Bear

Gromit 100% & 400% Wallace and Gromit BE@RBRICK Limited Edition Medicom Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 From the popular British claymation comedy series, Wallace and Gromit, comes the silent yet loyal and intelligent anthropomorphic dog: Gromit as a Bearbrick set by Medicom Toy. Stands at 7cm and 28cm tall.

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Steiff Bear- White 400% BE@RBRICK Limited Edition Medicom Flocked Vinyl Artwork Toy Collectable Art Figure. 2017 New In Box. Luxury German Toy Stuffed Bear by Steiff x Medicom. Flocked Hair with Ribbon, Box, and Tag.

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Kush XL 6in The Prisoner Flocked Drug Bear Art Toy by Luke Chueh Kickstarter Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2018 Limited Edition Artwork of 93 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms: physical, mental, or pharmaceutical. Ultra Rare Kickstarter Exclusive Extra Large XL 6 Inch Edition. Kush XL 6in The Prisoner Drug Bear by Luke Chueh: Sculpting Emotional Confinement in Street Pop Art & Graffiti Artwork Kush XL 6in The Prisoner Drug Bear by Luke Chueh is a 2018 Kickstarter exclusive collectible, limited to just 93 pieces worldwide. This rare extra-large vinyl edition transforms Chueh’s signature bear into a more physically imposing yet equally vulnerable presence. At six inches tall and flocked in vibrant green, the figure sits hunched and withdrawn, arms wrapped tightly around its knees, tucked into a gesture of protective silence. This version is packaged inside a deep green prescription-style plastic tube, labeled under the fictional strain Kuma OG. Accompanied by a cotton-lined pouch and official labeling, the toy carries the visual weight of both clinical control and emotional solitude. As a part of the wider Prisoner series, this XL edition expands Luke Chueh’s ongoing critique of psychological and pharmaceutical confinement through the visual language of Street Pop Art & Graffiti Artwork. Material and Scale as Tools of Conceptual Impact The use of scale in the Kush XL version heightens the emotional potency of the figure. Unlike the smaller editions, which evoke delicacy and intimacy, this larger size commands more physical space, forcing viewers to confront the quiet suffering it represents. The flocked green surface adds a layer of visual contradiction, inviting touch while symbolizing the lush appearance of calm that often hides distress. The presentation in a prescription tube references the aesthetics of cannabis dispensaries and pharmaceutical packaging, placing the bear in the middle of society’s ongoing conversation about medication, trauma management, and alternative therapy. The prescription-style label contextualizes the bear as both patient and product, surrounded by the implied control of dosage, labeling, and clinical oversight. Within Street Pop Art & Graffiti Artwork, this kind of object challenges assumptions about what healing looks like and critiques the systems that monetize emotional relief. Luke Chueh and the Emotional Vocabulary of Toy-Based Street Pop Art Luke Chueh is a California-based artist known for using deceptively simple characters to convey deeply nuanced emotional states. His bear, a now-iconic symbol within his work, is never neutral. Whether painted or sculpted, it is always in the middle of a silent, internal dialogue. The Prisoner figure exemplifies Chueh’s practice of using posture, minimalism, and context to explore themes like depression, anxiety, addiction, and isolation. The Kush XL edition does not stray from these themes; rather, it amplifies them through texture and size. Chueh’s work belongs firmly within the Street Pop Art & Graffiti Artwork canon, not only for its visual accessibility but also for its bold engagement with contemporary mental health struggles. The bear is at once relatable and haunting, caught between comfort and despair, between treatment and dependency. The Prisoner as a Sculptural Statement on Mental Health and Control Kush XL 6in The Prisoner is more than a collectible art toy—it is a sculptural representation of cultural truth. Limited to just 93 Kickstarter-exclusive editions, it holds significant value for collectors, not only due to its rarity but because of its raw, unfiltered emotional messaging. The packaging is not ornamental. It is part of the narrative, reinforcing the figure’s status as a symbol of medicated containment. The green colorway and dispensary-themed label introduce a layered commentary about the growing normalization of cannabis as both relief and crutch, expanding Chueh’s critique beyond pharmaceuticals alone. Within Street Pop Art & Graffiti Artwork, the figure functions like a street mural in miniature form—portable, powerful, and socially conscious. With this XL edition, Luke Chueh elevates designer toys into platforms for mental health discourse, using vinyl, flocking, and form to hold a mirror to both personal vulnerability and systemic response.

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XLarge Little Friend- White 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Limited Edition 30th Anniversary Edition Bearbrick

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JP Money Bear Triple Black Bobble Head Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist King Saladeen. 2022 JP Money Bear Triple Black Bobble Head by King Saladeen Edition of 500 pieces

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Target Black HPM Shoot To Kill Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Black Target and Paint Bucket. Luke Chueh’s Target Black HPM Shoot To Kill Luke Chueh’s Target Black HPM Shoot To Kill stands as a hauntingly reflective and sharply executed vinyl art sculpture from one of the most compelling voices in Street Pop Art & Graffiti Artwork. Released in 2012 in a limited edition of 250 pieces, this figure comes from the renowned Target series. A selected number of these editions were hand-embellished with the artist’s signature dark humor and symbolic punch, featuring custom illustrations and text hand-drawn on the firing wall base behind the bear figure. This particular version includes the phrase “Shoot To Kill” written across the shattered backdrop, drawing a chilling contrast between innocence and violence. Visual Symbolism and Artistic Elements This 6.5 x 10.5 inch sculpture captures the essence of Chueh’s narrative style. A solemn white bear stands calmly, clutching a paintbrush and a red bucket while proudly displaying a freshly painted black target on its chest. Behind it, a fragmented concrete wall is peppered with bullet holes and adorned with a childlike drawing of the bear itself, eyes wide open, surrounded by damage. The words “Shoot To Kill” amplify the work’s confrontation with themes of vulnerability, targeting, and emotional exposure. Each component of the sculpture, from the character’s blank expression to the gritty base and graffiti-style marks, pushes the viewer to question where sympathy ends and complicity begins in a world desensitized to harm. Collectible Rarity and Conceptual Weight Produced by Munky King, this Target Black HPM version is not only limited in number but also customized, making it a valuable piece for collectors of contemporary vinyl and street pop culture art. The addition of hand-drawn embellishments directly onto the backdrop elevates this from a production piece to a hybrid of toy and original artwork. It sits at the intersection of narrative storytelling and conceptual critique. The packaging itself reinforces the piece’s gravity, with the original painting reproduced on the box and a molded insert that perfectly cradles the figure, brush, and paint can. Impact on Contemporary Street Pop Art & Graffiti Artwork Luke Chueh, an American artist known for exploring personal trauma and dark satire through minimalist, anthropomorphic characters, continuously blends pop iconography with raw human experiences. In this sculpture, he manipulates the cuteness of a cartoon bear and inserts it into a context of conflict and emotional volatility. The result is a poignant visual metaphor: self-inflicted exposure, where the artist literally becomes the target. Target Black HPM Shoot To Kill is not just a collectible. It is a statement about how pain is projected, how identity is marked, and how art reflects the raw discomfort of modern living with stunning simplicity and confrontational honesty.

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NY@BRICK Karimoku Chess 400% BE@RBRICK Extremely Rare Hand-Made Wooden Art Toy Japanese Furniture Maker Fine Art Bearbrick Sculpture. 2020 Extremely Rare Stamped Wood Limited Edition Artwork Displayed In Box Perfect Condition. Master of wood in Japan, Karimoku is a reference in design furniture and now in luxury figurines after their collaborations with Medicom.

