the anarchic energy of street art and graffiti forms a complex, layered tapestry of meanings that challenge the viewer's perception of art, culture, and society. Materiality and Craftsmanship in Murakami's Printmaking The craftsmanship in producing "We Are the Jocular Clan" is a testament to the meticulous processes behind fine art printmaking. The decision to use offset lithography is a nod to the democratization of art, a principle often celebrated in street pop art. This method allows for a wider dissemination of Murakami's work, making it accessible to a broader audience and not just the echelons of art collectors. The smooth-wove fine art paper is a canvas that captures the original artwork's vibrant colors and intricate details, ensuring that each piece, though part of a series, retains a sense of uniqueness and individuality. Cultural Dialogue Through Murakami's Visual Language "We Are the Jocular Clan" is not merely an object of visual delight but a cultural dialogue articulated through Murakami's distinct visual language. The piece embodies the essence of street pop art — it is accessible yet complex, severe yet playful, and individual yet universal. Murakami's work bridges the street and the gallery, inviting interpretations across diverse cultural and social contexts. It reflects the artist's philosophical inquiries into the nature of joy, the constructs of clan-like communities, and the role of art as a communal experience. In contemporary art, Murakami's work has consistently pushed the boundaries of what is considered art, just as graffiti once pushed against the boundaries of legality and acceptance in public spaces. "We Are the Jocular Clan" holds within its vibrant composition the revolutionary spirit of street art, the aesthetic pleasures of pop art, and the conceptual depth of contemporary art practices. Much like Murakami's oeuvre, this artwork catalyzes the ongoing discourse about the intersections and divergences within art forms and the evolving narrative of street pop art and graffiti artwork.

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Abstract Ouroboros DR76 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Dragon76 x Martian Toys. 2021 Limited Edition of 150 Artwork Size 3x6 Dragon76 x Martian Toys DR76 6inch Series 2 Debut Figure "ABSTRACT" Figure Details "DR76 Abstract" - Designed by Dragon76 DR76 Vinyl Figure Series 2 Debut Colorway Includes 2 Paint roller & 2 Spray Cans Packaged inside Series 2 Box

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Supreme Sekintani La Norihiro Deck- Yellow Limited Edition Skateboard deck art by Designer Brand Supreme SS19 2019 Japanese artist Sekintani La Norihiro’s artwork is known for its provocative imagery, often portraying distorted images, organs, and bright color combinations to portray almost stomach-turning motifs. The Supreme Sekantani La Norihiro Skateboard Deck Pink showcases La Norihiro’s artwork on a Supreme skate deck. The deck depicts a partially naked woman and a devil-like figure looking over her. Distorted motifs are evident throughout the underside of the deck in line with La Norihiro’s style. The Supreme Sekantani La Norihiro Skateboard Deck Pink was released during Spring/Summer 2019

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Astro Boy Red Original 1st Edition Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2012 Limited Edition of 500 Artwork Size 6.5x15 New In Box Printed Foot Depicting Astro Boy with Companion/Chum Styling Holding Head by Artist Kaws- Brian Donnelly. Exploring KAWS' Astro Boy in the World of Street Pop Art The influence of pop culture icons on contemporary art has become undeniable in the 21st century, particularly within the street pop art and graffiti artwork genres. Few artists have translated this influence into tangible works as effectively as Brian Donnelly, known professionally as KAWS. Among his celebrated works, the Astro Boy Red Original 1st Edition Art Toy is a testament to the synergistic blend of childhood nostalgia and sophisticated artistry. Born in Jersey City, New Jersey, KAWS has risen to prominence by infusing elements of graffiti with a refined art sensibility. His work is characterized by bold colors, graphic lines, and the repeated use of his figures with crossed-out eyes, which has become a signature across his oeuvre. He started as a graffiti artist, refining his skills and iconography on the streets before transitioning to the studio and gallery spaces, where he has since flourished. KAWS bridges personal meaning with universal themes, tapping into the collective conscious with figures that are at once familiar and transformed. The Astro Boy Red Original by KAWS: A Street Pop Phenomenon In 2012, KAWS released the Astro Boy Red Original 1st Edition, an aEditionthat encapsulates the essence of street pop art and honors the nostalgic figure of Astro Boy, a classic character from Japanese animation. This limited edition of 50Editions showcases KAWS' adeptness at reimagining pop culture icons, preserving their original appeal while casting them in a new, provocative, reflective, and contemporary light. The vinyl sculpture stands at 6.5 by 15 inches, both approachable for collectors and significant enough to make a visual impact. Clad in a stark black and red color scheme, the figure captures attention with its simplicity and the juxtaposition of bright, unyielding red against the naturalistic skin tone. The trademark KAWS touch - the crossed eyes and gloved hands - transforms the initially optimistic character of Astro Boy into a poignant commentary on the complexities of the modern age. Collectible Artwork by KAWS: More Than a Toy The artistic dialogue it instigates makes the Astro Boy Red Original art toy more than a mere collectible. With hands cradling its head, the figure emanates a sense of introspection and melancholy, a marked departure from Astro Boy's usual portrayal as a beacon of hope and youthful energy. This duality speaks to the very nature of street pop art, where humor and whimsy meet the gravity of real-world reflections. Each piece is new in its box, complete with printed feet that continue the artwork's narrative. This attention to detail ensures that from unboxing, the collector participates in an art experience that KAWS has meticulously crafted. The ownership of such a piece is not merely an act of acquisition but an entry into the conversation about the relevance and resonance of pop icons in modern-day society. The Astro Boy Red Original 1st Edition standEditionhallmark in KAWS' exploration of human emotion through the lens of animated characters. It reiterates his ability to distill complex themes into instantly recognizable forms. As the art world continues to recognize and absorb street pop art and graffiti artwork into its fold, KAWS remains a defining figure for his bold aesthetic and his sharp cultural critique embedded within seemingly playful forms. Brian Donnelly's work, particularly pieces like the Astro Boy Red Original, reminds us of the transformative power of art. Even as they draw from familiar sources, they elicit new interpretations and emotions, pushing us to question our relationship with the icons of our childhood and our society. Through this and other works, KAWS continues to shape the conversation around street pop art, affirming its place in the pantheon of significant artistic movements. The legacy of his pieces, characterized by their emotional depth and visual appeal, cements his role as a pivotal figure in the evolution of street-inspired art. Astro Boy Red by KAWS: Anime Tribute and Emotional Collapse in Street Pop Art & Graffiti Artwork Astro Boy Red is a limited edition vinyl sculpture released in 2012 by Brian Donnelly, known professionally as KAWS. Measuring 6.5 x 15 inches and produced in an edition of 500, this figure merges the iconic Japanese character Astro Boy with the Companion motif that has become synonymous with the KAWS name. The sculpture features Astro Boy in a moment of vulnerability, his hands covering his face in despair, with signature Companion-style crossed-out eyes and gloved hands. Clad in his classic red boots and black briefs, the figure maintains the original Osamu Tezuka silhouette while transforming it into a melancholic contemporary symbol. This hybrid is central to the narrative language of Street Pop Art & Graffiti Artwork, where legacy characters are reimagined as emotionally complex beings with modern resonance. Anime Heritage Meets Sculptural Intervention The original Astro Boy is a legendary creation of manga pioneer Osamu Tezuka, who designed the robot boy to symbolize human hope, progress, and idealism. KAWS reinterprets that symbolism by injecting Companion’s recognizable features and emotional weight into the figure. The result is an icon that mourns its own legend. Astro Boy’s pose—head in hands—is uncharacteristic of the cheerful robot hero but deeply aligned with the introspective sadness found throughout the KAWS Companion series. The sculpture invites questions about fame, pressure, and identity, converting a childhood hero into a figure of quiet collapse. In the world of Street Pop Art & Graffiti Artwork, such reinterpretations break open the narrative shell of beloved characters to show their psychological interior. Material Construction and Collectible Format Crafted from smooth, high-gloss vinyl, the sculpture is housed in a red collector’s box featuring white line art of the figure and product labeling. Its precision-molded surfaces and clean paint application demonstrate KAWS’s ongoing collaboration with industrial toy manufacturing standards, elevating the collectible into fine art territory. The foot of the sculpture includes printed artist markings, further validating it as part of the artist’s growing body of rare vinyl sculptures. Every aspect of the design, from scale to packaging, enhances the sculpture’s dual identity as both toy and artifact, aligning it with the tactile and accessible ethos of Street Pop Art & Graffiti Artwork while reinforcing the exclusivity of fine art collectibles. Brian Donnelly’s Remix Legacy in Modern Sculpture Brian Donnelly, born in the United States in 1974, rose from graffiti subculture and fashion-based collaborations to become a defining artist of global pop art and vinyl sculpture. His Companion character has appeared in numerous sculptural and digital forms, often expressing alienation, fatigue, and mourning. With Astro Boy Red, Donnelly applies that same emotional vocabulary to a pre-existing character, layering it with cultural commentary on nostalgia, fandom, and performance. The figure reflects on the burdens of legacy and visibility in a media-drenched world, where even heroic identities bend under existential pressure. As part of the canon of Street Pop Art & Graffiti Artwork, Astro Boy Red is a study in reinterpretation—taking the myth of technological innocence and bending it into a posture of human sorrow. It is an object of contrast: heroic yet defeated, iconic yet fractured, perfectly molded yet emotionally unguarded.