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Target Red King #2 HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red King #2 HPM SDCC 12 Vinyl Art Toy by Luke Chueh Luke Chueh’s Target Red King #2 HPM SDCC 12 vinyl art toy stands out as one of the most emotionally evocative and conceptually striking releases in the Street Pop Art & Graffiti Artwork category. Released in 2012 as a San Diego Comic-Con exclusive and produced by Munky King, this limited edition figure is part of a larger series based on Chueh’s original Target painting. This particular version, hand-embellished with the artist’s own unique illustration on the firing wall, encapsulates Chueh’s deeply introspective themes through a sculptural medium that resonates with collectors, critics, and fans of dark, conceptual pop art. This figure is a continuation of Chueh’s exploration of vulnerability, self-awareness, and the relationship between creator and subject. Design, Details, and Physical Structure This collectible measures 6.5 x 10.5 inches and is crafted in vinyl with a mixed-media sculptural base. The figure depicts Chueh’s iconic bear character, rendered in a minimalist palette, painting a blood-red concentric target over its own chest while standing in front of a cracked wall riddled with bullet holes. The backdrop serves as a sculptural representation of vulnerability, punctuated with a bold hand-drawn bear head and crown motif signed by Luke Chueh. This version, known as Red King #2, is part of a select sub-edition of the original run of 250, featuring individually hand-drawn graffiti-style customizations on the wall base, turning each one into a distinct piece of hand-painted art. The inclusion of the removable brush and bucket gives the figure a tragic sense of complicity—blurring the line between empowerment and self-destruction. Conceptual Narrative and Symbolism Target is not merely a title; it is a statement about identity and visibility. By painting the target on its own body, the character becomes both artist and object, aggressor and victim. The wall behind it, resembling an urban execution backdrop, intensifies the piece’s tension. With this Red King edition, the additional crown scrawled above the bear adds a layer of sovereignty or martyrdom—elevating the character to a symbol of sacrifice. This duality has long been a hallmark of Luke Chueh’s work, combining cute and tragic elements into a surreal pop art narrative that reflects his ongoing commentary on anxiety, depression, self-image, and the burdens of self-expression. Legacy in Contemporary Urban Art Luke Chueh, born in the United States in 1973, is a pivotal figure in the Street Pop Art & Graffiti Artwork movement. His use of simplified, iconic characters and a muted color palette enables him to channel raw emotion through clean lines and impactful staging. Munky King’s collaboration with Chueh on the Target series represents one of the most successful translations of gallery-oriented character art into three-dimensional collectibles. Each edition, especially rare variants like Red King #2, carries with it the emotional depth and visual simplicity that Chueh has cultivated across mediums. The SDCC exclusive aspect of this release only enhances its rarity and desirability, cementing it as a significant artifact in the narrative of modern collectible sculpture.

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God Selection XXX 1000% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures GOD Selection was founded by Yasunari Miyazaki in 2003. The Japanese streetwear and youth fashion brand has become a cult label since its debut. Now, in collaboration with Bearbrick, GOD Selection XXX presents us a clean, simple, and easy-to-identify design with the most recognizable logo of the brand, the XXX. 2' 3" Tall

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Tiger Mask- First Generation 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 Tiger Mask is the persona of several different Japanese professional wrestlers. This version of Tiger Mask pays homage to the First Generation of Tiger Mask wrestlers. This 400% Bearbrick stands at 28cm / 11 inches tall.

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Lost in the Hundred Acre Woods Low Fidelity Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition of 500 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Stylized Winnie the Pooh and Headphones Chilling. Luke Chueh’s Low Fidelity Vision in Vinyl Lost in the Hundred Acre Woods is a 2025 limited edition collectible sculpture created by the acclaimed street pop artist Luke Chueh. Known for his psychologically charged characters, Chueh brings a fresh interpretation of the familiar yellow bear to life in vinyl form. This highly stylized figure fuses nostalgia and melancholy, reimagining a beloved childhood character as a modern, introspective figure immersed in solitude and music. The edition consists of 500 pieces and is sculpted in durable, smooth-finish vinyl with striking color contrast and detail. Measuring 4 x 7 inches, each sculpture arrives new in box and stamped for authenticity. Symbolism Through Minimalist Form The artwork features a matte yellow bear figure standing upright with hands in the pockets of an oversized red hoodie. This simplistic design is made iconic with black headphones snugly fitted over the ears, suggesting a withdrawal into personal sonic space. Stripped of overt facial expression, the blank eyes and small snout accentuate the internal experience of the figure. Chueh’s choice of minimalism invites viewers to project their own interpretations of mood and context onto the figure. By placing this character in such a stark, anthropomorphized pose, the artist channels themes of loneliness, escapism, and emotional quietude within modern consumer culture. Contemporary Street Pop Aesthetic Luke Chueh, an artist based in the United States, has cultivated a visual language that merges pop culture symbolism with heavy emotional resonance. This vinyl figure draws from the lineage of graffiti artwork and designer toy culture. It evokes both the warmth of cartoon heritage and the isolation common to modern digital life. Lost in the Hundred Acre Woods acts as a three-dimensional embodiment of Street Pop Art & Graffiti Artwork, presenting a cultural remix where childhood innocence is subverted by adult introspection. The bold red hoodie contrasts powerfully with the bear’s muted yellow form, reinforcing visual simplicity as a storytelling mechanism. Art Toy as Emotional Artifact This collectible transcends novelty to become a sculptural form of narrative. Lost in the Hundred Acre Woods communicates a profound quietude using posture and color rather than overt expression. The bear stands frozen in a moment of sonic self-reflection, echoing Chueh’s consistent use of his characters as vessels for emotional commentary. As a part of the Low Fidelity series, this figure pays homage to the mental retreat often found through headphones and music. Whether displayed alone or as part of a larger collection, the work resonates as an object of contemplation for those who appreciate the merging of toy design with fine art sensibilities within the Street Pop Art & Graffiti Artwork movement.

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Strangekiss Anarchy Black Cat Qee Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2007 Signed Limited Edition of 300 Artwork Size 8" Tall Frank Kozik SIGNED Toy2R 8" Strangekiss Anarchy Black Cat Qee With Box Strangekiss Anarchy Black Cat Qee by Frank Kozik – Street Pop Art & Graffiti Artwork The Strangekiss Anarchy Black Cat Qee, created by street pop art legend Frank Kozik, stands as a pivotal collectible in the world of vinyl toy art. Released in 2007 by Toy2R and distributed by Strangekiss, this figure combines the aesthetic force of punk anarchy with the underground appeal of graffiti street culture. Limited to only 300 pieces worldwide, each piece is signed by Frank Kozik himself, enhancing its significance as both an artwork and a cultural time capsule. This 8-inch tall vinyl figure is not only a toy but a sculptural embodiment of rebellion, creative dissent, and design-forward commentary. Kozik’s use of stark black, pale green accents, and minimalist facial expression channels the spirit of punk zines and DIY ethics, anchored in a fine art object suitable for collectors and enthusiasts alike. Frank Kozik’s Signature Style in Street Pop Art & Graffiti Artwork Frank Kozik, born in Spain and active primarily in the United States until his death in 2023, became a renowned figure for his unapologetic visual language that spans posters, music ephemera, and vinyl figures. Known for merging political satire with subcultural aesthetics, his work consistently infused the irreverent energy of punk, underground comics, and graffiti. The Strangekiss Anarchy Black Cat Qee showcases Kozik’s penchant for mixing bold graphics with lowbrow art influences. Featuring sharp angular brows, an anarchy symbol on the forehead, and a cigarette jutting from the figure’s mouth, this character represents a defiant stance against sanitized mainstream design. The exaggerated feline form is softened with rounded limbs and oversized paws, creating a humorous contrast to the figure’s otherwise aggressive demeanor. Qee Platform Toys as Fine Art Objects in Graffiti and Pop Culture The Qee platform, developed by Toy2R in Hong Kong, has been a mainstay of the designer toy movement since the early 2000s. Serving as a blank canvas for some of the world’s most creative graffiti and street pop artists, the Qee series has housed custom designs by heavyweights such as Shepard Fairey, Sket One, and Kozik. The Anarchy Black Cat Qee taps into this tradition while pushing the limits with its politically charged symbolism and expressive attitude. Each piece in the limited edition run was packaged in a vibrant pink and yellow box emblazoned with phrases like The Future Is Stupid, reflecting Kozik’s tendency to challenge authority and consumerism while engaging collectors through provocative humor and subversion. Street Pop Art & Graffiti Artwork in the Vinyl Art Movement This limited edition Qee is a testament to the cross-pollination of street pop art, graffiti artwork, and designer toy culture. By taking cues from countercultural symbols and recontextualizing them through the form of collectible vinyl figures, Frank Kozik forged a new visual language that thrives in both gallery spaces and streetwear scenes. His collaborations with brands like Toy2R made it possible for a new wave of artists to enter the art market with three-dimensional works that echo the impermanence and edge of graffiti. The Strangekiss Anarchy Black Cat Qee, standing with its anarchist stance and smirking defiance, remains one of the most striking examples of how artist-led toy design helped shape the direction of urban art in the early 2000s. This figure is not just a piece of vinyl; it is a sculpted narrative of anti-establishment ethos rendered through the lens of pop-infused graffiti expression.

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Sharp Tooth Bear ComplexCon Skateboard Art Deck Set by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2019 Limited Edition Skateboard Artwork Size 8x31 Skateboard Art Deck Brand New Perfect Condition 3x Deck Set Sharp Tooth Bear ComplexCon Skateboard Art Deck Set by Takashi Murakami: Pop Icons Reimagined in Street Pop Art & Graffiti Artwork The Sharp Tooth Bear ComplexCon Skateboard Art Deck Set by Takashi Murakami is a 2019 limited edition release featuring archival pigment print transfer on a triptych of 8 x 31 inch natural wood skateboard decks. Distributed under Murakami’s TM/KK studio label and unveiled at ComplexCon, this set presents his iconic character Mr. DOB in a surreal, floating constellation of multicolored spheres and sharply jagged smiles. The artwork is pristine in condition and masterfully designed to span across all three decks, forming one unified image that vibrates with movement and mischief. A hallmark of Murakami’s crossover between high-concept Japanese art and subversive street aesthetics, this edition continues his exploration of visual identity through the lens of Street Pop Art & Graffiti Artwork. Mr. DOB, Murakami’s long-standing alter ego and mascot figure, is featured here in its more evolved and chaotic form. Multiple Mr. DOB heads orbit across a gradient background shifting from teal blue to pale yellow, creating a dreamy atmosphere that clashes with the aggressive, shark-like teeth and multicolor psychedelic eyes embedded in each orb. These elements produce a feeling of both playful celebration and psychological unease. With influences from anime, manga, consumer branding, and the emotional dissonance of modern visual culture, Murakami’s sharp-toothed icon becomes both character and critique. His precise lines and cartoon-like distortion transform each floating head into a symbolic vessel for contemporary overstimulation and cultural fragmentation. Skate Culture Meets Pop Surrealism in Limited Edition Form Takashi Murakami’s choice to present this piece as a skateboard deck set is deliberate. Skate decks have long existed at the intersection of function and rebellion. In Street Pop Art & Graffiti Artwork, the skateboard is more than a tool—it is a symbol of self-expression, disruption, and the tension between movement and visual impact. By translating his most recognizable character onto a surface born in subculture, Murakami activates new dimensions of accessibility and statement. The Sharp Tooth Bear set preserves the tactile honesty of the street while simultaneously operating as a luxury fine art object. The curved verticality of the decks allows the floating spheres to appear as if drifting in weightlessness, emphasizing the detachment and surveillance often associated with Murakami’s characters. Each panel maintains detail while contributing to the whole, creating a mural-like composition that bridges studio art and skate shop graffiti. The production quality—high-fidelity archival pigment on wood—maintains the integrity of the image while reinforcing its collectible status. These decks are built for permanence but born from a culture that values ephemerality. Character Mutation as Language in Murakami’s Visual System The recurring use of Mr. DOB across Murakami’s work symbolizes transformation, commercial identity, and visual overload. In the Sharp Tooth Bear deck set, the character’s expression is twisted into multiple forms, with exaggerated eyes, swirling patterns, and sharp jaws creating a sense of multiplicity and instability. This reflects a broader theme in Street Pop Art & Graffiti Artwork where characters become signatures, avatars, and mythologies that evolve in public. Like graffiti tags, these characters act as a calling card—but Murakami amplifies them with color theory, compositional harmony, and emotional duality. Floating heads with smiles and snarls occupy the liminal space between joy and chaos. Their bright exteriors mask the grotesque, creating a paradox central to the experience of modern pop culture. These figures float in a void, disconnected yet expressive, much like the fractured media landscape Murakami so frequently interrogates. The decks tell a story of cultural mutation and psychological saturation through line, hue, and repetition. Takashi Murakami’s Skate Decks as Contemporary Cultural Icons Takashi Murakami, born in Japan in 1962, continues to challenge and redefine what Street Pop Art & Graffiti Artwork can be. His skate deck releases at ComplexCon push the boundaries of medium, bringing fine art to surfaces with street-level power. The Sharp Tooth Bear deck set serves as an entry point into Murakami’s philosophy of Superflat—where depth is compressed and visual meaning expands. With this 2019 release, Murakami reinforces that characters like Mr. DOB are not just visual gimmicks, but sophisticated tools for exploring the artificial, the emotional, and the psychedelic in a world oversaturated with imagery. These decks are not just collectibles—they are symbols of how visual art can mutate, float, and bite, all while maintaining a smile. They are the painted echoes of pop consciousness frozen in motion, crafted with intent, color, and a sharp set of teeth.

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XLARGE x D*Face- Black 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures 2020 D Face Xlarge Bearbrick Medicom Toy Be@rbrick 400% 100%

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BE@Phase 1 400% AP Artist Proof Be@rbrick Art Toy by Sket-One x Medicom Limited Edition Vinyl Artwork Collectable Art Figure. AP Artist Proof 2022 Signed & Numbered Box Limited Edition of AP70 Bearbrick Medicom Collectible Size 100% & 400% New In Box

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Gold Leaf Awesome Bear Hug Life One of a Kind Hand Made Signed Vinyl Art Toy Collectible Artwork by street graffiti artist Philip Lumbang. 2013 Hand Laid Gold Leaf Over Awesome Bear Hug Life Vinyl Toy Signed With Box. 6 inches tall sculpted by Walter "Chauskoskis" Jacott and produced by Dragatomi. There are a few pinpoint areas missing gold leaf, the artist intended this.  

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Seppuku Artwork Giclee Limited Edition Print on 300gsm Matt Fine Art Paper by Pop Culture Graffiti Artist Luke Chueh. Print was released in 2014 during Luke's visit to Singapore. Signed and numbered edition of 75 12" x 16" Printed on 300gsm matt fine art paper