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Lucky Cat Android AP Set Signed Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Shane Jessup. 2013 Signed Limited Edition Unopened Box of Art Toys by Artist Shane Jessup AP Artist Proof Signed Special Edition Compete in Box Set of Art Toys 12 total, signed, and in packages. Designed by artist Shane Jessup, these adorable Androids welcome wealth, prosperity and protection into your home or business. Each window-boxed Lucky Cat Android features an accessory and a swinging arm. Gold Lucky Cat ACCESSORY Koban Coin RAISED ARM Left SUGGESTED USE Business Prosperity White Lucky Cat ACCESSORY Koban Coin RAISED ARM Left SUGGESTED USE General Good Luck in Business Black Lucky Cat ACCESSORY Koban Coin RAISED ARM Left SUGGESTED USE Business Protection Black Lucky Cat ACCESSORY Collar Coin RAISED ARM Right SUGGESTED USE Safety, Protection from Evil Purple Lucky Cat ACCESSORY Collar Bell RAISED ARM Right SUGGESTED USE Luck in Health, Beauty Pink Lucky Cat ACCESSORY Collar Bell RAISED ARM Left SUGGESTED USE Luck in Relationship Red Lucky Cat ACCESSORY Collar Bell RAISED ARM Left SUGGESTED USE Protection from Illness Green Lucky Cat ACCESSORY Notebook RAISED ARM Right SUGGESTED USE Luck in Studies Yellow Lucky Cat ACCESSORY Red Envelope RAISED ARM Right SUGGESTED USE Luck in Marriage Blue Lucky Cat ACCESSORY Notebook RAISED ARM Left SUGGESTED USE Luck in Career Gold Lucky Cat ACCESSORY Collar Coin RAISED ARM Right SUGGESTED USE Luck in Wealth, Good Fortune White Lucky Cat ACCESSORY Collar Coin RAISED ARM Right SUGGESTED USE General Good Luck, Purity

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Solitary Child 1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hikari Shimoda Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 12x12 "Solitary Child is a series of works, focused on my original theme of the inevitability of the Apocalypse. In this series, I am offering a new savior for humankind- she is a magical girl (Solitary Child #1) and a little boy hero (Solitary Child #3). In the world of my paintings, humanity has perished, as seen in the collage background, where there is an expressed chaos throughout. In these images, my saviors have come upon the dying human race. After the death of man, the world has found some relief from the turmoil that he has brought upon it. Meanwhile, mankind selfishly dreams of newfound happiness in his afterlife. In the mythology of my work, as humanity is destroyed, only one figure remains and that is the Messiah represented as a child. The magical girl was the first to be left alone after humanity was destroyed, left to deal with the despair and damage he left behind. Her eyes are shining and sparkling, but her stare is blank. In contrast, my hero’s eyes are closed ever so gently. To him, everything in the world is very chaotic and overwhelming. He feels all of its happiness, despair, hope, sadness, everything… in such a state, even the world’s savior must shut his eyes to it." - Hikari Shimoda Solitary Child 1 Archival Pigment Print by Hikari Shimoda Solitary Child 1 is a haunting yet luminous work by Japanese artist Hikari Shimoda, executed as a limited edition archival pigment print on 310gsm fine art paper in 2016. Measuring 12x12 inches and part of a signed and numbered edition of only 50 pieces, the print is an exemplary artifact of modern Street Pop Art & Graffiti Artwork. Hikari Shimoda’s visual language is deeply influenced by anime, manga, and the traditions of Japanese pop culture, yet she transcends those frameworks by embedding layered commentary on psychological turmoil, existential despair, and the fractured identity of post-apocalyptic innocence. A Childlike Messiah in a Dystopian Aftermath Solitary Child 1 features a central character presented with almost overwhelming intensity: a young girl in a magical girl costume with heart motifs and sailor-style attire. Her pink and red hair bursts outward, saturated with visual energy, covered in stars and cosmic motifs. The round composition suggests a window into another dimension, one that has already processed the collapse of humanity. Her large, glowing eyes, rendered with 3D-like chromatic effects, stare blankly ahead, neither judgmental nor mournful. This emptiness is intentional, a thematic thread in Shimoda’s work meant to evoke both detachment and forced resilience. Within the background—a swirling collage of