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Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr Hand-Pulled on Deckled Mohawk Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 40 Artwork Size 18x24  Silkscreen Print Stylized Vick Panda Rabbit holding a Pointman Sci Fi Creature in Red, Black & White. Verdy x Futura 2000: A Dynamic Dialogue in Street Pop Art & Graffiti Artwork The 2025 limited edition silkscreen print titled Untitled Pointman & Vick is a highly collectible collaboration between two titans of Street Pop Art & Graffiti Artwork—Verdy and Leonard McGurr, also known as Futura 2000. This hand-pulled 18x24 inch artwork, limited to only 40 signed and numbered editions, brings together two iconic characters born from very different visual traditions: Verdy’s Vick, a panda-rabbit hybrid pulsing with urban cuteness and punk energy, and Futura’s Pointman, an angular, sci-fi inspired alien form that has long represented the artist’s abstract evolution of graffiti since the 1980s. The synergy of these two figures positioned together on a stark white canvas creates a striking and unmistakable visual statement. Character Fusion: From Tokyo Subculture to NYC Futurism Verdy’s Vick, a staple of Japanese youth culture and streetwear, is rendered with bold lines, minimalism, and emotional defiance. Often seen in his works tied to Girls Don’t Cry and Wasted Youth, the Vick figure represents innocence crossed with resistance, captured here with expressive posture and his recognizable spiked hair and long ears. In this piece, Vick stands confidently while clutching Futura’s Pointman—a creature that has become emblematic of space-age graffiti abstraction. The Pointman figure, often portrayed as detached and observing, now appears anthropomorphized yet held in a position of connection, suggesting creative control, reverence, or even confrontation. Leonard McGurr, born in the United States, redefined graffiti art with his experimental use of shapes, negative space, and conceptual narrative. His Pointman character broke away from traditional lettering and tags, opting instead for a visual language that combined comic book energy, cosmic theory, and social metaphor. This character now enters Verdy’s minimalist playground, blurring lines between eras and aesthetics. Minimalist Form with Maximum Impact Printed in red, black, and white, the silkscreen’s visual economy amplifies the tension and harmony between the two characters. The limited palette makes the composition pop with clarity, a visual nod to both vintage animation and punk zine graphics. Each line is deliberate. Each shape speaks volumes. The exaggerated proportions and surreal character styling are a testament to both artists’ skill in balancing humor, symbolism, and subculture in visual form. The work functions as a mirror of mutual respect between two worlds—Verdy’s Japanese design-driven storytelling and Futura’s American avant-garde rebellion. A Collectible Print for the Global Art Vanguard As a signed and numbered edition of just 40, this 18x24 inch silkscreen print is a rare artifact that ties two global artistic forces into a single unified piece. It represents more than just collaboration—it embodies cross-generational momentum in street pop and graffiti art. Fans and collectors of either artist will immediately recognize the cultural and historical significance embedded in the composition. Verdy and Futura 2000 have together constructed a moment that celebrates character-based iconography as legitimate, emotional, and deeply impactful contemporary art. This print is not just a visual work—it is a document of two worlds shaking hands through their art.

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XLARGE x D*Face- Brown 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures D Face Xlarge Bearbrick Medicom Toy Be@rbrick 400% 100% Designer Con. Brand BE@RBRICK MPN BERBRICK400 GTIN 5019950332456 UPC 5019950332456 Product Key Features Year Manufactured 2020 Vintage No Original/Licensed Reproduction Original Featured Person/Artist Faces Material Vinyl, Plastic Animal Species Bear Franchise Bearbrick Type Action Figure Collection Theme Designer & Urban Vinyl

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The Rat Print Artwork Giclee Limited Edition Print on Fine Art Print by Pop Culture Graffiti Artist Luke Chueh. 2015 Print measures 11 x 14 inches. Digital print by artist Luke Chueh. Edition of 100.

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Kuma OG The Prisoner Amarillo Verde Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 438 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Kuma OG The Prisoner Amarillo Verde by Luke Chueh: Vinyl Expression of Emotional Confinement in Street Pop Art & Graffiti Artwork Kuma OG The Prisoner Amarillo Verde is a limited edition vinyl art toy created in 2017 by Luke Chueh, a Los Angeles-based artist known for blending dark emotional themes with clean, accessible design. This version of The Prisoner was produced in a run of 438 pieces and includes a cotton-lined pouch and a green prescription-style tube container, enhancing the toy’s commentary on medication, dependency, and the struggles of mental health. Inspired by Chueh’s original painting, The Prisoner represents a bear-like character locked in a pose of despair, hugging its knees with its head down. This green vinyl edition, subtitled Amarillo Verde, extends the series’ reflection on the psychological entrapment many face as a result of trauma and modern pharmaceutical culture, while contributing to the visual language of Street Pop Art & Graffiti Artwork. Pharmaceutical Symbolism and Emotional Language in a Vinyl Medium The Amarillo Verde colorway gives the piece a sterile, medicinal aesthetic, reinforced by its packaging in a translucent green prescription tube labeled with strain-like language. This not only ties the figure to the pharmaceutical world but also alludes to cannabis and alternative coping mechanisms. The bear's static, slumped position communicates resignation and detachment. Its form is simplified, yet every aspect—from its curved arms to its averted gaze—projects a vivid emotional landscape. The figure is not anthropomorphic in a traditional sense, but its expression is intensely human. By enclosing the figure in a mock prescription container, the artwork draws attention to how society addresses psychological pain: through containment and sedation, rather than resolution. Luke Chueh’s choice to use vinyl as the medium makes the figure both durable and intimate, offering a tactile presence that underscores its emotional weight. Luke Chueh and the Visual Narrative of Pain and Isolation Luke Chueh is a central figure in the art toy movement and Street Pop Art & Graffiti Artwork, using deceptively cute characters to explore profound emotional realities. Born in the United States, Chueh’s art frequently tackles depression, trauma, and the tension between inner life and external perception. The Prisoner series is a cornerstone of his commentary on mental health and pharmaceutical culture. This particular Amarillo Verde edition communicates a very specific kind of sadness—the kind masked by colorful pills and simplified diagnoses. It is deeply rooted in Chueh’s personal narrative and broader societal critique. The bear figure, repeated throughout his work, becomes an avatar for voiceless suffering, sitting quietly in its confinement, waiting for acknowledgment. This toy, though minimal in form, is maximal in meaning and speaks to the ability of street and pop artists to address contemporary crises through minimal, emotionally potent sculpture. The Prisoner as a Physical Object in the Vocabulary of Street Pop Art & Graffiti Artwork Kuma OG The Prisoner Amarillo Verde stands as a tactile commentary on mental health in an era of chemical coping. Each vinyl piece is packaged not only with care but with thematic intent—every element, from the labeling to the green plastic tube, reinforces the work’s conceptual core. It mirrors the experience of being prescribed and contained, offering a toy that acts as a physical artifact of emotional incarceration. It is not simply a figure to be displayed, but one to be felt and contemplated. Through his work, Luke Chueh continues to redefine how sculpture and collectible art can serve as powerful mediums for psychological expression. Within the evolving canon of Street Pop Art & Graffiti Artwork, this piece asserts that the most minimal forms often hold the deepest truths, inviting collectors and viewers to sit with the discomfort and recognize its weight.

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Stealth Bomber Qee Black 8 in Sub Version One Vinyl Art Toy by Shepard Fairey- OBEY x Toy2RLimited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2003 Limited Edition Artwork Size 6x8 Printed on Foot Vinyl Fine Art Toy Figure Sculpture. Displayed with Box. Shepard Fairey OBEY Stealth Bomber Qee Vinyl Art Toy The 2003 Stealth Bomber Qee by Shepard Fairey stands as a highly significant collectible in the evolution of designer vinyl art and graffiti-infused pop culture. Produced in collaboration with the influential Hong Kong-based toy label Toy2R, this Sub-Version One 8-inch vinyl figure is a limited-edition art toy that reflects the convergence of Street Pop Art & Graffiti Artwork with collectible design objects. The figure encapsulates Fairey's early 2000s aesthetic, where propaganda-style design met global street activism and urban visual language. Its minimalist color scheme of black and gray, along with bold red OBEY branding, makes it an unmistakable icon of Fairey's visual signature. With a sleek vinyl construction and the instantly recognizable stylized Andre the Giant–inspired face on its chest and packaging, the figure is both an artwork and a political statement. Design Collaboration and Toy2R Legacy Toy2R’s Qee platform has served as a canvas for many of the world’s top graffiti and pop artists, but the inclusion of Shepard Fairey brought a different cultural weight to the toy scene. The Stealth Bomber Qee is not just a toy; it’s a form of urban sculpture born out of an era when collectible vinyl became a new art format. The collaboration with Toy2R allowed Fairey to extend the influence of his street campaign beyond posters, walls, and wheatpastes into a durable three-dimensional object. Each piece from this edition features Fairey’s hallmark star logo on the back, a powerful graphic that has served as a recurring motif in his political and artistic work. It’s not merely decoration—it is a visual extension of the artist’s commentary on power, control, and social obedience. Street Pop Art Object and Collectible Sculpture This collectible stands 8 inches tall and comes boxed in original packaging branded with OBEY insignia and signature Fairey graphics. It functions both as a toy and as a sculptural artwork, representative of the hybrid culture that Street Pop Art & Graffiti Artwork has fostered. Each figure is printed with identifiers on the foot that clearly denote its place within the early designer toy movement: the bold OBEY logo, 2003 production stamp, and the Toy2R licensing mark. Its limited-edition nature and affiliation with a globally renowned artist have turned this piece into a rare artifact from a formative time in both the street art world and vinyl art toy production. Shepard Fairey’s Cultural Influence Shepard Fairey, born in the United States in 1970, is among the most impactful artists to emerge from street art into mainstream cultural critique. His work with the OBEY brand and the now-famous HOPE poster during the 2008 U.S. presidential election made him a household name, but it is his deep foundation in punk rock aesthetics, skate culture, and graffiti that truly shaped his style. The Stealth Bomber Qee is part of that lineage—an object that retains the DIY spirit and visual urgency of the street while being refined for display and collection. It remains one of the earliest examples of how street culture began to command the art world’s attention through limited-edition sculpture, merging accessibility and exclusivity in a single object.

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One with Nature Low Fidelity Music Bear Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition of 250 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Bear in Camo and Headphones Chilling. One with Nature: A Quiet Protest in Vinyl by Luke Chueh The 2024 release of One with Nature by Luke Chueh captures the deeply reflective tone of his Street Pop Art & Graffiti Artwork practice. This limited edition vinyl art toy, standing 7 inches tall and stamped for authenticity, fuses emotional stillness with layered symbolism. It depicts a stylized bear figure—a recurring motif in Chueh’s work—wearing headphones and a camouflage hoodie, standing with hands tucked in pockets. As part of the Low Fidelity Music Bear series, this edition of 250 quietly explores themes of solitude, visibility, and the tension between survival and serenity in modern life. The Camouflage Pattern as Modern Metaphor Camouflage, traditionally associated with warfare and concealment, becomes in this work a visual contradiction. Rather than hiding, the bear is put in full display, suggesting a yearning to disappear while being surrounded by the invasive noise of contemporary culture. This duality aligns with Luke Chueh’s signature approach, where innocent, cartoon-like characters are layered with meaning and melancholy. One with Nature channels this aesthetic to suggest the emotional armor worn by many navigating the overstimulation of modern society. In Street Pop Art & Graffiti Artwork, this blend of innocence and psychological burden is central, and Chueh executes it masterfully through minimal form and symbolic detail. Low Fidelity and Emotional Isolation The concept of low fidelity in this figure series relates not to sound quality but to the experience of emotional disconnect. The bear’s blank face and closed posture, paired with headphones that seal out the world, evoke a sense of retreat from overwhelming external stimuli. It is a posture familiar to those who use music as a shield against noise—literal and metaphorical. The sculpture invites viewers to consider what it means to be present yet unseen, and how urban life has turned introspection into a coping mechanism. Luke Chueh’s ability to materialize these abstract emotional states into clean vinyl forms speaks to his mastery of the medium and relevance within the graffiti art movement. A Collectible with Cultural Weight As a street pop collectible, One with Nature operates both as fine art and cultural commentary. The vinyl bear’s subdued expression and militaristic attire present a paradox of vulnerability and preparedness. Released in 2024 as part of a carefully limited edition of 250 pieces, each sculpture reflects the craftsmanship and intention that has come to define Chueh’s place within Street Pop Art & Graffiti Artwork. Collectors and admirers of his work recognize this figure not just as a toy, but as an emotional artifact—a statement on survival, silence, and the cost of blending in. In a world where visual chaos reigns, Chueh’s bear stands quietly, camouflaged yet conscious.

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Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

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Pac-Man x Grafflex 100% & 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 400% New In Box

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Albino & Preto & Stash 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 New In Unopened Box Albino x Preto x Stash x Medicom

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Target Black & Gold Red Wall Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2013 Signed on Box Limited Edition of 500 Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke ChuehTarget Series Depicting a Bear Painting Target on the Chest Standing at a Red Firing Wall with Gold Target and Paint Bucket. Luke Chueh’s Target Black & Gold with Red Wall: A Bold Variation in Symbolic Street Pop Sculpture Released in 2013 as a limited edition of 500, the Target Black & Gold with Red Wall vinyl art toy by street pop and graffiti artist Luke Chueh introduces a dramatic reimagining of his widely recognized Target sculpture. Measuring 6.5 by 10.5 inches and packaged in a striking collector’s box signed by the artist, this edition retains the central visual theme of Chueh’s emotionally loaded bear while elevating the tension through color and material contrast. Here, the white figure is transformed into a matte black form, marked by a freshly painted gold bullseye. The bear stands against a blood-red brick wall punctuated with bullet damage, enhancing the narrative of self-imposed exposure and existential vulnerability. Redefined Aesthetics and Emotional Symbolism This version of Target amplifies the psychological themes that recur throughout Luke Chueh’s work—pain, isolation, and dark introspection presented through the disarming visual language of toy-like characters. The matte black bear, stripped of facial emotion, applies a gold target to its own chest with a removable red-handled brush, as a bucket of gold paint rests near its feet. The setting, a distressed red brick wall riddled with bullet holes, starkly contrasts the elegance of the gold against the brutality of its backdrop. Rather than suggesting chaos from an external force, the figure actively participates in its own targeting. This gesture speaks to cycles of shame, emotional self-destruction, and the absurdity of accepting suffering as identity. Street Pop Art & Graffiti Artwork in Three Dimensions The Target Black & Gold edition functions not only as a collectible vinyl art toy but also as a fine art object firmly rooted in street culture. Its clean, minimal character design channels modern pop aesthetics, while the bullet-pocked red wall and graffiti-inspired markings pay homage to the grittier textures of urban environments. Chueh bridges psychological depth and consumer culture with careful consideration of narrative, tone, and symbolism. Each element of the sculptural tableau is intentional, from the choice of a rich gold tone to the blood-red backdrop, framing the figure’s quiet act of defiance in a space of confrontation. Edition Significance and Collector Impact The black and gold Target with red wall remains one of the most sought-after variants in Luke Chueh’s sculpture portfolio, drawing attention from both contemporary art collectors and street art enthusiasts. Its combination of limited edition rarity, conceptual richness, and meticulously crafted presentation ensures its place within the upper echelon of modern Street Pop Art & Graffiti Artwork. By reducing his bear figure to the essence of expression through posture and context, Chueh achieves an emotional resonance that transcends traditional toy sculpture. This piece not only completes the narrative arc of the original Target series but reinvents its language through color, form, and raw visual poetry.