detritus, symbols, and abstract fragments—the chaos of a forgotten civilization bleeds through. Shimoda situates her character as both witness and survivor. The child does not weep for the world but exists beyond it, as its last remnant or perhaps as its reluctant redeemer. Her eyes, sparkling with galaxies and stars, are full of wonder and terror. Her small frame is juxtaposed against the density of visual information around her, reminding the viewer that she is no longer a child in the traditional sense but a totem for hope, destruction, memory, and transcendence. The Narrative of the Apocalypse and Magical Realism This print is part of Shimoda’s larger Solitary Child series, which contemplates the inevitable downfall of humankind and the rise of symbolic children as messianic figures. Her use of magical girl archetypes and child heroes blends contemporary kawaii aesthetics with harrowing existential themes. The result is a visual paradox: alluring and innocent on the surface, but deeply reflective of societal failure, emotional vacancy, and the search for meaning after cultural ruin. Solitary Child 1 is more than a work of visual pop; it is a philosophical reflection clothed in vibrant, hallucinogenic textures. A Singular Voice in Pop Apocalyptic Visual Language Hikari Shimoda’s Solitary Child 1 stands at the intersection of anime fantasy, pop aesthetics, and postmodern emotional realism. Printed with extraordinary precision on archival paper, the piece balances delicate brush textures with high-impact digital color precision. Each work in the edition is hand-signed and individually numbered, preserving its place in the limited pantheon of collectible Street Pop Art & Graffiti Artwork. As Shimoda continues to rise in global prominence, pieces like Solitary Child 1 serve as portals into her richly imagined mythos—where apocalyptic desolation and magical innocence collide to question what it means to save a world that cannot save itself.

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MC Supersized Camo- Jakarta Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda x Mindstyle. 2021 Ron English- POPaganda x Mindstyle presents MC Supersized Camo. Each one represents a different city in China with a unique camo style. 8 inches tall. Hand-signed by Ron. Comes with a hat and card. The MC Supersized Camo - Jakarta Limited Edition is a vinyl art toy that emanates the spirit of street pop art and graffiti artwork through its every detail. This collectible piece is a collaboration between the renowned street graffiti artist Ron English- POPaganda and Mindstyle; a company celebrated for producing designer art toys. Standing 8 inches tall, the figure is a bold statement piece that embodies the essence of Jakarta through its distinctive camouflage pattern. Ron English- POPaganda's MC Supersized Camo series is a visual commentary on global consumerism, and the Jakarta edition continues this narrative with a regional twist. The camouflage design serves a dual purpose: it's a nod to the military influence in the history of streetwear and a metaphor for the way fast-food culture has become ingrained in contemporary society. The iconic smiling face of the figure, combined with the military-style camo, creates a juxtaposition that is quintessential to English's provocative style. Each of these limited edition pieces is hand-signed by Ron English- POPaganda, making them toys and personalized works of art. The inclusion of a hat and a card with each figure adds a level of authenticity and connection to the artwork, further enhancing its value to collectors. The Jakarta edition, like its counterparts representing other cities, is a testament to the unique cultural attributes and stylistic preferences that vary from place to place. The MC Supersized Camo is more than a mere object; it is a piece of cultural commentary wrapped in the aesthetics of street art. It invites collectors to delve into the deeper meanings of English's work—his critique of consumer culture, his satirical take on global brands, and his celebration of street art as a form of artistic expression. These vinyl toys, with their handcrafted details and culturally rich motifs, are not just additions to a collector's shelf but are conversation starters, reflecting the complex interplay between art, culture, and commerce.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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