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Karimoku Rosewood Paint Bearbrick 1000% BE@RBRICK Extremely Rare Hand-Made Wooden Art Toy Japanese Furniture Maker Fine Art Bearbrick Sculpture. 2021 Extremely Rare Stamped Wood Limited Edition Artwork Displayed In Box Perfect Condition. New, Unopened Custom Wood Crate & Bearbrick From Famous Japanese Artists At Karimoku Master of wood in Japan, Karimoku is a reference in design furniture and now in luxury figurines after a collaboration with Medicom. The Craftsmanship of Karimoku The Karimoku Rosewood Paint Bearbrick, 1000% BE@RBRICK, is a paragon of contemporary Street Pop Art and graffiti Artwork, merging traditional craftsmanship with modern toy culture. This masterpiece hails from 2021 and is part of a scarce collection crafted by the expert hands at Karimoku. It is a revered name in Japanese furniture for its exceptional design and quality. Karimoku's transition from crafting furniture to creating delicate art figurines through a collaboration with Medicom Toy Corporation has been marked by the release of this limited edition, hand-made wooden art toy. Karimoku's reputation as the master of wood in Japan is long-established, with decades of experience producing high-quality furniture. The company's foray into art toys with the Rosewood Paint Bearbrick 1000% BE@RBRICK is a testament to their versatility and commitment to excellence. Each piece is stamped with a unique identifier, signifying the authenticity and rare nature of the artwork. This limited edition BE@RBRICK, like its predecessors, is a sought-after collector's item, not only for toy enthusiasts but also for fine art connoisseurs. Luxury Figurines as Modern Artifacts Karimoku's BE@RBRICK is more than a toy; it's a luxury figurine at the crossroads of high art and street culture. The seamless blend of Karimoku's wood mastery with Medicom's iconic BE@RBRICK design has resulted in a sculpture that is both a playful nod to the collector's culture and a serious piece of Street Pop Art and graffiti Artwork. The Bearbrick, known for its simplistic, bear-shaped form, is elevated through Karimoku's sophisticated rosewood finish, giving it an air of elegance and exclusivity. The wood's rich grain and the sculpture's polished surface reflect the meticulous attention to detail and the high level of skill involved in its creation. Collectibility and Cultural Significance The exclusivity of the Karimoku Rosewood Paint Bearbrick is underscored by its presentation. It is displayed in a custom wood crate, indicating the care and prestige with which these art pieces are treated. This unopened crate, along with the perfect condition of the Bearbrick itself, ensures its status as a pristine collectible. The art piece is a conversation between traditional Japanese craftsmanship and contemporary pop culture, bridging past and present and art and commerce. Collectors and art enthusiasts are drawn to the BE@RBRICK for its cultural relevance and artistic value and as a symbol of modern luxury. Artistic Fusion in Street Pop Art & Graffiti Artwork The BE@RBRICK by Karimoku is a collectible item and a significant work of art within the Street Pop Art and graffiti Artwork scene. It represents the fusion of various artistic worlds: the meticulous craft of Japanese woodwork, the bold and accessible aesthetics of street art, and the whimsical elements of pop art. This Bearbrick stands out as a cultural icon, encapsulating the essence of modern art where functionality, artistry, and playfulness intersect. Its existence as a functional toy turned art object challenges traditional notions of art, inviting us to consider the value and meaning of objects in our contemporary world. Karimoku's Rosewood Paint Bearbrick, 1000% BE@RBRICK, is a significant addition to Street Pop Art and graffiti Artwork. It represents the harmonious blend of high-end craftsmanship with street art's raw, energetic spirit, making it a treasured item for art collectors and enthusiasts of contemporary pop culture. This piece's rarity, with its impeccable condition and presentation, makes it a distinctive and desirable artifact that transcends the usual boundaries of art and collectibles. It is a physical testament to the evolving nature of art in the modern era, where every object has the potential to become a canvas for creative expression.

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A Bathing Ape 28th Anniversary 1000%- Pink BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures #3 2021 Medicom x A Bathing Ape Bape New In Box

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JP Money Bear Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist King Saladeen. 2021 10" tall Custom Display Box With Artworks & Foam $ Signs "Hello, I’m JP the MoneyBear, totally inspired by King Saladeen best friend, John “JP” Thompson who passed away from brain cancer in 2013. He was my number 1 motivator to Take my passion for art serious, and continuously told me I was a King even when I thought it wasn’t! This is not a toy, it’s a piece of my life, apart of why I create and motivate others to be Great. While showing me the highlights of life and that we could do anything we dreamed of wit teamwork and faith! JP lives on through my Art forever! displayed for the first time ever Complex Con On JP’s actual birthday November 3, 2018 This is for motivational and inspirational purposes only Let’s create our way out of the dark with color, style, and individuality. Love what you do." – King Saladeen

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Shrug Limited Edition Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art.

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A Bathing Ape 28th Anniversary 1000%- Green BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures #4 2021 Medicom x A Bathing Ape Bape New In Box

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Onward, Illinois! Silkscreen Print by Jay Ryan Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 230 Artwork Size 18x24 Silkscreen Print Onward, Illinois! Silkscreen Print by Jay Ryan Jay Ryan’s Onward, Illinois! silkscreen print is a celebration of movement, community, and artistic storytelling, blending his signature playful creatures with a uniquely structured composition. Created in 2013, this limited edition, hand-pulled screenprint captures the essence of street pop art & graffiti artwork, where vibrant characters symbolize the energy and resilience of Illinois. With its 18x24-inch format, the piece uses bold muted color tones and fluid linework, a hallmark of Jay Ryan’s artistic approach. Symbolism and Artistic Style This artwork presents a stylized map of Illinois, bursting with expressive animal characters that appear to be in motion, charging forward together. The dynamic arrangement of creatures, including rabbits, dogs, and abstract figures, conveys a collective sense of progress and unity. A notable feature in the composition is a single yellow flag held high, reinforcing themes of leadership, movement, and perseverance. Ryan’s signature hand-drawn textures and organic lines enhance the visual depth, while the limited color palette of blues and greens adds a distinct character to the piece. The use of subtle shading and layered screenprinting techniques gives the print a sense of motion, creating an engaging and almost animated effect. Street Pop Art & Graffiti Artwork Influence Jay Ryan’s work has been an integral part of street pop art & graffiti artwork, blending DIY aesthetics with contemporary printmaking techniques. His bold linework, narrative-driven visuals, and use of animals as symbolic figures align with many of the themes found in modern street art. While his work is often associated with gig posters and independent art scenes, it also shares a common visual language with urban graffiti artists, who use symbolism and repetition to tell stories in public spaces. This print exemplifies the crossover between fine art screenprinting and the raw energy of street art, making it a standout in contemporary poster design. Its hand-pulled nature and limited edition status add to its authenticity, reinforcing the importance of tactile, handcrafted art in an increasingly digital world. Legacy and Cultural Impact As a piece rooted in Illinois culture and artistic heritage, Onward, Illinois! serves as both a tribute to the state and a broader reflection on unity and perseverance. The print’s narrative of progress and shared journey resonates with collectors and street art enthusiasts alike, making it a sought-after addition for those who appreciate handmade, narrative-driven art. Jay Ryan continues to influence modern screenprinting, independent poster art, and street pop aesthetics, ensuring that works like Onward, Illinois! remain highly regarded representations of contemporary visual storytelling.

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Air Bair- Black Cement IV Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Rufnek 21. AIR BAIR by RUFNEK:21 Produced by Super Souljah Studios Black Cement [Jordan IV] Colorway Edition of 367 Size: 8" Tall x 9.5" Wide From: Peoria, AZ. Perfect Condition but No Box.  

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Baby Milo X Hajime Sorayama- Silver 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Bape- A Bathing Ape. 2022 A Bathing Ape BAPE x Hajime Sorayama Rare Bearbrick Collectible New In Box

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SSUR Varsity 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures by SSUR Ruslan Karablin Russian Karablin's label, SSUR gets another Bearbrick makeover on the 400% sized motif. The Bearbrick features SSUR Graphics printed on the front, back and arms of the Bearbrick, resembling the iconic SSUR NY Dog Varsity Jacket. This 400% Bearbrick stands at 28cm / 11 inches tall.

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Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Happy OG San F30 by OG Slick: Sticker Bomb Rebellion in Street Pop Art & Graffiti Artwork Happy OG San F30 is a 2025 hand-embellished giclee print by West Coast graffiti innovator OG Slick. Released in an extremely limited edition of only 25, this 30x30 inch print is executed on 310gsm deckled fine art paper and enhanced individually by hand with spray paint, splatter, and stencil work. Each version is signed, numbered, and uniquely altered, turning every piece into a one-of-one collectible. The imagery is anchored by OG Slick’s instantly recognizable happy face character with an eyepatch, surrounded by a wall of bombed stickers—layered logos, graffiti tags, and Japanese script overlaid in chaotic repetition. The background pulses with energy and contradiction, channeling the language of street saturation into the framework of gallery presentation, firmly anchoring this work within the domain of Street Pop Art & Graffiti Artwork. Graffiti Identity and Urban Overload At the center of Happy OG San F30 is a three-dimensional illusion of Slick’s mascot-style smiley face, set against a cluttered backdrop of stickers and branding. The character’s face is mischievous and iconic—bright yellow, eyepatched, and grinning—set deep into a surface of repeated OG Slick tags, gloved hands, Japanese type, and portrait-style graphics. These elements, often seen wheatpasted across real city walls, are turned into a visual mosaic of cultural imprint. Each piece from the edition features variations in embellishment—some drenched in white-out buffing drips, others slashed with graffiti textures and flares of color. This intentional randomness echoes the street’s unpredictability and the performative nature of tagging, remixing, and rewriting public space. In Street Pop Art & Graffiti Artwork, identity is layered and questioned, and this piece captures that through repetition and distortion of self-referential branding. OG Slick’s Signature Blend of Humor and Rebellion OG Slick, based in Los Angeles with roots in Hawaii, has spent decades merging graffiti technique with pop culture critique. His work has long balanced playful iconography—like his recurring glove and smiley face figures—with gritty rebellion. In Happy OG San F30, Slick tackles the commercialization of graffiti itself, packaging it as fine art without compromising the aggressive messiness that gives it power. The sticker-bomb aesthetic recalls DIY zine culture, punk graphics, and urban tagging. It creates a claustrophobic yet rhythmic canvas that mimics actual urban surfaces layered over time. The eyepatch on the smiley face injects attitude and defiance into what might otherwise feel nostalgic or naïve. It’s a declaration: this is not just happiness, it’s earned chaos. Limited Edition Print as Urban Object and Subversive Gesture Printed with high-resolution giclee techniques and hand-embellished with spray and buff, each copy of Happy OG San F30 serves as a tactile collision between fine art and unsanctioned creativity. The deckled edges and archival-quality paper elevate the print’s object status, while the embellishments make every piece unstable, immediate, and alive. The randomness of spray, layering, and buffing across the edition mirrors the real-world ephemerality of graffiti—where no wall stays the same, and no tag is sacred. OG Slick invites collectors into a moment of street chaos preserved on paper, where symbols of rebellion are recast as aesthetic icons. As a component of Street Pop Art & Graffiti Artwork, this print acts as both artifact and intervention—marking where subculture meets spotlight and turning visual overload into something permanent, beautiful, and defiant.

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Kanye West, The Bear Look Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: Kanye West, The Bear Look Size: 22 x 28 in. Edition of 250 Signed and numbered by King Saladeen

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Karimoku Baby Milo Horizon 400% BE@RBRICK Extremely Rare Hand-Made Wooden Art Toy Japanese Furniture Maker Fine Art Bearbrick Sculpture BAPE A Bathing Ape. 2022 Extremely Rare Stamped Wood Limited Edition Artwork Displayed In Box Perfect Condition. BAPE A Bathing Ape Master of wood in Japan, Karimoku is a reference in design furniture and now in luxury figurines after their collaborations with Medicom. "BABY MILO, one of BAPE's representative icons, BE@RBRICK, a bear-shaped block type figure that is a masterpiece of "Medicom Toy", and the outstanding furniture craftsmanship of "Karimoku" have come cross for a limited edition 400% size (approximately 280mm in height) wooden “BE@RBRICK Karimoku BABY MILO HORIZON”". -Bape

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JP the Money Bear Wave Deck- Blue Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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A Bathing Ape 28th Anniversary 400%- Pink BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figure by Bape- A Bathing Ape x Medicom #3 2021 Medicom x A Bathing Ape Bape New In Box

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Dextroamphetamine Black Beauty The Prisoner Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 500 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Dextroamphetamine Black Beauty The Prisoner by Luke Chueh: A Dark Reflection on Dependency in Street Pop Art & Graffiti Artwork Dextroamphetamine Black Beauty The Prisoner is a limited edition vinyl art toy created by artist Luke Chueh in 2017. Produced in an edition of 500 pieces, this figure is part of the ongoing Prisoner series, which adapts Chueh’s emotionally powerful painting into three-dimensional sculptural form. Each edition comes with a cotton-lined bag and is packaged inside a prescription-style orange tube bearing a fictional pharmaceutical label. This particular version, labeled Black Beauties, references a well-known street term for stimulant-based medications like dextroamphetamine, historically used to treat ADHD and narcolepsy but also widely misused for their euphoric and energizing effects. The toy depicts Chueh’s iconic bear seated with arms tightly wrapped around its legs, body language slumped in a posture of quiet despair. In this black vinyl colorway, the character becomes even more somber and haunting, amplifying the underlying themes of emotional captivity and synthetic reliance embedded in the work. Color as Psychological Weight and Symbolism The black coloration of this figure—paired with the term Black Beauties on the label—evokes a direct emotional response tied to darkness, isolation, and intensity. While earlier versions of The Prisoner might have used color to represent numbing or sedation, this edition intensifies the metaphor by embracing the visual codes of internalized distress. The figure, enclosed in its transparent orange pharmacy tube, appears as a trapped emotional state, unable to express or move. Its eyes are reduced to small, vacant white dots that stand out against the matte black body, making it feel more ghostlike and withdrawn. This visual contradiction—between the adorable form and its heavy emotional implication—is a hallmark of Luke Chueh’s contribution to Street Pop Art & Graffiti Artwork. The toy becomes a site of tension, where the aesthetics of collectible culture meet the emotional realities of mental health, addiction, and societal pressure. Luke Chueh’s Articulation of Pain Through Vinyl Minimalism Luke Chueh, based in Los Angeles, has established a distinct voice in both the street and pop art communities through his deeply personal yet accessible character work. His art reflects the quiet pain many experience privately, giving form to mental states that often lack vocabulary. The Prisoner series, particularly this Black Beauty edition, centers on the way trauma and post-traumatic stress disorder are treated with medical intervention, and how dependency on substances—whether stimulants, opioids, or otherwise—can become a secondary form of entrapment. Chueh’s vinyl bears are not just emotional stand-ins; they are visual testaments to human fragility, rendered in minimalist detail and powerful posture. His work repositions toy art within the Street Pop Art & Graffiti Artwork framework, showing that small, hand-sized sculptures can carry as much expressive power as large murals or installations. The Prisoner Series and the Language of Medication as Art Object Dextroamphetamine Black Beauty The Prisoner transforms pharmaceutical culture into a tactile art form that critiques while it documents. The packaging mimics real prescription containers, complete with faux instructions and contact information, reinforcing the idea that this object is not separate from society’s medical discourse—it is embedded within it. This presentation method adds depth and reinforces the artwork’s conceptual integrity. Limited to 500 pieces, each toy becomes a collectible commentary on the realities of modern chemical treatment, social expectations, and unspoken suffering. Within the wider movement of Street Pop Art & Graffiti Artwork, this piece solidifies Luke Chueh’s position as an artist who uses softness to explore severity, and who brings sculptural language to the emotional and pharmaceutical conditions of contemporary life. The bear sits still, but its silence is deafening.

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Francisco Goya Saturn Devours His Son- Remixed Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Artist Luke Chueh. 2012 Signed & Numbered Limited Edition of 50 Size 19x34

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Obear HPM #9 Limited Edition Hand-Embellished Giclee Print on Fine Art Paper by Phil Lumbang, Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 10 HPM Hand-Embellished Multiple Bear with Hand-Painted Face and Eyes. Small Water Mark Stain Above E, Slight Handling Crease To Lower Right Facing Margin. Unique Characteristics of Lumbang's "Obear" Phil Lumbang's "Obear HPM #9" represents an intimate intersection of street influence and delicate art sensibility, embodying the characteristics that define modern Street Pop Art and graffiti Artwork. This hand-embellished giclée print on fine art paper, produced in 2013, stands as a unique fusion of traditional artistic practices with the contemporary street art movement, illustrating the dynamism of pop art's evolution over the decades. The limited edition print, one of only ten in existence, is signed and numbered, marking its exclusivity and importance in collectible art. What sets "Obear HPM #9" apart is the hand-painted face and eyes, which imbue the artwork with a sense of individuality and craftsmanship. Each print in the series, while part of a collective theme, boasts its unique characteristics due to the hand-embellished nature of the work. Artistic Merit and Aesthetic Appeal The bear, a recurring motif in Lumbang's work, is more than a simple subject; it represents the artist's playful yet poignant exploration of form and character. The bear's wide eyes and open-mouthed expression convey a sense of wonder and accessibility, resonating with a broad audience and reflecting the inclusive spirit of street art. The stark contrast of the black and white bear against the bold red of the "OBEAR" lettering further exemplifies Lumbang's skill in capturing attention through simplicity and contrast. As a piece demonstrating Street Pop Art and graffiti Artwork, "Obear HPM #9" carries the symbolic weight of graffiti's heritage. Graffiti, traditionally seen as a form of rebellion, is transmuted into a playful yet powerful form of expression within the pop art genre. The slight imperfections, such as the small watermark stain above the letter 'E' and the handling crease to the lower right-facing margin, serve as a testament to the authenticity of the piece and the hands-on process of its creation. Collectibility and Cultural Impact The collectibility of "Obear HPM #9" is undeniable, and its status as a hand-embellished multiple (HPM) ensures that it holds a special place in the hearts of collectors and enthusiasts. Each imperfection, each brush stroke, tells a story of the artwork's journey from Lumbang's imagination to physical form. This journey encapsulates the essence of Street Pop Art and graffiti Artwork, where each piece serves as a visual narrative and a historical artifact of the artist's creative process. Phil Lumbang's contribution to modern pop and street art is marked by his ability to distinguish between accessible imagery and artistic sophistication. "Obear HPM #9," with its hand-embellished details, stands as a vibrant example of how street art has evolved into a respected form of fine art without losing the authenticity and vibrancy that define the movement. Lumbang's work celebrates the playful spirit of street art and its place within the broader context of contemporary art.

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Nathalie Lete Minette 100% 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Nathalie Lete is an artist from Paris who now has a 100% + 400% Bearbrick set to go along with the release of her Ours a la Cravete 400% Bearbrick. Minette embodies Nathalie Lete's art style and every detail on this Bearbrick will not go overlooked. From the blue eyes to the patterned dress all the way to the tail spread across the back of both the Bearbrick's legs. This Bearbrick set includes 2 figures that stand at 7cm and 28cm tall!

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Oxycontin The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 300 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Oxycontin The Prisoner Drug Bear by Luke Chueh: Sculpting the Weight of Dependency in Street Pop Art & Graffiti Artwork Oxycontin The Prisoner is a limited edition vinyl art toy released in 2017 by Los Angeles-based artist Luke Chueh. Produced in a run of 300 pieces, each figure comes enclosed in a pill bottle-style tube with custom label design, cotton padding, and a bag. This piece belongs to Chueh’s emotionally raw and conceptually provocative The Prisoner series, which explores the psychological and chemical captivity imposed by trauma and prescription drug dependency. The figure, seated with arms wrapped around bent knees and head tilted in surrender, is rendered in pale pink vinyl, an intentionally vulnerable hue evoking fragility and exposure. This edition bears the pharmaceutical branding of Oxycontin, one of the most widely debated painkillers associated with both relief and addiction. Within the visual canon of Street Pop Art & Graffiti Artwork, this piece functions as a sculptural protest against the medicalization of mental health and the commodification of comfort. Pharmaceutical Captivity Encapsulated in Minimalist Design The use of the pill bottle as both packaging and contextual anchor is integral to the conceptual weight of Oxycontin The Prisoner. Rather than being decorative, it serves as a metaphorical cell. The orange plastic container, a familiar object in American medicine cabinets, becomes a prison of muted pain. The bear figure inside is soft in tone but rigid in posture, exuding silent anguish and immobility. Its simplified features are part of Luke Chueh’s signature visual style—clean, anthropomorphic, and emotionally loaded. The minimalist approach allows viewers to project their own experiences and emotional responses onto the character, whether that be isolation, anxiety, numbness, or resignation. In the tradition of Street Pop Art & Graffiti Artwork, this piece reclaims consumer iconography and transforms it into a statement about personal and collective mental health struggles. Luke Chueh and the Voice of Emotional Vulnerability in Contemporary Art Luke Chueh, born and based in the United States, has established himself as a leading figure in vinyl art culture and emotional visual narrative. His work consistently uses characters—especially his iconic bear—as symbols of psychological realism masked in pop iconography. Oxycontin The Prisoner deepens this approach by explicitly referencing the epidemic of opioid addiction and the reliance on pharmacological solutions for mental health issues such as post-traumatic stress disorder, depression, and chronic anxiety. Chueh’s work does not seek to offer resolution; instead, it offers recognition. The bear is not posed in resistance or hope but in stillness, reflecting the physical and emotional sedation often experienced by those relying on medications like Oxycontin. His use of sculpture within the Street Pop Art & Graffiti Artwork world broadens the category’s potential to include introspective, honest, and therapeutically charged storytelling. A Collectible of Pain and Awareness in Street Pop Art & Graffiti Artwork Oxycontin The Prisoner is not just a toy or a figure for display—it is a contemporary artifact that documents an era of widespread psychological struggle and the societal response to it. By combining collectible vinyl with real-world pharmaceutical references, Luke Chueh exposes the fragility that often lies beneath manufactured relief. The packaging, labeled with details that mimic prescription information, reinforces the institutional control surrounding mental health treatment. With only 300 produced, this edition is highly sought after, not only for its rarity but for its role in confronting important themes through tangible, expressive art. As part of The Prisoner series, it anchors Luke Chueh’s position in the Street Pop Art & Graffiti Artwork movement as a storyteller of the internal human experience, voiced through form, posture, and silence.

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ABC Camo Shark- Gold 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bape x Bearbrick Medicom Collectible Size 400% New In Box In the dynamic sphere of contemporary urban culture, few collaborations resonate as profoundly as the union between Bape and Bearbrick Medicom. With the release of the ABC Camo Shark-Gold 100% & 400% Bape BE@RBRICK in 2022, the two brands solidify their standing as influential frontrunners in street-inspired design and artistry. This limited edition vinyl artwork toy, gleaming in radiant gold, captures the essence of street art's transformative influence on modern design aesthetics. Reflecting Bape's signature ABC Camo pattern, coupled with the distinctive shark face, the figure becomes a beacon of urban motifs that have punctuated the streets and fashion world alike. Its glistening gold finish not only elevates its visual appeal but also makes a bold statement about the luxe side of street culture. While many perceive street art, pop art, or graffiti as counter-culture movements, pieces like this Bearbrick stand testament to their integration into mainstream art and their undeniable influence on design evolution. Such collectibles are more than mere playthings. They are emblematic of the seamless blend between fashion, design, and art, celebrating the energy and creativity of urban spaces. This piece, housed in a pristine box and magnified at a 400% size, will be a cherished acquisition for fans of street culture and art connoisseurs. It is a constant reminder of how street art continues to challenge, redefine, and inspire contemporary design narratives.

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Pac-Man 1000% BE@RBRICK Limited Edition Medicom Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Pacman Retro Video Game From Bandi Namco

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